Amazon.com
Film Directing Shot by Shot offers a good introduction to the rudiments of film production. Steven D. Katz walks his readers through the various stages of moviemaking, advising them at every turn to visualize the films they wish to produce. Katz believes that one of the chief tasks of filmmaking is to negotiate between our three-dimensional reality and the two-dimensionality of the screen. He covers the number of technical options filmmakers can use to create a satisfying flow of shots, a continuity that will make sense to viewers and aptly tell the film's story. Katz provides in-depth coverage of production design, storyboarding, spatial connections, editing, scene staging, depth of frame, camera angles, point of view, and the various types of stable compositions and moving camera shots.
Book Description
A complete catalogue of motion picture techniques for filmmakers. It concentrates on the 'storytelling' school of filmmaking, utilizing the work of the great stylists who established the versatile vocabulary of technique that has dominated the movies
since 1915. This graphic approach includes comparisons of style by interpreting a 'model script', created for the book, in storyboard form.
Customer Reviews:
Chicken scratches vs. Detailed Storyboards.......2007-08-19
I have used this book numerous times for my teachings in which students go through the process of making a short film with certain limitations being imposed. It is part of a process that I call "fast filmmaking". I like the examples that Katz presents, specifically that it is not the quality of the drawing, but how the drawing communicates the director's vision to the rest of the crew. I will usually have a student "explain" their storyboard to the class, and it is amazing how a few chicken scratches can give as much details as a fully detailed storyboard. Kudos to Katz for explaining the creative aspect of directing, and Michael Weise Productions for publishing these types of books.
of moderate interest to readers of video magazines.......2007-08-13
as a long-time reader of videographer's magazines, I didn't find much of interest in this book. If I were new to the trade, I'd probably have found it more useful. For that reason, I gave it a rather high rating of 4 stars
Mind-opening, even if you aren't interested in directing.......2007-06-30
I've worked in the graphics design business for years, but more recently I've grown interested in working with video, primarily shorts and documentary work. I was looking for a book that could help teach me the "language" of motion and visual storytelling, and this book fit the bill. In fact, I found it to be incredibly inspiring as a student of art in general. It's extremely well-written, chock full of practical examples, and contains numerous time-worn techniques as well as cutting-edge experimentation. One funny thing: since it was written a few years before the desktop digital video revolution began, it talks about some of the difficult aspects of shooting which are now in many ways moot. But it's good to hear about the history of the craft.
If you have any interest in all in shooting, directing, or producing any kind of motion picture, show, or short, you'll definitely want to buy this book. However, be forewarned: you'll never be able to watch movies the same way again. You'll begin to pick up all the subtle nuances of filmmaking without even realizing it, so don't feel bad if you have to force yourself to re-engage with the actual story as you're watching!
Useful, pleasurable.......2007-05-07
I'm a college student, not at film school, who makes videos as a serious hobby. I thought this book was much better than other titles in the same market, because it's so specific. Instead of telling you what anyone with common sense knows, like "keep continuity" and "composition can affect the mood of a scene," this film lays it all out in detail. I recommend this for everyone who wants to improve. Even if you're not particularly interested in storyboarding, you'll learn how to think about your sequences in advance much better.
Learning the Rules Before You Break Them.......2007-01-13
Even though many of the great filmmakers may have not utilized storyboards, every one of them has pre-visualized their films.
Pre-visualization is the essence of what it means to be a director. A director can only be effective if he/she properly prepares for each scene. Even if one does not have every shot precisely planned out, they will still have an idea of the look and the flow of the process.
There are certainly many people who feel directing should be intuitive, that there should be no structure to the process or else creativity is stifled. This is a valid point from the perspective of the artist.
What is wonderful about this book is that it gives extensive insight into WHY one should cover a scene in a certain way. Directing as a profession requires a certain amount of preparation and PROOF that you have a handle on the film. Producers want reassurance that you have a vision worth pouring tens of millions of dollars into. Armed with the ability to properly express yourself in regard to your vision, you will have a much easier time convincing others to follow you.
So, in the end, if you are interested in studying the language of film and the methodology behind classic film composition and editing, then this book and the accompanying Film Directing: Cinematic Motion are essential.
Amazon.com
It's well known that a vast number of people work on any given movie in roles as varied as writing scripts, choosing locations, dressing sets, costuming the players, lighting scenes, manipulating the camera, directing actors, editing film, working on sound, advertising the finished product, and screening it to an audience. Have you ever thought about how these components are collated? Or why the director is most often considered the author of a film? Wonder no more, because Sidney Lumet's Making Movies is a terrific journey through each stage of filmmaking that is overseen by the director. Lumet, the veteran director of Twelve Angry Men, The Pawnbroker, Serpico, Dog Day Afternoon, Network, The Verdict, and many other fine movies, knows the ins and outs of American filmmaking as well as anyone. In this excellent, personable account, Lumet tells what he's learned about making movies in the course of the last 40 years. He shows why fine directors need to have strong imaginations, extraordinary adaptability, and skill in many different fields. His enthusiasm for his life's work, particularly his love of actors, is evident on every page of this book. As Herculean as the labors of film directing are, Lumet takes great pleasure in his work, almost guiltily admitting that the film director's job is "the best in the world."
Book Description
From one of America's most acclaimed directors comes a book that is both a professional memoir and a definitive guide to the art, craft, and business of the motion picture. Drawing on 40 years of experience on movies ranging from Long Day's Journey Into Night to The Verdict, Lumet explains the painstaking labor that results in two hours of screen magic.
Customer Reviews:
Great for thos studying film!.......2007-07-05
This book was fantastic, and I recommend this to all ppl intersted in films, especially students. It really brings a reality check to it all and makes you love filmmaking even more! Just great!
Fun, and Still Informative.......2007-04-02
I got this book as a gift for my younger sister, a film major. It goes through the process of making a movie from rehearsal to release, with a lot of anecdotes and examples for flavor. It's a fun read; more of a memoir than a how-to manual.
Interesing, fun and insightful.......2005-05-17
Lumet's book is very well written. He has done a great service to movie lovers everywhere who want to learn more about the process of filmmaking. I wish more directors wrote books like this. It is helpful if you have seen some of his more popular films before reading the book since he uses numerous references to them to illustrate why a certian decision was made or how different elements of the film contribute to the theme.
A good summary........2005-03-12
You are just about to start filmschool?
Get ahead and read this faboulus book about making movies.
From the screenwriting process to the post work Lumet describes the making of a movie.
A must read for future moviemakers, filmbuffs or people who wonder how a movie is made.
Easy to read. Easy to understand.
easy interesting valuable read........2005-03-02
in a quick easy enjoyable read you learn a lot, and it's all logically processed so it all fits nicely into place. regardless he directed dog day afternoon, so how could you not read it?
Book Description
This new edition of the filmmaker's bible has been completely updated to reflect changes in every aspect of the moviemaking process.
Customer Reviews:
Complete and then some.......2006-06-01
This book goes into fairly extensive detail on almost all aspects of film production. Production is a grey area to most and this book illuminates it quite well. It is a bit dry and long winded but is more than made up for by its excellent index and organization. It doesn't have to be a page turner if you can find the page you need. Buy it and use it as you need it (and you will need it)
Invaluable resource, a must-buy for all aspiring and experienced independent producers.......2006-02-17
I'm a writer-producer currently prepping my first independent film where I'm in the driver's seat. This book has been an invaluable resource for me along the way in terms of educating me on the industry and laying out all of the steps I need to take in order to pull off this project. I've read a number of other books on producing lately, and so far nothing else comes even close to this one. Completely comprehensive, from development to distribution.
Dov's book is better.......2006-02-07
If "From Reel to Deal, by Dov Simens, is Hollywood's top rated film how-to book then this book surely will take a close second.
Every indie filmmaker needs this book........2006-01-02
I couldn't have produced and written three feature-length independent movies without this book. Check out my latest, The Indie Pendant, to see what I mean. This book also helped me put together my radio show, The Indie Film Hour, coming to WorldTalkRadio.com in 2006. www.vdefilms.com
Great book, but needs to go in to a bit more detail.......2003-09-02
What can you expect from a single book about indy feature film production. It's a great introduction book, but for those aspiring producers and directors to be. You'll need to do some research on your own.
Book Description
Veteran camera assistant Doug Hart describes in this comprehensive technical guide all of the important facets and duties of the first and second camera assistants' jobs. Whether it is feature films, episodic television, documentaries, commercials, or music videos, The Camera Assistant: A Complete Professional Handbook explains both the practice and theory behind it with a concentration on technique rather than equipment. In addition, personal anecdotes from the author's years behind and beside the camera provide insight into this demanding field.
Key topics include film formats and aspect ratios, testing lenses and camera equipment, focus theory, film loading and labeling, scene blocking, marking actors, shooting tips, slating, paperwork, equipment maintenance, set etiquette, and finding work. This is not a camera equipment handbook; it is a comprehensive procedures manual which describes and explains the most important responsibilities of the camera assistant on the set, the theory behind the practice, and the methods that get the job done properly and keep the assistant frequently employed.
Douglas C. Hart has been a freelance first-camera assistant on feature films, documentaries, television shows, and commercials for more than 20 years, including 10 years (and 10 films) as first-camera assistant to Gordon Willis, ASC, as well as work in 42 states and 26 foreign countries. His work includes Presumed Innocent, Hannah and Her Sisters, The Cosby Mysteries, and CBS's Central Park West. He is a member and former president of the International Photographers Local 644, IATSE, and teaches the Camera Assistant Workshops at the International Film and Television Workshops in Rockport, Maine.
Details both the practice and the theory necessary to be a camera assistant.
Concentrates on technique, not equipment.
Serves as a comprehensive manual, which teaches the necessary methods to get the job done and stay employed.
Customer Reviews:
Great starter book for AC's.......2006-06-12
Of the two major "textbooks" on ACing, this is the best one to start with. It gives enough information to initiate you into what is expected of all members of the camera crew, but is not overwhelming with technical info (not that you are not going to want that info someday, but if you are new, it can be confusing and even discouraging.) After this book, get David Elkin's Camera Assistant's Manual, which goes into much further detail. As you work with different cameras, download the manuals from the panavision/arri/aaton/etc websites so you can feel comfortable with the differences in individual cameras. Lastly, get a used copy of the very expensive American Cinematographer Manual for all the technical bits in one handy portable reference book. This, and tons of set experience, is probably all you need (and keep in mind some of the greatest cinematographers who ever lived worked without any of these aids). Rely on your eye!
The Camera Assistant - A Complete Pro Handbook (Hart).......2000-08-17
This is probably the best handbook for this discipline I've ever seen. I bought a copy when I was in the States three years ago - and it was swiped ! I plan to prescribe this book for my students from 2001 onwards. Well done !
John Hill ctftvs@netactive.co.za
The bible for operating camera personnel!.......1999-06-10
This book is a complete and highly insightful manual for motion picture camera assistants and operators. It covers the disciplines, techniques, skills and even the politics of the craft. For anyone involved or wanting a fabulous look into the workings of the film industry, buy this book!
This is the new Bible........1997-10-15
Compiled from years of teaching innumerable students at the International Film & Television Workshops in Rockport, ME, this book supercedes all previous texts on the subject. A former President of East Coast Camera Local 644, Hart writes in a manner as readable as it is thorough. Illustrations and appendices are completely useful. This is the new Bible for the working A.C. and anyone seeking to understand how the camera department really functions.
Book Description
The Avid Handbook caters to video editors bordering on intermediate who are ready to unleash the full power of the Avid but don't know where to start. Rather than focusing on arcane keystrokes, the book teaches production procedures, the real key for getting a job done. Time saving, shortcuts, and strategies are emphasized, and the author tackles such real-world problems as set up, keeping a facility running, minimizing crashing, and troubleshooting head on. Bayes has helped thousands to avoid downtime and maximize creative time.
* Intermediate techniques for the Avid Xpress, Avid Xpress DV, Media Composer, and Symphony
* Emphasis on workflow strategies, configuration, troubleshooting, and administration
* Helps maximize creative time and eliminate downtime
Customer Reviews:
Excellent Handbook For Avid Editors of All Levels.......2006-02-26
A great reference for for any Avid editing suite. The Avid handbook is packed with strategies for workflow that offer huge time efficiencies. Steve Bayes is a wealth of information not just on Avid editing, but on video in general. He explains the concepts in a clear and concise fashion. I found the tips on exporting and color space considerations particularly helpful. I would highly recommend this book.
The first choice for new and experienced Avid editors.......2006-02-21
This is a "must have" book for all Avid editors. It concentrates on workflow issues and gives the editor insight into what the logic has been in developing how the Avid editing applications function. This book is as much "why" as "how to" and therefore transcends software version changes and updates that cause other manuals to become obsolete.
Book Description
The Complete Film Production Handbook is a comprehensive step-by-step guide covering the essentials of the business, from checklists and sample pre-production and post production schedules to contracts and company policies relating to insurance, talent management, and even customs and immigration details. The book contains all of the many necessary forms including SAG, DGA, and WGA forms, together with standard production forms, deal memos, and release forms which are found both in the book and on companion CD.
This book provides producers and production managers with both a quick reference and refresher and an easy means of training their production staff on the day to day procedures needed to keep their production running smoothly. It provides film students with an in-depth look at what must be considered and accomplished before a single camera can roll and a more comprehensive understanding of the logistics that are required to complete and deliver a finished picture. First time independent filmmakers will find this the most comprehensive and helpful resource guide available.
The third edition includes substantial updates throughout. New chapters examine such topics as:
Basic accounting procedures
Production team members and their responsibilities
Working with vendors--negotiating deals. Saving money
Working with extras
Foreign locations--Work visas, shipping and customs
*Provides comprehensive step-by-step coverage of the production process
*With this book and companion CD-ROM you will find all the essential forms for launching a production office
*Examines basic accounting procedures and the role of the production team
Customer Reviews:
A must have.......2007-03-24
Really helpful. If you are making a film, you need this book
GREAT!!! so much to learn!.......2005-10-08
It is quite a great book! I learned so much, and i learned where to learn more, after reading this book i came up with new doubts, and im solving them now. If you are serious about making a movie, this is a must have, this and other more.
A practical, accessible, and essential reference.......2003-03-04
Now in an updated and expanded third edition, The Complete Film Production Handbook by film production expert Eve Light Honthaner is a comprehensive, resource packed instructional reference enhanced with essential the "need-to-know" ins and outs of the film business, including checklists, example schedules for pre-production and post-production, guidelines for insurance policies, talent management, immigration details applying to actors and other film industry workers crossing national borders, forms used for the Screen Actor's Guild (among others), basic production forms and deal memos, and a companion CD-ROM containing numerous useful documents in easily printable form. A "must-have" for anyone seriously considering producing a film for the first time, The Complete Film Production Handbook is a practical, accessible, and essential reference for novice filmmakers, and is highly recommended resource for even the more experienced movie producer, whether independent or studio contracted.
Excellent source...........2003-02-18
This book, along with the Producer's Handbook, is tied at the top of my list! It is filled with excellent information on everything film related. From pre-production to post, you will find details on every single point of production and development. It introduces the novice to the world of production starting with crew position definitions, and at the same time it goes over many aspects that concern the professional filmmakers (like budgeting, scheduling, finding and bringing together a crew, a set, etc...). There are a considerable amount of forms and contracts/agreements that every filmmaker should know about, etc. It is truely a MUST if you seriously want to know what you're doing when it comes to filmmaking! This book is an A + + +!!
An Assistant Director / Prod. Manager's Dream !!!!.......2003-01-18
This book is gift from heaven for any AD or UPM. I had the old edition and thought it was great. But this edition is even better! There are explanations and checklists from Preproduction to Post. The CD-ROM has both Mac and PC files which are very comprehensive and well organized. Your whole AD Kit on 1 CD!! Best of all the price is within anyone's budget. I've worked in the field for 8 years. I've already recommended this book to 2 other people. They bought it and love it.
Average customer rating:
- A Must-Have!
- Good Information, But Filled with Typos
- So much more than another "how to" book
- Great book - interviews are very helpful!
|
The Documentary Film Makers Handbook: A Guerilla Guide
Genevieve Jolliffe , and
Andrew Zinnes
Manufacturer: Continuum International Publishing Group
ProductGroup: Book
Binding: Paperback
 Direction & Production
| Movies
| Entertainment
| Subjects
| Books
General
| Movies
| Entertainment
| Subjects
| Books
General
| Performing Arts
| Arts & Photography
| Subjects
| Books
Similar Items:
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Writing, Directing, and Producing Documentary Films and Videos, Fourth Edition
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Documentary Storytelling, Second Edition: Making Stronger and More Dramatic Nonfiction Films
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Making Documentary Films and Reality Videos: A Practical Guide to Planning, Filming, and Editing Documentaries of Real Events
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Directing the Documentary, Fourth Edition
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Shaking The Money Tree, 2nd Edition: How to Get Grants and Donations for Film and Video
ASIN: 0826416659 |
Book Description
Documentary films have enjoyed a huge resurgence over the last few years, and there's a new generation of filmmakers wanting to get involved. In addition, the digital revolution has made documentaries even more accessible to the general filmmaker. Documentary films can now be shot professionally using cheaper equipment, and smaller cameras enable the documentarian to be less intrusive and therefore more intimate in the subjects' lives. With an increasing number of documentaries making it to the big screen (and enjoying ongoing sales on DVD), the time is right for an information-packed handbook that will guide new filmmakers towards potential artistic and commercial success.
The Documentary Film Makers Handbook features incisive and helpful interviews with dozens of industry professionals, on subjects as diverse as interview techniques, the NBC News Archive, music rights, setting up your own company, the Film Arts Foundation, pitching your proposal, the Sundance Documentary Fund, the Documentary Channel, the British Film Council, camera hire, filmmaking ethics, working with kids, editing your documentary, and DVD distribution.
The book also includes in-depth case studies of some of the most successful and acclaimed documentary films of recent years, including March of the Penguins, Born Into Brothels, Control Room, Dogtown and Z Boys, My Date With Drew, and many more! The Documentary Film Makers Handbook will be an essential resource for anyone who wants to know more about breaking into this exciting field.
Customer Reviews:
A Must-Have!.......2007-04-01
This book is packed with tons of useful information. We consider ourselves somewhat expererienced documentary film-makers, but it's given us a lot of valuable information we didn't alreadly know, and didn't know who to ask.
Good Information, But Filled with Typos.......2006-12-24
This book is full of great information, but there are many places in the text where there appears to be missing text. e.g. pages 51, 57, 59 where there are little boxes that appear in the middle of sentences & break up the text, sometimes with returns that leave one word on a line. Curious.
So much more than another "how to" book.......2006-11-21
Though this book has plenty of useful resources from writing to funding to filming to distributing your film, what really sets it apart from the rest are the short interviews throughout the book with people from all sections of the industry--not just directors! They generally start off with a simple question--What do you do?--and then quickly gets down to brass tacks and inside dope. It's fascinating stuff...engaging reading isn't exactly what one expects from a "handbook" but they've done it right.
Great book - interviews are very helpful!.......2006-11-17
If you are truly interested in becoming a documentary filmmaker then this is the book for you, whether you are just starting or already well on your way. I found the interviews in the book to be the most helpful and informative. Thanks for putting together such a functional and important guide!
Book Description
The Set Lighting Technician's Handbook is a friendly, hands-on manual covering the day-to-day practices, equipment, and tricks of the trade essential to the motion picture lighting technician. This handbook offers a wealth of practical technical information, simple techniques, as well as aesthetic discussions.
The Set Lighting Technician's Handbook focuses on what is important when working on-set: trouble-shooting, teamwork, set protocol, and safety. It describes tricks and techniques for operating a vast array of lighting equipment including xenons, camera synchronous strobes, black lights, underwater units, lighting effects units, and many others. This handy on-set reference has also been widely adopted as a training and reference manual by union training programs and top university film production programs.
New in the second edition:
Revised and updated throughout
12 new appendices of handy reference tables
Over 180 illustrations and photographs
Lots of new topics and gadgets
Harry C. Box is a Hollywood-based gaffer and director of photography.
Foremost hands-on guide to set lighting from an industry professional.
Only comprehensive source specific to the set lighting industry.
Practical, anecdotal, detailed, and comprehensive.
Customer Reviews:
A lot of Really Good Info........2007-06-03
A MUST HAVE for the inside scoop into the Industry.
Great for beginners or review for experts.......2007-05-15
If your planing a career in the motion picture or television business than this book will greatly advance your technical knowledge of the business. If your an old pro at the business the book is great for a quick reference to prepare you for a shoot.
A must have, for any D.O.P.......2007-05-15
This wonderful book, covering all the major areas in lighting, in enough detail to give a solid grounding. w
While it may appear a little too technical for the absolute beginner, it does offer a solid base in knowledge for those with a little experiance wanting to expand their knowledge, and take away plenty of ideas with which they can put to trial on future set's.
If your looking to become a cinematographer; but feel there are gaps in your knowledge, get this book. I believe it to be a must have.
Everything you wanted to know about lighting Film and TV but where afraid to ask.......2007-03-21
Harry C. Box's book on Set lighting for film and TV is the most comprehensive book on the subject. He writes with humor and an insiders knowledge, while taking the time to explain things as though you where a novice. If anyone is considering a career in Film production this is a must read on their list.
Everything I could've hoped for.......2007-03-11
This book is great in that in speaks to all levels. Going over the basics between a baby and a junior all the way up to distribution and specialty lighting, this book will inform the novice and work as a reference for the rest of us.
Most of the second half of the book is all reference charts. It's a great source for planning your next shoot all in one place (for those of us that don't have the luxury of getting half the rental shop to accommodate our needs).
Book Description
Every film or video shoot calls for at least two camera assistants. Camera assistants (or first and second ACs, as they're known) have the important job of maintaining the camera, readying it for use, troubleshooting (such as knowing what to do when a camera drops into the ocean), and preparing it for transport. The Camera Assistant's Manual teaches the complete workflow in easy-to-understand terms and does not assume prior knowledge. It is a must-have on the set for camera assistants and is loaded with reference material such as camera illustrations, forms, charts, checklists, and equations. Invaluable career advice rounds out the book.
· New companion website with extensive forms, charts, and illustrations to print out and use
· Completely updated with information on digital video and high definition cameras that are changing the camera assistant's job
· Career tips and complete job descriptions help camera assistants get and succeed at jobs
· Companion website: www.cameraassistantmanual.com
· Author's site: www.davidelkins.com
Customer Reviews:
Amazing reference! May leave you a soulless husk if you read it all the way through..........2007-01-09
I bought this book when I was hired to AC for a project on equipment I had never worked with before. For one of those, "Holly crap! I agreed to do a job I only know how to do part of!" moments, this book is great. Every question I could think of was answered thoroughly and I mean THOROUGHLY. If you want to learn exactly what the responsibilities of an Assistant Camera Person are and how best to execute them read this book! If you are a working AC and want an easy to read, text-book style reference this is it.
The Best Book On The Subject. PERIOD........2005-12-03
Nothing comes close to David Elkins' book. It's that simple. This is the best, most complete book on the job of the camera assistant. PERIOD. If you are new to the job of the camera assistant, this book is an absolute must have. If you are a seasoned "vet" who has years of experience working on motion picture sets, again, this book is an absolute must have. Elkins' total description of every aspect of the AC's job is so consise, it's like a classroom in a book. Loaded with every conceivable diagram and chart, and covering every motion picture camera currently being used, this book goes well beyond your typical "job description" type tome.
The bonus materials alone make this book invaluable. Along with the companion website, the reader has vast amounts of precious material available for when the job calls for it...label templates, charts, manufacturer links and contacts, the list goes on and on and on. The best part is the writing style is clear and informative, almost like Elkins himself is teaching you as you go.
Look no further than this book. It's all here.
The Best Technical Book on Moviemaking.......2005-11-29
David Elkins's The Camera Assistant's Manual, Fourth Edition is the best technical book around, and one of the best books on movies, period.
Dave manages to cover every aspect of an assistant's job, no matter how obscure or infrequently encountered. But the completeness is only one aspect which recommends it to any aspiring or working cinematographer.
Written in a clear, conversational manner, Dave manages to demystify both the jargon and the sometimes strange job of an assistant. His accounts of procedure for both first and second assistants clarify what we in the business call "industry standard": the accepted, professional way of conducting yourself and doing a job. Outside of a job on a
Hollywood set, it is nearly impossible to learn these classic, time-saving routines. And unless you've been a pro in the business, you're not going to know about such things as the relative merits of Magliner and Rubbermaid carts for hauling equipment.
The book covers the general characteristics of film, cameras, and lenses in such a way as to give a general technical education. Dave also gives a valuable overview of the camera department and its place in film production overall.
What many readers will find most useful are the sections on troubleshooting, the diagrams and threading patterns of every currently used camera, and the wealth of forms and lists to organize the on-set work.
I've tried to give a good idea of what the book covers, but it contains much, much more. I've been using The Camera Assistant's Manual since the first edition. This is the biggest and the best version. I only wish that, when I started as a camera assistant, I had had access to such a clear, helpful book.
Beginner to Pro.......2005-10-17
The 4th Edition of the Camera Assistant's Manual by focal press author David Elkins is a must have for the beginner as well as the seasoned pro. From how to set up a darkroom, to threading diagrams on all "in use" cameras, to lifelong useful tables and charts, this edition has it all.
Must Have Manual.......2005-09-27
The Camera Assistant's Manual is a must have reference book for both beginners and experienced professionals in the camera department. If you are a beginner, this manual will teach you all of the basics as well as the advanced details of camera assisting. Although not a substitute for actual experience, author David Elkins also coaches you on how to act efficiently and professionally on a set. This can save you countless embarrassing blunders on your "first barbeque." But before learning all of the AC's duties, the reader is introduced to the basics of cinematography and a complete overview of the camera department. This is extremely helpful - allowing the beginner to understand the "big picture" first. If you are an experienced professional, Elkins gives you hundreds of tips and suggestions that will add to your knowledge base and help your job go smoothly. This 4th edition contains the most complete and up to date camera diagrams, tables, and formulas of any single reference source. Imagine your relief when you have to load and thread a new camera for the first time. The Camera Assistant's Manual is worth it's weight in gold.
Book Description
"Marketing to Moviegoers" is the essential guide to film marketing. Although there are many resources available about how to make a film, there are few about how to get your film seen once it's made and none that reveal the closely-guarded marketing secrets of the major motion picture studios. The author goes right to the source and provides data, quotes, and insights from high profile industry professionals and information on market research that the major studios don't want the moviegoing public to know.
This book will be indispensable for film marketing executives, consumer product marketers, students, and people new to the filmmaking field. It provides practical data, such as templates for advertising campaigns of different sizes, solutions, and an insight into the complicated movie marketing process. Armed with the strategies that Hollywood professionals would prefer not to share, film professionals and marketing professionals alike will have a leg up in this complicated business.
*Learn how to get your film seen by the public
*Learn how to inspire confidence in and generate excitement among investors and distributors
*Find practical solutions and strategies that you can apply to your own film
*Learn the secret strategies of the major studios, and find out information on market research that the studios don't want the moviegoing public to know
Customer Reviews:
Grate book.......2007-10-03
This is a grate and very useful book. It is very clear and understandable, it have many actually information about movie business which I cant find anywhere else!
Excellent guide.... a page turner!.......2006-09-04
I bought this book because I'm getting involved in the movie making business (my expertise is mainly from a product development background). Even though a film can be viewed as a product I needed to understand the complex market in which I'm getting into.
"Marketing to Moviegoers" is an incredible way to get insight on all aspects of the film marketing process: from creative ad campaigns, test screenings, media buying strategies, product placement, merchandising and getting to know the distribution strategies for both big studios and independents.
Rather than a how-to manual, Robert Marich compiles numerous examples and case studies, in an enticing and easy to read format (using indsutry charts and graphics), that allowed me to understand what to expect when producing, promoting and distributing my film in a few days.
I think this book, with its broad coverage of the movie industry and its practices is a great compliment to "The Complete Independent Movie Marketing Handbook", because the latter focuses more on step-by-step recommendations on how to get your movie packaged and sold.
The Inside Track on How Movies Are Marketed.......2006-03-10
As London bureau chief of The Hollywood Reporter, I covered the whole range of movie marketing strategies, from bad to brilliant. Bob Marich gives those who market movies and those with an interest in the film business a great inside look at how it's done, from market research to promotions and publicity to distribution. He covers major studio releases, movies distributed by indies, and foreign-language films. This is a great read for anyone who cares about how movies reach the ticket buying public.
Comprehensive and Easy to Read.......2006-02-23
This book is a must-read for any aspiring or practicing film marketer -- even marketers of non-entertainment products can learn a few tricks here. Thoroughly researched and logically presented with a liberal use of tables, "Marketing to Moviegoers" leaves no stone unturned in its elucidation of the whys and hows of selling a movie to the public. It delves into everything from concept testing and surveys to trailers and projection equipment and even the special challenges posed by foreign-language films. Should be required reading at all film schools.
Book On Movie Marketing Touches Every Base.......2006-02-21
I have written on films for a decade for VARIETY and have subsequently free-lanced for other publications. I found "Marketing for Moviegoers" a highly comprehensive account of marketing in the industry, of films winding their way to hoped for profitability employing multiple strategies through multimedia and ever expanding technologies. Even the most seasoned professionals in marketing will want to compare notes with this book's wealth of information and anecdotal material. It is definitely a must for neophyte filmmakers or those aspiring to that calling so that they will know exactly what they are getting into.
As the book gives a thorough rundown of the fields of marketing research, media advertising, promotional tie-ins, merchandising, publicity and distribution it carefully notes the opportunities and pitfalls of assorted game plans. Chronicles of standard industry practices are interlaced with boom or bust investment tales. It is especially skillful in coping with the constant changes of new technologies. On the subject of the Internet, for example, the various advances and retreats, strategies and counter strategies are duly recorded.
"Marketing for Moviegoers" bolsters its points with numerous charts and examples of recent movies. While this book's primary appeal will be to those in the trade its inside story of the intense media battle for consumers' dollars should have the attention of some just plain moviegoers.
Books:
- Ghosts of the Titanic
- Gollum: A Behind the Scenes Guide of the Making of Gollum (The Lord of the Rings)
- Gone with the Wind
- Greta Garbo: A Life Apart
- Grindhouse: The Sleaze-filled Saga of an Exploitation Double Feature
- Grindhouse: The Sleaze-filled Saga of an Exploitation Double Feature
- Grindhouse: The Sleaze-filled Saga of an Exploitation Double Feature
- Groundhog Day (BFI Modern Classics)
- Heat: An Amateur's Adventures as Kitchen Slave, Line Cook, Pasta-Maker, and Apprentice to a Dante-Quoting Butcher in Tuscany
- Here, There and Everywhere: My Life Recording the Music of the Beatles
Books Index
Books Home
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