Book Description
The classic Crazy Salad, by screenwriting legend and novelist Nora Ephron, is an extremely funny, deceptively light look at a generation of women (and men) who helped shape the way we live now. In this distinctive, engaging, and simply hilarious view of a period of great upheaval in America, Ephron turns her keen eye and wonderful sense of humor to the media, politics, beauty products, and women's bodies. In the famous "A Few Words About Breasts," for example, she tells us: "If I had had them, I would have been a completely different person. I honestly believe that." Ephron brings her sharp pen to bear on the notable women of the time, and to a series of events ranging from Watergate to the Pillsbury Bake-Off. When it first appeared in 1975, Crazy Salad helped to illuminate a new American era--and helped us to laugh at our times and ourselves. This new edition will delight a fresh generation of readers.
Customer Reviews:
It's not at all like "I Feel Bad About My Neck" (the new book).......2007-07-07
I bought Crazy Salad (the original edition, from Amazon, used), after reading the new "I Feel Bad About My Neck". I really enjoyed the breezy chatty style of the new book, and the personal, witty essays about mundane things (purses, beauty regime, food). Crazy Salad isn't like that at all - it is more journalistic and newsy, and the dated essays are about 1970's politics (incl. gender politics) and political figures that have since been forgotten (I was only a baby then, so forgive me if I don't find these references meaningful). If you want a dip into what the women's movement was like in the early 70's, buy this book. If you just want a funny read, this book is not the one to buy. Also, it's not really about women, the title is misleading - it covers a whole bunch of news topics.
I bought it because of the author.......2007-01-10
Gave this book to my daughter-in-law on the recommendation of my dughter, who says this author is very special....for women. We need all the humor we can get.
A New York Snob Speaks.......2003-12-16
Nora Ephron is quite sure of herself and her friends, and laughs heartily at the yahoos in the Midwest who cook and love their husbands. While her writing is often amusing, her attitude of condescension and wearying self-glorification is grotesque. And to see her way back at the beginning of the Women's Movement equally sure of how circumstances would improve for women is especially painful. She poo-poohs those who wonder if women's life will actually improve, (and her own "Encounter Group" partners certainly cast doubt upon that) and lives in a world where people such as herself need not be troubled by real life.
As a historical document there is much to glean. For instance, the disgust with Watergate is palpable; yet our disgust with far greater crimes today is much less apparent. A clever lady, with a few interesting observations, but annoying and smug without being especially insightful.
Funny at times but some material very dated.......2001-02-23
I enjoyed part of this book. I laughed at a few of her stories but some of the chapters were so dated that I didn't know what she was talking about let alone whether it was funny. Maybe I was a bit too young to appreciate it all.
Love this book.......2000-11-27
I read this book years ago and bought it again for my daughter. The piece on breasts is just as hilarious and relevant today (sad to say) as it was when I first read it.
Amazon.com
Best known as Detective John Munch on the hit TV series Homicide, Richard Belzer is also an accomplished standup comedian with a knack for political commentary in the tradition of Mort Sahl and Dick Gregory. In UFOs, JFK, and Elvis, he applies his analytic powers to two of the most controversial topics of the late 20th century: the assassination of President John F. Kennedy in 1963 and the alleged U.S. government cover-up of the existence of alien life. (The reference in the title is the book's only substantial Elvis sighting.)
Belzer sensibly avoids pretending to have the answers, opting instead to focus on the questions themselves. Why does the Zapruder film fail to synchronize with other footage of the Kennedy shooting? What's the real background on Lee Harvey Oswald--and who really posed for that famous backyard photo? Did NASA regularly suppress UFO sightings by Apollo and Gemini astronauts? And how about that giant face on the surface of Mars? While Belzer's sarcastic, antiauthoritarian tone may not convince you that aliens walk among us, it's rather difficult by book's end to fully dismiss his belief that "history is just a collection of accepted lies" told to keep the masses in line. --Ron Hogan
Book Description
"I'm not asking you to believe every conspiracy theory you'll find in this book. . . . I didn't write this book to give you all the answers. The Warren Commission did that, and the answers were all wrong. I wrote this book to inspire you to do what the powers that be wish you wouldn't: to question authority . . . and to keep an eye out for Elvis."
--Richard Belzer [p. 4]
Is it just a coincidence that Richard Belzer plays a detective on the hit NBC series Homicide: Life on the Street? Maybe. But the fact is, when he's not busting criminals on TV, the acid-tongued, legendary search-and-destroy comic known affectionately as "The Belz" is doing real-life detective work: searching out evidence, sifting through long-buried facts, and destroying popular misconceptions involving everything from the JFK assassination ("There's only one living member of the Warren Commission, and that's Gerald Ford. He's also the dumbest member of the Warren Commission. Coincidence?") and the existence of UFOs to secret germ warfare and those ominous visits (long before the movie) from men in black.
In UFOs, JFK, and Elvis, the distinguished statesman of stand-up comedy tackles some of the biggest conspiracies and cover-ups this side of Roswell. Just what is it that they don't want you to know about the assassinations of John Kennedy, Martin Luther King, Malcolm X, and John Lennon? Alien abductions and the "face" on Mars? The downing of TWA Flight 800? The ancient order of the Freemasons and evidence of extraterrestrial experimentation?
Finally, one lone "nut" exposes the conspiracy to keep conspiracies a dirty little secret, standing up to the shadowy forces that would have us believe that Oswald acted alone, those lights in the sky are weather balloons, and fluoridated water is good for you (yeah, right). "Some of the smartest people I know . . . find it easier--and certainly more comforting--to believe that America is the only country on earth with no conspiracies at all." Just remember: do not ask on whom The Belz has told--he's told on them.
Customer Reviews:
Read it to enjoy Belzer, get your info elsewhere.......2007-09-29
I don't give a care about whether or not Elvis abducted JFK, this was just a fun book to read. Belzer is actually more enjoyable as an author than he is as a stand-up, which is odd considering that you're picturing his delivery the whole time you're reading it.
It's a quick read. Environmentalist might be upset that there's a lot of blank space (for your own notes I'm sure). Also, he has tangent boxes throughout even though each chapter is only about 3 pages long. Those who feel that tangent boxes are designed to make it feel like you're taking a break might instead feel like they're trying to read two books at the same time.
Belzer's UFOs.......2007-03-13
It's hard to believe that this book is meant to be taken seriously even though the author might be a conspiracy buff. The conspiracies range from the ridicilous to the completely absurd. Some conpiracies are even contradictory, USA faked all Moon missions or Neil Armstrong encountered a moon full of aliens and their structures. The book offers a lot of opinions and wild stories presented as fact without any proof. Belzer's fellow "conspiracy researcher" Jim Marrses theories presented in the book are the most absurd. The Moon is a spaceship built by aliens because it couldn't have formed any other way and its gravity is too weak to hold it together. Sounds really good, if you don't know what a Physics book looks like. Belzer also mentions many times that ancient texts are full of referances to aliens. The only proof being that, when you forget about the ancient culture's gods, rulers, complex mythology and take the texts and images completely out of context and forget about what real historians say, the images and text might talk about aliens. Belzer also says that aliens don't land on the White House lawn for all to see because they don't want to and sane credible people see aliens all the time but don't want to tell anyone. This kind of circular logic also proofs that pink flying elephants are real.
Funny stuff!.......2007-01-10
A great read, very funny. I doubt it would make good reference material for academics. I Loved reading it, it makes me think that I would really love to sit down and have beer or coffee with the Belz.
An unexpected level of research and depth of thought.......2006-11-19
When I first saw this title I thought that Richard Belzer had written a funny book filled with witty musings about little green men and movies in which Kevin Costner has a bad haircut." Belzer has made a turn toward the dramatic with his portrayal of detective John Munch in "Homicide" and "Law & Order SVU", a role he has had since 1993. However, this is still the same guy that was in the 1988 classic "The Wrong Guys". I was in no way prepared for what I was about to read.
Within the first few pages I was reading details about claims of heinous atrocities and government conspiracies. This was not the lighthearted work that I expected. From the very beginning, Belzer makes his goal clear. He urges the reader to "seek out suppressed evidence ... interpret independently everything you hear, read, and even what you see ... question authority."
Even if you are not a conspiracy theory enthusiast, it is hard not to get caught up in the unexpected depth of Belzer's research and his insights on the JFK assassination and alien visitors. I wasn't exactly "transformed from a cheerful trusting soul with unflagging faith in the powers that be into a suspicious, angry skeptic and cynic that can't sit through a 30-second news teaser," as Belzer promised, but reading the book has made me think and look at the situations in question in a new light.
For those who are not big on conspiracy, the information is presented in a way that would make even Lee Harvey Oswald chuckle. The book is both informative and entertaining, with sections with names such as "The Fluke of Earl" and "Just a Simple Nightclub Owner with a Dream". This book had me laughing one moment and somewhat scared the next. If you are not familiar with Belzer's comedy routine or acting, you might not appreciate this book as much as if you were. It makes it easier to tell when Belzer is joking around and when he is serious.
Belzer at his best!.......2005-12-16
This book is a fast paced read, and told to us in a way that you can almost imagine the Belz is actually there reading it to you. He reveals a great many things about the assassination of JFK that I had and had not heard over the years. Most notable are the similarities between Lincoln and Kennedy.
He delves into everything possible from the Warren commission, to there being as many as 60 men posing as Oswald in the months leading up to the assassination. Plus listing other conspiracy's as to who might have had a hand in Kennedy's death. The way he lays the info out there will make you wonder....is he right?
Go read it and decide for yourself....as for me I'm a believer! (But does that make me another lone nut? Read it and you really may just join the rest of us nuts.)
Customer Reviews:
Originally Posted on Romance Junkies in 2005.......2007-05-14
The third book of poetry that Ms. Esselman and Ms. Velez have put together, YOU DRIVE ME CRAZY can help anyone once again believe in the power and redeeming force of love. Whether newlyweds, heading towards your golden anniversary, or gripped in the claws of new love with a significant other, these poems are for you.
From Shakespeare to Neruda, from e.e. Cummings to a poet named Rumi, YOU DRIVE ME CRAZY tackles every aspect of love and lays it bare. A testament to true love in VALENTINE segues into the daily lives of a couple caught in a lull in APEX PLUMBING. You can be thrown into that frenzied feeling of new love and sexuality in I WANT, then tossed back into the sea of heartache with FINDING IS THE FIRST ACT.
I am the first to admit that I don't know all the ins and outs of poetry. I don't know the structure with which true poems are put together; I haven't a clue as to what makes a poem a poem. What I do know, however, is that love is glorious thing. It's also the most painful emotion that a human being can suffer. In this book, you can live through the range of emotions that we all experience every day-longing, need, understanding, misery, and hope.
YOU DRIVE ME CRAZY is for the woman who knows that Hallmark cards aren't for real people. There are no cards to say "Gee, I'm sorry your kid got kicked off the basketball team," or "Oops, guess that comment I made about husbands who pick their noses in public wasn't so funny after all." This book is for me, for you, for everyone who knows that the good always comes with the bad, that baggage is generously included with your lover, and that being imperfect isn't, after all, necessarily the end of the world.
The ebb and flow of love..........2007-02-21
Love Poems for Real Life seems to have been created for couples in a long-term relationship. The poems are arranged according to how the authors see love's initial passion and then how this ebbs and flows over time.
At first the poems radiate an intimacy that contrasts sharply with a desire for distance later in the book. The lovers express such sweet concepts as in E.E. Cummings "I carry your heart with me."
Later, Dorothy Parker displays her sardonic wit in the last line of a love poem - that feels more like elation and frustration. It seems she is depressed at the time and nothing is bringing her joy, so she writes of the sweetness and then throws in a line or two about how she wishes she had never met her lover who seems to live with sunny skies. After reading about her life, we know there were some storms, but was anyone listening?
I loved Al Zolynas' "The Zen of Housework." It is brilliant in the way it presents visual images for contemplation. Anna Akhmatova's "I Wrung My Hands Under My Dark Veil" is also stunning in beauty and emotional implication. Carolyn Creedon's poem shows great sarcasm and Sylvia Plath takes the cake for misery:
"The moon, too, abases her subjects,
but in the daytime she is ridiculous.
Your dissatisfactions, on the other hand,
Arrive through the mailslot with loving regularity,
White and blank, expansive as carbon monoxide.
No day is safe from news of you,
Walking about in Africa maybe, but thinking of me."
Margaret Atwood's poem "Habitation" seems to define this book as it explores the idea that in love, we are always at the point of "learning to make fire." The passion of the initial poems mellows into a nourishing comfort.
Mary D. Esselman and Elizabeth Ash Velez are careful observers of popular culture and of the daily lives of the seemingly typical love relationship in modern society. In their introductions to each chapter, they explore the ideas of Ecstasy, Stability, Monotony, Uncertainty, Misery and Clarity. Their commentary on the poems makes for interesting reading and makes the book feel more personal and ultimately more emotionally fulfilling. Most of the poems in this collection were new to me, so that was a delicious surprise.
~The Rebecca Review
An entertaining poetry collection.......2007-01-18
"You Drive Me Crazy" has a broad variety of poems from various time periods, styles, and themes, all revolving around the central theme of "real-life love". The introductory notes at the beginning of each section help to set the mood and even explain the poems, which I found very helpful.
My only complaint about this book is that the collection was perhaps TOO varied. There were several chapters that i felt were not suitable for this book, but rather for one of their other books on lamenting about love. I purchased this book in the hopes of getting some inspiration for writing a quirky but romantic "real life love" poem, and really only found the first section useful. However, overall it IS an entertaining book filled with some great works, so unless you want this book for the same reason that I did, I highly recommend it!
Grade: B
Delightful.......2005-08-05
I stumbled upon this book at the library was quite pleasantly surprised. The poem selections are clever and inspiring. Each chapter introduction is subtle, straighforward, and insightful. This little book manages to be "poetic therapy." I enjoyed it so much that I plan to add it to my personal library.
Amazon.com
One of the most unforgettable moments of my youth was learning the word pneumonoultramicroscopicsilicovolcanoconiosis. I was in third grade. So what if Richard Lederer has come up with a chemical compound that consists of 1,913 letters? Owning a word like pneumonoultramicroscopicsilicovolcanoconiosis is empowering at any age. If you have ever been completely wowed by the power you can have over language, or its power over you, Richard Lederer is your patron saint. His oft-reprinted introduction to Crazy English, which was originally published in 1989, claims that English is "the most loopy and wiggy of all tongues." And then he demonstrates: "In what other language do people drive in a parkway and park in a driveway? ... Why do they call them apartments when they're all together?" And so on. Lederer's pace is frenetic. He alights on oxymorons ("pretty ugly," "computer jock"), redundancies, confusing words (are you sure you know the meaning of enormity?), phobias, contronyms, heteronyms, retroactive terms (acoustic guitar, rotary phone), and a host of other linguistic delights.
Though English may be one of the crazier languages--Lederer claims that about 80 percent of our words are not spelled phonetically--they are all, he says, a little crazy. "That's because language is invented ... by boys and girls and men and women, not computers. As such, language reflects the creative and fearful asymmetry of the human race, which, of course, isn't really a race at all." --Jane Steinberg
Customer Reviews:
Crazy language, crazy book.......2006-12-30
"Crazy English" was recommended to me by a friend who knows how crazy I am for the English language. I think I enjoyed the introduction and the conclusion the most. In the middle, the various chapters on various parts of speech were variedly amusing and awful (in, as one chapter demonstrates, both the current and antiquated senses of the words). Yes, Lederer is remarkably quick-witted when it comes to language, and some of the sections were genuinely interesting and educational. But in some of them - including the rhyming and metaphor sections - the clever ways that Lederer uses the words and phrases he is demonstrating grow old very quickly and at the end of five pages are quite annoying.
Entertaining? Definitely. Informative? Sometimes. Worth the while? I suppose.
Uneven, but still worth reading.......2006-04-02
Having read Lederer's "Anguished English" first, I was expecting "Crazy English" to be as great and funny as the former book is. Instead, I found myself skipping several chapters because they were not even interesting to read, such as the one about rhymes. It seems that Lederer was more interested in having fun making sentences rhyme, but was not really thinking whether the readers would find such sentences amusing or even worth reading. However, some chapters, such as the one about the farmer that makes up his own words, are highly entertaining, and very educative. Chapters like this make the book worth buying, but I wouldn't have minded at all just checking it out from the library.
Crazy and Beautiful !.......2006-04-01
An interesting passage from the book -
Let's face it - English is a crazy language. There is no egg in eggplant nor ham in hamburger; neither apple nor pine in pineapple. English muffins weren't invented in England or French fries in France. Sweetmeats are candies while sweetbreads, which aren't sweet, are meat.
We take English for granted. But if we explore its paradoxes, we find that quicksand can work slowly, boxing rings are square and a guinea pig is neither from Guinea nor is it a pig. And why is it that writers write but fingers don't fing, grocers don't groce and hammers don't ham? If the plural of tooth is teeth, why isn't the plural of booth beeth? One goose, 2 geese. So one moose, 2 meese? One index, 2 indices? Doesn't it seem crazy that you can make amends but not one amend. If you have a bunch of odds and ends and get rid of all but one of them, what do you call it? If teachers taught, why didn't preachers praught?
If a vegetarian eats vegetables, what does a humanitarian eat? Sometimes I think all the English speakers should be committed to an asylum for the verbally insane. In what language do people recite at a play and play at a recital? Ship by truck and send cargo by ship? Have noses that run and feet that smell? How can a slim chance and a fat chance be the same, while a wise man and a wise guy are opposites?
You have to marvel at the unique lunacy of a language in which your house can burn up as it burns down, in which you fill in a form by filling it out and in which, an alarm goes off by going on.
English was invented by people, not computers, and it reflects the creativity of the human race, which, of course, is not a race at all.
That is why, when the stars are out, they are visible, but when the lights are out, they are invisible.
PS. - Why doesn't "Buick" rhyme with "quick"
Crazy English.......2003-03-10
Recently I read the book Crazy English by Richard Lederer for a school project. I thought it was a very interesting book and it really did explain why our English language is so crazy. My favorite part of the book was the Tense Times with Verbs secetion. There were very good poems written in this chapter to help explain and give examples of how our language doesn't make sense sometimes. Another good portion of the book is The Sounds of English, it talks about the many different letters that have different sounds and the words that have mute letters, or silent letters. It has a very indepth perspective of many different sounds and why they are spelled and said the way they are. Overall, I thought this was a very educational book and interesting to read.
If you're interested in language, this is a great book........2001-07-11
It's not a text book style book on the dusty history of the English language. Mr. Lederer writes an easy to read (pardon the expression) light hearted look at some of the eccentricities of the English language. Overall, a very enteratining read.
Book Description
Edited by one of Japan’s leading and internationally acclaimed writers, this collection of short stories was compiled to mark the fortieth anniversary of the August 1945 atomic bombings of Hiroshima and Nagasaki. Here some of Japan’s best and most representative writers chronicle and re-create the impact of this tragedy on the daily lives of peasants, city professionals, artists, children, and families. From the “crazy” iris that grows out of season to the artist who no longer paints in color, the simple details described in these superbly crafted stories testify to the enormity of change in Japanese life, as well as in the future of our civilization. Included are “The Crazy Iris” by Masuji Ibuse, “Summer Flower” by Tamiki Hara, “The Land of Heart’s Desire” by Tamiki Hara, “Human Ashes” by Katsuzo Oda, “Fireflies” by Yoka Ota, “The Colorless Paintings” by Ineko Sata, “The Empty Can” by Kyoko Hayashi, “The House of Hands” by Mitsuharu Inoue, and “The Rite” by Hiroko Takenishi.
Customer Reviews:
A personal touch to war.......2007-05-14
"The Crazy Iris" edited by Kenzaburo Oe is a collection of stories about the dropping the atomic bombs. These stories are not from a historical context or from a military standpoint, but of normal, relatable people. The stories cover the carnage seen through the eyes of a twelve year old to the memories of women going back thirty years to the high school they once attended. It also covers how the outlying villages were indirectly affected by the bombing through word of mouth and deaths of friends and families.
The Point.......2007-05-14
I read The Crazy Iris and Other Stories of the Atomic Aftermath by Kenzaburo Oe for an assignment in my History of Japan class. It's a collection of short stories complied to mark the fortieth anniversary of the atomic bombings at Hiroshima and Nagasaki, as the book jacket says. I am not a fan of overly flowery language (though I suspect the collection wouldn't have sounded as such in its native tongue), but the stories get the point across. The point? Everyone was affected by those weapons, no matter how old you are, what you believe, what your country thinks you should believe, and so on and so forth. I myself do believe that dropping the bombs were warranted and ultimately served their purpose, but to read the tales of survivors in compact form puts things into perspective. I wouldn't wish these sort of memories on anyone. I wouldn't wish anyone to have this pain. I hope to God that moments like Hiroshima and Nagasaki are never forgotten, and that we learn from them.
Don't Listen to A.B.C.D. Reader!.......2006-04-06
I'm writing this just to offer the opinion that A.B.C.D.'s review is biased (at best) and ultra-nationalist and revisionist (at worst).
Read this book and judge it for yourself. The various stories recount life in militarist Japan, horrifying scenes of atomic aftermath, and the desperate psychological and spiritual struggle to cope with the trauma of survival. This collection is a moving testament to its authors' experiences, but to say that it explicitly is anti-war or blames anyone for the atomic blast would not reflect the entirety of the book. The viewpoints and opinions of the authors are as varied as those of the Japanese themselves.
A.B.C.D. Encirclement.......2002-10-07
Oe lachrymosely indulges every anti-Japanese propagandist in the american media conglomerate (Ingram) with ample opportunity to smack their lips over the "moral failings" of Japan. The fact that this ineffectual moralist won the Noble prize while it was denied to Mishima speaks volumes on what supine expectations the american propaganda industry expects from Japan. Both left and right. Writer like Oe and Murakami (who deserted his own country for no nobler reason then to make more money after making a sickening porno film popular in the us) are parasites getting fat by preening all the morbid phobias of a degenerate american elite, allowing them to wallow in self-adulation. What would Mr. Oe have done during the war? Sheepishly meet the demands of an expansionist american navy? Allowed China to invade the country so as not to offend their sensitivities? ... Japan chose WAR rightfully, even with the foreknowledge that it was a lost cause. And Japan would not even exist today if Mr. Oe were around then.
Instead of Oe or Murakami or Bannana Yoshimoto's insipid writing for privileged sectors in the american market (The Nanny Diaries) feeding that markets endless appetite for peeling scabs and self-abasement try and find a video of the Shunya Ito film Pride, which angered ALL the right people in the world and was one of the most popular films in recent Japanese cinema. Or any of the great Yukio Mishima's books, who was indeed what he described himself to be "the conscience of post war Japan".
A moving collection depicting the effects of the atomic bomb.......1998-09-29
Compiled by Nobel Prize winner Kenzaburo Oe, this is a collection of stories depicting the effects on various people of the atomic bombing of Hiroshima and Nagasaki. The emotional, physical, and social scars are delicately and movingly presented. Some readers might find a bit too much sentimentality for their taste, but most of the stories are very strong--especially the title story, by Masuji Ibuse, who also wrote the massive novelization of the bombing of Hiroshima, "Black Rain." Since it consists of short stories and is somewhat less harrowing than "Black Rain," it serves as a good alternative.
Product Description
On-the-go Instrction Because your time is valuable... All Audio All on the go! Beginning level instruction is presented in an all-audio format on 4 digitally-recorded CDs. You have the opportunity to learn on the go, taking advantage of time normally wasted. Study in your car, while exercising, doing yard work anywhere you can safely listen to a CD player. No accompanying books are needed to help you complete the lesson activities. Why can t learning be fun? It can! Linguaphone has chosen to present the allTalk series in an entertaining, soap-opera format. No dry old teacher with a monotone voice putting you to sleep, you follow the adventures of a visitor to a Spanish-speaking country as she interacts with individuals in a variety of interesting situations, learning the language and beginning to understand the culture. Actually learn the language Tired of spending money on language courses that don t work? Did you ever think the problem could be with the course and not you? With Linguaphone s unique learning sequence: Listen, Understand, Speak, you will find yourself actually using the language in no time at all! You are presented with a unit of the language, it is then broken down and explained to you, then you put it back together with greater understanding than just repeating what you may not have understood in the first place. . . . and learn it well! The all Talk methodology not only teaches well, but will have you speaking and understanding basic spoken Spanish in no time at all. Other popular all-audio courses require four times the cds, four times the money and four times the time to do what Linguaphone s allTalk Basic does with 4-one hour CDs.
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Word Crazy: Broadway Lyricists from Cohan to Sondheim
Thomas S. Hischak
Manufacturer: Praeger Publishers
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Binding: Hardcover
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ASIN: 0275938492 |
Book Description
This volume surveys the development of the American musical during the 20th century by focusing on one of the most important yet least recognized members of the creative team: the lyricist. From George M. Cohan and Irving Berlin through Oscar Hammerstein II, Alan Jay Lerner, Ira Gershwin, Stephen Sondheim, and others, Word Crazy examines both well-known and obscure writers who have shaped one of America's most beloved theatrical forms. The author offers an overview of each lyricist's career and works and evaluates his or her strengths, weaknesses, patterns, temperament, and personal vision. The result is an unusual critical history of the Broadway musical that will be of significant interest to students of the theatre as well as to anyone who wishes to learn more about the unique craft of the theatre lyricist. Beginning with George M. Cohan, the American theatre's first important lyricist, and continuing up into the 1980s, the book presents an overall history of the musical theatre during this century. Hischak explores the various trends and movements, from the early operettas through the arrival of jazz, and up through the conceptual musicals of the last 30 years. The treatment is chronological with most chapters focusing on a single lyricist. A bibliography and index complete the volume. By reviewing the careers and works of America's most influential theatre lyricists, Hischak offers a fresh new perspective on the evolution of musical theatre in America.
Book Description
It is against the law in Brooklyn, New York,
for donkeys to sleep in bathtubs.
In Idaho you are not allowed to fish
while sitting on a giraffe.
In California you must not keep slugs as pets.
Yes, it's the lawâsays so right on the state or city books.
Some of the more ludicrous laws in the history of our country come to light in this very funny and fascinating book for young citizensâcitizens who have a special appreciation for the tyranny of stupid rules. Illustrated with wit and irony, this collection brings law to life and will have readers not only laughing but also thinking about their world in a new way.
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- Wow...A Phenominal Dissapointment
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99 Phenomenal Digital Photo Tricks: Crazy Fun with People & Places (US English)
Friends of Ed
Manufacturer: Wrox Press
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ASIN: 1904344283 |
Book Description
Ever wanted to do a Forrest Gump and get your photo with the President?
Ever despaired at the number of not-quite-great snaps on a roll?
Ever fancied developinf your own photos, but were afraid of the dark?
Ever just wanted to have fun?
Grab yourself a feast of silly, funny, crazy, phenomenally stoopid photo ideas and get to work! We've prepared a banquet of image tricks and sleights of hand so that even the lamest holiday snap can hit the town looking a million dollars.
If you're working with Photoshop Elements, Paint Shop Pro or other equivalent photo editing software, we'll show you in quick and memorable steps how to get fantastic and creative results.
HEALTH WARNING: Image editing with digital tricks can become an all-consuming obsession. Your family will soon despair of your contant late nights and the sound of loopy chuckling coming from the basement!
Customer Reviews:
Wow...A Phenominal Dissapointment.......2003-09-17
The examples in the book are campy at best. Most of which don't even look remotely realistic.
From an artistic standpoint my 15 year old was able to drum up a few ideas that I thought were inventive and could easily be incorporated into a fun and insightful tutorial.
Book Description
Startling discontinuities and surprises erupt throughout these avant-garde landscapes by Poland's outstanding modern dramatist where duchesses and policemen, gangsters and surrealist painters, psychiatrists and locomotive engineers wander in and out, kill one another, and carry on philosophical conversations at the same time.
Customer Reviews:
For anyone not familiar with Witkiewicz's work a fine intro........1999-11-17
Not as thoroughly satisfying as Gerould's Madman And The Nun And Other Plays By Stanislaw Ignacy Witkiewicz, this books sandwiches the playwright's crowning achievement (The Water Hen) between his two most accessible works (Madman And The Nun and Crazy Locomotive). Nothing really new here, but since other English editions of Poland's greatest 20th century playwright are currently out of print, this slender volume should be considered indespensible. I just wish the publishers saw fit to include more. As for Gerould's translations, they are quite splendid, of course, as well they should be since they have occupied the greater part of this dramaturgical scholar's life.
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