Product Description
Captain America Steve Rogers is shot and killed in this key issue.
Things had already been bad for Cap he had been declared a fugitive after the Superhero Registration Act demanded all heroes be registered by the federal government. Captain America, seeing this as an invasion of civil rights, led a resistance against this movement, chronicled in Marvel Comics Civil War series.
After Captain America discovered public opinion had turned against his resistance, he surrendered to authorities. This issue begins with a sniper firing at him on the steps of a federal courthouse on the way to his arraignment.
Average customer rating:
- Fun Reading
- A Real Let Down
- Great stories with one of my favorite characters!
- THE SILVER AGE OF CAPTAIN AMERICA
- Great Comics would be better on a CD format...
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Essential Captain America, Vol. 1 (Marvel Essentials)
Stan Lee , and
Jack Kirby
Manufacturer: Marvel Comics
ProductGroup: Book
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Essential Captain America, Vol. 3 (Marvel Essentials)
ASIN: 0785107401 |
Customer Reviews:
Fun Reading.......2007-07-13
I took a long plane trip and this was perfect. I wish it was color but at the same time you can't beat the price for some old fashioned USA vintage propaganda. Great fun.
A Real Let Down.......2006-11-06
Not in color and not in step with the original Captain America comics of the 1940s that I remember. Don't bother or waste your money on it.
Great stories with one of my favorite characters!.......2006-01-01
Essential Captain America Vol. 1 reprints in newsprint black-and-white the first silver age Captain America solo stories from Tales of Suspense 59-99 and then after Cap took over the book and the title was changed, Captain America # 100-102. The stories are all written by Stan Lee (to the extent that he wrote early Marvel comics, but that's another issue) and most of them are either drawn or laid out by Jack Kirby, Cap's co-creator from the 1940's and the backbone of Marvel Comics in the sixties. Finished pencils or full art is also provided by such greats as George Tuska, John Romita, Gil Kane, Dick Ayers and Jack Sparling (all legendary names from the history of comics).
Cap had of course been re-introduced in the pages of The Avengers, and these solo stories were an extension of that. As a man out of time, Cap really had no place of his own, so the early stories struggled for direction. For an extended arc, they actually returned back to the forties to tell new golden-age Cap and Bucky stories. Though the stories are very good Stan-n-Jack yarns for the most part, they do lack an overall forward motion. But about halfway through this volume, the stories start to click. Cap's lost love fron WW2 is revealed. His friendship with Nick Fury is revealed and built upon. AIM begins to threaten Cap. And then, one of the all-time Captain America classics takes place: the Red Skull gets possession of a Cosmic Cube. Wow!
After that, there were still some stories better than others, but the series really had momentum! In rapid succession, we get to see Batroc, Hydra, the Super-Adaptoid, Modok and others! The mythos that kept Cap going for decades is born before our eyes. It's solid stuff in the classic Marvel sixties tradition.
One unintended, but funny moment comes in Tales of Suspense # 92, "Before My Eyes, Nick Fury Died". The story is a classic Lee-Kirby collaboration about an AIM mech-assassin attempting to kill Col. Nick Fury. Cap defeats the machine, but not before uttering the following line: "Only one of us is gonna walk out of here under his own steam---and it won't be me!" Either Stan or letterer Artie Simek was asleep at the wheel!
Recommended!
THE SILVER AGE OF CAPTAIN AMERICA.......2004-12-29
is there some legal reason why Marvel doesn't put out collections of their Golden Age Heroes like Captain America, the Human Torch, etc? Just curious. I'd love to see those. Well this Essential volume collects Caps Earliest Silver Age Adventures from Tales of Suspense #55 - 99 and Captain America 100 - 102 once the title was changed.
While we were now in the mid-1960's, many of these stories were still fought against Nazi enemies like the Red Skull, Baron Zemo, and the Sleepers. The stories are all Stan Lee. Jack Kirby does the art on the early issues but later we have art by George Tuska (ugghhh) and John Romita (yay!).
Tales of Suspense 78 introduced Nick Fury as a pal of Cap's. #'s 82 - 84 introduced the android menace of the Super Adaptoid who could mimick the powers and abilities of any hero. # 93 and 94 featured the first appearance of the AIM created cyborg called MODOK. Truly one of the more bizarre villians of the 1960's. Leading into the title Change to Captain America issues 101 & 102 again feature the Red Skull and his evil Sleeper Robots.
One may say this collection is a bit too heavy with the Red Skull as he appears in 16 of the stories. I'd say that's true but what are you going to do? That was Cap's arch-nemesis at the time. If you're going to reprint the stories chronologically, you have to take the good with the bad. Not that it's bad, but one wishes that Jack and Stan had been perhaps a bit more creative with one of their oldest characters.
Nothing in the Essential Captain America is ground-breaking. It's good silver age fun though.
Great Comics would be better on a CD format..........2004-08-04
All I can say if you like the classics without the classic prices of $50 per volume; If you like Jack Kirby or Gil Kane ...or even Gene Colan's art ...buy this volume! I wish they could truly do these books justice by putting them in color on a CD Rom like the Marvel Comics Library did a few months ago.
I love reading them in the origial color format and it's the only way to go with the Essentials...so here's my vote for many more Essencials..only in the CD format! I hope someone at Marvel reads these reviews....
Average customer rating:
- Captain America teams up with the Falcon in the early 1970s
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Essential Captain America, Vol. 3 (Marvel Essentials)
Stan Lee ,
Gary Friedrich ,
Gerry Conway ,
Steve Englehart ,
Gene Colan ,
John Romita ,
Gil Kane , and
Sal Buscema
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ASIN: 0785121668 |
Book Description
Cap's up against the usual army of orders in AIM, Hydra and the schemes of the Skull - but could the most familiar enemy face be... Bucky's?! The Falcon becomes Cap's full-time crimefighting partner in the wake of this shocker! Gangsters and gorillas! A mysterious Stranger! Nazis, robots and Nazi robots! Featuring the friends and foes of Spider-Man, and the web-slinger himself! Guest-starring Daredevil and the Avengers! Plus: the secret of the 1950s Captain America and Bucky, foreshadowing the first appearance of the man called Nomad! Collects Captain America #127-156.
Customer Reviews:
Captain America teams up with the Falcon in the early 1970s.......2007-03-24
With the recent "death" of Captain America in the epilogue to the Civil War that has rocked the Marvel Universe I decided to go back and read again the Silver Age adventures of ol' wing head. "Essential Captain America, Volume 3," reprints "Captain America" issues #127-56, which were originally published between 1970 and 1972. Captain America was created by Joe Simon and Jack Kirby back in March of 1941 in Timely Comics' "Captain America Comics" #1. Cap entered the Marvel Universe in "Avengers" #4 in March 1964 after spending decades literally frozen in suspended animation, quickly becoming the leader of the group of superheroes. But by the start of the 1970s, Captain America was no longer a member of the Avengers' active roster, which had the Black Panther leading Goliath, the Vision, Quicksilver, and the Scarlet Witch. I mention this T'Challa being the leader of the current Avengers roster compliments the major development in Captain America's own comic book during this period, which was nakedly teaming up with the Falcon (despite the image above, the cover of this collection does not show the duo but just Cap taking on the Red Skull and what looks like the Hulk shooting flame out of his wrists).
The symbolism of Captain America, the embodiment of the American spirit, teaming up with an African-American superhero was certainly worth of note at the time. The Falcon (a.k.a. Sam Wilson), first appeared in "Captain America" #117, created by writer Stan Lee and artist Gene Colan (who had replaced Jack Kirby as the book's main artist). "Snap" Wilson had been a hoodlum in Harlem, but on his way to Rio de Janeiro he crashes on Exile Island and ended up fighting alongside Captain America against the Red Skull. But when we start this particular run of stories Cap is still working closely with Nick Fury and S.H.I.E.L.D., as befitting a friendship that goes back to World War II and Fury's Howling Commando days (hey, when do we get the Essential treatment for those guys? They were the first Marvel comics I ever read). But Fury uses Cap to bait a trap for a traitor (#127), and our hero takes to the road on a motorcycle so that Steve Rogers can find himself (#128). That is right: Captain America as "Easy Rider." Of course, he immediately finds the Red Skull (#129) and then Baron Strucker (#130-31), who apparently has found Bucky Barnes (#132), Cap's partner from WWII. Of course, he is not, which means Modok and AIM must pay for the deception (#133). This is where Cap decides that he has finally found a partner in the Falcon.
Captain America and the Falcon set up shop in Harlem taking on Stone Face (#134), a giant gorilla (#135) and the Mole Man (#136), and then Spider-Man (#137), who joins the duo in a rematch against Stone Face (#138) in the issue where John Romita (Sr.) becomes the artist (For a couple of issues Colan's artwork was inked by Tom Palmer, foreshadowing what we would see through almost the entire run of "Tomb of Dracula"). Steve Rogers then gets a job as a cop walking a beat (#139), where he encounters the Grey Gargoyle (#140) and works with S.H.I.E.L.D. again to bring him down (#141-42). By this time Lee had given the scripting chores for "Captain America" over to Gary Friedrich, who starts quoting John Lennon and getting Cap and the Falcon involved in a potential race riot in Harlem (#143), and providing Sam Wilson with a very angry black woman named Leila as his romantic interest, before temporarily splitting the pair up. While Cap fights Hydra, the Falcon walks the streets of Harlem in new threads (#144). Hydra makes the mistake of shooting Cap's girl friend Sharon Carter (#145) and he goes after the Supreme Hydra to make them pay (#146-47, with Sal Buscema now the artist). This leads to going up against not only the Kingpin but also the Red Skull and his Fifth Sleeper (#148).
Gerry Conway becomes the writer with #149, which features Batroc's Brigade, followed by the Stranger (#150), Mr. Hyde and the Scorpion (#151-52), and a fight with Nick Fury (#153), when Steve Englehart becomes the scripter. This collection has a big finish as the "real" Captain America and Bucky show up to fight Cap and the Falcon (#154-56), with the middle issue in the trilogy explaining "The Incredible Origin of the Other Captain America" before the two shield slingers get down to the climatic big fight. In these issues "Captain America" makes a concerted effort to become more socially relevant, with Cap out among the people as often as he is fighting old Nazis. Keep in mind that Watergate is right around the cover, in reaction to which Steve Rogers will abandon the identity of Captain America to become Nomad in #180. All things considered the comic book suffers a bit during this period from trying to be both socially relevant when Cap and the Falcon are fighting crime in Harlem, while still playing up "The Living Legend of World War II" bit and his work with S.H.I.E.L.D. Both are valid approaches, but jumping back and forth certainly disrupts the flow of the title during this time (having four writers and four artists during this period could not help). But teaming up our hero with the Falcon is definitely a landmark moment in the distinguished history of the character, who I do not believe for a moment is really dead, let alone really most sincerely dead.
Product Description
Giant-Man becomes Goliath! The Wasp returns! The team battles the Enchantress, Power Man, the Ringmaster, Kang, Doctor Doom, Attuma, the Collector, the Swordsman, and the Black Widow! Collects AVENGERS Vol. 1 #21-30
Customer Reviews:
Goliath rejoins the Avengers of Captain America, Hawkeye, Quicksilver and the Scarlet Witch.......2005-08-24
Volume 3 of "The Avengers" in the Marvel Masterworks series collects episodes 21-30 of the comic book, which is covers the second major lineup in the group's history. Led by Captain America, the group consists of Hawkeye, Quicksilver and the Scarlet Witch at the start of this volume with Goliath rejoining the team by the end of this volume, although it turns out that the former Giant-Man and former Ant-Man is now stuck in extra large size. As Cap says, "The most powerful Avenger...and yet...he's also the most tragic!" (This coming from a living legend who had been frozen in a block of ice since the final days of World War II). The original Avengers line-up was too powerful, with Thor and Iron Man, not to mention the Hulk at the very beginning. Then they went to skill over strength with a group consisting of a guy who throws a shield, a guy who shoots arrows, a mutant who runs fast, and a witch. When Hank Pym rejoined the team they could actually use a bit of strength without having the overkill of a Norse God. They were not that powerful of a group of superheroes, especially compared to the Fantastic Four (or the Justice League of America over at DC), but they could hold their own against the X-Men.
At this point "The Avengers" is still being written by Stan Lee, with Don Heck established as the book's artist. Now, I have made clear that Heck was my least favorite artist that Marvel used on a regular basis, but that being said, the issues where his pencils are being inked by Wally Wood (#20-22) are the best Heck's work ever looked (I was going to add issue #23 inked by John Romita, Sr. to that short list, but it really looks like a Romita drawn issue). Dick Ayers inks #25 and Frank Giacoia #26-30, which is right before the period where Heck did the pencils and ink (for the record, Chic Stone did the least to enhance Heck's art for this book). But you can make up you own mind about where Heck's artwork stands in the Marvel pantheon.
The collection gets off to a good start with the introduction of Power Man (who is he?) in #21. He defeats the Avengers and the city council orders the Avengers to disband. In #22 the Avengers try to find out who is helping Power Man (the Enchantress), and while they succeed and the City Council declares Avengers Day, Steve Rogers announces he has played straight man to these jokers long enough and he decides to split. However, Kang the Conqueror returns for a rematch in the next two-issues (note that #24 features a cover by Jack Kirby and Dick Ayers). If you thought that was bad, Dr. Doom shows up for #25, which means the Fantastic Four cannot be far behind. The Wasp has to be rescued from Attuma in #26, which means the Avengers have to assemble underwater in #27. Giant-Man is back in #28, only now he is known as Goliath, because the Wasp has still not been rescued; now the Collector has her. They rescue the Wasp, but then Goliath collapses and we find out why in #29, although the Black Widow and the Swordsman cause problems (you new that sooner of later a guy with a sword should show up to fight a pair of guys with a shield and arrows). Finally, in issue #30 the Scarlet Witch wants to resign because she has not been helping the group lately, so Cap lets her and her brother go on vacation while the Avengers that are left finish up with the Black Widow and the Swordsman.
There are no classic Avengers tales here, but you have to admit things are never dull in any superhero team that has both Hawkeye and Quicksilver on it because they are the two biggest malcontents around (in the pre-Wolverine era anyhow). Hawkeye always thinks he would be a better leader than Captain America, and Quicksilver is always complaining about humans hating mutants (although he is sending back a healthy dose of animosity in the other direction all by himself). The Scarlet Witch is the problematic character because if Wanda is hitting on all cylinders then she should be able to win every fight by herself (Do you see Doctor Strange fighting with a team? No, not until the Defenders anyway, but that is decades away at this point). But I had to admit I like the brother and sister act of Pietro and Wanda since it sibling bickering is more interesting than lovers/spouses bickering (to wit, Hank and Janet), plus they have the whole need for redemption since they used to be members of Magneto's Brotherhood of Evil Mutants. I really consider these stories just marking time until the Vision shows up, because that is when this comic book finally comes into its own.
Book Description
In 1940, as America prepared for war, a frail young man volunteered for an experiment that transformed him into the ultimate physical specimen: the American Super-Soldier. Steve Rogers battled Nazis until a freak mishap trapped him in suspended animation for decades. When he awakened, Rogers was truly a man out of time -- though no less committed to fighting the evils of this perilous new era. Now, in the aftermath of 9/11, Cap must come to grips with a changing global landscape. From the ruins of the World Trade Center to the horrors of a small town shaken by terrorism, the star-spangled Super-Soldier is forced to make some hard decisions about his role in the world.
Customer Reviews:
Left wing garbage.......2007-06-10
If you like Captain America... don't buy this book. If you enjoy reading something that isn't saturated with political slanting... don't read this book. If you enjoy good art... don't read this book. If you enjoy good writing... don't read this book.
The only reason that I could imagine you would enjoy this book is if you are a bumbling liberal who enjoys watching a beloved comic book hero get pissed on!
This book is utter garbage. I don't want to be told how I should believe from my comic books. Marvel make sure your writers aren't borderline retarded before putting them on a book that addresses real world events.
Reminds me of the song "Paradise City".......2007-01-16
"Captain America's been torn apart
Now he's a court jester
with a broken heart..."
I'm truly puzzled by the reviewers who've labeled this book as "Bush propaganda" ...they must be reading a different story. The story I read certainly isn't right-wing disinformation, it's slanted clearly to the left and it has a very simple, naive, and mildly offensive message: The 9/11 attacks were terrible, but WE HAD IT COMING!
With just a little balance, this could have been a challenging, thought provoking story. However, marvel just gives us terrorist tirades: "Tell our children then, American... Who sowed death in their fields and left it for the innocent to harvest? Who took their hands, their feet?"...and good ol' Cap simply shrugs in agreement.
Later, marvel serves up a nice revisionist history lesson and equates the firebombing of Dresden in 1945 to the 9/11 attacks.
"You didn't understand what we'd done here... until September the 11th," Cap tells himself. "These people weren't soldiers. They huddled in the dark. Trapped...And while there was nothing left to breathe there in the dark, they died... History repeats itself like a machine gun."
Spare me. The idea that these two events are somehow morally analogous is completely asinine. If you want to compare WWII events to 9/11 try Pearl Harbor... but that wouldn't make America look bad would it? Sorry, bad idea.
Top Notch Art! So-so Story........2006-12-03
Captain America: The New Deal seems to polarize fans who read too deeply into if it is pro-Bush-Politics. I think they've missed the point. The story is Pro-America and against Terrorism. How can you not side with that ideal?
The real problem with the story though is the lack of needed dialogue and story captions. At times the reader is forced to plug in too many key points to the story in order to make sense of it.
The biggest plus to this collection is the artwork. Top notch and makes me want to become a bigger fan of Captain America (provided there's a more thoroughly written storyline that he's placed into).
Yeah America! Boo Terrorists! Who's with me?
PC Cap? This is how Cap's always been.......2006-11-21
Some of the reviewers here have apparently read this book as their first Captain America experience, and are saddened that Cap isn't a right wing hawk, who loves blindly following his goverment above all else. Thankfully, Cap has never been that man. Not since the 1950's where he was revived as a Commie smasher (for three issues before folding) has he been a jingoistic hero. If you've read comics in the last 40 years, this is the Captain America you've always known. A humanist, a lover of liberty, a man too smart to blindly follow orders, and a fighter who has pledged his allegiance to the American Dream, not placeholders in office.
This book collects the first 6 issues of the Captain America relaunch after 9/11, and from the first scene of Cap in the rubble, in civilian clothes, it's clear that the story will be dealing with the fallout. This is one of the better comics to grapple with the issues of 9/11, and it's a fitting story to be told about Marvel's most likely character choice to explore these themes. While the story does veer off in directions that are a little comic-booky, it is a comic book, and overall the story is very heavily ground in realism and emotion.
conservative? liberal? who knows?.......2005-12-16
This wasn't a bad read. The art and the scripting are pretty solid. However, this book demonstrates the dangers of attempting to say something politically relevant in a mainstream super-hero comic, because *everybody* seems to have decided they're going to be offended by it. The conservatives are whining about how "anti-American" the book is, while the liberals are grousing because the book is filled with pro-Bush "propoganda."
If you can take a healthy dose of realism, even when it's uncomfortable, without getting your panties in a wad because your favorite political position may be shown as (GASP!) flawed, then you might enjoy this book. If, on the other hand, you're too thin-skinned to think about unpleasant realities like an adult, then 1) avoid this book, and 2) get over yourself. Please.
Average customer rating:
- Volume 2: The final Kirby, the few Steranko, the first Colan
- You Should Get This Book Just For The Artwork
- Second Volume: Top-Notch Comics, Dull White Paper
- Not enough Kirby
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Essential Captain America, Vol. 2 (Marvel Essentials)
Stan Lee
Manufacturer: Marvel Comics
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ASIN: 0785108270 |
Customer Reviews:
Volume 2: The final Kirby, the few Steranko, the first Colan.......2003-07-09
Apparently Brad Pitt has agreed to play Captain American in a movie that wil start filming next year, so it is time for Steve Rogers to get the summer blockbuster movie treatment. If the people writing the script or Cap's fans want to check out the glory days of the character Volume 2 of the "Essential Captain America" would be a good place to start because it contains both the final issues of "Captain America" drawn by Jack Kirby, the definitive Captain America artist for many, and the three striking issues drawn by Jim Steranko. Ironically, while the names of Kirby and Steranko, along with writer Stan Lee, appear on the cover of the book, it is penciller Gene Colan who draws over half the issues (#103-126 of "Captain America") collected in Volume 2.
The three main storylines of note in this collection are the Lee-Kirby epic where Cap and Shield take on the Red Skull and his Nazi minions, the Steranko issues where Rick Jones becomes a temporary sidekick and Cap regains his secret identity, and the Lee-Colan storyline where the Red Skull swaps places with Cap courtesy of the Cosmic Cube and the strip introduces the Falcoln in an effort to make the comic more relevant. There is also a complete issues devoted by Lee & Kirby to the origin of Captain America and one in which Cap is captured while in Vietnam. Of course, in the years ahead the Falcoln would become Captain America's partner and his name would become part of the title for the comic book.
I prefer these issues of "Captain America" much more than the "Tales of Suspense" days when the stories were ten page installments that cut off the story just as it was getting interesting (i.e., "to be continued"). It is not surprising that the art work is more impressive than the stories, because Kirby was arguably at his peak at this point: most of his issues start with splash pages of Cap bigger than life and in action. Steranko experiments with the comic book form, having pages with over a dozen panels, panels with multiple images of the same characters, and page without panels that are clearly influenced by the art of Salvadore Dali. Why more would you want for 12 cents? No wonder the issue of "Captain America" #111 was appropriated for the cover of this trade paperback. Colan might only finishing the show position in this collection, but he brings the same sort of fluidity to his artwork that he did with "Daredevil" and "Tomb of Dracula." Three different styles each working to tell the story of Captain America, "Living Legend of World War II."
You Should Get This Book Just For The Artwork.......2002-07-18
Some of the best artists in the history of comics: Jack Kirby,Jim Steranko, Gene Colan,and others; are represented here with some of their finest work. Some of the issues reprinted sell for a higher price for that very reason. Stan Lee wrote all the stories(1968-1970)sticking with this title after he reliquished others he had created; his dramatic portayal demonstrates the genuine affection he had for the character. In this volume, he also creates the Falcon, who was the second black super-hero, the first African-American super-hero, and still one of the best super-heroes.
Second Volume: Top-Notch Comics, Dull White Paper.......2002-05-21
I liked this second Essential Captain America volume a lot better than the first. I think the 20-page story format (introduced in the late 60s when the strip switched from TALES OF SUSPENSE to CAPTAIN AMERICA) gives the stories more elbow room than the 10-page chapters I suffered through in the previous volume. The narrative approach in this one is much more visual and less wordy. The pacing is smoother. And the stories have a bit more complexity to them beyond Captain America kicking ... out of the Red Skull and Batroc while lecturing them on the virtues of Truth, Justice, Determination, and so forth (although there's still a fair amount of that here (it's Captain America, after all)).
I don't think more than a few stories in this 500+ page volume have been reprinted anywhere before; not in the Marvel Masterworks format and not in the 70's era MARVEL DOUBLE FEATURE reprint comic I read sometimes as a kid. So this is 99% new material for the majority of us (unless you actually have some of the original comics).
A common complaint with the Marvel Essentials books has to do with the black-and-white format. While most of the artwork here looks pretty good in black and white (particularly the fluid, eyeball-soothing Gene Colan work that dominates the second half of the book), I've noticed that over the last year or so Marvel has changed the paper they use on this series from a bright white color to a dull white or light gray. Black-and-white reprinting of color comics is usually acceptable to me, but black-and-light-gray reprinting really begins to push the envelope. Since the Essentials volumes are still the best value (per pound) in comicbook reprints, I suppose I shouldn't critique this one point too much. But I recommend using a strong light.
Not enough Kirby.......2002-04-29
The first four stories are illustrated by Jack Kirby. John Buscema and John Romita Sr. who illustrate one story each. The other contributions by Steranko, Kane and others are decent, but not remarkable. The writing is spare and often insultingly weak, but the marketplace was aiming at 12 year olds in those days after all.
Kirby's art is the real reason to buy this volume. His characters have incredible power and virtually jump off the page. If you're a Kirby fan check out "The Jack Kirby Collector" in tabloid size at your local comic store (there are like 35 issues so far).
Product Description
It all ends here! The startling battle that will determine the future of the Marvel Universe! This issue is the exciting conclusion to the 7-part miniseries. Captain America and Iron Man face off in this final issue!
Customer Reviews:
I have to disagree.......2006-05-29
To say who would win in a fight between Captain America and The Batman one would have to know if the fight happened during the day or during the night. Everyone knows that if these two were to meet in the dark the good Cap'n wouldnt stand a chance.
Captain America can beat up Batman any day of the week.......2005-12-24
Captain America has a round shield that he could easily use to deflect any of Batman's weapons like the Batarang, and then Cap can throw it like a boomerang and knock Batman out. Compared to Captain America, Batman is a wimp. Captain America doesn't have any super-powers, but I still think he might be able to beat up Spider-Man with his judo skills.
Product Description
This is it! The historic issue that features the shocking death of America's Hero- Captain America. Each issue is in Near Mint/Mint condition and is bagged with a backing board to preverve the condition.
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