Average customer rating:
- Calculations are only as good as your numbers
- Pants on fire?
- Accepted History & Chronology Must Be Changed.
- Very Interesting
- History as Science Fiction
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History: Fiction or Science? (Chronology, No. 1)
Anatoly Fomenko
Manufacturer: Mithec
ProductGroup: Book
Binding: Paperback
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ASIN: 2913621058 |
Book Description
Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.
Customer Reviews:
Calculations are only as good as your numbers.......2007-08-03
Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.
Pants on fire?.......2007-07-19
Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.
Accepted History & Chronology Must Be Changed. .......2007-04-09
There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.
For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.
Very Interesting.......2007-03-07
It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.
History as Science Fiction.......2007-01-10
Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.
I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.
Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.
Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.
I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.
This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.
Book Description
Based on Edward Gorey's set and costume designs for his award-winning Broadway production of Dracula, these die-cut, scored, and perforated foldups and foldouts include:
3 pop-up 16 x 12" stage sets
Cast of 8 (15 figures in all)
Stage Furniture
4-page booklet with exceptionally simple assembly instructions, a synopsis of Gorey's Broadway adaptation of Dracula, and notes on Edward Gorey (1925-2000) and his many magical creations.
Cigar-box style packaging, approximately 8 1/2 X 12 1/2 X 1"
Customer Reviews:
Creatures of the night what music THEY make!.......2007-07-12
A must for any Edward Gorey fan. Easy to assemble well presented and nicely printed this toy theatre is a great representation of Gorey's design for the 1977 revival of "Dracula".
Book Description
It's clever, it's creative, and most of all, it's fun: super origami made with those stick-it desk notes found on every desk. These projects make work just a little more entertaining.
Everyone has them in the office and even at home: ordinary pads of sticky notes in a range of colors and sizes. With the help of innovative origami expert David Mitchell, they can quickly become attractive paper sculptures. All it takes is a few minutes to finish off something beautiful during an interminable phone call or while waiting for a meeting to begin. Each of the 20 projects-including 3-D animals, posies to put on a message, and geometric designs-feature detailed diagrams and a color photo of the completed piece. And every item was especially created to take advantage of the paper's sticky end. It's the sure-fire antidote to those boring moments on the job.
Customer Reviews:
great book.......2007-03-29
this book is very nice and i like it a lot there are some really cool models in this book like diamonds where if you put the mtogether it lookes like a 3 dimentional shape i like this book a lot i has some really cute models like wizards and cool shapes A great buy for anyone who gets bored at the desk (or school for that matter.)
I DISAGREE WITH THE LAST REVIEW.......2006-12-24
I thought the book was delightful. The directions for each design are extremely clear, which is NOT always the case with origami books. One great design is a sticky note take on a flexagon, which works very well since the paper comes with its own stickiness -- no transparent tape required. The models are relatively easy (till the last few), so this would be a good book for an origami novice. An experienced folder might want to take a look at a copy before purchasing.
A great disappointment.......2006-08-25
The book contains 25 designs. Many of these are pointless tile patterns. Most figures are standard designs - you join 2 post-its to make your starting square paper. A number of designs would require an explanation for a viewer to recognise what they are suppposed to be. When I ordered the book I expected I would end up with lovely little figures across my desk cleverly folded from post-its - there wasn't one figure I would display. Don't bother with this book - there are plenty better - even free stuff off the web is higher standard.
VERY CLEVER.......2006-04-26
You will need sticky notes of course
rectangles 38mm x 51 mm /1,5 x 2 inches
and 76mm x 127mm / 3 x 5 inches
squares 76mm / 3 inches
The models are
3 x 5 inches
and 1,5 x 2 inches
Plane, 3 sheets
3 x 5 inches
Elephants extreme
Flapping bird, two sheets
1,5 x 2 inches
Butterflies
Posy two sheets
My cheating heart by Oliver Zachary
Oblong carp
Shooting stars, four sheets
Octagon ring, eight sheets
Octagon star, eight sheets
3 inches
Shaggy dog
Basket hoop
Fred two, sheets
Alien, two sheets
Merlin by Oliver Zachary, two sheets
Paradox cubes, many sheets
Cairo tessalations, many sheets
Circle of squares, 32 sheets
Spinners, four sheets
Flexatron, four sheets
Simple structures by Tung Ken Lam, three sheets
Roll-up cube, six sheets
Upsilon, six sheets
Spiky ball, 18 sheets
Color-change collapsible cube, eight sheets
Product Description
`History: Fiction or Science? Chronology 2` is the second volume of the most explosive and astounding tractate on history ever written - however, every theory it contains, no matter how unorthodox, is backed by rock solid scientific data. The book is easy and pleasant to read; it is well-illustrated, contains hundreds of charts, graphs and illustrations, copies of ancient manuscripts, and countless facts attesting to the falsity of the chronology used nowadays. You will be amazed to discover: - That the chronology universally accepted today and taken for granted is simply wrong; - That ALL methods of dating of ancient sources and artefacts known today are erroneous or non-exact; - That there is not a single document that could be reliably dated earlier than the XIth century; The Author refers to the Middle Ages as the Antiquity and proves mutual superimposition of the Second and the Third Roman Empire, both of which become identified as the respective kingdoms of Israel and Judah. Furthermore, he asserts that the famous reform of the Occidental Church in the XI century by Pope Gregory Hildebrand was the reflection of the XII century reforms of Byzantine emperor Andronicus who in his turn identifies with Jesus Christ. The Trojan war counted by Homer happened only as late as of the XIII century A.D. and the great poet actually lived in XIV century A.D. No stone in history of Antiquity is left unturned. Literally. This book is the beginning of a major correction to the chronology we live with.
Customer Reviews:
Check and see.......2007-06-21
I don't care what other people say of this book. Those affirmig it's fake, they hadn't ever read it. Or have some special reasons to do so. "Living is easy with eyes closed, misunderstanding all you see..." This book won't make you feel comfortable. It'll make you feel free. It'll make you feel you're "not the only one" to feel you'd been lied to for centuries.
Suprise! Suprise!.......2007-03-22
Here is a serie of books which turns "the whole world" upside down. I learned a lot of it and I hope that a new book from A.T. Fomenko will follow very quick. A absolute must for everybody who is interested in history or even a little bit from it.
Prescient St Augustine?.......2006-02-05
We can so far divide the New Chronology into the following three parts:
a) The verifiable theory that proves consensual chronology wrong with the aid of astronomy, statistics and mathematics;
b) The new chronology hypothesis based on a new understanding of known historical facts and the most likely logical explanation of the most obvious inconsistencies inherent in the official version of history;
c) The history conjectures, that is experimental historical reconstructions based on assumptions that the authors believe to make sense in the light of their research and linguistic parallels - void of ironclad factual support to date.
Fomenko's theory complies with the most rigid scientific standards as a whole:
It gives a coherent explanation of what we already know.
- It is consistent: independent lines of inquiry all lead to the same conclusion.
- The predictions it makes are confirmed empirically.
Fomenko goes by the following axioms:
- Chronology is the basis of history;
- Human evolution has always been linear, gradual and irreversible;
- The "cyclic" nature of human civilization is a myth, likewise all the gaps, duplicates, "dark ages" and "renaissances" that we know from consensual history;
- The accumulation of geographical knowledge as reflected in cartography is a gradual and irreversible process;
- The chronological distance between a given manuscript and the events described therein is proportional to the amount of distortions it contains;
- There is no "useless" information in authentic ancient sources.
Why the mainstream historians do not shower mathematician Academician Dr.Prof Fomenko with thanks and laurels?
The Russians:
Because Fomenko asserts that there was no such thing as the Tartar and Mongol invasion followed by three centuries of slavery, providing a formidable body of documental evidence to prove his assertion. The so-called "Tartars and Mongols" were the actual ancestors of the modern Russians, living in a bilingual state with Arabic spoken as freely as Russian. The ancient Russian state was governed by a double structure of civil and military authorities. The hordes were actually professional armies with a tradition of lifelong conscription (the recruitment being the so-called "blood tax"). Their "invasions" were punitive operations against the regions that attempted tax evasion. Fomenko proves that Russian history as we know it today is a blatant forgery concocted by a host of German scientists brought to Russia by the usurper dynasty of the Romanovs, whose ascension to the throne was the result of coup d'état, charged with the mission of making their reign look legitimate. Fomenko proves Ivan the Terrible to be a collation of four rulers, no less. They represented the two rival dynasties - the legitimate rulers and the ambitious upstarts. The winner took it all! Over some 30 years of controversy, Russian historians have made a most remarkable transition - they were initially accusing the young mathematician Fomenko of anticommunist dissident activity and attempts to deface the historical legacy of Soviet Russia; nowadays the middle-aged mathematician is accused of adhering to "pro-communist Russian nationalism" and defacing the proud historical legacy of Great Russia.
The Westerners:
Because Fomenko blows consensual Russian history to smithereens, successfully removing a crucial cornerstone from underneath the otherwise impeccable edifice of World History. Fomenko adds insult to injury, wiping out one by one the Ancient Rome (the foundation of Rome in Italy is dated to the XIV century A. D.), the Ancient Greece and its numerous poleis, which he identifies as the mediaeval crusader settlements on the territory of Greece, and the Ancient Egypt (the pyramids of Giza become dated to the XI-XV century A. D. and identified as the royal cemetery of the Global "Mongolian" Empire, no less). The civilization of the Ancient Egypt is irrefutably dated to the XII-XV century A. D. with the aid of the ancient Egyptian horoscopes cut in stone. He was the first one to decipher and date all such horoscopes, coming up with mediaeval dates in every case. English historians rage at the suggestion that the history of Ancient England was de facto a Byzantine import transplanted to the English soil by the fugitive Byzantine nobility. To reward the English historians who consider themselves the true scribes of World History, the cover of the present book portrays Tintoretto's Jesus Christ crucified on the Big Ben.
The Chinese:
Because Fomenko wipes out the Ancient History of China outright. No such thing. Full point. The compilation of the so-called Ancient Chinese History is reliably datable to the XVII-XVIII century only. It is perfectly recognizable as the Ancient European history, reworked and transcribed in hieroglyphs as yet another historical transplantation, this time performed on the Chinese soil by the loving Jesuit hands. The Chinese are the next in line to go berserk. Chinese history is inevitably bound to get both more ancient and more eventful, proportionally to the growing involvement of China in the world affairs. Chinese historians will keep on finding valid proof of prehistoric Chinese spaceflights until the Politburo orders them to shut up.
The Arabs:
Too bad. Islam with all its key figures is datable to XV-XVI century A. D. Arabic historians may find consolation in the crucial historical role of the Ottoman Empire in the XVI-XVII century. The trouble is that this empire was initially a Christian state, with Hagia Sophia identifiable as Temple of Solomon, according to Fomenko! We can only guess if the acquisition of Alexander the Great (a Macedonian and a Christian) as the founder of the Muslim World Empire will make Fomenko's theories more acceptable to the Arabic mainstream. He certainly does not spare any holy cows at all, claiming The Stone of Qa'Aba in Mecca to contain the lost Arch of the Covenant.
The Divinity:
Despite of reiterated statement that his theory is all about chronology and not Religion, Fomenko stirs up a whole condominium of wasp nests. His collection of anathemas, fatwa, and other condemnations from all parties concerned is already considerable. Little wonder, considering that the history of religions à la Fomenko looks as follows: the pre-Christian period (before the XI century and JC), Bacchic Christianity (XI-XII century, before and after JC), JC Christianity (XII-XVI century) and its subsequent mutations into Orthodox Christianity, the Catholicism, Islam, Buddhism, and so on.
According to Fomenko we know strictly NOTHING about the events that predate the X century A. D.
St Augustin was prescient when he spoke unto us: "be wary of mathematicians, particularly when they speak the truth."
Something of a disappointment.......2005-09-09
After having read the first volume of this expected series of 7 volumes I was triggered by the thesis of these authors that ancient Greek and Roman history did in fact take place in the Middle Ages. So I started studying medieval history of the Middle East - also known as Islamic history - to find out if the opponents of the ancient Greeks and Romans - the Acheamenid Persians, Sassanids, Scythians, Egyptians, etc. - also have their duplicates in medieval history. My search was disappointing: none of the many medieval Islamic dynasties seemed to correspond to the ancient middle eastern rulers.
However, I did find a close correspondence between Herodotus' Persian kings and medieval events:
- the defeat and capture of an Anatolian king - the Lydian Croesus - by the Persian conqueror Cyrus is identical to the defeat and capture of another Anatolian king - sultan Bayezid - by the Asian/Mongol conqueror Tamerlane;
- the Persian conquest of Egypt by the cruel tyrant Cambyses reds almost exactly as the Ottoman conquest of Egypt by Selim the Grim (note the nickname!);
- Darius the Lawgiver of the Persian Empire looks very much alike to Sulayman the Magnificent, the Lawgiver in Islamic history;
- Xerxes, whose main claim to fame is to be defeated by the Greeks at the naval battle of Salamis, looks like Selim II (the Sot) whose main claim to fame is to be defeated by a Spanish-Italian alliance at the naval battle of Lepanto.
I should have expected Fomenko et al. to arrive at similar conclusions, however, they claim that the Persian kings are the alter egos of the Angevin kings of Sicily whose biographies do not contain the exploits of the Persian kings.
The similiarities I indicate lead to the conclusion that Herodotus must have written his Histories at the close of the 16th century. But this is extremely late, given that Herodotus is "the Father of History", so therefore all other "ancient" histories must have been fabricated even later. Yet, the founders of modern chronology - Scaliger and Petavius - laid their foundations also at the close of the 16th century and had the full corpus of ancient histories already at their disposal.
It seems to me that Fomenko has to address these inconsistencies, maybe in the forthcoming 5 volumes?
Another critique of their book is that the correspondencies between different rulers are often based on a superficial comparison of the biographies; upon a more thorough comparison many details appear that do not correspond at all.
Finally, the authors rely heavily on the works of Gregorovius (1821-1891!!) - his medieval histories of Rome and Athens - as the source of medieval history; these works are - at least in the West - hoplessly outdated and have been superceded by more up-to-date works (for instance, Julius Norwich's trilogy on Byzantine history is not even cited).
Romulus courts Helen, Paris founds Rome, Moses goes to Troy.........2005-07-30
If you agree with Fomenko that Roman chronology is basically the foundation of the entire edifice of global chronology; you would also certainly agree that despite its numerous gaps and inconsistencies, Roman history is the best-documented field of ancient history, and thus a reference scale. But how well is the actual date of the Eternal City's foundation known?
Firstly, Rome is supposed to have been founded by the Trojans who had to flee after the fall of Troy. Some claim Rome to have been founded by Aeneas and Ulysses shortly after Troy had fallen; others are of the opinion that there was an entire dynasty that ruled for 500 years between the fall of Troy and the foundation of Rome.
Well, that's just an innocent 500 years long misunderstanding compared with what heretic Fomenko says, asserts, proves in his second volume: Second Roman Empire, Third Roman Empire, Biblical Kingdom of Israel, Biblical Kingdom of Judah, Holy Roman Empire are stories about basically same events, written from different points of view at different times. The underlying events have actually taken place during xii-xv cy. These histories have been written and perfected by multitude of highly talented humanist and clerical writers of xiii-xvi cy disguised as "ancients" with glorious names like Homer, Pluto, Thucydides etc..Chronology 2.0 beta..
Historians are kindly invited to report the bugs.
Book Description
The magical art of cutting paper images dates back to China's Imperial Court. Now, popular paper artist, Sharyn Sowell, shows scrapbookers how to enliven and grace their pages, using these ancient techniques. With only scissors, paper, and glue, you can fashion delicate borders, alphabets, flowery frames, and 3-D embellishments. How to use vintage papers, cut with patterns or freehand, and understand positive and negative space, are also here. Choose from over 50 plain and fancy projects, including Sea Stars, Spring Bouquet, Holly and Berries, Jolly Clowns, Tapestry, Holiday Ornaments, fairies, chicks, flip-flops, and more. Tips and tricks, versatile patterns, and an inspiring gallery of original designs are included. Whether you're a paper fanatic or a newcomer, pick up the scissors and begin!
Customer Reviews:
Not What I Expected.......2007-01-11
This book did not provide the technique as suggested by the title. However, I did get some good ideas from the photos and patterns.
I love this book!.......2006-09-29
I am new to paper cutting but I am a scrapbooker/card maker. This book opened up a whole new world to me!
She gives just simple instructions that make me feel like I can do this - and do this I have! I've used this book over and over and I love her designs and her ideas. I also like that the patterns are easily enlarged if need be on my printer. This makes it easy to fit the paper cutting to the project that I am working on. I highly recommend this book and I hope this author comes out with another soon.
Yes, but............2006-09-27
I mostly agree with the other reviewer said...BUT... I did see that Alison "Highly recommended..." this book in her newest (2007-2008) catalog, so I took a chance. (With a MUCH lower price here.) Ideas are GREAT, techniques are fair, patterns are fuzzy and not actual size. I'm an advanced cutter & I WILL use this book....but it will take some simple doctoring, to make them look as clean and sharp as the pictures in the book. After looking through the book (AND not remembering what I'd paid), I told myself it was worth a MAXIMUM of $15.00, for idea & pattern value. I paid less than that, so I'm satisfied. I give it a 4 and know that a beginner could benefit with the good ideas & simple patterns.
Tips and techniques are sketchy at best.......2006-03-31
This book has some attractive patterns, so, if you're just looking for patterns to blindly copy, it is probably fine. Unfortunately, however, it bills itself as offering tips and techniques -- which are very sketchy at best -- and the Resources don't even include Papercuttings By Alison, which is where 99% of US papercutters purchase their supplies. You would HAVE to own at least one other papercutting book to be able to use this -- which is a darned shame, since it would have been very simple for the author to mention the basic things every papercutter knows about using paper, scissors, knives, etc. If you're going to NAME your book Techniques, you really ought to include as much information as possible. Conversely, if she'd named her book Patterns, it would have been fine. I just wouldn't want anyone to think that this is a standalone book on the subject ... It is a book of patterns, with a few tips included.
Customer Reviews:
Very helpful guide.......2007-02-11
It's hard to find a decent book with patterns and meaurements for paper theatres, so it's a great thing to have this book - a great variety of models and kinds of theatres to build, advice for the beginner, and additional information about types of media. One thing that annoyed me was that some of the patterns didn't supply a few basic dimensions, and I had to guess - very risky with an art so precise. It also does a poor job of explaining what this fold or that cut is actually going to do for the theatre. Confusing stuff.
However, my first theatre was a success and looks lovely, and I'm in the process of making another one with doubled dimensions!
Great book!
Thank you Robert Burgess.......2001-09-25
Worth every dime! What an excellent book! Easy to understand and an absolute pleasure to read and read again. It's beautifully put together. I so much appreciate the generosity of artists who share their knowledge (and 'how to's) with me. I have just begun to include toy theatre workshops in my repetoire of SKY HIGH workshops and this book is an incredible resourse. I will encourage all my students (and creative friends) to purchase Robert's book.
Well done!.......2000-08-06
Robert's book is visually stimulating in colour and design and easy to understand.... This book would make any paper arts enthusiast want to start making paper theatres.. It also includes a Card Theatre that can be mailed.... Well done! The only problem I had was finding Mr. Burgess' website, the address must have changed.....
what an unusual and super book.......2000-06-15
how refreshing to find such an exquisite book on this very interesting subject. I made all the theatres and they were a joy to construct following the easy to understand directions. Robert burgess' hand drawn illustrations are beautiful. I would recommend this book to anyone who has a slight interest, young and old
Average customer rating:
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Roman Coins and Public Life under the Empire: E. Togo Salmon Papers II (Roman Theater & Society)
Manufacturer: University of Michigan Press
ProductGroup: Book
Binding: Hardcover
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ASIN: 0472108751 |
Book Description
Roman coins often shed light on Roman public life and society through the legends, portraits, and images they bear. The papers collected in this volume were originally presented at the Second E. Togo Salmon Conference on Roman Studies. The eight contributors are specialists in Roman coins or Roman history and in the relations between them.
Coins are a unique source of information about the Roman world. In the case of the Roman Empire they were issued by or with the approval of the ruling power. The representations and legends they show therefore present an official view of contemporary affairs. The coins themselves, minted for official purposes such as paying the army, when studied carefully can help reconstruct official policies. They can also occasionally reveal what monuments now lost may have looked like.
It is not infrequent to come across pleas that the ancient historian should make more frequent use of numismatic evidence. These essays make clear that efforts are being made both by numismatists and by historians to bring the two disciplines together. At the same time the papers reveal that the task is by no means a straightforward one. The survival of Roman coins is variable, and so attempts to reconstruct the size and distribution of issues calls for skilled and experienced analysis. This collection of papers provides evidence for the kind of deductions that the historian may make from Roman coins as well as the illustrations of the pitfalls that await the unwary.
Those interested in Roman history, amateur coin collectors, and professional numismatists will all find much here to widen their knowledge of the public context of Roman coins.
George Paul is Professor of Classics, McMaster University. Michael Ierardi is Lecturer in Classics, McMaster University.
Book Description
Eugenio Barba, director, theorist and founder of the Odin Teatret, is today one of the major points of reference for contemporary experimental theater. In
The Paper Canoe--translated here into English for the first time--Eugenio Barba explores the"pre-expressive" basis of "presence" effective on stage and how human beings behave "in a situation of organized representation."
An enormously exciting, beautifully written and very moving work,
The Paper Canoe is a crucial document for the comprehension of late twentieth-century intercultural performance. It comprises a fascinating dialogue with such masters of theater as Stanislavski, Meyerhold, Craig, Copeau, Brecht, Artand and Decroux. It establishes beyond doubt the importance of Barba's practical and theoretical work for today's students and practitioners of performance.
Books:
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- Homeowner's Record Keeper: The Perfect Place to Keep Track of Home Repairs, Maintenance, Plans, and Dreams
- How to Be the Perfect Grandma: Rules of the Game
- Hugger Mugger (Spenser)
- I Wasn't Ready to Say Goodbye
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