Average customer rating:
- limited in its bio's
- Tons of good information!
- The Marvel Encyclopedia
- so many errors!
- It's not an encyclopedia
|
The Marvel Encyclopedia
Daniel Wallace ,
Tom Brevoort ,
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Tom DeFalco ,
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Similar Items:
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The DC Comics Encyclopedia
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Avengers: The Ultimate Guide
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The Complete Visual Dictionary of Star Wars: The Ultimate Guide to Characters and Creatures from the Entire Star Wars Saga
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Justice League Unlimited - Season One (DC Comics Classic Collection)
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Civil War (Marvel Comics)
ASIN: 0756623588 |
Book Description
Marvel Comics' character roster boasts some of the best known and most popular characters ever conceived-heroes that are international household names, both as comic book stars and movie stars, such as Spider-Man, the Hulk and Wolverine. This unique, one-volume encyclopedia contains more than 1000 of Marvel's greatest, with full details of their powers and their thrill-packed careers. The encyclopedia's range of spectacular art features eye-popping work by Marvel's finest artists, while the authoritative text is supplied by a team of top Marvel comic book writers. In addition, double-page features, illustrated with classic covers, trace the fascinating story of Marvel Comics through the decades. The Marvel Comics Encyclopedia is an essential book both for new fans and for those who grew up loving the excitement, heroism and humor of the Marvel Universe. Includes a foreword by Stan Lee.
Customer Reviews:
limited in its bio's.......2007-09-19
Though the book is imformative, the bios are very limited. There are no scales to properly determine strength and intelligence. Also there are a lot of typos, leading me to believe that they didn't care much when they created this. If you want a short overview on marvel characters then this book is for you, otherwise don't bother.
Tons of good information!.......2007-08-06
Great book for anyone. Being an avid marvel fan I thought I knew most everything, but I have learned a lot from this book. It is a good buy.
The Marvel Encyclopedia.......2007-06-11
The book is well illustrated and has exhaustive description of each character of Marvel Comic Books.
so many errors!.......2007-06-07
Like any Marvel fan I was very excited about getting my hands on this encyclopedia, only to be sorely disappointed by the amount of errors found within it's pages. Error examples include: page 46, Brotherhood of Evil Mutants, an image of Nightcrawler is found under a listing for Black Tom Cassidy. Page 212 , an image of the Shiar imperial guardsman Nightside is shown under the character listing for Nightshade. Page 171 An image of the Asgardian character Lorelei is shown under the character listing for the Savage Land mutate of the same name. These are few example of the many errors throughout the book.
It's not an encyclopedia.......2007-06-06
There isn't enough information on individual characters. (There are a lot of them, and there are pictures, but the pictures take up some much space that there's none left for details.)
Book Description
Mayhem and violence rule in this collection of issues one through seven of Jhonen Vasquez's Johnny the Homicidal Maniac, as well as material seen before only in Carpe Noctem magazine. Dark and disturbingly funny, JTHM follows the adventures of Johnny (you can call him Nny), who lives with a pair of styrofoam doughboys that encourage his madness, a wall that constantly needs a fresh coat of blood, and--oh, yeah--his victims in various states of torture. Join Nny as he frightens the little boy next door (Todd, known to fans of Vasquez's work as Squee), thirsts for Cherry Brain Freezies, attempts suicide, draws Happy Noodle Boy, and tries to uncover the meaning of his homicidal existence.
Customer Reviews:
JTHM.......2007-08-24
VERY FUNNY LIGHT READING IN THE VERY DARK ZONE,IF YOU LIKE OVER THE TOP GORE THIS BOOKS FOR YOU!!
Insanity and Murder are Funny.......2006-11-26
Well actually, they really aren't, but after reading JTHM you might think they are. Jhonen Vasquez has an amazing talent; he is capable of making the most disturbing things laugh-out-loud hilarious. For this I wish to give JTHM Director's Cut a 5/5, but I cannot. But before I explain why, let me attempt to explain the meaning behind Jhonen's madness. Naturally, this is merely _my_ interpretation of his work.
JTHM is an attack (and a very violent one at that) on normalcy through the use of satire and parody with disturbing, dark themes. Due to the dark themes and disturbing content, this work could be labeled as "gothic" (and often is), but that would be rather insulting. Ironically, "goths" tend to adore the disturbing and the dark simply because it is not "normal," but they end up carving a very specific mold of normalcy out for their own clique. "If you don't fit a certain image, you're not goth and you're not one of US," a goth might say. JTHM is not only an attack on what MOST of us would consider normal, but also an attack on what GOTHS consider normal. It is an attack on all those arrogant people out there who deliberately exclude others because they don't fit in with their own definition of what normal is.
This theme pervades the entire series, from when Johnny is brutally torturing bullies for making fun of him for what he wears, to the little comments JV sometimes scratches in at the corners of his panels. But, it is not JV's attack on normalcy that is the most interesting aspect of JTHM, it is the contradictions. On the one hand, much of this comic book is rather demented and disgusting, but at the same time the book is hilarious--pulling the reader in two different directions at once. Also, sometimes there are comic strips that are completely pointless and filled with excessive (and unnecessary) violence, while there are others that have Johnny going on thought-provoking philosophical ramblings. This tension from pulling the reader back and forth (between violence and humor, and between pointlessness and meaning) is so instense that if you try to read too much at once you'll either sweat excessively, vomit profusely, or pass out from lack of oxygen because you're laughing so hard (or a combination of all three). I suggest reading in small dosages, you've been warned :)
This actually brings me to one of my only complaints. The JTHM series once featured "Meanwhiles" which are mini comic strips whose sole purpose is simply a brief, funny intermission between the JTHM series. The lack of meanwhiles lowers the value of the book (since they are really funny). But, the Meanwhiles also served as a means to break up the tension in the Johnny series. Since JTHM is so intense, the random and so often silly nature of the Meanwhile comic strips served as a pleasant deviation, and the lack of these pleasant little breaks means it's much more difficult to read JTHM in longer bursts.
My only other complaint is in the sturdiness of the actual book itself. I've only read through JTHM a few times, but already pages are falling out all over the place. I feel kind of bad negating a star primarily because of this reason (since it is not Jhonen's fault), but pages falling out really does detract from the overall experience.
Despite the lack of Meanwhiles and the overall flimsyness of the book itself, this is a solid purchase. Unless you're too easily offended or puke all over the place at the sight of blood, this graphic novel should not disappoint. Highly recommended!!!
The darkest, goriest, most awesome story ever!.......2006-11-05
I was introduced to this by my crazy friend, and I love it. Jhonen Vasquez has a very dark sense of humor, and has very comedic ways of showing someone kill people. I would HIGHLY suggest that one peeks into the book (click "Search inside this book") and read a couple of pages. In all honesty, though, if you don't like the few pages that are shown through Amazon, then you probably will not like the book. I think that the artwork is extremly well done, but it might not hold the interest of certain "normal" people.
Amazing Book.......2006-09-07
For anyone thinking of buying this book, the title explains the content: Johnny is a homicidal maniac. And this isn't an 80's horror film kind of homicidal maniac (one who likes to kill whislt in silhouette), oh no; the tortures and murders are shown in detail. The art work is very different compared to pretty much any other art work you'll find. Jhonen's use of skinny-as-hell characters and geometric drawings make this truly unique. Some may not like it, but that's a personal preferance.
That aside.
The story is non-linear in its own way (let's get one thing straight: it's not Tarentino non-linear), with different events taking place that can pretty much be interchanged with themselves (until part five), which gives the reader a simular sense of Johnny's psychosis. The dialouge is well crafted, logical (irony!) and often philisophical. If you're an intellectual, you'll thouroughly enjoy what the book has to offer...if you can manage some gore.
Also, the Happy Noodle Boy one-page segments are kept in this "Director's Cut" edition. These I found to be hilarious in their own, beyond random way. Seriously, these things are extremely random. Basically, it follows Happy Noodle Boy throughout a day in his life, which is often filled with swearing, yelling at people and usually ends with Noodle Boy getting shot.
In all, this is a great book and I highly suggest you pick up a copy. I find it very hard to believe anybody could whole-heartedly dislike this book.
Jhonny kicks your [...].......2006-08-09
dude, this book is the most awesome book ever. it just is.
Oh, and I LOVE that he listens to clasical music!!!!!!! thats one smart...put psycho....guy!!
But I must say one thing...
There are chicks on the internet that think that he's "hot" and they say that they'd "so do him"
but,
1. he'd kill you
2. HE'S A FRIGGEN COMIC BOOK CARACHTER YOU WEIRDOS!
3. You must be a freak if you HONESTLY think that.
yeah..i wouldnt do 'im...i wouldnt be evil to him like everyone else in the book...but yeah...i wouldnt think that a comic book character was hot. thats just odd. like...not good odd, like, say...invader zim-odd...but odd like.....say...my uncle that steals my grandma's bath towels odd......thats just stupid.
Amazon.com
A comic book about comic books. McCloud, in an incredibly accessible style, explains the details of how comics work: how they're composed, read and understood. More than just a book about comics, this gets to the heart of how we deal with visual languages in general. "The potential of comics is limitless and exciting!" writes McCloud. This should be required reading for every school teacher. Pulitzer Prize-winner Art Spiegelman says, "The most intelligent comics I've seen in a long time."
Book Description
Praised throughout the cartoon industry by such luminaries as Art Spiegelman, Matt Groening, and Will Eisner, this innovative comic book provides a detailed look at the history, meaning, and art of comics and cartooning.
Customer Reviews:
Amazing!.......2007-09-27
This book should be compulsory teaching in schools. Very easy to read and a great education in not just comics, but also in art and story telling. Highly recommended for everyone, even for the so called comic book experts. I have been reading comics for over 20 years, and this taught me things I took for granted.
Great book!.......2007-09-18
I highly recommend this to anyone who has even the slightest interest in comic books. Whether you're new to comics or a longtime comic book fan, you will probably learn something new and interesting about the medium. In particular, this book has really changed the way I look at manga and has given me a new appreciation for Japanese comics.
The other two books in this "trilogy" are good too, but I consider this one the real "must read" of the three.
Graphic SF Reader.......2007-09-03
Not being a writer, artist, editor, or whatever, I just read them, I didn't care about the technical details, so this was quite informative, and amusing, with the style. If you are not a would be comic creator, or artist of some sort, this may be too technical, dry and textbook like, but it is clever to have a comic be a textbook about comics.
Great if you're clueless about comics.......2007-08-29
Having read comics before, the book seemed almost as if it were talking down to me. However, the section of the book that dealt with the structure of comics and their elements (i.e. Splash pages, the gutter, etc.) was a welcome education. It's a pretty quick read and if you're completely new to the comic/graphic novel genre, it's a good one to read. But if you're a seasoned comic veteran, opt for one of Mccloud's other books instead.
enjoyable and informative.......2007-08-18
I'm kindof rediscovering comic books after years of not reading them, and I was curious to know a little more about the medium when I picked up this book, and I really liked it. Not only is it full of information about how comics are written and drawn, but it also IS a comic book, making it fun to read. The author's personality really contributes a lot to the narrative, and I think anyone interested in comics and graphic novels ought to read this book.
Average customer rating:
- Excellent read
- DEMEAMING, INSENSITIVE, STEREOTYPING, TOO GRAPHIC - JUST NOT CORRECT
- Sometimes truth is better than fiction.
- Maus
- Immensely sad. Full of pathos. An immense work
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The Complete Maus: A Survivor's Tale
Art Spiegelman
Manufacturer: Pantheon
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Understanding Comics: The Invisible Art
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ASIN: 0679406417
Release Date: 1996-11-19 |
Book Description
At last! Here is the definitive edition of the book acclaimed as “the most affecting and successful narrative ever done about the Holocaust” (Wall Street Journal) and “the first masterpiece in comic book history” (The New Yorker). It now appears as it was originally envisioned by the author: The Complete Maus.
It is the story of Vladek Spiegelman, a Jewish survivor of Hitler’s Europe, and his son, a cartoonist coming to terms with his father’s story. Maus approaches the unspeakable through the diminutive. Its form, the cartoon (the Nazis are cats, the Jews mice), shocks us out of any lingering sense of familiarity and succeeds in “drawing us closer to the bleak heart of the Holocaust” (The New York Times).
Maus is a haunting tale within a tale. Vladek’s harrowing story of survival is woven into the author’s account of his tortured relationship with his aging father. Against the backdrop of guilt brought by survival, they stage a normal life of small arguments and unhappy visits. This astonishing retelling of our century’s grisliest news is a story of survival, not only of Vladek but of the children who survive even the survivors. Maus studies the bloody pawprints of history and tracks its meaning for all of us.
Customer Reviews:
Excellent read.......2007-09-12
I read Maus I and II back in junior high and thought it was really cool that I was reading a book while also reading a comic. I purchased and re-read the boxed set recently when I stumbled upon it on Amazon. It's excellent. Truly a one-of-a-kind story, told in a way that gets the reader engaged in the details of what went on back in World War II. I love the cleverness of the Jews being portrayed as mice and the Nazi soldiers as cats. The only qualm I have with this series is that Maus II (the second and last book) ends rather abruptly, which is sort of understandable if you read the books. Honestly, I wanted more from the author and the storyline. Either way, it was a good read back when I was age 12 and still a good read at age 25.
DEMEAMING, INSENSITIVE, STEREOTYPING, TOO GRAPHIC - JUST NOT CORRECT.......2007-09-01
I just don't understand, how any type of stereotyping, as maus is loaded with it, can be acceptable. Stereotyping like bigotry, can "never" be justified! The graphic nature of this book is also "disturbing." With so many other books out there, I personally am unable to understand why anyone would use this book that offends "other" (3 million Catholic Poles for starters)holocaust victims. Many, many books out there get the job done, without such dark graphics and offending peoples, who were also victims. There are three books that I feel are truly objective, factual and just not as offensive, as Maus is: "Auschwitz," by Sybile Steinbacher, Richard Lukas' "The Forgotten Holocaust," which "objectively" talks about "everyone's" suffering in the holocaust; and finally, Michael R. Marrus' "The Holocaust in History." On Marrus' book: "An ideal introduction to the subject for any student of the Holocaust, and an authoritative summary for the expert." Yehuda Bauer, The Hebrew University of Jerusalem(back cover). With all the suffering and sensitivity on the Holocaust, "all" victims' feelings should be considered - maus does "not" accomplish this.
Sometimes truth is better than fiction........2007-08-21
I stumbled across this a few days ago in a book shop in Cambodia, of all places. I sat transfixed reading the book until 4 a.m., when my eyes could no longer focus. When I awoke the next day, I finished the book.
We are provided with a narrative by the father, a Holocaust survivor, and a more recent portrayal of the author (the son, who happens to be the artist, also). We see the trials and tribulations of his father and his mother as a young Jewish couple in World War 2 era Poland during the Nazi invasion and subsequent occupation.
We also get to share the experience of being the guilty son of Holocaust survivors. He worries about seeing his father as the stereotypical "miserly old Jew." Can he have judgment about people who have suffered through so much? Can he have a bit of animosity towards his parents, as most people tend to do? The author has to question how his mother could have survived the Nazi regime, but committed suicide when he was 20. He has to question the relationship with his father. Is he annoying or pitiful or admirable?
All these muddled emotions and the true story of a man who lived through the most brutal crime of the 20th century all come into play.
The drawings are great. The format is great. The idea to show different races as different animals is also great. Because, as silly as that sounds- isn't even sillier that people see our own races as different creatures?
Maus.......2007-08-10
As a Polish/american/alsacian I need to say this book is amazing. It captures all cultures together and produces the most authentic representation of WW2 I have ever read.
Immensely sad. Full of pathos. An immense work.......2007-06-13
More than a graphic novel. Rather a powerful moving tale of a son's recovery of a father's experience of the years of the holocaust and how this trickled down into contemporary family life. Reflective and immense in scope. I would recommend this book genuinely to anyone interested in what makes life worth living. The vignettes of Spiegelman's father are harrowing and inspiring, accentuated by a matter of fact story telling style. Spiegelman's insertion of his own family into the narrative serves to contrast the relatively normal travails of a modern family with those of families on the edge of survival and extinction.
Amazon.com
Scott McCloud's Understanding Comics was published in 1993, just as "Comics Aren't Just for Kids Anymore!" articles were starting to appear and graphic novels were making their way into the mainstream, and it quickly gave the newly respectable medium the theoretical and practical manifesto it needed. With his clear-eyed and approachable analysis--done using the same comics tools he was describing--McCloud quickly gave "sequential art" a language to understand itself. McCloud made the simplest of drawing decisions seem deep with artistic potential.
Thirteen years later, following the Internet evangelizing of Reinventing Comics, McCloud has returned with Making Comics.
Designed as a craftsperson's overview of the drawing and storytelling decisions and possibilities available to comics artists, covering everything from facial expressions and page layout to the choice of tools and story construction, Making Comics, like its predecessors, is also an eye-opening trip behind the scenes of art-making, fascinating for anyone reading comics as well as those making them. Get a sense of the range of his lessons by clicking through to the opening pages of his book, including his (illustrated, of course) table of contents (warning: large file, recommended for high-bandwidth users):
Book Description
Scott McCloud tore down the wall between high and low culture in 1993 with Understanding Comics, a massive comic book about comics, linking the medium to such diverse fields as media theory, movie criticism, and web design. In Reinventing Comics, McCloud took this to the next level, charting twelve different revolutions in how comics are generated, read, and perceived today. Now, in Making Comics, McCloud focuses his analysis on the art form itself, exploring the creation of comics, from the broadest principles to the sharpest details (like how to accentuate a character's facial muscles in order to form the emotion of disgust rather than the emotion of surprise.) And he does all of it in his inimitable voice and through his cartoon stand–in narrator, mixing dry humor and legitimate instruction. McCloud shows his reader how to master the human condition through word and image in a brilliantly minimalistic way. Comic book devotees as well as the most uninitiated will marvel at this journey into a once–underappreciated art form.
Customer Reviews:
Fun to read and very informative.......2007-08-25
I read Understanding Comics and liked it so much I decided to check this book out as well, and found it to be even more enjoyable. McCloud's artwork is very fun and whimsical, his writing is humorous and he puts many concepts about the writing and drawing of comics in very easy-to-understand language. I never thought about making comics before, but this volume was so inspiring I'm convinced it might be fun to try!
A Great Learning Tool.......2007-08-15
If you've ever wondered about the finer points of crafting a comic this is the book for you. This is not a how to draw book and if thats what you are looking for than this isn't for you. It IS a very intelligent and thought provoking insight into the story telling aspects of the creation of comics. This is a MUST HAVE for anyone serious about comics.
Scott McCloud is the Alton Brown of Comics.......2007-08-07
Alton Brown is not a world-class chef but 'Good Eats' is indispensible educational television. It's the same thing with Scott McCloud, reviewers who say he hasn't produced anything earth shaking in the comics medium are missing the point. Making Comics is a wide-ranging, free-wheeling and passionate examination of what makes comics (and much visual art) tick, and provides a toolbox we can use to create our own stories. This is the best thing since Understanding Comics and goes more into the details of visual storytelling, the chapter on facial expressions alone is worth the price of admission. I want to send this book to Edward Tufte. Anyone interested in visual communication needs to read this book, and that goes double for aspiring comics creators.
Must-Have for Aspiring Artists.......2007-07-05
You need to own Understanding Comics to accompany this one. Understanding Comics: The Invisible Art
Making Comics is a complete book that refers to many of the topics that Understanding Comics expands upon. It is a great starting point for aspiring artists to look at approaching their own comic. McCloud explains the mutlitude of styles involved and how each of them works to engage the reader. He is truly a master of his craft.
He strips away the layers of superhero masculine fantasy to reveal comics as a storytelling vehicle. Not your typical how-to-draw book.
Review of book.......2007-05-28
Excellent book - very well presented and detailed. Well worth the price. Our kids (9 and 7) are using it to create better comics
Average customer rating:
- An Epic Journey Toward Honesty
- a new genre
- Achingly True and Elegant
- Just amazing.
- Brilliant...and sad
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Fun Home: A Family Tragicomic
Alison Bechdel
Manufacturer: Houghton Mifflin
ProductGroup: Book
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Epileptic
ASIN: 0618477942 |
Book Description
This breakout book by Alison Bechdel takes its place alongside the unnerving, memorable, darkly funny family memoirs of Augusten Burroughs and Mary Karr. It's a father-daughter tale pitch-perfectly illustrated with Bechdel's sweetly gothic drawings andlike Marjane Satrapi's Persepolisa story exhilaratingly suited to the graphic memoir form. Meet Alison's father, a historic preservation expert and obsessive restorer of the family's Victorian house, a third-generation funeral home director, a high school English teacher, an icily distant parent, and a closeted homosexual who, as it turns out, is involved with male students and a family babysitter. Through narrative that is alternately heartbreaking and fiercely funny, we are drawn into a daughter's complex yearning for her father. And yet, apart from assigned stints dusting caskets at the family-owned "fun home," as Alison and her brothers call it, the relationship achieves its most intimate expression through the shared code of books. When Alison comes out as homosexual herself in late adolescence, the denouement is swift . . . graphic . . . and redemptive.
Customer Reviews:
An Epic Journey Toward Honesty.......2007-10-01
When your father is an exacting home renovator, meticulous interior decorator, local mortician, high shcool English teacher, and closeted homosexual, who you suspect likely had sexual relations with adolescent boys - if you're like most autobiopic authors these days, then you'd probably write your own private hyperbolic "Running With Scissors," throwing everything up against the wall, and crudely splattering your immediate family's history across the pages of your tunnel-visioned, self-promoting, and sensational memoir. But Alison Bechdel is neither an ordinary author nor a poorly educated one. She has both an independently crafted intellect and a capable library of classic literary sources and themes. She does not choose to focus on minutia or overly far-reaching causalities. Her first autobiography is a corncopia of expertly-coordinated art forms, carved into a concise, gravitational, and enlightening narrative.
I highly recommend not only buying and reading this book, but I also encourage studying Bechdel's perspectives, reasoning connections, and causal theories.
This book is a modern heroic quest to find meanings, understandings, and truths in intimate behaviors, wants, and relationships.
Many authors focus on picturesquely and emotionally describing the abnormalities of their past. Bechdel is fully capable of parroting those common abilities. But her aims are further reaching and more well-intended than simply trying for accurate multi-sensory recollection. She goes happily beyond and effectively reveals the origins of some of her creative forces. She sympathetically and honestly portrays the cultural, familial, and private paradoxes that likely disabled so many of her (and our) loved ones who are not ordinary in their desires.
Anyone who incorrectly thinks women can't be visually-centric need only read this book. Bechdel's visual memory is both astounding and rewarding for the rest of us. And her other areas of memory, from smells to feelings to current events to literary quotes in her educational development are indicative of an artist who tries to consider, evaluate, and remember more than most people do. She does not filter her memories through rose colored glasses, but she does effectively step outside status quo lenses to make her own evaluations and portrayals.
Reading some of the recent popular homosexual memoirs, a person might think homosexuals are NOT predominantly driven by love or desire, but rather driven by poor experiences, revenge, whistleblowing, or hatred. Where most authors blame their family and past relationships for their own problems, Bechdel does not. She sees more perspectives and she is better educated than most. Bechdel chooses to not simply blame others for her past OCD, inabilities, and abnormalities, even while she illustrates capably the environment in which those conditions arose.
The title "Fun Home" probably has many intended meanings, like Jeannette Wells memoir entitled "The Glass Castle" has many transparent meanings. Both memoirs speak of fun times, but I think Bechdel sees even more of the good intentions in her father's "mad" pursuits than Wells perceived. Both fathers showed flashes of brilliance mixed with Achilles Heels so notorious, it's a wonder they could walk at all sometimes. And in Wells' defense, at least Bechdel's father was better read and less often intoxicated.
The title "Fun Home" is not singularly intended with negative or sarcastic connotations. Alison Bechdel shows us how she had fun growing up, as much fun as a person could have dealing with the ever present spoken and unspoken, addressed and unaddressed familial conflicts constantly battling in her home.
I think it would be insufficent to call this a young woman's "coming of age" book. It may be more accurate to say this book is about a family coming of age. And I think the publication of this beautiful story is an assertive exercise in encouraging societal sensibilities to come of age.
Bechdel does not seek to excuse all of her father's behaviors, but rather to help others understand them. She wants more people to understand what can happen to very intelligent and talented people when they are incorrectly trained to believe that some of their primary drives and loves are sinful, shameful, or should be killed or hidden. She writes:
"I suppose a lifetime spent hiding one's erotic truth could have a cummulative renunciatory effect. Sexual shame is in itself a kind of death. Ulysses, of course, was banned for many years by people who found its honesty obscene."
I felt pretty good that I was able to not cry while reading the book. But after I read the last page, the tears just flowed.
a new genre.......2007-09-26
I didn't know that graphic novels could be so smart. I felt smarter after reading this one, and also very moved by a sad story. This book doesn't have good guys and bad guys, which is how you know it's not a typical comic.
In addition to a great tale, the art is so beautiful. What a tremendous book.
Achingly True and Elegant.......2007-08-25
This memoir could have been called "A Heartbreaking Work of Staggering Genius" but that title is taken. Nevertheless, that is the most apt description for Fun Home that I can think of. Alison Bechdel's spare prose and simple, black-and-white line drawings convey an emotional complexity that will push buttons for many, if not all, readers because in one way or another most of us suffered childhoods that tested our abilities to make sense of the senseless.
My own childhood was nothing like Bechdel's, yet at the same time it was exactly like hers. All of the details are different, while all of the feelings are the same. I would say that at the heart of Fun Home lies Bechdel's need to justify to herself the love she felt (and continues to feel) for a father who was too wrapped up in his own identity conflicts to even acknowledge, much less help address, his child's. And who was too weak even to live out his full two score and seven, taking his life sometime in his 40s when Bechdel was just out of college.
Bechdel's contempt for her father is apparent, as is her love. She is at once angry and admiring, cynical about his motives and proud of his accomplishments. Her ambivalence is nearly overwhelming, and something that I suspect many of us share in relation to our parents. In the end, I believe, the lucky ones among us come to some inner accommodation wherein we are able to forgive our parents for their lapses, even those that are quite literally sinful, and honor the things they were able to do that live on in our hearts and minds after they are gone.
Fun Home is a beautiful book whose drawings aid the reader's imagination in fleshing out details of an early life that was deeply felt and well lived. I highly recommend it.
Just amazing........2007-08-22
I just want to say, I had never read Alison Bechdel before I read a review of this book in Bitch Magazine. I picked it up and am now a huge fan of hers. This book is incredibly well thought-out and I think that many people will see their own story reflected in hers in that, as a child (as a human for that matter), you see your parents as end-all, be-all, endlessly fascinating human beings...almost as if they were Adam and Eve...It's such a strange paradox in that they existed for a long time before you did, they they do or don't take care of you, that no matter what the status, everyone has parents...you pore over seeminly innocuous details of their lives searching for some "truth", you compare them favorably and unfavorably to other people's parents...you put together pieces of the puzzle for yourself where there is no information...but at the end of the day, they are just people who make mistakes, no more, no less. This story is mainly about a daughter's fascination with her father and his life/secrets, an attempt to get to the root of a completely tragic experience and a reconciliation with herself and her own grief and (misplaced) guilt.
I met Alison at the NYC Comic Con and she was pretty fascinating herself. This book has been a obvious victory for her as well as a labor of love and a harrowing journey. Once I finished this book, I bought the DTWOF books and was bowled over. It's a twenty year long soap opera with aging characters, intricate story lines, whip-smart commentary on social, governmental and civil rights issues, and funny too boot.
Brilliant...and sad.......2007-08-07
This was one of the most engaging and crushingly sad books I've ever read. Most authors are unable to write about agonizing personal history without being mawkish or manipulative. But Bechdel tells a raw and gripping story with not a hint of cheap sentimentality.
Jennifer Parello, author of Dateland
Book Description
The Cartoon History of the Modern World is a wickedly funny take on modern history. It is essentially a complete and up–to–date course in college level Modern World History, but presented as a graphic novel. In an engaging and humorous graphic style, Larry Gonick covers the history, personalities and big topics that have shaped our universe over the past five centuries, including the Industrial Revolution, the American Revolution, the Russian Revolution, the evolution of political, social, economic, and scientific thought, Communism, Fascism, Nazism, the Cold War, Globalization––and much more.
Volume I of the Cartoon History of the Modern World picks up from Gonick's award winning Cartoon History of the Universe Series. That series began with the Big Bang and ended with Christopher Columbus sailing for the New World. This book starts off with peoples that Columbus "discovered" and ends with the U.S. Revolution.
Customer Reviews:
Shallow and snarky.......2007-08-30
First of all, I was a big fan of the first 3 books. But this one was no where near as good. Here are some of my complaints.
He comes off as more forgiving of the Aztec empire (human sacrifice, slavery and all) than the Spaniards (slavery, sans human sacrifice). A little more examination into the changes in the native populations day-to-day life would have been appreciated.
He seems to dismiss the theory that germs were the dominant factor in allowing Europeans to conquer the Americas. While he does touch on disease in a few instances, his only direct approach is to portray this notion as a way to assuage white guilt. But this was, almost certainly, the reason why Europeans were able to conquer the Americas and not Africa or Asia.
He perpetuates the myth that the croissant was invented to commemorate the victory of the Siege of Vienna. In fact, the myth originally claimed that it was invented for the siege of Budapest, and this was most likely invented as well. The first time that this story is told is in 1938, far too long after the fact to be accepted as fact.
The treatment of slavery and the U.S. constitution is shallow. There were real conflicts here that could have been given better treatment. I'd rather that he'd saved this for another volume than skim over it.
The religious conflicts in Europe were much more complex, and deserved more in-depth treatment. Too often, Gonick makes snarky comments about the participants, but there were real fears, real ambitions, etc. that motivated these conflicts.
In fact, too often, just like his comparison of Aztecs to Spaniards, he seems willing to accentuate European sins over non-European sins. One can't help wondering what types of biases he harbors when addressing these comparisons. Was life in Peru really better under the native lords than under the Spaniards? Under what measurements?
As well, the Ottomans are never addressed directly, even though they were an important world power. And did the Ottomans work in the African slave trade (why yes, they did)? How did this effect Africa, Turkey, etc.?
Some of this may be alleviated in future volumes, but this volume by itself is weaker than previous ones.
EXCELLENT!.......2007-08-22
The most enjoyable entry in Mr. Gonick's series since I read his first volume in 1993. This book covers history from roughly 1300-1750, with a refreshing and rare emphasis on pre-Columbian American cultures, such as the Aztecs and Incas. Gonick also delves into the might of India's Moghul Empire, dishes on the Reformation and Counter-Reformation, the first stirrings of the Enlightenment, global trade in the great age of sail, and more importantly, the sex lives of the rich and famous. Gonick pays particular attention to philosophers and scientists of all stripe, and does so with his trademark good humor and gift for turning what could be dry information into something genuinely fun to read. I'll say it again, you can learn more from one of Larry Gonick's books than from a semester in college!
Raves from a Gonick Fan.......2007-08-10
As I do with all of Mr. Gonick's works, I read The Cartoon History of the Modern World Part 1 from cover to cover, enthralled the whole time. His imagery and narrative combine to make his Histories excellent learning vehicles. Be sure to watch out for the identity of the first human recorded to circumnavigate the globe---it may be a surprise!
From the Universe to the Modern World.......2007-07-24
Gonick contiues the story where he left off in "Cartoon History of the Universe Part 3" - as Columbus sails to the New World.
The modern world is more complex, and there's a lot to cover in this book. Still, it's just as good as his previous work. I take one star away because of the book's smaller page size.
Gonick wins again!.......2007-06-28
Gonick once again has written an excellent book in the same spirit as his others, expressing history in the broad and general, the personal and specific, and the interesting.
Amazon.com
From droids and wookies to Darth Vader, this step-by-step guide teaches budding artists everything they need to know to draw characters from the amazing world of Star Wars. For a live demonstration of the book's drawing techniques, watch these three dynamic video guides featuring Matt Busch, one of the illustrators of You Can Draw Star Wars. (Click on each image to launch the video.)
Episode I: Preparation |
Episode II: Light and Shadow |
Episode III: Drawing |
Customer Reviews:
gift for a 9 year old.......2007-08-27
I gave this book to my 9 year old grandson, who loves to draw Star Wars figures. The text is quite a bit above his reading level, but he's already been using the book to draw!! He loves this book.
Perfect for any illustrator Star Wars fan who wants to learn from his heroes........2007-04-19
The foundations of the penciling and drawing techniques needed to draw Star Wars characters is explained in an easy beginner's guide YOU CAN DRAW STAR WARS. Tutorials show how to draw all characters from droids to heros Obi-wan Kenobi and Luke Skywalker, while foldout pages, overlays and stencils enhance the instruction. Perfect for any illustrator Star Wars fan who wants to learn from his heroes.
Diane C. Donovan
California Bookwatch
A must have for any Star Wars Library.......2007-04-12
This is my favorite Star Wars book since "The Ultimate Visual Guide" came out a year or so ago. The books is a good introduction to drawing, and even provides helpful suggestions about different tools professional artists use to make their work look so great.
I'm a novice drawer myself, but that's ok because the book can be used by artists of all levels who want to draw better Star Wars works of art. It gives you basic advice about how to draw the human figure, and, once you are ready, more advanced suggestions to really give your work a professional, comic-book quality look.
I'm really looking forward to using this book, along with the Visual Dictionary series from DK to start drawing Star Wars again, and drawing Star Wars better than ever. In my experience, everything from DK is top notch, especially their Star Wars series. You seriously can't go wrong, the quality of work they put into their products is simply amazing.
worth money !!.......2007-03-09
Very nice book, worth the money,good explained "how to", hard to find in shops,but Amazon deliverd
very quick.Thanks
You can draw yes! But some work is involved........2007-02-20
I have taught drawing classes at our public libraries in my city. Some of the topics were Star Wars related. Although this book has a wealth of information and the artists are really first rate it is my experience that pre-teens and young teens may have a tough go of some of the practices and trying to imitate the artists of the book. It is somewhat of a drawing crash course and I have found trying to tell students "practice and most of all have fun" does not really communicate the time it takes to make a polished drawing as shown in the book. I am not saying it is bad but it is also not a step by step book exactly. Case in point: Jabba The Hutt. The book shows a build up from basic, to middle, to detailed stage. I have found students will have a lot of problems with the middle phase because they look so great in the book. The break down into smaller steps is needed. Since the publisher is aiming this at kids I think parents and teachers should be aware that yes it will teach them to draw Star Wars but it may be more work involved than a standard drawing-for-kids book would be like. I recommend the book but be prepared it is not exactly easy. I also would warn parents and teachers that the spiral bound pages are easy to get snagged and tare. A little extra care is needed in turning the pages but this also allows the book to stand up with the hardback binding and it also allows the pages to lie completely flat. Well worth the asking price for any Star Wars fan young or old.
Book Description
The book that Janet Maslin of The New York Times has called "indispensable" and "a transfixing study of American mores and manners that happens to incorporate boundless laughs, too" is finally available in paperback—fully updated and featuring a brand new introduction by Adam Gopnik.
Organized by decade, with commentary by some of the magazine's finest writers, this landmark collection showcases the work of the hundreds of talented artists who have contributed cartoons over the course ofThe New Yorker's eight-two-year history. From the early cartoons of Peter Arno, George Price and Charles Addams to the cutting-edge work of Alex Gregory, Matthew Diffee and Bruce Eric Kaplan (with stops along the way for the genius of Charles Barsotti, Roz Chast, Jack Ziegler, George Booth, and many others), the art collected here forms, as David Remnick puts it in his Foreword, "the longest-running popular comic genre in American life."
Throughout the book, brief overviews of each era's predominant themes—from the Depression and nudity to technology and the Internet, highlight various genres of cartoons and shed light on our pastimes and preoccupations. Brief profiles and mini-portfolios spotlight the work of key cartoonists, including Arno, Chast, Ziegler, and others.
The DVD-ROM included with the book is what really makes the "Complete Cartoons" complete. Compatible with most home computers and easily browsable, the disk contains a mind-boggling 70,363 cartoons, indexed in a variety of ways. Perhaps you'd like to find all the cartoons by your favorite artist. Or maybe you'd like to look up the cartoons that ran the week you were born, or all of the cartoons on a particular subject. Of course, you can always begin at the beginning, February 21, 1925, and experience the unprecedented pleasure of reading through every single cartoon ever published in The New Yorker.
Enjoy this one-of-a-kind protrait of American life over the past eight decades, as captured by the talented pens and singular outlooks of the masters of the cartoonist's art.
Customer Reviews:
Wonderful book but massive!.......2007-09-28
Have enjoyed the New Yorker since I was old enough to turn the pages. This book is a "real history of our times" in addition to being a pleasure to read. Depressions, wars, politics, and general attitudes are shown with all their "warts and wrinkles". This is a wonderful book, but read it sitting at your desk, or kitchen table, or some other sturdy base. Take several days to go through it, (at the very least), since cartoon meltdown is a real possibily if taken all at once. Aside from the "reading logistics" it's a great book.
Cartoons for the "literati" - buy it for the CDs.......2007-09-10
A book with 6 decades worth of wry New Yorker cartoons needs a strong coffee table and a big lap. Flipping through the book gives you a wonderful look at the flow of current affairs, both social and political. Along the way the editors give us a narrative that's a good course in the history of American humor in the 20th century.
The real bonus, though, is not the book, which despite its being massive is not "Complete." It has maybe 20% of the 60,000-plus cartoon promised on the cover. The complete set you want is on 2 CDs included in the book, and the CDs are searchable by topic, etc.
So if you want a cartoon on consultants (and I'm a consultant), here's one: Two detectives stand over the prone lower half of a murder victim. "By the number an violence of the stab wounds," says one, "I'd guess he was a consultant."
Buy the book so you can open it at any point and smile or laugh out loud; use the CDs to browse the whiole New Yorker cartoon universe and/or find the smiles and laughs you want.
DVD and Book are fantastic.......2007-08-15
I had been apprehensive about this purchase after reading the reviews rubbishing the quality of the resolution on the DVD. I was surprised to find however, that the resolution of the cartoons is fine. Occasionally I will have trouble reading the finer print, but with 72,000 of them, it doesn't really matter.
I have never seen the book.......2007-07-18
It was a gift I bought for somebody else, but the person who received it, took picture of it and she was so happy with the book that I have to rate it 5 stars. Maybe I will buy one for myself too...who knows.
The Cartoons are great! CDs are awesome too..........2007-07-08
I wanted to clarify some doubts about the resolution of the cartoons on the CDs. They are perfectly fine and don't know how it can be better. The CD contains cartoons in pdf documents, and there is one cartoon per page. Each cartoon is dated and has the cartoonist's name. I didn't find any problem at all. I am using Adobe Acrobat reader 7.0 and Windows Vista OS. The CD couldn't directly launch pdf which I suspect is because of Vista. Hence, I just opened mainmenu.pdf directly from adobe acrobat reader and was really happy. Please go ahead and buy this, the CDs are not low resolution.
Book Description
A New York Times Notable Book
A Time Magazine “Best Comix of the Year”
A San Francisco Chronicle and Los Angeles Times Best-seller
Wise, funny, and heartbreaking, Persepolis is Marjane Satrapi’s memoir of growing up in Iran during the Islamic Revolution. In powerful black-and-white comic strip images, Satrapi tells the story of her life in Tehran from ages six to fourteen, years that saw the overthrow of the Shah’s regime, the triumph of the Islamic Revolution, and the devastating effects of war with Iraq. The intelligent and outspoken only child of committed Marxists and the great-granddaughter of one of Iran’s last emperors, Marjane bears witness to a childhood uniquely entwined with the history of her country.
Persepolis paints an unforgettable portrait of daily life in Iran and of the bewildering contradictions between home life and public life. Marjane’s child’s-eye view of dethroned emperors, state-sanctioned whippings, and heroes of the revolution allows us to learn as she does the history of this fascinating country and of her own extraordinary family. Intensely personal, profoundly political, and wholly original, Persepolis is at once a story of growing up and a reminder of the human cost of war and political repression. It shows how we carry on, with laughter and tears, in the face of absurdity. And, finally, it introduces us to an irresistible little girl with whom we cannot help but fall in love.
Customer Reviews:
ABOUT THE BOOK.......2007-10-02
This is a truley wonderful graphic novel.
Even though I'm only ten I must say this is an amazing book. I would love to meet Mrs. Satrapi. When my mom just bought the book I was very curious what it was about. Believe it or not I read it before her. Even though it's really an adults book which I think they will love (like my mom) I think kids might like it too.
This is a book about a little girl who lives with her parents and has god on her side, facing all the wars and deaths in Iran. It's hard, but she keeps believing that one day Iran will be in peace once again.
It truley tells the story of what happend, She tells the story with emotion, with her words and illustrations, what her words can't tell the illustrations will tell. Mrs. Satrapi will make you read it atleast twice. We now know what a little girl experienced during the revolution in Iran, not just like that, but with feelings!
This is an AMAZING story for Everyone!
Remember to catch Persepolis 2 & Embroideries!
Non-Fiction.......2007-09-25
An autobiographical account of a girl growing up in Iran. Through her own story she highlights how deeply screwed up the country is, and has become, and how ludicrous some of the religious laws and commands are, when you see them through the eyes of a child. Wear something on your head? It is too hot, stupid! That sort of thing.
She is not holding back, talking about how people feel when their 18 year old next door neighbour is executed as being a communist, after a leftist lead revolution allows them to take power, or when your uncle's sister is strangled to death because he was not home to kill, and things like that.
She points out other crazy things that we probably are not aware of, you can't have chess sets, in Persia? That is very freaky.
The art style is quite cartoony, which is somewhat jarring when she is talking about firing squads.
Definitely good.
Awesome.......2007-09-23
Amazing graphic novel about the author's childhood in revolutionary-era Iran. I learned a lot about this time and place. I also enjoyed her artwork with its heavy black lines and highly graphic style. The sequel is also very good.
Beautifully written - Azadi Bareya Iran.......2007-08-17
Like "Maus" and the story of the Holocaust, Persepolis brings the sad story of the Iranian Revolution to light in a way only a well-done graphic novel can do. It is an absolutely brilliant book that gives you the raw pain and emotion of the Revolution, with all the necessary facts and events, without the dry and verbose nature of many historical novels. Rarely can it be done, in pictures, like it is done here.
If you truly want to know the sad story of the Iranian Revolution from the perspective of an average Iranian family, this is the book for you. Please read it.
Disheartening, but with hope for a better future.......2007-08-06
'Persepolis' was my first graphic novel (or, in this case, graphic autobiography) experience. It is the childhood story of Marjane Satrapi, who was a young girl of liberal parents during the Islamic Revolution in Iran in the 1980s.
Satrapi's drawings are simple yet poignant, and reading about her experiences and culture so foreign to me was at the same time both fascinating and dismaying. I hope to read more of her works.
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