Book Description
The Silent Cinema Reader brings together key writings on cinema from the beginnings of film in 1894 to the advent of sound in 1927, addressing the development of film production and exhibition technologies, methods of distribution, film form, and film culture during this critical period on film history. Thematic sections address: film projection and variety shows; storytelling and the Nickelodeon; cinema and reform; feature films and cinema programs; classical Hollywood cinema and European national cinemas. Each section is introduced by the editors, and contains suggestions for further readings and film viewings.
Book Description
John Bengtson has created a unique visual history of early Hollywood (as well as other parts of Los Angeles, and locations in the Northwest, Southwest, and New York City) as depicted in Buster Keatons classic movies. Combining images from Keatons films with archival photographs, historic maps, and scores of dramatic then and now photos, Silent Echoes reveals dozens of movie locations that lay undiscovered for nearly 80 years. Part time machine, part detective story, Silent Echoes presents a fresh look at the matchless Keaton at work, as well as a captivating glimpse of Hollywoods most romantic era. More than a book for film, comedy or history buffs, Silent Echoes appeals to anyone fascinated with solving puzzles or witnessing the awesome passage of time.
Customer Reviews:
Brings Hollywood's Past Just a Little Closer.......2006-10-29
Years ago I purchased Civil War historian William A. Frassanito's excellent books "Gettysburg: A Journey in Time" and "Antietam: The Photographic Legacy of America's Bloodiest Day," which examine and compare historic and modern photographs of these famous battle sites. John Bengtson has done essentially the same thing for Hollywood using Keaton's films, and the result is nothing short of miraculous. Here are scenes of what used to be but are no more, resurrected with the benefit of Bengtson's keen eye, detective-like mind, and obsessive attention to detail. This is one heck of a fun book, and you'll spend many hours going over the photographs.
Amazingly, many of the scenic backdrops that Keaton used in his films still exist, and they serve today as nostalgic reminders of a relatively primitive and innocent time that has all but disappeared.
Wow..........2006-08-04
This is a truly different kind of book. We get to see the locations that Buster made his films, and how they have changed through time. We also get to see how the author went about finding these places, a kind of historical research that takes a tremendous amount of time and effort.
This book is one that I automatically pick up when I'm not sure what I want to read, but want something interesting.
If there was a complaint, it would be that many of the pictures and some of the text is really too small. I have great eyesight, some of this is too hard for even me to see, and I know many people have a harder time with small text and pictures. Lay off of our eyesight, eh?
Still, a totally fascinating book. I can't get enough.
An Excellent Book.......2006-03-21
This book is a necessity for any Buster Keaton fan or any fan of Hollywood history. It is well researched and absolutely fascinating.
A " Must Have" for any Keaton fan.......2006-02-23
This is a great book. I love to watch Keaton's movies with this to hand, it gives a whole new insight to the films. It is easy to read and it is interesting to see the sights of LA from the 20's. Sometimes it is sad to see that some of these locations are gone, where the building of freeways have necessitated the removal of whole city blocks. If I ever get to visit LA I know that this book will be going with me.
Wow, what a great film history book.......2002-06-28
John Bengtson has done something so simple yet so essential to film history. If you live in LA the book will have a greater meaning. If not you can marvel at the almost film-archeological work Bengston has done in finding the exact places the great Buster Keaton filmed some of his best films.
Average customer rating:
- A Thorougly Enjoyable Book
- SILENCE IS INDEED STILL GOLDEN!
- Silent Stars--an essential reference work
- Okay but...
- Beautiful Photographs but Dreadful Read
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Silent Stars
Jeanine Basinger
Manufacturer: Wesleyan University Press
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ASIN: 0819564516 |
Amazon.com
Through concise biographies, explorations of filmographies, and captivating still shots, Jeanine Basinger offers remarkable insight into both the on- and offscreen lives of the cinema's first stars. Basinger shows an incredible knack for getting past the average movie fan's barriers to appreciating silent film actors: the larger-than-life acting style, frequently goofy plots, and general difficulty in finding films of all but a few luminaries like Charlie Chaplin and Buster Keaton. Deft plot synopses, careful explanations of the skills needed for silent acting, and a genuine affection for the movies she's describing allow Basinger to give the reader a real sense of why these early actors were so beloved--and why they are so deserving of tribute. Mary Pickford, long unfairly maligned for playing saccharine little girls, is revealed to be a shrewd and highly professional performer, involved in every aspect of film production, careful to expand beyond her audience's expectations of her, and possessing deft comic flair. The lives and careers of two silent cowboys, the soulfully stoic William S. Hart and the flamboyant Tom Mix, are also compared and contrasted--oddly enough, to the detriment of neither. The book also covers the great sex symbols like Pola Negri and Rudolph Valentino and takes a welcome dive into the comedies of Mack Sennett. Equally engaging as browsing material or a cover-to-cover read, Silent Stars gives voice to both the sung and unsung pioneers of film. --Ali Davis
Book Description
Film scholar Jeanine Basinger offers a revelatory, perceptive, and highly readable look at the greatest silent film stars -- not those few who are fully appreciated and understood, like Chaplin, Keaton, Gish, and Garbo, but those who have been misrepresented, unfairly dismissed, or forgotten.
Included are Valentino, "the Sheik," who was hardly the effeminate lounge lizard he's been branded; Mary Pickford, who couldn't have been further from the adorable little creature with golden ringlets that was her film persona; Marion Davies, unfairly pilloried in Citizen Kane; the original "Phantom" and "Hunchback," Lon Chaney; the beautiful Talmadge sisters, Norma and Constance. Here are the great divas, Pola Negri and Gloria Swanson; the great flappers, Colleen Moore and Clara Bow; the great cowboys, William S. Hart and Tom Mix; and the great lover, John Gilbert. Basinger also includes the quintessential slapstick comedienne, Mabel Normand, with her Keystone Kops; the quintessential all-American hero, Douglas Fairbanks; and, of course, the quintessential all-American dog, Rin-Tin-Tin.
Customer Reviews:
A Thorougly Enjoyable Book.......2005-01-27
I wanted to learn more about the silents, and started with "The Parade's Gone By". It was good, but a bit too technical. What I really wanted was to know about the great personalities of the silent screen, and this book fills the bill. I thoroughly enjoyed it, and would have liked even more profiles. Each chapter deals with a silent star, some quite well known, some not so. There is also an excellent overview of silent films in general. The author writes in an enjoyable, easy-going manner, but there is plenty of information, and great photos. There are wonderful takes on Mary Pickford and Douglas Fairbanks, Rudolph Valentino, Pola Negri, Gloria Swanson, The Talmadge Sisters, Lon Chaney, John Gilbert, and so many more, even Rin Tin Tin! Really a great read, with some unforgettable tid-bits. (You'll never believe what Pola Negri said she would always remember Valentino for, or where Rin Tin Tin drew his last breath). Wonderful book.
SILENCE IS INDEED STILL GOLDEN!.......2003-05-26
They had faces then . . . those silent screen icons known as Clara, Lon, Pola, Gloria, Mabel, John, Mary, Douglas, Rudolph --- even Rin-Tin-Tin. From the pen (and meticulously researched and always thoughtful mind) of film scholar Jeanine Basinger comes this must-have tome, as important for its reconstructed historical chronicle as it is for its wit, humor and revelatory insights. Those expecting gossip will find it; those yearning for an academic, yet never boring, read will find it as well. The 300-plus photos are an added treat; was there anyone more handsome than Ramon?
Silent Stars--an essential reference work.......2003-01-26
There is very little I can say about this book except that i totally and completely recommend it to anyone who loves silent pictures as much as I do.
Okay but..........2003-01-05
The main reason why I liked this book were her chapters on Colleen Moore and Constance Talmadge, which otherwise have little information given about them. Sure she lets the character's image get in the way, but that is the way they were presenting themselves!
I can understand selecting just a few people. Enough has been said about the greats like Lillian Gish and Charlie Chaplin and she does clarify this in the dedication page. There was a chapter that annoyed me. I don't care how influential he was. Rin Tin Tin is a dog! She could have put a human in his spot. What about the vastly ignored Louise Fazenda instead?
Beautiful Photographs but Dreadful Read.......2000-10-09
I'm a huge fan of the silent cinema and it is the primary focus of my film studies, which is why I would recommend this book only if you have the money to spend on its beautiful pictures. Otherwise I'd save my money. There's been enough written so far that we don't need another book full of the fan's perspective. Basinger has allowed her own personal attachment to these films to cloud her writing which just drips with sentiment that is out of place. Brownlow has just as much love, if not more, yet his work is far more personal and enjoyable. Her goal in writing the book, she claims, was also to talk about those stars who have been forgotten or are misperceived by today's public but she only talks about the latter. Of my associates everyone that I spoke with had known all of the stars discussed with the exception of Colleen Moore(!!!). For crying out loud she includes Mary Pickford, the Talmadge sisters, Rudolph Valentino, and Douglas Fairbanks. Sure they might have stereotyped images connected with them, but that's for a reason. Only a personal agenda motivates her to write about them and explain how she finds substance to Valentino's acting, or how Fairbanks was just as funny in his comedies as he was exciting in his swashbuckling. This book would have been far more enjoyable if it had dealt with stars that truly were forgotten of which there are far too many.
Book Description
Published for the first time in English in 1994 as Burning Passions, Cherchi Usai's groundbreaking guide to silent film studies has become the indispensable textbook for scholars, researchers, and archivists. This much-awaited sequel to the first edition has been extensively rewritten and updated in order to reflect the spectacular development witnessed by the discipline in the past few years. In addition, two new chapters have been added for this edition. The first is an extensive analysis of color technology and aesthetics, from hand-coloring to the dawn of Technicolor. The second is a detailed account of how silent films are saved from destruction, restored, and made accessible by film archives. A number of new illustrations, tables, bibliographical references and historical sources add additional value to this fundamental survey of the first thirty years in the history of the moving image.
Customer Reviews:
A feast for the silent film fan.......2002-04-30
If you have ever wondered what a film archivist does, this book is for you. If you are really serious about your passion for silent films, this book is for you. Mr Usai's concise book is packed full of research tips. There are over 50 illustrations, many in color, of all kinds of different early film frames (70mm, 35mm, 9.5mm, 28mm) plus early color processes, even early 3-D frames. He explains how the early color processes worked and how early films were assembled. He goes into great detail on how that silent film that you may watch today may be drastically altered from the original in the early 1900s. And he explains the many frustrating problems that silent film archivists encounter. He explains the pitfalls of compiling filmographies, and how some printed sources are valuable and others are worthless. If you are just becoming interested in silent films, this book will be too much for you. But if you are really interested in the "nuts and bolts" of archive work, or the detective work that we do to study silent cinema, then you won't be able to put this book down!
Average customer rating:
- An excellent study of the development of early cinema
- Thorough examination of American Film History from 1907-1915
- A Disappointment
- transformation of cinema! Great read!
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The Transformation of Cinema, 1907-1915 (History of the American Cinema, Vol 2)
Eileen Bowser
Manufacturer: University of California Press
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Binding: Paperback
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ASIN: 0520085345 |
Book Description
Eileen Bowser chronicles the history of the American film business from the days of storefront nickelodeons to the premiere of D. W. Griffith's The Birth of a Nation. The effect of the surroundings--the size of the hall; whether the film was shown alone or along with vaudeville entertainment; and the size, quality, and relevance of the musical background--are all examined for their impact on the filmgoing experience.
Customer Reviews:
An excellent study of the development of early cinema.......2005-07-09
As a silent film enthusiast I thoroughly enjoyed reading "The Transformation of Cinema" and got a lot out of it. Although the author takes quite a scholarly approach (with extensive notes and bibliography), I found the book to be fairly easy reading throughout, and each chapter, which deals with a separate theme and includes good photos, is just the right length. This book is probably best for the more serious student or enthusiast of early film development, rather than for general reading or information on certain films or people. The author's approach is an overall one, encompassing the mentality and social conditions of the time in the US which influenced the development of cinema, such as, for example, the attitude in the early years that moving pictures were only for the `great unwashed masses' and was looked down upon by middle and upper classes. As a result, influential people concerned with `uplift' in society pushed to make films educational, intelligent and appealing to the more intellectual classes of society. Then there was a backlash as the majority of people preferred to be entertained rather than lectured, and further chapters focus on the changes that took place in filmmaking: moving cameras, lighting, editing, fade-outs and so on. Many films are mentioned as examples, but there is no section devoted to any person or film in particular. Instead, the author takes an all-encompassing approach which shows how people responded to moving pictures in the first place, then how producers and filmmakers responded to the public's reactions, tried to influence the public in various ways, and how all these interactions led to the transformation of nickelodeons into cinemas as we know them today. I found this to be a very good, informative and enlightening approach which was handled well, making this book an important foundation in the understanding and appreciation of moving pictures.
Thorough examination of American Film History from 1907-1915.......2002-06-17
Ms. Bowser has written a detailed history of this film period, using her extensive research from early film trade magazines and the court records for the Patent War trial proceedings. The Patent litigation can be very confusing, but she does a good job of pointing out the important highlights. Besides the Patent War, the Patents Company also lost the economic war with the independent film producers and distributors. She describes the rise of the nickelodeon theatres, and the backlash against films by some moral "authorities" of the time. She shows many examples of films where the camera creeped closer to the actors than just a full shot of their body, and the early attempts to tell a story better by editing different shots together. This period was the very beginning of the "star" system. Many studios resisted releasing the names of their actors, but others (including a few licensed producers) were happy to do so. With the coming of feature films came bigger, more elaborate movie palaces. And although Hollywood started booming in this period, films were being made in New York City, New Jersey, Florida, San Antonio, Chicago, Ireland, Cuba, and many other places.
Because this book convers only American films, the reader will miss out on film history being made in Europe and the rest of the world. However, it does explain how Italian spectacles in 1913-1914 influenced certain American filmmakers. And Pathe Freres in France had some influence over distribution patterns in the USA before World War I. The main reason that I didn't give this book 5 stars is that it only describes major films as to their editing techniques or social content. There is no analysis as a whole of major films like THE ITALIAN, MUSKETEERS OF PIG ALLEY and others. Also, short comedies like the Mack Sennett Keystones only have a couple of pages, and Charlie Chaplin (who started working in 1914) and Sidney Drew barely have a mention.
A Disappointment.......2002-02-06
I came to this book having finished Musser's "The Formation of Cinema," the first volume in this series. Sad to say, this volume is a disappointment.
Yes, there is some good information here, but the author's style is extremely dry, and I found her footnoting style to be very misleading. (She mentioned one film that exists only in fragments in a Soviet film archive in Moscow, and her footnote lists only the original review of the movie in 1914, before there even was a Soviet film archive.) She pursues the topic of the origin of the closeup to death, devoting one whole chapter to whether the camera was 12 feet from the actors or only 9 feet.
Admittedly, the era of the "Patent wars" is confusing, but I think more could have been done to make this era clearer to readers. This is a very weak volume in an extremely good series of books on the American cinema.
transformation of cinema! Great read!.......2001-01-19
the University of California seriers on American Cinema is truely a wonderful collection on the movies. "Transformation..." gives a pretty detailed account of the changes in exhibition and production as well as the presentation of films to the public during the nickelodean phase. It debunks some myths concerning this period concerning Hollywood versus New York and New Jersey, the invention of the star system, the role of the director in production, etc. It also give a lot of detail on the changes in distribution during this period. A bargain for any film buff.
Book Description
Modern Times (1936) was Charlie Chaplin's last full-length silent film, and also his last appearance as the Tramp, probably the most recognizable figure in film history. Social and political concerns had often featured in Chaplin's films, but in Modern Times they culminate in a protest against conditions during the Great Depression.
Joan Mellen situates Modern Times within the context of Chaplin's life and his work, exploring its history and influences as well as its ongoing appeal. She explores how the film's themes of oppression, industrialization, and dehumanization are embodied in the little tramp's struggle to survive in the modern world.
Joan Mellen dedicates the final chapter of the book to the fascinating details of the FBI's file on Chaplin, which was opened in 1922 and maintained until long after his death.
Book Description
Film buffs, graphic designers, and art students will relish this beautifully produced and strikingly illustrated volume. Arranged in roughly chronological order, it brings together movie posters from around the world, starting with Charlie Chaplin film ads and the Russian Revolutionary movie posters of the 1910s, then spanning the century to show posters publicizing hits of the 1990s, including The Silence of the Lambs, Spike Lee films, and many more. The book's sections focus on renowned individual designers, directors, movies, and genres. Important poster designers such as Saul Bass, Jan Lenica, and Juan Gatti receive particular attention, as do great directors who had strong opinions about how their films should be represented. Among the latter are Alfred Hitchcock, Jean-Luc Godard, and Otto Preminger. All major film genres are represented—musicals, Kung Fu movies, films noir, westerns (including so-called “spaghetti westerns” filmed in Italy), science fiction classics, and others. Readers are treated to examples of movie posters not only from the United States, Britain, and France, but also to previously unpublished examples from countries as diverse as Poland, China, and Cuba. For instance, fans of Orson Welles might be surprised to see the previously unpublished Italian poster advertising Citizen Kane under its Italian title, Quarto Potere (The Fourth Estate). This handsome volume will be valued by graphic designers, poster collectors, and anyone sharing the popular passion for cinema.
Customer Reviews:
Limited.......2007-06-16
Colorful pictures of the posters. Tedious details at the bottom of the pages. Very limited posters displayed in the book. Why bother publishing a book that shows mundane posters when I know there are tons of better posters out there already? The book is ridiculous. Even shutting out the horror picture posters.
Covers movie poster art from silent to art house works.......2004-06-06
Emily King's Century Of Movie Posters, in contrast, covers movie poster art from silent to art house works, following the development of the movie poster as an art form from its roots in the 1900s to modern times. A chronological arrangement in Century Of Movie Posters examines four key areas of cinema history and highlights the most influential posters and designers of their times. Packed with color photos throughout, this is eye candy at its best.
Average customer rating:
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Silent Eloquence: Lucian and Pantomime Dancing (Classical Literature and Society)
Ismene Lada-Richards
Manufacturer: Duckworth Publishers
ProductGroup: Book
Binding: Paperback
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ASIN: 0715634917 |
Product Description
One of the greatest aesthetic attractions in the ancient world was pantomime dancing, a ballet-style entertainment in which a silent, solo dancer incarnated a series of mythological characters to the accompaniment of music and sung narrative. Looking at a multitude of texts and particularly Lucian's On the Dance, a dialogue written at the height of pantomime's popularity, this innovative cultural study of the genre offers a radical re-assessment of its importance in the symbolic economy of imperial and later antiquity. Rather than being trivial or lowbrow, pantomime was thoroughly enmeshed in wider social discourses on morality and sexuality, gender and desire and a key player in the fierce battles about education and culture that raged in the ancient world. A close reading of primary sources, judiciously interlaced with a wealth of interdisciplinary perspectives, makes this challenging book essential for anyone interested in the performance culture of the Greek and Roman world.
Book Description
Although unable to speak or hear, lovely Lotus learns to perform the intricate story dances of the Cambodian court ballet.
Customer Reviews:
Beautiful Book!.......2004-05-10
The illustrations in this book are a beautiful as the story.
I had to read (sign) a book to my ASL2 class and was happy to find this book. After practicing with it for a while, I fell in love with the art and the message. I couldn't help myself, I had to purchase my own copy. I highly recommend this refreshing and stunning book!
Excellent story.......2000-06-22
A wonderful story for young kids. Exemplifies the value and beauty that each person holds within themselves. A beautifully written and illustrated story. The pictures tell as much about the richness of the Taiwan culture as the words do. Deals well with deafness and in a way young people can understand.
Average customer rating:
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A Biographical Dictionary of Silent Film Western Actors and Actresses
George A. Katchmer
Manufacturer: McFarland & Company
ProductGroup: Book
Binding: Library Binding
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ASIN: 0786407638 |
Book Description
Long before sound became an essential part of motion pictures, Westerns were already an established genre. The men and women who brought to life cowboys, cowgirls, villains, sidekicks, distressed damsels and outraged townspeople often continued with their film careers, finding success and fame well into the sound era-always knowing that it was in silent Westerns that their roads to film success began. Over one thousand of these once-silent Western players are featured in this encyclopedia work. The actors are listed alphabetically by last name, and each entry includes a detailed biography, covering both personal and professional milestones in the performer's life. Also included for each actor is a complete Western filmography. The biographies are preceded by a foreword by Diana Serra Cary (formerly the child star "Baby Peggy"), who performed with many of those included in this dictionary. Full indexing is included
Customer Reviews:
Katchmerites Rejoice!.......2002-07-05
The late George Katchmer of Millersville, PA, was beloved by the readers of Classic Images. And no wonder. For more than a decade Katchmer profiled the stars, villains, heroines, supporting players and even riding extras in silent westerns. Yes, SILENT westerns, a niche in film history covered by hardly anyone at all. Month after month, the reader could find career profiles of everyone from Walter Ackerman to Chief Yowlachie. According to his legion of fans, Katchmer was meticulous to a fault. That, however, remains debatable. In this writer's opinion, George sometimes gave up a wee bit too soon. As the time, to list but one example, when he announced that "nothing could be found" concerning data on starlet Virginia Lee who, unbeknownst to Katchmer, was still alive and interviewed in the very same issue of Classic Images. (Blame for this faux pas, however, probably rightfully belongs to the editor of the magazine). Sadly, such caveats reappear in "A Biographical Dictionary of Silent Film Western Actors and Actresses," a complete collection of Katchmer's thumb-nail bios through the years. We learn, for example, that 2-reel cowboy star Curley Witzel "is a question mark." But in reality, Witzel has been profiled in such magazines as "Wrangler's Roost" and by this writer ... And, once again, "nothing could be found" regarding Virginia Lee, who, in fact, was interviewed for a very recent McFarland book, Boyd Magers and Michael Fitzgerald's "Ladies of the Western." Why the three stars, then, I hear you ask. Well, because this handsome book comes with literally hundreds of portraits and scene stills of the profiled actors and actresses, making identification so much easier for further research. George Katchmer, his son John and McFarland should be heartily congratulated for including this many wonderful and quite rare illustrations. In fact, George even scared up a remarkable photo of the apparently so elusive Mr. Witzel!
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