Walt Disney's Nine Old Men and the Art of Animation

Book Description

Most Disney characters between 1930 and 1970 were animated by one of the Nine Old Men. Through the span of their careers, these nine highly skilled men, exhibited a loyalty to one another and their employer unparalled in most professions. This candid narrative of their lives and contributions will continue to be a significant, essential source for stury and inspiration.

Customer Reviews:

I want John Canemaker's privileges.......2003-05-01

Once again John Canemaker has made me envious of his access to such beautiful artwork. The behind-the-scene stories of the personalities who created the characters we grew up with is wonderful. A gorgeous book with illustrations that make it worth the money all by themselves.

Nine Lives.......2003-01-12

So much has been written and said about several of these nine legendary Disney animators that I very much doubted a lot of new ground was going to be broken, especially in a Hyperion release, but Canemaker rises to the task here, and then some. I was most interested in artists like Les Clark and Johnny Lounsbery, who have received less attention than some of the others. Canemaker not only brings them vividly to life with meticulous research, but he also manages to bring new information and fresh insight to all nine of his fascinating subjects. No matter how well you thought you knew the Nine Old Men and their work, there's plenty here for you. This book reveals the lives and personalities of these men, analyzes their contributions extraordinarily well, and also their working and personal relationships with each other, and presents great new visual material from their lives in and away from the studio. The Kimball stuff is a special treat.

Who could have imagined that Marc Davis' early life was as interesting as his work? Or that Kimball and Kahl were even crazier than you thought (and even more brilliant)? Ot that the master, Frank Thomas, actually struggled with his draftsmanship? Canemaker captures the promise of each of these men's pre-Disney careers and the spark in the work that caught Walt's attention is always evident. He also captures the human quirks that played a tremendous role in the golden age of the studio and often found its way onto the screen as well.

Much of this information and all of Canemaker's excellent insight would not have come to light without his diligent effort and research, and the result is a well-written, revealing, tasteful, and very visual masterpiece.

PS We lost the great, one-and-only Ward Kimball recently...only Ollie Johnston and Frank Thomas are still with us now. God bless you both.

Discovering the Genius Of Exactly What Made Disney "Disney".......2001-11-02

John Canemaker has given readers the Disney animation book that's been missing for decades. Only it's the Readers Digest version. Canemaker is forced to compact nine amazing biographies into one book. Each of his nine subjects - the core group of gifted animators who defined the look and feel of Disney animation from the 1930's through the 1970's - is deserving of far more time and space than a single volume can deliver. Nevertheless, he's done an amazing job, and he introduces us to these men with the same careful critical objectivity he did in "Before the Animation Begins", Canemaker's marvelous 1996 book focusing on the great Disney visual development and story artists.
The author gives us the best un-fairy-dusted glimpse of the real day-to-day workings of Disney's shop since animator Jack Kinney's 1988 "Walt Disney And Assorted Other Characters" (admittedly limited in objectivity, but still enormously entertaining in its candor.) It's impossible not to feel the same admiration and passion as the author. Even in his harsher analysis of temperaments and turmoil the author is writing about the best of times among a group of very real artistic heroes who were such extraordinary people that you'd have treasured any time you could have spent in their company. Sadly, Canemaker only gets to brush on topics such as how the old generation influenced the new. Many of the current generation of Disney artists are interviewed for this book and they have a great deal of insight to contribute (both Andreas Dejas and John Lasseter in particular)and one wishes that the author had been afforded the luxury of a more critical analysis of the older generation's influence on this generation -- both by their presence and their absence; e.g. - in the best chapter in the book, Milt Kahl is characterized as having had the greatest influence on the look of Disney characters. Questions about what affect Kahl's abrupt departure in 1976 had on the next generation - whether by way of his absence or his reluctance to be a true mentor - deserve more space than alotted. Similarly, the reader wants to know more about how veteran Eric Larson was treated by Disney executives who handed over "The Small One" to the ambitious Don Bluth, who later broke ranks and left the studio to start his own production company leaving the studio talent pool seriously decimated.
Canemaker is both the obvious choice and greatest risk for authoring this important animated version of "The Lives of the Artists" (Cainmaker states it was his hope to emulate Vasari's work) as he is admittedly very close to two of his subjects - animators and authors Frank Thomas and Ollie Johnston. Similarly, Ward Kimball and the late Marc Davis were friends of the author's, but he pulls fewer punches in his sharp but loving focus on the latter two. Even so, it would be hard to imagine any other author would have such an unprecedented level of trust from his subjects and their parent company, and thus such privileged access. And though his focus seems less sharp in the chapters on Thomas and Johnston, any biographer suffers from similar lapses when focusing on a living subject, particularly one whom they and the vast majority of the public hold in great affectionate esteem.
The book makes it clear that the memories of the living affect a much harsher view of the dead from among this old boy's network of disparate personalities who helped to define something as far reaching in popular culture as Disney's animated characters. Withered rivalries and carefully aged egos still pepper the perspective here and it only adds to the books ability to evoke something real, and not just the Halceon days of animation. The fact that the dead can't defend themselves even through living relatives and numerous ex-wives is a minor and admittedly unavoidable flaw, and in his preface Canemaker attempts to acknowledge it with a quote from a letter from Thomas to the author re undertaking the project. Even with obvious affection personal favorites, the author has done a terrific job of sharing insights into the passions of each of these nine men whose personalities were made immortal once filtered through such old friends as Captain Hook and Cruella DeVil.
It's to Canemaker's credit that we long for even more on each of these animators -- particularly Kahl and Larson -- and more examples of what made them great animators. Which brings us to the book's only glaring flaw: the illustrations. There simply aren't enough examples of scenes and sequences attributed to each artist -- particularly raw pencil drawings -- and the quality of photo reproductions from finished film frames and other archival material seems oddly yellow or green in tint and not up to the usual Disney publishing standards. e.g. a series of frames showing the Duke from "Cinderella" rolling his monocle between his fingers is so dark that you can barely see the referenced movement it serves to illustrate. This is greatly disappointing. Granted that many such sequences are found in Thomas & Johnston's "The Illusion of Life", but the book is out of print, and the vast resources of the Disney Animation Research Library as well as Mr. Canemaker's personal collection must be able to yield fresher and more fitting illustrations than what's found here. Again, Kahl's chapter gives us more to feast on than others, but it still isn't enough. After all, this is a visual medium we're discussing and a picture here only serves to give us reason to read another thousand written words. But, be that as it may, the book is both a MUST READ and a MUST HAVE for anyone interested in film history, animation, acting and/or Disneyana, and one hopes that Mr. Canemaker's upcoming book on Disney artist Mary Blair heralds a series of more extensive and more intimate (and hopefully much better illustrated) biographies on Kahl, Davis, Reitherman et. al. A long awaited and fine accomplishment, and easily the best book from Disney's publishing arm in 2001.

Skirting the Issue: Stories of Indiana's Historical Women Artists

Average customer rating:

Skirting the Issue: Stories of Indiana's Historical Women Artists
Judith Vale Newton , and Carol A. Weiss
Manufacturer: Indiana Historical Society
ProductGroup: Book
Binding: Hardcover

Artists, Architects & Photographers | Arts & Literature | Biographies & Memoirs | Subjects | Books

Women | Specific Groups | Biographies & Memoirs | Subjects | Books

General | Arts & Photography | Subjects | Books

Look Inside Children's Books | Trip | Specialty Stores | Books
Similar Items:

Matter Mind Spirit: Twelve Contemporary Indiana Women Artists

ASIN: 0871951770

Book Description

According to the ethos of the late 1800s and early 1900s, a woman's natural destiny was to be a wife, mother, and guardian of the virtues of hearth and home. Some women wanted more, however, and despite cultural expectations chose to explore their creativity and seek training in art. Often at considerable social cost these women exchanged washboards, ovens, and mending baskets for the challenges of a piece of canvas or block of stone.

In Skirting the Issue, authors Judith Vale Newton and Carol Ann Weiss present dozens of women from Indiana who chose this route. The authors include a biographical dictionary detailing the lives of one hundred of the state's historical women artists, and they single out nearly forty of them for further examination in detailed essays. They describe the challenges the artists faced, the sacrifices they had to make, and the varying degrees of success they met, and they present numerous examples of the artists' work. While this first-of-a-kind book focuses on Indiana women specifically, its stories offer excellent insights into the culture and values of the greater Midwest—and the nation at large—in the decades before and after the turn of the twentieth century.

Book Description

At Twelve is Sally Mann's revealing, collective portrait of twelve-year-old girls on the verge of adulthood. To be young and female in America is a time of tremendous excitement and social possibilities; it is a trying time as well, caught between childhood and adulthood, when the difference is not entirely understood. As Ann Beattie writes in her perceptive introduction, "These girls still exist in an innocent world in which a pose is only a pose-- what adults make of that pose may be the issue." The consequences of this misunderstanding can be real: destitution, abuse, unwanted pregnancy. Mann does not deny this reality, but records it, both in the faces of her subjects and in written stories that accompany thirteen of the portraits, adding another dimension to our understanding of "childhood."

The young women in Mann's unflinching, large-format photographs, however, are not victims. They return the viewer's gaze with a disturbing equanimity. Poet Jonathan Williams writes, "Sally Mann's girls are the ones who do the hard looking in At Twelve-- be up to it!" Partly this is a result of the remarkable rapport that Mann is able to establish with her subjects.

Herself the mother of three, Mann has lived most of her life in Lexington, Virginia, where all of these pictures were taken. In fact, many of the families of the young women were cared for by her father, who was the town doctor for over forty years. So while At Twelve is an intensely personal vision of what it means, now, to be twelve and female, each of Mann's subjects is allowed the opportunity to frankly return our wondering, reminiscent gaze and to have a history of her own, rooted in a specific place at a particular moment-- at twelve.

Customer Reviews:

Better Off As Girls?.......2006-07-25

Sally Mann succeeds in showing girls on the cusp of womanhood, some of them appearing androgynous, others decidedly feminine. There are a few adults in these pictures, including friends and strangers. There is no nudity other than one of an infant lying reclined between a woman's legs, and neither person can be identified.

This is a "sensitive" subject, and the photographer/author is aware of it. In fact, one of her photographs is of a girl-turning-woman next to an older fellow, in his twenties. When you read the text, you discover the difficulty she had in getting the young lady to stand close to the man in the picture; some time after this photograph was taken, the girl's mother shot him in the face for "harassing" her daughter.

Viewing these girls on their birthdays, lounging with friends, or posing for Ms. Mann, it's easy to feel a pang that is something more than wistful: were there only a world where--girl or woman--they could finally be both natural and secure. Perhaps it is the source of Ms. Mann's great photographic power, that she confronts us with an issue present in life itself. Girls or women, one only wishes they could be happy and free, safe and valued for themselves.

Amazing, thought-provoking book.......2005-03-14

This is one of my favorite portrait photography books. It's often profoundly disturbing, with such poignant images capturing girls on the verge of womanhood, offering us glimpses not only into the children that they were but into the lives they're going to lead as women, and it isn't all pretty.

Sally Mann is wonderful at capturing the souls of those she photographs, often poor, rural-living individuals, full of pride and hopes and dreams. I have collected many of her books, and this has always been my favorite. It's very controversial - her work always has been - but if you look at it with your eye on that cusp of womanhood, you will see more than you ever dreamed.

Sally Mann is a true visionary photographer who will certainly be hailed in the years to come as one of the greatest photographers of her time.

just awful.......2005-02-25

just awful

save your money, this book is not worth it. The pictures are dull and lifeless, boring composition. Mann hasn't captured anything here but a bunch of worthless photos. Any 10th rate amateur photographer could have done better.

A total waste of money.......2004-07-17

Sally Mann hasn't a clue how to capture the souls of those she photographs! If you are looking for artistic shots of 12 year olds then this book isn't for you. The picture on the cover is deceiving about the books contents. You're better off with buying the David Hamilton books (oh and by the way he is much better at photographing his subjects than Sally Mann could ever hope to be).

Solidly beautiful pictures.......2003-02-24

Maybe I missed something. The pictures are beautiful, and they are supposed to be an attempt to capture the essence of young women on the cusp of becoming adults. What I got was pictures of young women-- missed the whole "becoming" thing. I could just be thick, but this one just passed me by devoid of any emotion.

Kids at Work: Lewis Hine and the Crusade Against Child Labor

Average customer rating:

Great book with good quality printing.
Cholden's review for Dr. Overstreet's lit block 2007
kids at work
Hate school? Your life could be so much worse...
The meaning of tough

Kids at Work: Lewis Hine and the Crusade Against Child Labor
Russell Freedman
Manufacturer: Clarion Books
ProductGroup: Book
Binding: Paperback

Politics & Government | Reference & Nonfiction | Children's Books | Subjects | Books

General | Social Issues | Teens | Subjects | Books

Unemployment | Economics | Business & Investing | Subjects | Books

Look Inside Business Books | Trip | Specialty Stores | Books

Look Inside Children's Books | Trip | Specialty Stores | Books

Look Inside Nonfiction Books | Trip | Specialty Stores | Books

Look Inside Teen Books | Trip | Specialty Stores | Books

All 4-for-3 Deals | 4-for-3 Books Store | Stores | Books
Similar Items:

ASIN: 0395797268

Book Description

Photobiography of early twentieth-century photographer and schoolteacher Lewis Hine, using his own work as illustrations. Hines's photographs of children at work were so devastating that they convinced the American people that Congress must pass child labor laws.

Customer Reviews:

Great book with good quality printing........2007-05-30

This soft-cover book is written like a children's textbook, but Hine's photos look great all throughout. There are quite a few full-page prints, roughly 8x6 sized. I'm very satisfied with the purchase; only Aperture would print a book with better quality reproductions, and that's out of my price range right now.

Cholden's review for Dr. Overstreet's lit block 2007.......2007-04-25

Lewis Hine was a photographer who took pictures of young children at work. There were many different jobs that children held during the late 1800's into the early 1900's. Hine's photographs were extremely powerful. Each photograph provided information about the types of jobs children held and gave some family history. The majority of the children had little to no education because their parents relied on them to work and earn an income. Many of the factories preferred the work of younger children compared to adults because the children were quicker and were too young to complain. Hine has displayed photos in this book of children as young as four years old shucking oysters. The most dangerous job that was portrayed in the book was coal mining, unfortunately it was also the best paying job; a child had to be at least fourteen to perform the tasks. Parents often lied about their child's age to get them into the mines. The book would have been just as powerful without any of the information. The pictures were enough to convey the children's stories. Russell Freedman has done a wonderful job putting this book together. Seeing the children physically working was moving and emotional, which helped the author get his point across.

kids at work.......2005-05-04

This is a nonfiction photographic essay book that will touch any reader's heart. Mr. Freedman seems to know the facts and life of Mr. Hine very well. There is an extensive bibliography at the end of the book as wee. The information at the end seemed hard to believe but true. The book is only 11 years old so the facts aren't that dated. There are many saddening facts in this book. It reveals the truths about child labor in the text and photos.
The book was written to shine light on child labor history and to showcase some of Mr. Hine's photographs. The book is very interesting to read. There are quotes from some kids who worked in the factories and also some quotes from Mr. Hine who took great pride in accurately recording the facts about his subjects. This book could spark an interest in further study of this topic.
The information in this book is broken down and presented in an understandable order. The text is a harsh reality but it is presented well. The style gets the reader emotionally involved. The language is relatively simple and easy to read.
The information is laid out well and the references are listed in the back. There is a table of contents and bibliography and acknowledgement page.
The photos are a wonderful enhancement. The book would be nothing with out them. They are strategically placed and make the book what it is. There are captions that describe the pictures and they are discussed in the text.
This book could be used in the classroom to show what life was like and to talk about immigration and economic conditions.

Hate school? Your life could be so much worse..........2004-04-11

Freedman has collected dozens of black and white photographs taken by Lewis Hine during the first decades of the twentieth century. Hine worked as an investigational photographer for the National Child Labor Committee (NCLC). The NCLC wanted the United States government to pass laws concerning child labor, and thought that photos of the work children did would be more effective persuaders than mere speeches and statistics. Hine traveled the nation with his camera taking photographs, sometimes despite risk to his person.

The text of the book serves partly as a brief biography of Lewis Hine, and partly as explanatory backdrop for the scenes in the photographs. Freeman gives enough background information to put the images in their context, but not so much data as to overwhelm the reader. The machines, tools and environments are so strange to the modern eye that without clarification, many pictures would be meaningless.

The most shocking photographs in the collection are of the young boys involved in the coalmines. The filth on their faces, hands and clothing is astonishing. By comparison, the dangers and deplorable conditions of working in a cotton mill are not as readily apparent as those of working in a coal mine. However, reading Freeman's text exposes the dangers of moving machinery and smothering lint and humidity not so clear in the photos.

The book concludes by sharing the changes in child labor laws that Hine's photographs helped bring about, as well as information on the child labor situation of today.

This book is full of eye opening and shocking information for the unaware. School may be hard, but without child labor laws things could be so much worse.

The meaning of tough.......2002-03-04

...

This book weaves Hine's story together with his photographs of kids working in Maine's sardine canneries, Texas cotton fields, New York laundries, Tennessee and Georgia cotton mills and in textile mills all over the U.S. south. He took some of the most haunting photos of dark tunnels and grimy breaker rooms in Pennsylvania coalmines. He went inside glass factories, to farms, and onto city streets at 1 a.m. to photograph children distributing newspapers and 1 p.m. to watch them shining boots.

...

Amazon.com

Theodor Seuss Geisel, aka Dr. Seuss, was one of the titans of 20th century American children's literature--a legacy that shows no sign of diminishing in the 21st. But such epochal fare as The Cat in the Hat and enduring, whimsical characters as Horton, The Grinch and Sam-I-Am represent but one corner of the late writer/artist's vast artistic universe. Other Geisel biographies have detailed his remarkable life and vibrant art, but Massachusetts dentist/Seussiana collector nonpareil Richard D. Cohen serves up a "visual biography" that's part lovingly illustrated coffee table book and part insightful analysis of a creative mind and the various historical and cultural forces that shaped it. Cohen richly illustrates his compelling tribute with key, telling artifacts from his own massive collection. No corner of the author/artist's life has escaped Cohen's obsessive collector's eye, including: turn-of the-century bottles of the Geisel family brewery, Geisel's teenage writings and illustrations, later work that spans careers in cartooning advertising (successful campaigns for Esso, Flit and others), wartime propaganda (including uncredited work on the Oscar-winning Hitler Lives!) and Hollywood (The 5000 Finger of Dr. T). Indeed, in Cohen's thoughtful, lavishly illustrated analysis, Geisel's latter-day incarnation as children's author supreme was but the logical distillation of a lifetime devoted to wit, wordplay and whimsical art. --Jerry McCulley

Book Description

Theodor Seuss Geisel, creator of Horton the Elephant, the Grinch, the Cat in the Hat, and a madcap menagerie of the best-loved children’s characters of all time, stands alone as the preeminent figure of children’s literature. But Geisel was a private man who was happier at the drawing table than he was across from any reporter or would-be biographer. Under the thoughtful scrutiny of Charles D. Cohen, Geisel’s lesser known works yield valuable insights into the imaginative and creative processes of one of the 20th century’s most original thinkers.

Customer Reviews:

Yes I Love It, Sam-I-Am!.......2004-05-29

As we celebrate the centennial of Ted Geisel's birth, material is appearing that looks at the influence of Dr. Seuss on generations of American readers. Dr. Cohen brings us what is obviously a labor of love. Drawing inspiration on his extensive collection of Seussiana, he has produced one of the most lavishly illustrated and broadly scoped book on the life and works of the good doctor.

Cohen reaches back to Geisel's school days and illustrates the development of the artist's style and humor. Continually he will point out how pieces done at various points in Geisel's life can be traced as part of the development of what would become some of his trademark images and beloved characters, including the Grinch. Instead of focusing heavily on Seuss's books, he draws attention to the vast collection of other artwork that was drawn, mostly before the books even came into being. Seuss's work as a humorist, advertising artist, sculptor, and cartoonist (political and otherwise) are shown here as he continued to improve and hone his craft. The end results are the books that are so beloved to multitudes of people who were lucky enough to grow up with Seuss in the house.

The book would be worth it for the pictures alone, but the accompanying text helps get below the surface of many of the pieces, and to tie them together into a artist's whole output. Even if you only look at the pictures and read the captions to the pictures, you will get a whole new appreciation of Dr. Seuss's work over the years. If I any complaint, it is that in some ways the books almost get shorted too much in this narrative, and too often the captions for the illustrations are repetitive to the text. But these are minor quibbles that in no way detract from the glorious whole.

For the Seuss lover, and for the casual reader, this book brings the reader a whole new appreciation of a beloved illustrator's work and the genius that was Dr. Seuss.

The many facets of Dr. Seuss.......2004-05-17

Since 2004 is the Seussentennial, or the hundredth anniversary of Dr. Seuss' birth, this is a great time to get to know more about one of America's most popular icons of children's literature. Ted Geisel, aka Dr. Seuss, was far more than an author and illustrator of children's books and movies. His career includes humorist, journalist, advertising genius, magazine and political cartoonist, creator of wartime training and propaganda films, president of a publishing company, and spokesman for children's education.

Author Charles Cohen, a dentist and avid collector of Seussiana, is well qualified to write this visual biography of Ted Geisel. Through lavish illustrations, many from his own collection, Cohen shows the many facets of Geisel's art and imagination. The reader is treated to Geisel's earliest works from long before his first published children's book. These include examples of his college newspaper cartoons and his many successful advertising campaigns that blended humor and salesmanship. These creations are juxtaposed with his later children's books to provide the reader a deeper understanding of how culture and history shaped the evolution of his ideas and whimsical bestiary, and to point out the same themes cropping up over and over again in his works.

Although this book provides a fascinating view into many unusual perspectives of Dr. Seuss the artist and innovator, there is little here about Ted Geisel the man. In the introduction, Cohen says that he neither met Geisel nor interviewed anyone who knew him. Instead he delved into Geisel's works to discover what made him tick. As a result, there are many facts missing about Geisel's personal life and friendships. The few personal facts that were thrown in, mostly towards the end of the book, came from out of nowhere and made me crave more details. It is for this reason, especially since this book is called a "visual biography," that I rated it four stars instead of five. It is more a visual exploration of Geisel's works than a biography. Nevertheless, I strongly recommend this book. It will open your eyes to a creatively obsessed man that you never realized existed. It will also rekindle your fond memories of the Dr. Seuss books you read as a child. Perhaps it will even shed a bit of light on why you loved those books so much.

Eileen Rieback

A Grown-up Biography of a Children's Hero.......2004-03-20

With the awful, distorted, contrived pile of wasted film, conjured up in the form of Mike Myers' take on the "Cat in the Hat," it would be nice to know why, in the beginning of it all, Dr. Seuss was ever popular at all. He was a great writer and cartoonist before his famous cat's striped hat became chic fashion among post-grunge era teenagers.

In "The Seuss, the Whole Seuss and Nothing But the Seuss: A Visual Biography of Theodor Seuss Geisel" by Charles Cohen, we are shown the greatness of Seuss -- of Theodor Geisel, through drawings, paintings and text. We get to learn about his early days at Dartmouth, as he toyed with hybridic animals, wit and satire.

Not every idea worked. Seuss, an experimenter, evolved from being a talented but rustic styler of odd creatures into a sophisticated artist of odd, if not bizarre beasts that had genuine identity.

Before he write and drew books about green eggs, grinches, and elephants named Horton, he was an editorial cartoonist. His language in many of the cartoons was far from being politically correct, but his social commentary decrying racism was right on. He hard-handed racist thought with no evidence of his sweet children's characters kindness.

Cohen has produced an array of research. Samples of Seuss' art grace most pages. We also get a look at the vast merchandising, parodies, and unlicensed knock-offs.

This is not a children's book. Don't be fooled by the name of the publisher. It is for someone interested in reading a serious look at the history of one of America's beloved cartoonists.

I fully recommend "The Seuss, the Whole Seuss and Nothing But the Seuss: A Visual Biography of Theodor Seuss Geisel." by Charles D. Cohen.

Anthony Trendl
editor, HungarianBookstore.com

Fabulous!.......2004-03-05

This book is not all about reiterating the Seuss stories we've already read, but instead an objective well researched pictoral and written account of the man so many love. Cohen does a great job researching the possible meanings of Geisel's cartoons and later texts. There are many, many Judge magazine and other political cartoons that are absolutely hilarious, and absolutely adult in nature (similar to alot of his "childrens" stories).

I highly recommend this book to anyone what likes to drop into a chapter then skip to another at an opposite end of the book because they are somewhat independent although chronological, it is easy to skip around to the parts you feel like reading for that day.

Also, at 400 pages full color, who can pass up the bargain?

f.y.i. This biography seems to coincide a lot with *In Search of Dr. Seuss* the movie that just came out in dvd

Gorgeous book.......2004-02-26

Kudos to Dr. Cohen. The writing is insightful, the illustrations and pictures are outstanding, the sheer volume of content is overwhelming and of course, the dedication is tear-jerking. A must have for any Seuss fan. Read the inside jacket-I'm guessing someday there will be a Poem Repair Shop.

Average customer rating:

Hardboiled snapper

Unknown Weegee
Luc Sante , Cynthia Young , and Arthur 'Weegee' Fellig
Manufacturer: Steidl/International Center of Photography
ProductGroup: Book
Binding: Hardcover

General | Photography | Arts & Photography | Subjects | Books

ASIN: 386521312X
Release Date: 2006-08-15

Book Description

The viewing public's image of Weegee is of the prototypical New York tabloid news photographer: tough, garrulous and on the scene, ready to cover two murders in one night. But the inventive Jewish immigrant Arthur Fellig (1899-1968), who assumed the self-mocking nickname Weegee, was also one of the most original and creative photographers of the twentieth century. His work for The New York Times, the Herald Tribune, World-Telegram, Daily News, Post, Journal-American and Sun, his images of the masses at Coney Island, the confrontation of wealth and poverty at opening night at the opera, and the aftermath of brutal crime scenes are, by now, classics. But beyond the iconic images that have been so widely circulated, what do we know of Weegee the photographer--his history, his methods, his meaning? Drawing on ICP's unique archive of nearly 20,000 prints by this celebrated master, Unknown Weegee presents 120 photographs that have never been made available to the public. They reveal a politically astute and witty social critic and attest to the seriousness and self-consciousness of his photographic endeavors. With essays by Luc Sante and ICP curator Cynthia Young.

Customer Reviews:

Hardboiled snapper.......2006-11-15

A fine book of Weegee photos though the title is somewhat misleading. The International Center of Photography has over eighteen thousand of his photos so there could easily be dozens of books with exactly the same title. Of the 111 photos in the book probably less than half were actually published and they were certainly not printed with a 175 screen on glossy paper as they are here.

The photo selection is excellent and a typical cross-section of Weegee's output, down and outs sleeping in doorways, fire and crime scenes, cops and suspects, strippers, animals, the weather, celebrities (fortunately not too many) and plenty of photos of folks just looking at some street drama. Some of these photos will really grab you, for instance, page fifty-four shows the inside of a movie house in Washington DC, with a wooden partition, seat high, running from the back to the front to segregate the white and colored audience. There surely can't be many photos that record this. The front of the book has four essays, two are contemporary and the others historical, Paul Strand's is from 1945 and Ralph Steiner wrote his in 1941. Both are interesting because to them Weegee is basically a news photographer but each recognised the creative potential in his work back then.

My only criticism is the rather sloppy editorial format. The list at the back of the book gives technical details about the 111 photos but they are not printed in the same sequence as this list so the reader has to scan through it to find out a bit of information for a particular photo. Art book publishers really should try harder.

This is a worthy addition to the books in print about Weegee, if you are new to his work check out the inexpensive 'Weegee' (ISBN 0714842249) by Kerry Purcell with fifty-five of his best photos and nicely each one has a detailed caption about the image, or try 'Weegee's New York: Photographs 1935-1960' (ISBN 3823854712) a large, beautifully printed paperback with 335 super photos.

Biographical Encyclopedia Of Artists (Biographical Encyclopedia of Artists)

Average customer rating:

Biographical Encyclopedia Of Artists (Biographical Encyclopedia of Artists)
Alvar Aalto , Paul Durand-Ruel , Albrecht Durer , Jan Lievensz , Limburg Brothers , Francisco Ribalta , Jusepe De Ribera , and Francisco De Zurbaran
Manufacturer: Facts on File
ProductGroup: Book
Binding: Hardcover

General | Reference | Arts & Photography | Subjects | Books

General | Arts & Photography | Subjects | Books

Artists, Architects & Photographers | Arts & Literature | Biographies & Memoirs | Subjects | Books

Reference & Collections | Biographies & Memoirs | Subjects | Books

Art | Encyclopedias | Reference | Subjects | Books

Children's | Encyclopedias | Reference | Subjects | Books

Directories | Catalogs & Directories | Reference | Subjects | Books

All Titles | Qualifying Textbooks - Fall 2007 | Stores | Books
ASIN: 0816058032

Average customer rating:

I loved the book

Eva Zeisel
Lucie Young
Manufacturer: Chronicle Books
ProductGroup: Book
Binding: Hardcover

General | Instructional & How-To | Arts & Photography | Subjects | Books

General | Sculpture | Arts & Photography | Subjects | Books

General | Arts & Photography | Subjects | Books

Artists, Architects & Photographers | Arts & Literature | Biographies & Memoirs | Subjects | Books

General | Biographies & Memoirs | Subjects | Books

Women | Specific Groups | Biographies & Memoirs | Subjects | Books

Furniture | How-to & Home Improvements | Home & Garden | Subjects | Books

Look Inside Home & Garden Books | Trip | Specialty Stores | Books
Similar Items:

ASIN: 0811834336

Book Description

Continuing to put great classic and contemporary design within everyone s grasp, Chronicle Books proudly delivers the next four installments of the popular Compact Design Portfolio. Written by top design critics, these books cover modern masters whose work ranges from the cozily domestic to the aggressively avant-garde: Eva Zeisel, whose elegantly democratic housewares span a 70-year career; Ingo Maurer, who raises lamp and lighting design to a high art form; Gaetano Pesce, whose rejection of traditional good taste brought about revolutionary furniture design; and George Nelson, the impresario behind the Marshmallow sofa and other Herman Miller classics. Follow-ing the introductory essay, a visual gallery exhibits selections of the designers best work in photographs and sketches. Presented in an irresistible small format, this series encapsulates the life, work, and influence of the great designers of our time.

Customer Reviews:

I loved the book.......2005-08-25

The book was more informative of Eva's life and persectives on art than another I purchased at greater by twice the price! The photos were excellent and the pieces chosen for representation were all my favorites! The biography can't be passed over, for it is what has developed her into the admirable woman life and hardship has made her. I bought it to give to a close friend who is a potter, but now it's mine to keep! Janet

Average customer rating:

Four Corners Country
Ian Thompson
Manufacturer: University of Arizona Press
ProductGroup: Book
Binding: Paperback

Look Inside History Books | Trip | Specialty Stores | Books

Look Inside Teen Books | Trip | Specialty Stores | Books

Look Inside Travel Books | Trip | Specialty Stores | Books
ASIN: 0816514356

The Boyfriend School (Ballantine Reader's Circle)

Average customer rating:

Surprise
A hilarious summer read!
Old Saratoga Books - THE BOYFRIEND SCHOOL book review
LOVED IT!
Read this book!

The Boyfriend School (Ballantine Reader's Circle)
Sarah Bird
Manufacturer: Ballantine Books
ProductGroup: Book
Binding: Paperback

Contemporary | General | Literature & Fiction | Subjects | Books

Friendship | Women's Fiction | Literature & Fiction | Subjects | Books

Look Inside Fiction Books | Trip | Specialty Stores | Books
Similar Items:

ASIN: 034546009X
Release Date: 2003-08-26

Book Description

Gretchen Griner is an underpaid, underappreciated photographer for the Austin (that’s Texas) Grackle, part-time lover of Peter Overton Treadwell III (known as “Trout”), and major consumer of Cup O’ Soup. That is, until she meets Lizzie Potts—otherwise known as Viveca Lamoureaux, romance writer extraordinaire. Lizzie has a plan for Gretchen’s life—and it includes Lizzie’s brother Gus. But Gretchen has her own plan, and it does not feature a “wispy goon” named Gus. Of course, fate also has a plan for Gretchen, and it doesn’t care what Gretchen wants. So Lizzie will give Gretchen Gus, Gus will give Gretchen the man of her dreams, and among this oddball cast of marvelous misfits, someone just may discover the secret to true romance.

Customer Reviews:

Surprise.......2006-04-25

Most of the time, I read nonfiction because I can't find a novel interesting enough to buy and read all the way through, but this book is definitely an exception. I took it with me on vacation with my husband and my mother, and I couldn't stop reading it. I took it to dinner with me and totally ignored my companions. I know it was rude to read at the dinner table, but I just couldn't help myself. The book is funny, fast-paced, and very engaging. There was not one part of the book that I found tedious or boring. I won't spoil the surprise, but I will say that I had to read that part three times because I was so shocked. I thought maybe I had dozed off and missed something, or perhaps I dozed off and dreamed it, but, no, it was on the page. Never has an author so surprised me with a plot twist. I later rented the movie which was a total waste of time and money. I read that the author didn't like the way the movie turned out either. Just make sure that you read the book first because I can't imagine watching that dreadful movie first and being the slightest bit interested in reading the book. In my life time, I have read thousands of books, but this is one of those books that I will never forget.

A hilarious summer read!.......2006-03-09

I have read this book once a year for 10 years, and each time I find myself laughing out loud at Byrd's witty language and characterization. This version of the book has a guide to book groups, which contains some interesting background on how Sarah Byrd developed the novel. I have also given this book to several friends, all of whom have found it delightful. I would highly recommend it to anyone who wants a funny frolic with a lot of heart.

Old Saratoga Books - THE BOYFRIEND SCHOOL book review.......2005-10-22

Sarah Bird is a Texas novelist who humorously celebrates all the stages in a woman's life in her witty and zany books. I have chuckled my way through them all and loved them, but her second book THE BOYFRIEND SCHOOL, remains my favorite. It recounts the amorous escapades of photojournalist (for the Austin GRACKLE) Gretchen Griner as she is faced with the dilemma of choosing between three love prospects: fuzzy-haired brother of best friend romance novelist, suave foreign-accented bad boy, or Grackle editor/master manipulator. Delightful escapism with mad-cap plot twists and ultimately, a big sigh at the end.

LOVED IT!.......2005-09-19

I was a little different. I saw the MOVIE first back when it first came out and it quickly became a favorite of mine. I FINALLY found the movie on DVD recently (I didn't know that the name had been changed from "Don't Tell Her It's Me" to "The Boyfriend School") and saw that it was based on a book by Sarah Bird. The book and the movie were quite a bit different, but since Sarah Bird wrote both the book and the screenplay that made it OK. I love books that make you feel that you are going to miss the the characters when you get through reading. This is one of those books. A credit to Sarah Birds writing ability. It's a funny, feel good book. Her sense/style of humor in this book remind me of the comedian Dennis Miller's style of delivery. I just can't say enough good things about this book! A must read! (and re-read!!!!)

Read this book!.......2005-07-14

This is only my second Sarah Bird novel and I am hooked beyond belief. Her dialogue and characters put you inside the book. You're there watching the whole novel unfold around you.

Gretchen is a talented photojournalist stuck at a two bit publication that has entwined itself thouroughly into her life. From the sordid past of the newsroom to the flim flam ways of her occasional boyfriend and hokey boss who is as unreliable as her salary, she's come to the conclusion that it was all a lost cause. The writing is on the wall as far as Gretchen is concerned when she's assigned to cover the Luvboree. Little does she know that entering the Pink Ghetto will be her ticket to leaving the Grackle behind and gaining her new life.

Reading Gretchen's trials and tribulations over starting her own Romance novel are hilarious. And you definitely feel for her as she goes through her 'dry spell'. Well that is until the handsome stranger comes along. From there on, buckle your seatbelts and make sure you can read until the end - you won't be disappointed.

I really enjoyed the character antics in this book. Dyanmics ruled for all of those involved. All of the elements of a good novel come together as the plot and development go hand in hand with the set up and characters. Also this particular edition of the book has an afterword by Bird as well as a reader's guide for afficionados or book clubs which I enjoy reading as a way to bring closure to the novel experience.

This was a fantastic book and one that I am going to enjoy reading many times to come. Sarah Bird is a terrific writer and her novels should be known far and wide for their witty and humorous entertainment.

Books:

Books Index

Books Home

Recommended Books