Book Description
"
Criticizing Photographs: An Introduction to Understanding Images is now in its third edition and it has become the standard in photo criticism and theory courses throughout the United States. The book contains an elegant pedagogical apparatus founded on the four critical activities that Terry Barrett so ably illuminates -- describing, interpreting, evaluating, and theorizing.
Moreover, Barrett's analytical categorization of photographs into ideal types including the aesthetically evaluative and the interpretive (to cite two examples) has provided readers with a highly original and useful way to think about how photographs are made to function in the world." Louis Kaplan, Southern Illinois University
Customer Reviews:
Goes on and on.......2006-04-30
Includes miles of intellectual blather. Fits well into sexually charged point of view of photography. Uses most horrific and grotesk as examples. On page 33 in third edition author mentions head decapitation as one photographer's "external" influences. Uses sexual pictures as examples. Generally a politically correct lightly negative type discourse on photography. I feel sorry for the students subjected to this pulp.
Excellent introduction........2004-10-15
Having never taken a course in art appreciation, I found this book to be an excellent introduction to interpreting photographic images. The comment above about this book serving as a framework is a good one. Essentially any photograph will fall into one of the categories, giving the viewer a frame of reference within which to interpret and appreciate the meaning of the work. It forces you to slow down and think about each photograph you encounter, ultimately enriching the viewing experience. I highly recommend it for photography aficionados and photographers alike.
Criticisng Criticism.......2002-06-11
A look at the subtitle to this book, "An Introduction to Understanding Images", might lead one to believe that it is about photographs and what makes them good or bad (or if there are such things as "good" and "bad" photographs). But instead it is about photographic criticism, primarily written. And even then it really doesn't tell you very much about how to write criticism yourself, or how to interpret what you read, or how to develop patterns of thought that would enable you to criticize in a useful fashion. Instead most of the book is concerned with the pigeon holes into which different kinds of photographic criticism can be put.
An unstated thesis of this book seems to be that the criticism of photographs is an art form itself. Certainly anyone who has read something like Walter Benjamin's "the Work of Art in the Age of Mechanical Reproduction" might agree. But if it is an art, then it has both form and content, and any book claiming to teach one about the art (I almost said craft) had better address those points. To know that there are theoretical schools like Postmodernism or Feminist Theory is useful to those trying to organize photographic criticism and may be helpful to the photographic critic who is trying to decide what his own approach is, but knowing that these schools exist does not help a critic as much as a knowledge of how to look at a picture and organize a written commentary.
Fortunately, the book has a number of examples of written criticism, including several examples of different critics addressing the same picture. Unfortunately most of the criticism addresses the content of the photograph without considering how the form relates to the content or how, as Mark Schorer has said, technique leads to discovery. For example, Ansel Adams' photographs rely upon the range of light from the whitest whites to the blackest blacks to make their statements about the grandeur of the American wilderness. Unfortunately, nothing in this book considers photographic technique for the critic, although there are plenty of opportunities. For example, there is an ambiguous picture by Robert Doisneau taken in a Paris Café showing a younger women and an older man. The picture is grainy and the depth of field shows the women more sharply then the man. Both of these techniques should contribute to the possible interpretation of this photograph, and yet they are not mentioned.
I think the photo critic who wants to improve his art would be far better served by learning something about photography, and then reading actual criticism, like John Szarkowski's "Looking at Photographs". "Criticizing Photographs" should only be considered as a supplement to such studies.
useful and excellent book for students of photography.......2000-12-26
I have read Persian (Farsi) translation of the 2nd. edition of this book. Thanks to Mr. Barrett and the translators of the book. It helped me to understand how to criticize photographs and I found it a unique book in this field. After searching in Internet I found out that Mr. Barrett Has revised the book in ashort periodof time. I suggest, as a student of photography in university, to all studentd in the world to read the book. Again thanks to Mr. Barrett.
"It takes more time to make a picture than to appreciate it".......2000-11-21
This is an excellent book.
These are some questions the book deals about: How a photograph is made? What are its purposes? How should its context be considered? Was that photograph made or taken?
In this book several criteria (even opposite ones) about photographs are also analyzed and compared, leaving to the reader the decision about the one(s) to take. The process of understanding a photograph is not simple, but this book is a nice guide to follow.
At the end of the book, examples of reviews are included, as a reference not only for students, but also for the person who simply would want to talk about a photograph. Moreover, advice concerning the redaction is also given.
Book Description
Acclaimed nature photographer Tony Sweet helps us to see a familiar subject through new eyes in this astonishing collection of flower photography. Ranging from the elegiac to the experimental, these pictures offer a kaleidoscopic survey of innovative photographic techniques--including multiple exposures and "slide sandwiching"--along with instructions for creating similar effects in your own photography. Perfectly balancing grace and spontaneity, Fine Art Flower Photography ensures that none of us will look at (or photograph) flowers the same way again.
Customer Reviews:
Too stylized.......2007-08-28
The pictures in this book are very beautiful, but I was hoping for more discussion of the basics of outdoor nature/flower photography, like lighting and composition. This book spends a great deal of time with mutliple images and zooming and "special effects" which are interesting but not really helpful if you are trying to take better pictures of flowers. Also, it seemed sort of repetetive at times.
WOW....LOVE IT.......2007-06-08
Cool...abstract photography. Clear pictures, great as a table book or as a useful 'textbook.' Pleasure to look at; pleasure to read. Well worth it!
Dont learn to photograph flowers here........2007-03-25
Don't think that you will learn to photograph flowers with this book.
If you want to learn this, it is not for you.
If you want a beautifull book to look at, with good photos, it is for you.
Tony Sweet delivers .......2007-03-16
Excellant. Has helped me to better understanding of technique, and I am already producing better results with my photograghy
An Impressive Portfolio.......2007-03-10
Tony Sweet is an accomplished nature photographer.
This is a colorful and inspiring collection of close up photographs.
Sweet uses medium to long lenses with warming filters to produce delicately focused images with silky smooth bokeh.
You'll never look at your garden in the same way - a real gem of a book.
Book Description
First published in 1989, I Dream a World, a collection of 75 portraits, has become a landmark in publishing history. Now the 10th anniversary of this book is being celebrated with this completely revised and updated edition that charts the achievements of a remarkable group of African-American women and their continued impact on the world.
Many changes have occurred since Brian Lanker set out to capture the faces of both the prominent and unsung women who've made a difference. Sixteen of the original 76 women are no longer among us, including Septima Clark, Barbara Jordan, Clara McBride (Mother) Hale, and Betty Shabazz. But, as this new edition reveals, all of them have left behind an enduring legacy for future generations.
Most importantly, in revising and updating I Dream a World, we celebrate not only the event of its publication, but the continued achievements of an extraordinary group of women who remain vitally alive as role models for the next century.
Customer Reviews:
This is Great "Her"story.......2006-03-14
I was given this book when I was a freshman in architecture college. When I saw Ms Sklarek, I immediately wrote the publisher and got her addres and wrote her a letter. To my surprise she wrote back to me and her later inspired me to continue studying architecture. Now...17 years and three degrees later I came across her name again during a conversation and I decided to contact her again and again, she sent me her business card. Since our architectural firm has a committee that procures speakers, I plan to invite her to my firm to give a presentation on Women in Architecture. So, I said all that to say...not only should we find our mentors, but we should also communicate with them whenever we can.
The PERFECT hand-me-down.......2006-03-04
I was blessed to recieve this book in 1990 as a gift from a dear friend. Throughout the years this book has been a form of encouragement in my daily life through various things. Once my daughter turned ten we sat down together and read through I DREAM A WORLD, She was captivated. I have now passed this book on to my daughter and she proudly displays it in her room with trophies, clay art, pictures, and souviners.
Beautiful!.......2005-11-30
This is such a beautiful, respectable book! The portraits & stories of AA are profound & present fantastic role models for today's young AA girls. A hearty "thank you" to those responsible for compiling & publishing this book!
It encourages one's own dreams!.......2003-04-25
I Dream a World is inspiring in its beautiful photography and the brief stories it shares about the women in the pictures. While it touches on their life stories, this book shares these women's thoughts. That is what draws me closer to this book each time I open it. The women inside, and the book itself, will make you think about your dreams and encourage you to work towards them.
No matter what your race or gender, give this book to anyone who needs encouragement. I especially enjoy recommending this book to young women who can learn a lot from the women within its pages.
Most Excellent.......2000-11-19
I DREAM A WORLD is a most excellent book. The photographs of the women are like portraits of their souls. What makes this book so wonderful is that each woman's story is told in her own words. This is more of the real history. Everyone should read this book because it is not only black history or women's history, it is American history.
Average customer rating:
- It reveals that horrible human nature of both individual and masses
- Wonderful
- The Many Faces of the Cultural Revolution
- Amazing
- A shocking look at a remarkable period
|
Red-Color News Soldier
Li Zhensheng
Manufacturer: Phaidon Press
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Assignment: Shanghai: Photographs on the Eve of Revolution (Series in Contemporary Photography, 2)
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Chen Village under Mao and Deng, Expanded and Updated edition
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Picturing Power in the People's Republic of China: Posters of the Cultural Revolution
ASIN: 0714843083 |
Book Description
Following World War II, China found itself struggling with a conversion to communism that had wreaked havoc on the nation's economy, causing a devastating famine and extreme economic depression. In 1966 China's leader, Mao Zedong, gave his support to radicals within the communist party who envisioned a revolutionary social upheaval that would destroy all traces of the reactionary past. This was the beginning of a ten-year period of violence and chaos known as the Cultural Revolution. Many top officials lost their positions and numerous provincial governments came under the control of the radicals. The radical movement was primarily led by students who formed organizations known as "Red Guards," which used violent methods to punish people they saw as "anti-Maoists" or counter-revolutionaries. At the height of the Cultural Revolution (1966-70) China's universities were closed and much of its populace was sent to rural "re-education centres" where they were indoctrinated with Maoist policies. It is during this period that Li Zhensheng worked as a photojournalist for the "Heilongjiang Daily", shooting film both for the paper and, as we know now, for himself. While Li worked for a newspaper supporting the Maoist movement and admits he did not think Mao's policies to be incorrect at the beginning of his tenure at the newspaper, his hiding of film was a highly subversive action. As a photographer, Li wanted to document the Cultural Revolution for himself and for others in the future. He put himself at risk by hiding film stills that the government would have destroyed, capturing events of which little or no other visual record exists. Looking at the photos in this book, one sees the difference between the photos published in the "Daily" and those Li hid for himself, allowing for a rare understanding of how the Chinese government controlled media during the Cultural Revolution. The Heilongjiang province where Li worked was crucial because of its proximity to the then Soviet Union. Its main city, Harbin, had been occupied by the Soviets following World War II and was later set up as a communication hub between the Soviet Union and China. It was the communist centre which bred the revolutionary movement, leading to China's unification under communist control in 1949. This Russian influence can be seen in the details of Li's photographs, right down to the city's typically Russian-style architecture. Many of Li's techniques as a photographer borrow from his training as a filmmaker, including his creation of "handheld panoramic" photos by shooting overlapping frames of large panoramas and pasting the stills together to create the illusion of one continuous shot. His inventive techniques and powerful images make Li one of the premier Chinese photographers alive today. This book, which takes its name from the literal translation of Li's accreditation as a photographer approved by the Communist Party headquarters in ! Beijing, is part of the key to understanding one of the most turbulent and still notorious eras of modern history. The book includes a preface, introduction, text by the photographer, chronology, maps, and extensive photo captions for over 400 photos (almost all of which have never been seen before).
Customer Reviews:
It reveals that horrible human nature of both individual and masses.......2006-12-28
Li's photos captured the extreme madness of hundreds of thousands people in China during that so-called Cultural Revolution and it reveals the very dark side of human nature as seen from, for instance, that young woman cheerfully recorded the place, date and time when she saw Mao going by in his jeep, the humiliating punishment of all sorts of people such as Communist Party Provincial secretaries or provincial governors, newspaper workers, peasants, or whoever in huge mass demonstration against so-called "Anti-Revolutionary Reactionaries" to different Red Guard factions infightings they reminded me how Hitler got into power, how Japanese militarism got in total control in Japan in its war efforts, and, believe it or not, how George W. Bush & Co. got "elected" into the White House, they all show that similar built-in weakness of human characteristics- or the human genes! This book tells a lot about all of us. The monolithic political power, century's religious indoctrination are at work around clock and real enlightening secular education around the world is probably struggling in a losing battle. A good book of historical documents.
Wonderful.......2004-06-11
This isn't just a history book laced with photos; this is also a personal view on the Cultural Revolution from the photographer's point of view. Informative and emotional at the same time. Wonderful.
The Many Faces of the Cultural Revolution.......2004-03-22
For those of us fascinated and puzzled over the cultural revolution in China, here are photos to bring to life what we've been reading.There are many faces to study. This document seems curiously objective even though the author has his own story to tell of being treated unfairly. I would not describe the photos as shocking to those who have studied these events in China's history. This is a great companion to any other narrative one might be studying on the subject. Also, the author is a remarkable person. This is another work on the cultural revolution where I come away feeling gratitude toward the author. Li Zhensheng has a more benign story in comparison with some other personal accounts that were part of my introduction to this subject. I enjoy this additional perspective. There is much to see here.
Amazing.......2004-03-14
For those readers whose knowledge of the Great Leap Forward and the Cultural Revolution is limited to film, here is a document that shows that some of the films that portray these scenes were not exaggerated. These photographs do much more work than most documentary photographs. There is something uncannily immediate about them, as though the events depicted happened only yesterday; sometimes it is as though they were still happening. The text that accompanies the photographs follows the story of the photographer and his work through these years, and is interesting and well written. I came away from this book with the feeling of horror at fascism that I have never felt before. This book communicates something original and timeless about the human condition that I believe is priceless and rare. If you can't afford this book, you should seek it out at a bookstore and read it.
A shocking look at a remarkable period.......2003-12-22
Although the photographs are the main focus of this book, the accompanying text is also illuminating as an individual's account of his experiences of the Cultural Revolution. The text has, of course, been written with the benefit of hindsight - and one gets a sense of retrospective self-justification coming in. The passion that the period inspired amongst the younger generation is also evident, however.
The photographs are, of course, contemporary accounts of the living through that period, and consequently have the power to shock significantly. The "struggle session" photographs of senior party leaders undergoing "self-criticism" are particularly horrific. The concluding photographs of a "victor" of the Cultural Revolution on her way to her execution after the restoration of a more normal society also have a big impact - though curiously there is a sense of the pathetic about the woman that Li captures.
The photography merits a 5 star rating, the text probably a three. The images are a valuable insight into the strength of emotion in that remarkable period.
Average customer rating:
- Beautiful Work - Recommended for a fan of Illustration
- Excellent visual introduction to spark initial interest in Cycle + Beautiful illustrations!!!
- For Rackham lovers
- What can't be done on stage
- For Rackham fans
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Rackham's Color Illustrations for Wagner's "Ring"
Arthur Rackham
Manufacturer: Dover Publications
ProductGroup: Book
Binding: Paperback
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Nielsen's Fairy Tale Illustrations in Full Color
ASIN: 0486237796 |
Book Description
By the time he began this work, Rackham (1867-1939) was England's leading illustrator, famous throughout the world for his fantastic interpretations of fairy tales and myths. This, his masterpiece, is regarded by some as the greatest representation of Wagner's drama ever produced. Includes 64 illustrations and 9 vignettes.
Customer Reviews:
Beautiful Work - Recommended for a fan of Illustration.......2007-09-30
I'm swiftly becoming enamored of the old-time illustrators - Joseph Clement Coll, Charles Dana Gibson, N.C. Wyeth, Howard Pyle, and Alphonse Mucha to name but a few. I'm now happy to add Arthur Rackham to that list. As both a fan of illustration (fantasy, comic book, and otherwise), as well as a bit of a mythology buff, I was thrilled to see that Dover (whose name, in my opinion, always spells quality) had produced a volume of Rackham's illustrations of Wagner's Ring Cycle, which is itself based on a famed tale of Norse mythology. The illustrations, as the book notes, were first published in 1910 and 1911, respectively. They are uniformly beautiful, bringing the story to vibrant life. Rackham was clearly a skilled draftsman, and his work has that turn-of-the-century look that is very compelling (Gibson and Wyeth had a similar style).
This book is printed on high-quality glossy paper and features wonderful illustrations of dwarves, heroes, valkyrie, gods, and others that Rackham captures with skill and aplomb. Each drawing is accompanied by a discription, helping to tie the illustrations together and explain the plot to those who might not be familiar with it.While the volume is quite slim (only 64 pages, plus 4 of introductor/background material) it is very much worthwhile. I hope you will pick it up and enjoy it.
Excellent visual introduction to spark initial interest in Cycle + Beautiful illustrations!!!.......2007-02-23
This book is a delight for anybody who loves Richard Wagner's "Der Ring des Nibelungen" ("The Nibelung's Ring") operatic tetralogy. While I could have wished for just a little more detail in the captions - which could therefore have allowed the entire story of this cycle to be told (a few things consequently get missed - not really major, but wouldn't have hurt nevertheless!) - they are otherwise excellent; and the paintings themselves are not only outstanding art-pieces in themselves - they also are excellent visualisations of what Wagner was trying to do! They're also a wonderful corrective to the all-too-many "modernisations" that for some people like myself are hurting the visual aspect of a given opera's appreciation. [Often those "modernisations" are in bad taste, travesties of the composers' and librettists' intentions, and are either boring, shocking for mere shock value, or just plain BAD!!!!!]
Most warmly recommended for both confirmed Rackham lovers as well as Wagner lovers AND for those who're just getting started with the process of getting to know Wagner's stupendous cycle!!! GET IT!!!!
For Rackham lovers.......2005-09-19
All 64 Rackham's images for Wagner's Ring collected in one book is a grate thing to have if a Rackham lover. Reproduction of the images is not the best possible though. All in all, it is still a good book to have. Rackham is magical.
What can't be done on stage.......2004-01-29
I bought this book after I bought the Met's dvd of the Ring and fell in love with Norse sagas. Rackham brings that old world feel with all the knarls, worts and all. Wagner's music inspies perhaps the most powerful images of man: lust, power, love, sin and redemption; Rackham's watercolors are faithful to this and help amplfiy the opera.
For Rackham fans.......2003-05-02
Nice collection of hard-to-find Rackham images, but not the best color reproduction. Still a good book for the Rackham enthusiast.
Average customer rating:
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The Western Buckle: History, Art, Culture, Function (Cowboy Gear Series)
David R. Stoecklein
Manufacturer: Stoecklein Publishing
ProductGroup: Book
Binding: Hardcover
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Cowboy Boots
ASIN: 1931153256 |
Book Description
This series of books by photographer David R. Stoecklein brings into focus a few of the most important elements of cowboy gear-boots, spurs, and buckles. The quality and superb craftsmanship of some of these exquisite pieces shine through in these images. In these pages you will find spurs from all across the West, handcrafted belt buckles, and weathered cowboy boots. There is a story behind each one that speaks of the tradition and rich heritage of cowboy life.
Learn about the different styles and varieties of Western gear that have emerged throughout the decades in different regions of the country. The set of three books is the perfect gift for a collector or Western enthusiast.
Book Description
Here collected together for the first time are 48 large, full-color, rare posters, 1890s-1940s, superbly reproduced from originals. Printed in extra large format so that even small details can be clearly seen, the posters feature many of the greats of the American circus: acrobats, clowns, Gargantua, etc., from Ringling Bros., Barnum & Bailey, Sparks, more.
Amazon.com
If we would only stop and smell the roses once in a blue moon, we'd discover some amazing things on this planet. Why are wildflowers so brightly colored? To attract the attention of honeybees, of course. Why are flamingos pink? Because of the pigments in the crustaceans they eat. Perhaps only a physics professor would know that you can tell the age of a desert by the color of its sand--perhaps only a physics professor would care--but it doesn't take a rocket scientist to appreciate the photographic skills Neill employs in illustrating the authors' concepts.
Book Description
Why is the sky blue and the grass green? What are the colorful secrets of the enigmatic aurora borealis or the ethereal shimmer of a soap bubble? From San Francisco's Exploratorium, the acclaimed hands-on museum behind the best-selling Explorabook, comes The Color of Nature, which delves into these and other intriguing questions. Extraordinary photographs and an engaging text illustrate the fascinating phenomena behind the myriad colors that make up our world -- from moon bows to mandrills, chameleons to hydrangeas. This remarkable volume will fire the imagination of anyone with a passion for nature, science, or photography.
Customer Reviews:
Excellent Book.......1998-12-14
"The Color of Nature" is a very good book. The photography is wonderful, and there is nice text to go along with it.
Great for Kids and Adults Alike!.......1997-02-04
Paul Dogerty makes learning the "whys" and "hows" of colors fun. He presents the scientific principles of how we see what we see in an easy-to-grasp manner that is both interesting and comprehensible. In addition, the photographs that accompany the text, which alone are worth the price of the book, serve to admirably highlight the processes Dogerty seeks verbally to illustrate. Together, art and words combine to emphasize the wonder and beauty of the world in which we live
Book Description
Since its founding in 1817, the University of Michigan has had a history of making history — social, political, medical, scientific, technological, athletic, national, and global. As the first American university to be nonsectarian and make education available to qualified students regardless of sex, religion, race, or country of origin, UM paved the way for luminaries in every field, from literary giants like Arthur Miller to medical pioneers like William Mayo and Jonas Salk to superstars like Madonna and Iggy Pop. This beautiful book celebrates that rich history in spectacular photographs — over 150 — from past and present. With an historical introduction and a captivating campus tour, this one-of-a-kind keepsake is a perfect gift for anyone who "bleeds blue and gold."
Book Description
Coretta Scott King-Honor Winner Tonya Bolden focuses her critical eye on Martin Luther King, Jr.
In the tradition of her award-winning book Maritcha, Tonya Bolden brings words and pictures together to tell the life story of one of America's greatest figures: Martin Luther King, Jr.—or M.L.K. Central to the story is King's belief that agape—the selfless love for one's neighbor—is the rope that binds all peoples together. This philosophy came forward in his sermons, in his daily practice, and especially in his support of nonviolent protests.
More than 80 photographs of M.L.K. preaching, leading marches, being arrested, and overcoming the violence and prejudice around him are juxtaposed with images of his wife and family, of his fellow protestors, and of other leaders of the day. A tribute to a great human being, M.L.K. will surely inspire young readers.
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