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Producing Great Sound for Digital Video educates beginning and experienced filmmakers on the intricacies of creating an outstanding soundtrack, from preproduction planning through the final mix.
The entire book is fascinating: it's absolutely packed with useful information and tips. Most of us remember learning in high school physics that sound travels about 1,100 feet per second, but besides gauging the location of a lightning bolt from how long it takes for the thunder to reach our ears, we never found it useful. Imagine, however, shooting a scene from about 90 feet away with a camera-mounted microphone. In this scenario, the audio will lag behind the image by about three frames--not much, but it's certainly noticeable. The problem gets worse as the distance increases. The workaround is to put a microphone next to the subject or slide the audio track so that it syncs with the images.
The book presents other solutions to showstopping problems that, because of lack of experience, a filmmaker wouldn't realize until getting to the editing room. Other critical issues such as preproduction planning, the art of production and recording (including environmental factors and microphone setups), and post-production editing and effects are also discussed.
The advent of low-cost, high-quality video production equipment has ushered in the birth of AV producers and AV presenters who have grand intentions but negligible experience. Digital cameras, inexpensive computers capable of capturing and playing back high-quality digital video, and full-featured editing software offer all kinds of ways to create visual eye candy, but embryonic filmmakers don't always realize that the picture is only half the story. Producing Great Sound for Digital Video explains how the other half works, what to watch out for, and how to achieve professional results. --Mike Caputo
Book Description
Producing Great Sound for Digital Video is a complete audio training guide as well as a quick problem-solving resource for the working pro. The author explains hundreds of real-world techniques to use from preproduction through the final mix. Readers get how-tos, tips, and time-savers, plus tutorials on key skills such as dialogue and music editing. This edition features deeper coverage of location techniques, including choosing the right mic, in-camera sound recording, getting sound into the camera cleanly, calibrating the camera to location sound equipment, working with mic booms, using separate recorders, and digital wireless. It also includes updates on working techniques, including new software categories for postproduction and new interchange standards.
Producing Great Sound for Digital Video is packed with hundreds of real-world techniques that range from pre-production through the final mix--including tutorials, tips, and tricks to make great tracks with any computer or software.
Customer Reviews:
Great Book.......2007-01-19
for anyone that wants to have a professional approach to digital video this is a good book.
If you only buy one book on sound.. This is it.......2006-09-09
Where do I start? In a nutshell, this book *IS* the only book to have on sound if your only buying one. No lie. My background... 20 years ago I used to be the "The Amp Dr" fixing commercial PA systems, amps, etc. I have a much better background on sound than most, I was an electrical engineer after that, designing power supplies, and other analog interfaces to digital equipment. Most of that has been dormant for the last 20 years, but I recently decided to make documentaries, and as two of my first projects deal with music, sound seemed pretty important. I got several books on sound, I figure buy six, one has to be good. You can save your money, this book was the one in six.
Knowing audio but NOT audio for video, one of the most important things I discovered is that a professional quality product (video) can only be made with good sound.. If you think you $2 -$10K pro-sumer camera is going to deliver it with the standard mic turn on "auto level", you're really wrong. Half of good sound is the absence of sound, or at least the absence of unintended sound. Insuring good sound is more work than it sounds, but the quality and impact of what I am shooting now is significantly better than before. Otherwise, its' all like home videos, maybe pretty shots and cleverly edited, but still seems like home videos. It all becomes much clearer after reading this book.
When I picked up this book, it was a mental orgasm. Not only does this guy know his stuff, even more importantly, he knows how to communicate it. The way it was written, I was easily able to skip over the stuff I didn't want to review, and go straight for the meat. It is meaty. Almost EVERYTHING I wanted to know was here. I did end up going back just to see how he explained the basics.. great! One of the things I liked about his style, is some authors will tell you something is bad or wrong, with no explanation.. Jay give you good examples.. the CD recording with the book is worth it's weight in , he give examples of proper recording and bad recording (with explanations). You can actually hear it as oppose to read an explanation and take it on faith. Borrow money if you have too.. but buy it.
My message to Jay:
If you read this Jay, I have a few requests. (1) Don't let this book go out of date. Please do you SNR and distortion measurements on some of the new HD cameras. Given the bit resolution is now even less with HDV (12 bits (HDV) vs 16 bits (DV)), I think dual systems are even more important to cover in greater detail. (2) Update with some of the new digital recorders that are replacing DATs (3) Thanks for a great book!
A rare 'how to' book that delivers actual content!.......2006-01-05
I've often been taken in by large reference books that promise to be a comprehensive guide to a subject, but turn out to be a lot of filler (screen shots of PC applications, or an excuse for the author to give lots of less-than-useful anectodal stories, etc.)
Not so with Jay Rose's 'Producing Great Sound for Digital Video' book. This informative guide covers a lot of ground, including sound theory, equipment explanations and use, and techniques for sound production including NLE tips, audio mixing, mic use etc. The great thing about this book is it is written with the expectation that your sound production values should be professional, but it's still accessible to hobbyists and those on a budget.
While I think novices to the field of sound engineering (like myself) probably benefit most from this work, I think a lot of the material here is useful to the video production community as a whole. I learned a lot from this, great work.
A Top Resource for Anyone who does Serious DV Recording.......2005-04-23
This book is a top shelf resource. It is useful to both novices and those with more experience. Starting with the very basics, and that does involve some physics, it works its way through virtually all aspects of sound production for digital video.
Do not be fooled. You are not going to learn much to improve the built in recording that comes with your camera. The author is unapologetic in his broad condemantion of the built-in stuff in terms of both quality and usablility. He goes into the reasons and gives a bit of advice on making the most of what you have but this is not what the book is about. Instead, it is about exactly what the title claims. Unfortunately, this is seldom if ever achieved with the built in stuff.
After going over some of the basics of sound and recording, different types of equipment are described in terms of suitability to task and cost. After that, the actual use of this equipment is considered in a variety of situations. The book is not just concerned with equipment and its use, however. There are chapters on editing and even on the use of prefessional talent. In short, the assumption is that you want to get good quality audio for your video production. The author then describes how to do exactly that in a variety of settings. Unfortuately, doing the job sometimes takes a bit more effort than just pushing the record button on the camera. It also take a bit more money although it does not have to take a great deal more. It depends on what type of sound is needed and how you are going to use it.
If all you want is to catch the background sound in a home video, spend your money on something else. If you want to learn how to get the best possible sound for your particular need and preserve that sound to use with video, you need this book.
You will understand sound after this book.......2005-03-02
Audio is really important, and this book will make sure you get incredible sound at every shoot. I really recommend this book!
Average customer rating:
- Title may be misleading
- A book for the advnaced
- Good book
- A recording studio masterpiece
- Have you got time?
|
Master Handbook of Acoustics
F. Alton Everest
Manufacturer: McGraw-Hill/TAB Electronics
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Similar Items:
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Sound Studio Construction on a Budget
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Critical Listening Skills for Audio Professionals
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Home Recording Studio: Build It like the Pros
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The Sound Reinforcement Handbook
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Mastering Audio: The Art and the Science
ASIN: 0071360972 |
Book Description
The goal of this book is to apply the principles of acoustics to the audio arts. This involves serving as an interpreter of major trends and the literature for students and practitioners in the audio field. Along with covering the more theoretical aspects of acoustics, the book applies the theory to the design of specialized audio spaces such as the home listening room, the control room, and the multi-track-recording studio.
Customer Reviews:
Title may be misleading.......2007-07-25
There are two common definitions of the word "acoustics." The most general is "an area of physics dealing with sound and sound waves" and the second is "the qualities of a room that determine audibility and fidelity of sound in it." This book is a very good reference for the latter, but if you're looking for the former, look elsewhere. Also, I'm not sure I would describe it as a Handbook, but rather as a reference text.
It is good for what it does cover and is relatively easy to read.
A book for the advnaced.......2007-07-09
A great book, but can be too advanced for some. A lot of physics is included - which is great - but perhaps some previous knowledge or some side reading is a good idea.
Over all, excellent book, and a goldmine to buy.
Good book.......2007-05-11
It is nice REFERENCE book for practicing sound engineer. If you in a process of setting up your home studio and need quick and meaningful start get Acoustics for producer and musician, includes SoundsAcademy Certification and it will take you inside the subject fast and straight to the point.
This book addresses room acoustics and in this regard is superb reference but many music related aspects of acoustics aren't there. For room acoustics treatment this book is very useful though.
A recording studio masterpiece.......2006-04-27
OK, so this does not cover ALL acoustincs. If one is interested in recording or playback acoustics, this is THE BEST. As an engineer and producer who has been involved in the construction of a dozen studios, I have the clients and architects read this before we start hard design parameters. For lay listeners, the chances are good your audio budget is better spent on acoustic treatment rather than a more exotic cable. For all of the above, this book will explain the what, why and how to get results. For professionals, it explains how to obtain designable results. I find it an easy read, and I refer to it occasionally, particularly when discussing room acoustics with neophyte "sound men" and audio engineers. I'd read it if I were you.
Have you got time?.......2006-03-27
Despite its title, this book should better be called Master Handbook of Room Acoustics, as it is primarily and almost solely dedicated to the acoustics of enclosed rooms. With its over 600 pages you will need a large hand, and plenty of time to read. But the information you gather when reading the main text, could have been presented in less than half the number of pages. Despite - or is it because - the abundance of words and excursions into anecdotes, the explanations are sometimes missing the clue. The last few chapters have been written by others authors, and are more to the point. Besides, these co-authors use the SI system, while the main text is using American units. A bit out of time, I would say.
Book Description
This book gives street-level instruction and real-world examples on how to promote, distribute, and sell your production.
Customer Reviews:
Good information.......2005-10-17
In the course of making a film, we found this book to be very helpful. It organizes info about the business side of the filmmaking process.
Went in a skeptic, came out a believer.......2003-06-20
Being a skeptic, I tested Mark's capsule exercises on a script I was preparing for the IFP Spotlight Award. The results were unnerving - I discovered buried treasure I didn't know I had within my story and eliminated an entire subplot that didn't service the STORY. Mark demystifies the concept of marketing, asking simple, direct questions. By asking "why would anyone want to see your film?" Mark goes past just marketing and addresses the issues that draw people to filmmaking in the first place. When I put the book down, I had a clear vision of the kind of filmmaker I want to be - and a great set of tools to get there.
Helped sell my film.......2003-06-13
This book is so great! I got a copy after reading a review and it lived up to every claim. The techniques in the book's "Self-Distribution" section showed me how to set up regional sales for a film that otherwise has not made any money up until this point! I can now proudly say that my DVD is available in 17 video stores in Pennslyvania and New York thanks to the tips in this book! Get Bosko's book if you want to sell your film - it is that simple.
Must-Have Movie Marketing Magic.......2003-06-06
A lot of people throw the title "guru" around, but Bosko's the real deal. As a filmmaker, if you've ever wondered how to: get press coverage, create a media kit, find an attractive title; identify your movie's hooks, locate distributors, exploit the power of the web, get audiences and distribution and actually sell your movie or video...then GET THIS BOOK! Bosko "tells all" in an easy-to-read style that gets the creative juices flowing. No filmmaker should go anywhere near a camera without reading the hard-core, straight-up instruction and advice in this book.
An Absolute MUST!.......2003-05-15
Outstanding! Mark's style of writing is so engaging, down-to-earth, and motivating --I couldn't pull myself away! I've been behind the scenes on several film projects and can't believe they had the audacity to shoot without knowing what Mark shares in this book. My highlighter is nearly empty! When it comes to marketing a project, ignorance is certainly not bliss! Mark's book is an absolute MUST HAVE if you plan to DO something with your film other than show your parents!
Customer Reviews:
One of the better books on the subject.........2007-02-03
I'm a working digitial media pro; a 15 vet, and I like this book. It is substantially clearer and better organized than others I have purchased. Comprehensive, decent glossary.
It ain't the be-all-end-all, but it sits proudly on my desk as a late-night on-hand reference whilst I struggle to hit another ambitious deadline.
Excellent Guide.......2007-01-11
Really enjoyed this book. It was a simple read of complex terms. I have so many computer type books but none like this one where I could read from start to finish and really learn the technologies.
An excellent technical overview of online video.......2006-08-21
This book goes into the high level technical details of creating an online video service. As an absolute newcomer to the field, I found it an invaluable tool for dealing with the knowledgeable professionals that I rely on to do such things as analog to digital conversion and the set-up and maintenance of media servers. This book will not give you the expertise to do any of these jobs - for that you have to get your hands dirty and actually perform some of the tasks yourself. But it will give you a grasp of the concepts and terminology you'll need to manage the issues that come up.
The book is solid all the way through, but some topics are treated with more detail than others. The sections at the start about video capture, compression, and file formats are in depth and somewhat technical. Later section, including one on transport protocols and DRM, are considerably more vague, probably because they are such complex topics that even an overview takes up the alloted space. Still, when I was able to dive into the details of capturing video from analog sources, compressing it, and setting up the software to serve it, but I could not have even begun to attack the problems of setting up a transport standard or a DRM scheme.
It should also be noted that one chapter out of the 8 provided is on a topic (enterprise multicast) that is not relevant to most consumer focused video services.
If you're going to be involved with online video at all, this book is an excellent technical overview. Highly recommended.
For the beginner..........2006-08-01
...This is the best book I've come across on the subject. There are a lot of articles and other books that just throw these terms at you without them really being understood. This book shows you how other media (TV, film, dvd) are put together and how they can be converted to become internet content.
maybe all your questions will not be answered, but at least now you can ask intelligent questions.
Truly understand streaming technology in plain language.......2005-02-19
The author does a great job of explaining streaming in great detail for the layman or more advanced user in plain easy to understand language. This book is good for web master, video engineer, student, or just about anyone who has an interest in a detailed guide about Internet video.
I found this book easy to read and understand. It is very complete in regard to today's technology. I have recommended it to several of my co-workers. A feel this book is required reading for anyone looking to deploy streaming into their organization. Damien Stolarz seems to be a person that is not just a tech writer but a seasoned engineer that has spend much time in the trenches of Internet video. This book is well worth the money.
Book Description
Ahead Software's Nero program is the most popular CD and DVD burning software in the world. While it seems like it should be easy to burn CDs and DVDs, doing so can be much more complicated than it appears, and many users reach high frustration levels after burning multiple coasters that don't work.
This simple, task-oriented, step-by-step book covers the entire Nero program suite, including audio CD burning, data backup, managing photos, DVD video burning, designing CD/DVD labels, editing sound, creating a virtual drive and CD/DVD data disk, and playing audio and video. This updated revision to the bestseller (nearly 20,000 copies sold), has been completely rewritten to focus on the tasks that most people perform with Nero 7.
Customer Reviews:
States the obvious on usage of an inferior product.......2007-07-05
If you have no clue on how to use Nero, and somehow managed to get it cleanly installed (in itself not a fun process) then this book will re-state the obvious. All in all, given the horror of trying to install Nero 7, if you might have benefited from this book, you'll never get far enough on the software install to make the book worth buying.
One star or less.......2007-05-22
If you're an absolute newbe, this is probably a good book for you.
If you have any experience at all, pass on this one.
OK for a beginner.......2007-05-12
This book is pretty basic, but gives you the information you need to get started. If you need anything more than the basics, then best to download and print the voluminous manuals available at the Nero website.
Learner.......2007-01-31
This publication is one of the best that I have ever tried to work from. The author is vvery conversant, understandable and above all, organized. I would recommend this to anybody
Not very useful.......2007-01-15
The one part of this book I found helpful was the editing of audio files. This subject is not treated with much detail on the Nero website, but this book helps make some, not all, of the terminology understandable.
But for all other subjects, the information was not very useful. It was far too elementary and didn't delve into the difficult parts of the program.
I can't recommend this book.
Average customer rating:
- Pretty comprehensive
- Too technical for and audio "engineer"?!? LOL
- too technical
- WAAAAY TOO TECHNICAL
- great advice, but dont stop here
|
Sound Studio Construction on a Budget
F. Alton Everest
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Similar Items:
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How to Build A Small Budget Recording Studio From Scratch : With 12 Tested Designs (TAB Mastering Electronics Series)
-
Master Handbook of Acoustics
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Building a Recording Studio
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Home Recording Studio: Build It like the Pros
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Basic Home Studio Design (The Basic Series)
ASIN: 0070213828 |
Book Description
From one of the world's leading acoustics experts, this nuts-and-bolts book offers complete instructions and guidance for building your own inexpensive sound studio. Anyone with a discerning ear and a modicum of electronics skills can follow the clear plans for 10 designs, which include a voice-over recording studio; recording studios for modern, classical, and rock music; a home theater; small announce booth; control room; and music listening room. All projects are fully illustrated and accompanied by complete part lists.
Customer Reviews:
Pretty comprehensive.......2007-01-09
This book is useless if you already own "The Master Handbook of Acoustics" by the same author. However as the title suggests it's all about being on a budget, which it explains fairly well. If you are building a projects studio in your house for example..this is a must read.
Too technical for and audio "engineer"?!? LOL.......2006-04-27
This book is an update of Everest's classic "Acoustic Design for Home and Studio". It is great for what it is. For more capable types, Everest's "Master" book is more complete. This one has the basics. For those who thought this is too technical, I wonder how they expect to deal with the other aspects of audio engineering. Just knowing how to twist a knob is not a path to excellence.
In actuality this is a well written, very direct primer, starting with very basic physics, and leading to easy design engineering. It's not hard to calculate, design, finance or construct good acoustics, and the payoff is huge. It does require a modest amount of work, and calculations to get good data. Remember: "Garbage in, garbage out." Acoustics control your recording and playback. This book will give you a fighting chance.
too technical.......2004-09-25
if you are on a financial budget, you are likely on a time budget, and this book can be a time sucker. it reminded my of my high school trigonometry book. I didn't spend much time with that, either. To the defense of the writer, my friends in the business who actually know what they are doing, swear by this guy and his books. I, however, am just trying to make a room in my house sound a little better, and could care less to know about the science behind it any more than I care about the science behind a combustion engine while I'm driving. I recommend 'basic home studio design' by paul white. simple, small, easy, the minimum that you need to know- but as much as i think 90% would need.
WAAAAY TOO TECHNICAL.......2002-07-25
Too much time spent on the mathematics of sound transfer and acoustics. Not enough on how to build the studio. Could not find a "complete parts list" for any of the plans. This is not for someone looking to build a simple studio. Very technical and boring.
great advice, but dont stop here.......2001-11-06
as another reviewer says, this appears to be the previous edition of what is currently titled "how to build a small budget recording studio....". also, as another reviewer has noted, you dont have to read it in order -- each example project its its own chapter with its own self-contained presentation. each example does stress diffferent design goals that translate to different acoustic treatments.
its a little annoying that every page seems to be an advertsemen for an rpg product. this is mitigated by the author's inclusion of journal and patent references that tell you everything you need to know to build these treatments yourself if you like. or if your budget doesnt allow for the beautiful wood forms from rpg, just take the keywords and run -- diffusor, absorber, abfussor -- and its easy to find someone besides rpg that makes the things using less expensive materials.
i enjoyed the book enough that i'm ordering the next edition. i also recommend his book on stereo theory if you want an overview of the psychoacoustics involved.
Book Description
Previously titled Audio Post-production in Video and Film, this third edition has been completely revised and restructured to provide a step-by-step guide to the professional techniques used to shape a soundtrack through the production process. Covering sound for both film and television, this edition includes many of the practical techniques and shortcuts used by experienced editors and mixers.
Part one explains the basics of audio post production how audio is recorded, how sound and picture stay in sync, how audio can be exported from system to system, and how film and video technology works. Part two follows the path of production sound from its original recording right through to the final mix, and includes sections on editing sound with picture, dialogue, sound effects and music editing, how to run ADR and Foley record sessions, and mixing, using many practical examples.
Audio Post Production for Television and Film is aimed at professionals already working in the industry, newcomers, students and those considering sound for film and television as a career in fact anyone who wants an insight into current professional practices and a comprehensive overview of the sound post production process.
* Reflects current working practice and covers the latest topical issues
* Extensively reorganized for maximum ease of use
* Illustrated throughout and features helpful workflow diagrams
Customer Reviews:
Very Professional.......2007-09-17
The data found inside this book is absolutely useful, many questions found answer inside, la diseccion del time code por ejemplo esta hecha de una manera clara y me ha permitido emplearme de manera mas eficaz en mi trabajo, ademas me ha permitido contrastar en varias oportunidades opniones que tengo sobre temas tecnicos y ver que piesan personas que se dedican a lo mismo que yo en otras partes del mundo, esta muy bien escrito y es facil de leer, incluso se puede decir que es un libro ameno para ser un libro de contenidos tecnicos una A+.
Great for Reference and Fundamental Overview. .......2006-02-25
I've been mixing and Recording music for 15 years and have done a number of major motion pictures now, but always felt slightly in the dark regarding some of the technical jargon and workflow for Film and TV post production. This book is clear, to the point, easy to read, and a constant source of reference for me as more and more work i do is for Film and TV. As someone who has had a lot of experience in audio, I really appreciate that the delivery of detail is not dummied down, but that it's nor over explained either. This is a great launchpad for people needing to grasp a fundamental overview of the whole process. It should be required reading for anyone who considers themselves a TV or Film or Commecial producer.
Definate key text for students of sound and film.......2005-11-11
This is the book I wanted to write! There are many books out there around this subject, but this text is comprhensive AND comprehensible! It covers every area of the post production process ( and a good deal of giudance for the recording of production sound too) in exactly the amount of detail that is needed, with each technical topic supported by useful and informative technique and advice.
The chapters on editing sound give many valuable pointers that will help anyone who is learniung this craft to develop a strong skills base, with really useful practical tips. There is no important technical information missing; all the standards and formats are addressed and explained in easy to read language, so that you're not left with an incomplete picture, and it's up to date with contemporary systems such as Windows XP and Mac OSX, hard disk recording and digital TV, DVD, diffusion systems for broadcast (surround) and more.
So to sum up, this is a really good read, and worth having as a reference book for anyone studying or working in this field who wants to get a a good understanding of the entire process of audio post, and I would also recommend it to film makers as well, as it is a good read and will inform and enlighten.
I have included it my essential reading list for students on our film and sound design courses.
A Must Have Book.......2005-04-11
A modern, up to date and informative guide to audio post production techniques used in todays complex industry.
Hilary describes each step of the audio post production process, from a locked picture edit, through to final mixing and deliverables.
Chapters on editing give the reader a unique insight into how a sountrack is created and prepared for the mix, using techniques that Hilary has acquired from working on many feature films and television programmes.
A must have book for anyone wanting to gain knowledge and understand sound in the modern film and television industry.
Book Description
With the advent of affordable equipment, there are more opportunities than ever in the field of corporate media production. This book examines all aspects of this creative field, from concept development to the final stages of postproduction. The book also clarifies the roles of the writer, producer, director and client while focusing on the dynamics among these key players. This in-depth book captures all the technical and creative elements used in the creation of media in the corporate world.
The new edition has been updated to reflect the most current media production, editing, delivery formats and processes, with an emphasis on DV. There is material on the new digital video cameras and non-linear editing systems, as well as an expanded discussion of audio sweetening. A new chapter on evaluation demystifies this critical process, and there is a new discussion of multimedia.
* Updated to cover the digital video revolution's effect on the tools of corporate media production
* Covers the creative and technical aspects of the job
* Essential knowledge for anyone planning a career in corporate video
Book Description
Offering a fun voyage of discovery for learners of all ages, The Director in the Classroom provides the "Why" for digital video in the classroom in a clear and concisely written book. The Director in the Classroom examines how filmmaking engages learners and explores how the process of filmmaking fosters the development of personal, social and higher-order thinking skills.
Digital filmmaking can empower students with the tools, skills and confidence to take creative control of their research projects. This book identifies how today's digital cameras and software tools are revolutionizing filmmaking and enhancing learning in the classroom, and investigates curriculum connections and strategies for meeting standards and provides examples of successful video projects from K-12 and beyond.
The Director in the Classroom also provides you with strategies for assessing video projects, dealing with copyright issues, and project ideas.
Average customer rating:
- You have to be a real Dummie to get this book
- For Learners
- Clear and easy to learn about the new world.
- CD and DVD Recording for Dummies
- How Not to Deal with Controversy
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CD and DVD Recording for Dummies
Mark L. Chambers
Manufacturer: For Dummies
ProductGroup: Book
Binding: Paperback
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ASIN: 0764516272 |
Book Description
This friendly guide covers everything the recording novice needs to select, buy, install, use and troubleshoot a CD-RW or DVD-R drive -- including software selection, optimization, built-in software like iTunes and iMovie 2 and much more.
Customer Reviews:
You have to be a real Dummie to get this book.......2007-09-29
You have to be a real dummy to get this book. If you have the Internet you can get this book for free (File-Sharing,) or just google it and check out some sites. I'm still cussing to this day for getting this junk. This book doesn't tell you anything that the burning software of your choice won't tell you. If you think I'm lying then fine, get the book but, be ready to start cussing. Hell I'm cussing as I type...
For Learners.......2007-01-31
This information is very helpful and especially understandable. My only problem with is was that there is too much information and sometimes that causes confusion
Clear and easy to learn about the new world........2006-11-05
I am not a beginner, yet the new CD and DVD Recording issues have become part of my world. I am thrilled with the opportunities it presents to Dummies like me. So when selecting something easy, I thought the Dummy books were right up my alley. I was right. This book talks in a down to earth style that doesn't intimidate me. It makes me think I'm not such a dummy after all. Now when I purchase DVD Plus and Minus R and RW I have a better idea what to buy.
CD and DVD Recording for Dummies.......2006-08-02
IT WAS A GOOD INSTRUCTION MANUAL FOR THE GENERAL AREA OF CD AND DVD RECORDING.
How Not to Deal with Controversy.......2006-03-04
True, there are many controversies raging about copying DVDs and copyrights. I suspect we are in a transition zone with all this and "the industry" will figure out how to help people love and cherish their DVDs rather than simply calling everyone a pirate. Having said that, I can also understand why an author of such a book wouldn't want to "say too much" about this controversy, especially if he his looking over his shoulder at "the lawyers." I was trying to think of an analogy to express my disapointment in this book (and this isn't a good one) but it goes like this: You want to go to Israel and you buy a book on "Israel for Dummies" and you search for something, anything on the controversy of the wall they are building. But instead of finding a discussion of the controversy you find a few off-handed quips about "There's a wall going up and it's causing some controversy. 'Nuff said."
"'Nuff said"? Hel-lo? Were dummies out here, that's why we bought the dumb book!
There might be some useful information for some people, but I was sorely disappointed.
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