Book Description
"Hillary Clinton Nude: Naked Ambition, Hillary Clinton and America's Demise" is a blockbuster literary exploration of the most controversial politician in America. Stripping away the veils of imagery which mask the imperfections of Hillary Rodham Clinton, "Hillary Clinton Nude" presents a non-partisan yet passionate case against a second Clinton presidency. Author Sheldon Filger has written a bombshell of a political book, conveying a warning to the American people of the dire risks to the nation's continuity should the former First Lady succeed in fulfilling her ultimate political ambition. More than just another Hillary Clinton book, "Hillary Clinton Nude" is a sobering commentary on the state of American politics in the new century, and the influence of money, image making and celebrity power in the debasement of meaningful political discussion in the United States. Democrats, Republicans and independent voters will discover much to reflect on in this incisive and revealing book. The 2008 presidential elections may be among the most decisive in America's post-war history. Do not go to the polls without arming yourself with the knowledge found in Sheldon Filger's incisive book, "Hillary Clinton Nude."
Customer Reviews:
SOBERING WARNINGS.......2007-06-15
Sad, but true : Hillary Rodham is a menacing presence on the American political landscape; and so books like this serve as important warnings to all Americans, and to all freedom loving people on earth. This book, presented as fact, is strikingly similar to a book of fact-based fiction in that both are clearly intended as "warning calls" (or "sobering warnings") about Hillary; but the other book, entitled THE EMPRESS PROJECT, goes farther in its analysis and shows how a foreign power (Red China) is meddling covertly and dangerously in domestic American politics and using a home grown American citizen as its political "proxy". Is the message of THE EMPRESS PROJECT true? Is the message of this book by Sheldon Filger really factually correct? Maybe readers should read both, reflect on both, and draw their own conclusions.......The Empress Project
IS HILLARY ELECTABLE?.......2007-04-20
One of the main reasons that George W. Bush was elected president was because of the country's guilt that they had elected Bill Clinton instead of Bush Sr. It was the country's way of recognizing that they made a tragic mistake by voting for Bill Clinton. The election of Bill Clinton's wife would be a travesty for the country because it is so shamefully obvious that Hillary used her position as First Lady to justify her husband's shameful behavior and ran for Senator of NY just to position herself to run for President. The Clintons have no shame. I hope that the American people will not fall for them a second time. We need a true leader that will serve the American people well.
Noel Serrano
Essential insights, but with some weaknesses.......2007-01-01
Like another reviewer, I was contacted by author Sheldon Filger and invited to read and review "Hillary Clinton Nude." This is a valuable addition to the shelf of books about HRC. While it has a number of significant weaknesses, this volume also has significant strengths. It's up to the individual reader to decide how best to balance the two.
Perhaps paradoxically, "Hillary Clinton Nude" is both passionate and dispassionate: passionate in the strength of the language, in the author's commitment to his principles and beliefs, and in his conviction that the election of President Hillary Rodham Clinton would be an unmitigated disaster for the United States. At the same time, though, Filger is dispassionate in that he -- unlike many other writers on HRC -- is not a member of the fabled "Vast Right-Wing Conspiracy." In fact, the vituperation Filger directs at Hillary is rivaled only by the scorn he directs at George W. Bush. "Hillary Clinton Nude" cannot, therefore, be dismissed as a GOP hit-piece or a brief on behalf of some other, competing, presidential candidate.
The author makes a persuasive case that lacking any demonstrable skills, training, opinions, or even basic understanding of the vital issues of economics and international relations, the only thing HRC can build a presidential campaign on is nostalgia for her husband's years in office. As Slick Willie's most attentive student, Hillary is mastering, Filger argues, the Clintonian Method of obfuscation, name-calling, smoke-and-mirrors, and (especially) a highly selective use of history, including but not limited to outright lies about facts, situations, and people.
Sheldon Filger is committed to setting the record straight, and so devotes considerable ink to laying out the facts about half-forgotten Clintonian scandals like the White House travel office firings, Hillary's commodities-futures windfall, Pardongate, and of course, Monica and impeachment. Of course, Filger thereby leaves himself open to the Clinton-defenders' time-tested charge that he is "obsessing over old news" while HRC herself is focused on the future. Given Filger's thesis of the importance of Clinton-nostalgia to HRC's own presidential hopes, however, I think he's done exactly the right thing.
As I said, however, this book also has a number of weaknesses. Some of them, I admit, are matters of taste. But there are substantive omissions as well.
For one thing, Filger's prose is, if not purple, certainly redolent of lavender: "Given the constellation of storm clouds gathering on the horizon of the new century, having a mediocre and politically ambitious megalomaniac figure making the key decisions of state is an alignment with catastrophe. It is also a rash gamble with history. If, indeed, the contemporary world resembles the apocalyptic dynamics that existed in the summer of 1914, then the admixture of nuclear armaments portents [sic] a cataclysm that will be vastly more devastating to humanity" (p. 179).
As another matter of taste, I wasn't thrilled by the cover illustration by Molly Crabapple. It makes it too easy for critics to dismiss the whole book as an unattractive hit piece while ignoring the substance within. Certainly, I'm not going to leave this just sitting around on my desk at work.
Among the substantive topics Filger doesn't address, one key one is Hillary's alleged "move to the center" in the Senate. It seems obvious that this is part of Clinton's decades-long effort to disguise her true radicalism, but it will also be a centerpiece of her presidential campaign. A discussion of this question would seem to be in order.
Most fundamentally, I did not come away from this book with a clear idea of whether Filger believes that, deep down in her soul, Hillary really *believes* in anything more than her own ambition. For the vital distinction, I've always believed, between Pudge and Ruffles (wish I could remember who coined those nicknames) is that whereas he is an opportunist with no firm beliefs, Hillary is a true ideological warrior.
Other writers, from Barbara Olsen to R.E. Tyrrell, have done great work tracing Hillary's growth as what Erik von Kuehnelt-Leddihn described as a "Christian Social Romantic." In this understanding, HRC's Methodist upbringing was filtered through the tactical genius of Saul Alinsky to create a person driven by a true spiritual fanaticism. I think this is the only real explanation for HRC's distinctive drive, her determination not just to confront, but ultimately to destroy, anyone who disagrees with her or opposes her utopian vision: she sees them, in a very real sense, as fundamentally, theologically, evil. I believe that this is the key to understanding Hillary Clinton. I'm not sure, though, whether Sheldon Filger agrees.
Finally, I need to point out that this book lacks footnotes, endnotes, bibliography, and index. Clearly a lot of research went into preparing this, but it is impossible for a reader to track the author's sources.
This is a quite long review because I appreciate the author's request for my opinion of his work. What Sheldon Filger has produced is a strong, well-argued, and unquestionably important book. With some work on what I consider the book's shortcomings, a second edition could easily warrant four or even five stars.
The One Indespensible Book on Hillary Rodham Clinton.......2006-12-01
Of all the many books on Hillary Clinton, pro and con, this is the one essential read on the aspiring presidential candidate for thinking people on both the Right and Left. Devastatingly critical of Hillary Clinton, but without an ideological axe to grind, Sheldon Filger skillfully presents a case against another Clinton presidential administration that defies partisanship. Thoroughly researched and convincingly written, the author goes beyond the usual critique of Hillary. He identifies the critical challenges that America will confront in the next decade, than proceeds with an ironclad case as to why Hillary Clinton is intellectually and experientially ill equipped to provide the quality of leadership America must have in its next president. Reading like a thriller, this book presents a chilling scenario for America's future should Hillary Clinton be elected as president. Every thinking person, irrespective of their party affiliation, will find Filger's book a sobering and thought-provoking overview of what is at stake in the 2008 election.
A Thoughtful Look at a Serious Subject .......2006-11-08
In the interests of full disclosure, I was sent a copy of this book by the author and asked to review it. I'm glad he did becauise I probably would never have found it on my own. Books on Mrs. Clinton are plentiful. Some are hit pieces. Some are laudatory. This one is dispassionate and sobering.
Mr. Filger is no Right Wing writer (and therefore not a member of the vast Right Wing Conspiracy which was born from Mrs. Clinton's mouth in defense of her husband's filanderings).
One only has to read his take on the decision to go to war in Iraq and the execution of that war to understand that. George W. Bush, Richard Cheney and Donald Rumsfeld are fully filigreed by Mr. Filger concerning their involvement in what he clearly considers was an egregous error... "America's invasion of Iraq in 2003 was anchored in neocon delusions. Born of the ambition of a reckless and ignorant man, under the influence of a narrow minded clique of bloodthirsty noncombatants and propelled by outright deception of the American people, the enterprise was doomed to failure." Is that plain enough for you?
Filger then goes on to show how Mrs. Clinton manuvered herself to be in support of the war for political reasons and how she has since that time somewhat inartfully tried to extract herself from that position.
Chapter and verse follow which trace Mrs. Clintons attitudes, deceptions, duplicity and ambition. It is sobering and it is delivered in such a way that one has no doubt as to it's veracity. Likewise sobering is his warning that if Mrs. Clinton's political ambitions triumph, the demise of America is assurred.
His final warning is chilling..."Should the American people in their rightousness render a decision in 2008 that reverses the pattern of the past twenty years, renewal and revival await a long-suffering nation. If however, the people fail to exercise their constitutional and civic duty at the ballot boxes with discretion and wisdom, thus allowing Hillary Rodham Clinton to triumph, only ruination and national demise can follow in her wake."
It will be worth your time to see how the author arrives at this conclusion. You may agree with it or not, however he will make you think about the matter seriously. As we all should.
Post Script: I would have preferred a different title and a different cover. This is a serious book which appears somewhat frivilous in it's appearance. Just my opinion.
Book Description
To the eye of some viewers, Renoir's Great Bathers are the very picture of female sensuality and beauty. To others, they embody a whole tradition of masculine mastery and feminine display. Yet others find in the bathers a feminine fantasy of bodily liberation. The points of view are many, various, occasionally startling--and through them, Linda Nochlin explores the contradictions and dissonances that mark experience as well as art. Her book--about art, the body, beauty, and ways of viewing--confronts the issues posed in representations particularly of the female body in the art of impressionists, modern masters, and contemporary realists and post-modernists.
Nochlin begins by focusing on the painterly preoccupation with bathing, whether at the beach, in lakes and rivers, in public swimming pools, or in bathtubs. In discussions of Renoir, Manet, Cezanne, Bonnard, and Picasso, of late-twentieth-century and contemporary artists such as Philip Pearlstein, Alice Neel, and Jenny Saville, of grotesque imagery, the concept of beauty, and the body in realism, she develops an interpretive collage incorporating the readings of differing, strong-willed, female viewpoints. Among these is, of course, Nochlin's own, a vantage point subtly charted here through a longtime engagement with art, art history, and artists.
In many ways a personal book, Bathers, Bodies, Beauty brings to bear a lifetime of looking at, teaching, talking about, wrestling with, loving, and hating art to reveal and complicate the lived and felt--the visceral--experience of art.
Average customer rating:
- Review of Eroticism and the Body Politic
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Eroticism and the Body Politic (Parallax: Re-visions of Culture and Society)
Manufacturer: The Johns Hopkins University Press
ProductGroup: Book
Binding: Hardcover
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ASIN: 0801840260 |
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By the end of the nineteenth century, women had become an undeniable force both in the public discussion of social life and in politics itself. Yet in art and literature women's bodies continued to be represented-- and domesticated-- by men. They were still more often the object of the artist's or writer's gaze than they were the subject of their own representing processes. The erotic potential of women's bodies, however, was far from a marginal concern in the elaboration of modern forms of politics, art, literature, and psychology.
In "Eroticism and the Body Politic", scholars from art history, history, and literature examine the frequent intersections between the body erotic and the body politic. Focusing on eighteenth- and nineteenth-century France, they show how eroticized representations of bodies had a multitude of political and cultural meanings. The authors consider the eroticized body in a wide variety of media: from Fragonard's paintings of "erotic mothers", to political pornography attacking Marie Antoinette, to the "new woman" of fin-de-siecle decorative arts.
Exploring the possibilities of a multidisiplinary approach, the volume shows that eroticism had an impact far beyond the usual confines of libertine or pornographic literature-- and that politics included much more than voting, meeting, or demonstrating. At a time of general methodological ferment in the "human sciences", "Eroticism and the Body Politic" brings fresh approaches to the developing field of cultural studies.
Customer Reviews:
Review of Eroticism and the Body Politic.......2000-05-11
This is a scholarly work that brings together various essays on the influence of eroticism and pornography in the context of the political discourse. I concentrated on the articles pertinent to the French Revolution, particularly "The Diamond Necklace Affair: The Case of the Missing Queen," in which Sara Maza explored the disintegration of Marie Antoinette's reputation with the French public. Maza argued that the legal briefs written, published, and widely distributed by the lawyers involved in the prosecution and defense of the Cardinal de Rohan, con artist Jeanne de Valois, and prostitute Nicole Le Guay subtly and in some cases deliberately linked the Queen with the Jeanne and Nicole by way of merging their identities. This is a well-researched book, and easily understood and enjoyed by the casual reader as well as students.
Average customer rating:
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Nude: Theory
Jain Kelly
Manufacturer: Lustrum Pr
ProductGroup: Book
Binding: Paperback
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ASIN: 0912810335 |
Customer Reviews:
This book is a rare gem........1998-07-23
This book contains photographs and essays by Manual Alvarez Bravo, Harry Callahan, Lucien Clergue, Ralph Gibson and others. More than that, however - it includes descriptions of the photos, the shooting techniques, and the printing methods the artists used, in their own words! Invaluable insight into the workings of some of the masters of figure photography. A true find.
Average customer rating:
- What a fun read.
- a provocative book from a creative scholar...
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Sex and the Floating World: Erotic Images in Japan, 1700-1820
Timon Screech
Manufacturer: University of Hawaii Press
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Binding: Paperback
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ASIN: 0824822048 |
Book Description
Sex and the Floating World offers an entirely new assessment of the genre of Japanese paintings and prints known as shunga. Recent changes in Japanese law have at last enabled erotic images to be published without fear of prosecution, and many picture-books have since appeared in Japan. There has, however, been very little attempt to situate shunga imagery within the contexts of sexuality, gender, or the politics of power. Questions of aesthetics, and of whether shunga deserves a place in the canon of Japanese art history, have dominated, and the issue of how such images were used has been avoided. Timon Screech seeks to re-establish shunga in its proper historical contexts of culture and creativity.
Shunga prints are unusual in that they are overtly about sex. Once we begin to examine them first and foremost as sexual aids, we must be prepared for some shocks. In Sex and the Floating World, the author takes us into the strange world of sexual fantasy in Edo-period Japan, investigating the tensions in class and gender experienced by those who made - and made use of - shunga.
Customer Reviews:
What a fun read........2005-02-04
Can a scholarly work be a fun read? Definitely. Screech advances some rather different thoughts on not only shunga but ukioyo-e prints in general that should leave you thinking. Yet, as firm as Screech's views are and as consistently as he advances them throughout the book, they do not overbear. Thinking through his points and exploring the images offered takes on into new and intriguing territory. It is a fun trip.
The writing suffers from some occasionally very tortured passages. The lack of an index and any sort of cross referencing of the illustrations is a significant detraction. Neither of these is enough to counsel against the book, but are frustrating on occassion.
a provocative book from a creative scholar..........2001-06-04
Vast numbers of people are already familiar with "shunga," the Edo-period erotic art that is the subject of Timon Screech's "Sex and the Floating World." Few readers, however, will have focused on learning about the context in which this erotic art was produced. Moreover, some of Screech's findings will undoubtedly come as a surprise. Chief among the book's arguments is that the culture of urban Edo which produced the "shunga" was not one of "laxity and freedom, sexual or other." Rather, Screech says, the art served the needs of "auto-eroticism" for a city (Edo, now Tokyo) that, because of political requirements, was overwhelmingly populated by males who had been separated from their families and denied access to females.
Screech's book stands in stark contrast to the many previous volumes on "shunga" that have concentrated on reproducing the erotic prints, and the total space devoted to visual images is rather limited. Still many readers will find this book rewarding, and however iconoclastic some of the findings may be no serious student of Japanese art or early modern history will want to be without it.
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Nude: Theory
Manufacturer: Lustrum Press
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Binding: Unknown Binding
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ASIN: 0912810246 |
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- Multi faceted Feminist perspective on the nude in art
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Erotic Ambiguities: The Female Nude in Art
Helen McDonald
Manufacturer: Routledge
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The Female Nude
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Sexuality in Western Art (World of Art)
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Art Nouveau and the Erotic
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The Nude: A Study in Ideal Form
ASIN: 0415170990 |
Book Description
Erotic Ambiguities explores how feminist artists have responded to traditional depictions of the "ideal female body" which proliferate throughout contemporary visual culture. Across photography, fashion, painting and performance art, McDonald shows how feminist artists have employed the idea of ambiguity to counter negative images of women and to dismantle the elusive classical ideal enshrined in "the nude."
Examining the work of key artists from Barbara Kruger, Judy Chicago, and Mary Duffy, to Zoe Leonard, Tracey Moffat, Pat Barrington and Sally Smart, McDonald traces the shift in feminist art practices from the early deconstruction of patriarchal representations to the more ambivalent contemporary practices.
Download Description
Across photography, fashion, painting and performance art, Helen McDonald shows how feminist artists have employed the idea of ambiguity to counter negative images of women and to dismantle the elusive classical ideal enshrined in the nude.
Customer Reviews:
Multi faceted Feminist perspective on the nude in art.......2007-01-11
This is an interesting book because of the diverse points of view it presents about the female nude in art and how different artists and scholars think about the nude. There is a lot of diverse perspectives on the female nude in femininist circles from anything goes to discomfort about female nudity. Those perspectives are presented in this well written book and I found the artists, the art and the viewpoints interesting. Again and again the author talks about the how the role of ambiguity is part of the nude in art regardless of who made the art and who is looking at the art.The last chapter of this book went off into weirdness for me but so what? Most of the book is interesting and compelling.
Average customer rating:
- A Crisis in Explanation
- Fine scholarly document but lugubriously written
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Male Trouble: A Crisis in Representation
Abigail Solomon-Godeau
Manufacturer: Thames & Hudson
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The Body in Pieces: The Fragment as a Metaphor of Modernity
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The Female Nude
ASIN: 0500280371 |
Book Description
Why did the male nude become an object of spectacle and erotic display in the late eighteenth and early nineteenth centuries? Why was the male nude later eclipsed by the female nude? Why have historians ignored this "crisis" in the representation of masculinity, characterized by a taste for feminized male bodies? In this pioneering and compelling book, Abigail Solomon-Godeau shows that the masculine ideal, whether in the guise of martial, virile heroes or languishing, disempowered youths, raises important questions about the fashioning of masculinity itself. Examining the different forms of ideal manhood in relation to the cataclysms of the French Revolution and to international Neoclassicism, she explores how and why the beautiful male body dominated the visual culture of the time and appealed so powerfully to male spectators. Drawing on feminist, psychoanalytic, and critical theory, as well as on art and cultural history, Solomon-Godeau proposes a radical revision of Neoclassical visual culture as it relates to the emerging bourgeois order, demonstrating how both reflect the status of women.
Customer Reviews:
A Crisis in Explanation.......2007-05-30
I suspect that buried somewhere in these 264 pages of largely unreadable prose is a rather interesting 20 page essay. I'll confess that I gave up trying to find it about halfway through the book. The insights offered simply weren't worth filtering through the difficult writing style. For a wider-ranging and more readable book, I recommend THE NUDE MALE: A NEW PERSPECTIVE by Margaret Walters.
Fine scholarly document but lugubriously written.......2001-08-16
Abigail Solomon-Godeau is clearly a bright and well researched scholar. She takes on the strange task of examining the evolving appearance of the male nude from virile to fey in paintings at the close of the 18th century and into the 19th century and finds in this path of thinking some fascinating insights into the core of feminism. Her premises are sound, her arguments are strong. She has devoted much time and skill into opening the door on a problem that continues to vex us - why are we so terrified to paint the frontal male nude now? Her book slowly unfolds a well documented, well illustrated exploration of why the French Revolution and its aftermath gave impetus to the feminist movement and why, in turn, the male nudes in the paintings of the previous centuries were feminized and subsequenty replaced by female nudes.....a situation that persists into 2001. My only reservations with this book is that it reads so slowly, due to the style of writing. As a Doctoral Thesis this might be expected. But for the art reader it is hellish work wading through much of the verbiage. But, stick to it and you will be handsomely rewarded in the end. This is one very bright lady who has added considerably to a festering question in representational art.
Average customer rating:
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Naked Portrait
Martin Hammer
Manufacturer: National Galleries Of Scotland
ProductGroup: Book
Binding: Paperback
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ASIN: 1903278953 |
Book Description
The Subject of Art in Process introduces the Analogos paradigm and syntagm into the public domain for the first time. It is a construct designed to assist (especially sensory-based) multi-practitioners in the process of lucid and layered thinking; hopefully, it can facilitate users to better understanding the complexities of event-processes. While semiotics generally ignores the 'subject', the Analogos foregrounds it as basic to all intra-active and interactive dialogue. While structuralism generally ignores the diachronic (temporal process), the Analogos foregrounds it and integrates it into the problematic of the synchronic, the domain of timeless stasis, still images.
The text also introduces into the public domain, if ever so slightly, the use of UFI (Uze'r Frendlee Inglish), a new notation system that is capable of carrying aspects of the vocal sounds of the speaker along with the meanings already possible when writing standard English. UFI introduces only two rules that are completely new: a dot after a vowel is pronounced as a long vowel sound (a-e-i-o-u as spoken when saying the alphabet); a slur or short-short vowel (written as an apostrophe, inside a word) is pronounced like the 'oo' in the word 'good' (in Canada). All the other basic 'roolz' are 'natural' to readers and writers of English; these are included in the Appendix-written in UFI. (See the preface for more; these are from there).
Books:
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
Books Index
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