Customer Reviews:
beautiful.......2007-07-22
I bought this book to give to my kids. My mother gave me one 20 years ago. Ansel Adams took portraits of my Great Grand Parents and put it in this book. I want my kids to have copies. If you are a photographer, there is a lot of info about how he took the pictures.
Beautyful and interesting book.......2007-06-26
Nice to be able to go back to basics in these times of megapixels and gigabytes.
A charming insight into the soul of a great photographer.......2007-04-27
There are many great books about photography, of which this is just one, but there are relatively few books about how to be a great photographer. On the latter topic this book is exceptional.
Ansel Adams was clearly both a gentleman and a gentle man, who lived to create great images for the pleasure and education of others. We are exceptionally lucky that he left us both his wonderful pictures, but also a few books which explain not only how, but also why some of them were created.
This book covers a photography career of over 60 years, taking 40 of his greatest pictures, and describing how they were made. Although much of the technical advice is still valid today, a lot of it requires on the fly translation from the language of large format cameras and glass plates to the world of digital SLRs, with tiny sensors and vast memory cards. That exercise might put some people off, but it makes you think harder about his advice, and that's a good thing.
However, where this book really scores is with the human stories of how and why Adams made certain pictures. Two examples stick in my mind.
Firstly, how one of his iconic views of Yosemite was made after a day's hard hiking with a full size view camera, large wooden tripod, and just twelve glass plates. He suspected that he had wasted the first eleven, and had just one left for a favourite view of Half Dome. He took extra care with that one, and the results are still thrilling 80 years on.
Then there's his tale of photographing 50s Californian farming families. This is a charming insight into how a great photographer of people develops both trust and ideas, lubricating both with an appropriate supply of beer. You suspect these days were not so hard for Adams as the great Yosemite hikes.
"Examples" also contains some remarkable philosophical insights into the process and role of photography. The one which now sticks foremost in my mind is that enthusiasm for a subject will not create great photographs - you have to visualise the image and its impact mentally, then make it. This is perhaps the single most powerful piece of advice in the book.
In 1935 Adams was concerned that the advent of 35mm would result in a vast number of bad photographs. Yet he was keen on the new medium, because he could also see its benefits. The same page could be written ten times over about digital photography, but you know that had Adams lived a little longer he would have been a keen PhotoShop-er.
This is a good book on photographic technique, but there are others. But there are few books which give such an insight into the soul of a great photographer.
Very educational and enjoyable.......2007-01-12
These days it is easy to do your own color printing, but, what makes a good print? I think I do, but am always looking for help in understanding ways of how to get there, how other people do it and how I could improve. Who could be a better example of a printer than A. Adams? No one, that's who. In this book he tells how he visualized the photo he wanted, and the print before he took the photo. And then his craft in printing it. He also talks about the circumstances around the making of the photo, location, time of day, camera, lens, film, exposure, etc. And all very lucid and enjoyable to read. His other book on printing is also good but in it he concentrates on the technical aspects of printing, i.e. developers, papers, burning and dodging, water baths, drying, mounting, etc.
An Essential Insight.......2006-05-24
Heralded as perhaps one of the most influential conservation photographers of all time, Ansel Adams for many has existed only as a name attached to brilliant, vibrant and expressive landscape photography. Perhaps if you have read his three-party series, "The Camera," "The Negative," and "The Print," you are familiar with Adams's technical thought processes. With "The Making of 40 Photographs," we gain insight into Adams' creative process. And for many of us who aspire to create brilliant nature photography, it is this insight that is most valuable.
"The Making of 40 Photographs" seeks to answer that question we all ask when we see a tremendous photographic print: How did the photographer take that photograph? But, "The Making" does far more than that. It seeks to explore not only the individual creative process, but the growth of the art form and the important historical transition of its wide acceptance as true art in his discussions of the f/64 Group.
As far back as 1980, Adams even goes so far as to predict digital photography as the next big step, referencing what he calls the "electronic image." This is a valuable insight, as many today challenge digital photography and question its detrimental impact on the photographic arts.
Any photographer who wishes to learn more about this master and explore his or her own potential to create brilliant images must read this book.
Book Description
The Camera, together with The Negativeand The Print,comprise The Ansel Adams Photography Series, a legendary triad of books about photographic technique that has become the most influential "how-to"series on photography ever written. The first edition of this series was completed in the 1950s.Adams completely revised and updated it just a few years before his death, making it his last word on the technical mastery of his medium. Three generations of photographers have learned how to approach the artistic possibilities of their art form through this seminal series. Now available in paperback, it remains as vital today as when it was first published. The Cameracovers 35 mm, medium format, and large-format view cameras and offers detailed advice on camera components such as lenses, shutters, and light meters.Adams' concepts of"visualization" and "image management" are the philosophical cornerstones of the book. Extensively illustrated with photographs by Adams as well as instructive line drawings, this classic manual belongs on every serious photographer's bookshelf
Customer Reviews:
The master of photography loves to teach..........2007-06-18
...and even with a DSLR, you can learn a lot from Adams. One can only wonder how much fun he'd have using a nice DSLR and Photoshop! I read this book in Photography class 12 years ago and I'm happy I bought it again. A must for all serious, student, amateur, professional, hobbyist photographers!
What more needs to be said...........2007-04-10
The Master giving us his own perspective and insight, in his own words. Get it and enjoy. :)
Photography in the pure sense.......2007-03-09
Adams' collection is a necessity for anyone who loves photography, either amateur or professional. We must understand the process of black and white photography in this intimate sense first and foremost.
A Must Read.......2007-01-31
I've taken pictures for years - many of them very good. But after reading this book and understanding what happens after you click the shutter - the quality of my photographs has improved dramatically. Now I spend a little more time thinking about what I'm doing and knowing what I'm going to get before I click. An absolute must read for anyone that wants to move beyond recording life's moments to creating life's memories.
The Best.......2006-11-10
Ansel Adams was one of the best photographers, and reading this book has been an honor and has really advanced my knowledge of how to use the camera.
Book Description
It was 1943. In Yosemite National Park, the magnificent Ahwahnee Hotel closed its doors to tourists, transformed into a temporary Naval convalescent hospital. Wartime shortages forced the rationing of gasoline, sugar, and film. Living with his wife, Virginia Best Adams and their children in Yosemite Valley, Ansel Adams, sought ways to help with the war effort. Too old to enlist, he volunteered for for a number of assignments in which his photographic skills were put to the countryÕs use. Among his contributions, he both escorted and photographed Army troops at Yosemite training for mountain warfare in Europe; he taught photography to the Signal Corps at Fort Ord, and traveled to the Presidio in San Francisco to print classified photographs of Japanese military installations on the Aleutian Islands. Despite his volunteer efforts, he was frustrated that he could not do more to help the war effort.
That summer, friend Ralph Merritt asked Adams if he would be interested in creating a photographic record of a little-known government facility in the Owens Valley, on the east side of the Sierra Nevada. ÒI cannot pay you a cent,Ó Merritt told Adams, Òbut I can put you up and feed you.Ó Merritt was director of the Manzanar War Relocation Center, a collection of hundreds of tar-paper barracks hastily built to house more than 10,000 people, behind barbed wire and gun towers. All were of Japanese Ancestry, but most were American citizens, forcibly removed from their homes to ten relocation centers across the country by presidential order. The resulting effort was the book Born Free and Equal: The Story of Loyal Japanese Americans published by U.S. Camera in 1944 under the direction of the War Relocation Authority.
While at Manzanar, Adams met Toyo Miyatake, the official camp photographer, interned with his wife and children. A student of the great photographer, Edward Weston, Miyatake had established his own respected professional photography studio in Los Angeles before the war. In the introduction to this book, MiyatakeÕs son, Archie, who was then 16-years old, recalls the visit made so long ago.
In 1965, Adams wrote in a letter to Dr. Edgar Brietenbach at the Library of Congress: Ò . . . I think this Manzanar Collection is an important historical document and I trust it can be put to good use. . . Ó With the goal of realizing that Ògood use,Ó Spotted Dog Press presents Born Free and Equal to new generations of Americans who may come to a better understanding of a distant incident in our recent history that should not be forgotten.
Customer Reviews:
informative and elegant.......2007-05-20
I have read quite a few books and articles about the unfortuante/sad/?criminal Japanese-American experience during WW II. This book, although it does not add to the historical record per se, includes rich, wonderful pictures from Ansel Adams that bring more visual support to ones' images of how terrible the situation was, but also how strong and resourceful the Japanese-American people were and hopefully still are (just look up the Japanese word "gaman")
A powerful, highly recommended, historically factual book.......2002-05-06
Born Free And Equal: The Story Of Loyal Japanese Americans is an impressive combination of historic photographs and writings about the Japanese-Americans who were imprisoned in Manzanar, one of ten such relocation camps, as a result of wartime fears regarding possible sabotage by members of the Japanese and Nisei (American-born men and women of Japanese ancestry) living along the American west coast. During the era of World War II, virtually all the American people of Japanese descent in the states of California, Oregon and Washington (most of them citizens), were interned in relocation camps scattered through the Midwest. Born Free And Equal captures memories of this prison community and how the families in it lived in broad, sweeping, black-and-white photographs. Born Free And Equal is a powerful, highly recommended, historically factual book, accurately capturing with poetic realism a dark and controversial aspect of America's WW II effort, which, along with such horrors as the European Holocaust and the Japanese atrocities in the Far East, must never be forgotten.
A fascinating look at this historical tragedy.......2002-03-07
In the autumn of 1943, the eminently talented photographer Ansel Adams traveled to the Relocation Center at Manzanar, California. This was one of the camps where the United States government relocated (some would say "imprisoned") the many people of Japanese descent who lived in the western, Military Zone 1, so that they could not assist Imperial Japan in its war against the United States. Among the many people sent to this camp were men, women, children and the elderly; immigrants from Japan, the children (born in the U.S.) of Japanese immigrants, and the those even farther removed from Japan; not to mention a decorated veteran of the Spanish-American War (Seaman 1st Class Harry Sumida of the U.S.S. Indiana).
It was here that Ansel Adams set up his camera, and put a human face on this tragedy. This is his book; the pictures he took, and the text he wrote. Originally published in 1944, this newer edition (published in 2001) contains all of the original photos, several additional photos that Mr. Adams took but didn't include in the original, and several fascinating introductions written by Japanese-Americans.
Considering the topic of this book is something of a cause celebre, one might imagine that this book was something of an anti-American screed. Well, if you thought that, you would be wrong. This book is a very balanced look at what happened, and the people who were caught up in it. Mr. Adams wanted the book to be factual, so both the good aspects and bad aspects are covered. That said, though, the book was something of an expose of what happened, and is not a whitewash. Therefore, if you are looking for a book that will tell you about this historical tragedy, then I highly recommend this book.
A magnificent work!.......2002-01-17
Finally, I was able to pick up a copy of this long-awaited book. The original is extremely expensive to pick up, and with the additional introductory information, this is an improvement. A fascinating read, fantastic print quality... A must have!
Average customer rating:
- Simply breathtaking...
- One of my favorite calendars of all time
- Beautiful Calendar
- Incredible photographs
- a CALENDAR review?!
|
Ansel Adams 2007 Wall Calendar
Ansel Adams
Manufacturer: Bulfinch
ProductGroup: Book
Binding: Calendar
Adams, Ansel
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ASIN: 0821257781 |
Customer Reviews:
Simply breathtaking..........2007-06-08
not much else needs to be said. This is my first Ansel Adams calendar, and I am very pleased with it.
One of my favorite calendars of all time.......2007-03-26
Getting this calendar as a gift was a blessing to me. Now, I know an artist that I simply adore - and have some of his art even though it is in calendar form.
This is an artist that I feel I can make connections with. Every picture brings a memory - even if I haven't lived in one of the pictures - the pictures bring happiness to me and that's what matters most.
Its hard to feel connected with things these days. With the fast pace of everything in this high tech world its nice to receive something and feel connected to it.
The pictures are warm and loving and fit well in every room.
Beautiful Calendar.......2007-03-08
The stark beauty of Ansel Adams' works never cease to amaze. The calendar itself is large, on heavy stock and features a spare design.
Incredible photographs.......2007-03-08
We have had the annual versions of this calendar for several years. The photographs are truly amazing and I love how the seasons pictured in the photos vary with the actual season. He was an amazing artist. Highly recommended.
a CALENDAR review?!.......2007-02-20
It's got 12 pages and about 30 or so nice, large squares per month (neat how that works) printed on nice, thick 'n shiny stock paper that's great for writing short 'note to self' stuff on and it has a small hole thru each page so you can hang it on the wall, brilliant! ...all kiddin' aside, Ansel Adams calendars are great because of his exceptionally detailed black and white photos. I'm not a big camera or photo buff, but I can spend several minutes gazing at the expansive shots he took with their razor sharp detail, all the more amazing considering it was done many decades ago, when you'd have to believe technology was much cruder. It's like a different work of art for your wall each month. I give it the highest recommendation possible, that you can bestow upon a calender.
Average customer rating:
|
Sierra Nevada: The John Muir Trail Deluxe Edition
Ansel Adams
Manufacturer: Little Brown
ProductGroup: Book
Binding: Hardcover
Adams, Ansel
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ASIN: 0821257269 |
Product Description
Modern version of Adams ' 1938 masterpiece. The original was recognized as the highest quality fine art book at the time. The 2006 version is similar, with exception design, paper, printing, and binding.
The images are printed on a light, silk finish paper using a stochastic printing process, which means there is no printing grain or dot structure, giving each print a continuous tone. They are then tipped' in, glued along the top edge to the page.
* Limited quantities available Edition of 500 numbered copies plus 26 lettered copies.
* 224 pages; 50 photographs; 8+ lbs
* This 13 x 17 book is cloth bound and comes in a linen slipcase
* The paper is mouldmade cotton fiber paper, a high quality heavier stock with a slightly toothy feel, letterpress printed with hand set type
* Published by Little, Brown & Company
Customer Reviews:
Stunning black and white masterpiece.......1999-05-22
Published in 1979, Yosemite and the Range of Light is 116 impressive prints demonstrating the mastery of Ansel Adams. The book contains poster classics like "Clearing Winter Storm, Yosemite Valley, 1944, Moon and Half Dome, Yosemite Valley, 1960, and Winter Sunrise, Sierra Nevada, from Lone Pine, 1944." Non students of Mr. Adams will discover many "unseen" photographs that are beautiful in their own right but did not have the mass-market appeal of his classics. Too valuable to be a coffee table book, this collection is the archetype for fine art books. My copy is a family treasure.
Book Description
Introduction by John Szarkowski Essay by James Alinder
In the last years of his life Ansel Adams selected the seventy-five images that he believed represented the finest examples of the quality and breadth of his artistic legacy. Those images he designated for exhibition throughout the country as "The Museum Set" and published in this essential volume:Classic Images.
Classic Images includes many of Adams' most famous and best-loved photographs and encompasses the full scope of his work: elegant details of nature, architectural studies, portraits, and the breathtaking landscapes for which he is revered. The latter range from his beloved Yosemite to the Pacific Coast, the Southwest, Alaska, Hawaii, and the Northwest. The portfolio is preceded by an eloquent introduction by John Szarkowski, former Director of the Department of Photography at New York's Museum of Modern Art. An authoritative biographical essay - and a detailed chronology - by James Alinder further establish Classic Images as required reading for a full understanding of Adams' development as a pre-eminent American artist.
Customer Reviews:
Gave it as a gift.......2005-08-17
I gave it as a gift to a friend of mine who loves nature photography. He loved it.
Nice Reproductions.......2004-06-17
Ansel Adams: Classic Images
This book provides high quality representations of Ansel Adams' photography in examples of 75 of his best images. The text, written by James Alinder along with a preface by John Szarkowski, portrays the story of Adams' life and his philosophy regarding art and existence. The text starts the reader off at his birth and takes you through Adams' childhood and the decisions he makes as he searches for an outlet for his creativity and a strong career path. Having also been a professional pianist, Adams' later discovers his passion for photography and nature, and spends the rest of his life a successful artist and activist.
This book takes you through major events in his life and references prints in the book to give visual examples of his ever-evolving photographic style. I would definitely recommend this book, if not as a successful biography, but as a stage for some beautiful, high quality reproductions of Adams' work.
A fantastic Collection.......2002-03-16
This collection can be seen at the Center for Creative Photography in Tucson, Arizona, through July 7, 2002. This book is the catalogue of the exibition! If you like the book you should see the originals! They will blow you away.
An exquisite collection!.......2001-03-18
This is a wonderful book filled with breathtaking photographs taken by the late and well-respected Ansel Adams. Each of the photographs contained is a unique masterpiece with a life of its own. Looking at these splendid photographs, one feels drawn right in to the specific location and year. Some of my favorites include, "The Golden Gate Before the Bridge" (1932), "Barn, Cape Cod, Massachusetts" (ca. 1937), "Clearing Storm, Sonoma County Hills, California" (1951) and "Canyon de Chelly National Monument, Arizona" (1942). This book will definitely hold your attention and keep you captivated if not mesmerized. With so many minute and beautiful details in these photographs, it's easy to see why Ansel Adams was one of the most respected and popular photographers of our time. He didn't just take a picture; he ceased moments in time and captured the beauty of the subjects being photographed. This is an excellent book that will make a fine addition to any library. This book would make a great gift for photographers and art connoisseurs alike!
Great Images Reproduced in Tiny Sizes Spoil The Effects.......2000-11-13
Ansel Adams was very concerned that his work always be reproduced in a high quality way. I fear that he gave too much attention to fidelity of reproduction, and not enough to size of image in the reproduction. This otherwise valuable book is seriously marred by the designer having chosen page and print sizes much too small for Adams' work. I suggest you avoid this book.
I would like to compliment James Alinder on an outstanding biographical essay concerning Adams' life and photographic techniques. This essay will add useful knowledge to anyone who wants to better understand Adams' work and life, and their effects on us all. I would also like to compliment the selection of the images. These are clearly among Adams' best work.
Adams' technique used the very stark light of dawn and dusk to create vivid detail that echoed across the image from figure to figure. The result was to help the eye capture the connectedness of nature, the oneness of creation. So when the details become too small, it is like rubbing out whole chapters in a book. I was very disappointed in the publishing decision for this book's page size. In fact, only one of my favorite images still held most of its power for me in these large postcard sizes, Moon with Half Dome, Yosemite, 1960.
Without Mr. Alinder's essay, I would have graded this book as a two star effort.
Some of the lesser works which have less fine detail still show well. Here were my favorites of this small-sized collection:
Self-Portrait, Monument Valley, Utah, 1958
Monlith, The Face of Half Dome, Yosemite, 1927
Winnowing Grain, Taos Pueblo, New Mexico, 1928
Rock and Grass, Moraine Lake, Sequoia National Park, 1982
Georgia O'Keefe and Orville Cox, Canyon de Chelly National Monument, 1937
Mormon Temple, Manti, Utah, 1948
Moonrise, Hernandez, New Mexico 1941
White House Ruin, Canyon de Chelly National Monument, 1942
Monument Valley, 1958
Cypress and Fog, Pebble Beach, California, 1967
Sand Dunes, Oceano, California, 1950
If you are like me and love Ansel Adams' work, I suggest you look into Ansel Adams, The American Wilderness, which does feature large enough reproductions.
Sometimes we learn more from mistakes than from successes. Where are your efforts being undertaken on too small a scale to be fully effective? What can you do to change that?
Enjoy the beauty of nature in its full scale brilliance (outdoors and in larger-sized photographic books)!
Book Description
The Print is the third and final book in The Ansel Adams Photography Series--the seminal guides fully revised by Ansel Adams shortly before his death in 1984. The Print, now available in paperback like the other volumes in the series, belongs on every photographer's shelf. It covers the entire printmaking process, from designing and furnishing a darkroom and experimenting with your first print, to mastering advanced techniques such as developer modifications, toning, and bleaching, and burning and dodging. This thorough guide is filled with indispensable darkroom techniques and tips, and amply illustrated with photographs and technical drawings. It is an indispensable tool for mastering the complex art of photographic printmaking.
Customer Reviews:
with great knowledge comes great responsibility.......2007-06-27
Ansel Adams is the master of photography, black and white, but still photographic principles and concepts have been throughly tried and tested by him and he teaches you so much in his series starting with "The Camera" and ending up with this book which focuses more on the final piece. The 2nd book in the series is also so very crucial because it outlines and describes his "Zone System" in great detail. A must have for any avid photographer and a great shelf reference for any professional. Now go out and shoot.. waste some film for crying out loud and get some awesome shots :)
A great reference book for almost any photographer.......2007-06-19
In this third part of Adams' technical writings, you'll find a guide to go from what a camera recorded (it talks about a negative, but can be well applied to a digital raw file) to a fine print delivering "what you saw and felt" to the viewer.
Even if it applies to B&W, I find that much of the content can be applied to color work if you think a bit more about it - mostly now, in the digital age with separated luminance and chrominance controls.
You'll also read some good ol' kitchen recipes about developers and toning... These will be less and less useful, but can bring back the smell of the darkroom to your memory ;o)... And quite often, the principle that based the recipe can be applied to another media.
A reference, whether shooting film, digital or glass plates (and of invaluable interest for the two former).
content excellent, one little remark for the publisher........2007-04-24
The book is excellent. Although these techniques are not widely applied today, with appropriate experience and thinking this knowledge can be applied and transferred to modern software like Adobe Photoshop. It can help relate modern and classic photography printing processes (traditional vs computerized).
One little remark would be for the publisher. The paper the book is printed is gloss with quite a high reflectance index. This results in making reading the book at certain angles quite impossible for your eyes.
This is great book.......2004-06-14
In this book, Adams said Expression is more important than reality, idea more important than fact, the print more important than its subject. For it is only in the print that such magnificence can be unfailingly orchestrated. Those words made me think that what is good photograph. The book opens with a thoroughly enjoyable, albeit brief, history of photography before getting down to explain printing techniques.
The majority of the text concentrates it's efforts in educating the reader in the art of B&W photography. This book tells readers that what are good prints making techniques. After reading this book you will feel like that your printing skills are very improved. The reader will see many wonderful pictures as examples, that will surely create a better impression as to what type of pictures Adams takes.
Excellent Book for any Serious B&W Photographer.......2003-12-25
This is one of a few books in this Ansel Adams series. He discusses a number of aspects of the print, it's limitations, and many techniques that can be used to exploit print characteristics. I highly recommend this book to anyone who is at all serious about B&W photography whether developing your own prints or not.
Book Description
The Negativeis the second volume in the acclaimed and highly influential The Ansel Adams Photography Series.This second volume is anchored by a detailed discussion of Adams' Zone System and his seminal concept of visualization. It presents detailed discussion ofartificial and natural light, film and exposure, and darkroom equipment and techniques. Numerous examples of Adams' work clarify the principles discussed. Handsomely illustrated with photographs by Adams as well as instructive line drawings, this classic manual can dramatically improve your photography.
Customer Reviews:
Excellent information.......2007-07-14
I am new to large format photography. This book is extremly informative and focuses just on negative construction, manipulation and b&w processing. An excellent and timeless resource! Excellent for all formats!
A Must!!!.......2007-07-09
If film shooting is interesting to you (and you should; I'm 26 and grew up with cameras, then I move to digital, and recentlly, I discovered the wonders of a darkroom and BW prints) then this book is a MUST Well, the whole series)!!! there aren't enough words to emphasize my feelings over the 3 books of Ansel Adams (camera, negative & print)
If you don't believe me, then please take a deep look at Ansel's master BW work... that should convince you!!!
learn the zone system.......2007-05-30
Ansel Adams was a master of photography but not the most exciting storyteller , in my opinion.
This book is one that you should read as part of a complete education in photography, but there are some long sections in it. The parts of the book explaining Adams' zone system are very worthwhile and great stuff. Much of the rest of the book is only interesting if you are shooting film (not digital), as it deals specifically with darkroom processing.
Read about the zone system here or somewhere else, but learn it. If you are a film photog, read this whole book. For digital shooters, you might want to read only the sections of interest.
a great classic, one little remark for the publisher........2007-04-24
This is an excellent book that will help experienced and newcomers in photography. Pay attention to the Zone system that Adams has devised. It will realy help you take total control over your pictures with a helpfull and very creative perspective. The last part of the book (developing negatives) might be ommited by the person who is into digital, although it helped me comprehend a lot about the various Adobe Photoshop features and relate them to classic photography.
One little remark I have to make is for the publisher. The book is printed into gloss paper (all the three books in the series) with a high reflectance index. This results in dificulty reading the book at certain angles.
Outstanding companion to The Camera.......2007-01-31
A must read. The explanation of the zone system is outstanding. I had taken a number of skyline photographs of Austin which when reviewed by professional photographers got 2 thumbs up. After looking at them with a critical eye on exposure and armed with my new understanding of the zone - I retook those same pictures and WOW. What an amazing ability to move your camera off of matrixed metering and know how to really set the exposure for what you want to show. Also helps you understand the tradeoffs the camera is making in it's exposure settings so you can be more purposeful in changes you might make. A critical read if you also intend to ever move into large format photography.
Average customer rating:
- American Photography at its Best
- Poor quality
- Not Worth Looking At
- Adams wouldn't have approved
- Are we looking at the same book?
|
America's Wilderness: The Photographs of Ansel Adams
Ansel Adams ,
John Muir , and
Elaine M. Bucher
Manufacturer: Courage Books
ProductGroup: Book
Binding: Hardcover
Adams, Ansel
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ASIN: 0762413905 |
Book Description
The Photographs of Ansel Adams with the Writings of John Muir
This year marks the 100th anniversary of the birth of Ansel Adams whose landmark early photographs of wild America, originally taken for the Works Progress Administration, fill the pages of this splendid volume. Adams' breathtaking images are accompanied by excerpts from the writings of Sierra Club founder John Muir, the renowned conservationist who devoted his life to celebrating and preserving the American wilderness.
Customer Reviews:
American Photography at its Best.......2007-06-15
Breathtaking photos. Especially in light of the rudimentary equipment available at the time they were taken. Proves that Ansel Adams is still unsurpassed in American photography. Captures the majesty and beauty of the vanishing American wilderness. Members of Congress should view this work before voting to open refuge or wild lands to drilling and logging.
Poor quality.......2007-05-03
Poor reproduction quality. Actually no quality. As educational book, to study composition or something like that, perhaps the book serves.
Not Worth Looking At.......2006-04-05
Poor reproduction quality. Actually no quality. Not approved by the Ansel Adams Publishing Rights Trust.
Adams wouldn't have approved.......2005-07-18
While some photos are reasonable, most are seriously flawed. Some are flat, some are excessively contrasty, others seem murky and indistinct. Some of the photos need cleaning to remove dust spots, etc. Even the title is wrong , as the book includes photos of dams and sheep. There are many other excellent books, which have been prepared from Adams prints and produced with much more care. Buy one of those.
Are we looking at the same book?.......2005-01-02
Many of Ansel Adams' exquisite photographs call out for large reproductions, and this book displays them in a decent size format. But what a waste. The reproductions are nearly all flat and murky, with little detail in the shadow. If I had read far enough down into the customer reviews, I would have been warned; but the reviews at the top of the stack were quite favorable. Which leads me to wonder: Are we looking at the same book? I advise readers to purchase Adams books published by Little, Brown, and Company (aka "Bulfinch"). Even at smaller sizes their books display much more detail and clarity than does this disappointing edition.
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