Boston: A Pictorial Souvenir

Book Description

Boston, that historical center of colonial charm, splendid parklands, superior universities, and technological development, is an endlessly fascinating place. It is the cauldron, not just of American freedom, but also, arguably, of modern democracy itself. The great names of Boston—Revere, Hancock, Adams, Kennedy, Lodge, O'Neill—are American legends. The stops along the Freedom and the Black Freedom trails are cornerstones of Early American life. Luckily for visitors, this old port city is compact, easily walkable, and eminently photogenic.
Gleaming skyscrapers have asserted their place in the skyline, but Boston seems little changed from the days when Henry David Thoreau dropped in on the Old Corner Bookstore. In this stunning new collection of full-color portraits, renowned photographer Carol M. Highsmith captures the principal historic landmarks from the African Meeting House to John F. Kennedy's birthplace in Brookline; neighborhoods from tony Beacon Hill to the eclectic South End; thriving downtown shops and restaurants; the major universities and celebrated museums; and the "Emerald Necklace" of parklands. A lively, information-packed introduction and captions by award-winning writer Ted Landphair offer the perfect complement to Highsmith's outstanding images.
Boston: A Pictorial Souvenir celebrates the enduring elegance of New England's hub city. It is the perfect souvenir of a memorable visit, and the ideal gift for anyone who savors history, unforgettable architecture, cultural vitality, and high-tech innovation—the diversity that is truly Boston.

Customer Reviews:

Boston.......2002-09-01

This is a good book as a souvenir and after having visited Boston six times, I know many of the places photographed and can vividly recall the moments I spent there. There's a detailed introduction looking at all aspects of Bostonian life, including some fabulous old photographs. The rest of the book presents the modern-day town, from the architecture to its people, traditional and contemporary. A lot of the photographs focus on detail, with some good camera angles, but I feel some more general views could have been used to get a better impression of this fantastic town.

One Man's Wilderness: An Alaskan Odyssey

Average customer rating:

True to the man
A modern day "Thoreau"
Just as Good the Second Time
Homesteading in Alaska
inspiring

One Man's Wilderness: An Alaskan Odyssey
Sam Keith , and Richard Proenneke
Manufacturer: Alaska Northwest Books
ProductGroup: Book
Binding: Paperback

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ASIN: 0882405136

Book Description

To live in a pristine land . . . roam the wilderness . . . build a home. . . . Thousands have had such dreams, but Richard Proenneke lived them. Here is a tribute to a man who carved his masterpiece out of the beyond.

Customer Reviews:

True to the man.......2007-09-29

Ten years ago I spent a summer volunteering for the National Park Service at Lake Clark National Park and Preserve, in Alaska. My remote rangers cabin was located at Twin Lakes. Being on the lower lake, I was about 9 miles from my nearest neighbor- Dick. We spoke daily on our walkie-talkies, checking in about the weather, any visitors, or interesting wildlife viewings. I trekked up his way several times over the summer, and enjoyed a few meals with him. I can't remember if it's in his book, but his favorite sandwich was the "Twin Lakes Special": sourdough flapjaks, raw onion, and honey; don't knock it 'til ya try it! Just like his book, he was a gracious, thoughtful man, a true naturalist. Also the most spry 82-year-old I think I'd ever seen! I was saddened to hear of his death several years ago, and was grateful the NPS kept his cabin as a historical site; it is a cozy place, dark inside, smelling faintly of woodsmoke and 1948 sourdough starter, with wonderful decorative touches throughout. Dick was truly a special person, and this book captures his voice, his no-nonsense manner of talking, as well as his appreciation of the beauty of the natural world, perfectly.

A modern day "Thoreau".......2007-09-16

You cannot visit Alaska without reading this book FIRST! Just the photography alone will make you want to go. I dentify in many ways with Dick as I lived in a cabin in the White Mountains of NH for many years. He didn't intrude on nature...he simply lived in harmony with it. He appeals to all of your senses in his simple but beautifully written words, never mind the pictures. He is definitely portrayed as a "loner" but that is a good thing..for a loner has much higher self esteem and sense of character than those who can't survive in the world without people around them all the time. Dick is a true steward of the land because of his deep, abiding love and connection for this piece of God's Creation. His beautifully chronicled life in Alaska will remind you of Robert Frost's words.."We love the things we love for what they are." Enjoy!

Just as Good the Second Time.......2007-09-12

I was telling my husband about this book as I started reading it. He said, "Don't you remember, we read that many years ago when Alaska Magazine published it"? I knew that Babe, the pilot, seemed familiar. It didn't matter. I was happy to read it a second time which is unusual for me. Oh, how I would have loved to have been able to do what Mr. Proenneke did and to live where he lived. There is nothing dull about this book and I suspect the people who find it dull haven't any interest in living in the wilderness without Blackberries, i-pods, automobiles and restaurants.

Even though most of us who enjoyed the book probably don't begin to have the skills that Richard Proenneke had which made what he did possible (and a pilot friend who delivered for free) I think we all wish we could do what he did. I know I do. I didn't realize that a sequel exists. It costs big bucks, but if it's anything close to as interesting as this book, it's worth it. Maybe I'll find out if the Mission Girls ever showed-up.

Homesteading in Alaska.......2007-08-16

The year was 1968. The setting, the Alaskan bush. The mission, to live simply, deliberately, and self-sufficiently off the land, free of the trappings of contemporary society. The protagonist, clearly not what you might expect given the era. He was not some young, free spirited hippie, luddite, or draft dodger. Rather, he was a skilled hard working machinist/woodsman, who at age 51 decided to permanently leave the rat race behind.

Why this man, Dick Prenacke, suddenly left behind his conventional existence to live in a remote and unforgiving section of Alaska is never fully explored in the book. While snippets do reveal his distain for modernity, it never fully embellishes on what ultimately drove the author to do what few would ever conceive of doing. Perhaps Dick realized that at 51, the physical and physiological fortitude required to make such a transition would soon be out of his reach. More likely however, he foresaw the end of an era. No more than a few years after his departure into the wild, Alaska would enact laws prohibiting trappers and homesteaders from freely trudging off into the woods to live the quintessential "Alaskan experience." Soon Alaska would become like the rest of the lower 48, where people like Dick would be considered trespassers and evicted from any land that they did not rightfully own. Fortunately for the author, the laws were grand fathered in.

While the book is essentially a personal account of Alaskan homesteading, the author episodically weaves social commentary into his writings. He laments a society that is wasteful and superficial. The hunters that come into his Alaska, products of such a society, leave garbage and animal meat behind, unaware that the author cleans up after as well as makes use of their squander.

The author also reveals his anxiety for a society that is increasingly consumed by materialism. He feels that man is entrapped by things that he doesn't need and he seeks to avoid the superfluous at all costs. To the outsider, surviving in the wilds of Alaska would seem to require an extravagant amount of equipment and gear. One can only imagine the bill the average suburbanite would amass at the local REI in preparation for such an endeavor. Yet the author demonstrates just how little is required to not only to survive but also to prosper in such an inhospitable region.

The book closes with some thoughts on technology, and the rapidity of change that comes with it. The author's words are both haunting and prescient as he elaborates on his first year in Alaska and how his experience conflicts greatly with society at large.

inspiring.......2007-07-14

Inspiring book. Diarist was over 50 when he began this journey. Helps me look to the future for myself.

Average customer rating:

An exceptional book
Fascinating
Interesting and a book more people should read...and then change their food choices
What people eat
Fascinating view on feeding your family

Hungry Planet: What the World Eats
Peter Menzel , and Faith D'Aluisio
Manufacturer: Ten Speed Press
ProductGroup: Book
Binding: Hardcover

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ASIN: 1580086810

Amazon.com

It's an inspired idea--to better understand the human diet, explore what culturally diverse families eat for a week. That's what photographer Peter Menzel and author-journalist Faith D'Alusio, authors of the equally ambitious Material World, do in Hungry Planet: What the World Eats, a comparative photo-chronicle of their visits to 30 families in 24 countries for 600 meals in all. Their personal-is-political portraits feature pictures of each family with a week's worth of food purchases; weekly food-intake lists with costs noted; typical family recipes; and illuminating essays, such as "Diabesity," on the growing threat of obesity and diabetes. Among the families, we meet the Mellanders, a German household of five who enjoy cinnamon rolls, chocolate croissants, and beef roulades, and whose weekly food expenses amount to $500. We also encounter the Natomos of Mali, a family of one husband, his two wives, and their nine children, whose corn and millet-based diet costs $26.39 weekly.

We soon learn that diet is determined by largely uncontrollable forces like poverty, conflict and globalization, which can bring change with startling speed. Thus cultures can move--sometimes in a single jump--from traditional diets to the vexed plenty of global-food production. People have more to eat and, too often, eat more of nutritionally questionable food. Their health suffers.

Because the book makes many of its points through the eye, we see--and feel--more than we might otherwise. Issues that influence how the families are nourished (or not) are made more immediate. Quietly, the book reveals the intersection of nutrition and politics, of the particular and universal. It's a wonderful and worthy feat. --Arthur Boehm

Book Description

On the banks of Mali 's Niger River, Soumana Natomo and his family gather for a communal dinner of millet porridge with tamarind juice. In the USA, the Ronayne-Caven family enjoys corndogs-on-a-stick with a tossed green salad. This age-old practice of sitting down to a family meal is undergoing unprecedented change as rising world affluence and trade, along with the spread of global food conglomerates, transform diets worldwide. In HUNGRY PLANET, the creative team behind the best-selling Material World, Women in the Material World, and MAN EATING BUGS presents a photographic study of families from around the world, revealing what people eat during the course of one week. Each family 's profile includes a detailed description of their weekly food purchases; photographs of the family at home, at market, and in their communities; and a portrait of the entire family surrounded by a week 's worth of groceries. To assemble this remarkable comparison, photojournalist ! Peter Menzel and writer Faith D 'Aluisio traveled to 24 countries and visited 30 families from Bhutan and Bosnia to Mexico and Mongolia. The resulting series of photographs and facts is a 30-course feast of visual and quantitative information. Featuring essays on the politics of food by Marion Nestle, Charles C. Mann, and Alfred W. Crosby, and photo-essays on international street food, meat markets, fast food, and cookery, this captivating chronicle offers a riveting look at what the world really eats.

Customer Reviews:

An exceptional book.......2007-09-18

If there is only one universal human experience, it's food. And this book puts it all in perspective by showing in photographs, essays, and charts what people eat around the world. The differences can be astonishing (how can an entire family survive on so little, in one case, or, how tidy all those little packages look in another -- do they eat anything fresh?). The off-the-cuff statements by some of the subjects are very insightful, such as the woman who says when she wants a sweet, which is rare, she goes and eats a banana. This book truly communicates something unique about the people with whom we share our world.

Fascinating.......2007-09-04

I heard about this book about 3 months ago as it was featured in Time Magazine. I only wish I picked it sooner because it is fascinating. My 7-year old enjoyed discussing the finer points of eating in the United States. She thought it was shocking that people in the world eat starfish, guinea pigs and bugs. On the other hand, when we discussed our eating of beef and realized that a Hindu in India would never do that; the world seemed to get a little smaller. The discussions about culture and food are so interesting.

Interesting and a book more people should read...and then change their food choices.......2007-07-15

The one thing that jumped out at me in readin and seeing the photos is how much Coke and Pepsi the United States sells around the world. It was nice to see a number of examples of families who buy little if any 'junk food'. And how much meat is eaten in some countries and how much healthy fish is eaten in others. Was impressed with the examples of fruits vegetables and grains eaten in some countries.

Japan: The Ukita family of Kodaira City
Food expenditure for one week: 37,699 Yen or $317.25
Favorite foods: sashimi, fruit, cake, potato chips I was surpsied at how most of the items are packaged at not at all the fresh foods one hears about.

*Italy: The Manzo family of Sicily
Food expenditure for one week: 214.36 Euros or $260.11
Favorite foods: fish, pasta with ragu, hot dogs, frozen fish sticks

Chad: The Aboubakar family of Breidjing Camp
Food expenditure for one week: 685 CFA Francs or $1.23Favorite foods: soup with fresh sheep meat Notice there is NO Coke or Pepsi in the photo.

Kuwait: The Al Haggan family of Kuwait City
Food expenditure for one week: 63.63 dinar or $221.45 Family recipe: Chicken biryani with basmati rice.Notice there is NO Pepsi or COKE in the photo.

United States: The Revis family of North Carolina
Food expenditure for one week: $341.98
Favorite foods: spaghetti, potatoes, sesame chicken But look at see how much Coke etc they buy

Mexico: The Casales family of Cuernavaca
Food expenditure for one week: 1,862.78 Mexican Pesos or $189.09
Favorite foods: pizza, crab, pasta, chicken But look and see how much Coke etc they buy They do eat ALOT of fruits and vegetables

China: The Dong family of Beijing
Food expenditure for one week: 1,233.76 Yuan or $155.06
Favorite foods: fried shredded pork with sweet and sour sauce They buy very little overall

Poland: The Sobczynscy family of Konstancin-Jeziorna
Food expenditure for one week: 582.48 Zlotys or $151.27
Family recipe: Pig's knuckles with carrots, celery and parsnips

Egypt: The Ahmed family of Cairo
Food expenditure for one week: 387.85 Egyptian Pounds or $68.53
Family recipe: Okra and mutton Notice lots of healthy items and cannot see any Coke or Pepsi

Ecuador: The Ayme family of Tingo
Food expenditure for one week: $31.55
Family recipe: Potato soup with cabbage Notice its all healthy food

United States: The Caven family of California
Food expenditure for one week: $159.18
Favorite foods: beef stew, berry yogurt sundae, clam chowder, ice cream Notice the Coke and other prepackaged foods

Mongolia: The Batsuuri family of Ulaanbaatar
Food expenditure for one week: 41,985.85 togrogs or $40.02
Family recipe: Mutton dumplings They love eggs which are a good source of protein

Great Britain: The Bainton family of Cllingbourne Ducis
Food expenditure for one week: 155.54 British Pounds or $253.15
Favorite foods: avocado, mayonnaise sandwich, prawn cocktail, chocolate fudge cake with cream Mostly all prepacked items

Bhutan: The Namgay family of Shingkhey Village
Food expenditure for one week: 224.93 ngultrum or $5.03
Family recipe: Mushroom, cheese and pork Healthy food little if any prepackaged

Germany: The Melander family of Bargteheide
Food expenditure for one week: 375.39 Euros or $500.07
Favorite foods: fried potatoes with onions, bacon and herring, fried noodles with eggs and cheese, pizza, vanilla pudding Notice all the Beer and Sodas and all the fried foods

What people eat.......2007-03-30

A very informative book with excellent photographs, large size and printed on good quality glossy paper.

Fascinating view on feeding your family.......2007-03-09

Photos, background story and typical receipe from a family living in one of 30 countries around the world. The idea is very original: ask people to buy the ingredients for their meals for a week and take a picture of them together with the food. The differences are very revealing: all the packed and processed food in the USA in contrast with the basic ingredients most African families use. It is not only about rich or poor; it gives you many good ideas and examples for a new way of life. And the photos with so many details and colors are impressive.

Average customer rating:

Timeless Wisdom
Thoughtful writing and great production values
A new way of thinking
Magic made more so
Clear and Smart

The Nature of Photographs
Stephen Shore
Manufacturer: Phaidon Press
ProductGroup: Book
Binding: Hardcover

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ASIN: 071484585X

Book Description

An Essential Primer on Understanding Photography by One of theWorld's Most Influential Photographers "In my roughly twenty years of writing about photography, I don't thinkI've come across a book that has implied so much with so few words, a bookthat raises so many important questions with so little fanfare and withsuch precision."-James Kaufmann, Photographer's ForumBy the age of 14, Stephen Shore (b.1947) took his first photograph.By 17,he was a regular at Andy Warhol's Factory photographing both the artist andhis entourage.At 23, he became the first living photographer to have aone-person show at the Metropolitan Museum of Art.At 35, he was appointedDirector of the Photography Program at Bard College.An unrivalled pioneerin the field of color photography, his work has been exhibited in numerousmuseums worldwide, including an exhibition opening this May at theInternational Center of Photography that focuses on the work from hiscritically acclaimed books American Surfaces and Uncommon Places.Withsuch an impressive career, no one is a better suited guide to the nature ofphotographs. THE NATURE OF PHOTOGRAPHS by Stephen Shore, is an essential primer on howto understand photography by one of the world's most influentialphotographers.Growing out of a college course that Shore taught for manyyears, this book explores ways of looking at photographs from all periodsand all types--from iconic images to found photographs, from negatives todigital files.Its aim is to describe the physical and formal attributesof a photographic print--the very elements that form the tools aphotographer uses to define and interpret the content.In the end, Shoreteaches us, on the most basic level, how a photograph "works." As well as a selection of Shore's own work, THE NATURE OF PHOTOGRAPHScontains images from all eras of photography, from classic works by WalkerEvans, Robert Frank, and Eug+ne Atget to more contemporary work by Berndand Hilla Becher, Cindy Sherman, Joel Sternfeld, Thomas Struth, and RichardPrince. It includes all genres, such as street photography, fine artphotography, and documentary photography, as well as images by unknownphotographers.Together with his clear, intelligent, and accessible text,Shore uses these works to demonstrate how the world in front of the camerais transformed into a photograph. Divided into four main chapters--The Physical Level, The Depictive Level,The Mental Level, and Mental Modeling--THE NATURE OF PHOTOGRAPHS exploreshow photographs function visually.By teaching us how to see through theeyes of a photographer, Shore teaches us a new way to look at the worldaround us.This affordable book serves as indispensable tool for students,teachers, and everyone who wants to take better pictures.

Customer Reviews:

Timeless Wisdom.......2007-08-14

Stephen Shore, the well known photographer (and teacher; who, among other things, was the first living photographer to have a one-man show at the Metropolitan Museum of Art in NY) has recently updated his classic meditation on the Nature of Photographs. Recommended to all aspiring (and working) photographers, the beauty of this book is the density of its distilled wisdom.

You will not find anything here on f-stops, film speeds and lenses, nothing on the darkroom (analog or digital), nothing on the raging "debate" whether to pick up an 8 megapixel DSLR or a 10, and no instructions - at least explicit ones - on how to take "better" pictures. What you will find is the crystalline essence of Shore's lifetime's worth of thinking about the nature of the photograph. His short, Zen-like prose-poem musings pierce the proverbial bullseye like an archer's arrow; and leave the reader both enchanted and haunted by their eloquence and wisdom.

Shore reminds us that amidst the infinity of potential images, both real and imagined, the photographer has four - and only four - formal tools for defining a picture's content and organization: vantage point, frame, focus and time. Stop and think about that for a moment. With all the wonderful technology underneath our thumb as we prepare to press the shutter, with all the different ways in which we can image ourselves "taking" a shot, and all the different images that can conceivably exist, the photographer really only has these four fundamental "creative dimensions" with which to work, and no more! Where do I position myself; what do I put in the picture and what do I leave out; where should I focus my attention; and how much of a slice of time do I want to include?

Every picture that has ever been taken, and every photograph yet to be captured - from Adams' shots of Yosemite, to Cartier-Bresson's visual etudes on the "Decisive Moment," to visual realities created by some future technologies - is "reality" as aesthetically transformed by the four-dimensional human creative filter!

Yet somehow, miraculously even, this suffices to provide (however brief) glimpses of an infinite dimensional world of meaning and beauty. That is the magic of photography!

For those of you who have the first edition of this book...I have both versions of this book. The new book roughly doubles the number of accompanying images (including color photos) and adds quite a bit of commentary. It is written (thankfully!) in essentially the same style, which I find almost meditative in its quality and depth of vision. If you have enjoyed the first edition, you will likely treasure this one.

Thoughtful writing and great production values.......2007-05-21

It's not going to teach you how to start using your DSLR, but it's going to give you some great insight into how to approach the overall concept of photography and creating images. Stylish minimal design, sparse well considered text and an unusual selection of photos that are all reproduced to very high standards - nice density, subtle overgloss etc. Recommended.

A new way of thinking.......2007-05-16

The Nature of Photographs is sparsely worded and consist of selected photographs. The author takes the reader through a guided tour of the nature of photographs. This starts with the physical level, then the depictive and finally the mental level. By the time that the reader has completed this journey, you most likely will have a new way of perceiving photographs and possibly a new way of thinking about photography.

Magic made more so.......2007-03-23

It was surprising to me that Mr. Shore could find ways of talking about photographs that I had not previously encountered. In deconstructing these classic photographs he has succeeded in making them and the art of photography more, not less, magical. This book would probably be most appreciated by readers who have studied and given careful thought to photography. Statements that might appear esoteric to the casual reader are within the realm of critical photographic discourse. This is a truly wonderful book.

Clear and Smart.......2003-03-16

This book helped me understand photographs in a way I never did before. The writing is deceptively condensed. It is really full of ideas and meaning. Being aware of these ideas has hepled my own photography.

Average customer rating:

A Must Have!
Appropriate title!
Absolutely Beautiful
awesome!
There ar no words to describe the beauty of the large photos

Spectacular Ireland
Peter Harbison
Manufacturer: Beaux Arts Editions
ProductGroup: Book
Binding: Hardcover

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ASIN: 0883633396

Book Description

A luxurious full-color celebration of Ireland's scenic beauty, this book features more than 125 full-color images by Ireland's top landscape photographers and includes six panoramic gatefold pages, each one opening to almost four feet.

Customer Reviews:

A Must Have!.......2006-06-08

First of all, please note that this is a coffee table-type book. It is oversized and oddly-shaped. So if that bothers you, steer clear.

BUT the size is very appropriate to the pictures! It's a large-rectangular book that fits the panoramic wide-angle photography inside of it! The photos are intensely colored and the paper used in side the book is a thicker, glossy high-quality paper. Some of the most gorgeous photographs of Irelands landscapes, castles and towns are in this book. It also includes a bit of history.

FYI... the book normally comes with a slip-cover that has the same cover design printed on it that the actual book cover underneath has. Nice touch. A lot of books of this fashion do not have the same cover printed on the actual book itself, but only the slip-cover.

Very nice. If you love photography or Ireland...or both....this is the book for you!

Appropriate title!.......2006-03-29

I bought this book because my dad's side of the family is Irish and I'd hoped to one day go. The book is a gorgeous addition to my photography book collection...and my desire to go to Ireland has been upgraded from 'one day hope to go' to 'can't wait to go!'.
--Vicki Landes, author of "Europe For The Senses - A Photographic Journal"

Absolutely Beautiful.......2004-12-31

The photos in this book are gorgeous. Anyone who has been or wants to go to Ireland should look at this book. Those who have never been will want to go when they see the beauty of the land depicted in this book.

awesome!.......2003-08-13

The pictures are breathtaking! They have captured the true Ireland in photographs.

There ar no words to describe the beauty of the large photos.......2002-11-12

The Photographs are awesome! Many of the photos take up both pages, which are so clear and gorgious. The old castles are so neat and look completely beautiful in the middle of Ireland's green moors. It is DEFINITELY a book worth buying!

Average customer rating:

Amazing collection of photographs by a very gifted photographer
A True Memorial
Excellent Documentary
Incredible 9-11 Photos!!
Laraine

Aftermath: World Trade Center Archive
Joel Meyerowitz
Manufacturer: Phaidon Press
ProductGroup: Book
Binding: Hardcover

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ASIN: 0714846554

Book Description

For 9 months, during the day and night, Meyerowitz photographed "the pile," as the World Trade Center came to be known, and the over 800 people a day that were working in it. Influenced by Walker Evans and Dorothea Lange's work for the Farm Security Administration during the Great Depression, he knew that if he didn't make a photographic record of the unprecedented recovery efforts, "there would be no history."

Sept. 23. Assembled panorama of the site from the World Financial Center, looking east. (All images copyright Joel Meyerowitz from Aftermath: World Trade Center Archive (Phaidon).

Sept. 25. The south wall of the South Tower.
Oct. 11. An FDNY rescue team resting on Liberty Street.

Nov. 8. Spotters in the South Tower.
May 1. Ralph and Paul Geidel waiting for a fresh raking field.

Marking the 5th anniversary of September 11th, Phaidon Press has published this extraordinary new book AFTERMATH: THE WORLD TRADE CENTER ARCHIVE with photographs and text by Joel Meyerowitz, which will feature, for the first time, the vast collection of Meyerowitz's previously unpublished photos from Ground Zero along with the engaging account of his experience in his own words. This historic publication is the only existing photographic record of the monumental recovery efforts post-9/11.

From portraits of the people he met to the accidental beauty of the ruins at dusk, AFTERMATH features 400 breathtaking color photographs, many taken with a large format camera. Bronx-born Meyerowitz brings his trademark sensitivity, intelligence and eye for beauty to these poignant images that will hold an important place in American history.

AFTERMATH brings to life the tireless determination of the scores of individuals who assisted in the clean-up process, including construction workers, police officers, firefighters, welders or "burners," engineers, crane operators and volunteers. Presented on a monumental scale, and interspersed with fascinating stories, the book documents the transformation of the site chronologically from piles of devastation to an empty pit six stories below ground. This landmark book offers current and future generations the opportunity to finally travel inside a forbidden city where thousands were brought together by a common cause.

"I was taking pictures for everyone who didn't have access to the site," says Meyerowitz in AFTERMATH, "so I decided to work with a large-format wooden view camera. This camera was impossible to hide, but it enabled me to make images of the fullest description, with a sense of deep space. I wanted to communicate what it felt like to be in there as well as what it looked like: to show the pile's incredible intricacy and visceral power.... I could provide a window for everyone else who wanted to be there, too--to help, or to grieve, or simply to try to understand what had happened to our city."

The World Trade Center Archive, consisting of thousands of Meyerowitz's images, is part of the permanent collection of the Museum of the City of New York where it is available for research, exhibition and publication. For the past few years, a small selection of these photographs was featured in an exhibition, "After September 11: Images from Ground Zero," which traveled to more than 200 cities in 60 countries, reaching over 3.5 million people.

Book Description

After September 11th, 2001, the Ground Zero site in New York City was classified as a crime scene and only those directly involved in the recovery efforts were allowed inside. The press was also prohibited from the site, but with the help of the Museum of the City of New York and sympathetic city officials, award-winning photographer Joel Meyerowitz managed to obtain unlimited access. By ingenuity and sheer determination, he was the only photographer granted unimpeded right of entry into Ground Zero.For 9 months, during the day and night, Meyerowitz photographed "the pile," as the World Trade Center came to be known, and the over 800 people a day that were working in it. Influenced by Walker Evans and Dorothea Lange's work for the Farm Security Administration during the Great Depression, he knew that if he didn't make a photographic record of the unprecedented recovery efforts, "there would be no history."Sept. 23. Assembled panorama of the site from the World Financial Center, looking east. (All images copyright Joel Meyerowitz from Aftermath: World Trade Center Archive (Phaidon).Sept. 25. The south wall of the South Tower. Oct. 11. An FDNY rescue team resting on Liberty Street.Nov. 8. Spotters in the South Tower. May 1. Ralph and Paul Geidel waiting for a fresh raking field. Marking the 5th anniversary of September 11th, Phaidon Press has published this extraordinary new book AFTERMATH: THE WORLD TRADE CENTER ARCHIVE with photographs and text by Joel Meyerowitz, which will feature, for the first time, the vast collection of Meyerowitz's previously unpublished photos from Ground Zero along with the engaging account of his experience in his own words. This historic publication is the only existing photographic record of the monumental recovery efforts post-9/11.From portraits of the people he met to the accidental beauty of the ruins at dusk, AFTERMATH features 400 breathtaking color photographs, many taken with a large format camera. Bronx-born Meyerowitz brings his trademark sensitivity, intelligence and eye for beauty to these poignant images that will hold an important place in American history.AFTERMATH brings to life the tireless determination of the scores of individuals who assisted in the clean-up process, including construction workers, police officers, firefighters, welders or "burners," engineers, crane operators and volunteers. Presented on a monumental scale, and interspersed with fascinating stories, the book documents the transformation of the site chronologically from piles of devastation to an empty pit six stories below ground. This landmark book offers current and future generations the opportunity to finally travel inside a forbidden city where thousands were brought together by a common cause."I was taking pictures for everyone who didn't have access to the site," says Meyerowitz in AFTERMATH, "so I decided to work with a large-format wooden view camera. This camera was impossible to hide, but it enabled me to make images of the fullest description, with a sense of deep space. I wanted to communicate what it felt like to be in there as well as what it looked like: to show the pile's incredible intricacy and visceral power.... I could provide a window for everyone else who wanted to be there, too--to help, or to grieve, or simply to try to understand what had happened to our city."The World Trade Center Archive, consisting of thousands of Meyerowitz's images, is part of the permanent collection of the Museum of the City of New York where it is available for research, exhibition and publication. For the past few years, a small selection of these photographs was featured in an exhibition, "After September 11: Images from Ground Zero," which traveled to more than 200 cities in 60 countries, reaching over 3.5 million people.

Customer Reviews:

Amazing collection of photographs by a very gifted photographer.......2007-07-14

I first saw photographs from this collection at the Museum of Modern Art in Salzburg, Austria. Anyone who entered the gallery was immediately struck by a panorama of ground zero on one wall, each emitting an audible gasp, then standing before it for several minutes in silence. Meyerowitz is an extremely gifted photgrapher, and I recommend other of his collections for viewing. Cape Light: Color Photographs by Joel Meyerowitz, Tuscany: Inside the Light: Inside the Light (Photography). The "Aftermath" collection is the only archive of the activities following 9/11 at ground zero, and it is quite moving. Meyerowitz had access to many vantage points to capture for posterity the many facets of ground zero and this tragic event in our history. Viewing these photos takes time and thought, as Meyerowitz has also included brief descriptions and stories about each photograph. You will be struck by many emotions, sadness, anger, shock, and awe. But, there is an eeriness and a beauty, as well as hope in these photographs, inspired by the photographer's exquisite eye for detail, composition, lines, faces, and light. Photographers, professional and amateur alike, will deeply appreciate and learn from these aspects. Anyone to whom I have shown this book has been as immensely moved as I, from the UPS driver who delivered the package, to my father, a refugee of WWII, who still cannot speak easily of the events of 9/11. This book is highly recommended as an addition for one's library.

A True Memorial.......2007-04-13

Aftermath represents the efforts of Joel Meyerowitz to document the destruction and cleanup of the World Trade Center following 9/11. This is a beefy coffee table book that is large enough to give his photos some real impact. Unlike most photo essays, however, you won't find hundreds of beautiful images. After a couple of pages show what New York's skyline once looked like, you are confronted by image after image of the horrific destruction of these huge landmarks. There are also many instances where we see the people who worked the cleanup site. Many of these are the most moving images as you can imagine the emotions that sometimes overcame these men and women who were there every day for months on end.

In addition to the photos, Mr. Meyerowitz also shares some anecdotes about what he went through to get these photos. He also talks about some of the people he met. I found these stories at least as powerful as his words. Most Americans were obviously distraught by the events of that day, but most of us were also able to start moving on with our lives and slowly put it behind us. But these people were there on the ground confronting the effects for months. Recovering bodies and personal objects, as well as being asked by survivors to put mementos on the pile of rubble as little memorials to their lost loved ones.

This is not the happiest book you can buy. It doesn't have the prettiest photos or the most elegant prose. But it may be the most worthwhile book I've ever purchased. I would urge everyone to buy a copy and read it cover to cover.

Excellent Documentary.......2007-03-28

I have other books on the 9/11 disaster but this is by far the most comprehensive. The photographs are excellent. The price was reasonable for the quality.

Incredible 9-11 Photos!!.......2007-03-04

Of all the books on the aftermath of 9-11, this is absolutely the best ever!! These photographs are stunning and capture all of the remaining structures at Ground Zero. This is the most comprehensive book I have seen to date. I highly recommend it.

Laraine.......2007-01-18

I purchased this book as a Christmas present and the gentleman I gave it to was extremely excited about receiving it. Your service in getting the book to me was terrific.

Average customer rating:

Katrina as Art
Photography as a "process of revelation"

Robert Polidori: After the Flood
Robert Polidori
Manufacturer: Steidl
ProductGroup: Book
Binding: Hardcover

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ASIN: 3865212778
Release Date: 2006-11-15

Book Description

In late September 2005, Robert Polidori traveled to New Orleans to record the destruction caused by Hurricane Katrina and by the city's broken levees. He found the streets deserted, and, without electricity, eerily dark. The next day he began to photograph, house by house: "All the places I went in, the doors were just open. They had been opened by what I collectively call Ithe army,' of maybe 20 National Guards from New Hampshire, 15 policemen from Minneapolis, 20 firefighters from New York... On maybe half of them or a third of them that I went in, I think that the occupants had been there prior. And some of them did leave certain funeral-like mementos before they left. Maybe right after the waters receded they had the chance to just--to go back to their place and just see, and realize there's nothing worth saving." Amidst all this, Polidori has found something worth saving, has created mementos for those who could not return, documenting the paradoxically beautiful wreckage. In classical terms, he has found ruins. The abandoned houses he recorded were still waterlogged as he entered and as he learned (by trial and error, a process that including finding a dead body) the language of signs and codes in which rescue workers had spray-painted each house's siding. He sees the resulting photographs as the work of a psychological witness, mapping the lives of the absent and deceased through what remains of their belongings and their homes.

Customer Reviews:

Katrina as Art.......2007-03-13

Silt has rendered a wonderous, pale beauty to the interior carnage of New Orlean's homes. Polidoris's project, a subsequentc 'invasion' of these domains, places on public record their devastation. It's a case of supreme technical skill, enshrining an ephemeral disaster. The denizens have hastily evacuated, leaving Polidori to rut in the trough of the city's ruin. Here, in one haunting page after another, the tidal muds that have rudely piled cars beneath houses in tragically asymmetrical congress, are made warm and close. It's relentless. You can almost handle the poignant detritus. We're led first through the haunting streets of uprooted poles, trees and weathereboards, of twisted metal. Then the rooms, the hearts and minds of individual suffering. Not snap-happy journalistic sensationalism, but hypnotically constructed images whose frozen testimonies have more permanence than the rented edifices they record. Polidori knows where to stand amidst the wreckage: his camera an unerring eye delving near and distantly with disturbing clarity. It is the very silence that entrances with singular eloquence and gravity. The wind and tide have subsided, but the havock endures in sulphurous washes and surreal configuration which 1000 installation artists would greet as a great funereal statement that transcends collective imagination. In a word, awesome, the currency of the Sublime. Polidori has wrested art from tragedy. Any of its 200 plus large format pages can be poured over for aesthetic reward, the more to dwell on vagabond Nature. Brilliant!

Photography as a "process of revelation".......2007-02-08

"After the Flood", the latest book by French Canadian Photographer, Robert Polidori, about the aftermath of Hurricane Katrina is also his largest and most powerful. It is as if his books on Havana and Chernobyl were mere foretastes to this exceptional and moving work, and certainly anyone who has seen these two books came away with a feeling of the power and storytelling that Polidori's images can convey. Polidori has the gift of the detailed eye that can simultaneously give the viewer images of beauty and revulsion in objects and textures. These alone tell the stories. There are no images of people necessary. It is as if he is capturing the tracks and shadows that humanity has left behind. He was able to show this in the urban decay of Havana and of the horrors of the rapid evacuation and subsequent reclamation of nature in Chernobyl. In "After the Flood", he presents us with an almost encyclopedic presentation of the aftermath of the hurricane, flooding, wind, water and mud damage showing the fragility of our cities and the power of nature.

The book contains at least 400 images, which have been carefully arranged. The first images show parts of the city still under water and the receding water. The next group shows the destruction caused by water inside the houses. Furniture has been picked up by the flood and re-arranged and we see the effects of water on different materials and soon notice the tell-tale brown lines on the walls, sometimes over six feet high, showing the high water mark. Succeeding groups of images show the effects of mud, water and wind on buildings and cars that have been tossed around at random like toys. Sometimes cars rest against houses in bizarre angles and sometimes the houses are laying on top of the cars. Several pages show smaller images of streets where every house was damaged and abandoned. The last set of images shows the clean up. Mounds of refuse in front of houses, temporary trailers, houses being cleaned and repaired. The effect is very powerful as we see how the lives of hundreds of thousands were affected and how many must have lost everything.

The book can only give a taste of the incredible detail the images contain. In a recent exhibition at the Metropolitan Museum of Art they could be seen as the original prints, each at about 40" by 54". They were taken with a large camera and according to Polidori with no lighting, as there was no electricity available at the time the shots were taken and lighting would have been to cumbersome in cramped and sometimes dangerous conditions. Only time exposures could show the incredible detail, which Polidori refers to as the "process of revelation". He call his work "a constant learning process", and anyone who looks at this book will not only learn, but will also ask questions as to how a disaster of this magnitude was possible, and to our place on this earth and our future here.

Review by Walter O. Koenig

On This Earth: Photographs from East Africa

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Beautiful photography
Just Stunning
Africa, my love
Images of untold beauty and magnificence.
Moments of recognition!

On This Earth: Photographs from East Africa
Nick Brandt
Manufacturer: Chronicle Books
ProductGroup: Book
Binding: Hardcover

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ASIN: 0811848655

Book Description

Nick Brandt depicts the animals of East Africa with an intimacy and artistry unmatched by other photographers who choose wildlife as their subject. He creates these majestic sepia and blue-tone photos contrasting moments of quintessential stillness with bursts of dramatic action by engaging with these creatures on an exceptionally intimate level, without the customary use of a telephoto lens. Evocative of classical art, from dignified portraits to sweeping natural tableaux, Brandt's images artfully and simply capture animals in their natural states of being. With a foreword by Alice Sebold and an introduction by Jane Goodall, On This Earth is a gorgeous portfolio of some of the last wild animals and a heartfelt elegy to a vanishing world.

Customer Reviews:

Beautiful photography.......2007-09-27

I bought this book as a gift for someone who had just visited East and South Africa. They were thrilled with the absolutely beautiful photography and the memories it evoked of their trip.

Just Stunning.......2007-08-31

I own many, many photography/art books and this one without a doubt is my favorite.

The photography is simply stunning. Brant shoots his work on medium format infrared film and that is a great combination to use.

Don't even think about not getting this book, just do it.

Africa, my love.......2007-06-27

Having travelled extensively in Africa and being a keen photographer myself, I was happy to find this title in one of the Dutch photography magazines. The book is apparently not for sale in Holland, so I bought it at Amazon's.
My collection of photography books consists mainly of black and white photography. I am sure buyers will love the images in this book as much as I do, allbeit some pictures are a bit over the top, due to the infrared film used. Nevertheless the photos are just overwhelming; it feels like standing there yourself!
Next to 'The Great Migration' by Carlo Mari (which has a different approach) and 'Pink Africa' (also by Carlo Mari, and obviously in color) this book is among my favorite books on wildlife in Africa!

Images of untold beauty and magnificence........2007-05-31

Nick Brandt is one of the most talented and sensitive photographers of the 21st century.
His vision and technique is unmatched.
The patience involved in capturing these sometimes rare creatures is incredible let alone to produce such aweinspiring images.

Moments of recognition!.......2007-02-18

Great photo's of, for us, familiar parts of Africa. Shows the game in a different light.
Every new page is an inspiration! Not only for photografers but for travellers also.

Erik
The Netherlands

Charleston, South Carolina: A Photographic Portrait

Average customer rating:

Very Good Book
Historic Charleston
Charleston, South Carolina: A (Beautiful) Photographic Portrait...

Charleston, South Carolina: A Photographic Portrait
Editors of Yourtown Books
Manufacturer: Yourtown Books
ProductGroup: Book
Binding: Hardcover

ASIN: 1885435355

Book Description

This full-color photographic portrait paints a picture of one of America's most genteel cities, Charleston. Steeped in history, bathed in southern Atlanitc breezes, and touched with a unique blend of Southern culture and hospitality, these photos reveal the life of a quintessentially southern American city.

Customer Reviews:

Very Good Book.......2007-05-14

This is a very good book to show Charleston. We had a business meeting with members from all over the world and we gave each of them a copy of this book. They really liked it. It has great pictures of the area. I usually like to have alittle bit mmore of hte history shared in a book. This one does share a little but there are others out there that share more of the history of Charleston also in pictures. But this is a great book of present day Charleston and pictures to share.

Historic Charleston.......2007-01-10

Historic Charleston is a place everyone should visit. We've been there several times and this book depicts the majesty of Charleston. I was so pleased with this book, I ordered a copy for my best friend and included it in her 'trip kit' for Christmas. Order your copy and plan to visit Charleston. Savannah isn't far away, so why not see both places. Another tip....the BEST LITTLE MAPS from Navigator Maps are purrrfect; they are very inexpensive and soooo helpful. Have a great trip!

Charleston, South Carolina: A (Beautiful) Photographic Portrait..........2006-02-26

Through the pages of this book one can revisit one of the South's lovliest and friendliest cities...

Average customer rating:

About This Book
BEAUTIFUL!!!

Japan

Manufacturer: Nazraeli Press
ProductGroup: Book
Binding: Hardcover

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ASIN: 1590050436

Customer Reviews:

About This Book.......2005-10-19

Artist Book and Exhibition Monograph. Collection of photographs on subject. Possibly the photographer's single most beautiful book. The true first. Precedes all other editions. One of the most exquisite productions ever made by Michael Kenna, Chris Pichler, and Nazraeli Press: Oversize-volume format. A large book in square shape. Red silk cloth boards wrapped in handsome black silk folding slipcase in the Japanese style, with white toggles at the ends. Photographs by Michael Kenna. Text in Japanese and English by Kotaro Iizawa. Printed in Tokyo, Japan to the very highest standards. Without DJ, as issued. Published on the occasion of a series of exhibitions in the United States and Japan. "Michael Kenna's photographs have long inspired words such as 'mysterious', 'elegant' and 'hauntingly beautiful', adjectives that likewise describe the Japanese landscape. These photographs are the result of an ideal pairing of artist and subject. Kenna has had a large following in Japan ever since his first exhibition there in 1987. His many subsequent exhibitions and publications in Japan have provided him with ample opportunities to visit and photograph. During the past several years, as this project began to take shape, Kenna's trips became more frequent and intense. The resulting images are stunning" (Publisher's blurb). "He has been reflective when others have been militant, romantic when others have been skeptical. Such isolation can starve all but the most independent of talents, but for these it can provide a sanctuary where visions can develop undisturbed. Kenna is one of these" (The Times of London). Michael Kenna's best book thus far. © 2006, ModernRare.com

BEAUTIFUL!!!.......2005-05-20

This is another fine offering from the good people at Nazraeli... Makers of EXTRAORDINARILY beautiful limited edition art books, and this one is NO exception.

Housed in a gorgeous black silk covered folding case, the red silk cloth cover of the book just visually stuns when the covers (three panels) are opened. The cover panels wrap around the book and fasten shut with ivory-colored japanese bookbinding clasps.

A beautiful gift!

The photos are stunning, printed with utmost care at exact size with light spot-varnishing on the images so that they pop off of the paper. The subject matter here is landscapes in Japan, sometimes very minimal and always meditative.

Get it while you can. Give it as a gift. Buy it for yourself and just look at it every few days... You will love it.

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