Average customer rating:
- Excellent book of Lightroom
- Already out of date--and you pay for the update
- Is it really necessary
- An insightful book for creative photography
- Adobe Photoshop Lightroom Book
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The Adobe Photoshop Lightroom Book: The Complete Guide for Photographers
Martin Evening
Manufacturer: Adobe Press
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Binding: Paperback
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Adobe Photoshop Lightroom Book for Digital Photographers,The (Voices That Matter)
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Adobe Photoshop CS3 for Photographers: A Professional Image Editor's Guide to the Creative use of Photoshop for the Macintosh and PC
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Skin: The Complete Guide to Digitally Lighting, Photographing, and Retouching Faces and Bodies
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The Adobe Photoshop CS3 Book for Digital Photographers (Voices That Matter)
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Welcome to Oz: A Cinematic Approach to Digital Still Photography with Photoshop (VOICES)
ASIN: 0321385438 |
Product Description
The Adobe Photoshop Lightroom Book was written with photographers in mind. Best-selling author Martin Evening describes Photoshop Lightroom s features in detail from a photographer s perspective. As an established commercial and fashion photographer, Martin knows firsthand what photographers need for an efficient workflow. He s also been working with Photoshop Lightroom from the beginning, monitoring the product s development and providing feedback on the public beta. As a result, Martin knows the software inside and out, from image selection to image editing to image management.
Customer Reviews:
Excellent book of Lightroom.......2007-10-01
Martin Evening's book The Adobe Photoshop Lightroom Book is an excellent guide to using Lightroom. This book is aimed towards professional and advanced amateur photographers and provides excellent instruction on how to start using Lightroom as part of your digital workflow. It is more geared towards Mac users that PC, however Evening does provide instructions the PC users. It is a more technical book that Scott Kelby's book The Adobe Lightroom Book for Digital Photographers. Whereas Kelby shows you more tips and tricks, Evening is a master of explaining the technology behind Lightroom in clear, easy to understand prose. The book is laid out in a logical manner taking you from Import to Finish of your photos. All in all, The Adobe Photoshop Lightroom Book is indispensable for those wanting to get the most out of Lightroom.
Already out of date--and you pay for the update.......2007-09-10
This book was fine for Lightoom 1.0, but Lightroom 1.1 came out just when the book did. The publisher (Peachpit Press) should be ashamed for knowingly selling this out-of-date edition. Lightroom 1.1 is so different that Peachpit Press has had to post a 188-page PDF to document the changes. So to fully use this book, you have to buy it, then download the 188 page supplement, then print all 188 pages, then flip back and forth between the original book and the supplement. Peachpit is making us pay for buying its obsolete book by esentially self-printing a supplemental mini-book. This is like buying a Honda Civic with air conditioning, then finding out that you have to mail in a certificate for the air conditioner and then install it yourself. Wait for Peachpit to issue a revised book that covers Lightroom 1.1. I'm sending mine back--this was such a blatant ripoff by Peachpit.
Is it really necessary.......2007-09-06
A few months later, with version 1.1 of Lightroom out, book is incomplete. IMHO, manual that comes with the Lightroom is plenty enough to get you started.
An insightful book for creative photography.......2007-08-26
This is an excellent introduction to Adobe's new product. It gives a comprehensive explanation of all technical details with emphasis on artistic possibilities. The book is not intended for complete beginners -- some familiarity with basic principles of digital photography is assumed. On the other hand, a careful description of many new and ingenious techniques will delight even the most advanced photographers.
Adobe Photoshop Lightroom Book.......2007-08-04
The book provides a step by step guide to the Lightroom program in an easy to read format and without overuse of technical terms . The tips on each page are excellent, giving a useful guide,comment or shortcut on the detailed subject of the page.The diagrams are well designed & the captions boxes are very clear in their descriptions.
Overall it provides a clear & well balanced explanation of the new Adobe program and I would certainly recommend it to anyone purchasing the new Lightroom program.
Average customer rating:
- Inventing Situations
- This book shows what is great about Cindy Sherman
- Untitled Film Stills
- Great Buy
- wonderful.
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Cindy Sherman: The Complete Untitled Film Stills
Peter Galassi
Manufacturer: The Museum of Modern Art, New York
ProductGroup: Book
Binding: Hardcover
Sherman, Cindy
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Cindy Sherman: Retrospective
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Philip-Lorca diCorcia
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Diane Arbus: Monograph (Aperture Monograph)
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Diane Arbus Revelations
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Tulsa
ASIN: 0870705075
Release Date: 2003-10-02 |
Book Description
Cindy Sherman's Untitled Film Stills, a series of 69 black-and-white photographs created between 1977 and 1980, is widely seen as one of the most original and influential achievements in recent art. Witty, provocative and searching, this lively catalogue of female roles inspired by the movies crystallizes widespread concerns in our culture, examining the ways we shape our personal identities and the role of the mass media in our lives. Sherman began making these pictures in 1977 when she was 23 years old. The first six were an experiment: fan-magazine glimpses into the life (or roles) of an imaginary blond actress, played by Sherman herself. The photographs look like movie stills--or perhaps publicity pix--purporting to catch the blond bombshell in unguarded moments at home. The protagonist is shown preening in the kitchen and lounging in the bedroom. Onto something big, Sherman tried other characters in other roles: the chic starlet at her seaside hideaway, the luscious librarian, the domesticated sex kitten, the hot-blooded woman of the people, the ice-cold sophisticate and a can-can line of other stereotypes. She eventually completed the series in 1980. She stopped, she has explained, when she ran out of clichas. Other artists had drawn upon popular culture but Sherman's strategy was new. For her the pop-culture image was not a subject (as it had been for Walker Evans) or raw material (as it had been for Andy Warhol) but a whole artistic vocabulary, ready-made. Her film stills look and function just like the real ones--those 8 x 10 glossies designed to lure us into a drama we find all the more compelling because we know it isn't real. In the Untitled Film Stills there are no Cleopatras, no ladies on trains, no women of a certain age. There are, of course, no men. The 69 solitary heroines map a particular constellation of fictional femininity that took hold in postwar America--the period of Sherman's youth and the starting point for our contemporary mythology. In finding a form for her own sensibility, Sherman touched a sensitive nerve in the culture at large. Although most of the characters are invented, we sense right away that we already know them. That twinge of instant recognition is what makes the series tick and it arises from Cindy Sherman's uncanny poise. There is no wink at the viewer, no open irony, no camp. In 1995, The Museum of Modern Art purchased the series from the artist, preserving the work in its entirety. This book marks the first time that the complete series will be published as a unified work, with Sherman herself arranging the pictures in sequence.
Customer Reviews:
Inventing Situations.......2007-07-24
Cindy Sherman has been called the most important female photographer of the 20th century. You'd never know it if you should happen to run into her on her bicycle in New York. If you've seen her recently, you might have found her riding around with an avid bicyclist and gray haired fellow who used to be in a band....can't remember "the name of this band".
Both Sherman and her beau, David something or another, have been at the forefront of the post or modern avant garde movement. What's striking about Sherman aside from the fact she looks at least a decade younger than she is, is how she blends in, and looks much like a "regular" handsome thirty or forty something (as opposed to my, at least, definition of a "performance artist").
The series of photos in this book are from her early days. In them, I guees she's portraying all the different characters who live in her mind. The range of personas she embodies is bewildering. If you didn't know it was her, you'd think they were photos of a series of different women, and if you didn't know they were staged, or that she's an artist, you'd think they were actresses from a bunch of different 60s movies. The photos are alternately mysterious, profoundly strange and beautiful, always emotionless, and at times hints at hidden eroticism.
She's been riding bikes and opening a more complete retrospective of her work in Europe this spring and early summer, a 300+ page book of which was published in March.
This book is a great introduction to Cindy Sherman. If you like it, go see her show, and buy the new book.
This book shows what is great about Cindy Sherman.......2006-05-03
At first glance, you might see ordinary, banal photos that resemble out takes from studio stills. Look deeper and you will see works of genius that expose a new way of seeing and exploring the inner self that have been highly influential in the art world. This book has the images that started it all for Cindy Sherman and for that reason, you should start with this book if you want to learn about this artist.
Who will like this book? I think just about anyone with an interest in art or photography would consider this a "must have" book for their personal library. Nothing in this book would embarrass you if you gave it as a gift; it is edgy, but not to the point of weirdness. I just gave a copy to my 10-year-old daughter for inspiration and she really enjoyed it (though probably not at the level of an adult). If you are willing to look, this book will reward you.
Like any great artist, she makes it look easy. Her singular vision is apparent in the location selection, "set" design, makeup and costuming. If you have ever tried to do this yourself, you will respect what she has accomplished. The end result is that Ms. Sherman reveals what she wants us to believe are her innermost thoughts and emotions. Like great cinema, these photos achieve true suspension of disbelief and challenge the viewer's own framework of emotional identity. In the end, we believe.
Arguably, these are the best work ever done by Ms. Sherman. One complaint about her newer work is that it seems to continue to retread the same themes and variations. Sure, her newest works are bigger and colorful in keeping with the latest trends in photography -- personally, my favorites are the images in this book. There is a freshness I don't find in her later work. But this human story, like her imagery, will always continue to be explored by artists as long as there are humans to explore.
Untitled Film Stills.......2006-03-08
This book along with the "Centerfolds" hardcover exhibition book provide the essential Cindy Sherman images. The film stills presented here are all in black and white, and her next project "Centerfolds" were all in color. Taken together you get the complete picture on Cindy Sherman.
Great Buy.......2006-02-22
This is a GREAT book. The pages are large and sturdy and show off her artwork well. A huge plus is the introduction written by Sherman...it gives you an inside look at some of the stories behind and the inspirations to some of the photographs. The book features a variety of her work through time. It is arranged very well.
wonderful........2006-02-21
great book and great artist. not sure what the person who wrote negative review was comparing it to, but she/he is a freak show who has way too much time on her/his hands. obviously bitter about something...possibly crazy?
Average customer rating:
|
Mapplethorpe: The Complete Flowers
Manufacturer: Te Neues Publishing Company
ProductGroup: Book
Binding: Hardcover
Mapplethorpe, Robert
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Lee Friedlander: Cherry Blossom Time in Japan
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ASIN: 383279168X |
Book Description
Flower are one of the most common subjects for artwork, yet Mapplethorpe excels at bringing something radically new to his flower photographs. Setting them in a universe apart, their poses are classical, reduced to a series of essential forms. Their compositions are profoundly simple but mask a complex dynamic. Each one is evocative, and almost always sexually charged. When photographed by Mapplethorpe, these delicate organisms become almost muscular in their raw power.
Average customer rating:
- An Okay book for Photoshop novices
- Good Addition for Photoshop Middle Skill Users
- Excellent
- Good Book
- [...]
|
Complete Photoshop CS2 For Digital Photographers (Graphics Series)
Colin Smith
Manufacturer: Charles River Media
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The Photoshop CS2 Book for Digital Photographers (Voices That Matter)
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Adobe Photoshop CS2 for Photographers: A Professional Image Editor's Guide to the Creative Use of Photoshop for the Macintosh and PC
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Advanced Photoshop CS2 Trickery & FX (Graphics Series)
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Adobe Photoshop CS2 Revealed
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Adobe Photoshop CS2: Photographers' Guide
ASIN: 1584504625 |
Book Description
Complete Photoshop CS2 for Digital Photographers is packed with updated coverage and tutorials on the new features of CS2. As with the first edition, this book is designed and written especially for digital photographers. It teaches you how to organize, enhance, correct, and retouch images; how to do creative things with those images; and how to output them. Using Photoshop CS is essentially like having your own digital darkroom on your desktop, and with the help of tutorials in this book, you'll learn how to master this powerful tool. By working through these projects, you'll explore the new and enhanced areas of Photoshop, including more in depth coverage of Camera Raw and working with multiple images. Expanded coverage of Bridge is also provided. When printing your images, paper choices can be critical, so new coverage about color management and working with profiles for getting accurate prints is detailed. In addition, there is coverage of the new sharpening, noise reduction and retouching tools, and methods. We'll also dive into the Lens Warp filter for fixing crooked and warped images. To help you master these tools the book teaches you professional techniques for overcoming the many challenges you'll face and by using these techniques, you'll be able to bring out the best from any photo, while establishing an efficient workflow. If you truly want to understand and master Photoshop CS2 for digital photography, this is the resource you need.
Customer Reviews:
An Okay book for Photoshop novices.......2007-07-13
This book has a lot of good information in it, but is not well written. You may be halfway through a paragraph before you get to the topic sentence and figure out what the author is talking about. It often takes a second or third trip through a paragraph to figure out what it's about. The author also is not consistent with his word usage. I've found as many as three or four different words used for the same thing. For instance luminosity and brightness are used interchangeably, sometimes on the same page or even the same paragraph. So, using the book can be frustrating, though the author clearly knows Photoshop and I have learned a lot from the book.
The book does not mention or discuss some of the neatest features of Photoshop CS2 including some of the Automate features such as Merge to HDR (high dynamic range). This feature combines an underexposed and an overexposed picture into one high dynamic range image (bright areas are not washed out and dark areas are not black). This is an amazing capability that is not mentioned.
I would buy this book again, but only after searching diligently for one that covers the same scope or more and is better written. Actually, I'd probably get a book that covers CS3 as well, and hopefully indicates where features are unique to CS3. Or maybe just a CS3 book if you are going to upgrade. I understand the upgrade to CS3 is well worth the price even though it is now $200. Ease of use alone makes CS3 valuable to novices from what I've read.
Good Addition for Photoshop Middle Skill Users.......2007-05-21
Mr. Smith's book is well illustrated and supported by the accompanying CD (images to work with that are in the book). His explanations are clear to the Photoshop user and he does explain some terms, as in methods of cropping and re-sizing an image and which method is suited for which type of image), file formats of images, and other areas like the applications under adjustments that I had not used until I began working with the book.
I have found some techniques that are similar to other authors (Scott Kelby, in particular, whose books I have enjoyed quite a lot), and that was part of my interest in purchasing the book-to broaden my reference library with people aside from Kelby, Deke McClelland, and some folks on-line like Earth-Bound Light and Photography, etc). I recommend purchase. Readable, well cross-referenced, and helps deliver results.
Excellent.......2007-05-08
Excellent training material. I would also recomment The Photoshop CS2 Book For Digital Photographers by Scott Kelby. The combination is outstanding.
Good Book.......2007-01-20
I am an amaetuer photographer. This book has helped me fine tune my photos and bring out its full potential. I will gladly recommend this book to anyone who wants to gain more knowledge on photography and perhaps learn a very powerful photo editing tool.
[...].......2007-01-10
This book covers a lot of complex material and some details.
The explanations are generally very clear, but to get the most from it you need to work through the exercises (on CD) and probably re-read the sections that might still be a little difficult to follow.
If somebody looking for step-by-step and good tip and tricks this book probably isn't for you but you'll find a lots great tips.
If you're willing to put in some effort you'll be able to make amazing improvements to your photos. Strongly recommended.
Average customer rating:
- Breathtaking!
- GREAT PHOTO BOOK!
- LOVE THIS BOOK!!!
- Necessary to a Marilyn's fan
- Beautiful Art
|
Marilyn Monroe: The Complete Last Sitting
Bert Stern
Manufacturer: Schirmer Art Books
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Binding: Hardcover
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Marilyn Monroe
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An Evening with Marilyn
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Marilyn: Her Life In Her Own Words: Her Life in Her Own Words : Marilyn Monroe's Revealing Last Words and Photographs
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My Story: Illustrated Edition
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The Many Lives of Marilyn Monroe
ASIN: 3888141915 |
Book Description
Bert Stern / Marilyn Monroe: The Complete Last Sitting
Bert Stern, the famous commercial and fashion photographer of the 60s, was the last to be granted a sitting by Marilyn Monroe six weeks before her tragic death. The three-day session yielded nearly 2,600 picturesfashion, portrait, and nude studiesof indescribable sensual and human vibrancy, of which no more than 20 were published. And yet these few photographs ineradicably shaped our image of Marilyn Monroe. This book presents the complete set of 2,571 photos. The monumental body of work by the master photographer and the Hollywood actress marks a climax in the history of star photography, both in quantity and quality. It is a unique affirmation of the erotic dimension of photography and the eroticism of taking photos, and it is the world's finest and largest tribute to Marilyn Monroe.
Text by Bert Stern
Customer Reviews:
Breathtaking!.......2007-04-03
Its simply a must in every Marilyn collection! Its like spending an entire day with her! If you like Marilyn you will love this book with hundreds of pics.
GREAT PHOTO BOOK!.......2007-03-11
Thanks Bert Stern a wonderful photo documentary about
Marilyn Monroe.
I was very impressed from the pictures.
Thank you!
LOVE THIS BOOK!!!.......2007-03-11
I love this book!! It's so interesting to read Bert Stern's story in the beginning because we get to read about Marilyn in a whole new light from a different perspective. It just proves how captivating she was. And the pictures are incredible and haunting at the same time since she died 6 weeks later. If you are a devoted Marlyn Monroe fan, you need this book. It's worth the money because there are over 2500 pictures and it is not a small book. I believe it is 9 pounds! She's beautiful and the pictures definitely capture her beauty, even at age 36!
Necessary to a Marilyn's fan.......2007-01-17
There was late for international shipping (the book was a gift for Christmas).
I had an excellent contact with the team who explain me the difficult.
Finally, I received the book on time.
Beautiful Marilyn and a lot of unknowed photographies.
Best value for a beautiful book.
Beautiful Art.......2007-01-12
The book is awesome. The pictures are besutiful and I keep the book out on the coffee table as an art piece. Everytime I have company my guests are astounded of all the different elements of art in Marilyn's last seating.
Average customer rating:
- Raw Workflow from Capture to Archives
- Too General
- Great for a beginner
- Excellent help
- Across the Board
|
Raw Workflow from Capture to Archives: A Complete Digital Photographer's Guide to Raw Imaging
Philip Andrews ,
Yvonne J. Butler , and
Joe Farace
Manufacturer: Focal Press
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Art of RAW Conversion: How to Produce Art-Quality Photos with Adobe Photoshop CS2 and Leading RAW Converters
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Photoshop CS2 RAW: Using Adobe Camera Raw, Bridge, and Photoshop to Get the Most out of Your Digital Camera
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The Advanced Digital Photographer's Workbook: Professionals Creating and Outputting World-Class Images
ASIN: 0240807529 |
Book Description
'Raw Workflow from Capture to Archives' provides specific, practical explanations and how-to instructions for the digital photographer mastering this process. The most comprehensive book devoted to simplifying raw workflow, this guide will demystify raw functions in the camera, raw converter, image processing and enhancement software, and digital asset management programs. Not restricting itself to a single workflow this valuable resource discusses the latest applications that deal with raw files, including special plug-ins, stand alone programs and custom applications. Shooting raw gives you complete creative control over your images and is the hottest topic in digital photography today. Learn how to take advantage of the benefits of raw to increase your creative control and streamline your raw workflow in this informative guide.
*The how-to guidebook on RAW file capture, processing and creativity!
* Straightforward example workflow solutions for Adobe Photoshop CS2, Adobe Photoshop Elements 4.0, Aperture and Lightroom and other software innovations for raw imaging
* Demystifies raw functions in the camera, computer, during download, and conversion, and finally during image processing
Customer Reviews:
Raw Workflow from Capture to Archives.......2007-07-07
Surprisingly, there are few if any books that cover RAW workflow these days; so any book that covers this important subject for the digital photographer is to be welcomed. Not surprisingly though, Focal Press have been the first to fill the niche with this excellent guide written collaboratively between Philip Andrews, Yvonne Butler, and Joe Farace. The book covers all subjects RAW, from capturing images through to archiving them. The initial chapter is aimed at the newcomer to RAW imaging, explaining what RAW is, the various formats, and the advantages and disadvantages of using it. In addition, for the beginner there is a chapter outlining the step by step procedure for capturing your first RAW images. There are two whole chapters devoted to getting the most out of Adobe Camera RAW, one for Elements users and one for CS/CS2 users. These chapters are probably the most informative and helpful I have read on the subject, with clear descriptions and examples of what each of the controls in the software do. Camera manufacturers' own RAW conversion software is also discussed, along with "Third Party" converters like Capture One and Pixmantec Rawshooter. The chapter discussing how to establish your own RAW workflow is also very helpful for beginner and more experienced alike. The "new kids on the block", when it comes to processing RAW files i.e. Lightroom from Adobe and Aperture from Apple are covered in some depth, again very informatively. These two pieces of software are the future of RAW image processing, as they allow you to perform the entire workflow using only the RAW image. The final two chapters give some useful advice on organising your images and suggestions on archiving them. This book is again of the same high standard that Focal Press is renowned for, with full colour throughout, clear screenshots and examples in abundance. For those new to RAW imaging you will find a mine of helpful information here to guide you through an oft-perplexing subject. The book's skill however, is to not only lead the beginner through the subject, but also to teach the more advanced user a few new tricks.
Too General.......2007-07-05
This book tries to capture too many products and really gives very few tips on workflow. I suggest looking else where.
Great for a beginner.......2007-02-07
I am not an expert, but as someone trying to improve my skills with Raw, this book definately covers the waterfront. I am very pleased. It has a very nice mix of text pictures and examples. Very easy to follow, and offers a wide choice of options for editors, setting up a workflow and covering the subject.
Excellent help.......2007-01-05
Helps a lot to understand raw's particularities and improves the "handling" of raw files.
Very good indeed
Across the Board.......2006-10-05
When a digital camera takes a picture it saves the information in a digital file. This file may be processed by the camera for easier viewing or use. RAW is the name of the file format for unprocessed data. This RAW file is capable of more manipulation when transferred to a computer than a processed picture, like one in the JPG format. This allows a photographer to make the file look more like his or her vision.
This book offers guidance on using the raw format, starting with set up of the camera for saving a picture in RAW, through processing, to archiving the image. There are several books in print that explain how to use the popular Adobe Camera Raw (ACR) software, which is part of Photoshop and Photoshop Elements, for processing RAW files. But ACR is not the only software available for processing RAW files, even if it is the most prominent. Unlike other books, this volume takes a step back and looks at the range of software available for RAW processing including independent software like Capture One, Raw Shooter and Bibble, and camera manufacturers' software like Nikon Capture. The authors also consider related software, like Adobe Bridge and Extensis Portfolio, as well as some new software that takes a different approach to handling RAW files, like Apple's Aperture and Adobe's Lightroom.
Unfortunately, this effort to take the long view has its problems. The authors look at different software packages for RAW processing, and point out the most important features of each, However there is not enough depth to allow readers to make a decision as to which package is best for them. If it is impossible to provide that much information in a book of this length, I would have liked to see the authors provide their comparative conclusions as to which software was most appropriate for photographers with different goals and bents.
The same problem exists with regard to other aspects of the long view. For example the author's note that both Extensis Portfolio and Adobe Bridge have the capability of searching archived files for keywords. But they don't make any comparison that shows the advantages and disadvantages of the two. I conducted an experiment to search one thousand files for a single keyword. With Portfolio the search took less than a second. The same search with Bridge took more than five minutes. Yet, if I were working in Bridge with a small file set, it would be more convenient to search keywords with Bridge than to start Portfolio. While I don't need to see this exact comparison, I would have liked to see a more detailed comparison than was provided.
At the other end of the scale, the authors give far more detailed instruction on the use of ACR than on any other converter. Unfortunately, it's just not quite deep enough. They show you how to manipulate the controls in ACR but leave out many of the fine points. For example, most experts recommend that you not sharpen your pictures in ACR. The authors also tell you this, although they do tell you how to adjust the sharpening slider. But it's easier to use the other controls if the picture is sharpened. ACR has a facility that allows you to view your file as sharpened, without actually applying sharpening. The authors don't mention this.
If you want to learn how to use ACR, for the beginner I recommend Mikkel Aaland's "Photoshop CS2 Raw" and for the more experienced user, Rob Sheppard's "Adobe Camera Raw for Digital Photographers Only". But if you want a broad overview of the entire RAW process, with an introduction to all aspects, including software, I haven't found a book comparable to this.
Average customer rating:
- The perfect level of detail for a beginner
- Only for film photographers
- Overrated
- Not rocket science
- Great Reference
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Professional Techniques for the Wedding Photographer: A Complete Guide to Lighting, Posing and Taking Photographs That Sell (Photography for All Levels: Advanced)
George Schaub , and
Kenneth Sklute
Manufacturer: Watson-Guptill Publications
ProductGroup: Book
Binding: Paperback
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The Art of Wedding Photography: Professional Techniques with Style
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Digital Wedding Photography: Capturing Beautiful Memories
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The Best of Wedding Photojournalism: Techniques and Images from the Pros
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The Best of Digital Wedding Photography
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The Art of Digital Wedding Photography: Professional Techniques with Style (Amphoto)
ASIN: 0817456023 |
Product Description
This is the picture-taker s bible on lighting, posing and taking gorgeous photographs that will increase sales and profits. The guide is organized as a thorough and detailed shooting script for a typical wedding day. 144 pages, 8 1/4 x 11
Customer Reviews:
The perfect level of detail for a beginner.......2007-06-12
This book covers all the main topics of wedding photography for the beginner. Not too much detail on camera settings; the focus is more on things you want to be aware when photographing the different parts of the wedding from before the wedding until after the reception. Pictures are great as examples and text is easy to read and understand.
Only for film photographers.......2007-05-19
I got this book hoping for info geared for digital photography, it has none. The book was written when digital photography was just becoming popular. It is good for formal wedding posing ideas, but it gives no technical info for digital photography. All of the info is based on using film.
Overrated.......2007-04-29
I am a beginning photographer but after having reviewed Digital Wedding Photography by Ken Johnson, this book I would say is a distant 3rd. Overall the book is well very simple, well written but low on explaning tecniques. This book dealt with more emphasis on wedding workflow from the dressing room to church and beyond. As a photographer I think we all know that already....I would have been happy if emphasis was put on techniques and tips on how to capture the moment. If this was my first book I may have been impressed with it but sorry folks Ken's book is far more superior in quality overall.
Not rocket science.......2006-07-31
I was hoping for a book that offered some real value - an easy to read, quick to digest volume that provided some real insight. But this is basic content that may be of value to those who have never taken a picture before, most likely using the "professional techniques" verbiage in the title to attract more buyers. It certainly got me!
Great Reference.......2006-06-30
After several years of photography and being frustrated with the results I was getting I finally decided that maybe I did need to read the manuals that came with the camera. After countless hours of trying to decipher what exactly they were trying to explain to me, it became clear that I needed something a little more "user friendly" that would still provide the necessary information to help me get the results I was looking for. After looking over several books I settled on Professional Techniques for the Wedding Photographer by George Schaub. I am not a wedding photographer by trade, in fact I have to be dragged kicking and screaming to a wedding (including my own). I found this book to be quite interesting as Mr. Schaub went through several lighting techniques that can be used not just for weddings but for all portraits. The book was written in a concise manner giving you the necessary theory behind lighting followed up with a real world example with diagrams of where to set the lights. After reading this book I still hate going to weddings and would rather go to the dentist than sit through a session with the new couple showing their wedding photos. But at least I understand how the photographer got the results they did and how I can recreate them to make me a better photographer.
Average customer rating:
- Fantastic book on studio lighting.
- Good book
- It's not the book the title implies
- Such a Missed Opportunity
- Want to learn studio lighting ? This is THE BOOK !
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Basic Studio Lighting: The Photographer's Complete Guide to Professional Techniques
Tony Corbell
Manufacturer: Amphoto Books
ProductGroup: Book
Binding: Paperback
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Similar Items:
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Master Lighting Guide for Portrait Photographers
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Beginner's Guide to Photographic Lighting: Techniques for Success in the Studio or on Location
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Photographic Lighting Simplified
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Creative Lighting Techniques for Studio Photographers
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Posing for Portrait Photography: A Head-to-Toe Guide
ASIN: 0817435506 |
Customer Reviews:
Fantastic book on studio lighting........2007-05-09
I've read and can appreciate all the reviews that came before this one. This book is NOT a cookbook on lighting. It IS a treatise on understanding how lighting effects photographs and how to best use lighting to define your photographs.
Those reviewers that have complained that the book didn't tell them how to light a given photograph will return to this book for understanding and inspiration once they master the basics.
I've read (and learned from) many photographic lighting books prior to this one and can say this is the finest book I've yet seen. It taught me to understand lighting, rather than simply use lighting.
Good book.......2007-03-13
I really like it, it's easy to read and good illustrations. good tips on lighting. it's really helping me on my photo technique's and my equipment.
Me gusto, es fácil de leer, y las ilustraciones son muy buenas. Me esta ayudando mucho en mi técnica de fotografia y me da ideas para montar mi estudio
It's not the book the title implies.......2006-11-17
This book should been titled "Studio Lighting Theory". While I appreciate the theory and concepts described in the book, I was looking for BASIC STUDIO LIGHTING instruction, and this book does not deliver. There are many, many nicely lighted portraits and product shots in this book but they are like teasers..."Try and figure out how I lighted this one!" In another review of the book, the reviewer considers the lack of diagrams a plus, but I surely can't see how holding back information can be beneficial.
I suspect, this was just a money grab by the author. A collection of his photographs--most of which he may not even remember the lighting setup used. The book is a bit dated, too, with nothing but film references and no fluorescents even mentioned in the continuous lighting section.
If you are looking for an introduction to studio lighting, this book will disappoint. I suggest looking elsewhere. That's what I'm doing now.
Such a Missed Opportunity.......2005-12-02
There is no question that Tony Corbell takes wonderful photographs. Go to his website at [...] to see for yourself. But, as we've often seen, raw photographic talent more often than not does not translate into teachable talent or competent writing skills.
In `Basic Studio Lighting' Corbell tackles a needed subject, writes in an agreeable fashion and delivers with beautiful examples. Yet one finishes this book, while thankful for the nuggets of valuable information, ultimately disappointed.
Disappointed at the missed opportunity. Corbell might very well have delivered a photographic knockout punch. He could have written the definitive textbook on studio lighting. Instead his book falls into the "out of 144 pages, I picked up three new ideas" category that too often describes photographic instruction books.
How do you possibly write a book on basic studio lighting without a single lighting diagram connected to an individual photograph? Tony Corbell did.
He even knows the importance of conveying that information. Consider, on page 128, Corbell writes "Placement of the separation light is of key importance..." yet no diagrams. As in none.
Didn't early on somebody, anybody (maybe an editor who should have known better) say, `Uh Tony? You might want to diagram those lighting setups, just in case someone might actually want to use your information"? This omission alone takes this book from the keeper category and lands it into the `read once and discard' category.
This book reads like Tony's lectures might sound if they were written down with a slideshow of images behind him, not like a book written from scratch.
Such a missed opportunity.
Want to learn studio lighting ? This is THE BOOK !.......2005-02-26
I've just bought about 10 top rated studio lighting books. This is the best book I've ever read about studio lighting with much more than basic information.
Tony Corbell explains about all I ever wanted to know about studio lighting: their types (main/key light, fill light, etc); equipment and accessories (and what you get from them); light control (e.g. what happens when you put the light near the subject, etc); measuring light (you will really like to know how to measure an f11.0 key light + f8.0 fill light and all then do it by yourself in all the other situations); one light setup and lighting for deep. Tony Corbell won't give you the fish but you will learn how to go fishing. No photo diagrams and schemas (thank you Mr. Corbell, I didn't want to learn how to copy a lighting schema but did want to learn how to understand them all and how to build my next one) and full of information I've been waiting for. If you want to take the long road do as I did search all lighting books, then search inside this book and also visit the Hasselblad website just to get references on this book and Mr. Corbell work. But if you want to take the short road, just buy it: it's all worthwhile. Oh, just in case you want to take the long road, I could sell you all the other nine books...
Average customer rating:
- Another John Shaw Book - Excellent
- a must read for beginners and advanced amateurs
- GREAT REFERENCE. WELL ORGANIZED
- A great first book for the aspiring nature photographer.
- Good across most areas
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Nature Photographer's Complete Guide to Professional Field Techniques (Practical Photohgraphy Books)
John Shaw
Manufacturer: Amphoto Books
ProductGroup: Book
Binding: Paperback
General
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John Shaw's Closeups in Nature (Practical Photography Books)
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John Shaw's Focus on Nature: The Creative Process Behind Making Great Photographs in the Field
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John Shaw's Nature Photography Field Guide
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John Shaw's Landscape Photography
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Understanding Exposure: How to Shoot Great Photographs with a Film or Digital Camera (Updated Edition)
ASIN: 0817450068 |
Customer Reviews:
Another John Shaw Book - Excellent.......2003-02-04
This is another of John Shaw's excellent books on photography. Liberally illustrated with examples and interspersed with his commentary and notes I found tremendously useful.
Shaw covers almost all aspects of photography - from the rule of 16ths, exposure, film, tripods, lenses, closeups, depth of field, composition, backlit photography, etc... Reading this book before you start using that brand new SLR of yours will save you a lot of frustration and trial and error:) A lot of the tips in the book are also equally applicable to people using point-and-shoot cameras also.
A very useful feature in this book is that almost all photos have exposure details listed. Some of his other books do not have these details, which I miss.
This book is highly recommended if you are just beginning photography and are looking for a good introductory book.
a must read for beginners and advanced amateurs.......2003-02-04
It's usually difficult to write a nature photography book that's useful for the beginners and at the same time gives valuable advice to advanced amateurs, but Mr Shaw has just done that in this book.
This book contains very valuable advice for advanced ones especially on close-ups and flash photography and at the same time he covers the basic rules (thirds, sunny f/16) from an interesting perspective. I found his advice about filters and field gears invaluable.
Read this book if you want to take stunningly realistic nature photographs.
GREAT REFERENCE. WELL ORGANIZED.......2000-07-27
I doubt if this is the only book that you will ever need on this subject, but it is certainly one that you should not be without. I frequently use it as a quick reference/refresher before "going on a shoot." The topics are organized into 2-4 pages each that provide a lot of explanation without getting bogged down in chemistry and physics. Lots of great photos to illustrate the major points.
A great first book for the aspiring nature photographer........2000-03-02
John Shaw's books are highly recommended by many photography enthusiasts. I bought his "Closeups in Nature" last year, and thought it was one of the best instructional books on photography I've ever read. "Nature Photographer's Complete Guide..." is also a very good a book, I think, but I wouldn't buy it if you already have the "Closeups..." book. I think it is probably better suited to beginning photographers.
Good across most areas.......2000-02-25
This book touches on many relevant areas and facts about landscape and wild life photography. Good reference material. A little brief about composition in the area of landscape photography, though.
Average customer rating:
- Informative.
- Starting Out
- Lots of good information but a very dry book.
- A basic guide to beginning a freelance photography career
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Starting Your Career as a Freelance Photographer: The Complete Marketing, Business, and Legal Guide
Tad Crawford
Manufacturer: Allworth Press
ProductGroup: Book
Binding: Paperback
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Similar Items:
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2007 Photographers Market (Photographer's Market)
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Business and Legal Forms for Photographers (with CD-ROM) (Business and Legal Forms)
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Shooting & Selling Your Photos: The Complete Guide to Making Money with Your Photography
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Pricing Photography: The Complete Guide to Assignment & Stock Prices
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Photographers Market Guide to Building Your Photography Business: Everything you need to know to run a successful photography business
ASIN: 1581152809 |
Download Description
Here is a virtual treasury of advice, insight, and guidance for every freelance photographer! From creating a portfolio and promoting your work to winning the first client and running a healthy, profitable business, this book provides crucial marketing, business, and legal know-how for every step of the process.
Customer Reviews:
Informative. .......2007-09-19
I am not a freeelance photographer, but wanted to learn what it takes to be one. I will definately keep my day job!
Starting Out.......2005-08-19
When I first encountered this book and glanced through its index, after noting that it had been published by the American Society of Media Photographers and Allworth Press, I expected it to be a version of "ASMP Professional Business Practices in Photography"...light. The latter book was designed to help professional photographers with the business aspects of their careers (but I found it omitted reference to many important business questions). I was wrong.
This book purports to be aimed at people who are interested in becoming professional freelance photographers and it starts out simply in the first part with a broad overview, including comparisons of the advantages of attending a photography school and apprenticing to a professional photographer and selecting equipment. It was simple stuff to be sure but I'm told many people entering the career need this type of information.
But when Part II came, there was more meat. It was a first for me to encounter a photography business book that actually talked about where the new professional was going to get his startup cash: family, friends, a working wife, or even (highly unlikely) a bank loan. The short chapter on location and leases even referred to things like zoning and subletting. There was even a section that talked about the collection of sales taxes and resale certificates for tax exemption. The chapter on insurance covered a topic you never hear even experienced photographers talk about although you know they all need it.
Part IV on negotiating contracts and prices even had a pricing model that looked at the costs of creating photographs and suggested that if the photographer could not set his prices high enough to cover his costs (including his own draw) he should not enter the business.
Part V called "Photography and the Law" discussed copyright, privacy and hiring an attorney. It even had a section on income taxes with suggestions on how to keep the books, which combined with an earlier reference to the software Quicken, talked about an issue that the new photographer usually doesn't even think about facing.
You may have noted that I haven't discussed Part III on marketing, which I found the weakest part of the book. It was disjointed and not comprehensive, although most photographers would probably benefit from reading the short but well written chapter called "The Web Site as Marketing Tool." If you want to understand what's involved in marketing I would suggest Scott Bourne's little book "88 Secrets to Selling & Publishing Your Photography."
This is not to suggest that this is the only business text a freelance photographer will ever need. Far from it. With the exception of the chapters on copyright and privacy and releases (which I think covered the fields very well) every one of the issues raised by the book will require more extensive study. But the book will highlight areas of the business of photography of which the beginning freelancer would never think until a major problem exploded in his face. Presumably, that's a good enough reason for him or her to read the book.
Lots of good information but a very dry book........2005-04-21
This book contains a lot of infomation on how to get started on photography from a business perspective- However a lot of the chapters are taken from other books. Also it is very dry reading- kinda like reading a text book, its stuff you should know but you probably take a few naps before you actually finish the book.
A basic guide to beginning a freelance photography career.......2003-12-08
Talented with a camera? Check out Starting Your Career As A Freelance Photographer, a basic guide to beginning a freelance photography career, which covers everything from skills needed to equipment, locating clients, and building portfolios of successful projects. The meat of Starting Your Career As A Freelance Photographer lies in its photography-specific business savvy, from negotiating contacts and pricing to studio management.
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