Amazon.com
"Editing is the creative force of filmic reality." So Dmytryk, director of the American classic "The Caine Mutiny" begins this little book, which he hopes will aid film directors and editors in perfecting their art. It is informative for general audiences as well, demonstrating how deeply the experience of any film relies on the creativity and versatility of its editor.
Book Description
On Film Editing explains, in simple terms, the principles of film editing, using examples and anecdotes. Written in an informal "how-to-do-it" style, renowned director Edward Dmytyrk shares his expertise and experience in film editing in an anecdotal and philosophical way.
In On Film Editing, Dmytryk contends that many technicians and professionals on the film crew-- from the cameraman and his assistants to the producer and director-- must understand film editing to produce a truly polished work. In this book he explains in layman's terms the principles of film editing, using examples and anecdotes from almost five decades in the film industry.
A perfect introduction to film editing.
Written in easy to understand language
Supported by examples from famous films and the author's vast experience.
Customer Reviews:
This book made me a film maker........2007-06-11
One of the most important books in my life. I read and re-read this book in preparation for editing my FIRST film ever. Reviewers say my film possesses a "master level" edit. This book is why. Buy it. Read it. Re-read it.
My message to all young grasshopper: Read. And now read some more. Read and you become master phlegm-en-zepher.
editing is tricky buisiness.......2006-11-10
this is an excellent book on this very delicate craft. I also liked "the eye is quicker" but this was very informative and a better read. there is no substitute for actually editing and what works is hard to descibe in words but this book demonstrates some very subtles points and Mr. Dmytyk is a film maker. If your just starting read the eye is quicker but if you have some experience and want to go to the next level, this is a good one.
Informative, interesting and Nice Bed Time Reading.......2006-07-17
This is not only a really awesome book to help improve
your editing skill, but also one of the nicest overall books I've
ever read. Worth while buying.
Classic. Essential. Practical........2006-03-07
There are a lot of great books on the more artistic and unquantifiable aspects of motion picture editing (for example, Michael Ondaatje's Conversations with Walter Murch), but this is one of the few books to lay out the basics. Everyone who wants to edit motion pictures, whether it's home videos using iMovie or feature films using Avid or even (especially) actually cutting film should know what this book has to teach. It's really the only book for the novice editor worth reading. Just buy it.
Timeless value.......2005-12-24
Some principles are timeless. This is so with the techniques of editing. This book is as relevant and inspiring today as it was when it was first published.
Amazon.com
No book can find your ideas for you, but this one provides a great service in helping you discover and develop a story, and to come up with the completed script. King helps you learn to think cinematically, in the language of the movies, and to keep asking the essential questions as they work: What's the story? Who is the story about? Do you care about the characters? Does anyone? King also tries to help you survive not just the structural pitfalls that can derail a script, but also the mental or emotional whirlpools that can prevent any artist from finishing a project.
Book Description
The ultimate survival guide, How to Write a Movie in 21 Days takes the aspiring screenwriter the shortest distance from blank page to complete script.
Viki King's Inner Movie Method is a specific step-by-step process designed to get the story in the writer's onto the page. This method guides the would-be screenwriter through the writing of a movie. It answers such questions as:
- How to clarify the idea you don't quite have yet
- How to tell if your idea is really a movie
- How to move from what you want to say saying it
- How to stop getting ready and start
Once you know what to write, the Inner Movie Method will show you how to write it. It also addresses such issues as:
- How to pay the rent while paying your dues
- What to say to your spouse when you can't come to bed
- How to keep going when you think you can't
For accomplished screenwriters honing their craft, as well as those who never before brought their ideas to paper, How to Write a Movie in 21 Days is an indispensable guide. And Viki King's upbeat, friendly style is like having a first-rate writing partner every step of the way.
Customer Reviews:
The only screenwriting course you need.......2007-09-15
HOW TO WRITE A MOVIE IN 21 DAYS take the complete novice to a level of competency I never thought possible from a single book. It is clear, concise and very readable. It is must reading for anyone who wants to learn how screenplays get done. Master the contents of this book before reading any other book on screenwriting. After reading this book and applying its contents, I did not read the Screenwriting for Dummies book I bought because I already had all the skills and information I needed on the subject.
The perfect guide.......2007-06-28
This book is the perfect guide to not just screen writing, but also writing in general. In contains exercises of finding and getting to know your characters. The 21 days are well planned and will keep you busy. It's helped me create a realistic plot with realistic characters.
If you can't get past page 60..........2007-06-15
I am a working screenwriter, and this is the only screenwriting book I recommend. Why? Most of the screenwriting books out there are very useful - for rewriting. This book actually gets you to complete the first draft - a huge hurdle for beginning writers. You probably won't finish in 21 days, and the draft you write probably won't be very good. But that doesn't matter, because you will finish a draft, and then you can rewrite it and make it good.
I still use this book to clarify my thinking, or if I'm on a tight deadline.
Great advice.......2007-05-21
Although a person can't effectively write a movie in 2l days this book gives great advice in how to start your screenplay.
Useful Tool for the Impossible.......2007-05-13
Written in a conversational tone, 21 days, is filled with exercises to get the creative juices flowing. If anything, you'll come out with a great beginning or "random" draft if you adhere to the exercises. I started reading the book for my screenwriting class and I expected to hate it. But, I must say, that I totally recommend the book to anyone who's got at least a desire to write a screenplay.
Amazon.com
Thank goodness this classic book has come back into print! Though The Technique of Film Editing has not been revised since 1968, it is still the single most comprehensive and engaging volume on film editing. Karel Reisz and Gavin Millar introduce readers to every aspect of the editor's craft. They provide a concise history of editing and describe editing style as it applies to every genre of moviemaking, including the many types of narrative and documentary films. The particular demands of wide-screen filmmaking, cinema vérité, and the avant-garde are also covered. Reisz and Millar's account of the differences between smooth and abrupt editing and their remarkable sense of editing for dramatic effect rather than for realism make this book an essential for apprentice editors, as well as for those who want to know how filmmakers understand their work.
Book Description
First published in 1953, the original English version of the book was reprinted 13 times without a word being changed and in translation it has become the standard work on the subject in the Spanish Czech, Polish and Russian languages.
In 1968 the original text was reprinted as it stood, as it was felt that any attempt to revise or reinterpret it could only blur its spirit. the second edition has now also reprinted 13 times. On publication the film director Anthony Asquith said `this book is an absolute must not only for film technicians but for every intelligent filmgoer' and more recently i has been said that `it is probably the most successful film textbook in English, and has had a great influence on the technique of the cinema.' By
reisuing this book, unchanged apart from the new cover and slightly larger format, we hope that a new generation of aspiring film editors will continue to derive much pleasure from this classic text and, moreover, it will treble their enjoyment of every visit to the cinema.' Film director, Anthony Asquith `All who are creatively and written and compiled by Karl Reisz, with the help of some of the finest brains in British film production must become a standard work.' Film producer,
Michael Balcon.
Customer Reviews:
Bible of Film Editing.......2007-08-08
Bible of Film Editing
from an editor and editing professor-
editors must have it- simple as that-- would be wise for other filmmakers to read too
comprehensive fantastic.......2005-09-01
I found an old copy in a library and searched this out. I bought the hardcover one on amazon cheaply. It has been revised for so long you may as well buy the old. it's not just about editing and goes through how to sequence shots for action (a chase) etc, goes through some citizen kane shots. Has quite a few pictures of sequences and other stuff. I highly recommend it. It's a massive book.
Want to make films? Read this book!.......1997-11-24
First you have to find it. Incidentally, I am sure it is not extremely difficult to find, for I happen to have found it accidentally in a film book store in Hollywood. Needless to say this book provides any potential film maker with an exciting view of the craft, turning mechanics into art. It is written in a clear style and in an almost profound way it will change the way you understand cinema and editing. Reisz and Millar will teach you how to turn the art of film into film art.
Book Description
The Avid Handbook caters to video editors bordering on intermediate who are ready to unleash the full power of the Avid but don't know where to start. Rather than focusing on arcane keystrokes, the book teaches production procedures, the real key for getting a job done. Time saving, shortcuts, and strategies are emphasized, and the author tackles such real-world problems as set up, keeping a facility running, minimizing crashing, and troubleshooting head on. Bayes has helped thousands to avoid downtime and maximize creative time.
* Intermediate techniques for the Avid Xpress, Avid Xpress DV, Media Composer, and Symphony
* Emphasis on workflow strategies, configuration, troubleshooting, and administration
* Helps maximize creative time and eliminate downtime
Customer Reviews:
Excellent Handbook For Avid Editors of All Levels.......2006-02-26
A great reference for for any Avid editing suite. The Avid handbook is packed with strategies for workflow that offer huge time efficiencies. Steve Bayes is a wealth of information not just on Avid editing, but on video in general. He explains the concepts in a clear and concise fashion. I found the tips on exporting and color space considerations particularly helpful. I would highly recommend this book.
The first choice for new and experienced Avid editors.......2006-02-21
This is a "must have" book for all Avid editors. It concentrates on workflow issues and gives the editor insight into what the logic has been in developing how the Avid editing applications function. This book is as much "why" as "how to" and therefore transcends software version changes and updates that cause other manuals to become obsolete.
Book Description
The Technique of Film & Video Editing provides a detailed, precise look at the artistic and aesthetic principles and practices of editing for both picture and sound. Analyses of photographs from dozens of classic and contemporary films and videos provide a sound basis for the professional filmmaker and student editor. This book puts into context the storytelling choices an editor will have to make against a background of theory, history, and practice. This new edition has been updated to include the latest advances in digital video and nonlinear editing and explores the new trend of documentary as mainstream entertainment, using films such as "Farenheit 9/11" and "The Fog of War" as examples.
* Learn how to strengthen your story and engage your audience through the editing process
* Examples, analysis, and film stills from great movies
* Includes a new chapter on the impact of documentaries
Customer Reviews:
Not Great.......2007-09-02
I had to buy this for a film editing class. I'm only about 2 chapters in so far, but I'm thoroughly disappointed. Dancyger seems to prefer directing techniques over editing techniques, and definitely theory over practice. The first two chapters are reiterating the basics of film history with many techniques used in the classics by Melies, Porter, and Eisenstein. I've learned so much about film history and SO LITTLE about editing technique I am definitely disappointed and unenthusiastic about reading more.
Book Description
Have you ever watched a big-budget Hollywood movie and wondered "How did they do that?" or, perhaps, "How can I do that?" While digital technology greatly simplifies the filmmaking process, there are many tried-and-true production tricks that only those lucky enough to work in the world of high-budget professional film production get to know. The truth is that setting up a car chase, making a realistic-looking alien, staging a fistfight, creating atmospheric lighting, and using special effects are often not as difficult to master as you might think.
Digital Video Production Cookbook will show you how to create sophisticated-looking visual effects, dramatic shots, and powerful sequences using low-cost methods adapted from high-end professional techniques. Author and award-winning filmmaker Chris Kenworthy explains how you can use a digital video camera and basic editing software, to create high-end production values with household equipment and a little imagination.
The book includes easy-to-follow recipes for:
- Creating bluescreen effects
- Simulating rain, snow, and other natural phenomena
- Working with backlighting, simulated candlelight, and special lighting effects
- Shooting day for night
- Staging safe stunts, chase scenes, and fistfights
- Makeup techniques for aging, bruises, and serious injuries
- Shooting at night
- Working with camera movement
- Adding special effects such as laser bolts, holograms, and explosions
and much more.
Packed with full-color, step-by-step instructions, inspirational examples, and authoritative information and advice, this book is the ultimate, no-nonsense cookbook for every aspiring digital filmmaker.
Customer Reviews:
Very easy to read book with good info.......2007-09-13
I read through the book which was very informative, form ohh so thats how and TV never really was the same after. I have also tested out good part of it and got good resuslts. I would recommend it highly
Take a pass on this one.......2007-09-03
There are a view techniques described in this book that might come in handy someday, but the descriptions are not particularly thorough. The bottom line: this will make a good coffee table book but don't expect to learn too much.
Creative ideas for any video project.......2007-08-01
I was looking for a video book that shows methods of filming ideas. Just searching I ended up with very complex cinephotographer books that contained tons of detail but too complex for casual person like myself. Just happended to stumbled across this book and was really surprised at the clear writing style and easy to understand images. For making a simple film project with no budget I thought this was the perfect book.
If you are looking to improve your video skills or making a large student project, I would highly recommend this book. For the film student or professional these tips might be already covered in school. Many of the project require nothing special, just a standard video camera and basic editing software. This is a nice change from other books that almost require Adobe After Effects to produce a good special effect.
Overall I really enjoyed this book and will keep this in my video bag to spark any ideas I might need during filming.
EXCELLENT BOOK.......2006-03-25
very practical way of showing how to do multimedia effects at minimal or no cost. Good illustrations & straight to the point. very clear bullet points under the photos, No boring bulcky paragraphs.
I recomment this book, it's Excellent.
Some good some bad........2006-03-02
The lighting stuff is really nice. The special effects section is great, but some of the stuff at the end of the book is pretty cheesy at best. All in all, I found the book very useful.
Book Description
The up-to-date, acclaimed guide to writing and selling screenplays to today's film and TV markets. This is the new screenwriter's bible.
Customer Reviews:
Still Unbeatable.......2007-04-27
I'll go straight to the point: the part on character creation and development is worth all the books published about the subject in the last twenty years. The simple-straightforward-logical method displayed here is simply unbeatable.
This is really an old book, but don't make the mistake to think of it as outdated. Sure, it's kind of weird read things as "recent films like Rambo" but all the eighties movies that he mentions and uses as practical examples are totally time tested.
Also, I would pay its full price for the single analysis of The Karate Kid included. Laugh if you want. I'm sure you will learn a lot.
A final thought: There are two kinds of "how-to" books. The ones that should be called "how-should" (yeah, that ones that tell you how a good script should look judging by the subsequent movie, i can do that too) and real "how-to's", that guide you step by step with a logical process so you can learn.
Obviously, Hauge's book stands proud among the last ones. Thank you, Mike, wherever you are.
I love this book.......2007-04-17
I just finished taking a continuing education course on script writing at my local college and this book has been very helpful with supplimenting what I learned. It is packed with all kinds of info and is very easy to read. There are several good books out there and this is one of them.
AWESOME Book for anyone who wants to learn or improve your Screen writing.......2007-03-31
I purchased this book and Mike's Hero's Journey DVD and he has a great way to explain the magic of screen writing, his advices and examples are clear and helps you apply right away to your screen writing. I enjoyed very much reading his book and seeing his DVD. I highly recommend any book or materials from Mike to anyone that might be aspiring to become a screen writer or wants to improve your screen writing techniques.
The best first book on screenwriting without a doubt.......2006-12-24
First of all, I feel I have to say that English is not my mother language, but never mind; I have read this book easily. To be honest, I've just read only a first half of the book; the second part - An Analysis of The Karate Kid - I was not interested in.
However, the first half (which is about 160 to 170 pages) gave me the full insight of the ingredients of a good screenplay and how to obtain them. Although the book is not perfect, I think that after reading it you can easily write your first screenplay with the confidence.
These days I am reading Ray Frensham's Teach Yourself Screenwriting which (in my opinion) has more extensive approach to screenwriting, although it is more concise written. However, the knowledge gained from the Writing Screenplays that sell helps me great to absorb the material from that book very easy.
So, if you want to start learning how to write screenplay from the beginning, first read Writing Screenplays That Sell, and you will not regret. On the contrary, you will be very satisfied with that decision. After that, you can read any book you like or immediately start writing you first screenplay, whatever you wish.
How great is this book? I've bought five copies!.......2006-11-02
If my house were burning, and I could only rescue ONE screenwriting book of the 60 that I own and (yes) have read, it would be Michael Hauge's "Writing Screenplays That Sell."
While it is terrific for the beginner, I had already written three scripts before reading this book, but the advice and guidance in this book focused me so well that I now judge my writing experience as "pre-Hauge," and "post-Hauge." Post-Hauge, I have had five scripts reach Semi-Final stage in the Nicholl Fellowship, and three have been optioned.
I have also bought this book as gifts for five friends, including my son, who said that they wanted to learn how to write a feature script.
You won't go wrong following the advice in this book.
Customer Reviews:
Phillips de-mystifies creative writing.......2003-04-04
As a former creative writing student of Dr. Phillips, I can attest that this book is the next best thing to having the man on retainer. Each step of the creative writing process, from brainstorming to final draft and submissions, is de-mystified and broken down into a series of manageable activities. The most important thing he taught me is that writing, like most things worth doing, is simply a matter of frequent practice. Do the work and the muse will come to you! Very highly recommended.
Insightful Book About Short Film Scripts.......2001-02-21
WRITING SHORT SCRIPTS by William H. Phillips
WRITING SHORT SCRIPTS is a very insightful book about writing short scripts.
The Author has included his perceptive comments about the structure of short film scripts, and has thankfully included the texts of the short film scripts that he writes about.
THE RESURRECTION OF BRONCHO BILLY (1970) is one of the short films included in the book. A number of photos from the film are included as well. "BRONCHO BILLY" is the classic Academy Award Winning live action short film starring JOHNNY CRAWFORD and KRISTIN NELSON. JOHN CARPENTER created the Original Music and was the film editor. NICK CASTLE was the Cinematographer. It is shot like a classic western, but the setting is the big city in present time. The hero dreams of being a cowboy, and actually rides off into the sunset with the girl. It is a movie, with some cinematic wonderful license.
The entire shooting script is included in the book. It is simple, straight forward, and it includes JOHNNY CRAWFORD'S improvised dialogue from the famous "Park Bench Scene" with KRISTIN NELSON, where he goes on about John Wayne, and Gary Cooper, and when asked if he has a horse, says: "Well, not all cowboys have their own horse."
THE RESURRECTION OF BRONCHO BILLY (1970) was released by Universal Studios, to motion picture theaters across the U.S. and Canada for 104 weeks, and holds the record as the most financially successful live action short film in the history of the studio. Ironically, as the book tells us, the filmmakers were all just starting out on their motion picture careers and were attending classes at the Cinema Department at the University of Southern California at the time they made the picture. That is inspiring for young filmmakers everywhere.
If you are interested in short films, this book includes details about "BRONCHO BILLY" and several other excellent short films as a reference on short film script writing. If you may write a short film yourself, this is one book that you should own and read.
Book Description
Vale's Technique of Screen and Television Writing is an updated and expanded edition of a valuable guide to writing for film and television. Mr. Vale takes the aspiring writer through every phase of a film's development, from the original concept to the final shooting script. Teachers of the craft as well as writers and directors have acclaimed it as one of the best books ever written on how to write a screenplay.
This book combines practical advice for the aspiring or established writer with a lucid overview of the unique features of this most contemporary art form, distinguishing film and video from other media and other kinds of storytelling. It teaches the reader to think in terms of the camera and gives practical advice on the realities of filmmaking. At the same time, Vale, who began his own career as a scriptwriter for the great French director Jean Renoir, provides a solid grounding in the history of drama from the Classical Greek theater through the great cinematic works of the twentieth century. Both philosophical and pragmatic, this is a very readable book for students and active professionals who want to improve their writing skills, and for film enthusiasts interested in knowing more about what they see on the screen.
Mr. Vale is that rare combination, a practitioner of great experience who can offer a lucid explanation of his craft.
Eugene Vale was born in Switzerland and began his career in France in the 1930s. He was an award-winning novelist, film and TV scriptwriter and teacher, whose works include the bestselling novel The Thirteenth Apostle and the scripts for Francis of Assisi, The Bridge of San Luis Rey, and The Second Face. He also worked in many other areas of the motion picture industry, including directing, producing, cutting, distribution and finance. His archives are held by Boston University and University of Southern California. Mr. Vale died in 1997, shortly after he completed the updated version of this handbook.
· The classic textbook from the eminent novelist, playwright, and master screenwriter
· Updated, revised, and expanded to include examples from recent films
· A guidebook to scriptwriting for both beginners and professionals, and a joy for the movie-lover
Customer Reviews:
Vale's Technique of Screen and Television Writing.......2002-01-07
Vale's book should be a cornerstone of any screenwriting education...a classic that has withstood not only the test of changing times and movie tastes, but eloquently focuses on those
basics which make for great screen story. This book deserves to be on any screenwriters top shelf, and will be returned to often and for life!
Excellent tool.......2001-11-07
In this book Eugene Vale develops and explains his excellent technique of writing a movie or teleplay script, thereby covering all aspects of the production of a script from the initial idea to the finished shooting script. Although the book explains a lot of theory, it's firmly rooted in common sense and is more than anything about the craft of screenwriting from a craftsmans point of view. The theory is very well explained and easy to understand. With this book Mr. Vale gives us an important and advanced tool for analysing and creating a working dramatic construction. I won't hesitate to recommend the book, it's simply a must for students and aspiring screenplay writers.
Solid text.......2000-06-25
Vale's Technique is clearly written for someone interested in the nuts and bolts of film writing; and, while it can seem tedious, there is much to digest in this undervalued text. This book is free of the hype many screenwriting manuals serve up and methodically divulges the inner workings of film's blueprint.
Average customer rating:
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Screenplay, The: A Blend of Film Form and Content
MARGARET MEHRING
Manufacturer: Focal Press
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Book Description
The Screenplay teaches screenwriters how to think in terms of the unique visual and aural elements of film, to create a story using these elements, and to communicate this story in words. The information contained in this book unites the role of the screenwriter and the artistic bases of motion pictures to provide the first complete approach to the craft.
The Screenplay is written in an engaging manner, inviting the reader to develop their writing and creative abilities through projects and challenging exercises. This book also features illustrative excerpts from such successful screenplays as Witness, Out of Africa, Body and Soul, Beverly Hills Cop, Rebel Without a Cause, and An Officer and a Gentlemen.
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- Perpetual Motion
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- Photography
- Photography (101 Essential Tips)
- Photography and the Art of Seeing: A Visual Perception Workshop for Film and Digital Photography
- Photography and the Art of Seeing: A Visual Perception Workshop for Film and Digital Photography
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- Photoshop Artistry: For Photographers Using Photoshop CS2 and Beyond (Voices That Matter)
- Photoshop CS / CS2 Wow! Book, The, 1/e (WOW!)
- Photoshop CS2 For Dummies (For Dummies (Computer/Tech))
Books Index
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