History: Fiction or Science? (Chronology, No. 1)

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.

The Power of Images in the Age of Augustus (Thomas Spencer Jerome Lectures)

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Roman Art
A novel treat: scholarship that's fun to read!
Engaging and accessible

The Power of Images in the Age of Augustus (Thomas Spencer Jerome Lectures)
Paul Zanker
Manufacturer: University of Michigan Press
ProductGroup: Book
Binding: Paperback

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ASIN: 0472081241

Book Description

Examines the imperial mythology that was reflected by Roman art and architecture during the rule of Augustus Caesar

Customer Reviews:

Roman Art.......2002-03-16

This book is an excellent example of how art critique can be used to analyze politics and history. Paul Zanker does an exceptionally thorough job as he systematically works his way through the end of the Republic to the heights of Augustan Rome. The book includes tons of photographs, coins, maps and reproductions to illustrate appropriate points in the text. The thesis of the book is to show how art was used to convey the importance and dignity of the new Imperial system. Despite the breadth of material presented here, the text is smooth and understandable.

There really isn't enough space in a review to adequately cover this book. Zanker's main thrust is to show how Augustus rebuilt and remodeled Rome with himself at the center. The styles that Augustus used were quickly picked up and duplicated by the Roman upper classes, as well as those in the provinces. My favorite section of the book concerns the coinage. Augustus minted coins closely linking himself to Julius Caesar in order to establish himself as the heir apparent (which he was) to Caesar. Coins were also used to commemorate Augustus's triumph at Actium over Antony, and also to promote Augustus's conservative legislation concerning marriage and childbirth. Although Augustus slowly consolidated power under the title of princeps, he took great pains to show Rome that he was bringing about peace, prosperity and honor, all things that had been missing during the civil wars. Is Augustan art propaganda? It could certainly be interpreted that way, even though there was no "Ministry of Information" in Rome.

An excellent book, although there are a few problems. One of them is the tendency of art critique to see things that others may not. Zanker's descriptions of statues of Augustus are a good example. While I can agree with his depictions of the later Augustan busts as showing a calm, sort of omniscient demeanor, I have a tough time agreeing with his assessment of an earlier bust of Augustus as nervous and power hungry. This is a small problem with an otherwise great book that will make you think about Rome in a different way.

A novel treat: scholarship that's fun to read!.......2001-10-22

Zanker offers a fascinating reconstruction of Octavian Augustus' agenda for consolidating his position as leader of the Roman world. He does this by careful analysis of the buildings, statues, coins and other physical objects made during the rule of Rome's first emperor. Zanker understands well the impact of visual communication and uses it insightfully. He doesn't simply catalog artifacts, he interprets them and connects them within a broad system of consciously articulated ideology. In two decades of academic reading, this is one of the two most memorable books I read.

Engaging and accessible.......1998-12-24

A wonderful tour of the early Roman empire framed within a rigorous theoretical discussion. Zanker skillfully illustrates how an empire was built by the manipulation of public thought through the use of images, or in other words, propaganda. Shapiro contributes with a lively and nearly transparent translation.

Kommos V: The Monumental Minoan Buildings at Kommos (Kommos: An Excavation of the South Coast of Crete)

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Kommos V: The Monumental Minoan Buildings at Kommos (Kommos: An Excavation of the South Coast of Crete)

Manufacturer: Princeton University Press
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ASIN: 0691121230

Book Description

Kommos, an ancient site on the island of Crete, is known both for its important Greek sanctuary and for its earlier role as a major Minoan harbor town. This final book in the Princeton series focuses on the results of several decades of excavation at three of the site's monumental public buildings during the Minoan period. Of these, one has the characteristics of a "Minoan palace," a large central court surrounded by wings. Two stoas on either side of the court may have accommodated spectators watching formal events unfold within the court. Other rooms were used for storage. Vessels from the "palace," but also, and mainly, from two buildings that succeeded it in the fourteenth century BC, originate elsewhere in the Aegean and as far as Anatolia, Cyprus, Egypt, Syro-Palestine, and Sardinia, attesting to the site's major role in international trade. One of the later buildings is characterized by six huge rectangular spaces that were likely used to shelter ships during the nonsailing months. This kind of structure, from that period, has never before been found in Crete. Equally unique is the range of imported pottery.

The results of the excavation are recorded in detail in chapters commenting on the architecture, on the "palace's" painted mural decoration, and on other finds representing a wide range of activities, including the likely production of purple dye, valued for trade amongst the elite. Well-stratified deposits provide a unique opportunity to establish local ceramic developments and to use them to date events that are being considered in terms of sociopolitical and economic perspectives encompassing the Mediterranean and the Near East. This book, which completes a survey of more than six hundred years of history, will prove especially useful to specialists in the Minoan era and to all students of the ancient world.

History of Interior Design and Furniture: From Ancient Egypt to Nineteenth-Century Europe

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History of Interiors
A definitive must for ID Students studying the History
Outstanding Book -Dont miss it
Underwhelming and overpriced
Better for furniture/antiques dealers than designers

History of Interior Design and Furniture: From Ancient Egypt to Nineteenth-Century Europe
Robbie G. Blakemore
Manufacturer: Wiley
ProductGroup: Book
Binding: Hardcover

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ASIN: 0471286761

Book Description

This book is the only current publication of a dedicated history of interiors and furniture. For designers who need stylistic information regarding historic periods, this book is very well organized and thorough. For students, this book offers the possibility of owning a history text without purchasing a general text that makes history only a small part of the information. —Marianne Beecher, Assistant Professor, Iowa State Robbie Blakemore has undertaken a monumental and ambitious project. She has accomplished her goal with zeal and good organization, along with excellent research and scholarship. —Joseph Braswell, Interior Designer, New York City

Customer Reviews:

History of Interiors.......2007-09-14

This book is very helpful for students and professionals seeking to further knowledge on the history of architecture and interior design. Very detailed information.

A definitive must for ID Students studying the History.......2007-01-26

Well, I youre thinking between this and Piles' History of ID then this is a much better book. Each style is explained with great details, and black and white photos and sketches are really helpful, and in the middle of the book is about a dozen of color photos of interiors.
I used this book a lot for my studies of the history of id.
If you're looking for a book full of photos of interiors and fancy words then just don't bother buying it since you wont find them in this book

Outstanding Book -Dont miss it.......2003-06-10

This is an outstanding book, with plenty of pictures - great insider material on furniture and architecture. And I already have a design MA with my own firm.

Underwhelming and overpriced.......2002-02-02

The text of this volume is decent and well organized but in the area that most designers are interested in, visual examples, it is sorely lacking. A very minimal section of color photographs (which jump from Roman to the Renaissance. No sign of the Gothic)and a series of low contrast black and white ones are augmented with a series of uninspired drawings. All of this might still be helpful and useful were it not for the price. There are many volumes on furniture and decor that have come on the market recently which are superior in their content and priced more reasonably.

Better for furniture/antiques dealers than designers.......2001-03-27

This book is a good encyclopedia of the history of interior design going back to ancient era- it catalogues the general overview for each period chronologically, explaining the function and materiality of a space or piece of furniture. The book is particularly nice for classifying particular styles of furniture and may be more suited to an antiques dealer or furniture dealer than a professional interior designer. The major problem i have with the book is that most if not all of the photographs are black and white, and it completely skips the modern era of design, pretty much ending with the turn of the 19th century. No mention of my favorites like Mies van der Rohe or Mr. Wright. This absence somehow makes this book seem incomplete.

The Grove Encyclopedia of Classical Art & Architecture (2 Volume Set)

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The Grove Encyclopedia of Classical Art & Architecture (2 Volume Set)
Gordon Campbell
Manufacturer: Oxford University Press, USA
ProductGroup: Book
Binding: Hardcover

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ASIN: 0195300823

Book Description

The Grove Encyclopedia of Classical Art and Architecture spans every art form, medium, and civilization the fall of the Roman Empire, The Grove Encyclopedia of Classical Art and Architecture is a comprehensive reference source on this important field of study. Drawing on the expansive scholarship of The Dictionary of Art (1996, 34 vols) and Grove Art Online, and adding dozens of new entries, the Encyclopedia includes all subject areas in the classical arts, including philosophers, rulers, writers and artists, architecture, ceramics, sculpture, and more. Arranged alphabetically, this two-volume set contains over 800 entries tracing the development of the art forms in classical civilizations such as ancient Greece and Rome. Illustrated with 400 halftones, maps and line drawings, and 32 color plates, the Encyclopedia is a reliable and convenient resource covering this field of everlasting significance in the development of western culture.

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Greek and Roman Architecture
Donald S. Robertson
Manufacturer: Cambridge University Press
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Binding: Paperback

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ASIN: 0521094526

Book Description

This book provides a brief, clear account of the main developments in the history of the Greek, Etruscan and Roman architecture, from the earliest times to the foundation of Constantinople. It contains 135 drawings and 24 plates. Professor Robertson has produced a really great handbook; one that has become the standard general work, in English, or perhaps in any language, on its subject. It has not only accuracy, attention to detail and scholarship - these qualities we would expect - it has clarity, breadth of treatment and what can be called architectural soundness.

Portrait of a Priestess: Women and Ritual in Ancient Greece

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Equal opportunity temples
Portrait of a Priestess, scholarly merits and popular appeal

Portrait of a Priestess: Women and Ritual in Ancient Greece
Joan Breton Connelly
Manufacturer: Princeton University Press
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Binding: Hardcover

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ASIN: 0691127468

Book Description

In this sumptuously illustrated book, Joan Breton Connelly gives us the first comprehensive cultural history of priestesses in the ancient Greek world. Connelly presents the fullest and most vivid picture yet of how priestesses lived and worked, from the most famous and sacred of them--the Delphic Oracle and the priestess of Athena Polias--to basket bearers and handmaidens. Along the way, she challenges long-held beliefs to show that priestesses played far more significant public roles in ancient Greece than previously acknowledged.

Connelly builds this history through a pioneering examination of archaeological evidence in the broader context of literary sources, inscriptions, sculpture, and vase painting. Ranging from southern Italy to Asia Minor, and from the late Bronze Age to the fifth century A.D., she brings the priestesses to life--their social origins, how they progressed through many sacred roles on the path to priesthood, and even how they dressed. She sheds light on the rituals they performed, the political power they wielded, their systems of patronage and compensation, and how they were honored, including in death. Connelly shows that understanding the complexity of priestesses' lives requires us to look past the simple lines we draw today between public and private, sacred and secular.

The remarkable picture that emerges reveals that women in religious office were not as secluded and marginalized as we have thought--that religious office was one arena in ancient Greece where women enjoyed privileges and authority comparable to that of men. Connelly concludes by examining women's roles in early Christianity, taking on the larger issue of the exclusion of women from the Christian priesthood.

Customer Reviews:

Equal opportunity temples.......2007-08-07

The status of women in the ancient world has long been a controversial issue. The traditional view of male historians has been that it was always a male-dominated world. Some feminists have countered this with arguing, on rather fragile evidence, in favor of prehistoric matriarchy and mother goddesses and so forth. Ancient Greece, in particular, has always been a kind of blank screen on which thinkers project their own image of what it was like. Most of the written evidence has suggested that women in ancient Greece were subordinate and secluded. Against this has been the fact that some powerful Greek gods were female and served by female priests. What these priestesses did,, and what their place was in society, has been somewhat mysterious because what we got from the historians and poets and playwrights was scanty. Connelly supplements this by a careful and scholarly (perhaps too scholarly for the general reader) examination of epigraphs and images.
The text is pretty hard going for the non-specialist but the pictures are great and it will make a handsome addition to a feminist coffee table although it will be a shame if it stays there. I think the large format is justified on more than esthetic grounds because Connolly's argument depends on her ability to bring to bear on the subject her abilities as an art historian and therefore adequate illustrations are needed. These are more than adequate; they are magnificent. It would be presumptuous to pronounce on the strength of her case without more expert knowledge than mine. No doubt other academics will be on the attack and it will be fun to see the fur fly in the Times Literary Supplement etc.
At the risk of quibbling I must break a lance in my ongoing battle against publishers who transcribe Greek inscriptions into lower case. Greek lower case was unknown before the Byzantines. I noticed that she does not mention the triple bronze serpent in the Hippodrome at Istanbul in her discussion of the Pythian oracle at Delphi. Is it authentic?

Portrait of a Priestess, scholarly merits and popular appeal.......2007-05-07

Portrait of a Priestess: Women and Ritual in Ancient Greece is a book I'd recommend to scholars. It is well researched and well composed. However, the topic is also of interest to those who enjoy exploring the ancient world and a woman's place in it. Women's lives in this historical period are difficult to access but Connelly has done so in a way that is both useful to those who work in the field and accessible to those who have a general interest and curiosity about the women who acted in and acted out the roles of priestess. An impressive collection of images is of interest to both groups of readers. RD Anderson

Domus: Wall Painting in the Roman House (Getty Trust Publications: J. Paul Getty Museum)

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A Must Have Book
Fabulous in every respect

Domus: Wall Painting in the Roman House (Getty Trust Publications: J. Paul Getty Museum)
Donatella Mazzoleni , and Umberto Pappalardo
Manufacturer: Getty Trust Publications: J. Paul Getty Museum
ProductGroup: Book
Binding: Hardcover

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ASIN: 0892367660

Customer Reviews:

A Must Have Book.......2006-01-31

I saw a copy of Domus while in Naples and knew I would have to order a copy when I returned home. The book is beautifully produced with an excellent essay by Donatella Mazzolini on the architecture of Roman houses, focusing on those under discussion in Pompeii, Herculaneum and Rome. This is followed by an essay by Umberto Pappalando on the Domus Romana, focusing on the development of houses and gardens. As good as these essays are it is the pages dealing with the houses themselves that is jaw-dropping. The houses are arranged in sections following the development of the Roman domus and include color pictures and diagrams of the houses. There are short introductions to the homes followed by a portfolio section consisting of close up pictures of the frescos printed on non-glossy textured paper that gives a better impression of how the painting appears to the observer. These reproductions are superb.

The choice of buildings is impressive. There are far too many to list but among them are: from Pompeii the House of the Faun, the House of Julius Polybius, the Villa of Mysteries, the House of the Golden Bracelet, the House of the Tragic Poet and the House of the Labyrinth; from Herculaneum: the Samnite House, the House of the Skeleton, the House of the Grand Portal, the Collegium of the Augustales; from Rome: the House of the Griffins, Livia's House on the Palatine and at Prima Porta and the Domus Aurea. The Villa of Poppea at Oplontis gets special attention in the book, and a fresco from the house appears on the cover.

This book is a must for anyone interested in ancient Roman houses and their decoration. If you have even visited Pompeii, Herculaneum and the other villas destroyed by Mount Vesuvius you will enjoy this book.

Fabulous in every respect.......2006-01-07

A wonderful work in all respects - scholarship, printing, presentation, photography. Some of the paintings are more like wall paper samples, the paper and printing is that good.

Another great work in the Getty catalog. A must have for any serious student of Roman Art/Architecture.

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Morgantina Studies
Claire L. Lyons
Manufacturer: Princeton University Press
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Binding: Hardcover

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Morgantina Studies

ASIN: 0691040168

Book Description

Excavations on the slopes of the Cittadella settlement at Morgantina in eastern Sicily have revealed nearly seventy tombs dating from the late eighth to the mid-fifth century B.C. In this volume, Claire Lyons presents a full publication of these Archaic cemeteries, examining the structure of the tombs, their rich range of grave furnishings, and the evidence for funerary ritual that they preserve. Often reused for multiple inhumation and cremation burials, these tombs provide significant documentation of the critical period when immigrant Greeks interacted with the substantial indigenous community, introducing foreign objects and practices that modified the local Iron Age funerary rite.

Detailed reconstructions of all of the burial contexts are presented in an illustrated catalog of the more than 1,350 artifacts found in the tombs. The author's close typological analysis of these grave goods--Attic, Corinthian, Lakonian, East Greek, colonial, and local pottery, as well as terracottas, jewelry, and metal objects--brings new evidence to bear on questions of chronology, production, trade, and function. A particularly intriguing chapter focuses on the meaning of the objects deposited with the dead in Archaic Morgantina, extracting from them information on class, social identity, gender, age, and ethnicity, as well as evidence for the process of transculturation that gradually transformed both the native and the colonial populations. The volume also contains an appendix on the human skeletal material, prepared by Marshall J. Becker.

Ancient Building Technology: Volume 2: Materials (Technology and Change in History 7) (Technology and Change in History)

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Ancient Building Technology: Volume 2: Materials (Technology and Change in History 7) (Technology and Change in History)
G. R. H. Wright , and Mick Wright
Manufacturer: Brill Academic Pub
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Ancient Building Technology: Historical Background (Technology and Change in History)

ASIN: 9004140077
Release Date: 2005-05-15

Product Description

The following résumé study deals with building material, which together with construction and structures, forms one of the three aspects of building, or equally one of the three factors which constitute the nature of a building. Unlike existing manuals on ancient building, this offers an analytic presentation and the subject matter extends across all ages and regions. The treatment of materials is set out according to a paradigm of nature, manufacture and use, so as to facilitate direct comparison between different modes of the one material, as also between different materials and between different building traditions. This second part is published in two volumes, the first containing texts, the second more than 300 illustrations.

Readership: Academic libraries, students and scholars of art and archaeology in the Ancient World.

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