More from America's Test Kitchen
Book Description
Repackaged to be easier to use and expanded to include a whole new chapter of healthy, light recipes, this revised edition of one of last fall's bestselling cookbooks remains the one and only basic cookbook you will ever need. Beautiful step-by-step photos illuminate every conceivable technique from chopping shallots and skinning salmon to cutting up a chicken and tying a roast. In fact, just about anything you want to do in the kitchen is explained in these pages in America's most popular test kitchen's approachable, no-nonsense voice.
These recipes will keep you busy (and your friends and family happy) for years to come, since we've included hundreds of easy weeknight dishes (like Skillet Lasagna and One-Pot Chicken and Rice), company-worthy dinners (like Beef Burgundy, Roast Leg of Lamb, and Fresh Fruit Trifle), equipment ratings, shoppings tips, and more.
Customer Reviews:
Family Cookbook, America's Test Kitchen.......2007-09-27
I have been a subscriber of Cooks Magazine for over ten years now and have never been dissapointed. I am a professional Chef and find most of their publications to be great sources. My still favorite and mostly used source is the original Julia Child Cookbook based on her TV programs of years ago but this America's Test Kitchen publication,I suspect, I will use a great deal.
Test Kitchen Cookbook.......2007-09-26
I really like this cookbook because it has good pictures and explainations for techniques with which new cooks may be unfamiliar. Putting the pages and dividers in yourself is clear and easy. The pages are a little thinner than I would prefer for a cookbook, but I just use a clear plastic page protector that one might use for a portfolio or scrapbook to keep the page I am using clean. I highly recommend it!
The America's Test Kitchen Family Cookbook.......2007-09-15
Amazon did an outstanding timely job getting me the cookbook. This cookbook is the very best I have ever read. I gave one to my daughter and will be ordering one for myself. Thanks.
The First Word on Cooking.......2007-09-14
The best basic recipes ever published. All tested.
Wish they would issue update pages with more and new recipes
Best for your money.......2007-09-11
I have owned many cookbooks over the years, but this one is my favorite. I have cooked for over 30 years, and I still learn techniques from this book. If you are a new cook or an experienced one, you need this book.
Book Description
In 2001, the Smithsonian Institution presented the landmark photographic exhibition History Through Deaf Eyes, representing nearly 200 years of United States deaf history. Drawing heavily on the extensive archives at Gallaudet University, the curators created an exhibition that drew more than 400,000 people viewed at the Smithsonian and in 12 cities during a five-year national tour. Its popularity prompted the production of a documentary film for national broadcast on the Public Broadcasting System. Now, the photographs, quotes, and stories from this remarkable exhibit and documentary have been assembled in a book of stunning beauty and poignant images, Through Deaf Eyes: A Photographic History of an American Community.
Featuring more than 200 full-color photographs, Through Deaf Eyes depicts the story of Deaf America and also affords readers the opportunity to learn about the nation’s broader history. The values and judgments of society have had an impact on the education, employment, and family life of deaf people, while historical eras often can be illuminated by examination through a Deaf lens. Photographs reveal the character of Deaf people in school settings, the workplace, during wartime, and using their cultural signature, American Sign Language. For both deaf and hearing readers, the Deaf community portrayed in Through Deaf Eyes offers a unique and fascinating perspective on the value of human difference.
Customer Reviews:
A superb and appreciated contribution to personal, academic, and community American History reference collections.......2007-09-03
The combined effort of Douglas C. Baynton (Associate Professor of History, University of Iowa), Jack R. Gannon (Curator of the History Through Deaf Eyes exhibition), and Jean Lindquist Borgey (Director of the History Through Deaf Eyes Project, Gallaudet University, Washington, DC), "Through Deaf Eyes: A Photographic History Of An American Community" is the companion volume to an acclaimed PBS television documentary based on a landmark photographic exhibition at the Smithsonian Institution in 2001 celebrating almost 200 years of United States Deaf History. The deaf have been a cultural and linguistic minority in America almost from its inception. The more than 200 photographs, the many quotes, and compelling stories compiled in "Through Deaf Eyes" provides the reader with informed and informative insights into a fascinating and specialized aspect of American history with respect to deaf people in school settings, the workplace, during wartime, the development and impact of American Sign Language, and more. "Through Deaf Eyes" is a superb and appreciated contribution to personal, academic, and community American History reference collections and supplemental reading lists.
Through Deaf Eyes: .......2007-06-28
What a wonderful, well put together book about Deaf History. I am a hearing person, who is taking American sign language. I have been reading many books on Deaf culture to get a better understanding about the deaf people over time,and the opsticals that they have had/ and still have to overcome. I found this book very well put together and I enjoyed reading it very much. If you are intrested in American sign language, I would recommend others to include this book into your library collection. The photos were wonderful to look as as well.
Photographic Narrative of American Deaf History.......2007-05-18
What began as photographic exhibit at the Smithsonian from the archives of Gallaudet University evolved into the DVD by the same name as this companion book.
This is well done photo collection with written narrative of the 200 year story of deaf among us, with their accomplishments, frustrations and striving to be a part of the American mosaic.
They do pull it off, even against the obstacles of the oralism, and treatment as handicapped rather than language/cultural minority.
Worth having as companion with the DVD.
Book Description
What role has photography played in shaping our ideas about race, nation, and selfhood? How has the camera been used to construct and contrast images of racial difference? To create or debunk stereotypes and romantic myths about specific ethnic groups? This groundbreaking book is the first to thoroughly investigate the impact that photography has had on race and racial identity in America-among the most profound and explosive issues in our nation's history and everyday life.
From Dorothea Lange's portrait of Mexican braceros brought to the United States as farm workers, to Anthony Aziz & Sammy Cucher's digitally manipulated, idealized nudes, Only Skin Deep presents historical and contemporary images and embraces a wide range of genres and movements, including portraiture, social documentary, ethnographic photography, fine-art photography, and photojournalism. Complementing the images are four original essays on race and photography, eight reprint essays that have served as foundational documents in the discussion of race, and five case studies that focus more narrowly on representations of specific cultural groups. The book will accompany a national touring exhibition prepared by the International Center of Photography in New York.
Customer Reviews:
GRAND VISION/HARD VIEWING.......2004-02-28
An enormous and fasinating series of discussions surrounding "raced looking" in America's history of photography is central to this group of essays by many of the cultural critics working today. A massive tome with outstanding visuals, some not seen in the exhibition, provide extensive background and analysis to the area of how race has intervened in American culture today. For museums who felt the race subject had been addressed in the 90s post-Quincentennary exhibition, it is obvious that much more in depth examination is necessary and relevant. An outstanding effort for a museum catalogue and exhibition. All should be commended. Required reading for anyone working and teaching in cultural studies, ethnic studies, humanities, and the arts.
Average customer rating:
- Received from Pendant Publishing
- Great
- Interest Piece
- Perfect for either spiritual collections or art libraries strong in modern photography.
- Bible Road
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Bible Road: Signs of Faith in the American Landscape
Sam Fentress
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House of Worship: Sacred Spaces in America
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![Bolivian Baroque [includes DVD] [Hybrid SACD]](http://images-eu.amazon.com/images/P/B00079RNEU.01.THUMBZZZ.jpg)
Bolivian Baroque [includes DVD] [Hybrid SACD]
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FSA: The American Vision
ASIN: 0715326856 |
Book Description
Over the last 25 years while driving through 49 states, Sam Fentress encountered thousands of religious signs along America's highways, city streets and country roads. With over 150 images from every region of the country, Bible Road: Signs of Faith in the American Landscape is his photographic chronicle of what he discovered on beauty salon windows, highway pylons, silos and burger joint marquees. Aware that photographers Walker Evans, Berenice Abbott, Robert Frank, and others had only partially documented the subject, Fentress embarked on this remarkable and singular typology of roadside evangelism in America.
Customer Reviews:
Received from Pendant Publishing.......2007-09-20
The pictures are amazing. My Mother-In-Law loved it! I bought this book as -new- from Pendant Publishing and was very pleased on how fast this item arrived in perfect condition.
Great.......2007-08-14
I love it and everyone that has viewed it loved it as well. It shows faith exist. It's neat to see the word of God in places you wouldn't think.
Interest Piece.......2007-06-09
This book appeals to many people. The book has been picked up by many people at our house. They only put it down if they finish it or need to leave before they can finish it. I think people just want to see what signs are posted out there that we might stumble across one day. The photography is very good and it is an easy read.
Perfect for either spiritual collections or art libraries strong in modern photography........2007-05-19
BIBLE ROAD: SIGNS OF FAITH IN THE AMERICAN LANDSCAPE features photos by Sam Fentress in full color and represents the photographer's last few decades of travel, crossing over forty states photographing thousands of religious signs along America's highways and city streets. His photography embraces works from churches, bikes, walls, and even stocks and looks for religious messages in even unlikely places, both urban and rural, making for a striking survey of religious messages in modern culture. Perfect for either spiritual collections or art libraries strong in modern photography.
Diane C. Donovan
California Bookwatch
Bible Road.......2007-05-12
This book is well done and it clearly indicates that our politicians can remove God from our schools, our court buildings, our state buildings and even our money, but not from our hearts and minds.
Average customer rating:
- fantastic
- Taryn Simon Is Artistically All Over The Map, But This Book Confirms Her Status As One Of Our Most Important Photographers
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Taryn Simon: An American Index of the Hidden and Unfamiliar
Manufacturer: Steidl
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Fashion Magazine by Alec Soth
ASIN: 3865213804
Release Date: 2007-06-01 |
Book Description
In An American Index of the Hidden and Unfamiliar, Taryn Simon documents spaces that are integral to America's foundation, mythology and daily functioning, but remain inaccessible or unknown to a public audience. She has photographed rarely seen sites from domains including: science, government, medicine, entertainment, nature security and religion. This index examines subjects that, while provocative or controversial, are currently legal. The work responds to a desire to discover unknown territories, to see everything. Simon makes use of the annotated-photograph's capacity to engage and inform the public. Transforming that which is off-limits or under-the-radar into a visible and intelligible form, she confronts the divide between the privileged access of the few and the limited access of the public. Photographed with a large format view camera (except when prohibited), Simon's 70 color plates form a seductive collection that reflects and reveals a national identity. In addition to this monograph, there is also an exhibition of Simon's work opening at the Whitney Museum of American Art in March 2007.
Customer Reviews:
fantastic.......2007-07-30
It's really amazing all the work and effort that was put into creating these images. I saw her show at The Whitney like the other reviewer, and i really enjoyed her work so i bought the book on amazon (I'm not trying to plug amazon, but it was a lot cheaper here than other places i looked) The photographs absolutely stand on their own, but the captions are extremely important to the images. The book is simple, as are the images, but it is definately unique and unfamiliar.
Taryn Simon Is Artistically All Over The Map, But This Book Confirms Her Status As One Of Our Most Important Photographers.......2007-05-05
Having seen the small exhibition at the Whitney Museum devoted to this body of work (It's currently on view there until early June.), I strongly believe that this book confirms what many people - myself included - have thought of fellow Brunonian Taryn Simon's work ever since she made her spectacular debut with "The Innocents" a few years ago. "An American Index of the Hidden and Unfamiliar" demonstrates that she has become one of our most important documentary photographers, stretching her artistic terrain to encompass much more than the fine environmental portraiture that she demonstrated so well in "The Innocents". Stylistically, Simon is indeed all over the map, but she still has made memorable color images which pay homage to work from the likes of Lewis Baltz, Richard Mishrach, Walker Evans and Richard Avedon to name but a few (I might add too that like most of these photographers, Simon works primarily with a large format camera, using availiable light only to photograph her subjects.). If there is a serious artistic criticism to be made of her latest body of work, then it's probably one related to her sequencing of images (It's a point that I've remembered vividly well from an intermediate photography course I had taken years before, which was taught by distinguished photographer Harold Jones, the founding director of both New York City's Light Gallery and the University of Arizona's Center for Creative Photography.) - though this may be more the fault of her editors than of Ms. Simon herself. If you're unfamiliar with Simon's memorable imagery, then "An American Index of the Hidden and Unfamiliar" is a superb place to begin your artistic journey.
Book Description
Richard Avedon's In the American West is widely regarded as a landmark project in photographic history and a definitive expression of the power of photographic art. First published by Abrams in 1985 in conjunction with an exhibition at the Amon Carter Museum in Fort Worth, Texas, the book is being reissued to accompany a 20th-anniversary re-showing of the exhibition at the same museum.
Avedon, who died in 2004, was the greatest American photographer of his generation. For In the American West, he traveled throughout five years, meeting and photographing the plain people of the West: ranch workers, roustabouts, bar girls, drifters, and gamblers. The resulting book includes 120 exquisitely printed black-and-white photographs, an essay by Avedon on his working methods and portrait philosophy, a journal of the project by Laura Wilson, and a new foreword by John Rohrbach. The reissuing of this legendary book, out of print for more than a decade, is a major event in the photography world.
Customer Reviews:
great portrait book.......2007-10-03
If you like portraits this book is for you. The images are all the same: white background and a person looking in the camera. Take your time to look at it. Focus on the faces and eyes and you will understand the power behind these images. That is what Avedon was looking for. A book with no wording, but who needs words when an image can say 1000 words?
Excellent Photographs!.......2007-05-13
I recently attended a gallery showing of some of these spectacular photographs at Stanford University. It was a real treat to be able to purchase a book to remind me of the experience. Very moving show.
Incredible and thought-provoking.......2007-03-24
I, like another reviewer, saw this exhibit in the 80's in San Francisco and was awed by it. The images have never left me. Now, as a teacher, I use the images as part of an exercise and educational tool (I have a poster of the exhibit I show to students.) It really helps put other's lives in perspective for my students and opens their eyes to a world of people they might never meet (or will overlook)thereby doing exactly what Avedon set out to do with this work.
An unmissable classic.......2006-06-17
In 1978 glamour photographer Richard Avedon shot some portraits in the MidWest. The Amon Carter Museum in Forth Worth, Texas, asked him to follow up on those, and Avedon set out for the American West to portray what amounts to the reverse side of the American dream. The project ran until 1984. By then, Avedon had photographed 752 people in 17 states; a selection of 123 portraits constituted the eventual exhibition and the collection in this book. The illusion of equality and great opportunities for all, and the Hollywood-slash-John wayne dream of the good old pioneering West - a dream shared by a surprising lot of westerners themselves - are effectively shattered by these haunting portraits of barmaids, drifters, ranch-hands, prisoners, mental patients, Hutterites, coal miners, slaughter house workers, 12 year old girls looking twice their age, (sub) teenage boys handling guns and snakes, oil-rig workers, and many others alongside them. There is hardly a face here that is not marked by toil and hardship, the stark black-and-white detailing every crevice, freckle, rimple, mole and scar. As one commentator noted, the West is often represented by its landscape; here the faces are the landscape of the West, and, one might well suspect, its true landscape. Of course, similar portraits of ordinary people living under harsh conditions could be taken in many places in the world; the portraits in this volume take a significant part of their impact from the fact that they come from that "greatest nation on earth", a land associated with glamour, enterprise, success and outward appearances, that we are used to seeing represented rather differently than we find it here.
Here, the great heroic cowboy dream is reduced to a shiny, oversized rodeo buckle worn by a skinny boy. Yet there is nothing condescending or patronizing about these images, on the contrary. The facial expressions mostly speak of deep earnestness and dogged determination, rarely of sadness, and most of the people we meet in this book exude an extraordinary power and pride despite their often dishevelled looks and sweat- and dirtstained clothes (others, however, have donned their best finery). But there is anger, threat, and undisguised, at times overwhelming machismo too, as well as an occasional subject who seems on the verge of tears, like oil field worker Bubba Morrison. The portraits are painfuly candid, often moving, and always artistically well-considered and visually beautiful. They engender instant curiosity about the stories behind these faces - only a very little of that is satisfied in the Background section at the end of the book; we are given a little more in Laura Wilson's delightful volume "Avedon at work in the American west", which is worthwhile considering in addition to the work itself. The subjects are all portrayed against an anonymous white background; nothing is romanticized, nothing is allowed to divert our attention from the sitter him- or herself. At times, the brutality of life in the spare, rough country where these people live is heart-wrenchingly palpable. Richard Wheatcroft, a handsome young Montana rancher was photographed twice two years apart, and it is harrowing to see the hardening of his features over such a short timespan (his portrait of 17 years later that's in Laura Wilson's book, comes as a downright shock, the 41 year-old looking at least in his mid-fifites, a sad, worn out look in his eyes, his face notched by the many blows life has dealt him). More dark portent comes with the highly arresting shots of skinned steer-heads and slaughtered sheep that appear later in the book. Here, the black and white takes away any sense of shock or revulsion, and lends a melancholy beauty even to these stark subjects.
The book itself is beautifully produced: large size, with a cloth cover protected by a thick, transparant plastic dustwrapper. The matte paper is thick and opaque, preventing show-through. It includes a large fold-out group portrait. (My copy unfortunately has a few pages where surplus ink has splattered onto the photograph, but I assume that is the exception, not the rule). In all, a possession to cherish, and highly recommended.
Amazing.......2006-03-10
One of the most important books in photography history. I strongly recommend this book.
Average customer rating:
- Loving it
- Beautiful
- Great Pin-Up Art from a Bygone Era
- An Excellent Collection of Art & Artists
- From The Garage To The Coffee Table
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The Great American Pin-Up (Midi)
Charles G. Martignette , and
Louis K. Meisel
Manufacturer: Taschen
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Alberto Vargas: Works from the Max Vargas Collection
ASIN: 3822817015 |
Customer Reviews:
Loving it.......2007-01-30
I love this huge book. It gave me background on the artists that I wasn't expecting, and discovered new artists that I hadn't seen before. Covers a wide spectrum of styles too. It's my #1 coffee-table book.
Beautiful.......2005-01-20
An absolutely brilliant book. It bridges the gap between coffee table book and text book. An excellent overview of pinup art with glorious reproductions of the original pinup girls.
Great Pin-Up Art from a Bygone Era.......2004-12-23
This coffee table book is a good cross-section of sexy pin-up art of a bygone era that knew that showing less was more. These renderings are definitely more enticing than a lot of today's artists who don't leave anything to the imagination by showing a girl spread-eagle on the hood of a car.
Definitely a "must-buy" or at least a "must-peruse" the next time you see it at a bookstore or on someone's shelves.
An Excellent Collection of Art & Artists.......2003-06-02
This is one of the finest collections of pin-up art from the talented artists that brought these beautiful women to life. These were very risque for their time but they were a true celebration of women. This is the kind of open mindedness and genuine appreciation missing from today's society. Women are wonderful, intelligent, beautiful people and life would be a tragedy without them. There...I said it!
From The Garage To The Coffee Table.......2003-02-04
This is an excellent overview of the genre, on an artist-by-artist basis, from the classic era of the mid-twentieth century. All of the artists here are deserving of recognition, though only a handful of them are truly well-known and adequately documented in print elsewhere. All of the many artists here are well-represented; the reproduction is flawless, and the commentary is intelligent and well-researched. The original edition is my point of reference here, so I can't vouch for this one fully, but it appears to have maintained the integrity of the earlier printing and is a very handsome production as well.
Average customer rating:
- photojournalism master
- A Great Book by a Great Photographer
- learned so much in one day
- Note to Amazon.com from Gordon Park's assistant:
- Superb account of the world he's experienced!
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Half Past Autumn: A Retrospective
Gordon Parks
Manufacturer: Bulfinch
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Binding: Hardcover
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Learning Tree
ASIN: 0821222988 |
Amazon.com
Gordon Parks is one of the 20th century's greatest multitalented cultural treasures: a writer, poet, musician, composer, filmmaker, and photographer. In this book--the companion volume to a traveling retrospective--the full flower of Parks's genius is both awe-inspiring in its depth and thorough in its demolition of the era's social-science fictions about African American potential.
Born in Kansas, Parks wandered as a homeless teen, and through wit, smarts, and improvisation--and no experience--landed a job as a photographer for the Farm Security Administration, then with his new skill took pictures for Life magazine. "Tyrants, dictators, dethroned kings," he writes, "all stared into my camera with eyes that were unveiled. The camera revealed them as they were--human beings imprisoned inside themselves." Highlights among his photographic work include the haunting shot of domestic Ella Watson, the starkness of a 1940s teenaged gang leader named Red Jackson lying eternally young in his coffin, and the elegant, life-and-death ballet of the Spanish bullfight. Parks's depiction of Duke Ellington's towering music in motion reflects the importance of jazz and blues in Parks's artistry. From the films Shaft and The Learning Tree (the latter adapted from his own novel) to his impressionistic ballet honoring Martin Luther King Jr., his work swings with an American rhythm that continues to inspire him. "A musical theme vibrates in my sleep," he writes. "I get up, go to the piano, and jot it down. A blustery sky, a crescent moon, or the blazing sun can hurry me to poetry, or to the camera. When the doors of promise open, the trick is to quickly walk through them." --Eugene Holley Jr.
Customer Reviews:
photojournalism master.......2004-01-18
mr. parks' book is autobiographical in photo and text. the book reveals his journey to becoming a documentor of turbulent times during his career. this is a must purchase.
A Great Book by a Great Photographer.......2000-12-08
Buy this book and see the wonderful and varied career of Gordon Parks. See the world through this stunning photographer's eyes, and you will never see the world the same again. Then buy *A Choice of Weapons* and find out how this man came to create these masterworks. Everyone knows his genius as a photographer, filmmaker, and composer, but people may not know that he is a master memoirist as well. Put this book and *A Choice of Weapons* on your Christmas list!
learned so much in one day.......1999-05-20
Seeing the exhibit was the most wonderful day of my life. Getting the book was the next best day. I am not sure if another photographer so talented in all fields will ever appear again. Raad A Choice of Weapons also by Gordon Parks, it will help reinforce the Retrospective.
Note to Amazon.com from Gordon Park's assistant:.......1999-05-09
Please note that the cover that you show on the internet is incorrect. I am the photgrapher and what you show is the photograph that was used for the dummy book shown at the book fair. The photograph shown is an unpublished photgraph. Please look at the book for the actual cover.
Superb account of the world he's experienced!.......1998-08-25
Through his poetry and photographs, Parks does an excellent job of allowing the reader to some into the world he has experienced over the years. You feel like you've gone off on assignment with him and like you've have expericned the bigotry first hand. The messages he conveys through his work were way ahead of his time, but right on time in today's world. His intelligence brightly shines through both his photographs and poetry. The narratives, photographs and poetry all make for an outstanding compilation of his feelings and views on the world. Marvelous!
Book Description
From standard practices in stock and assignment photography to special one-time decisions such as acquiring a digital workstation, this “business bible” provides the latest answers to any legal or business question an aspiring or professional photographer can ask. In eleven in-depth chapters, over two dozen industry experts offer practical guidance on such topics as estimating prices, formalizing agreements, using electronic technology, and much more. This completely updated Sixth Edition also features dozens of ready-to-copy legal and business forms, helpful checklists, and an extensive cross-media bibliography.
The American Society of Media Photographers (ASMP) has been the leading national organization of professional photographers for more than 50 years. It is the accepted authority setting the standards for business practices in professional photography.
Customer Reviews:
The Photographer's Business Bible.......2007-03-12
If Your the type of photographer who just wants to shoot nice photos this book may not be for you. But if your trying to start a business as a photographer you may want to strap yourself in. I find that ASMP Professional Business Practices in photography: Sixth Edition is the perfect book to get photographers started in addition to lerning how to run a photo Business in the real world. Some of the contents reenforced what I already knew while other contents helped me with some of my weak points. ASMP Professional Business Practices in photography covers a large specturem of different types of photography and I will no doubt refer to the book in the future.
Sometimes young adults will tell me that they want to become photographers and I just tell them to major in business and minor photography, But if you missed that boat this book is the next best thing.
A must read.......2007-01-03
This book is filled with important information that will help prepare any photographer looking to run their own business. It is a must read since it familiarizes you with the standard forms, and ways of conducting relationships with your clients.
Photographers!!!.......2006-03-22
Every photographer wanting to become pro should get this book! :) For a photography book....it lacks nice pretty pictures. It's mainly just plain text, but good info.
A Camel.......2005-07-16
Amongst professional photographers it's almost an axiom that they knew little about the business end of photography when they started taking pictures for a living. This book aims at remedying that condition. It has chapters on assignment and stock photography; pricing and estimating; negotiating fees and agreements; rights and value; formalizing agreements; copyright; electronic technology, business and marketing strategies; book publishing; and professional services. Unfortunately, like a camel, which is a horse built by a committee, this book varies widely in its usefulness for the business of photography. Among other reasons, this is because the chapters, and sometimes parts of chapters, are written by different authors, so that the work is not integrated and some important business areas are omitted.
The first two chapters which deal generally with the nature of stock photography versus assignment photography are quite good and will be helpful to anyone making the transition from one type to another.
Some chapters are first rate. The chapter on pricing and estimating takes an economic approach rather then asking, "what are my competitors charging?" It asks the question what price does the photographer need to establish in order to support himself and his business. Unfortunately, the book is not blunt enough to say that, if you don't expect to get the resulting price, you shouldn't be in the market.
At the other end of the scale is the chapter on marketing. Apparently six different authors each contributed their own uncoordinated efforts. There's some good advice here, but my litmus test was whether the book contained some discussion of how a fine arts photographer finds and approaches galleries. There wasn't much help here.
One area that many photographers encounter trouble with is keeping the books and paying income taxes. Unfortunately there were no references to these subjects. Even if all the book did were refer to a basic text or software, like Quicken or Quick Books and Turbo Tax, which were readily available at the time of publication, it would have been helpful.
This book is a useful guide for the professional photographer to keep on his shelf for a quick answer to many questions he may encounter in business. But for detailed answers, professional photographers will require more help in running their business.
Great Stuff!.......2002-04-19
For anyone in the business or especially getting into it, this is a must have book. Very valuable!
Book Description
Originally published in 1987, Joel Sternfeld's now-classic view of America is here remastered, redesigned, and reprinted at a larger, brighter, truer scale. Finally, photography and offset printing techniques have caught up with Sternfeld's eye, and this new edition of American Prospects succeeds in presenting Sternfeld's most seminal work as it has always meant to be shown. A specially-commissioned essay by Kerry Brougher, Chief Curator at the Hirshhorn Museum and Sculpture Garden, considers the historical context in which Sternfeld was working and the pivotal role that American Prospects has played in the course of contemporary filmmaking and art photography. In American Prospects, a fireman shops for a pumpkin while a house burns in the background; a group of motorcyclists stop at the side of the road to take in a stunning, placid view of Bear Lake, Utah; the high-tech world headquarters of the Manville Corporation sits in picturesque Colorado, obscured by a defiant boulder; a lone basketball net stands in the desert near Lake Powell in Arizona; and a cookie-cutter suburban housing settlement rests squarely amongst rolling hills in Pendleton, Oregon. Sternfeld's photographic tour of America is a search for the truth of a country not just as it exists in a particular era but as it is in its ever-evolving essence. It is a sad poem, but also a funny and generous one, recognizing endurance, poignant beauty, and determination within its sometimes tense, often ironic juxtapositions of man and nature, technology and ruin.
Customer Reviews:
Rust Never Sleeps.......2007-02-08
What a refreshing twist on the usual coffee table photography book. Sternfeld's photographs of the natural and manmade environment are so interesting. They almost have an old-fashioned hand-colored postcard-feel to them, but the images are often startlingly futuristic. Great contrasts of the ugly and rusting and vacant with beautiful natural landscapes. The publishers did a wonderful job of cleanly presenting the photos to speak for themselves and putting all the verbiage up front.
Joel Sternfeld book American Prospects.......2007-01-18
JOEL IS A GOOD NAME AND THIS IS A FABOULOS WORK.This man is travelling a lot!!!I want only says that J.Sternfeld is able to meet people and discover particulary little object too that can be fundamental for go inside these pictures,he use colour in a cool way too,soft traditional in colours but in meanings is not really traditional expecially if we related his work in the world of landscape's photography.He use landscape like it was reportage.It is a way for put something else inside.That picture could be sometime strong somentime enchanting but always are intresting me.Put something strange in your picture and maybe that landscape could change his own value.
I like a lot
ciaoooooo
a landmark poetic document recorded and built by a master.......2006-07-16
if you want to know where the comtemporary obsession with large format color "street" work came from, this is it. newer books, by artists like alec soth and other color documentary artists, are excellent, important books, but it must at least be noted that the true groundbreakers were working a generation ago, putting out these kinds of books before it was the accepted trend. and simply put, this work along with shore's 'uncommon places' and eggleston's 'guide', are still, in my opinion, unsurpassed.
on top of that, the size and reproduction quality of this book are mind-blowing. i can't imagine any photography fan not loving this book, or any serious student not wanting it (for a decent price, of course, which this actually is with the discount.)
American prospects.......2005-09-23
This a great photography book, but the parcel in which it was sent was not strong enough, and the book arrived a little bit damaged.
Essential American Art.......2004-11-16
He was there first -in color. If you didn't know that, you should, and "American Prospects" will show you where "there" is.
Great art and great artists have the power to bridge many a divide. Whether in the deep red states or the deep blue states, our great country has never looked so epic, as when it is seen though Mr. Sternfeld's great big view.
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