Book Description
Master the Art and Science of Matchmoving
Written by a matchmoving expert, this book is much more than a technical primer. It helps you think like a pro so that you can find the right solution for your matchmoves, no matter how tricky. You'll also find coverage of tasks that commonly go hand-in-hand with matchmoving, along with advice on the contributions you can make on the set of a live-action shoot. Whether you're a student or professional, Matchmoving: The Invisible Art of Camera Tracking gives you the knowledge and perspective you need to quickly and successfully solve every matchmove.
Coverage includes:
- Understanding how matchmove programs work
- Perspective matching
- Getting optimal 2D tracking data
- Calibrating/solving cameras
- Using automatic tracking
- Fitting matchmoves into a CG set
- Mastering matchamation techniques
- Modeling from matchmoves
- Troubleshooting bad matchmoves
- Multi-purposing matchmove data
Customer Reviews:
Tracking Matching.......2007-09-01
Excellent book with a very easy exposition of photogrammetry an the newest applications it offers. Very good to understand what's behind camera tracking software in the postproduction market.
Its the one.......2007-06-08
If you want to know about "black" art of matchmoving this would be the author and this would the book.
Great for the novice and experienced user........2007-05-31
Recently, I started doing matchmove work again, after a two year break. Before starting the new job, I wanted to brush up by reading this book. This is an excellent reference and I wish I had it when I started matchmoving four years ago. For the novice I can not recommend this book enough. For a manual, this book is easy to read and breaks down all aspects of matchmoving in just 250 pages. I did not go over the tutorials on the CD, I am just reviewing the written portion of the book.
Great overall book.......2007-01-08
The book covers the general theory behind of matchmoving and photogrametry pretty clearly. There's step by step tutorials that guide you thru the matchmove process such as manual and auto tracking. I was a beginer and learned quiet a lot. I only wished he covered more on the interface of matchmover. Still a great book though.
The only Matchmoving book.......2007-01-05
Since this is only the Matchmoving book out there, there not much to say. The book has some really nice tutorials, is clearly written, and once you finish the book you should be able to go out and shoot your own footage for CG animation/fx.
Book Description
Culled from Tony Barr's 40 years' experience as a performer, director and acting teacher in Hollywood, this highly praised handbook provides readers with the practical knowledge they need when performing in front of the camera. This updated edition includes plenty of new exercises for honing on-camera skills; additional chapters on imagination and movement; and fresh material on character development, monologues, visual focus, playing comedy and working with directors. Inside tips on the studio system and acting guilds make it particularly helpful for people new to the business, and numerous anecdotes from actors such as Morgan Freeman and Anthony Hopkins and examples from current movies illustrate its many lessons. It is perfect for acting classes, workshops, all actors who work in front of the camera -- and all those who want to.
Customer Reviews:
No. 1 hand book for Actors.......2007-09-25
I recom'nd this book for all young actors & actresses to read. This is really good hand book for these people
Great general book on acting, with emphasis on TV/Film.......2006-07-12
I obtained this book to read while taking an "Audition For Camera" class at my acting school. I'm a relative novice, but had read some books on general acting before, such as Uta Hagen's "A Challenge For The Actor," and really wanted a book that talked about specific aspects of acting in front of a camera.
This book, Tony Barr's "Acting For The Camera," is a little different from what I was initially hoping it would be, in that it basically is a book about general acting, with more than the entire first half of the book devoted to that. I remember often thinking "when are we going to get to the part about camera work?"
Mr. Barr's general thoughts on acting are actually quite good, though, which encouraged me to read through the whole of the first section, and I would say that there are many excellent insights there. It's also a relatively quick read, as opposed to Uta Hagen's book, for example, and many things are presented in ways I hadn't read in other books before.
When I finally got to the "camera" section of the book, I sort of realized that the reason he probably spent so much time with the "general acting" stuff is because ... well, the most important part of "acting for the camera" is the ACTING, not the CAMERA! Of course there are many specifics that he addresses, but all the specifics and terminology etc. aren't going to help you if you can't act.
Plus, the section on "exercises" at the end of the book was helpful to read, even though I haven't tried any of them myself yet ... they seem like well-thought out exercises to improve ones' camera work.
The groundwork and advice on acting that he gives, though, is excellent all-around and seems appropriate to apply to ANY type of acting, not just camera acting.
So, all in all, I'd say that the book would more accurately be titled "ACTING, with a special section on Acting For The Camera!" That isn't quite as marketable though, I suppose!!
Very good introductory text.......2005-08-27
I very much agree with philosophy of this text. I think it did a good job of gathering the most important points of acting for film.
It's a short, easy, read, but I think it teaches all the right things.
A good reference.......2004-07-05
Overall, this is a good purchase. I got this a while ago because of my interest in branching out in my acting. I will admit that the first few chapters were slow, and I stopped reading for a while. However, after the first 1/4 I really got into it. There are excellent tips in there on how to go from theatre acting to film acting. There were also some good ideas on acting in general--from reacting to stimuli during a scene or dealing with unruly directors. It also had a few addresses for unions, which is always nice to have. There were also definitions of jobs related to film and the equipment used in film. The last chapter of the book is a compilation of exercises to practice in front of a camera. These are exercises that you will need about 2 or 3 other people for, and you will either have to improvise a scene, write a scene, or find a scene to perform while doing the exercises.
This is a very good book that gives you the basics. It can be used as an introduction or as a refresher, and it is generally an enjoyable read--Tony Barr writes with humor but also gets the point across. After the first few chapters, I devoured this book. This is definitely a good book to have for reference, one that I will have around for a while...
Another Must ahve for Serious actors!.......2004-02-12
My acting teacher says that, basically, their are two types of acting. Acting for the stage (theatre, plays)and acting for the camera (movies, tv). I want to do the later one, acting in movies. We do some stage excersises in class, but they dont interest me. I want to be in front of the camera so I can use some method and other technics, that my teacher says dont work in stage acting. I know i will reach my goal and get more and more film work. If you think the stage isn't for you, either, than read this book. You learn alot.
Average customer rating:
- An outstanding guide to the Arriflex camera system
|
Arriflex 35 Book, Third Edition
ASC, Jon Fauer
Manufacturer: Focal Press
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Camera Assistant, The: A Complete Professional Handbook
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In the Blink of an Eye Revised 2nd Edition
ASIN: 0240803701 |
Book Description
A comprehensive guide to a highly popular movie camera, the Arriflex 35 Book details the simplicity and complete interchangeability of the ARRI 35mm system, the wide range of lenses, accessories and after-market products available, and how they may all be used and serviced. The new edition has been completely revised to include a wide range of updates, retrofits and especially camera accessories. The book features exploded view drawings and photographs of every camera and accessory, with technical specs. It discusses every aspect of prep, use and maintenance.
Divided into six sections each covering a different camera or accessory system, the Arriflex 35 Book is exhaustive in the information it provides the camera operator: checking mirror shutter timing, timing Arriglow, removing ground glasses, setting eyepiece diopters, threading and servicing magazines, lubrication, and checking flange focal depths are just a few examples. The Arriflex 35 Book also includes an appendix listing frequently needed reference information such as camera and magazine weights, magazine tensions, flange focal distances, fuse numbers, and a directory of Arriflex dealers and after-market product manufacturers worldwide.
Completely revised to include all updates, retrofits and accessories
Covers every aspect of prep, use, and maintenance
Features nearly 360 exploded view drawings and photos of every component and accessory
Customer Reviews:
An outstanding guide to the Arriflex camera system.......2000-07-07
If you browse through Jon Fauer's latest book, THE ARRIFLEX 35 BOOK, the following statement from page 28 might catch your eye. "This funny looking tool (ARRI K.4.30689.0), which looks like a scissors mated with a platypus, can be..." One might wonder, what kind of technical manual this is? But as you read on, the validity of the text quickly becomes obvious and statements such as the above, elevate Jon Fauer's book above so many dry, and difficult to comprehend technical books. From the first page to the last, 358 pages bristle with the most thorough and detailed information. THE ARRIFLEX 35 BOOK is comprehensive, providing the reader with the know how required to use, maintain and care for the Arri family of cameras, one the world's most popular professional motion picture systems.
The informative, logically presented text, peppered with Jon's wry humor, is amply illustrated with hundreds of clear and precise drawings and photographs that leave nothing to the imagination. All available accessories, even home made ones, are discussed in this detailed and illustrated text. Even so, the book is not restricted to technical information alone. Useful information, such as shipping weights, Arriflex worldwide suppliers, and sales agents are listed with included addresses and phone numbers.
Additional information, shooting tips, and other equipment used in cinematography are discussed. Jon's enormous research compiles the knowledge of some of the top people in the industry. When added to his own vast experience, this book, "platypus" and all, is clearly the best, most important and necessary text to anyone who owns, maintains or works with Arriflex cameras. It is simply a must read for students and professionals alike.
Good work Jon! Thanks very much!
Andrew Laszlo A.S.C.
Product Description
Stop-motion animation has long been perceived as a technical practice rather than a creative, demanding art. Though stop-motion requires considerable technical knowledge, it also involves aesthetics and artistry that go beyond the technician’s realm. Just as important as puppet mechanics are lighting, filters, lenses, camera angle and placement, and dramatic pose and movement. This manual is a complete guide to the aesthetics of stop-motion animation. Information is organized in an intuitive, easy-to-use structure, following the order an animator uses in setting up and then executing a scene. The first half concentrates on the aesthetics of lighting and cameras, a primary concern in any shot, with details of camera placement, various lenses and myriad lighting techniques. The second half deals with the process of performance art, an oft-overlooked aspect of stop-motion animation. Included is a commentary on body language, facial expression, gesture, movement and emotion—key concepts that are exemplified through the acting process. The work also offers an introduction to narrative form and a glossary of related terms.
Customer Reviews:
Stop-Motion Filming and Performance.......2007-07-03
Like its two previous manuals, Stop-Motion Armature Machining and Stop-Motion Puppet Sculpting and Fabrication, the publisher chose to print Stop-Motion Filming and Performance on substandard paper stock, with low-quality images. This hurts the overall look of the manual, belies the content of the manual, and results in a product that is overpriced for what one gets visually.
The author had requested color photographs for the lighting portion of the manual, and was initially told by the publisher that up to 8 color images would be printed. Eventually, color photos were not used, which further impeded the manual's discussion on color lighting.
The most important aspects of filmmaking (be it live-action or animation) are the story and performances. As such, the author spent a great deal of time discussing story development and animation performance. The author would especially welcome comments from consumers of the manual on those aspects of the manual as well, and to provide more objective and fair criticism.
DO NOT BUY THIS BOOK.......2007-04-06
I am a film student at the University of Miami. I was trying a first time stop/motion experiment and bought this awful book. The section on lighting techniques are all introductory and in no way specific to stop/motion animation. The very few pictures in the book are in b/w and extremely muddy. It is way too general, a complete waste of time, and a rip off for 50 bucks.
Book Description
This is it! The real story of what goes on behind the scenes. Camera Smart provides actors with an exclusive and much needed look at the inner workings of a film set. By following an actor on his first day of work you encounter the jargon, the situations, the people, the failures and successes of a real world camera job. It's the next best thing to being there. This book, written with a rare combination of humor and insight covers all aspects of the camera actor's world including a fascinating look at how the new technologies of video games, CD-ROM movies, interactive multi-media and the 500 channel universe will affect that world. Become camera smart yourself so that when you get the job you'll be ready.
Customer Reviews:
The business / The Hollywood continuity style.......1999-04-01
I have read all of Richard Brestoffs books. And taken many of his classes. By far, this was my preferred book that landed me a 3-day part on Melrose Place.
Dream your Dream, Buy this Book, and apply the techniques...
Thanks Richard! Matthew Lucas
This is a wonderful book!!.......1998-05-22
I never really understood the film making process until I read this book. It is written with a real human spirit as he takes us through step-by-step. I felt as if I was on that shoot myself - nervous and anxious about everything that the character "Newcomer" was faced with and didn't understand. What a relief to have a book that finally explains all the terminology and gives specific advise on what to expect and how to meet the acting demands of working on a set. If you're in the Seattle area, you should check out his classes. He's a very gifted teacher as well.
It's the best!.......1998-04-16
Richard Brestoff discusses acting brilliantly and tells what we REALLY should know about acting in front of a camera and on a set/location for television/movie acting. This book was by far the most interesting, helpful, informative piece of literature about acting I've ever been so lucky to get my hands on! I only wish I could thank him personally.
I loved this book!!!.......1998-03-16
Even as a non-actor, I found the comments and information in this book fascinating. It explains the duties of various film crew members, and details the steps involved in making a film. I'll never watch TV or movies the same again!
Product Description
Image Control explains the devices and means that can be used to create a memorable and expressive image on a television and motion-picture screen. The key to creativity is mastery of the medium, so it is vital to understand the impact that filters and lab procedures can have on film and digital images. In the pages of this book you will learn closely guarded secrets that professionals have developed though hard work and years of experience. Image Control shows, practically and succintly, how to manipulate the image in front of the camera, inside the camera and in the lab. You will discover: Hard-to-find information on filters and their effects; their advantages and disadvantages; and the effects of exposure adjustments Explanations of the different film lab processes that affect the image and how they can be used for subliminal scene support Step-by-step instructions on how to set up, shoot and evaluate lab tests and lenses Measures to control the color response of color negatives Insights into postproduction work, such as opticals, dupes, film-to-tape transfers and digital intermediates How to use camera filters to enhance your video images Directors of photography discuss how they manipulated images for award winning films Written in a conversational, easy-to-follow style, Image Control provides you with knowledge gained from the experience of its author and his respected colleagues. The book provides unique, invaluable information on filters, lenses, color interaction, labs, and testing and evaluation procedures, many of which were used on Academy Award-winning films. Real-life examples illustrate how a range of techniques and styles can be used to control the image onscreen.
Customer Reviews:
Solid basic information.......1999-12-11
The fact of the matter is that IMAGE CONTROL is the ONLY mass marketed book that deals directly with the subject of motion picture lab techniques. And it does provide a solid basic introduction - as it does with all the other subjects of discussion pertaining to the art of cinematography explored in this book. Excellent photos, good examples, a great introductory book. But for those of us looking for more in-depth information. . . sadly enough, you're not going to find it here. Any shooters out there reading this - Lab techniques are an area that have been shrouded in mystery for too long - somebody give Bob Richardson a book contract!
Customer Reviews:
Things I wish I had known for 20 years.......2007-09-10
As a "working actor" I wish I had known 20 years ago even 1 of these techniques or pieces of information. It would have changed my career. John Shepard's book is beyond informative -its a miracle.
Nancy Mimless
Get this book! An actors bible to camera work.......2005-03-05
This is a terrific book. Acting is a craft, so like any other craft it has it's changes. It should come as no surprise that there are growing number of facets where knowledge can give you an edge. No actor can be expected to know everything. Enter John Shepard. Here's a book that spells out the variety of camera work out there. Should you find yourself up for a commercial, industrial, creating CD Roms, Soap Opera, film, or episodic TV, Shepard has a chapter on each one. Everything, from what you wear to the details of auditioning techniques, is laid out. Do you expect to be working on location? Shepard tells you what you can expect as well as what's expected of you. There are sample scripts, scenes to practice and exercises to sharpen your skills. This book is full of good stuff.
Average customer rating:
- Just what is the frequency, David?
|
Motion Picture Camera and Lighting Equipment
David W. Samuelson
Manufacturer: Focal Press
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Motion Picture Camera Techniques (Media Manuals)
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Film Lighting
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Camera Assistant, The: A Complete Professional Handbook
ASIN: 0240512618 |
Book Description
Motion Picture Camera and Lighting Equipment enables cinematographers and film producers to find their way through the bewildering array of equipment offered for professional use. Electronic and computer control mechanisms and video assist are all covered in this practical, easy to understand volume.
Customer Reviews:
Just what is the frequency, David?.......2002-10-25
I thoroughly recommend it if for no other reason
that it has in it one of the most interesting bits of useless
information I have come across for a long time ...
Book Description
Although there are hundreds of schools that teach acting, hardly any address work in front of the camera. You Can Work on Camera provides this much-needed training for actors aspiring to work in a range of media, including television commercials, corporate films, and video communications.
More than just a manual of the technical elements of the craft, this handy guide is written to inspire self-confidence and to reduce the self-consciousness that hinders communication abilities. It provides the help actors need to find jobs, with more than twenty pages of dos, don'ts, advice, and wisdom from the authors and seventeen prominent casting professionals, talent agents, film directors, and producers.
Actors of all persuasions will want to read this book: those working on Broadway as well as nonprofessionals, living anywhere, who want to get into the business either as a new profession or as a part of the job they currently hold.
Average customer rating:
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Camera Terms and Concepts (Focal Handbooks)
David E. Elkins s.o.c.
Manufacturer: Focal Press
ProductGroup: Book
Binding: Paperback
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ASIN: 0240801504 |
Book Description
This book contains over 400 definitions and 100 illustrations that show the terms and concepts every camera operator and assistant need to know to function on a set. Not only are terms from the camera department defined, but so are terms from closely
associated departments, such as lighting and electricity.
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