Book Description
Time-tested lighting strategies that will improve the quality of a portrait are detailed in this book for beginning photographers. Terminology used by industry pros is explained, the equipment needed to create professional results is outlined, and the unique role that each element of the lighting setup plays in the studio is explored. Photographers learn how color, direction, form, and contrast affect the final portrait. The concise text, photo examples, and lighting diagrams enable photographers to easily achieve traditional lighting styles that have been the basis of good portraiture since the advent of the art.
Customer Reviews:
For the advanced Photographers.......2007-09-10
I read the book and one thing that I did learn is that I need to take some Photo classes and learn more about taking photos. Some of the subject matter was over my head.
Good book, great guide, very helpful.......2007-08-10
I am halfway through this book and find the instructions, diagrams and pictures very helpful. I do not understand some of the criticisms because this is about staged lighting and studio portrait and will always be "posed". I am amazed at the length of detail that the author has gone through and appreciate the multiple portrait examples in various lightings.
Great for spawning lighting ideas..........2007-08-09
This book met and even exceeded my expectations. Much like "The Portrait Photographer's Guide to Posing", this book is an excellent reference book that you will find yourself re-reading for inspiration and technique. The examples and photos are great and the book is very easy to follow. I am glad that I ordered this book.
An impressive book that teaches it all.......2007-07-03
I am a photo prothusiast. I love photography and use it in my profession. Recently I have toyed with the idea of shooting portraits on the side for a little extra cash. I thought I'd bone up on my portrait lighting techniques. I bought a few books, including Christopher Grey's Master Lighting Guide for Portrait Photographers.
I have to say, Christopher's book is my favorite. I have had a blast working through the techniques he teaches in this book. He starts out by giving a rundown of lighting gear on the market. He weighs the pros and cons of different lighting systems and shares his favorites.
The book gets really exciting when he starts teaching lighting techniques. He uses actual photographs so you can see the results, comparing light settings and placement. He demonstrates many configurations, each more beautiful than the last.
I have taken this book seriously. I love to grab a subject and get busy, trying out his different light scenarios and seeing if I can match his quality. In some cases I have, in others I need practice.
I would highly recommend this book for both pros and beginners. It is an excellent reference that I have found invaluable.
Thank you, Christopher.
I hope this helps.
-Craig Nybo, co-author of Total Human: The Complete Strength Training System
Great Buy!.......2007-06-20
I have learned tons of information from this book on lighting. You must have it if you are a little or alot confused about studio lighting and how to do it right!
Pam Vasquez
Book Description
Can you find your digital photographs when you need them, or do you spend more time rifling through your hard drive and file cabinets than you'd like? Do you have a system for assigning and tracking content data on your photos? If you make a living as a photographer, do your images bear your copyright and contact information, or do they circulate in the marketplace unprotected?
As professional photographer and author Peter Krogh sees it, "your DAM system is fundamental to the way your images are known, both to you and to everyone else." DAM, or Digital Asset Management, in the world of digital photography refers to every part of the process that follows the taking of the picture, through final output and permanent storage. Anyone who shoots, scans or stores digital photographs, is practicing some form of digital asset management. Unfortunately, most of us don't yet know how to manage our files (and our time) very systematically, or efficiently.
In The DAM Book: Digital Asset Management for Photographers, Krogh brings clarity to the often overwhelming task of managing digital photographs, with a solid plan and practical advice for fellow photographers on how to file, find, protect and re-use photographs. Following a thorough overview of the DAM system and de-mystifications of metadata and digital archiving, Krogh focuses on best practices for digital photographers using Adobe Photoshop CS2. He explains how to use Adobe Bridge, the new CS2 navigational software that replaces the File Browser introduced in Photoshop 7, with full details on integrating Bridge, Camera Raw and Digital Asset Management software.
Compellingly presented in four-color format, The DAM Book: Digital Asset Management for Photographers brings Krogh's award-winning creative approach to a subject that could have been technically intimidating. Instead, Krogh's twenty years of experience and instructive visual storytelling make this material not only accessible, but compulsory reading for serious digital photographers.
Customer Reviews:
Organization!.......2007-08-31
This is a good book. It is very helpful in determining how to organize photographs. It also is a give a good review of Bridge. It would be nice for the book to be up dated to cover CS3.
An Excellent Overview.......2007-03-31
I found this book to be an excellent resource to help you to understand how all the pieces fit together.
Indespensable Reference for management & storage of digital photos............2007-03-18
As a novice in the area of digital asset management, I found this book to be extremely helpful.....well written and full of great suggestions on how best to manage your photos. Highly recommended.......a true five-star guide.
HIghly Recommended.......2007-03-08
Helps you learn how to deal with all the digital photography photos that amass on your hard drive. Do you save them as JPEG , RAW, both? What about DNG? How do you tag, and archive these files? Why would I do it this way? It's important to know when your files reach into the thousands!! Do you want to lose your data or save it as an inferior file? I hope this book gets updated yearly.
Once good, now seriously outdated and needlessly complex.......2007-03-02
The DAM Book was probably much needed when it was first published - its publication coincided with a realization by many professional and serious amateur photographers that handling the quickly growing digital photo collections required a sound organizing approach and dedicated software tools. The book aptly points out that dealing with digital image workflow and the resulting file archives is in many significant ways different than dealing with film-based archives. Based on this initial premise, the book offers recommendations on how to organize digital photo studio workflow and filing / archive system.
Alas, the author chose to tie VERY CLOSELY his mostly sensible conceptual framework (i.e., HOW to organize) with very specific software and hardware. Often, more general advice is difficult or impossible to separate from his step-by-step, software-specific recipes. So, unless you use exactly the same software and hardware configuration as the author, much, if not most of this information will be of little use.
Since the book was first published, new, DAM- and photographic workflow-oriented software has become available (Adobe CS3, including the new Bridge is now in public beta nearing its release; and Apple Aperture 1.5 and Adobe PS Ligtroom 1.0 are the new, more workflow-focused tools), and more up-to-date (although dispersed) discussion of problems in question can be found in numerous articles on the web. This makes large portions of the book obsolete, as new tools enable different workflows that may be better suited to many photographers' preferences.
The book has other issues.
First, the author LOVES using technical jargon. While technical vocabulary is appropriate in discussing technical issues, creating new terms and elaborate taxonomies for everything is an overkill. The author's misguided argument for using "controlled vocabularies" (a common term, which he uses in his own, very peculiar way - p. 47) is a good case in point. As Eric Abrahamson (Columbia Business School) aptly points out in his excellent book "A Perfect Mess," organizing is always good in principle, but OVER ORGANIZING by creating systems more complex than it is necessary to get the job done, comes at a very steep price in time and resources needed to maintain the system. Enough said.
Secondly, since this is a workflow book (not a coffee-table book), the full color print is totally unnecessary, and the price point is consequently too high. This should have been one of those $9.95 O'Reilly quick-guide booklets. Most photos reproduced in the book are simply decorative, or used as examples for things that are obvious (e.g. an example of a "group shot" - duh!; or a photo of wine barrels in a cellar as a metaphor for file storage system). Photos are not interesting on their own merit; screen captures and simple diagrams would be just as effective in greyscale.
In summary, you may want to flip through the pages of the book at a local library or bookstore - what's really useful and noteworthy here, can be easily grasped in less than 15 minutes; otherwise, your money may be better spent on a good book focused on the actual software tools YOU are committed to using.
Product Description
Nikon manufactures some of the most sophisticated accessory flash equipment found in today's marketplace, and the Magic Lantern Guide shows photographers exactly how to master the complex equipment and operating modes of the company's AF Speedlight Flash System. That's why it's destined to be the most often used reference on photographic flash technique. From advice on Multi-sensor balanced fill flash, bounce flash, rear-curtain sync to high-speed sync, or multiple flash set-ups, this manual explains everything. It comes complete with a course on the basics of flash handling, specialized flash technique, and a model-by-model review of using current flash gear with Nikon cameras. 5 x 7-1/2". b/w illus. throughout
Customer Reviews:
It's a good book.......2007-01-24
I like this book. Unlike most of the book in this series that mostly written for people who lost a manual this one goes far beyond manufactures manual. Even if you a not a Nikon flash users it contains some information that could be interested for anyone in flash photography.
Finally!.......2007-01-18
I have been looking for help with the Speedlight system for over a year - since first purchasing my SB-800. There only ones I found were out-of-print and obviously too outdated to matter anyway! If you think figuring out how to access all the power of one model is difficult, just imagine trying to cover all the models Nikon has produced since it introduced TTL. Add to that the fact that Nikon bodies change the available features. (The current digital bodies like D200 are covered as well). A daunting prospect for any author. So the good news is that I found the book very helpful and it clears up a lot of my confusion. The bad news is that you must sort thru a lot of info about Speedlight models and film bodies that you are unlikely to own.
SB-800 Guide.......2007-01-10
This book was WAY over my head. It was a struggle to understand and I did not finish but about half of it. If you are not an advanced lighting technician you should look for a more simple SB-800 guide. I wish I had known this before I purchased it. Nikon has a CD that I wish I had purchased instead. This book was too technical for me.
Throwing a Little Light on the Subject.......2006-11-20
Here's a book aimed at Nikon camera owners using the speedlights that make up the Nikon Creative Lighting System (CLS). Perhaps the most innovative function of this system is the ability to exercise a new degree of control in the use of multiple lights.
The book starts out providing some basic flash concepts and explaining Nikon's nomenclature (which is often confusing because of the similarity of terms over the years) for its different flash modes. The author follows with a discussion of flash techniques, including direct flash, bounce flash, and repeating flash. The most practical chapters tell you how to use a single speedlight to take pictures, and how to use multiple speedlights. Finally, there are descriptions of both the early digital speedlights, i.e., the SB 28DX and the SB-80DX and then the components of the CLS. There is an addendum on the D80 which has a built-in speedlight that works with the CLS, and which probably was necessitated by Nikon bringing that camera to market as the book was going to press.
The book is aimed purely at the technical side of using these speedlights and does not touch on the artistic use of the lights. This book probably was in response to the difficulty that some people had in understanding the manuals that come with Nikon products, and integrating the manuals from several different products. But this effort at integration creates its own brand of confusion. The author tries to tell you how to use the products with both film and digital cameras, but since the automatic features of the CLS have to be handled differently for film and digital cameras, the instructions are somewhat confusing. I suggest you go through the book with a magic marker and highlight the sections applicable to your type of camera (and if you shoot both film and digital, you'd better use both a yellow and a blue marker!)
Moreover, don't think you can skip over any of the material, because important information may just have a passing reference in an unusual place. It took me several readings to understand that I could not use my SB-28DX with a digital camera for multiple speedlight use. (That's not altogether true - it's possible to shoot in manual mode, but if you are going to do that, you lose all the advantages of modern speedlights. You're better off junking your old SB-28DX and getting a new CLS speedlight).
There are several pictures included in the book but they are of a rather pedestrian nature and add nothing to one's understanding of Nikon speedlights. Additionally, except for the cover there is no color printing in the book. Finally, for a system that has been on the market for a couple of years, this book looks like it was rushed to market with many typographical errors.
The Nikon CLS system offers unprecedented opportunities for photographers to use flash for better pictures. However, if you are looking for ideas on increasing your creativity, look elsewhere. On the other hand, if you are still having a problem with the technical side of your speedlight, like how to set your SB-800 to control the lighting balance of a second flash, this book will prove useful to you.
Expected better.......2006-11-11
I have Simon Stafford's "The new Nikon compendium" and use it all the time as reference. I purchased the current book before purchasing a Nikon R1 flash kit. While Mr. Stafford mentions the compatibility problems between various camera bodies and this kit, no mention is made (in the book) of the fact that you CANNOT use the R1-kit, or the SB-R200 flash system, with a stack of Nikon LENSES - they are incompatible - and serious damage may result, esp when using AF. Nikon says "the weight of this Speedlight when attached to the front of the lens will cause excess strain on the barrel and helicoid, affecting lens performance". Whilst thankfully I have not damaged my lens (found the fine print in the manual before using the kit), I would have liked Mr. Stafford to have done his research, and I would have liked to have been warned! I have spent a lot of money on the R1-kit after reading this book. Not happy.
Then I tried to refer to the book on how to use the Nikon D200 camera in commander mode with the new Nikon CLS speedligths. And while I could find the info on how to set up the SU-800 controller, I just could not find any info on how to set up the camera itself to act as a commander, when not using the SU-800 commander. My camera does not need the SU-800 commander, so I don't own one. So I ended up refering back to the Nikon camera manual to find out which menu item to set and how. Hmmm. Shouldn't this info be in the book? Easily accessible and indexed?
Anyone want to buy a slightly used book about the Nikon AF Flash system?
Book Description
From camera selection to enhanced exposure, everything necessary to capture underwater digital images is available in this handy reference. Photographers will learn how to select, test, and use digital cameras for technically perfect images, adapt traditional photo techniques to underwater conditions, confidently shoot and light underwater images for great exposure, and remedy common problems that plague underwater photographers. Helpful hints on maintaining, cleaning, transporting, and insuring a digital camera are included. With full-color images that both instruct and inspire, this handbook provides information on every conceivable aspect of creating the right conditions for beautiful underwater photographs.
Customer Reviews:
Husband Loves It.......2007-09-08
I bought this for my scuba diving photographer husband as a present. He said it is an excellent book as he leafed through it. Then he sat down to read it immediately. That's quite a positive reaction for him.
Denise
good intro.......2007-06-14
good basic intro to digital underwater photos and equipment
Underwater photography guide for beginner intermediate.......2007-02-19
Found this book very helpful. Have some experience with underwater digital photography but found the explainations and examples very helpful. Took it to Palau...and left it with the captain who kept picking it up to read. So am ordering my replacement!
Underwater photography book.......2007-01-10
Very disappointing. I was hoping for a more informative book. This was pretty basic photography. The previous reviews were misleading for me. This was a waste of money.
Very limited information for D-SLR cameras.......2007-01-08
This book is fine for point and shoot, and non-D-SLR cameras. It does have some inaccurate information - at least, information that most underwater photo pros disagree with. It has very limited information for those who are using D-SLR cameras.
Book Description
The great improvisational American jazz musicians of the mid-20th century inspired a generation of photographers to develop a looser, moodier style of visual expression. That evocative approach is on striking display in The Jazz Image. Covering six decades of performers —from Louis Armstrong and Duke Ellington to John Coltrane and Miles Davis—this unique collection is as much a comprehensive catalogue of jazz greats as it is a salute to the photographers who captured them.
Lee Tanner, a leading authority on jazz photography, has selected works—by such noted jazz photographers as Herman Leonard, Bob Willoughby, Milt Hinton, and Bill Claxton—that are iconic, candid, explosive, and intimate. They provide a simultaneous look at jazz, photography, and America from 1935 into the 1990s.
Customer Reviews:
Truly great images.......2007-06-08
If you grew up listening to jazz from the 30's through the 60's you'll really enjoy the pictures in this book. They evoke a feeling and, in most cases, present the players as "bigger than life"...just as they were to us then and now.
candid photos depicting the greatest stars in jazz!.......2007-02-03
Wonderful "coffee table" book, loaded with excellent candid photos of the greatest jazz stars -- definitely a keeper!
Great Overview.......2006-11-19
this is the kind of Book that truly showcases some of the Greatest Jazz Artists Ever. Duke Ellington, John Coltrane, Miles Davis,Louis Armstrong, amongest others. it is great to see so many Important musical figures in the Moment where Creativity is coming about. this is a Must have collection.
Amazon.com
Anatomy Lessons from the Great Masters provides an anatomical counterpart to Robert Beverly Hale's classic reference book, Drawing Lessons from the Great Masters. Terence Coyle, who for several years assisted Hale at the Art Students League of New York, kept detailed notes of Hale's lectures and teaching methods. He combined these notes with 100 drawings to illustrate how the great masters portrayed specific parts of the human physique. As Hale points out, master artists such as Rembrandt, Leonardo, and Raphael "absorbed the technical details of anatomy so well that these details could be set down instinctively.... If an artist has to occupy his mind with the task of clumsily grouping the elemental facts of anatomy as he draws, there can be little room left for really important matters--such as the spirit of the drawing and the artist's expressive intent." Coyle provides several examples within the study of each anatomical area to illustrate the variety of styles and methods employed by the masters. The book treats, in order, the rib cage, the pelvis and thigh, the knee and lower leg, the foot, the shoulder girdle, the arm, the hand, and the neck and head. A complete series of anatomical reference plates by Dr. Paul Richer is included. By applying the timeless anatomical principles the great masters have handed down to us, any artist can begin to acquire the means by which to express the "really important matters." --Mary Ribesky
Book Description
This classic book, whose foremost author was one of the great artistic anatomy teachers of the twentieth century, is an invaluable instructor and reference guide for any professional, amateur, or student artist who depicts the human form. Revealing the drawing principles behind one hundred inspiring masterpieces, the book presents work by Leonardo, Michelangelo, Rubens, Raphael, Titian, Rembrandt, and other greats. These superb portrayers of figures knew that the secret of drawing them was seeing how underlying bone and muscle structures mold the body's surface forms. Readers are shown how to learn from these great examples as the authors guide them through all the steps they would take in a life class or studio working with live models.
Customer Reviews:
Good for Antamoy References.......2007-05-13
I will just say that this is very helpful for reference to specific part of the human anatomy. Especially the skeletal and muscular diagrams at the back of the book.
Good book.......2006-11-23
for us amateaur artists who want inspiration to create great works of art. This book shows the details of the human body and how great artists drew from live and dead bodies as they create the greatest masterpieces in art history.
Practice practice practice.......2006-01-20
I took an art class at the junior college and the instructor suggested copying the masters to improve drawing skills. I bought this book and copied every picture. Not only did it familiarize me with many artists I had not heard of but, over time my drawing skills improved dramatically. I am now buying collections of drawings of other artists and copying. I highly recommend the book not only as a reference but also to be used to improve skills. I have an engineering background, not art and this helped immensely.
Good book, but lacks in the following........2004-01-07
Pick up this book if you are looking for a great artistic anatomy reference book. If you are looking for more than reference, however, you might want to look elsewhere. While this book is definitely good, it doesn't give the artist direction in how to draw or depict the illustrations. The text is pretty much straight-forward, usually only noting the parts of the bodies in the images. Second, this book lacks the poetic and great writing of Robert Beverly Hale.
Anatomy Lessons from the Great Masters is more of an extra reference book or a supplement to Drawing Lessons from the Great Masters. In that book, Hale really teaches to the reader whats needed to depict anatomy, what steps the artist must take, gives tips on how to become a great or accomplished artist, why the artists of the past were so good, what mistakes beginners of figure drawing usually make, and sooooo much more. It's pretty much an incredible book to have even if you're not into figure drawing.
I think Anatomy Lessons would probably be more highly regarded in my eyes had Drawing Lessons been nonexistent. Anatomy Lessons is great for further reference, if thats what you're looking for though. I probably wouldn't recommend anyone to buy this book unless you already own or have thoroughly read and studied Drawing Lessons by the Great Masters.
Excellent content.......2002-09-29
An excellent book on artistic anatomy. Reading this one book has taught me more than some figure drawing classes. A systematic deconstruction of how the masters of artistic anatomy have integrated their knowledge into some of the greatest drawings of all time. The book goes through the drawings of famous artists, categorized by the region of the body on which the drawings are focused, and attempts to explain how extensive knowledge of anatomy has been effectively applied. It touches on how these artists could create drawings which are more powerful than merely a photographic rendering of the model through their use of anatomy.
Unfortunately, the book is very cheaply bound. Entire leaves have detached themselves from the spine, though I have treated the book very well. My copy has turned into a stack of paper and scotch tape, wrapped loosely in its former cover. Despite that fact, I still consider it worth the purchase.
I have both this book and "Drawing Lessons from the Great Masters." Both are excellent books, but if you must only buy one, get this one. It is the better of the two.
Book Description
From lighting glass objects to photographing models indoors and out, this handbook demonstrates how to effectively use and manipulate light using a variety of traditional and unconventional lighting equipment. Written for both the professional and the serious amateur photographer, this guide explains the different types of light and how to work with modifiers such as panels, umbrellas, grids, and mirrors. More than 100 detailed lighting diagrams help ensure proper placement and are useful while pitching ideas to clients. Money-saving equipment and accessory alternatives are discussed along with strategies for working through obstacles during a shoot, making this manual a must-have resource for success on every project.
Customer Reviews:
Very useful.......2007-08-01
This book is well done with lots of photos to accentuate the descriptive language. I recommend this book.
Perfect for the college-level collection strong in photography studies........2007-03-06
What skills produce top images and big sales? Lighting has a lot to do with a photo's success or failure, and the basics of commercial lighting are here revealed in a guide covering how to use and capture light. From selecting commercial equipment to creating setups and shooting using panels, grids, umbrellas and more to soften or accent lighting, Master Lighting Guide for Commercial Photographers is filled with both photo how-tos and business tips for neo-professionals. Perfect for the college-level collection strong in photography studies.
Book Description
This guidebook to nude and beauty photography provides amateurs and professionals alike with the necessary tools to create tasteful and artistic images that exceed expectations. With tried-and-true, expert guidance, the entire photo-shoot process—from developing the desired style and look to digital post-production techniques—is explained. Tips on posing and lighting, styling hair and makeup, and establishing a rapport with the subject, as well as chapters on creating smart marketing strategies, building a client base, and maximizing referrals to creating eye-catching displays and websites, are also included.
Customer Reviews:
dont buy only for the cover........2007-03-23
the information is very superficial and images looks a little old, like 80's.
Customer Reviews:
Honest photos that inspire photographers to go an extra mile.......1998-03-21
The great thing about this photo book is that Allard provides you with a continous dialogue along with the photos about how he got the shots, what was going on, etc. As an amateur photographer, I was extremely inspired by "The Photographic Essay" to continue my photographic exploits with renewed vigor.
The pages of "The Photographic Essay" come alive with photos from Mississippi, the Basques, Out West, Oaxaca, Mexico, Peru, and Australia. Allard focuses on human emotion and tends to go for photos that other photographers wouldn't attempt--ones where lighting conditions are poor and in situations that others wouldn't get into like Allard does. The result is a rich, vibrant, honest mood.
I would recommend this book to anybody interested in photography, National Geographic magazine, or cultural studies.
Average customer rating:
|
The Master Architect: Conversations with Frank Lloyd Wright
Frank Lloyd Wright
Manufacturer: Wiley-Interscience
ProductGroup: Book
Binding: Hardcover
 General
| Architecture
| Professional & Technical
| Subjects
| Books
General
| Architects, A-Z
| Architecture
| Professional & Technical
| Subjects
| Books
Wright, Frank Lloyd
| Architects, A-Z
| Architecture
| Professional & Technical
| Subjects
| Books
Building Construction
| Construction
| Civil
| Engineering
| Professional & Technical
| Subjects
| Books
General
| Photography
| Arts & Photography
| Subjects
| Books
Photography
| Studio Art
| Art & Music
| Humanities
| New & Used Textbooks
| Stores
| Books
ASIN: 0471800252 |
Book Description
Previously unpublished conversations of `The Father of Modern Architecture' with such notables as Carl Sandburg, Mike Wallace, Alistair Cooke and Hugh Downs. In this magnificiently illustrated volume, Wright shares his often controversial views on art, literature, society, history and architecture. Photographs of Wright's greatest achievements accompany these provocative conversations. This book presents a penetrating protrait of the architect, exposing his humor, charm and guiding philosophyâan intense faith in the individual, the independent mind and the free spirit.
Books:
- Matchmoving: The Invisible Art of Camera Tracking
- Midnight in the Garden of Good and Evil
- MiMo: Miami Modern Revealed
- Northern Renaissance Art (Trade Version)
- Philosophers Stone P
- Planet Earth: As You've Never Seen It Before
- Pocket Guide to Digital Prepress (Pocket Guide)
- Professional Practice for Interior Designers, 3rd Edition
- Reflections: Twenty-One Cinematographers At Work
- Robert Capa: A Biog
Books Index
Books Home
Recommended Books
- Prints Of Rufino Tamayo, The
- History: Fiction or Science
- Child of My Heart: A Novel
- Cavalier King Charles Spaniel
- Criticizing Photographs: An Introduction to Understanding Images
- History: Fiction or Science
- Fundamentals of Geometric Dimensioning and Tolerancing
- On the Big Blackfoot
- Diana: Vrai Histoire/ Diana: Her True Story
- Red-Headed and Wrong-Handed
The Portrait Photographer's Guide to Posing
Posing for Portrait Photography: A Head-to-Toe Guide
Skin: The Complete Guide to Digitally Lighting, Photographing, and Retouching Faces and Bodies
Understanding Exposure: How to Shoot Great Photographs with a Film or Digital Camera (Updated Edition)
Light: Science and Magic: An Introduction to Photographic Lighting
