Average customer rating:
- Behind the Scenes of Media Programming
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Programming for TV, Radio & The Internet, Second Edition: Strategy, Development & Evaluation
Lynne Gross ,
Brian Gross , and
Philippe Perebinossoff
Manufacturer: Focal Press
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Managing Media Companies: Harnessing Creative Value
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ASIN: 0240806824 |
Book Description
Where do program ideas come from? How are concepts developed into saleable productions? Who do you talk to about getting a show produced? How do you schedule shows on the lineup? What do you do if a series is in trouble? The answers to these questions, and many more, can be found in this comprehensive, in-depth look at the roles and responsibilities of the electronic media programmer. Topics include: Network relationships with affiliates, the expanded market of syndication, sources of programming for stations and networks, research and its role in programming decisions, fundamental appeals to an audience and what qualities are tied to success, outside forces that influence programming, strategies for launching new programs or saving old ones. Includes real-life examples taken from the authors' experiences, and 250+ illustrations!
* Completely updated to include: new programming forms, changes in programming style, and more!
* Updated Glossary!
* Study questions for each chapter
* Companion website for students and Instructor's Manual
Customer Reviews:
Behind the Scenes of Media Programming.......2006-01-28
This is a very solid job at describing a constantly moving target. The authors (the first and third are at California State University-Fullerton, while Brian Gross teaches out in Jakarta and has enjoyed extensive experience in all three media) help to bring ever more important Internet content into the media mainstream with their treatment. Chapters cover the history of programming in all three services (and related areas such as video games), sources of television programming, sources of radio and Internet content, development of content for each of the three, testing of audience reactions, elements of successful programming, factors influencing television programming, factors impacting radio and Internet content, scheduling strategies for each of these services, program evaluation, changing and canceling programs, and ethical issues. The book is more descriptive than critical in approach, and helps readers get behind the scenes to better understand the players and process.
Amazon.com
Thank goodness this classic book has come back into print! Though The Technique of Film Editing has not been revised since 1968, it is still the single most comprehensive and engaging volume on film editing. Karel Reisz and Gavin Millar introduce readers to every aspect of the editor's craft. They provide a concise history of editing and describe editing style as it applies to every genre of moviemaking, including the many types of narrative and documentary films. The particular demands of wide-screen filmmaking, cinema vérité, and the avant-garde are also covered. Reisz and Millar's account of the differences between smooth and abrupt editing and their remarkable sense of editing for dramatic effect rather than for realism make this book an essential for apprentice editors, as well as for those who want to know how filmmakers understand their work.
Book Description
First published in 1953, the original English version of the book was reprinted 13 times without a word being changed and in translation it has become the standard work on the subject in the Spanish Czech, Polish and Russian languages.
In 1968 the original text was reprinted as it stood, as it was felt that any attempt to revise or reinterpret it could only blur its spirit. the second edition has now also reprinted 13 times. On publication the film director Anthony Asquith said `this book is an absolute must not only for film technicians but for every intelligent filmgoer' and more recently i has been said that `it is probably the most successful film textbook in English, and has had a great influence on the technique of the cinema.' By
reisuing this book, unchanged apart from the new cover and slightly larger format, we hope that a new generation of aspiring film editors will continue to derive much pleasure from this classic text and, moreover, it will treble their enjoyment of every visit to the cinema.' Film director, Anthony Asquith `All who are creatively and written and compiled by Karl Reisz, with the help of some of the finest brains in British film production must become a standard work.' Film producer,
Michael Balcon.
Customer Reviews:
Bible of Film Editing.......2007-08-08
Bible of Film Editing
from an editor and editing professor-
editors must have it- simple as that-- would be wise for other filmmakers to read too
comprehensive fantastic.......2005-09-01
I found an old copy in a library and searched this out. I bought the hardcover one on amazon cheaply. It has been revised for so long you may as well buy the old. it's not just about editing and goes through how to sequence shots for action (a chase) etc, goes through some citizen kane shots. Has quite a few pictures of sequences and other stuff. I highly recommend it. It's a massive book.
Want to make films? Read this book!.......1997-11-24
First you have to find it. Incidentally, I am sure it is not extremely difficult to find, for I happen to have found it accidentally in a film book store in Hollywood. Needless to say this book provides any potential film maker with an exciting view of the craft, turning mechanics into art. It is written in a clear style and in an almost profound way it will change the way you understand cinema and editing. Reisz and Millar will teach you how to turn the art of film into film art.
Book Description
Practical Art of Motion Picture Sound embraces the subject of sound for films. Based on the experience of the author and other top sound craftspeople and firmly grounded in practical techniques, this book provides numerous real-life examples and relevant technical data, as well as an appreciation of all the processes involved in creating motion picture sound.
This edition is completely revised, with all-new chapters on 5.1, the Nagra IV-S, and the Nagra V. The ProTools content is expanded, and there are new sections on how to record Foley in Pro Tools and the concept of ADR/looping. The accompanying audio CD presents demonstration material as well as a large library of sound effects, while numerous charts, illustrations, and photographs help to demonstrate techniques and common industry practices.
Learn about best practices and pitfalls from a Hollywood veteran
Audio CD with demos and sound effects
Experience-based advice on a wide range of topics
Customer Reviews:
Behind the attitude, there is a lot to learn here.......2007-09-29
As mentioned, Mr. Yewdall really knows his stuff, and the personal approach is unique and highly effective. It's rare to see a subject like this tackled in such a personal manner, and on that level it works.
However, as a "read" it has its problems. It is extremely lenghty, the writing is at times long-winded, and much of the information is unnecessary. The Pro Tools chapter should probably be removed entirely as it shows a lack of real awareness of how the system is being used by professional operators. (and it really doesn't seem to be his strength anyway.)
More troubling for me was the attitude. He has quite an ego, and his anti-intellectualism is not a positive influence, not for those practicing sound arts nor those who work with them (producers, directors, editors). In many ways, his book is geared toward all practitioners in film, and I fear that his attitude reinforces the perception many people have of the bitter sound guy.
However, while I found that aspect tiring, there's no denying that this is easily the most revealing book on audio for film I've found. If you want an in-depth look at the nuts and bolts process of film sound, you'll definitely learn a great deal in Mr. Yewdall's book.
The Practical Politics of Motion Picture Sound.......2007-08-03
This is the first book I've read on the specific topic of sound for films. I saw this listed on the Berkely School of Music website as a listed text book, so I figured if it's good enough for them....
There's a lot of great technical tips on many aspects of sound recording, from on-camera dialog, sound effects in the field, foley stage, to editing both linear and non-linear. The only thing less touched on was some techniques on the final mix of a soundtrack, even though the process of it was covered.
This book would be better for someone who's getting ready to enter the professional field, or just starting as tons of politics are discussed which at points made some chapters seems like an E! Entertainment report. Funny, but a little overkill for someone not in "the business".
Lastly, I would have liked to hear more about the mistakes the author made and how he learned from them, with solutions and the problem solving techniques used. Most references are on how everyone else made the mistake of not listening to the author, which comes across a little snooty, but I get the point. Good basic tips and setup for using ProTools as well. If you don't mind all the politics, and camera talk, then this will be a great read and learning expierence.
This book needs a new edition!.......2007-06-05
There's a lot of really good stuff in here - clear, concise, and helpful, even if the author is a little hubristic at times. Sadly, all of the information dealing with computer-based audio is at least ten years old: the author mentions applications like Sound Designer and the 'Audio Media III' hardware card, which went out with beige Macs.
Untold Secrets of Cinema Sound.......2005-02-27
Mr. Yewdall, the author, puts his long time experience into this book. Avoiding pitfalls with producers to working with budgetary constraints while producing academy award winning sound is probably the main emphasis of this book. The CD that comes with it is quite valuable, containing sample audio clips to demonstrates the author's points at various times. This book will save you atleast 2 years of experience in motion picture sound. It's worth every penny.
A good overview of sound for films.......2001-04-28
I found the book very entertaining to read, Yewdall tells many personal stories which he uses to illustrate points. In fact, I read it more like a novel. He passes his knowledge, and experience to the reader through stories of things he's done, and has seen in his many years recording, producing and creating sound for motion pictures. Some is fact, some is opinion, but his opinions are clear and are backed-up with his own unique style of logic.
There are also more technical areas of the book that cover topics like mic placement, how to record cars/explosions/dialogue, how to catalogue your own sound effects libary, etc. This book would also be useful to directors and producers who want better sound in their films. There's definately lots to learn about sound, and the author has done a good job giving the reader an idea about what motion picture sound is all about.
Book Description
With the advent of affordable equipment, there are more opportunities than ever in the field of corporate media production. This book examines all aspects of this creative field, from concept development to the final stages of postproduction. The book also clarifies the roles of the writer, producer, director and client while focusing on the dynamics among these key players. This in-depth book captures all the technical and creative elements used in the creation of media in the corporate world.
The new edition has been updated to reflect the most current media production, editing, delivery formats and processes, with an emphasis on DV. There is material on the new digital video cameras and non-linear editing systems, as well as an expanded discussion of audio sweetening. A new chapter on evaluation demystifies this critical process, and there is a new discussion of multimedia.
* Updated to cover the digital video revolution's effect on the tools of corporate media production
* Covers the creative and technical aspects of the job
* Essential knowledge for anyone planning a career in corporate video
Book Description
Documentary Storytelling is unique in offering an in-depth look at story and structure as applied not to Hollywood fiction, but to films and videos based on factual material and the drama of real life. With the growing popularity of documentaries in todays global media marketplace, demand for powerful and memorable storytelling has never been greater. This practical guide offers advice for every stage of production, from research and proposal writing to shooting and editing, and applies it to diverse subjects and film styles, from vérité and personal narrative to archival histories and more.
Filled with real-world examples drawn from the authors career and the experiences of some of todays top documentarians, Documentary Storytelling includes special interview chapters with Ric Burns, Jon Else, Nick Fraser, Susan Froemke, Sam Pollard, Onyekachi Wambu and other film professionals. This second edition has been brought up to date with a more international focus, a look at lower-budget independent filmmaking, and consideration of newer films including Super Size Me, Murderball, So Much So Fast, and When the Levees Broke.
* Storytelling techniques are one of the most powerful tools in the documentary filmmaker's arsenal--learn how to harness them with this book
* Top documentary filmmakers provide their storytelling strategies
* Covers a wide range of documentary styles
Customer Reviews:
Outstanding Resource.......2007-03-13
Whether a practitioner of the craft or someone who enjoys viewing non-fiction films, Documentary Storytelling is an invaluable resource. Sheila Curran Bernard's award-winning experience in the genre shines in this extremely practical book. From casting to treatments to editing, Bernard covers all the basics in great detail. But what distinguishes this book is her dedication to storytelling, a concept often lost with the technical wizardry available at our fingertips. Bernard's breakdown of the three-act structure and comparison of the narrative spine to a train offer wonderful lessons for novices and reminders for experienced filmmakers. Her analysis of existing documentaries illuminates the three-act structure. Bernard's main points are reinforced at the end of the book, thanks to a series of interviews she conducted with experienced documentarians. The reader is left with a practical how-to guide to make documentaries, as well as the critical skills to analyze non-fiction films.
In short, Documentary Storytelling is a must for students and anyone who wishes to engage in documentaries!
Book Description
Unique among directing books, Film Directing Fundamentals provides a clear-cut methodology for translating a script to the screen. Using the script as a blueprint, Proferes leads the reader through specific techniques to analyze and translate its components into a visual story. A sample screenplay is included that explicates the techniques. The book assumes no knowledge and thus introduces basic concepts and terminology.
* Unique, focused approach to film directing that shows how to use the screenplay as a blueprint
* Clear-cut methodology for translating a script to the screen
* Case studies featuring famous films
Download Description
Unique among directing books, Film Directing Fundamentals provides a clear-cut methodology for translating a script to the screen. Using the script as a blueprint, Proferes leads the reader through specific techniques to analyze and translate its components into a visual story. A sample screenplay is included that explicates the techniques. The book assumes no knowledge and thus introduces basic concepts and terminology.
Customer Reviews:
a rarified gem.......2007-06-07
....the first book to make sense of it all...where to put the camera...how to stage the scene...how to help actors find the performance...it teaches these things as much as any book can, and will save you the cost of one third of film school
An excellent book.......2007-03-27
This book is filled with valuable and helpful information for budding directors. I'm currently in the process of putting everything in this book to good use. The thing I like about this book is that it's not just one of those books that says you need to storyboard everything, because unless you have good drawing skills that really isn't feasible. The book gives an in depth look on how to pre-plan your film shot by shot and the use of floor plans to illustrate camera set-up's. It's so simple, but this is the type of thing that will make you prepared when you come to shoot, instead of just winging it.
practical approach to dramatic direction.......2007-02-06
For an aspiring film or video director interested in analyzing scripts for dramatic elements and then planning the staging for the camera, this book is an outstanding introduction. It gives both a general overview of the process and then analyzes several scenes from famous films. its emphasis is on the dramatic content first, then the visual. It is not strong in the area of shot planning, storyboarding, or complex shot design sometimes seen in modern films. And it does not deal with subtle editing effects. But it is a good introduction to classic film direction and presented in a classroom style. Someone with a strong interest in film drama, from a viewer's point of view, might also find this book interesting.
A closer look.......2006-11-10
This book pulls no punches on the minute technical details that go unnoticed but not unexperienced in the director's craft. It's like taking a great class in the technical structure of directing. I haven't had this much fun reading a film book in a long time.
Can't put it down!.......2002-03-08
The author intelligently and thoroughly guides you step-by-step through the directing process. I learned a lot by his scene analyses of a few popular films. Great book, very much worth it!
Average customer rating:
- Author knows what he is speaking about
- 1 of 3 great books on film/video sound
- The Best Intro you will ever have
- Yawn
- Probably One of The Best Books about Sound
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Sound for Film and Television, Second Edition (Book & CD-ROM)
Tomlinson Holman
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Pro Tools - For Video, Film and Multimedia
ASIN: 0240804538 |
Book Description
Sound for Film and Television, Second Edition provides a thorough introduction to the fascinating field of recording, editing, mixing, and exhibiting film and television sound. It strikes a fine balance between aesthetic and technical content, combining theory and practice to approach sound as both an art and a science, as no other text has before. This edition includes new information on digital techniques as they have arisen in the industry, and expanded coverage of sound editing and design.
Written by one of Hollywood's leading sound experts, Sound for Film and Television, Second Edition provides a solid grounding in all aspects of the sound process. Basic principles are presented with illustrations demonstrating how they affect the day-to-day activities on a film or television set, in the editing room, and in the mix room.
*The only text to present sound design as both an art and a science
*Accompanying audio CD contains examples demonstrating key concepts
*Bridges the gap between production books and design engineering books
Customer Reviews:
Author knows what he is speaking about.......2007-07-22
The book covers comprehensive topics about its subject: from psychoacoustics to (for example) sound editing techniques to (for example) film sound synchronization methods to (in the last chapter) dynamic range for various media for master prints. First that comes to mind when I remember the accompanying CD is the demonstrations of various microphone directivity patterns (but there is something more in it).
The topics aren't discussed in very deep levels (but are good enough), but are reinforced with author's wide experience I would like to admit (examples how the sound was worked out are taken from such films as "Jurassic Park", "Star Wars"). I found this book very interesting as I didn't know very much about film sound techniques, for specialists this book is of lower interest I think (although it contains some handy material, e.g. comparisons of various sound recording formats, etc.)
Contains some errata, but I cannot find it right now.
1 of 3 great books on film/video sound.......2005-12-28
This is an excellent book though it contains many errors in the mathematics of decibels. The other 2 greats books are: Audio in Media by Stanley R. Alten and Sound for Picture by Tom Kenny.
The Best Intro you will ever have.......2002-04-13
An easy to read, logical guide to practical production sound. If you only ever read one book on audio this should be it.
Yawn.......2001-12-16
Should bore the socks off you if you have a pulse.
Probably One of The Best Books about Sound.......2000-12-28
This is an amazing book. It contains every aspects of Film TV Sound in depth (including newest techonologies like Surround stuff) and it is easy to understand. The CD is not what you expect from this book but anyway it is useful.
Average customer rating:
- Another old book in a fresh new cover
- Very clear and precise for the unexperienced tv professional
- Easy to read and broad in its focus
- ¡Excellent Book For People Interested in TV Production!
|
Directing & Producing for Television: A Format Approach, Second Edition
Ivan Cury
Manufacturer: Focal Press
ProductGroup: Book
Binding: Paperback
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ASIN: 024080452X |
Book Description
Directing & Producing for Television provides readers with the tools they need to help them direct and produce efficiently in a variety of settings. It is a vital resource that is based on the author's own experience in the industry and in university settings, where he found that students are adept at handling equipment but often lack actual production technique. This text addresses those critical details and outlines the demands of each format.
The second edition has been significantly updated to reflect recent changes in common industry practice, as well as new camera, lighting and editing technologies. A new review section has been added to each chapter to reinforce students' understanding of the material and allow beginning professionals to work with the material most pertinent to their needs.
The emphasis is on multiple camera television, although serious considerations is given to single camera production in those formats where single camera production is the predominant production technique (for example, documentaries and commercials/PSAs).
Hands-on approach based on author's experience as a TV director
Focuses on the production techniques
Updated to include all the latest industry practices for all formats
Customer Reviews:
Another old book in a fresh new cover.......2007-07-08
A waste of paper. This book is old info and lots of useless filler. IMO, almost completely uselss. Don't waste your time and money.
Very clear and precise for the unexperienced tv professional.......2005-01-21
As a first time TV show co-producer, I wanted a simple approach on learning the basics of TV directing and producing. This book has given me everything I needed to start understanding the technical aspects of the business. Now I can express my ideas more clearly to the show director and the crew, and even though this is not my primary career this book has made easier my introduction in the business.
Easy to read and broad in its focus.......2001-11-30
First and perhaps most important, this book is easy to read. It doesn't talk about technical things, but instead goes right to the heart of the matter: what you have to know if you're going to direct or produce a program. It also covers a broad range of shows--almost every format except sports and game shows. For the most part it describes multiple camera television directing, but that's used as a basis for understanding single camera TV. And there are chapters in which single camera television plays a significant role, most notably when Cury goes into documentary and PSA directing. I particularly liked the "who's who" at the facility, which covers the functions of those who work in television--from the executive producer to talent.
¡Excellent Book For People Interested in TV Production!.......2001-01-05
After reading this book, I have become a better producer and a better person. This book can help anyone from a student to a BIG TIME director. It is very clear in explaining the routine and features to help your show come together. A++
Average customer rating:
- Check Out the New Edition
- best introduction
- samples don't work with Avid Xpress DV 4.6
- One of the best books on Avid
- Simply Incredible!
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Avid Editing: A Guide for Beginning and Intermediate Users, Second Edition
Sam Kauffmann
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ASIN: 0240805410 |
Book Description
This text is for beginning to intermediate users of Avid Xpress, Xpress DV, or Media Composer. These digital editing systems offer a tremendous number of tools that open up myriad creative possibilities for the film and videomaker, but are as a result difficult to master. The chapters guide readers through an editing project, while the accompanying DVD provides narrative footage to download for immediate, hands-on practice. The book can be read and studied at home, or while sitting in front of an Avid, following the book's step-by-step instructions.
The new edition is updated to reflect the latest versions of Avid software, including an emphasis on the Xpress DV for Mac and Windows. There is also new material on Script Integration, a powerful tool now available on almost all of Avid's products, and a new chapter on how Avid can help the reader create material for current and future widescreen television formats.
·A beginning text designed for anyone new to the Avid
·Complete step-by-step instructions assume no prior knowledge
·Companion DVD contains footage from a narrative scene, so students can begin editing immediately
Customer Reviews:
Check Out the New Edition.......2006-04-14
Dear Readers: There is a new edition of this book (3rd Edition) available that covers the latest versions of Avid's software, including Xpress Pro HD. It also includes information about editing 24p, HD, HDV projects. I hope you find it useful. Best, Sam Kauffmann
best introduction.......2006-02-12
I was a Media 100 editor for many years and my company switched to the Avid on Jan. 9, 2006. I didn't take any training but, I bought a training DVD set and 3 books. This book was the best, by far. It is presented by an editor who explains what you really need to know to get going and how to work around maintaining sync, etc. It was great. In less than a month, I completed 2 projects without a problem. I'm using Media Composer Adrenaline on a Mac.
:)
samples don't work with Avid Xpress DV 4.6.......2006-01-13
The book jacket says that the book's DVD-ROM will work with Xpress DV 3.0 and higher. The .omf video files were compressed at 20:1 using Media Composer and Xpress DV 4.6 does not support the 20:1 resolution, meaning that the sample video files cannot be imported and used in Xpress DV 4.6. This is a shame, because it seems like a good book and this is not really a problem that the author could have foreseen. Unfortunately, most places won't let you return a book after the DVD has been opened, so let this be a warning, FYI. Hopefully the upcoming 3rd edition will fix this problem.
One of the best books on Avid.......2006-01-09
This book was a part of our school curriculum for a class on Avid Editing. I didn't realise the value of this book while in School, but now sitting on the Avid a year and half later I wouldn't have survived without this book. I also went and looked up some other books but what's great about this one is that the information is very well organized and if you're on the Avid and get stuck... referencing stuff is really fast, as it's all laid out in simple step by step instructions. For any level editor, pro or novice, I would highly reccomend this book.
Simply Incredible!.......2005-07-13
I can not "truly" put into words how great this book is written. Sam Kauffmann not only shows you the tools in the AVID system, but with "every" tool gives you the reason and purpose for it. Unlike other manuals, you really feel that you have grasped the concepts for each chapter before moving on. I am working efficiently, intelligently, and creatively in Avid because of this book. Sam Kauffmann is a professor at Boston University, and after reading this book I can honestly say if I were a student at BU...I would never skip his class! Simple Incredible!
Average customer rating:
- Pretty Good Review
- A great introduction to the fundamentals of dramatic writing
- Awesome!!!
- Playwriting by Action & Example
- An OK book, helpful exercises.
|
Writing Your First Play, Second Edition
Roger Hall
Manufacturer: Focal Press
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Binding: Paperback
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Similar Items:
-
The Art & Craft of Playwriting
-
The Elements of Playwriting
-
The Playwright's Guidebook: An Insightful Primer on the Art of Dramatic Writing
-
The Playwright's Workbook
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The Playwright's Process: Learning the Craft from Today's Leading Dramatists
ASIN: 024080290X |
Book Description
Writing Your First Play provides the beginning playwright with the tools and motivation to tell a story through dramatic form. Based in a series of exercises which gradually grow more complex, the books helps the reader to understand the basic elements of drama, conflict, and action. The exercises help the reader to become increasingly sophisticated in the use of dramatic formats, turning simple ideas into a viable play.
Topics include:
the role of action in drama;
developing action and conflict to reveal character;
writing powerful and persuasive dialog;
writing from personal experience:pros and cons;
how to begin the story and develop the storyline.
This new edition is thoroughly updated and contains new examples based on contemporary plays. The author has added additional writing exercises and a new student-written one act play. It also contains a new chapter on how to sell your play once it is written.
With examples based on student work, this text both inspires and educates the student and fledgling playwright, providing solid tools and techniques for the craft of writing a drama.
Roger A. Hall, a professor of theatre at James Madison University, had taught playwriting for nearly 20 years. Many of his students have gone on to write for theatre, television, and the screen. He has written numerous plays and articles and has acted and directed extensively in the theatre.
Explores all aspects of how to write a first play
Examples are based on undergraduate level student work
Thoroughly updated, including a new chapter on how to market your play once it is written
Customer Reviews:
Pretty Good Review.......2007-02-15
I'm in the middle of my first play, and read this as a refresher course. Learned a few things are new to me. One thing that I like about this book is that it's written in easy to read manner, and exercises really help you understand the techniques. Much better than the many books that focus on abstract theoretics that are hard to understand. I was pleasantly surprised by the writing samples from the students who took the author's class - some of them are very very good, and gave me confidence to know that the person who wrote this book taught them. Recommended.
A great introduction to the fundamentals of dramatic writing.......2005-02-04
I had Dr. Hall as a professor of playwriting for two semesters. He uses this book as the text for his introductory course. The exercises and examples are an excellent place for an aspiring playwright to start.
Dr. Hall introduces the ideas of conflict, character, action, etc. one at a time, and quite intensively. Following the exercises, each of your first three plays will focus on only one aspect of drama, leading to an all-inclusive one-act play; your first play.
Although I have much respect for Dr. Hall, and enjoyed working with him for over a year, I would still have to rate this book "4 Stars." The title is a little misleading. Like I mentioned, you will not have a full-length written by the end of the book, but several short sketches and a one-act play.
Were this called "Working Up to Your First Play," I'd give it a 5.
Awesome!!!.......2003-08-29
This book is superb for any aspiring playwright. The book is easy to comprehend and filled with wonderful exercises and examples to follow. Mr. Hall does a wonderful job of breaking down the elements of playwriting. Thumbs Up!
Playwriting by Action & Example.......2000-11-13
As Director of an International Playwrights Retreat, I have had opportunity to lead workshops in playwriting world wide. I have and value a large collection of playwriting books, and have borrowed exercises from many of them. I find Roger's opening exercise one of the best to get at the essence of what theatre is about. He has the student write a scene of action - no dialogue, no plot outline or character studies - just what we can see the character doing.
The book moves swiftly on to the next essential - conflict. By now, the reader may well have become a writer, as the book progresses through character, dialogue, writing from life or from other sources, and more - all leading to completing that first play before you even realized it.
The book is full of loads of useful exercises and examples. This at once opens worlds of possibilities to the creative mind, while providing achieveable writing results - all leading to an exploration of your own stories. It provides a context, a process, useful advice and practise . . . all in a very user friendly fashion. It's a great way to get a process started.
An OK book, helpful exercises........2000-04-08
This book is designed as a course, with exercises to do in each chapter. However, I wish I had read some of the other writer's books I have before buying this one. This makes a good second or third book once you have something that deals more directly with the dynamics of plot and it's relationship to character and setting. Especially lacking is an discussion of how audiences react to the emotional dynamics of each scene and act. McKee's "Story" is a great place to start. But Hall's book is a good place for the relative beginner who has some experience and wants to prime the pumps with a few exercises.
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