Customer Reviews:
Great Color Reference book for every kind of designer, or even fashionista.......2007-09-21
This book is a beautiful, beautifully put together quick reference to color! The illustrations, to-the-point text, and the resource of pallets makes it a great starting point or cheat-sheet to using color on designs for the concious mind. It has helped me greatly on basic projects like page layout, websites, and application design. This is a must have quick reference for anyone who cares about color harmony and psychological impact or stimuli of self or one's project/product on one's audience and needs on the fly application of the same. I highly recommended.
A Designers Necessity.......2007-03-10
Let's start by saying that I've been a Graphic and Multimedia Designer for over 10 years now. Like all beginners I used to think that design was all about what ever you liked best.
Well thats worth a good chuckle these days. As an experienced designer will tell you there's a lot more to good design than personal preference.
Matter of fact it's more like a science than anything else. Once you start diving into color theory and color association you begin to realize that there's quite a lot of information to retain and that there's a right and a wrong color for everything.
Well here's your reference guide!
This book has sat on my desk for the 4+ years that I've owned it and has definitely seen better days. The pages are falling out, the cover is beat ta heck and page 63 in particular has been scanned so that I could fold it up and put it in my pocket more times then I can count.
Leatrice keeps her explanations simple and direct and reinforces them with stellar designs of well known products from top notch agencies.
She adds a large section of color palettes in the middle but they've become a bit dated since the release of this book. Some of them are still nice and will at least inspire you to play with some similar colors.
As an added bonus the back of the book has the CMYK values for all of the pantones if you're one of the cave dwellers that dont have a Pantone booklet (shame on you!).
This is not the definitive color theory hand book!
You wont become a master after reading this and there are quite a few design fundamentals that are not included.
But it is a terrific and beautiful reference that you'll find yourself digging through constantly for information and inspiration.
It belongs on your bookshelf.
Nuff said.
Extremely helpful tool.......2007-03-08
Sometimes it's nice to have a resource like this on hand and ready to employ at will...
I've found this book to be very helpful in my recent endeavors.
COLOR!.......2007-01-05
I love this book! I am a visual presentation designer by trade and therefore did have some color theory classes in college, so much of the information given in this book was not foreign to me. However, the way the colour combinations are divided into moods, and the suggestions that go along with them make this book an absolute "must have" for any designer or artist's library!
Psychological Impact of Colors and Color Combinations.......2006-12-08
At the beginning of the book, the author offers a brief overview of psychological and emotional impact of individual colors (red, pink, oranga, yellow, brown, blue, green, purple, white and black), and then follows the section with different color combinations. Color combinations are sorted out according to the impact they would have upon the viewer and what mood would they convey (e.g. serene, earthy, mellow, powerful, spiritual, romantic, sensual, elegant, playful, energetic, etc). The author also suggests products and services where particular colors may be best suited or where some colors are best avoided.
While the psychological and emotional impact of colors is not exhaustive in this book, it is interesting enough to get you intrigues to further look into it elsewhere.
Customer Reviews:
Perfect book.......2007-07-17
This book is everything I hoped it would be. I am a novice painter, working in acrylics, and wanted some basic info on color theory. This is it. The information is comprehensive yet easy to understand with exercises for the reader to do in any medium. I was so impressed that I bought her Exploring Color Workbook to go with it. This is highly recommended for the artist wanting to expand her color theory expertise.
Wonderful exercises .......2007-05-14
I bought this based on other reviews about it. I don't know doodley about color and have always gone on gut instinct...and I've painted over a lot of ruined canvas and wasted a lot of paint.
This is an excellent little book with a lot of exercises to make it all quite clear. Every page teaches me something - I have so far had quite a few "AHA" moments. I am beginning to understand why sometimes a color works and sometimes it is just a little off...
I recommend this for everyone. Thank you Nita Leland.
Exploring Color Book.......2007-01-26
This is one of the best books available to artists who want to learn to mix colors without creating mud, to maintain transparency of colors, and to mix grays. The workbood that goes with this book is great for any beginning watercolor artist. I recommend this book with all of my beginning students.
Color up a notch.......2007-01-23
When I read this book I considered myself and intermediate painter. This book cranked me up a notch. It is full of useful, well stated information that inspired me to try new things, and refine what I already knew. It would be useful to new and intermediate painters.
Awsome art technique book, widely applicable.......2006-07-14
Wow! "Exploring Color" lived up to all of the 5-star reviews, and surpassed them all. I've never been able to say that about a book before. This book focuses mainly on the use of color in artwork -- why some color schemes work, and why others fail. Many other topics are covered and related to back to the use of color, such as composition, presentation, design and types of contrast. Example pictures are taken from a wide range of artwork in different mediums by various artists -- simply wonderful! After each description, the author inserts an exercise for the reader, to help you understand and apply the principle presented. These exercises can be done in any medium (watercolor, oil, pastel, cloth, etc.), and far surpass the "paint by number/follow me" exercises in books aimed at nervous beginners.
"Exploring Color " targets intermediate to advanced artists. Beginers should give it a chance, also. Try it, you'll be wowed.
Book Description
Josef Albers’s Interaction of Color is a masterwork in twentieth-century art education. Conceived as a handbook and teaching aid for artists, instructors, and students, this timeless book presents Albers’s unique ideas of color experimentation in a way that is valuable to specialists as well as to a larger audience.
Originally published by Yale University Press in 1963 as a limited silkscreen edition with 150 color plates, Interaction of Color first appeared in paperback in 1971, featuring ten representative color studies chosen by Albers. The paperback has remained in print ever since and is one of the most influential resources on color for countless readers.
This new paperback edition presents a significantly expanded selection of more than thirty color studies alongside Albers’s original unabridged text, demonstrating such principles as color relativity, intensity, and temperature; vibrating and vanishing boundaries; and the illusions of transparency and reversed grounds. Now available in a larger format and with enhanced production values, this expanded edition celebrates the unique authority of Albers’s contribution to color theory and brings the artist’s iconic study to an eager new generation of readers.
Customer Reviews:
For more color plates..............2007-05-03
Previous reviews have bemoaned a lack of color plates. I just wanted to clarify that the 2006 Revised & Expanded edition has many more than the 8 or 10 mentioned by other reviewers. In the version I purchased (2006), the back half, approx., of the book is devoted to color plates that refer back to the chapters where particular principles are discussed. The color plates are on the right leaf, and an explanation of said plate is on the left. In the margin of the left, a reference back to the chapter/section in the book is made so that further reading on each principle is easy to locate. This is perhaps a little more awkward than having the plates sprinkled within the chapter/sections themselves, but for the cost of the book, this is an entirely acceptable method of sharing both written information and visual reinforcement. I counted more than 35 plates in the book.
Interaction of Color: Revised and Expanded Edition.......2007-04-07
I found this book boring and hard to follow. I would never recommend this book and only purchased it becuase it was required for a class I was taking. Other people in class really liked this book, but I hated it. I had a hard time getting through it and found it to be as dry as walking through the desert.
Minetta Minnick
interaction of color by josef albers.......2006-08-31
excellent revised/expanded edition of the classic albers theory/anti-theory of color. the classic that most art schools continue to base their color courses on, this edition has more reproductions from the original collectors hand silkscreened edition and is nearly twice the number of pages.
Classic approach to color.......2006-03-22
Albers is a color genius, and although I personally incorporate several color theorists into my decision making in color or color theory practices. Albers has an easy approach to understanding color.
Almost worthless without the original color plates.......2005-02-08
As another reviewer states the original had 150 color plates this version has only 8 in mine. The visual phenomena are so complex that without the plates you can't possibly accurately understand what the book is talking about. Sure you could make you own examples, but if you did, you would NOT be sure, given the complex examples, that you understood what the author was talking about. Instead you will have a false understanding or incomplete understanding that will make you look foolish. The publisher is cashing in on the author's previous great work without really republishing it. This is the lowest I've ever rated a book.
Book Description
Millions of people have learned to draw using the methods of Dr. Betty Edwards's bestseller The New Drawing on the Right Side of the Brain. Now, much as artists progress from drawing to painting, Edwards moves from black-and-white into color. This new guide distills the enormous existing knowledge about color theory into a practical method of working with color to produce harmonious combinations.
Using techniques tested and honed in her five-day intensive color workshops, Edwards provides a basic understanding of how to see color, how to use it, and-for those involved in art, painting, or design-how to mix and combine hues. Including more than 125 color images and exercises that move from simple to challenging, this volume explains how to:
- see what is really there rather than what you "know" in your mind about colored objects
- perceive how light affects color, and how colors affect one another
- manipulate hue, value, and intensity of color and transform colors into their opposites
- balance color in still-life, landscape, figure, and portrait painting
- understand the psychology of color
- harmonize color in your surroundings
While we recognize and treasure the beautiful use of color, reproducing what we see can be a challenge. Accessibly unweaving color's complexity, this must-have primer is destined to be an instant classic.
Customer Reviews:
BETTY EDWARDS ROCKS!.......2007-09-17
Anything written by this woman is amaaaazing!!!!! Loved this book! I have to recommend the others too!!!
The New Drawing on the Right Side of the Brain (BEST GIFT I HAVE EVER RECIEVED!) along with the workbook... and Drawing on the Artist Within.... if you have these books, there is no need for ANY OTHER on drawing instruction!!!! MUST HAVES!
Well organized presentation. Very infromative. .......2007-09-10
The information in the book is presented in much the same way that instruction in a college class is presented - step-by-step. The progression of the material is perfect. An artist at any level could learn form this author. It's easy to see that Betty Edwards is an experienced teacher.
There are projects in the book that ground the written information in hands-on learning. The projects are fun yet by their nature improve both color mixing and perception.
I highly recommend this book! Loved it!
color by betty edwards a course in mastering the art of mixing colors.......2007-05-16
It's very clear and concise and an excellent resoursce.
A worthwhile color course.......2007-01-16
A well thought out book. Color theory is presented accurately however reference to the visual complementary theory would be useful. This is a book where the benefit will only be properly dervived by working through the exercises. This takes time and commitment and it is not a book for the casual reader. On the way some useful color tools are developed. In summary a very unique work that is not perfect but can advance your knowledge and skills significantly.
Now I get it..........2006-05-03
I am not an artist, at least, that is not what I've gone to school for (I am a History professor). But Betty Edwards' books, over the past couple of decades, have helped me to draw like I know what I am doing. And now I know more about color and the art of mixing acrylics.
For those of you who have taken art classes or consider yourselves to be artists, I don't know how you take the book. But for those of us who yearn to express ourselves through art but were never instructed, this book is a godsend. No one ever explained color theory to me before, at least that I could grasp, but Edwards' no nonsense way of teaching as a step-by-step process explains color theory in excruciating detail.
I tried to paint before, but failed to mix the colors the way I wanted to, or to match what I was seeing. Edwards makes sure that this never happens to you again, at least that is what I got from the book. What I found the most helpful on an emotional level were the little blurbs in the margins, which some other "reviewers" criticized. Why do these help? Because now I know that Van Gogh, Da Vinci, and others had to LEARN color theory like I have to learn it. They didn't just pick up a paintbrush and oils and voila!, they were masters. They worked at it, just like me. I don't feel so stupid about art anymore.
Edwards will make you see color structures in a better way, an artists' way. You should be able to express what you see in front of you better after reading her instructions in this book and doing the lessons. Painting used to be mysterious to me, and now I know how to achieve the colors I want, how to balance out my paintings, and how to think like a painter. Like I said above, I no longer feel like an idiot where painting is concerned, I feel like I can paint, which is exactly what Edwards wants from her readers.
The only problem I have with the book is that my color mixes don't always come out looking the same as in the book, even though I do what she says to do, but it may be the limitations of color in printing a book that is the problem, maybe not, I don't know. But unlike some of the other "reviewers," I had no problem getting all the right materials. Just go to Dick Blick Art Supplies online and you will find all the materials she wants you to have, no problem, including all the right colors.
If you have never understood color theory before and want to understand it, and if you have never been taught to mix paint before but want to learn it now, I highly recommend this book. Maybe it should be called "Painting for Dummies," or something, because I am not so sure how much help it is for people who already call themselves artists, but it is helping this historian learn to express her creative side with confidence and in color.
Customer Reviews:
Great for the artist wanting to understand color.......2007-03-11
This is an excellent book for the artist wanting to understand color. It's not a mixing guide though, it's about learning to see and identify the properties of color.
see revised edition.......2002-12-05
This edition has been revised and improved. See 2001 edition.
great introduction to color.......2001-03-12
if you are a beginning artist, an aspiring designer or just someone fascinated with color, then this is a great publication to train yourself in the many nuances of color vision.
the format is a small black three-ring binder of 13 white card pages, and 13 small plastic baggies of dull finish color chips, somewhat smaller than postage stamps. each page presents an empty grid of color (light to dark down the page, and dull to brilliant across it) that you must fill in manually by placing each chip in its assigned position. there are no codes or color names printed on the back of the color chips to help you along, but there is an introductory page explaining the basic concepts of hue, chroma (saturation) and value, the three basic attributes of color.
accompanying the binder is a staple bound color primer by joy turner luke. although the production values are pretty modest, this is one of the best overviews of color i have read anywhere, particularly for artists and designers. luke gets into the history of color research, the basics of color vision, the details of color mixing (she has some sobering critical thoughts about the many commerical "artist's color wheels" on the market today), color design and more.
the color chips are fussy to work with; they are delivered unattached to the card pages so that you can sort and rearrange them in various color tests or color demonstrations, but it's easy to mix them up. i found it most convenient to glue them into place, so that they wouldn't get lost and were ready for quick reference. that tedious exercise apart, this is a very instructive introductory resource for young adults and color students of any age.
Great tool for students and professionals.......1999-04-07
This is a great teaching tool for students and professionals. As a student worker for a professor in my Textile and Apparel program at The University of Northern Iowa, I completed the color set and now want one of my own. It helps expand the understanding of hue, chroma, value, and richness
Book Description
The secrets of color vibration healing. A practitioner's manual for restoring blocked energy to the body systems with specific color wave lengths. By the founder of The 49th Vibrational Technique.
Customer Reviews:
Clear and concise.......2007-09-06
This book is very clearly written and provides in-depth information about the 49th Vibrational Technique, a way to heal using color and light.
It is one of the only books out there, that I am aware of, that actually has instructions for using the processes expressed.
I have not yet tried the technique, but do plan to in the near future.
Color/Vibrational Healing.......2006-11-30
At only about 130 pages, I find this book to be quite informative and easy to read. It is basically about the usage of the 49th Vibrational Technique (color which can be combined with sound--musical notes--for healing purposes) and acknowledges the work of East Indian physician Dr. Dinshah P. Ghadiali. The technique of recirculating blocked energy goes back to at least 500 B.C. and was used by Pythagoras and others. The 49th Octave is a vibrational range that corresponds to certain colors, which fall within an electromagnetic energy spectrum. Basically, these colors can be projected to certain areas of the body to affect, and maybe heal, certain medical conditions.
I say "maybe heal" for a reason. You absolutely CANNOT heal someone who does not WANT to be healed. Been there. Yes, believe it or not, there ARE people who really do NOT WANT to be healed. It takes a 1) desire to be healed, and 2) it usually means you have to fix/change whatever made you "sick" in the first place. Change is a painful process for most people and often not worth the trouble. So, if they don't fix whatever made them sick, the condition often returns.
Anyway, the book provides a lot of base information about colors, their vibratory rate, how colors and body energy interact, auras, chakras, energy imbalances, healing with sound,and matching color vibrations to various parts of the body. The book even provides how to information, such as what colors to place on what areas of the body to help reduce high blood pressure. An example of what colors to place on what areas is: in the back of the book, there are 123 conditions listed.Let's pick one:
#51 Gout--Lemon and Magenta on WBF; Scarlet on 12. WBF is Whole Body Front. Area 12 is on the back side of the body, and is the kidney area. This how to is explained in more detail in chapter 5, color application. There are also diagrams of front and back area numbers and locations of major organs so you can figure out what this "language" is saying. There really is a tremendous amount of info in this roughly 113 page book (plus about 17 extra pages of end-of-book stuff.)
There are also good explanations of various colors for those who see colors in the auras or wherever. There ARE people who see colors and energy fields, but if you are checking out this book, you probably already know that.
Color Medicine.......2002-03-14
It's a well written book, but so it should be, based on all the information that is taken from Dinshahs'initial work on light therapy over 50 years ago. You can get copies of Dinshahs' material "cheap" from their website... Dinshahs' work was well ahead of its time. It's too bad certain organizations are"still" threatened by his work even though it was an array of doctors who had written most of the original testimonials backing up his work. "Color Medicine" is mostly Dinshahs' work with some good added info. on the healing powers of sound. It's nice to know a modern book acknowledges Dinshahs' work as opposed to many other "Color" books that don't.
Color Medicine.......2001-10-20
Excellent book. Easy to understand and use.
Short and to the point........1999-11-07
This book expains color and it's use for healing. How colors effect us, and how they can be used for the betterment of man. What I really like about this book is that he tells specifically how to use color for healing. Alot of books just give you theory, without instructions on how to accomplish, what is being talked about.
Book Description
Understanding Color is a comprehensive, and user-friendly text on color for design students and professionals. The material is sequenced to provide an understanding of how color is seen before introducing a color vocabulary, which is followed by theory and exercises in color effects, control and harmony.
Customer Reviews:
Understanding Color: A Introduction for Designers.......2007-04-07
This book is pretty good. It explains the different color wheels, how we see color, value, saturation, harmony, and so much more. It is pretty thorough and easy to read. I recommend this book for anyone needing to understand color theory.
Minetta Minnick
Customer Reviews:
I can't recommend it.......2007-07-15
I greatly admire the work of Leslie Cabarga -- particularly in the book LOGO FONT & LETTERING BIBLE. Perhaps because of the aforementioned authorship, I let my guard down in purchasing DESIGNER'S GUIDE TO COLOR COMBINATIONS. The same tired layout is depicted hundreds of times in colors sampled from "historic" paintings. Though subject to personal opinion, I find the large majority of such colors are period dated or otherwise unsuitable for current graphic design projects. As with other books of this sort, the Live Color feature in Adobe Illustrator CS3 renders this reference work unnecessary.
Very useful.......2007-04-16
I ordered this book for my college courses. It has been very helpful for several projects so far, especially when having to do projects that are historic in content.
~Stacey~
Delightful book.......2006-12-07
The book contains hundreds of color combinations derived from packages, posters, advertisements, giftwrap by designers over the past century. It covers Victorian period, Art Deco, Sixties, Modern times, etc.
On each page, beside the art piece, the author has posted a commentary related to the particular color combination which is often rather humorous and very much fun to read.
Underneath each color combination are listed CMYK colors used in that particular combination so that you can reproduce them in your graphic design program - Illustrator, Photoshop, InDesign, etc. - if you find a color combination you'd like to replicate or experiment with.
Excellent book for the Color Combinationally Challenged.......2006-03-21
This book is an excellent resource for anyone in the field of Design. It not only offers a variety of color combinations to suit a particular style or time period but also includes the CMYK values to produce an exact duplication of the color(s) of your liking in the book (contingent upon monitor/printer callibration etc.).
Designer's Guide to Color Combinations.......2005-08-04
The historical information presented was interesting but I found the format for color display dull and unimaginative. It did not really give a sense of the interaction of the colors displayed.
Product Description
A treatise on the color system of Johannes Itten based on his book The Art of Color edited and with a foreword and evaluation by Faber Birren.
Customer Reviews:
Great reference book to have.......2006-11-04
I purchased this book because I wanted to understand colors, color schemes and theory(ies) better in order to apply to my necklace designs. It's a good book to have in your library, but it won't answer all the questions you may have about some applications. Itten's other books however cover pretty much everything; try The Art of Color, for example, if you'd like learn more about color effects on moods/feelings.
For the Serious..........2006-08-13
It's been difficult to give a balanced critique. On one hand, "Elements of Color" has a wealth of information, but on the other, it takes serious committment to fully understand and comprehensively apply the information Itten presents. There is much valuable data, but it's interspersed with almost stereotypic, outmoded "Teutonic" concepts; e.g. assigning "Blond Types" springtime, bright, vivid colored topics, while "Dark Types" should be assigned "Night, Burial and dark room" topics. There is much valuable, technical information, but it is like digging through hard stone to find the gold; overwrought and culturally centered, judgemental statements are very common ("red expresses intermediate degrees between the infernal and sublime"... what's this?!?!). Other statements seem value-laden, i.e., "sentimental blue", "angelic pink", "blue reigns supreme"... Some excuse may be found in realizing the concepts in this treatise may have been developed before the Post Modernist Age, which accepts cultural and ethnic diversity, that accepts art and the use of color as being open to various interpretations, that color is certainly relative and greatly subjective, that many statements about color are only opinions... and that there is no absolute truth as to what color is "right" or "wrong". Unless the reader is studious and very serious about trying to unearth the information contained in this book, he or she is much better served by studing Albers or others. Too bad there is no editing, no index, and no glossary. What would Itten think of the book, "Chromophobia"? ... Pablo Tellez
so you decided to learn the truth about colors..........2006-07-24
Itten, himself is one of the greatest color theorist of our century, and the masterful mind behind the Bauhaus School.
In this book Itten describes his color theory and the facts of his famous "Color Star", which is one of the most strongest tools for color harmony for designers and alike.
Most color books have samples of color harmonies you choose from when you design, or talk about complementary colors, but cant tell you why u use such combinations or so.
If you have an analytical approach to design, rather than just copying what others do, you will love this book. You will begin to understand the language of colors.
Have u ever heard of "the Seven Color Contrast", if not then it is time for you to get familiar about it.
This book is an evaluation of Ittens masterpiece "Art of Color". The chapter on subjective experience of color is very limited in this book.
If you are willing to invest more on color matters buy "Art of Color"
If you are happy to stay with the basics then this book is adequate for your purposes.
Color from a master.......2006-07-14
Although witten for artists who mix colors for an effect, this small book has a wealth of information for fiber artists and quilters. How do translucent colors interact with other colors? Illusions in color? Which colors can be used in conjunction with other shades and tints? It is all here in this book. Many illustration,color plates,and well written text.
Very scientific, but easily readable. Good reference book on color.
Essential Reading for the Serious Colorist.......2002-01-26
I have been a professor for 15 years. "The Elements of Color" has been required reading for many of my courses. It is not only enriching as a color theory document, but it helps expand the artist or designers possibility of using, arranging and conceiving color.
Book Description
This workbook is a practical, visual guide that takes the guesswork out of choosing and using color combinations. Colors and color schemes are matched to specific moods, to help you select the best color combination for any design project, whether graphic design, interior design, crafts, or fine art. Large, tear-out swatches of each color combination let you mix, match, and test different hues in your designs. An essential tool for all who design with colors.
Large, tear-out swatches
1400 color combination
Color conversion chart for process colors
Customer Reviews:
Better ways to spend your money.......2007-07-15
COLOR HARMONY WORKBOOK is one of the most disappointing purchases in recent history. You would be better off with a five-dollar Colorwheel or using the Live Color feature in Adobe Illustrator CS3.
Separated into ambiguously named sections like "Romantic," "Earthy" and "Welcoming," this book depicts photographs of interior design and/or paintings. It then samples the colors and presents them in monochromatic, tertiary, complementary, analogous, and split complementary pallets. Most of the suggested combinations are very vibrant or Avant Garde. On page 32 there is a photo of a room with bright orange walls, light beige cushions surrounded by tan wicker and dark green accents. When you get past the monochromatic colors as depicted on page 25, some unrealistic combinations emerge.
Perforated color combinations appear on each page -- allowing you to go hunting through some of the most awful non-returnable paint available. To be fair, not all combinations are bad. Just consider, you can pick up swatch books with interior photographs for free from you local paint store.
Color Combinations with swatches.......2006-12-12
This book begins with a presentation of 96 colors in a color wheel and then explores color combinations based on these 96 colors, plus grey which is added at the end.
The colors are divided in 22 groupings, according to the effect the colors would have: powerful, rich, romantic, vital, earthy, friendly, soft, welcoming, moving, elegant, fresh, traditional, refreshing, tropical, classic, dependable, calm, regal, magical, energetic, subdued, and professional.
Each grouping is represented with a particular color, containing a brief description of that color and its effect, and followed by color combinations which are sorted into monochromatic, primary, complimentary, analogous, split complimentary, split, clash, and neutral. These color combinationas are provided in two formats - one that would remain in the book and another one consisting out of swatches, which can be taken out of the book.
At the end of the book are given CMYK values of 96 colors, plus 10 consisting of white, black and the nuances of grey.
All in all, the book is very well organized.
This book is a staple.......2006-08-28
As a web designer, I have found this book to be invaluable. I am on my 3rd copy of this book (my other copies met with a strange demise). Each time I need to buy a new Color Harmony book I search for others but come back to this one. It is a great primer for color combinations and how they can create different moods. It also has hundreds of different examples of combinations and does a decent job of explaining color theory. I would recommend this book for anyone who wants to use color with the confidence that comes from understanding how colors work to convey a mood/message.
Amazing tool!.......2006-08-08
I saw this book at a friend's house and instantly fell inlove with it. As an upcoming Graphic Designer this book just opened my eyes to a bunch of new ways to use color in my designs and especially in the enviorment that they usually have to be presented in; this enhances the impact your design might have on the customer and still be totally correct for the theme you're looking for.
This is also a great way for artists to give a better atmosphere to their pictures or to simply expand their personal palette when they work on a piece.
Overall I think this book is a must have for artists and designers alike because it teaches you to work with color like the powerful tool that it is.
Great book.......2004-09-13
This is a great book for figuring out which colors go best with each other, however it's not really a "workbook" per se. Although I was a little disapponted about that, I'll still give this book 5 stars because the color combinations are spectacular.
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