Average customer rating:
- A comprehensive, flawed survey of the subject
- Pretty, chronological, detailed.
- what a great deal!
- No where is there such a broad base of expertise
- I find this text to be accessible and interesting.
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History of Far Eastern Art, A (Trade Version) (5th Edition)
Sherman Lee
Manufacturer: Prentice Hall
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Binding: Hardcover
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ASIN: 0131833669 |
Customer Reviews:
A comprehensive, flawed survey of the subject.......2002-03-11
I'm reading this book for an Asian Art class, and I find it has both significant strengths and significant weaknesses.
Its major strength is the integrated approach: Sherman Lee organizes the book chronologically and thematically, rather than geographically. Instead of writing a section on Chinese art and a section on Indian art, Lee organizes his material by stage of development (Stone Age pottery) or by cultural movement (Buddhism), for example tracing the development of Buddhist styles in India, the adoption of those styles in China, Japan, and S.E. Asia, and the eventual synthesis of the Indian influences into local styles incorporating indigenous themes. Lee writes eloquently and even passionately about his subject, letting us know which cultures, styles, and artworks he admires. He covers a vast amount of cultures and time periods, easily enough material for dozens of books.
The book does have significant flaws, however. Most frustrating are the black and white photos (presumably a cost-saving measure). Roughly 90% of the images in the book are black and white, and they cannot do justice to most of the subject matter. A second weakness is Lee's writing style, which is sometimes more eloquent than comprehensible. At times I had to reread a section several times in order to figure out what Lee was trying to say. He sometimes seemes to be addressing himself to an audience of art critics who are already familiar with the material, rather than students encountering it for the first time. He will tell us that a particular art work is hieratic in style, or is an example of Daoist style, without explaining why. Also the thematic, rather than chronological, approach means that some topics are fragmented into parts of different chapters. The material on Korea, Southeast Asia, and the Tang Dynasty seemed especially disjointed. The sections on China in particular need more development: Lee provides only a single page of text on the historically pivotal Qin Dynasty, and does only a fair job explaining the influences of Confucianism and Daoism.
One alternative text that deserves consideration is The Art of East Asia, edited by Gabriele Fahr-Becker. Almost of the photographs are in color, and the text is both more comprehensive and more comprehensible than Sherman Lee, in particular the section on China. The text is written by several different authors, one for each region, which has both advantages and disadvantages -- it avoids the fragmentation of Lee's approach, at the expense of integrating it all into one consistent framework. The key disadvantage of The Art of East Asia (compared to Sherman Lee's History of Far Eastern Art) is that it doesn't include India, which contributed some of Asia's most impressive sculptures, and whose religions had tremendous influence on the rest of Asia.
Pretty, chronological, detailed........2001-08-24
I was required to use this book as a secondary text for a class on early Asian Cultures at NYU. Along with the material presented in class, this book provided great insight into basics of the Asian culture.
This rather heavy book is perfectly organized chronologically and geographically. It provides great graphical supplement to the study of early Asian art. Many artifacts are portrayed, most with detailed description of their history and origin.
I enjoyed my class greatly and this book provided great help to understanding Asian art. If you are a person who prefers visual aids rather than tons of text and would like to learn the basics of Asian art, I highly recommend this book. The photographs are excellent, and more often then not, actually motivate you to reading the descriptions of the portrayed objects. This book will not make you an expert on Asian art, but you'll be able to schmooze your way through at pretentious cocktail parties without any effort.
what a great deal!.......2000-03-09
I was required to purchase this book for an oriental art class at VCU. when I went to purchase it in person, most places wated $75 or better for it. Being a student, I am not rich. Amazon had it for the best price and for that I am very happy. points to amazon yet again for having the best price. THANKS!
No where is there such a broad base of expertise.......1998-10-16
Sherman Lee guides us through the ages and territories of the Far East in this study. A study of art following a wonderfully coordinated common theme - ritual and religion. Most noteable is the progress of Buddhism from its origins in India, through Southeast Asia, into China, Korea and finally Japan. Respectable discourse on other arts are included in the tour. Good reading and a great survey of the arts of the Far East.
I find this text to be accessible and interesting........1998-02-15
I used this text in college, in a course on the subject. It pained me immensely to have to sell it back, but I was even more poor then than I am now, and needed the $50. I am now planning to purchase a new copy of it. This book is beautiful. It is full of simply amazing images, the text is clear, concise and accessible. Out of 10 years of undergraduate and graduate studies, I remember this text more fondly than almost any other. My thanks to the author for writing it.
Average customer rating:
- The Oldest Treatise on Game Theory
- A well thought out treatise, all in a little book
- The Optimistic Jew
- Required reading at many military colleges around the world
- A must read
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The Art of War
Sun Tzu
Manufacturer: Tantor Media
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The 48 Laws of Power
ASIN: 1400100674 |
Amazon.com
The Art of War is the Swiss army knife of military theory--pop out a different tool for any situation. Folded into this small package are compact views on resourcefulness, momentum, cunning, the profit motive, flexibility, integrity, secrecy, speed, positioning, surprise, deception, manipulation, responsibility, and practicality. Thomas Cleary's translation keeps the package tight, with crisp language and short sections. Commentaries from the Chinese tradition trail Sun-tzu's words, elaborating and picking up on puzzling lines. Take the solitary passage: "Do not eat food for their soldiers." Elsewhere, Sun-tzu has told us to plunder the enemy's stores, but now we're not supposed to eat the food? The Tang dynasty commentator Du Mu solves the puzzle nicely, "If the enemy suddenly abandons their food supplies, they should be tested first before eating, lest they be poisoned." Most passages, however, are the pinnacle of succinct clarity: "Lure them in with the prospect of gain, take them by confusion" or "Invincibility is in oneself, vulnerability is in the opponent." Sun-tzu's maxims are widely applicable beyond the military because they speak directly to the exigencies of survival. Your new tools will serve you well, but don't flaunt them. Remember Sun-tzu's advice: "Though effective, appear to be ineffective." --Brian Bruya
Book Description
"All warfare is based on deception. Thus, when able to attack, we must seem unable. Hold out bait to entice the enemy. Feign disorder, and crush him. If he is in superior strength, evade him. If your opponent is quick to anger, seek to irritate him. Pretend to be weak, that he may grow arrogant."
Written before Alexander the Great was born, this Chinese treatise on war has become one of the most influential works on the subject. Read widely in the east since its appearance 2500 years ago, The Art of War first came to the west with a French Jesuit in1782. It has been studied by generals from Napoleon to Rommel and it is still required reading in most military academies of the world.
Although it was meant to be a practical guide to warfare in the age of chariots, many corporate and government leaders have successfully applied its lessons to battles in the modern dog-eat-dog world. Sun Tzu covers all aspects of war in his time, from strategy and tactics to the proper use of terrain and spies. In this version, Sun Tzu's lessons are brought to life with commentaries from ancient Chinese history, which illustrate both the philosophy and the principles of his teachings.
Download Description
Sun Tzu's classic treatise on the art of warfare
Customer Reviews:
The Oldest Treatise on Game Theory.......2007-09-30
There are many translations of this work which has long been in the public domain. This is the popular translation by Lionel Giles made even more popular by the introduction from the best-selling author of Japan epics, James Clavell. It contains Giles' commentary along with the translation. The annotations give historical examples of the strategies in action.
Game theory is calculated strategy. The Art of War by Sun Tzu is probably the oldest and most important book on game theory ever written. It is the culmination of the development of the best warfare tactics prior to the 5th century BC. It is considered the foundation for all military plans and is still used to this day. It is most popular for its ability to win wars without fighting one. Its application has shaped the world as we know it.
The Art of War can be understood as a breakdown of the chaos of warfare into components that can be analyzed and understood. The tactics are mostly about controlled organization, recognizing environments and situations and the correct response to each one. Organization is subject to change in competition. The Art of War is essentially the strategy of responding to changing environments. Response is thus relative to evolving conditions.
1 - "Laying Plans"
The core message of this chapter is to calculate as much as possible before committing yourself. Important themes include discipline, ethics, environmental conditions and assessing the competition. It's about setting up the mission and evaluating the competition.
2 - "Waging War"
The important detail of this chapter is to win as quickly and as economically as possible. Prolonged struggle means wasting resources and undermining confidence. When winning, use the spoils as rewards and capital. It's about making war pay.
3 - "Attack by Stratagem"
This chapter is about deployment of the previous two chapters. The central message is to know thyself and know thy enemy. This stage indicates problems such as sieges, bad management and interior anarchy or legal/government interference. Advantages such as good management, exploiting opportunities and attacking tactics are covered. Strength is about cohesiveness and is independent of size.
4 - "Tactical Dispositions"
This one stresses putting yourself in a position where you cannot be defeated and waiting for the opportunity to defeat the enemy. It is about recognizing the breaks and taking them as opposed to creating the breaks.
5 - "Energy"
This part focuses on the power of deception to lull the enemy into a false sense of security and the use of spies to learn the enemy's moves. It also stresses the need to evolve in battle. It's about building up war capability.
6 - "Weak Points and Strong"
This chapter encapsulates all the previous five chapters into an advanced war strategy producing outcomes, calculating and responding to events as they unfold. The strategies are developed here. It is about creating breaks.
7 - "Maneuvering"
This deals with managing units and the internal problems they face on top of how to respond during movement to various circumstances. It is a chapter based on types of situations and responses.
8 - "Variation of tactics"
This section expands on the evolution of tactics and strategies based on situations and responses but concentrates on what causes failure.
9 - "The Army on the March"
This is advanced maneuvering especially across long distances with different terrains and how to deal with encounters. It is about interpretation.
10 - "Terrain"
This describes the various terrains that an army can encounter and when and how to occupy them. It talks about distances, potential dangers and obstructions. Positioning is important.
11 - "The Nine Situations"
This piece explains the condition of each terrain in terms of its tactical advantages and disadvantages and how to deal with both. It is a very intensive chapter because of the number of complex conditions dealt with.
12 - "The Attack by Fire"
Arson in war is probably the single most troubling weapon that an army could have inflicted on the enemy around 500 BC. This chapter is obviously based on the most advanced weapons of the time which have since been developed. It is about using the principle of creating disorder and chaos to win.
13 - "The Use of Spies"
Without spies don't war. War is won based on foreknowledge not by calculation but by direct information about the plans of the other side from spies. Spies are managed in this chapter.
Even though the work is quite short (about 100 pages or less with commentary) it is complex enough to warrant several readings. It is the equivalent to learning how to play advanced chess, a game which compliments this study. There is a lifetime of thought within the pages. Napoleon was said to have used it and lost when he didn't follow it.
The Art of War has become one of the most important self help books of this century popularized in big business as many executives have had recourse to this material because it offers a sound winning strategy. Most readers come away believing that the book's message finds it adaptable to many environments because it is all about adjusting to variations and so can be applied to anything and everything.
The Art of War is not supposed to be an exciting read. It is a strategy book, a step by step guide to how battles are won and why they are lost. It is more to be memorized as a set of responses, including when not to respond, than to be understood. The combinations of the responses are unlimited. There is enough on the plate without asking why. Understanding why would come later and the answers to these questions would come from a very sophisticated understanding of the theory. It is an endeavor that remains open to the reader if they can come to terms first with the information that is here.
Even if the book is not followed up on by subsequent study it can still leave a long lasting impression with its tips on discipline and achieving goals. It is great value for the amount of information contained in such a short burst. It will get you thinking strategically and that is more or less its claim to fame.
A well thought out treatise, all in a little book.......2007-09-12
A very good treatise on the Taoist perspective on war. It carries so many parallels to today's modern combat, and is required reading in Asian businesses and for Asian military officers, especially the Chinese People's Liberation Army. It's a fairly easy read and very good to understand as well. Compare it to the Machiavelli book of the same name and you'd see a stark contrast to it. Recommended for those who want to learn what would be good military strategy and tactics, especially if those support a military with greater autonomy than many countries have now.
The Optimistic Jew.......2007-08-31
B.H. Liddell Hart's favorite military thinker even though he lived 2,000 years earlier. Like Liddell Hart his thought transcends the military sphere and influenced me in my writing of "The Optimistic Jew". Worthwhile reading even today.
Required reading at many military colleges around the world.......2007-08-21
Written in approximately 470 BC, The Art of War is a Taoist treatise on martial and political philosophy ... one of the most famous ever written, and one of the most often quoted. The fact that it is still popular and well quoted, after more than 2,000 years, should say something about its timeless qualities.
It's composed as a list of terse, keen and ingenious observations, sayings, and maxims ... with various translators over the centuries each adding their own interpretations and commentary. There's something on almost every topic ... from siege planning, use of formations & maneuvering, the virtues of adaptability and cunning, speed, the use of positioning & terrain, disinformation and the use of spies, etc.
The author's advice spans both low level tactics ["do not stop an army on its way home" {Brad: because they'll be more likely to fight to the death} ... "a surrounded army must be given a way out" {Brad: channel their retreat into a killing zone of your own creation}] ... and high level strategic thinking ["a superior militarist foils enemy plots without the need to fight; the next best {strategy} is to ruin their alliances; next {best strategy} after that is to attack their armed forces; worst {strategy} is to beseige their cities"]
It's required reading at many military colleges around the world.
A must read.......2007-08-19
If this is the only book you will ever read translated from the East don't bother. To understand the material read it seveal times or better yet yearly.
Corey Cotta, Author of All of Yesterdays Tomorrows.
Book Description
This book is a timely reassessment of Chinese jade, a central element of Chinese material culture for 7,000 years. Containing a wealth of illustrations from the V&A's world-class collection, the book examines jades from the neolithic era to the 19th century, providing a comprehensive history of their development. With new photography of exceptional pieces that have not been reproduced before, as well as an informative text that draws on both new research and ancient Chinese sources, Chinese Jades offers a uniquely accessible approach to this popular subject. AUTHOR BIO: Ming Wilson is a senior curator in the V&A's Asian department.
Average customer rating:
- A Thoroughly Enjoyable Historical Overview of a Neglected Chinese City
|
Heaven is High and the Emperor Far Away: Merchants and Mandarins in Old Canton
Valery M. Garrett
Manufacturer: Oxford University Press, USA
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Binding: Hardcover
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ASIN: 0195927443 |
Book Description
Through a richly illustrated text, this book recounts the vivid history of Canton, which in its heyday was the center of the China Trade and was for centuries the wonder of the Far East,
Customer Reviews:
A Thoroughly Enjoyable Historical Overview of a Neglected Chinese City.......2007-04-18
Guangzhou, or Canton as it has been called for centuries, suffers in the popularity race that favors Western language books about Shanghai and Beijing. Ms. Garrett has addressed this shortcoming in her book Heaven is High and the Emperor Far Away. The book presents a historical and cultural overview of a city that has been at the cross roads of trade, commerce and diplomacy between the Middle Kingdom and the outside world since the Han dynasty. Her book brings to life the flavour of Old Canton as an outpost for European traders from the era of the Co-hong trade to the "Canton Trade Fairs" of the People's Republic. In the course of her book, Ms. Garrett provides us with many insightful glimpses into the prior identity of neighborhoods, temples and streets of Guangzhou. It is both useful for the armchair reader and the urban explorer who wants to experience more deeply a city typically slighted in most guide books. The book is lavishly illustrated and is a valuable addition to anyone's library about Old China.
Book Description
Ceramics from China's Song Dynasty (960-1279) have always been prized by both Asian and Western collectors for their pure form, unique glazes, and inventive decoration. This long-awaited survey celebrates the beauty of these ceramics, telling the stories of their making and the material culture in which they were created. The book is illustrated with many of the finest examples of Song ware in the Western world, many of which look astonishingly modern. The text, including research never before published in English, is complemented by newly commissioned photography. AUTHOR BIO: Rose Kerr has recently retired as deputy keeper of the Asian department at the V&A. She is the author of several books on Chinese art and a world authority on Song ceramics.
Book Description
By the late 19th century, cloisonné enamels were among Japan's most successful exports. This visually stunning book, filled with new research and abundantly illustrated with specially commissioned photographs, examines the techniques and social history behind the craft.
Drawing on the Victoria and Albert Museum's collection, Japanese Cloisonné charts the development of the technique. Also featured is a catalogue of the previously unseen, world-class private collection of Edwin Davis, which includes both enamels produced during cloisonné's "golden age," around 1880 to 1910, as well as more experimental objects enameled in recent years, which reproduce the effects of porcelain or painting.
Here is a timely introduction to a sought-after collectible, as well as a revealing look at treasures from two outstanding collections.
Customer Reviews:
Superb cloisonne photographs, excellent signature photos.......2006-07-06
A beautiful and somewhat varied collection, with excellent background information. If the exhibit had greater variety, and a little less focus on Ando in favor of other artists who are not represented, it would provide the perfect reference as it almost does. It would also be nice to see some representation of recent common products to aid in differential identification with Meiji, Taisho and Showa period wares. A must buy for the Japanese cloisonne afficionado nonetheless.
Average customer rating:
- Groundbreaking new research on early photography in China.
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Barbarian Lens: Western Photographers of the Qianlong Emperor's European Palaces (Documenting the Image Series)
Regine Thiriez
Manufacturer: Routledge
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ASIN: 9057005190 |
Book Description
The latest volume in the prestigious academic book series Documenting the Image, this is a fascinating survey illustrated by extremely rare photographs of the burned architectural and landscape complex known as the Rape of the Summer Palace.
In 1860, Western armies brought ruin to the treasured seat of the Qing emperors near Beijing. One hundred and fifty images have been collected to date as a support for an extensive study of the building of the palaces and their subsequent destruction.
This book is a rigourous analysis of the work and experiences of the European photographers, both amateur and professional, working in Beijing during this period, and, as such, becomes an account of the development of photography itself. Offering a fascinating glimpse into 19th-Century China, the book gives an historical overview of the political situation.
Customer Reviews:
Groundbreaking new research on early photography in China........1999-03-18
Régine Thiriez, an independent scholar who holds a Ph.D. in art history and is currently an associate research fellow in the East Asia Institute in Lyon (France), preparing an inventory of China photography, presents a substantial body of important new research on photography in China from the early years in the mid-19th century to 1860 as well as Qing dynasty China's reception of European technology. Her study, Barbarian Lens: Western Photographer's of the Qianlong Emperor's European Palaces, explores the Western involvement with the ruins of the European-style buildings constructed for the Qianlong emperor (r. 1736-1795) in his summer palace of the Yuanmingyuan, the "old" summer palace outside Beijing. The Yuanmingyuan was sacked and burned in 1860 by a French and British expeditionary force. Only the European part of the garden, constructed of brick and masonry, left substantial ruins. Standing mysteriously on the overgrown grounds of the half-abandoned site, the ruins exerted a powerful pull on European memories of the humiliation of the Emperor of China, and the shameful part played by Western armies in the destruction of the incomparable garden-palace and the treasures kept there. Such are the troubled feelings invoked by photographic images of the ruins. Placing the extant photographs in their historical context, Thiriez makes available to the interested reader and China specialist alike unprecedented primary research on the beginnings of photography in China, the identities and careers of the mostly little-known men who produced photographic images, and the complex relationships between photography and Western penetration of China. Barbarian Lens contains a wealth of scholarly information, presented in clear and succinct detail. Individual chapters focus on the practice of photography in Beijing (beginning in the early 1860s), the tragic encounter of China and Europe in the destruction of the Summer Palace, the amateur and professional photographers of the ruins, as well as the overlapping personal, political, and photographic ambitions of men in the Qing Imperial Maritime Customs, Western diplomatic missions, and other various undertakings. The volume is amply illustrated with more than 50 images-most of them previously unpublished-and includes extensive appendices on such subjects as the pioneering French Mission Palais d'Été studies of the European palaces. Perhaps the most impressive appendix is an exhaustive 24-page list of all the photographs of the European ruins identified by Thiriez to date. It tabulates photographers, photographic collections and sources, cataloguing information on the individual prints surveyed, the most likely date of the photo, additional reprints or rephotography of the same images (a very thorny problem in early photography), and the importance of the photo to the study of the place. It also cross-references the images, showing how they complement each other through the years. The appendices, notes, and bibliography supplement a richly rewarding text and generously make available the result of a decade of painstaking research in an almost unknown and unstudied field. In a volume that presents a complex, fascinating, and sometimes horrifying story of destruction and recovery, Régine Thiriez's contributions to the history of China photography and the fast-growing field of Qing dynasty historical studies are invaluable.
Average customer rating:
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Picturing Hong Kong: Photography 1855-1910
Roberta Wue ,
Edwin K. Lai , and
Joanna Waley-Cohen
Manufacturer: George Braziller
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ASIN: 0807614246 |
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Understanding Far Eastern Art
Julia Hutt
Manufacturer: Dutton Adult
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ASIN: 0525245219 |
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