Book Description
Get the most out of Lightroom with Tim Grey as your guide by reducing the time and effort you spend storing, selecting, and editing your digital images. Adobe’s new Lightroom software, together with this practical guide, explains everything from importing and cataloguing to processing and archiving. Whether you’re a professional photographer or advanced amateur, you’ll find ways to work efficiently with Lightroom in order to improve your productivity and get the results you want.
Customer Reviews:
Product walkthrough.......2007-07-05
This is a well written book, however talks less about workflow and more about Lightroom. if you are new to light room I highly recommend this book as it is a great introduction to the product and a walkthrough on all of it's features 1.0 (does not cover 1.1).
If you are looking for workflow and already know lightroom.... this book will teach you a few things you didn't know. I suggest taking a look at your local book store first to see if it is right for you.
Excellent intro to using Lightroom.......2007-05-29
Most folks who've been around digital imaging for any length of time know Tim Grey. An engaging, energy-filled, computer whiz who used to teach for George Lepp at the Lepp Institute of Digital Imaging and then got hired by Microsoft to head their professional photo expansion effort, Tim has a rare talent for clear, insightful writing about complex subjects. He's parlayed that skill into a whole series of books, of which this is one of his latest, and it carries on the tradition of being very thorough and easy to read and understand.
The topic of this book is one of a new breed of image editing tools that takes a fundamentally different approach to working with digital photo files from the King Kong of the industry, Adobe Photoshop. While Photoshop still is the industry leader by far, it has several serious drawbacks, including expense, complexity, and a very steep learning curve.
Enter Adobe Photoshop Lightroom. The concept for this new tool is to provide a more user friendly, efficient end-to-end workflow within one program that includes editing, optimizing, cataloguing, and output, allowing the photographer to spend less time in front of the computer and more time actually taking pictures. There are competing programs from other companies with a similar goal - Apple's Aperture (strictly for Macs), and LightZone from Light Crafts (for both platforms), but only Lightroom has near-seamless cross compatibility with Adobe's other creative products.
Lightroom has strong promise. One of its leading attributes is that it works nondestructively. When you make editing changes to images you are not altering actual pixel values within the image file but only adding a set of instructions for changes you wish to make and shows those effects on the fly. This makes files much smaller than when you create multiple variations in Photoshop, many times with many layers resulting in huge files. Many of its tools are both clever and intuitive as well, speeding the way to a polished product in less time.
There are some limitations however. While image adjustments are well mechanized, there is no provision in this version of the program to apply them selectively to parts of the image. For this type of work the file must be exported to another editing program. Also, there is no means for working on more than one monitor. A favorite approach for many who use Photoshop is to use two displays with the image on one and the palettes for various adjustments on the other; can't do that at this point with Lightroom.
Will Lightroom catch on? Very likely, especially for those photographers who yearn for a tool that gives good, quick results that increase their productivity. And when the global adjustments available within Lightroom aren't enough, it's easy to export to another tool for that kind of work. In addition, the simple digital asset management capabilities may be enough for someone whose file storage and cataloguing needs aren't too great. Furthermore, this is version 1.0, and there is every expectation that the program will grow and improve as the new conceptual paradigm gains acceptance, particularly with serious competition from at least two other quadrants.
So, how valuable is Tim Grey's take on the subject? About as good as it gets, I'd say. Tim has a rare talent for clarity of expression that leaves little doubt about what's being described. Throughout his books he makes suggestions about settings and states his personal preferences so someone new to the program has a place to start, which is far preferable, in my view, to just describing all the choices and leaving one hanging without a clue where to begin. If you purchase Lightroom, or are even just considering doing so, you should also acquire this book. It will save hours and hours of figuring it all out on your own and give you a running start toward becoming an expert with one of the best new editing programs.
Tim Grey's Lightroom book.......2007-05-24
Tim's effort is a noteworthy in clarity of writing style. Realistic workflow approach and sequencing in this book makes Lightroom's use far more understandable. Tech-writing of technical subject-matter always is a difficult job. Tim does it exceptionally well. Oddly, Tim's book... is the very material that - should - be included within Adobe's $300 product under the "Help" menu. User tips picked up from the book make it a worthwhile purchase. LR itself... the jury is still out on that issue. Noteworthy features, but quirky Raw conversions and exposure values and color balance readings. A product that attempts to be the proverbial "Swiss Army Knife" with the inclusion of many many functions... the number count tends to overload the user, even get in the way.
Great visual guide.......2007-05-17
There are so many Lightroom books available but I waited for Tim's because of his writing style. He's a technical guy who can also make us "visual" people understand.
Lightroom Workflow.......2007-05-13
A great book! Easy to read and helps make sense of Adobes new product. Tim Grey is one of the most knowledgeable experts on Lightroom and other
Adobe products for photographers. This bood will be an ongoing source of reference as I work in Lightroom. I would highly recommend it to anyone starting in Lightroom.
Book Description
'Raw Workflow from Capture to Archives' provides specific, practical explanations and how-to instructions for the digital photographer mastering this process. The most comprehensive book devoted to simplifying raw workflow, this guide will demystify raw functions in the camera, raw converter, image processing and enhancement software, and digital asset management programs. Not restricting itself to a single workflow this valuable resource discusses the latest applications that deal with raw files, including special plug-ins, stand alone programs and custom applications. Shooting raw gives you complete creative control over your images and is the hottest topic in digital photography today. Learn how to take advantage of the benefits of raw to increase your creative control and streamline your raw workflow in this informative guide.
*The how-to guidebook on RAW file capture, processing and creativity!
* Straightforward example workflow solutions for Adobe Photoshop CS2, Adobe Photoshop Elements 4.0, Aperture and Lightroom and other software innovations for raw imaging
* Demystifies raw functions in the camera, computer, during download, and conversion, and finally during image processing
Customer Reviews:
Raw Workflow from Capture to Archives.......2007-07-07
Surprisingly, there are few if any books that cover RAW workflow these days; so any book that covers this important subject for the digital photographer is to be welcomed. Not surprisingly though, Focal Press have been the first to fill the niche with this excellent guide written collaboratively between Philip Andrews, Yvonne Butler, and Joe Farace. The book covers all subjects RAW, from capturing images through to archiving them. The initial chapter is aimed at the newcomer to RAW imaging, explaining what RAW is, the various formats, and the advantages and disadvantages of using it. In addition, for the beginner there is a chapter outlining the step by step procedure for capturing your first RAW images. There are two whole chapters devoted to getting the most out of Adobe Camera RAW, one for Elements users and one for CS/CS2 users. These chapters are probably the most informative and helpful I have read on the subject, with clear descriptions and examples of what each of the controls in the software do. Camera manufacturers' own RAW conversion software is also discussed, along with "Third Party" converters like Capture One and Pixmantec Rawshooter. The chapter discussing how to establish your own RAW workflow is also very helpful for beginner and more experienced alike. The "new kids on the block", when it comes to processing RAW files i.e. Lightroom from Adobe and Aperture from Apple are covered in some depth, again very informatively. These two pieces of software are the future of RAW image processing, as they allow you to perform the entire workflow using only the RAW image. The final two chapters give some useful advice on organising your images and suggestions on archiving them. This book is again of the same high standard that Focal Press is renowned for, with full colour throughout, clear screenshots and examples in abundance. For those new to RAW imaging you will find a mine of helpful information here to guide you through an oft-perplexing subject. The book's skill however, is to not only lead the beginner through the subject, but also to teach the more advanced user a few new tricks.
Too General.......2007-07-05
This book tries to capture too many products and really gives very few tips on workflow. I suggest looking else where.
Great for a beginner.......2007-02-07
I am not an expert, but as someone trying to improve my skills with Raw, this book definately covers the waterfront. I am very pleased. It has a very nice mix of text pictures and examples. Very easy to follow, and offers a wide choice of options for editors, setting up a workflow and covering the subject.
Excellent help.......2007-01-05
Helps a lot to understand raw's particularities and improves the "handling" of raw files.
Very good indeed
Across the Board.......2006-10-05
When a digital camera takes a picture it saves the information in a digital file. This file may be processed by the camera for easier viewing or use. RAW is the name of the file format for unprocessed data. This RAW file is capable of more manipulation when transferred to a computer than a processed picture, like one in the JPG format. This allows a photographer to make the file look more like his or her vision.
This book offers guidance on using the raw format, starting with set up of the camera for saving a picture in RAW, through processing, to archiving the image. There are several books in print that explain how to use the popular Adobe Camera Raw (ACR) software, which is part of Photoshop and Photoshop Elements, for processing RAW files. But ACR is not the only software available for processing RAW files, even if it is the most prominent. Unlike other books, this volume takes a step back and looks at the range of software available for RAW processing including independent software like Capture One, Raw Shooter and Bibble, and camera manufacturers' software like Nikon Capture. The authors also consider related software, like Adobe Bridge and Extensis Portfolio, as well as some new software that takes a different approach to handling RAW files, like Apple's Aperture and Adobe's Lightroom.
Unfortunately, this effort to take the long view has its problems. The authors look at different software packages for RAW processing, and point out the most important features of each, However there is not enough depth to allow readers to make a decision as to which package is best for them. If it is impossible to provide that much information in a book of this length, I would have liked to see the authors provide their comparative conclusions as to which software was most appropriate for photographers with different goals and bents.
The same problem exists with regard to other aspects of the long view. For example the author's note that both Extensis Portfolio and Adobe Bridge have the capability of searching archived files for keywords. But they don't make any comparison that shows the advantages and disadvantages of the two. I conducted an experiment to search one thousand files for a single keyword. With Portfolio the search took less than a second. The same search with Bridge took more than five minutes. Yet, if I were working in Bridge with a small file set, it would be more convenient to search keywords with Bridge than to start Portfolio. While I don't need to see this exact comparison, I would have liked to see a more detailed comparison than was provided.
At the other end of the scale, the authors give far more detailed instruction on the use of ACR than on any other converter. Unfortunately, it's just not quite deep enough. They show you how to manipulate the controls in ACR but leave out many of the fine points. For example, most experts recommend that you not sharpen your pictures in ACR. The authors also tell you this, although they do tell you how to adjust the sharpening slider. But it's easier to use the other controls if the picture is sharpened. ACR has a facility that allows you to view your file as sharpened, without actually applying sharpening. The authors don't mention this.
If you want to learn how to use ACR, for the beginner I recommend Mikkel Aaland's "Photoshop CS2 Raw" and for the more experienced user, Rob Sheppard's "Adobe Camera Raw for Digital Photographers Only". But if you want a broad overview of the entire RAW process, with an introduction to all aspects, including software, I haven't found a book comparable to this.
Average customer rating:
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ASIN: 0240515900 |
Product Description
This is a complete introduction to digital imaging for photographers, photo illustrators, and graphic arts professionals. From image capture through to manipulation and output, the book takes you step-by-step through the processes involved in digital imaging. Provides information on digital cameras, scanning, storing and compressing files, the digital darkroom and color management techniques. Includes a CD-ROM with examples of images taken from different digital cameras and sample versions of Adobe Photoshop and Acrobat software. 167 pp., illustrated in color and black-and-white. (C) 1998
Book Description
Whether you’re new to Photoshop Elements or an experienced image editor, this professional book shows you how to create consistent high-quality images by establishing a logical sequence of essential tasks. From sorting images and RAW conversion to advanced editing and output, it’s all here in the friendly, professional style that readers know and trust from the Tim Grey Guides series. Go beyond the basics and that you can focus on workflow and produce better digital images with this one-of-kind guide to Photoshop Elements.
Customer Reviews:
For the PS Elements 5 novice and eager to learn and improve........2007-05-12
Any book by Tim Grey is terrific, and this is no exception. I use it for teaching.
Disappointing.......2007-04-11
This textbook was not what I was expecting. Albeit, the author attempts to provide concrete examples of projects, I found the supporting text difficult to follow. Stock photos are nice, but that's about it. If you are a novice, or new to PSE 5 this book isn't for you.
Book Description
Experience the highly visual format of the Art of Photoshop: Digital Photography Workshop and learn how to take good source photos and transform them into display-quality digital works of art with visual effects used in Adobe Photoshop. Using the beauty of the Tuscan region of Italy as a backdrop, author and artist/photographer
Daniel Giordan, will take you through the steps of how to capture good source materials, how to explore the artistic effect of those images, and how to turn those explorations into richly layered and visually complex artwork using the tools available in Photoshop. This is your chance to look over the author's shoulder as he guides you through a process of creative exploration through which he creates 10 artistic montages.
Customer Reviews:
I was waiting more PhotoShop.......2007-03-09
55% of the book is about how to take a good digital photography. And the rest is about PhotoShop, is not enough. I'm disappointed
Shows photographers how to be better artists.......2006-08-08
This book is dedicated to the purpose of taking raw digital photographs and turning them into art and using Photoshop to help with this task. The book is broken down into three parts. In the first part, the author has dedicated his instruction to basic photographic principles, as well as the specific, actionable techniques for taking better digital photos. The chapters cover the basics of exposure, composition, depth of field, and general technical skills that will enhance the quality of your images. The final chapter in this section, on composition, just might be the most important chapter in this book. The fact is, if you don't have solid composition skills, you have little chance of making artistic images that have impact. Exposure and focus are important technical skills, but composition frames reality and structures the viewing experience. Without effective composition, you're left with a detached and soulless view of the world, even if it is clearly exposed and presented.
The second part of the book is about how to use Photoshop on your photographs once you have them. The author laments that although digital photography is notorious for generating tons of raw material, that most people never move past the "My Photos" folders that act like digital shoeboxes, crammed full of snapshots that are stored out of sight. The chapters in this part provide ample ammunition for what to do next. Chapter 5, "Photo Explorations," considers ways to manipulate photos while maintaining a final result that still looks like a photo. Darkroom and optimization explorations maintain a look that is still photographic while adding a more expressive element. Chapter 6, "Artistic Explorations," gets even more expressive as it delves into drawing and painting. You'll need a digital tablet for many of these effects, but the results are well worth the effort it may take to get one.
Part 3 of the book, "Gallery", represents the author's own personal explorations, based on his Tuscan experiences and photographs. He uses some of the same techniques described in Part 2, "Photoshop Explorations," and full image-capture information is provided for all source photos. Each image includes a brief introduction and a complete description of how it was created. Screen shots of Photoshop are shown as they are needed in showing how each image was created.
I highly recommend this book to those photographers who want to learn more about the artistic side of their craft starting with their skills as photographers and including inspiration, vision, and the technical knowledge of Photoshop needed to put it all together. Plus, the author has put together a truly stunning collection of photographs from Tuscany. The table of contents is as follows:
Part: 1 DIGITAL PHOTOGRAPHY TECHNIQUES
Chapter 1. Digital Camera Basics
Digital Photography Pros and Cons
Five Habits to Optimize Image Quality
Previewing Tips: Critical Evaluation
Preview Exposure with Histograms and Clipping
Capturing the Elusive Shot
Elements of Photographic Quality
File Format Pros and Cons
Using a Flash Effectively
Chapter 2. Digital Exposure
Exposure = Amount of Light and Speed of Shutter
The Tones and the Zones
Adjusting Exposure
Metering Light
Overcoming TTL Meter Limitations
Non-manual Exposure Settings
Using a Handheld Meter
Measuring Tonal Range with Histograms
Chapter 3. Focus and Depth of Field
Types of Autofocus
Focus and Camera Stability
What Is Depth of Field?
Artistic Application
Chapter 4. Composition
Compositional Building Blocks
Documenting a Moment
Controlling Compositions with Multiple Exposures
Part: 2 PHOTOSHOP EXPLORATIONS
Chapter 5. Photo Explorations
Dramatic Shadows
Custom Black and White Conversions
Shift Depth of Field
Image Panoramas
Daguerreotype Effects
Infrared Effects
Simulate Twilight
Hand Coloring
Cyanotypes
Chapter 6. Artistic Explorations
Printmaking Effects
Painterly Illustration
Line Engraving
Painted Canvas
Conté Crayon Drawing
Graphic Effects With Blending Modes
Part: 3 GALLERY
Chapter 7. Abbazia: Finding Transcendent Spirit
Source Images
Building the Image
Abbazia Image Design Log
Chapter 8. Passagio Scuro: Revealing Shadowed Vitality
Source Images
Building the Image
Passagio Scuro Image Design Log
Chapter 9. Punto: Exploring Relative Fundamentalism
Source Photos
Building the Image
Variations on Punto
Punto Image Design Log
Chapter 10. Santissima Addolorata: Experiencing Blind Faith
Source Photos
Building the Image
Santissima Addolorata Image Design Log
Chapter 11. Porta Rossa: Discovering Evocative Doorways
Source Photo
Building the Image
Porta Rossa Image Design Log
Chapter 12. Molecola Sogni: Toward a Weightless History
Source Photos
Building the Image
Molecola Sogni Image Design Log
Chapter 13. Una Passione Perfetta: Creating Dynamic Precision
Source Photos
Building the Image
Una Passione Perfetta Image Design Log
Chapter 14. Parte Interna: Building Visual Tension
Source Photos
Building the Image
Parte Interna Image Design Log
Split Personality.......2006-06-13
I was really excited when I first looked at this book. I regularly complain that many ostensible photography manuals are really picture books that have had some language added to make them look like photography instruction books. Here was a book that had plenty of beautiful pictures of Tuscany that were really used as a framework for instruction. Then I discovered the book's split personality.
The first part of the book is aimed at beginning to intermediate serious photographers. Using the author's own digital pictures, Giordan explained the basics of photography, including exposure, focus and composition. The pictures were not only lovely, but they were tied to the text so that they illuminated the teaching points. Giordan has a tendency to photograph details rather than the big picture, but perhaps that's also a useful lesson to learn. He also seems willing to tolerate over-exposed skies to get shadow details. But he passed my litmus test for any book maintaining it's about digital photography by explaining the use of the histogram, blinkies and even the zone system.
Unfortunately, he also put out some wrong information. For example, he states that digital cameras achieve exposure compensation by adjusting ISO ratings and so one should shoot in manual mode if one expected to compensate exposure. But that's certainly not true of the Nikon D2H, which Giordan used for the pictures in this book, or any other digital camera I know. Most digital cameras compensate with the aperture when you are in shutter mode and the shutter speed when you are in aperture mode. Moreover, while the author acknowledges that an important role of lenses of different focal lengths is to adjust perspective, he also preserves the old myth that depth of field is a function of focal length.
Still, even with inaccuracies like that, this book looked like a four-star book. Then the second section came along. It deals with the use of Photoshop and is aimed at very experienced users of the software rather than the beginning to intermediate audience of the first section. Here was an ideal opportunity to use the photographs of Tuscany to show how to control exposure, lighting and color with the basics of Photoshop. Instead he chose to use some very advanced techniques to create pictures that were far removed from the basics of digital processing. For example, in a chapter telling how to use Photoshop while preserving the photographic nature of the image, he shows how to simulate twilight or do the equivalent of hand coloring of photographs.
In the following chapter he explains how to modify images so they look like paintings or drawings. He finishes up with detailed descriptions of how he manipulated certain photographs to make them look like they weren't photographs.
I tried to put aside the philosophy that one should capitalize on the nature of photography when using Photoshop. I downloaded images from the companion website and tried to follow along with the author's description of how he was manipulating the pictures. I consider myself an experienced Photoshop user, but often the instructions were too sketchy or ambiguous for me to follow on a first try, and sometimes after several tries, I still couldn't follow Giordan's instructions.
This book had the potential to be really effective by taking a different approach to photography instruction. Unfortunately, the first part is filled with a few landmines and the second part is only for the most experienced Photoshop users for whom the first part might prove too simplistic.
An inspiring and beautiful book.......2006-05-27
This book includes how-to, but it is so much more than that. This is a lovely book to turn to again and again, just for inspiration. I agree with the other reviewers - do the exercises. This one I will keep because it is not tied to a particular camera though it does focus on photoshop CS and later. If you are struggling with making your photography interesting, or if you are just looking for inspiration, this is one you should pick up.
Most beautiful Photoshop book ever!.......2005-11-20
This is the most beautiful Photoshop book I have ever seen.
Daniel Giordan has always been my favorite Photoshop author for his clarity and organization, and with this book he brings together his Photoshop expertise, his skills as a digital photographer, his art school training in traditional media, and his love of the land of his ancestors, Italy. He traveled through Tuscany taking photos.
He then created a book to instruct and inspire the digital photographer and he also shares with the reader the pleasures of traveling through Tuscany.
This book taught me new techniques to use in Photoshop and reminded me of things I had been neglecting that will optimize my digital photography, such as having my camera display histograms and using an off-camera shutter release when I am using a tripod to eliminate the camera movement from pressing a shutter button.
The design team is to be praised for creating a book design that is in itself an aesthetic pleasure. Daniel Giordan designed the cover and a David Giordan is listed as a designer of the interior.
This book makes the perfect gift for a photographer who uses Photoshop. A really great gift would include a holiday in Italy because after reading this book and looking at the marvelous variety of beautiful subjects, you will certainly want to take your own trip through Tuscany.
Book Description
Nearly 20 photographers whose digital photographs and techniques are featured in this book provide inside information on everything from equipment selection and tips for creating top-notch studio and location portraiture to output and marketing techniques. Answers are provided to such questions as How can photographers ensure correct and consistent color? What printer type will best suit a photographer's production schedule? and What papers and inks will ensure acceptable longevity of the print? Adobe Photoshop and its usefulness to professional photographers is discussed, but other popular software programs such as Corel Painter, Nik Color Efex Pro!, and Bryce are covered as well.
Customer Reviews:
A MUST HAVE!!!!.......2007-08-24
THIS BOOK PROVIDES THE INFORMATION YOU NEED TO SELECT EQUIPMENT AND EVERYTHING THERE AFTER. I FOUND IT TO BE VERY USEFUL IN ALOT OF AREAS THAT I WAS UNSURE OF. AFTER READING THIS BOOK I CAN HONESTLY SAY I HAVE LEARNED ALOT!!!!
Great Book!!!.......2007-02-15
This book is a great book. Once again, Patrick walks you through the digital aspect of digital photography for weddings & portraits. This is a great book for someone who is considering going digital. It is also a great book for someone who has already made the leap into digital because Patrick explains things in such a way that everyone can understand. I have been shooting digital for over a year now and I found this book to be very helpful. It explained alot of things for me. It clarified things that I was confused on.
I have read all of Patrick Rice's books. And I highly recommend all professional photographers do the same. Patrick has won many awards for his work. We could all learn something from him.
A perspective why digital is better. Not how to take better pictures.......2006-11-30
This is a book about why digital is better with perspectives from several people. It is not about digital photography techniques used for weddings or portraits. I found no usefull information for me in this book!
It does have a few nice photos in it but overall I found it to be a total waste of my money. If you think you may want this book, make sure you take a look at it at your local book store before buying it.
Good Place To Start.......2006-03-26
As a professional photographer just moving into digital photography, I found this book very helpful. The author explains digital imaging, cameras, CF cards, and everything elde you need to know about converting to digital from film. The images are really nice and I know this will be an invaluable guide for many photographers.
Author Comments on Book.......2006-02-24
As the author of this book, I wanted to create a easy to read, easy to understand guide for anyone considering digital portrait or wedding photography.
Digital imaging technology is described at length. There is probably more information here than you will ever need, but I would rather have too much instead of too little.
The book is illustrated with images of my own as well as several award-winning professional photographers.
Book Description
In the new edition of this practical guide, master photographer Ellen Anon and digital-imaging expert Tim Grey show you how to capture the beauty of nature by shooting the best possible photos from the start—and then getting the most out of your images at your desktop. You’ll find eye-opening techniques, workflow ideas, and terrific Photoshop tools, plus a host of valuable tips and stunning examples from some of the most esteemed professional nature photographers working today.
Customer Reviews:
Nature Photographers Photoshop CS3 - A Very Good Book.......2007-09-23
PRO: I generally agree with the previous favorable reviews of the book and therefore, rate the book with four stars - not perfect but covering most of the important subjects for nature photography. I'm glad I purchased the book. The TRY IT work lessens in each chapter are helpful because you learn by practice, but it may take a little time to locate where your told to go if your not already familiar with photoshop. This is my first and only book on photoshop and I don't believe I will need another book on this subject for a long time.
CON:The books author makes some assumptions about the readers photoshop knowledge that may not always be correct. This is unavoidable. As mentioned earlier in one of the responses, the book binding is not very strong, so if you scan pages try not to lay the opposite page flat on the scanner, the pages will come loose from the string binding.
I am an italian amateur.......2007-08-30
I have added this very nice book to my already rich collection of Photoshop books because I was mainly attracted
by the concept of Nature that was missing in my arsenal, and because I wished learning more about the new
features of Photoshop CS3 ( that I've recently bought), such as Adobe Camera Raw, Smart Objects, Quick Selection Tool,
and the new Panorama tool.
Under its very appealing graphic appearance I found all the responses I've expected, every topic being
exposed in a natural and direct way.
I also found very useful the tutorials and the examples on the accompanying CD, as well
as the contents of the Authors' Web Sites.
I recommend this book to everybody willing go deeper into the art if photographic imaging, to the experts as well as the novices
on Photoshop CS3.
Mario Console
Essential Book for Serious Nature Photographers.......2007-07-27
Whether you are new to nature shooting or experienced, Ellen Anon and Tim Grey's book is sure to provide techniques, insights, and tips that you can put to use immediately and with excellent results. The authors take time to thoroughly explain complex concepts and techniques in easy-to-understand language and with excellent background that deepens your understanding of both the art and the science.
One of the primary advantages of this book is that it takes you step-by-step from exposing images in the field, through exposure and color adjustments in the digital darkroom, and finally to getting the best output on the printer. And as a bonus, this book includes great techniques for creative effects and for saving time during the workflow.
This is a must-have book for serious nature photographers--and for anyone who wants a complete guide to shooting, processing, and printing great digital images.
Charlotte Lowrie,
Canon EOS Digital Rebel XTi/400D Digital Field Guide,
Canon EOS 30D Digital Field Guide, & Canon Eos Digital Rebel Digital Field Guide
Tremendous Book! Essential information!.......2007-07-19
For any serious amateur to pro level photographer, this is a "no-brainer" book to own.
Ellen and Tim do a great job breaking down the software barriers to make our digital work easier
to conceive and to perform.
There is a wealth of information here.
After years of trying (unsuccessfully) to get through software manuals and books, this is the first book that we actually keep on our coffee table and take with us on the road. Even a perfunctory paging through will yield invaluable information in a concise, lucid prose.
Highly recommended!
A must have book........2007-07-14
This book is for the advanced hobbyist photographer. It shows great technics and work flows. If you are serious about your photography, you will learn a great deal from this great book.
Book Description
If you’re like most artists, the idea of structuring your work may seem at odds with true creativity, but you’ll be surprised to learn from digital imaging expert Tim Grey that just the opposite is true. This latest edition of his bestselling guide shows you how proper workflow can free you from the repetitive parts of a project and let you focus on your vision. Discover techniques that streamline processes, reduce your time and effort, and produce striking results.
Customer Reviews:
Near-Perfect Guide for Beginners.......2007-08-21
Photoshop CS3 Workflow: The Digital Photographer's Guide is the best Photoshop primer I've read yet. The author works through image adjustments in a very logical progression. He begins with very simple edits and works his way up to more complex fine-tuning. The instructions are both step-by-step and very clear. He also does an excellent job of explaining the "big picture" of why you want to make these adjustments and does not just turn you into a mouse clicker following steps by rote.
While no one book is going to tell you everything you could ever want to know about Photoshop, this is a fairly comprehensive tome. The entire workflow process is covered beginning with downloading files and sorting them in Bridge, all the way through printing. I would suggest using the "Look Inside" function to check the Table of Contents if you're interested in a complete list of the specific steps covered. The good news is that all the most common bases are covered, and covered well. If I could add one thing to this book, it would be a chapter or two on the basics of making adjustments in the LAB color space. For certain images, LAB will yield truly superior results, yet it receives no coverage in most Photoshop books. If you're interested in learning more, I highly recommend Photoshop LAB Color: The Canyon Conundrum and Other Adventures in the Most Powerful Colorspace.
For those who own the CS2 edition of this book, you should be aware that this is largely unchanged. Most of the text is unchanged, the example photo are carried forward, etc. There is just enough new material to cover the new features in CS3. It's debatable whether the purchase is worth the money for roughly 30 pages of new material.
If this book has a weakness, it is that it doesn't really live up to its title. The book is not about workflow per se, but about all the steps that are part of a workflow. Only the first and the last chapters really focus on the aspect of trying to plan the workflow itself. This is no crime, I don't know if it's even possible to fill an entire book with workflow planning discussions without becoming ridiculously redundant and useless. But Tim Grey and his publishers chose to identify this as a workflow text and on that basis I think they have failed. If they had named the book "Photoshop CS3 for Beginners: The Digital Photographer's Guide" I would give it 5 stars and my highest recommendation. As it is, I'll still give it my highest recommendation for Photoshop novices as long as they realize that this book is really to help them with image editing skills much more than planning the workflow process itself.
Book Description
Designed to help the underwater photographer make a smooth transition to digital imaging, this handbook discusses how to digitally refine, correct, and enhance underwater photographs. The equipment necessary for digital imaging for underwater photography is explained, and includes a discussion on the essentials of scanning in order to develop underwater pictures. Along with extensive information on Adobe Photoshop and how it can be used to edit underwater pictures, this new edition features instructions on how to use Adobe Photoshop Elements, a more basic program geared toward beginning photographers. Images and screenshots have also been updated, and information on the best software plug-ins for underwater imaging using Adobe Photoshop is provided.
Customer Reviews:
shoot underwater.......2007-03-26
The book seems to cover some of the basics. It does an ok job of covering the shoot part and and ok job of the editing part. If you are looking for details, I would consider a different book or two books...one specifically about getting the shot and one specifically about fixing the shot.
Good Start.......2006-03-13
This book is a good start for someone considering underwater photography with a digital camera. It touches on the important aspects of the subject and gives a very basic overview of what is involved. For the serious photographer, I would recommend the authpr's professional guide on the same subject. It has more detail and better images.
I should have read the reviews.......2004-08-25
It is a complete waste of money, like it sais in one of the reviews. Should have listened!!! This book is completely useless, the authors assume that you already know all about digital imaging and the book is just a review. You won't learn. Don't buy it.
Not what I was expecting at all.......2004-07-24
When I bought this book, I thought I would learn some ways to enhance my pictures with detailed examples. I was really disappointed when I saw that it wasn't the case. They show what they did with what tool but without any detailed explanations. "Before-and-after-color-balance" wasn't what I had in mind when I bought this book. I didn't need to pay 50$ to know that if I go through photoshop menus and do some tests, I would learn it sooner or later. I really think it should be mentionned that this book is intended for people that have beginner skills with computers. 30% of the book explains how to use a scanner...
The only way I would recommend this book is if you don't know much about computers and have no clue what photoshop is and want to know where the menu for Hue/Saturation is. Otherwise, don't waste any penny on that, instead, go to specialized website, you'll find tutorials that are a 100 times better than this book with real detailed examples.
A complete waste of money.......2004-07-21
I found this book to be a very poor educational source for digital photography and image editing. As a photographer who is switching from slide film to digital, I have read three other books on digital photography, including Peter Burian's "Mastering Digital Photography and Imaging". Burian's book (and the other two books) blow's the Drafahl's book out of the water(no pun intended). It's like comparing a Lexus to a Hugo. The Drafahl book is vague, poorly written, and provides minimal imformation on various topics. What's with the large print and skipped lines--it's as though they wanted to increase the number of pages to make it look like your getting more for your money. I have wasted my money to finance one of their dive trips.
Average customer rating:
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Beginner's Guide to Digital Imaging: For Photographers and Other Creative People
Rob Sheppard
Manufacturer: Amherst Media, Inc
ProductGroup: Book
Binding: Paperback
General
| Photography
| Arts & Photography
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General
| How-to
| Photography
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Digital Photography
| Photography
| Arts & Photography
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Equipment
| Photography
| Arts & Photography
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Web Graphics
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| Computers & Internet
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Digital Photography
| Digital Photography & Video
| Computers & Internet
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General
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General
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Imaging Systems
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ASIN: 1584280786 |
Book Description
Illustrating how computers can be used to enhance every photograph, this guide covers the technologies and techniques that photographers need to save time and money and stay current and competitive. Photographers new to digital imaging will be shown how traditional prints can be scanned and treated to an array of digital improvements. From discussions on image-producing equipment, creating digital images, and scanner specifications to instruction in imaging techniques, pixels, and resolutions, photographers will learn the skills needed to venture into digital photography with confidence.
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Books Index
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