Book Description
There had never been art like the art produced by women artists in the 1970s--and there has never been a book with the ambition and scope of this one about that groundbreaking era. WACK! documents and illustrates the impact of the feminist revolution on art made between 1965 and 1980, featuring pioneering and influential works by artists who came of age during that period--Chantal Akerman, Lynda Benglis, Theresa Hak Kyung Cha, Valie Export, Mary Heilmann, Sanja Ivekovič, Ana Mendieta, Annette Messager, and others--as well as important works made in those years by artists whose whose careers were already well established, including Louise Bourgeois, Judy Chicago, Sheila Levrant de Bretteville, Lucy Lippard, Alice Neel, and Yoko Ono.
The art surveyed in WACK! includes work by more than 120 artists, in all media--from painting and sculpture to photography, film, installation, and video--arranged not by chronology but by theme: Abstraction, "Autophotography," Body as Medium, Family Stories, Gender Performance, Knowledge as Power, Making Art History, and others. WACK!, which accompanies the first international museum exhibition to showcase feminist art from this revolutionary era, contains more than 400 color images. Highlights include the figurative paintings of Joan Semmel; the performance and film collaborations of Sally Potter and Rose English; the untitled film stills of Cindy Sherman; and the large-scale, craft-based sculptures of Magdalena Abakanowicz.
Written entries on each artist offer key biographical and descriptive information and accompanying essays by leading critics, art historians, and scholars offer new perspectives on feminist art practice. The topics--including the relationship between American and European feminism, feminism and New York abstraction, and mapping a global feminism--provide a broad social context for the artworks themselves. WACK! is both a definitive visual record and a long-awaited history of one of the most important artistic movements of the twentieth century.
Essays by:
Cornelia Butler, Judith Russi Kirshner, Catherine Lord, Marsha Meskimmon, Richard Meyer, Helen Molesworth, Peggy Phelan, Nelly Richard, Valerie Smith, Abigail Solomon-Godeau, Jenni Sorkin
Artists include:
Marina Abramovič, Chantal Akerman, Lynda Benglis, Dara Birnbaum, Louise Bourgeois, Judy Chicago, Lygia Clark, Jay DeFeo, Mary Beth Edelson, Valie Export, Barbara Hammer, Susan Hiller, Joan Jonas, Mary Kelly, Maria Lassnig, Linda Montano, Alice Neel, Senga Nengudi, Lorraine O’Grady, Pauline Oliveros, Yoko Ono, Orlan, Howardena Pindell, Yvonne Rainer, Faith Ringgold, Ketty La Rocca, Ulrike Rosenbach, Martha Rosler, Betye Saar, Miriam Schapiro, Carolee Schneemann, Cindy Sherman, and Hannah Wilke.
Average customer rating:
- Calculations are only as good as your numbers
- Pants on fire?
- Accepted History & Chronology Must Be Changed.
- Very Interesting
- History as Science Fiction
|
History: Fiction or Science? (Chronology, No. 1)
Anatoly Fomenko
Manufacturer: Mithec
ProductGroup: Book
Binding: Paperback
 Chinese
| Ethnic & National
| Biographies & Memoirs
| Subjects
| Books
Irish
| Ethnic & National
| Biographies & Memoirs
| Subjects
| Books
Japanese
| Ethnic & National
| Biographies & Memoirs
| Subjects
| Books
Women
| Specific Groups
| Biographies & Memoirs
| Subjects
| Books
Augustine, Saint
| ( A )
| People, A-Z
| Biographies & Memoirs
| Subjects
| Books
Doctors & Medicine
| Humor
| Entertainment
| Subjects
| Books
Lawyers & Criminals
| Humor
| Entertainment
| Subjects
| Books
Love, Sex & Marriage
| Humor
| Entertainment
| Subjects
| Books
Assyria, Babylonia & Sumer
| Ancient
| History
| Subjects
| Books
Early Civilization
| Ancient
| History
| Subjects
| Books
General
| Ancient
| History
| Subjects
| Books
Historiography
| Historical Study
| History
| Subjects
| Books
General
| World
| History
| Subjects
| Books
General
| Asian American
| United States
| World Literature
| Literature & Fiction
| Subjects
| Books
Asian American
| Poetry
| United States
| World Literature
| Literature & Fiction
| Subjects
| Books
French
| Erotica
| Literature & Fiction
| Subjects
| Books
Victorian
| Erotica
| Literature & Fiction
| Subjects
| Books
Epic
| Poetry
| Literature & Fiction
| Subjects
| Books
German
| Poetry
| Literature & Fiction
| Subjects
| Books
Russian
| Poetry
| Literature & Fiction
| Subjects
| Books
Spanish
| Poetry
| Literature & Fiction
| Subjects
| Books
Chinese
| Classics
| Literature & Fiction
| Subjects
| Books
Conspiracy Theories
| Current Events
| Nonfiction
| Subjects
| Books
War on Drugs
| Crime & Criminals
| Nonfiction
| Subjects
| Books
English (All)
| Dictionaries & Thesauruses
| Reference
| Subjects
| Books
Arabic
| Foreign Language
| Dictionaries & Thesauruses
| Reference
| Subjects
| Books
Armenian
| Foreign Language
| Dictionaries & Thesauruses
| Reference
| Subjects
| Books
Czech
| Foreign Language
| Dictionaries & Thesauruses
| Reference
| Subjects
| Books
Greek
| Foreign Language
| Dictionaries & Thesauruses
| Reference
| Subjects
| Books
Hungarian
| Foreign Language
| Dictionaries & Thesauruses
| Reference
| Subjects
| Books
Japanese
| Foreign Language
| Dictionaries & Thesauruses
| Reference
| Subjects
| Books
Korean
| Foreign Language
| Dictionaries & Thesauruses
| Reference
| Subjects
| Books
Norwegian
| Foreign Language
| Dictionaries & Thesauruses
| Reference
| Subjects
| Books
Persian & Farsi
| Foreign Language
| Dictionaries & Thesauruses
| Reference
| Subjects
| Books
Polish
| Foreign Language
| Dictionaries & Thesauruses
| Reference
| Subjects
| Books
Portuguese
| Foreign Language
| Dictionaries & Thesauruses
| Reference
| Subjects
| Books
Romanian
| Foreign Language
| Dictionaries & Thesauruses
| Reference
| Subjects
| Books
Russian
| Foreign Language
| Dictionaries & Thesauruses
| Reference
| Subjects
| Books
Swedish
| Foreign Language
| Dictionaries & Thesauruses
| Reference
| Subjects
| Books
Turkish
| Foreign Language
| Dictionaries & Thesauruses
| Reference
| Subjects
| Books
Science
| Dictionaries & Thesauruses
| Reference
| Subjects
| Books
Online Research
| Genealogy
| Reference
| Subjects
| Books
Native American
| Earth-Based Religions
| Religion & Spirituality
| Subjects
| Books
General
| Science
| Subjects
| Books
General
| History & Philosophy
| Science
| Subjects
| Books
History of Science
| History & Philosophy
| Science
| Subjects
| Books
Magic & Wizards
| Fantasy
| Science Fiction & Fantasy
| Subjects
| Books
Sailor Moon
| Popular Characters
| Children's Books
| Subjects
| Books
Pilates
| Exercise & Fitness
| Health, Mind & Body
| Subjects
| Books
History
| Fashion
| Arts & Photography
| Subjects
| Books
All Titles
| Qualifying Textbooks - Fall 2007
| Stores
| Books
Similar Items:
-
History: Fiction or Science? Chronology 2 (Chronology)
-
History: Fiction or Science? Astronomical methods as applied to chronology. Ptolemy's Almagest. Chronology III
-
Discovering the Mysteries of Ancient America: Lost History And Legends, Unearthed And Explored
-
Before the Pharaohs: Egypt's Mysterious Prehistory
-
They Cast No Shadows: A Collection of Essays on the Illuminati, Revisionist History, and Suppressed Technologies
ASIN: 2913621058 |
Book Description
Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.
Customer Reviews:
Calculations are only as good as your numbers.......2007-08-03
Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.
Pants on fire?.......2007-07-19
Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.
Accepted History & Chronology Must Be Changed. .......2007-04-09
There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.
For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.
Very Interesting.......2007-03-07
It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.
History as Science Fiction.......2007-01-10
Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.
I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.
Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.
Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.
I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.
This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.
Book Description
Liberate Your Creativity With Acrylic Paints!
Acrylic Revolution is your essential, all-in-one guide for acrylic painting techniques and more. It features over 101 ways to break through the boundaries of conventional painting and re-define the creative potential of this all-purpose medium.
Every page provides insight on how to use acrylic paint in ways you never thought possible to create stunning visual effects and textures. Ten complete sections detail a range of empowering applications, including how to:
- Prepare and paint on virtually any surface
- Create textures of all kinds
- Work with transfers, collage, resists and mixed media
- Achieve innovative stenciling and line work
- Customize your paint to adjust thickness, transparency and drying time
- Simulate other mediums, such as oil, tempera or watercolor
- Create faux finishes, magical effects, sheens and more
To give you additional insight and inspiration, this book features a gallery of finished works by fellow painting revolutionaries that blend various acrylic techniques to create amazing effects. You'll also find practical advice that covers the basics and beyond--from selecting materials and cleaning your brushes to finishing and preserving your artwork. There's even a complete glossary of terms for fast and easy referencing.
Pick up a brush and start your own acrylic revolution today!
Use the techniques in this book to free your creative spirit and create the paintings you've always dreamed of.
Customer Reviews:
Acrylic Revolution.......2007-09-26
I found this book to be excellent. With all the new acrylic products on the market it is a wonderful guide for using them. The different techniques and formulas are great.
INTERESTING, ENJOYABLE,.......2007-09-01
I have to say, I enjoyed this book, but I also have to say, that the constant mentioning by the author of her use of Golden paint products as her favorites became quite tedious and I firmly believe cheapened her work.I also enjoyed the physical construction of the book. The spiral binding was a nice feature to incorporate, especially enclosed in a hard cover.
It would be nice to see more publishers adopting this style of book binding, they are a joy to read.
easy to follow.......2007-08-18
Acrylic Revolution is an excellent guide on how to use a variety of acrylic mediums. This is definitely the type of book you want in hand as you select items off the shelf at the art supply store. The author did a perfect job of making the many techniques easy to follow. The pages are bright and the photographs are very detailed. That being said, the interior page design of this book is not as "revolutionary" as the cover implies. It is very basic. If you judge a book by its cover, you may well be disappointed.
Acrylic Revolution -A must for the mixed media artist.......2007-08-16
As a mixed media artist,I have been painting with acrylics and a variety of other media for years. I have intuitively used many of the techniques presented in the book however,I never really understood the nature of acrylic media. Consequently, this book will be a valuable reference. It will also serve as a source of inspiration if I get "stuck" in the middle of a work. I love the lay out of each technique. Nancy Reyner does an excellent job of providing clear, concise instructions. The examples are also nicely presented.
If you are new to acrylics, this book is a must have. It will get you started with the best acrylic media out there, Golden's, and provide plenty of fun techniques to try.
A Must for Acrylic Painters.......2007-08-16
If you've got a question.......this book will answer it. Easy to use and follow with good visual and written instructions.
Buy it, and have a play with some interesting techniques.
Book Description
In A Social History of Modern Art, a sweeping multivolume social history of Western art from the French Revolution to World War I, Albert Boime moves beyond the concern with style and form that has traditionally characterized the study of art history and, in the tradition of Arnold Hauser, examines art in a broad historical context. Into his wide-ranging cultural inquiry Boime incorporates not only frequently studied mainstream artists and sculptors but also neglected and lesser known artists and unattributed popular imagery. He examines popular as well as official culture, the family as well as the state, and the conditions of the poor as well as of the affluent that affected cultural practice.
This inaugural volume explores the artistic repercussions of the major political and economic events of the latter half of the eighteenth century: the Seven Years' War, the French Revolution, and the English industrial revolution. Boime examines the prerevolutionary popularity of the rococo style and the emergence of the cult of antiquity that followed the Seven Years' War. He shows how the continual experiments of Jacques-Louis David and others with neoclassical symbols and themes in the latter part of the century actively contributed to the transformation of French and English politics. Boime's analyses reveal the complex relationship of art with a wide range of contemporary attitudes and conditions—technological innovation, social and political tensions, commercial expansion, and the growth of capitalism.
"Provocative and endlessly revealing."—Christopher Knight, Los Angeles Herald Examiner
Book Description
Smart Mobs takes us on a journey around the world for a preview of the next techno-cultural shift. The coming wave, says Rheingold, is the result of super-efficient mobile communications-cellular phones, wireless-paging, and Internet-access devices-that will allow us to connect with anyone, anytime, anywhere.
Rheingold offers a penetrating perspective on the new convergence of pop culture, cutting-edge technology, and social activism. He also reminds us that the real impact of mobile communications will come not from the technology itself but from how people use it, resist it, and adapt to it.
Customer Reviews:
incohesive writing.......2006-01-20
This book suffers from incohesive writing and lacks a clear framework that covers the theme of smart mobs. The sequence of chapters does not provide a progressive build-up of a framework of any sort. Even more, the sequence inside each chapter does not carry the reader towards any defined theme. On one section the author describes teenagers in Finland sending text messages, then he jumps to his meeting with a company executive, then jumps to describing the mobile phone standards in Europe, etc.
The only common thread among sections in chapters and among the chapters is the smart mobs theme, obviously, but the author does not break down clearly this central theme into its parts. This makes for a very confusing and bothersome reading.
A whirlwind tour through the world next year........2005-10-09
Howard Rheingold has excellent credentials to write this book through his long involvement at Wired magazine. He blends an effervescent interest in smart new gadgetry (point your phone-cam at some foreign signwriting and have it translated into your own language) with a thirsty desire to understand what it means to our society. To hunt down the story he structures the narrative in a breathtaking first-person style that takes us from Shibuya Station in Tokyo to the wireless capital of the world, Helsinki, and then back across the Atlantic to Bell Laboratories - and beyond.
Clearly our society has been undergoing massive underlying change since the advent of the internet and mobile phones - but few writers have really grappled with the wider implications. If, as McLuhan said, the Medium is the Message then wireless technology provides a medium that totally re-engineers the way people can interact with their physical and social environment.
Rheingold calls on dramatic examples of how individuals, wireless and mobile, can outwit the top down forces of the establishment - for example in the World Trade protests at Seattle, and political protests in the Philippines. He uses these as a metaphor for how the top-down 20th Century style organisations, political, industrial or media are increasingly out of step in the mobile age. Rheingold looks to young urban people - urban tribes if you like - as a bellwether to tomorrow's society.
I loved this book. The writing is sharp, the insights deep and Rheingold's ability to take us into the labs of tomorrow a real treat. I strongly recommend it.
Smart Mobs. Smarter Marketers........2004-09-08
The cool thing about "Smart Mobs" is that it's really happening. People are behaving in "linked" ways that transcend the obvious demographic definitions of groups we typically think of as "behaving in unison." As technology and the infrastructure arriving with it enable increasingly extemporaneous networks between people, marketers are similarly challenged to reach outside of traditional mass channels. Howard Rheingold brings us a really nice set of actual examples--combined with his own unique insights--that provide the basis for next-generation communications strategies as what had been cohesive groups fragment into a foam of indivduals united (only) by this moments current interest and the task at hand. For marketers, it's a great read...and a big clue. Anyway, I liked it.
Remote Control To The World.......2004-04-08
How many of you recall that EF Hutton commercial that started off by saying, "When EF Hutton talks, people listen". The same thought can be applied to Howard Rheingold.
Rheingold is veteran technology watcher and well-publised futurist. He has identified yet another transformative technology. In 'Smart Mobs' he describes in vivid detail how large, geographically dispersed groups connected only by thin threads of communications techology, such as text messaging, e-mail, cell phones, two-way pagers, and web sites, can draw together in the blink of an eye, groups of people together for a collective cause.
From various parts of the world, Rheingold, has gathered stories about engineers and inventors of all sorts, working feverishly to create ever-smaller and more powerful devices that contribute to this new paradigm.
In this book,Rheingold points out examples of Smart Mobs such as the swarms of demonstrators who used mobile phones, Web sites, laptops and handheld computers to coordinate their protests against the World Trade Organization in November of 1999.
Rheingold shows a concern of smart mobs other than describing the weath of new communications technology that is available and coming. He is also concerned about the social, political, economic, environmental and even genetic consequences of the ever-expanding and more intrusive plethora of multidirectional communications technology.
This book is a must read.
Keen on Smart Mobs.......2004-04-07
As one who needed a basic primer on various areas of technology--past, present, and future--and their implications for the human being, I found "Smart Mobs" to be both helpful and conversational. Rheingold's journalistic style kept the topics easy to understand, interesting to read, and fairly light hearted in spite of some rather daunting conclusions that one could draw from his research. As well, those who want to delve further into the various topics discussed will find his endnotes quite helpful--annotated are works from a number of key figures who a) are making, or have made, breakthroughs in technology, or b) provided insightful critiques on those breakthroughs. I found that engaging in "Smart Mobs" opened the door to further research and understanding of this seemingly complex and very progressive area of study.
Book Description
Well before the Industrial Revolution, Europe developed the superior military potential and expertise that enabled her to dominate the world for the next two centuries. In this attractively illustrated and updated edition, Geoffrey Parker discusses the major changes in the military practice of the West during this time period--establishment of bigger armies, creation of superior warships, the role of firearms--and argues that these major changes amounted to a "military revolution" that gave Westerners a decided advantage over people of other continents. A new chapter addresses the controversies engendered by the previous edition.
Customer Reviews:
Michael Roberts (Modified & Expanded).......2007-01-31
During the 1990s, it was fashionable in the defense intellectual community to talk and write about a military revolution driven by the advances of the Information Age. The concept of a "military revolution" can trace its lineage back to a lecture given by the British historian Michael Roberts at Queen's University in Belfast in January 1955 titled "The military revolution 1560-1660." Thirty years later Geoffrey Parker delivered a series of lectures at Trinity College, Cambridge, that endorsed, but modified Roberts' original and highly influential thesis, and which was ultimately turned into book form as "The Military Revolution: Military innovation and the rise of the West, 1500-1800."
It is important to clearly state Parker's main objective in writing this piece. He notes that much scholarly attention has been devoted to explaining the rapid conquest by western states during the 19th century. It has been claimed that between 1800 and 1914 the West went from controlling 35% of the earth's surface to 84%. Here Parker endeavors to explain how the West came to control the first 35%, which cannot be explained by the Industrial Revolution, and his explanation is derived from Roberts' original thesis of a military revolution in the 16th century.
Parker accepts but modifies Roberts' general argument that a fundamental change in tactics, accompanied by a stunning growth in army size, the development of complex strategies, and the profound impact of military operations on society led to a military revolution that had deep and lasting consequences. To begin with, Parker suggests that the impact of the military revolution was much slower to develop and much less decisive than Roberts had argued. Thus, where Roberts' revolution is contained in a one hundred year period (1560-1660), Parker sees a revolution that unfolded over a period that began a bit earlier (1500) and took much longer to mature (1800). Next, he sees the rise of modern fortifications, especially the famed trace italienne, as the truly distinguishing characteristic of the revolutionary period, and not the tight drill of handheld firearm weaponry by infantry units as argued by Roberts and brought to perfection by the Swedish army of Gustavus Adolphus in the Thirty Years War. Parker suggests that Roberts over-emphasized the importance of tactical changes in set piece battles, such Breitenfeld (1631) or Lutzen (1632), which occurred in Germany precisely because of the absence of modern trace italienne fortifications. It was the artillery fortifications that drove the rapid expanse in army size and logistical sophistication, Parker argues, and not mobile infantry firepower.
Parker sees a clearly definable progression of military development. First came the maturation of gunpowder artillery, which so clearly obsolesced the high and thin fortification walls of Italy in the French invasion of 1494. Second, in response to the power of siege artillery against classical walls developed to thwart scaling attacks, a new form of fortification was low, thick and oblique in design (not to mention incredible expensive), which diffused all through out the lands of the Hapsburgs in Western Europe and were effective against artillery barrage. Third, the answer to conquering the new "artillery fortresses" was massive manpower to strangle the strongpoint into submission over a long period of time. Fourth, in order to recruit, supply, and pay such forces of unprecedented size required a bureaucratic revolution that ultimately changed the face of governments in Europe and, in Roberts' and Parker's view, led directly to the rise absolutism. Finally, and central to the whole thesis of the book, Parker maintains that the combination of artillery firepower, large armies with an infrastructure to support them, and nearly impregnable artillery fortresses to garrison conquered land combined to serve as the engine of empire in the early days of Western expansion, leading directly to conquest of one-third of the world by dawn of the 19th century.
This book is a great read and a vivid introduction to the topic of the military revolution of the 16th century. I can't remember the last time I read a serious work of history that included so many relevant and useful pictures, diagrams, and maps. It is highly recommended to anyone with an interest in early Modern Europe, military innovation, or western imperialism.
Well Written, Concise, But Imperfect .......2006-02-13
In this well written and concise book, Geoffrey Parker argues that a revolution in European fighting methods in this era transformed Europe and gave Europeans a military advantage over the rest of the world. As a result, by 1800 European powers held substantial empires which they would expand greatly in the eighteen and nineteen hundreds. Parker gives convincing arguments on the advantages of gunpowder weapons, superior European organization, superior European naval power, and the ruthlessness of European warfare compared to that of some opponents. What is less convincing is the emphasis on the Italian trace system of fortifications and the supposedly resulting increase in army size and weakness of smaller states. Good coherent coverage is given to naval warfare and early imperialism, like the Portuguese and Dutch in Indonesia as well as later British success in India. The efforts of non-western powers to adapt to the revolution are also covered, as well as eastern practices of impoundment of goods as a substitute for strong naval power. This book is excellent, but for a fuller view, please also read "The Military Revolution Debate" edited by Clifford Rogers.
Excellence........2003-11-25
Geoffrey Parker work can be considered a milestone in its field. A really excellent book.
A Cause and Effect Look at Early Modern European Art of War.......2003-02-10
Geoffrey Parker argues that during the 16th Century a "military revolution" occurred that profoundly changed the way Europeans conducted warfare. This revolution involved four distinct changes in the art of war: a change in tactics; a marked growth in the size of armies; more ambitious and complex military/political strategies; and an acute impact on society as a whole. Parker further contends that the initial imperial gains and conquests by European nations (before the full impact of the Industrial Revolution was felt) would not have been possible had it not been for these revolutionary changes. Not all historians of early modern European military history agree with Parker's argument. In the Second Edition, Parker answers his critics in an updated addendum (for those who enjoy conversational footnotes, Parker does seem to have a particular axe to grind with the historian John A. Lynn and vice-versa)..Parker incorporates a thread of cause and effect to illustrate his claims. For example: the technological advancements in firepower in the form of larger canons, prompted the wide spread development of the bastion fortifications system known as trace italienne. These improved fortifications required larger garrisons as well as larger siege armies of the opposing enemy. Infantry became the core of these new and expanded armies of Europe. Larger armies created the need for revised tactics as well as improved logistical, supply, medical, and financial solutions. All of these factors had a direct upon the societies that depended upon these armies for protection. Parker applies similar cause and effect methodology in a discussion of sea power. Though Parker is a known scholar of early modern Europe, he turns his analysis into a global study by comparing and contrasting the European art of war with various non-western armies and empires. Parker discusses the reactions, adaptations, successes or failures of Near Eastern (Muslim, Ottoman, Indian, and African) and Far Eastern (China, Japan, Southeast Asia) armies in their contacts with the west.Parker consults a vast array of archival material. From Machiavelli to an assortment of 16th Century French, Spanish, Dutch, German and British documents in varying native languages, Parkers research is truly impressive. Absent, however, are non-western sources turning this "global" analysis into one from a western perspective. European colonial contacts with the east are seen only through western eyes in Parker's study. Sprinkled throughout the book are period etchings and engravings that Parker utilizes to support his premises. As an art history lover, however, I would have liked to have seen a description of the art work itself in the caption.Parker writes well. The author blends a well developed scholarly argument with historical narrative with great effect. For the most part, Parker maintained a set literary style throughout that held the reader's interest. One flaw, however, is the author's tendency to make a point early in a paragraph, then support his claim with a "list" of obscure little known European battles. One would have to be well versed in European military history to be on the same page with Parker on these rare instances. A solution would be to "list" fewer examples and explain "why" this particular battle supports the point he is illustrating.This is a must read for the serious student of military history though not for the faint of heart.
What makes a revolution?.......2000-10-18
The purist may not appreciate the title of this excellent survey of the rise of Western European military and eventually cultural dominance. Any revolution that takes 300 years to accomplish begs the question. The subtitle is more revealing, and more accurately portrays the content of the book. The years of 1500 to 1800 indeed saw a series of military innovations that directly contributed to Western military hegemony.
What the author has done, which is truly unique, is to survey the innovations and to document how they affected events in Europe and elsewhere. A good part of the book accounts for developments in sail and guns and global exploration and confrontation. Also discussed is how other societies such as the Ottomans, Chinese, Koreans, Japanese, and others reacted or failed to react to these developments. In this course, Parker proves his thesis of how the West gained its "35%" toehold on the globe by 1800, which set the course for the century of rabid imperialism.
There is more detail to be found in other sources, but the synthesis of analysis is what marks this contribution as one of the best in the history of early modern Europe.
Book Description
A sweeping, anecdotal account of the great sounds and voices of radio–and how it became a bonding agent for a generation of American youth
When television became the next big thing in broadcast entertainment, everyone figured video would kill the radio star–and radio, period. But radio came roaring back with a whole new concept. The war was over, the baby boom was on, the country was in clover, and a bold new beat was giving the syrupy songs of yesteryear a run for their money. Add transistors, 45 rpm records, and a young man named Elvis to the mix, and the result was the perfect storm that rocked, rolled, and reinvented radio.
Visionary entrepreneurs like Todd Storz pioneered the Top 40 concept, which united a generation. But it took trendsetting “disc jockeys” like Alan Freed, Murray the K, Wolfman Jack, Cousin Brucie, and their fast-talking, too-cool-for-school counterparts across the land to turn time, temperature, and the same irresistible hit tunes played again and again into the ubiquitous sound track of the fifties and sixties. The Top 40 sound broke through racial barriers, galvanized coming-of-age kids (and scandalized their perplexed parents), and provided the insistent, inescapable backbeat for times that were a-changin’.
Along with rock-and-roll music came the attitude that would literally change the “voice” of radio forever, via the likes of raconteur Jean Shepherd, who captivated his loyal following of “Night People”; the inimitable Bob Fass, whose groundbreaking Radio Unnameable inaugurated the anything-goes free-form style that would come to define the alternative frontier of FM; and a small-time Top 40 deejay who would ultimately find national fame as a political talk-show host named Rush Limbaugh.
From Hunter Hancock, who pushed beyond the limits of 1950s racial segregation with rhythm and blues and hepcat patter, to Howard Stern, who blew through all the limits with a blue streak of outrageous on-air antics; from the heyday of summer songs that united carefree listeners to the latter days of political talk that divides contentious callers; from the haze of classic rock to the latest craze in hip-hop, Something in the Air chronicles the extraordinary evolution of the unique and timeless medium that captured our hearts and minds, shook up our souls, tuned in–and turned on–our consciousness, and went from being written off to rewriting the rules of pop culture.
Customer Reviews:
An Absorbing and Enlightening Page-Turner, with Few Errors.......2007-09-30
I had to read this book twice. The first time I started with the Jean Shepherd section, then skipped around. After I made it through all the pages, I didn't want the book to be over, so I read it from beginning to end. That is how absorbing Something in the Air is; Fisher has put together fascinating strings of anecdotes and facts, well-cemented with narrative and a bit of his own opinion, and given us the evolution of radio as experienced by listeners, station owners, management, deejays, and other air personalities, and he's shown us all the angles--legal, commercial, esthetic, and ethical.
The book won't please everyone, and anyone who reads it is going to say "What about ____?" and "Why didn't he tell the story of _____?" The answer to that is, of course, that everything wouldn't fit into the book. Having written quite a bit on radio history, I can tell you that Fisher's research and interviews probably left him with half again as much material as he put into the book. That's always the burden of the competent author: what do put in and what do I leave out?
As other reviewers have pointed out, there are a few errors here and there. I won't dwell on those; the book is so valuable that they are of little consequence. It would be nice if the author posted an errata sheet at his blog, though.
And I have to say that the story of the WOR I, Libertine hoax that Jean Shepherd and Ian Ballantine perpetrated, aided and abetted by Theodore Sturgeon's ghost-writing, is worth the price of the book on its own. And there are other anecdotes that equal that one.
Fisher might have overdone some of the topics, falling at the feet of radio "gods," for instance. But I was pleased to see that he didn't harp on Don Imus or Howard Stern to please readers, nor did he haul out other celebrities the way some overly self-conscious writers feel obligated to do when writing about the famous.
Did I mention how good the writing is? Good enough to keep you turning the pages. Fisher is a good stylist. He also has a journeyman technique, as illustrated by the fascinating build-up to Rush Limbaugh's triumph. Among other things.
There's nothing more to say, other than this book does for radio what Michael Korda's Another Life did for book publishing.
--Mike
Absolutely riveting.......2007-08-27
This is less a review and more an enthusiastic recommendation. As a Brit, many of the presenters' names in this book (apart from, say, Stern and Limbaugh) meant little to me but I still found this book absolutely unputdownable. This is testament to a) my radio "geekiness" and - more importantly - b) Marc Fisher's skills as a writer, historian and storyteller. A fascinating history of radio in the US with many a good story tucked away in the endnotes. Highly recommended.
what an amazing book.......2007-07-24
Everyone should read this compelling book by Marc Fisher. It brilliantly uses radio to tell the story of Americans in the last several decades. Funny, powerful, commanding, and lyrical, Fisher is a beautiful storyteller.
This one's for the radio geeks.......2007-07-08
For anyone who's interested in the history & future of radio,look no further-Marc Fisher has written the ultimate history of the medium-Definitely worth your time & money.
All Hail Rock 'n Roll!.......2007-06-20
Simply stated, "Something in the Air" is the best book on Radio I've ever read. Congratulations to Marc Fisher on a wonderful skip through time without a single trip. Excelsior!"
Peter Cavanaugh
wildwednesday.com
Customer Reviews:
Digital Cinema.......2007-08-06
I found myself thinking, "The stuff that is in this book is outdated." The cameras that he says are new were true for the time but not now.
This book did a great job of explaining to me, the history in cinematography. And again for me, if I was interested in history it would have been a decent book, hence the moose 3. However, I am new and getting into this field of digital cinema and I didn't find it as useful as I would have liked. I think this kind of stuff really is better learned on line and from websites and web blogs.
I read up on Mr. McKernan and apparently he is looked at in high regard for his quality and wealth of information. So that in it-self must make the book at least half good. I did enjoy learning some of the lingo. It was an easy to read and understand book. It was laid out in a fashion I could follow. It taught me things like interlacing and frame rate, camera choice (for its time), film is digital, small info about final cut, and a host of other things that will be helpful I am sure.
I believe the greatest piece of info in the book for me was chapter 10 on the indie films. This is more along the lines of what I was hoping to get in this book, but then again, it was only dedicated seven pages. So I got somewhat of an overview of independent film making. The book itself read as an overview, as each of the chapters were only allotted a mere 8-10 pages each. Not a lot of information can be conveyed to help someone learn if the first few pages of the eight are given to the history.
This is a history book for the class room of those pursuing digital cinema, not a book for someone interested in learning the hear and now of digital cinema, for that you need the internet.
Its appears to be the case in both book reviews that they are dated and the technology is far behind now. I will look more closely in my future obligation of book reviews, or perhaps I would lean to internet site reviews.
A comprehensive must-read for anyone in the movie biz today.......2005-10-15
In clear understandable style, with supporting interviews from industry pros, Brian has brought together the essential technological chops to understand the digital transformation that will soon impact almost every aspect of movie production and distribution. This is not a how-to guide, nor a product critique. It is a book that will jump start anyones move into a digital strategy. It also ties together historical context with the rapid evolution of HD and digital cinema while introducing readers to the companies and people making things happen. It is an excellent background to more arcane topics such as compression, color space and display technologies. It is a great prerequisite for more practical guides such as Scott Billups "Digital Moviemaking.
Thank you Mr. McKernan!
An excellent and informative book on digital cinema!.......2005-05-04
This book is excellent in describing the new revolution in digital cinema. I found it to be extremely helpful, descriptive, and informative. It is wonderfully worded and written with knowledge. I believe this book to be one of the best out there when it comes to this topic. A must-read for directors, producers, etc.
A Must Read for Digital MovieMakers!.......2005-04-27
This is a good introduction to all the big changes happening in moviemaking and movie projection.
Those changes all involve the move from film to digital that's allowing people who don't have millions of
dollars to make movies anyway with "prosumer" cameras-provided they know what they're doing and have
a good script.
I especially like Chapter Five, which explains all the latest digital cinema cameras-both the expensive ones and the ones indy filmmakers are using to break into the industry.
The book also has interviews with different filmmakers that gives a varied picture of how digital is enabling indys to make inexpensive movies while also enabling big studio filmmakers to make even more amazing big, expensive movies.
If you ever wanted to make a movie, now is the time. Anyone who's into filmmaking and digital media should read this book.
Book Description
Jon Foster creates irresistibly dark demimondes populated by retro robots, Star Wars villains, and creepy goth-inspired creatures that recall the work of James Gurney (Dynotopia), H. R. Giger, and past masters of the grotesque like Goya. Yet his work is inimitably his own, from the noirish lighting, off-kilter angles, and kinetic sense of movement to his singular technique of starting a project with oils and then scanning it into a computer to add more startling visual effects. This collection samples a wide range of Foster’s work, reprinting paperback art for novels by Michael Moorcock, Paul Collins, and Liz Williams, along with a selection of his work for Wizards of the Coast's Magic: The Gathering game cards, DC Comics covers (including Neil Gaiman’s Books of Magic), and his unusual images for National Geographic. Some of his most striking work as conceptual artist for a forthcoming animated film based on The Diary of Anne Frank is included.
Customer Reviews:
Too good for words - just get it!.......2007-09-28
The postman arrived about an hour ago. I opened the parcel, the book and got lost in Jon's worlds.
I just shut it and I felt need to get this out now.
I first got hooked by Jon's art as I read Liz Williams' Inspector Chen novels. His covers are amazing. Before starting the novels, you are pulled into a world you wouldn't imagine.
My compliments also go to Underwood Books, the publisher. What a wonderful book, good paper, terrific reproduction quality!
Now to Jon's art. Like film stills each picture tells a story, moves like the wind and/or crackles like a rusty robot. You're there, in the tree with the kid amidst the red and golden leaves, next to the sizzling dragon, in a boat in the storm during the revolution, fighting the zombies as part of a hot-babe team. The list goes on and on.
Clearly influenced by the timeless classic masters in painting and illustration, Jon Foster has developed his own terrific style. No matter what material, oil or digital, which assignment, for National Geographic, Lucas Film, Books of Magic and tons of others, every single picture will fascinate you and pull you in as they do me.
If you would want to compare him - which I wouldn't cause he is entirely his very own terrific self, but still, if, then sometimes Vermeer and Rembrandt come to mind, or Ashley Wood, Kent Williams, even a hint of Frank Frazetta. But, as I said, don't, don't compare, just enjoy.
Perfect compositions, wonderful lighting, well chosen moments and characters - no flaws, except... please more of his terrific work.
AWESOME!!!.......2007-05-22
Friend of mine bought this book and showed me today, I had Jon Foster's previous book that some of the images are the same but I couldn't resist to order this one.
Jon made more amazing paintings, some of them is really good and much better then old stuff.
Also price of the book is reasonable. If you are an artist you have to own it.
Great artist.......2007-05-07
Jon Foster's a great artist. Everyone knows that. He makes painting of the moment right in action, which makes it so interesting.
One thing I wish they could've include in this book is how he works. Maybe a little tutorial. That would be the best.
If you're a fan of his, this is a much have. If you like digital artist, get this book.
great paintings.......2007-03-09
If you love modern masters like Ashley Wood, Phil Hale and so on, you'll love this book. Wonderful paintings. wonderfully photographed . wonderfully printed.
SPECTACULAR COLLECTION!.......2007-01-07
Even though the back dust jacket of The Art of Jon Foster talks about his meteoric rise to the top of the fantasy and Sci-Fi art world, I hate to refer to Foster as MERELY a fantasy and Sci-Fi artist. Fosters work goes so far beyond the traditional commercialism of book covers, calendars, and gaming cover artwork. Foster breaks out of the relative safety of genre art and dares to be wildly experimental, and yet also provide a classical illustration look. This collection of Foster's work comes from the good people at Underwood books who each ear provide fans with the wonderful Spectrum book, highlighting the best in fantasy, Sci-Fi, and comic art from the previous year.
Foster's Sci-Fi art isn't the typical gleaming, glittering scope that you see in many from this genre. Quite the contrary, his robots have a decrepit, rusted look to them, as if they may fall to pieces at any time. Witness a prime example of this with the painting "Crowbot", one of his most popular works. The steel, retro-looking robot is a vision of a futuristic scarecrow. Another example is the towering "Rust Golem."
Foster's range is one of his great strengths and the book dutifully gives many fantastic examples from the Renaissance-like "Lupercalia" to pieces like "Iggy" that look like they stepped off a 1930's pulp magazine. Another great example of Foster's period illustration paintings is his depiction of King Kong, rampaging through the streets of New York for Underwood Books' illustrated King Kong novel. Star Wars fans will be overjoyed that Underwood has included several of the covers that Jon did for the Star Wars comic, originally published by Dark Horse. One of the most spectacular of these features a bathe between Darth Maul and Darth Vader. There are also a number of other paintings included from the realm of comics including the dramatic "The Last Sons" featuring Superman and The Martian Manhunter.
One of my favorite paintings in the book also graces the back cover, "The Snake Agent" is a spectacular work of contrasts with an art deco, almost Rockwellian look.
For those looking for something just a little different, a little more creative, I highly recommend picking up the Art of Jon Foster.
Reviewed by Tim Janson
Average customer rating:
- The Big Three
- ONE OF THE BEST BOOKS I OWN!!
- best outlook on the murilists of mexico and their beliefs
- very informative
|
Mexican Muralists: Orozco, Rivera, Siqueiros
Desmond Rochfort
Manufacturer: Chronicle Books
ProductGroup: Book
Binding: Paperback
General
| History & Criticism
| Arts & Photography
| Subjects
| Books
Criticism
| History & Criticism
| Arts & Photography
| Subjects
| Books
Orozco, Jose Clemente
| ( M-O )
| Artists, A-Z
| Arts & Photography
| Subjects
| Books
Rivera, Diego
| ( P-R )
| Artists, A-Z
| Arts & Photography
| Subjects
| Books
Siqueiros, David Alfaro
| ( S-U )
| Artists, A-Z
| Arts & Photography
| Subjects
| Books
General
| Artists, A-Z
| Arts & Photography
| Subjects
| Books
General
| Painting
| Arts & Photography
| Subjects
| Books
General
| Arts & Photography
| Subjects
| Books
Folk Art
| Schools, Periods & Styles
| Arts & Photography
| Subjects
| Books
Mexico
| Americas
| History
| Subjects
| Books
All Titles
| Qualifying Textbooks - Fall 2007
| Stores
| Books
Arts & Photography
| Qualifying Textbooks - Fall 2007
| Stores
| Books
Similar Items:
-
Mexican Painters: Rivera, Orozco, Siquerios, and Other Artists of the Social Realist School (Dover Books on Art, Art History)
-
Diego Rivera
-
Signs from the Heart: California Chicano Murals
-
Art and Revolution in Latin America, 1910-1990
-
Frida Kahlo: The Paintings
ASIN: 0811819280 |
Amazon.com
In Mexico in the early 1920s, a growing, collective social consciousness gave rise to a revolutionary furor focused on liberating the country's workers from harsh conditions and poverty. In 1921, Mexican artists Diego Rivera, José Clemente Orozco, and David Alfaro Siqueiros were all commissioned by the government to create educational paintings on the walls of public buildings. After that initial experience, they devoted themselves almost exclusively to painting these large-scale murals--forming the foundation of a movement that would last 50 years. The muralists' work took up the themes of society and revolution. Often the paintings depicted historical vignettes like the story of Cuernavaca and Morelos crossing the barranca, or Mexico's ancient Indians. They satirized contemporary society, created ideal visions of peaceful families, and built up dark, imposing industrial cityscapes then leveled them by depicting the debauchery and death of the capitalist industrialists.
The paintings themselves reflect diverse artistic influences--surrealism, cubism, and illustration, most notable among them. Their bold colors and strong imagery practically bound out of the 150 color plates in this book. Mexican muralist and scholar Desmond Rochfort lucidly traces the development of the movement to place the work in context and provides a solid history of each of the artists' social and artistic influences. This is an excellent overview of work that should appeal both to fans of the individual artists and Mexican art in general. --Jordana Moskowitz
Book Description
Los tres grandes: Jose Clemente Orozco, Diego Rivera, and David Alfaro Siqueiros. Now legendary, these men have emerged as the most prominent figures of the famed Mexican mural movement, which lasted from the '20s through the early '70s and was hailed as the most significant achievement in public art of the 20th century. The dramatic story of the movement is told here in a fascinating history of the artists, accompanied by over 100 spectacular color reproductions of the murals. Showcasing popular as well as lesser-known works from around the US and Mexico, this is the first high-quality paperback to do justice to a subject that will captivate every lover of Mexican art and culture, Rivera fan, and art historian, as well as anyone who appreciates a beautiful, intelligent art book.
Customer Reviews:
The Big Three.......2005-03-09
Read the editorial reviews first and if you are still not convinced that this book does a good job covering the Big Three than get individual books on each. The text is outstanding and puts the works of art into a political context of the time period. The author is analytical, insightful and definitely well versed in the subject matter.There is an exhaustive bibliography, extensive endnotes on each chapter and spectacular reproductions on thick quality paper stock. There are historical photographs of public works in progress and a varity of camera angles of individual murals to show the enormity of the works. I have seen many of these murals on location and this book does an excellent job of portraying them as they are. When you see a Rivera fresco on a wall at the National Palace live or in this case from a pulled out camera angle and see the railing leading to the next floor being dwarfed by the images it is truly impressive. Looking at the details within the murals is the ultimate visual experience where you can get lost in the picture and the meaning. The closeups and details of individual segments are superior. This is art for the peoples public viewing brought directly to you from Mexico to hold in your hands and examine at your leisure. There are several good books out there on Mexican Murals but this one for the money is outstanding. The three artists each had a distictive style but each brought a unifying nationalistic approach to the walls of public buildings. Is one artist better than the other? You be the judge, everyone has their own favorite. If you are unfamiliar with the works of the Big Three than check it out, you are in for a treat.
ONE OF THE BEST BOOKS I OWN!!.......2002-12-28
This is definitely one of the best books out there for anyone interested in Mexican art. Few books can inspire as much as this one, especially for people from Zapotlanejo, Jalisco. It's loaded with many pictures and chronicles the lives of these three muralistas and has in depth coverage of specific murals, i especially enjoyed the coverage on "History of Mexico" mural by Diego Rivera. This book is definitely worth the price and a great addition to any collection. Orale!
best outlook on the murilists of mexico and their beliefs.......1999-04-03
Shows a great variety of each artists pieces and movements through out their career.
very informative.......1998-08-13
outstanding full of historical views
Books:
- Whoosh Boom Splat: The Garage Warrior's Guide to Building Projectile Shooters
- Your First Year in Real Estate: Making the Transition from Total Novice to Successful Professional
- 303 Digital Filmmaking Solutions : Solve Any Video Shoot or Edit Problem in Ten Minutes or Less, for Ten Dollar or Less (Digital Video/Audio)
- A Photographer's Life: 1990-2005
- Adobe After Effects 7.0 Studio Techniques
- Adobe After Effects 7.0 Studio Techniques
- Adobe Photoshop CS2 for Photographers: A Professional Image Editor's Guide to the Creative Use of Photoshop for the Macintosh and PC
- Adobe Photoshop CS3 for Photographers: A Professional Image Editor's Guide to the Creative use of Photoshop for the Macintosh and PC
- Adobe Photoshop Lightroom Book for Digital Photographers,The (Voices That Matter)
- Aftermath: World Trade Center Archive
Books Index
Books Home
Recommended Books
- This Moment on Earth: Today's New Environmentalists and Their Vision for the Future
- That's Not My Puppy: Its Coat Is Too Hairy
- The Better of McSweeney's, Volume 1
- Prescription for Nutritional Healing, 4th Edition: A Practical A-to-Z Reference to Drug-Free Remedie
- Light: Science and Magic: An Introduction to Photographic Lighting
- Planet Earth: As You've Never Seen It Before
- State of Denial: Bush at War, Part III
- Tideland Treasure: The Naturalist's Guide to the Beaches and Salt Marshes of Hilton Head Island and
- Sugar Baron: Manuel Rionda and the Fortunes of Pre-Castro Cuba
- A Seneca Indian in the Union Army: The Civil War Letters of Sergeant Isaac Newton Parker, 1861-1865
Global Feminisms: New Directions in Contemporary Art
Women Artists at the Millennium (October Books)
Art and Feminism (Themes & Movements)
Collectivism after Modernism: The Art of Social Imagination after 1945
Power of Feminist Art
