Book Description
This book gives street-level instruction and real-world examples on how to promote, distribute, and sell your production.
Customer Reviews:
Good information.......2005-10-17
In the course of making a film, we found this book to be very helpful. It organizes info about the business side of the filmmaking process.
Went in a skeptic, came out a believer.......2003-06-20
Being a skeptic, I tested Mark's capsule exercises on a script I was preparing for the IFP Spotlight Award. The results were unnerving - I discovered buried treasure I didn't know I had within my story and eliminated an entire subplot that didn't service the STORY. Mark demystifies the concept of marketing, asking simple, direct questions. By asking "why would anyone want to see your film?" Mark goes past just marketing and addresses the issues that draw people to filmmaking in the first place. When I put the book down, I had a clear vision of the kind of filmmaker I want to be - and a great set of tools to get there.
Helped sell my film.......2003-06-13
This book is so great! I got a copy after reading a review and it lived up to every claim. The techniques in the book's "Self-Distribution" section showed me how to set up regional sales for a film that otherwise has not made any money up until this point! I can now proudly say that my DVD is available in 17 video stores in Pennslyvania and New York thanks to the tips in this book! Get Bosko's book if you want to sell your film - it is that simple.
Must-Have Movie Marketing Magic.......2003-06-06
A lot of people throw the title "guru" around, but Bosko's the real deal. As a filmmaker, if you've ever wondered how to: get press coverage, create a media kit, find an attractive title; identify your movie's hooks, locate distributors, exploit the power of the web, get audiences and distribution and actually sell your movie or video...then GET THIS BOOK! Bosko "tells all" in an easy-to-read style that gets the creative juices flowing. No filmmaker should go anywhere near a camera without reading the hard-core, straight-up instruction and advice in this book.
An Absolute MUST!.......2003-05-15
Outstanding! Mark's style of writing is so engaging, down-to-earth, and motivating --I couldn't pull myself away! I've been behind the scenes on several film projects and can't believe they had the audacity to shoot without knowing what Mark shares in this book. My highlighter is nearly empty! When it comes to marketing a project, ignorance is certainly not bliss! Mark's book is an absolute MUST HAVE if you plan to DO something with your film other than show your parents!
Book Description
Independent filmmakers by nature are creative individuals whose primary tools are their imaginations and ingenuity. They are cinematic storytellers. While some independent films take the film festivals by stormdistribution deals, sales to video outlets and cable televisionothers fall short. Luck and timing play roles in most success stories, but many independent filmmakers have taken the next step: They have carved out a clear-cut plan of actiona business planfor their projects and careers, analyzing them for what they truly are: businesses.
This work helps to connect the creative process and the business side of independent filmmaking by providing a practical guide for assembling a business plan that filmmakers can present to producers and potential investors. A sample business plan and interviews with independent filmmakers and industry executives are included.
Customer Reviews:
It's all in the plan..........2007-06-18
This book has two sections: the first outlines the requirements of a business plan, and the second is a sample business plan, with the intention that you copy it and fill in the blanks.
The first section is very helpful in giving you an overview of what is expected in a business plan, and why. Most crucially, it gets you thinking about your investor and what they are looking for from the deal. Many projects that reach the business-plan stage fail because they to not acknowledge the business element of filmmaking, but focus on the artistic merits of the project. In reading the first section, you'll gain a good understanding of the steps to present your project to an investor. A slight weakness of this is the presumption that you'll have an army of entertainment lawyers to complete the funding process. This is advisable, but not always the case.
The second section, however, is where the book falls short. Reading through the business plan, it is laborious in its repetition - while there is a need to restate some facts or intentions, this plan goes overboard. It is also quite poorly structured: for example, half the plan is an overview of the filmmaking process that assumes your investor knows nothing about film. This information should be in an appendix - an investor should not have to wade through 20 pages of this before reaching the numbers and projections they're really interested in.
In summary, this is a good guide to the realities of presenting your project to investors, but it doesn't deliver as well on that promise as it could. Still a worthwhile read and a useful addition to any low- to mid-level filmmaker's bookshelf.
excellent reading for the about-to-be-indie-producer .......2006-12-19
The first thing you notice when you read Mr. Campisi's book is how well written it is. As a writer myself that means I will inherently respect this author and truly absorb what I am reading. Now, I must be honest, this is the kind of book that has always intimidated me, that I tend to shy away from - for I'm not exactly what one would call a natural with regard to matters of finance (as is my screenwriting partner who 'gets' this stuff quite easily). So it was rather pleasing to read this book and actually comprehend what Mr. Campisi was saying. He informs the reader without being condescending. He instructs without being pedantic. The second thing you notice is the warmth and humor: the book is actually fun to read. The cold, complex and harsh worlds of finance and Hollywood are anything but inviting and amusing yet Mr. Campisi manages to embroider his sage advice and interviews with charm and an eloquence that confidantly invites the reader in and says, "Hey, learn from me... I went through this too, you can do this... if you want... if you work hard... IF you are willing to take the time to learn and dispense with the pretense and attitude that will surely drive investors away." My writing partner and I recently decided we wish to produce our first project. We might not have made that choice to produce ourselves were it not for becoming familiar with this well-organized, smartly written book and its knowledgeable author. This is recommended reading for any first time indie film producer who dares to dream, who dares to ponder swimming in those frigid, uncharted waters of the industry. Don't be afraid to jump in - this book is a terrific vessel to get you ashore. The Sample Indie Business Plan alone is worth the money.
from soup to nuts.......2006-12-17
Infused with real-world examples and humor and just a little Hollywood edge, Campisi takes you through (from a to z) how to prepare a business plan for investors that even a film-world neophyte can understand and learn from. It's not easy to have your pie-in-the-sky ideas shot down, if you were thinking in vague terms of what a business plan should be. But over and over enthusiasm for the indie newbee and a you-can-do-this attitude make rolling up your sleeves to do the hard work you need to do to wade into the choppy waters film finance, not as hard as you think. I'm using it like a bible right now,as I step into those choppy waters myself and need to catch that Campisi life-preserver he throws into the current now and then. Watery metaphors aside, I highly recommend this book. Besides the appendix rocks with a distilation of the book into a business plan - its worth it to work your way through the book, just for the appendix.
Extremely disappointed.......2006-10-24
I was extremely disappointed in this book. It told me nothing I didn't already know and nothing that isn't available in numerous other books of the same subject matter. Considering the nearly $ 40 price, I thought I was getting a definitive book on the subject matter and I would hardly call it that. Oh but the cover is beautiful. Smart marketing.
Essential.......2005-08-13
Gabe's book "The Independent filmmaker's Guide to Writing a Business Plan for Investors" is a must for any indie film company. While many books exist on the subject, Gabe's is able to package complex information into an easily digestible format for all readers. The book understands the changes taking place in the film industry.
Anyone not using this book will have to work harder to find the critical information needed to be a success is this competitive industry.
Dennis Baker
Mindsplinters Films
Amazon.com
If film has a language, The Filmmaker's Handbook is your translation guide, dictionary, and phrase book. In over 600 pages, 18 chapters, and nine appendices, the authors detail virtually everything you need to know about filmmaking.
There is probably more information here than anyone needs to know, from which lens to choose all the way through final editing and sound mixing. But too much information is not a bad thing. This is the kind of book that a blossoming filmmaker will surely grow into.
Much of the book focuses on gear and hardware, and rightly so since making a film or video is both dependent on and influenced by the gear that is used. This handbook describes the differences between the tools--film stock, lenses, lighting setups--and the impact of each on the look of the finished product.
This new edition has been updated to include information on digital cameras, the digital video format, nonlinear editing systems, and other contemporary tools. It's odd to see a picture of the Canon XL-1--a very popular and state-of-the-art digital video camera--in a book whose first edition came out in 1983.
The Filmmaker's Handbook is an indispensable guide for any filmmaker, or for anyone who wants a better understanding of the language of film. --Mike Caputo
Book Description
For the first time since its publication in 1984, The Filmmaker's Handbook--the classic volume highlighting the techniques and technologies needed for the creation and production of movies--has been completely revised and updated. Written by filmmakers for filmmakers, this essential text now includes the latest information on digital age filmmaking, where the shifting boundaries between film, video, and computer systems have introduced a wide range of methods and equipment every filmmaker must master to be competitive. This comprehensive reference guide addresses the techniques necessary to make feature, documentary, industrial, and experimental films while detailing the possibilities and limitations of various formats. New chapters spotlight video camera and video editing, essential information for modern film students and makers who focus on video production exclusively. The Filmmaker's Handbook is the perfect primer to guide novices and professionals alike into the twenty-first century of motion picture production.
Book Description
The authoritative guide to funding, preparing, shooting, lighting, editing, finishing and distributing your film or video
Widely acknowledged as the "bible" of film and video production and used in courses around the world, this indispensable guide to making movies is now updated with the latest advances in high- definition formats. For students and teachers, the professional and the novice filmmaker, this clear and comprehensive handbook remains the reliable reference to all aspects of moviemaking.
Techniques for making narrative, documentary, corporate, experimental and feature films.
Working with high-definition and standard-definition digital video formats, including DV, HD, and HDV.
Extensive coverage of video editing with the latest nonlinear editing systems.
Thorough grounding in lenses, lighting, sound recording, and sound editing.
The business aspects of financing and producing movies.
Written by filmmakers for filmmakers, this book will give you the skills you need to take your dreams from script to screen.
Customer Reviews:
The Bible.......2007-10-02
The Filmmaker's Handbook: A Comprehensive Guide for the Digital AgeThis is a remarkably comprehensive collection of all imaginable film and video maker's lore. Most of it is even intelligible to the mid to low tech reader - like myself. Although it often went well beyond my current needs, eventually most or even all of it may prove useful. Depends on how deeply I get into this hobby.
Bob Belenky
Bravo!!! The Filmmaker's Handbook is EXCELLENT!!!.......2006-09-02
The Filmmaker's Handbook is exquisitely detailed in it's delivery of filmmaking knowledge and know-how. It cover's everything from film to video and from the film industry to the television industry, delivering updated information that will prepare even the most amateur videographer for the professional industry. However, it would be a good idea to start with some basics before tackling this book because it IS quite detailed and technical in it's delivery. Overall though, it is an excellent resource! Bravo!!!
Great Book with comprehensive coverage.......2006-06-10
I bought this book few months back in order to study the film making process. The book has details for practically everything and best for beginners as well as professionals. however since the version dates 5 years old so I'd suggest anybody interested in learning the aspects to consider this book as a base and then also subscribe to a magazine as you'll have a know how of latest stuff happening in the movie making technology. something like movie maker magazine. anyway the book still deserve 5 stars for its content.
cinema student.......2006-03-12
This is a required text book, and is used in many colleges. It is a great book and it is so good to read that studying is not a chore
the filmmaker's handbook.......2006-02-19
great book if you plan on going into the film industry. i would recommend this book.
Book Description
Digital technology is changing the way filmmakers compose images and tell stories.
Customer Reviews:
OK, but not great.......2003-11-30
I've been reading several books on the subject, and while this one seems reasonably complete it falls down in alot of areas. The authors starts some technical discussions and leaves the reader hanging. Some parts were really confusing, like the section on NLE software.
As a general overview to the process of making DV movies, it was ok, and easy to read. It almost appears the the author was trying to create a book which was a technical how to guide, and an overview to the process, but never fully explained both.
Good advice, but thin in parts.......2003-02-05
It's easy to tell the author has experience behind the camera. But the book seems thin in parts, perhaps where he's less well grounded--camcorder controls and post techniques, for example. This book was used as the text in a DV production course I took, but the lecturer had a lot more information than it does. I think it was one of the few books on this topic at the time they designed the course, but there are a lot more books on DV out there now.
Who's in the audience?.......2002-06-06
I've given this book a middle rating because I'm not sure what category of reader is its intended target. It mentions "first time filmmakers" but few start at that point. If it's aimed at the rank beginner who's trying to find a handhold, I'd rate it lower. If it's aimed at those who are knee-deep in the process, or is meant to supplement instruction, I might rate it higher.
As someone just beginning to look into digital filmmaking, I bought this book along with Digital Filmmaking 101. I'm glad I bought DF 101. Digital Video, on the other hand, is destined to be donated to my local and impoverished library. Another book-buying lesson learned.
I don't think of it as a really bad book, or an unbalanced book, and if I were more familiar with digital video I might appreciate it more--or less, depending on how correct the information is. As it is, I finished reading it and felt as if I'd gained little "stick to the ribs" information from it. The chapters after chapter 7 seemed especially unsuited to the beginner.
It may be that the book tries to cover too much territory. Obviously, shooting a movie--even with DV--is a complex process where a lot can go wrong. Making a book complex (not necessarily detailed) isn't likely to work well with the person new to the process, especially if the editing isn't up to par.
I suspect the approach taken by DF 101, combined with further reading on various elements of the craft, will serve most of those readers better.
The book comes with a CD, the contents of which are unknown to me, as it appeared to be lightly scuffed and was unreadable in four CD-ROMs, even after cleaning. Hopefully an isolated case.
Everything you need to know about DV.......2002-03-27
Many people have praised this book and I do also. This is a must have book for digital (I recommend reading it with Feature Filmmaking at Used-Car Prices : How to Write, Produce, Direct, Shoot, Edit, and Promote a Feature-Lenth Movie for Less Than $15,000 by Rick Schmidt)
And though I don't mean to discourage anyone from buying it, I have to say that the editing section Chapter 8 is confusing.
I wish the author had taken the approach--here's how I do it and then followed his own path, then suggested other starting points and gone through those. What he did was put a whole lot of stuff that apply to a whole lot of different methods in a big jumble without any hint of how to follow them (or if you should follow them) to the end.
The rest of the book is great, though an index would have helped.
Did You Honestly Read This Book?.......2002-02-28
We used Maxie's book as a textbook for an introduction to digital moviemaking class I took last semester. I finished reading the book the first week of class, it was so easy to read! When we started shooting our short films, most of the people in the class had the book on set with them. The glossary alone is filled with useful information. Out of more than 20 people in the class, there was never one complaint about the book. I think the teacher is using it again this semester. I leant my copy to a friend who ended up buying her own copy. I highly recommend this book.
Average customer rating:
- Extremely useful for anyone interested in digital media!
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QuickTime for Filmmakers (Quicktime Developer Series)
Richard Ferncase
Manufacturer: Focal Press
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Interactive QuickTime: Authoring Wired Media (QuickTime Developer) (QuickTime Developer Series)
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ASIN: 0240804961 |
Book Description
Over the decades, distribution has remained the most elusive aspect of filmmaking. The Web provides filmmakers with a new option for distribution, exhibition, and broadcast. While other media streaming technologies are available, QuickTime remains the most popular option for its versatility, excellent quality, and ease of use.
QuickTime for Filmmakers shows filmmakers and videographers how to utilize this industry standard tool and offers advice on how best to shoot a film for Internet delivery. Other topics include: Editing and converting video, adding and editing soundtracks and using text in QT movies, compressing media, and preparing movies for http and RTSP streaming or a combination of both. A chapter on virtual reality explores QuickTime's unique feature for creating 360 panoramas, immersive cubic VR, object movies and VR scenes. A companion CD-ROM demonstrates topics covered in the book and provides samples of film prepared for web delivery.
*Details the most powerful and popular streaming software available.
*Focuses on the needs and concerns of the filmmaker and videographer.
*Companion CD-ROM demonstrates techniques covered in the book and provides samples of film prepared for web delivery.
Customer Reviews:
Extremely useful for anyone interested in digital media!.......2004-03-17
A great book! Lots of useful examples to follow and a very good description of the technology for both beginner and advanced students of filmaking and visual artists of all kinds. I'm a multimedia artist and I thouroughly enjoyed this book for its indepth look at QTVR and digital image making for both still and video. Rich in detail and great in practical advice and examples that helped me immensly. A great book reference book for everyone!
Book Description
Whether you are producing an entry-required short for acceptance into film school, a student film as a class assignment, a demo reel for prospective employers, or a home video, making a film is a challenging task. The Beginning Filmmaker's Guide to a Successful First Film can make your task much easier. Combining classroom theory with practical, hands-on advice, Renee Harmon and Jim Lawrence offer helpful tips and detailed guidelines on choosing the right kind of project, from a slice-of-life video to a documentary or short dramatic film; writing a script that can be produced within the resources and time available; assembling film financing and preparing a budget; casting the right actors and making the most of the rehearsal process; and selecting and entering the more that 35 film festivals that showcase new films nationwide. This book is an essential production and career resource for every beginning and intermediate filmmaker.
Customer Reviews:
This is the comprehensive manual for the begining filmmaker.......1998-12-28
I used this book years ago in film school, and it was a great learning tool. It teaches every aspect of the filmmaking process. Even more exciting is the fact that this book is being completely revised for March 1998. The new revision will cover everything up to the inclusion of digital techniques in cinema. This book is a must-buy for the beginning filmmaker!
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