In Search of Lost Time (Six Vol. Set) (Folio Society)

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In Search of Lost Time (Six Vol. Set) (Folio Society)
Marcel Proust
Manufacturer: The Folio Society
ProductGroup: Book
Binding: Hardcover
ASIN: B000NYER5C

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Photo Fine Art

Walker Evans & Company
Peter Galassi , Glenn Lowry , Stuart Davis , Edward Hopper , Roy Lichtenstein , and Ed Ruscha
Manufacturer: The Museum of Modern Art, New York
ProductGroup: Book
Binding: Hardcover

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Stephen Shore: American Surfaces

The Photobook: A History - Volume 2

The Photographer's Eye

William Christenberry

The Nature of Photographs

ASIN: 0870700324
Release Date: 2002-07-02

Book Description

Walker Evans' radical photography of the 1930s demonstrated that unembellished photographic fact could serve as a highly poetic language. These works expanded the potential of the art of photography and at the same time defined a lasting iconography that recognized advertising, movies, and car culture as central images of modern American identity. Walker Evans & Company focuses on Evans as a central figure in the arts of the 1920s and 30s, and includes works in photography and other mediums that influenced Evans or were influenced by him, or which resonate in a significant way with aspects of his imagery, sensibility, and style. Among the other artists whose work is featured are: Eugene Atget, Mathew Brady, Stuart Davis, Robert Frank, Lee Friedlander, Edward Hopper, Roy Lichtenstein, Ed Ruscha, August Sander, Andy Warhol, and Edward Weston. Published in conjunction with the second of three cycles of millennial exhibitions at The Museum of Modern Art, New York.

Customer Reviews:

Photo Fine Art.......2007-05-21

Peter Galassi focuses on Evans as one of the great photographers of the twentieth century who also had a huge influence on many American photographers (and some contemporary graphic artists) and the ten visual chapters in this beautiful book provide a convincing case.

Photography as an art form has had a hard time proving it. Unlike fine art paintings, which exist as an entity, photography has mainly presented a visual record in many printed mediums (newspapers, magazines, advertising, packaging, posters) all seen by the public but not as art. Walker Evans helped to change that perception in America.

The first two chapters are interesting because Galassi features photographers who influenced Evans, especially Eugene Atget and his studies of Paris. The remaining eight each start with work by Evans then the chapter theme is carried on by other well-known photographers (and artists) who drew inspiration from the style and subject matter in his work. The hundred creative folk featured are a who's who of American photography since the 1940s.

Just over three hundred images are shown printed in an impressively fine screen (more than 250dpi) that brings out the wonderful detail in so many of them. Galassi contributes a fine introduction and each photographer get a comprehensive list of their photos in the back of the book. Overall I thought this was a fascinating survey American art photography whose origins clearly owe so much to Walker Evans.

***FOR AN INSIDE LOOK click 'customer images' under the cover.

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Message from the Darkroom
Carlo Mollino
Manufacturer: Adarte
ProductGroup: Book
Binding: Hardcover

Criticism & Essays | Photography | Arts & Photography | Subjects | Books

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ASIN: 8889082038
Release Date: 2007-03-01

Book Description

Once upon a time, in the first half of the twentieth century, photography was considered a purely mechanical art--if it was considered an art at all. Carlo Mollino's Message From the Darkroom, originally published in Italy in 1949 and now one of the most coveted books in the history of photography, was one of the first strikes against that attitude, and one of the most visually extraordinary. In 323 plates illustrating the work of 132 photographers and nine painters, Mollino traced a history of the form and the evolution of taste over the years, highlighting the work of Nadar and Hill, Atget, Alvarez Bravo and Man Ray, with a chapter dedicated to each. An equal number of pages are allotted to mastery of photographic techniques, including retouching, as every means to make the print coincide with the artist's vision was legitimate in Mollino's eyes--even required. For work to reach the status of art and communicate the artist's message, it needed to move beyond the accidentally "beautiful" through crafted "subjective transformations." Message From the Darkroom is also a fundamental text in understanding Mollino's own development as a photographer--his work, like the book's first edition, is now widely collected. Here for the first time, this early plea for the acceptance of photography among the higher arts is being published in English. The new edition replicates the original, as designed by Mollino himself, with color tipped-in images again pasted in by hand. Limited quantities available.

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The World of Atget
Berenice Abbott
Manufacturer: Horizon Press
ProductGroup: Book
Binding: Hardcover
ASIN: B000HPLO4E

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A beautiful yet inexpensive introduction to Atget's Paris

Atget's Paris (TASCHEN Icons Series)

Manufacturer: Taschen
ProductGroup: Book
Binding: Paperback

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ASIN: 3822855499

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A beautiful yet inexpensive introduction to Atget's Paris.......2003-01-12

This is one of the more unusual books on my shelves, in that physically it is designed to bear a resemblence on its exterior to some travel guides. The photograph above doesn't do it justice. The material is kivar-like, and his famous photograph of the entrance to the Moulin Rouge is tinted in red and yellow. Inside, the photographs are arranged thematically, according such topics as Salesman and Traders on the Streets of Paris, or Trades, Shops, and Window Displays, or interiors of Parisian homes, or, my favorite, Old Paris.

As the introduction of the book points out, Atget was the great photographic recorder of Old Paris. It is to Paris of the turn of the 19th to the 20th century what Weegee was to lower Manhattan. The pictures in this book are nothing short of remarkable, and to look at them for any length of time helps transport one, to the extent that that is possible, to a world that no longer exists. This is not beautiful, genteel Paris. It isn't the Paris of Proust. It is more the Paris of Baudelaire fifty years down the road, the Paris of Toulouse-Latrec.

This without any question the finest inexpensive edition of Atget's photographs currently available, and since Atget is the predominant photographer of the Paris of a hundred years ago, the best inexpensive book of photographs of Old Paris.

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a new way of looking and seeing

Honoring Memories of an Important Pioneering Photographic Artist

*The* Atget book to get

love as light

"Being Eugene Atget"

Atget
John Szarkowski
Manufacturer: The Museum of Modern Art, New York
ProductGroup: Book
Binding: Hardcover

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The Photographer's Eye

Walker Evans: The Hungry Eye

Eugene Atget (Aperture Masters of Photography)

Alfred Stieglitz: The Key Set - Volume I & II: The Alfred Stieglitz Collection of Photographs

Friedlander

ASIN: 0870700944
Release Date: 2004-02-02

Amazon.com

In this day and age, we've pretty much taken photography for granted as an integral part of everyday life. There is the immediacy of Polaroids and the limitlessness of disposable cameras, which make a picture taken today a distant cousin to the practice of early photography. Occasionally we need reminding of the roots of photographic image-making, the glass plates, hand-coated emulsion, and massive amounts of other accouterments that were needed to make one image. In Atget, a selection from the lifetime work of legendary French photographer Eugène Atget (1857-1927), we enter the world of early-20th-century photography, which was beginning to bid farewell to the handcrafted picture.

Atget was poised on the cusp between the techniques and materials of early photography and the moment things began to change and modern photography was born. From a laborious and time-consuming process came a much faster method that changed the nature of photography forever. Seemingly overnight, the photograph went from being a precious object to something on its way to being accessible to all. Atget was among the first generation to photographically capture the world of ordinary citizens. While the subject matter was new, he was nevertheless steeped in the tradition of the old-world photograph. A crooked door knocker is captured with loving attention to detail, an air of preciousness still present. Spindly trees, store windows, public gardens--each picture is delicate and romantic. It makes you wonder if absolutely everything was more beautiful in France. Included in the book are insightful commentaries for each of the 100 tritone photographs and five duotones, plus a great introduction by John Szarkowski, former director of the Department of Photography at the MOMA. --J.P. Cohen

Book Description

This superbly reproduced volume presents the essence of the work of the great French photographer, EugAne Atget, in 100 carefully selected photographs. John Szarkowski, an acknowledged master of the art of looking at photographs, explores in this book the unique sensibilities that made Atget one of the greatest artists of the twentieth century and a vital influence on the development of modern and contemporary photography. Szarkowski's eloquent introductory text and commentaries form an extended essay on the remarkable visual intelligence displayed in these subtle, sometimes enigmatic pictures.

Customer Reviews:

a new way of looking and seeing.......2007-08-16

if you are looking at a way to make the ordinary special, looking at the images contained in Atget definitely intrigues your imagination. details and compostion place the viewer in the scene, an active particpant.

Honoring Memories of an Important Pioneering Photographic Artist.......2006-03-20

Eugene Atget is known to everyone, perhaps not by name in all instances, but at least by the images of Paris and environs that grace all manner of books, essays, brochures, museums, art collections, and postcards throughout the world. At the time of his death in 1927 his enormous output of images was archived and has subsequently been studied, purchased and shared with exhibitions too numerous to mention. Yet in this fine book the essence of Atget the observer is appreciated as well as any publication of the many about the pioneering photographer, a man who served as an important bridge from studio formality of the art to entering the human realm of images of people on the streets of Paris and the surrounding areas.

Each of the 100 tritone and 5 duotone photographs in this elegant volume is accompanied by an insightful comment by the superb writer John Szarkowski who also happens to be the former director of the Department of Photography at the MOMA in New York. Rarely have photographic images been so enhanced by the written word: Szarkowski is in complete synchrony with the vision of Atget. Here are images of simple people of early 20th century Paris, images of streets, still lifes, woods, streams, rivers great and small, each captured with immediacy and yet with timelessness.

For those looking for an affordable introduction of Atget's work for the library, this is certainly the volume of choice. Highly recommended. Grady Harp, March 06

*The* Atget book to get.......2002-05-06

Now that it is so cheap, don't miss this great book! Excellent prose by Szarkowski and beautiful pictures by a master... hard combination to beat.

love as light.......2001-12-31

Again, John Szarkowski takes us by the hand and leads us into the photographs of Eugene Atget, as through the magic of a looking glass. In these writings, on a selection of photographs from the first quarter of the 20th century, in his historically aware and individual way, Szarkowski instructs on how to read a photograph by doing so himself. We not only see into the environs of Paris through the eyes of the eclectic, determined and tender Atget, but also through the eyes and the keen, attentive mind of Szarkowski, who writes as though he lives inside these pictures, and tends them, and the photographer, with great devotion.

This edition is set up by the previous 4 volume study, The Work of Atget, by Maria Morris Hambourg and John Szarkowski, Museum of Modern Art, 1985. But this new book comes from a persistent, deep seam miner, one who knows that what it is about these photographs is so fertile, they can be studied throughout one's life, and still give more.

How rich is the mind that can bring another mind to light? Would it be bearable if everything in life could be keyed into focus, for us too busy and bothered to pay attention, by a poet as revelatory as Szarkowski? When considering entree des jardins, 1921-22, he says, "except occasionally, as (for example) during revolutions, the French have managed very well to sublimate the periodic human tendency to behave violently toward one's fellow human men, and have directed these impulses toward their trees", you cannot help but love the gardener who built the gate here, the photographer for seeing it, and Szarkowski, for bringing it to our attention in this way. He tells you what is on the menu, who lived in the house, how the hotel got its name, who built it, what may have motivated them to sculpt a Dionysus over a doorway, what member of the court of Louis the XIV was cast to live where, what other photographer may have attempted to photograph the same scene, and sometimes, what led Atget there.

The book is a beautiful masterpiece, and an accomplishment worthy of a life spent looking deeply. If you love (really looking at) photographs, you should consider your shelves incomplete without it.

"Being Eugene Atget".......2001-12-13

This book is another gift from a great writer and observer, an homage to Atget, to photography, to art and to Western civilization. For anyone who pretends to be a photographer or to love Art, it is a joy to share Szarkowski's easy erudition, one or two pages at a time.

Atget showed us the axioms of photography and axioms cannot be explained by analysis. The test of an Atget, Bach, or Cezanne, is that it is impossible to find the source of their revelation and impossible not to find their influence in future artists.

"Good pictures are not explained by words...With exceptional good luck criticism might with words construct meanings that are different from but consonant with the meanings of pictures. Such constructs of words might possibly guide us toward the neighborhoods where pictorial meanings live.", he says in this book. (Please, if you are an art historian or critic, take this pledge!)

Thus Szarkowski tours the photographs he has selected and writes a thought or two somehow connected to each one - sometimes a revelation, often a question. Each page of writing stands alone and will engage the reader in a conversation with the author and the photographer. Many times Szarkowski puts us somewhere behind the camera a hundred years ago, or on a bridge in Paris 600 years ago. He really brings Atget to life by putting us in his time and place.

There are plenty of revealing facts stashed throughout the writing. Szarkowski talks of the influence of Atget on Weston, Walker Evans, Winogrand, and others and leaves us to recognize the Atget in Cartier-Bresson, Dorothea Lange, and ourselves. He mentions just the relevant technical and biographical details.

He shows examples of how Atget handled Time,the essence of photography. As he wrote in "Photography Until Now" about Atget, "Perhaps from the practice of looking attentively and repeatedly at the same thing from different vantage points and in different lights he came to see that ...one tree, or one reflecting pool, was never twice the same, and would therefore last as a subject as long as one's concentrated attention. With this realization he became, surely not intentionally, a modern artist."

The reflecting pools and trees are in this book along with the more familiar Parisian architecture. Different views of the same subjects are also in other books such as Berenice Abbott's "The World Of Atget". Szarkowski thus, enriches the literature on Atget, giving meaning to many of the published mindless catalogs of his photographs.

Szarkowski shows another reason Atget is a modern artist. His work is meticulously constructed in the same cultural elements as the works of his more famous contemporary French painters and sculptures. There are no accidents and no mistakes in his work. The result is a richness that reveals something new every time we look at it.

Book Description

Eugene Atget's photographs of Paris between 1898 and 1927 form the bedrock of an American modernist photographic vision. In 1927, Berenice Abbott, one of the century's most renowned photographers in her own right, became the largest collector of Atget's work when she purchased his estate. For the next 40 years (1929-1969), Abbott devoted much of her creative life to popularizing the work of Atget. Representing her vision of Atget's tapestry of Parisian life, this book reproduces and discusses the rare prints created by Abbott from Atget negatives — one of the few instances of one great photographer printing another great photographer's work. Over 100 duotone photos are featured, some of which Abbott developed from previously unpublished Atget negatives. "The Atget prints are ... a rare and subtle perception, and represent perhaps the earliest expression of true photographic art." — Ansel Adams

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Unknown Paris
"Unknown Paris" Review

Eugene Atget: Unknown Paris
David Harris
Manufacturer: New Press
ProductGroup: Book
Binding: Hardcover

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ASIN: 1565848683

Book Description

Over 200 never-before-published photographs from one of the twentieth century's most innovative photographers.

Atget reached the pole of utmost mastery; but with the bitter modesty of a great craftsman who always lives in the shadows, he neglected to plant his flag there. Therefore many are able to flatter themselves that they have discovered the pole, even though Atget was there before them.—Walter Benjamin

For 30 years, Eugène Atget photographed the historic core of Paris, its buildings and monuments, its ancient streets and civic spaces, its public parks and gardens. With the exception of his earliest photographs, he chose not to represent a particular site by a single, definitive photograph but produced sequences of interrelated images that create a cumulative portrait.

A collection of case studies of archetypal urban settings, this book examines Atget's approach to photography. It features 240 of his photographs—nearly all of which have never been published—assembled to display the integral relationship between the photographer's working method and his subject matter, revealing the character of le Vieux Paris itself.

A natural companion to the New Press's Berenice Abbott: Changing New York, Eugène Atget is the product of an exhibit mounted in response to Abbott's work and reflective of the two photographers' shared vision.

Customer Reviews:

Unknown Paris.......2005-06-14

What has already been said is wonderful, I just want to add that these are black and white photos-a lot of late 1800's Paris;no advertising on buildings, a mood of being there is created, a sense of a more sedate time is created in these photos, a slower pace is the feeling here. No modern hectic, rush, stress,get-ahead Paris that can be currently photographed. These old photos are so very well done, they are still pleasurable to view.

"Unknown Paris" Review.......2004-08-18

This book does a very good job of piecing together Atget's photography techniques and explorations. it goes deeply into the subject of Atget's "documentary" style of photography in Paris. He took many pictures of the same spaces but from different angles to achieve different effects. Full prints of his photographs constitute more than half of the book, and balance out the more lengthy explanations by David Harris. This book is organized into three main sections which make for easy navigation through its pages. The first three chapters analyze Atget's photographic style, his life as a commercial photographer, and his life at work. The bulk of the book, and the most interesting part, showcases the seven Parisian sites where he took many of his photographs. Lastly is a short conclusion and thumbnails of his photos displayed in the back of the book. Although the photographs may not be that interesting to the average person, photographers will enjoy Atget's choice of historic subjects and his dedication to documenting the city of Paris. Atget took over five thousand exposures of the city. His pictures explore the exciting subtleties of his home.

Eugene Atget (Aperture Masters of Photography)

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Pocket Sized Atget
A superbly presented and invaluable contribution
19TH CENTURY PARIS PASSIONATELY DOCUMENTED FOR POSTERITY
breathtaking views of Paris in the past
Atget's Simple Documents

Eugene Atget (Aperture Masters of Photography)

Manufacturer: Aperture
ProductGroup: Book
Binding: Hardcover

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ASIN: 0893817503
Release Date: 2005-06-15

Book Description

Eugène Atget photographed the city of Paris and its environs obsessively for almost thirty years. He discovered a market for documentary photographs of Old Paris, which were bought by artists as source material for their canvases. But for Atget, the production of photographs about old French culture was also an occasion for making art.

His photographs are unparalleled in their lucid realism and their lyrical response to the living pulse of the city and to artifacts that speak of human life in almost every social class. His images of parks, lakes, shop windows, vendors, prostitutes, buildings, sculpture, street scenes of Paris, go beyond mere documentation to a poetic vision of a time gone by. Atget created some of the most beautifully articulated images of light and space ever made with a camera-- an imaginary world.

Customer Reviews:

Pocket Sized Atget.......2004-06-17

Eugene Atget spent his 30 years in photography making over 10,000 large-plate negatives of the art, architecture, and lives of Paris. His photographs capture the beauty and emotion of Paris in the late 1800s. Atget does an amazing job of engulfing the viewer into the Paris city life. His pictures of storefronts and street scenes are amazingly lit and present a romantic yet true to life view of Paris.
This small but powerful book is one of many in the Phaidon 55 series. The small size is great for carrying around, and even though the pictures are smaller then those in most photography books, they still hold true to the original prints. There is a short introduction and history of the photographer at the beginning. Each picture is accompanied by a brief description and insight into the photograph. Even though the size is smaller then most photography books, the images are still great quality, and for the price you can't go wrong.

A superbly presented and invaluable contribution.......2001-03-02

Eugene Atget (1857-1927) spent almost thirty years photographing details of often inconspicuous Parisian buildings, side streets, cul-de-sacs, and public sculptures. In Focus: Eugene Atget brings together more than 50 of the J. Paul Getty Museum's 295 photographs by Atget, with commentary on each image by associate curator of photographs at the Getty Museum, Gordon Baldwin. Atget's photograph and Baldwin's commentary are enhanced with a chronological overview of Atget's life and an edited transcript of a colloquium on his career. In Focus: Eugene Atget is a superbly presented and invaluable contribution to the history of photography.

19TH CENTURY PARIS PASSIONATELY DOCUMENTED FOR POSTERITY.......2001-01-18

Eugene Atget (1857-1927) is the undisputed photo-documentarian of 19th century Paris. With studious attention to detail, Atget seemingly photographed every intimate corner of his much-loved city. Leaving the well-known monuments and boulevards to others, Atget instead concentrated on the atmospheric fabric of everyday Paris, photographing shops and window displays, cobbled streets, doorways, stairways, vehicles, churches, amusement parks, street-peddlers and prostitutes.

Unraveling the mystery of Eugène Atget's life and work is easier said than done. Now considered to be one of history's most important photographers, Atget was relatively unknown during his lifetime. Posthumously famous for his photographs, Atget in fact made only a humble living selling his prints to architects, artists, and institutions.

Atget wrote in 1920, "I may say that I have in my possession all of Old Paris." His systematic method of photographing Paris street by street is spellbinding, and the result is a detailed catalogue of 19th century Paris. The result of Eugène Atget's life's work is gathered here in a heartbreakingly beautiful book for lovers of Paris, architecture, and photography.

breathtaking views of Paris in the past.......2000-12-30

I received this book as a gift because not only do I collect photography books but I also frequently go to Paris because I love the city. This book is full of full page photos of Paris in the past and has a dreamy quality of the day to day events and sites of Paris and the surrounding areas. It's a great collectible book for photography fans and Paris lovers.

Atget's Simple Documents.......2000-08-12

The J. Paul Getty Museum's latest photography book installment - focusing on the work of Eugene Atget, offers the best example of curators creating much ado about an artists work, through speculation and second-guessing. This merely justifies the curator's reason for employment, while boring the reader with a treasure trove of euphemisms and art-speak banter. That we learn more about each speaker's own Rorschach test interpretation of the photographs and less on the artist is not the point. The point is, why does the final third of the book contain this colloquium, when it could easily have been filled with more samplings from the Museum's 295 Atget holdings? Atget's images of Paris are brilliant for what they represent: a visual recording of what he considered worth preserving in pictures. His subject matter ranged from buildings and statues - to interiors, street merchants, and anything worthy of pursuing photographically in and around Paris. Atget's photographs gain their strength due to their simplicity; any further interpretation renders them less for their intent - which was purely documentation. Skip the verbiage contained in "Eugene Atget: Photographs from the J. Paul Getty Museum", and just enjoy Atget's simple photographs of his beloved Paris.

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