Book Description
With a new plug-in that re-creates the sounds of 11 of the world's best-known guitar amps, distributed audio processing (which lets you tap into a virtually unlimited number of Macs), new software instruments (including a killer drum machine), and a slew of workflow enhancements, it's no wonder you're chomping at the bit to start using Logic Pro 7 and its streamlined sibling Logic Express 7. This Apple-certified guide ensures that you do-effectively, efficiently, and in as little time as possible! Veteran audio producer Martin Sitter uses step-by-step, project-based instruction and straightforward, jargon-free prose to detail the countless creative options Logic affords for audio production. After showing you how to set up Logic and begin recording audio with it, Martin details editing sequences, mixing techniques, and using Logic's software synthesizers, sampler and digital signal processors to put the perfect aural polish on their audio creations. The accompanying CD includes all the lesson files and media you'll need to complete the book's lessons.
Customer Reviews:
Best. Manual. Ever........2007-09-10
So many tutorials and manuals I read for software leave me confused so I just use them as a backup when there is something in particular that I'm trying to learn. Some may be like me where having a hands-on lesson sinks into the brain much faster.
This book is like taking a class. The lessons are installed on your computer, follow the book at your own speed and you're learning in just minutes. I've heard nothing but good things about this book, so I decided to get it. So glad I did.
Better Than The Rest.......2007-08-03
Logic and Logic Express at any given moment can seem very illogical to the user. This book, although written with the idea of (logically) exploring its features and use in a step-by-step manner using prepared lessons with pre-packaged audio and midi files, can also be used to learn the program by reference. That is to say, for example, that if you'd like to learn how to enter Midi, or edit it, you can find the chapters and functions regarding midi, use the example chapters/sections with your own files and learn how to use the program.
If you are already a "seasoned" DAW owner/user, other than to figure out where/how the very basic things you are doing in another program are located/implemented in Logic (transport controls, audio editing windows, import/export of files), you will be better off going straight to the second book in this series, Apple Pro Training Series: Advanced Logic Pro 7 (Apple Pro Training) by David Dvorin.
I use another DAW in addition to Logic/Logic Express. Logic Express' documentation severly lacks compared to that in Pro, and I would recommend this series of books for Express users in particular, but they are also valuable for those using Pro. One note, however: It is not generally clear in either of these books whether a given function (for example Groups functionality or the Marquis Tool or Aux functionality) is implemented and available in the Express version of the program and thus no workarounds are given for any 'missing' function, although workarounds generally exist.
Another nice feature of the books is their coverage of the 'plug-ins' that come with Logic and Express, most all of which are quality and useful to Logic and production in general. Especially for those who have not used a DAW before, and can find the use of software instruments, midi implementations and functional plug-ins such as reverb and compression a bit of a mystery. The chapters here will be of value.
There are other books written for learning and using Logic. But for me, this series was the best. I was able to find the information necessary to get me using the program quickly and efficiently (which is not to be taken lightly when it comes to using Logic, which is reknown for a steep learning curve) by example and reference more easily than with other books. Good indexes and clear examples are positives, not knowing whether something is implemented in Express is a negative, and some points just don't seem to be covered so its back to Apple's support forums to figure it out. But all things considered, best in breed in my opinion.
Your mileage may vary...
...J Bohrer
A manual you can use........2007-05-17
I was able to start using logic within minutes of flipping through this book. It is well written and laid out in a user friendly manner. I couldn't get anywhere with the manual, and I am use to reading technical babble. Get this book if you want to start using logic quickly, efficiently, and to its full potential.
Great tutorial - but written for those with experience .......2007-05-10
First let me say that this book (and it's partner Advanced Logic) are extremely useful and turn the "get to know the software" headaches into real pleasures. Having said that, this is obviously written by someone who is so familiar with the software that they take some things for granted that aren't obvious to the first-time user.
All in all though it is well worth the investment and comes with its own set of "songs" that walk one through the various features of the software in a well organized way.
very informative book.......2007-05-07
The manual is fabulous. Logic Express 7 is quite an undertaking to learn and this book is helping out a lot.
Average customer rating:
- So Far, So Good
- Agree with everyone else - it's great
- Covers everthing
- Recommended
- Apple Logic Pro 7 Training Level 1 is Essential knowledge
|
Apple Pro Training Series: Advanced Logic Pro 7 (Apple Pro Training)
David Dvorin
Manufacturer: Peachpit Press
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Apple Pro Training Series: Logic Pro 7 and Logic Express 7 (Apple Pro Training)
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Apple Pro Training Series: Soundtrack Pro (Apple Pro Training)
ASIN: 0321256077 |
Book Description
If you want to do more than simply use Logic to improve the audio in your video projects-if you want to start actually creating and producing music with it-this Apple-certified guide provides the key. Whether you're a composer, producer, songwriter, engineer, studio programmer or simply want to create and produce pro-quality music in your Logic-based home studio, you'll find all the self-paced, step-by-step instruction you need here to begin creating your audio master works immediately. As both a professional musician and a former employee of eMagic and Apple (the former and current makers of the software), author David Dvorin knows Logic like no one else. Here, he uses project-based tutorials to reveal all of its secrets, including its newest: advanced DSP techniques and the ability to layer MIDI instruments and split channels. In short order you'll be scoring and composing; jamming with Logic's software instruments; employing advanced mixing, editing, and production techniques; and more. A companion CD includes trial Logic plug-in software and the lesson files needed to complete the book's exercises.
Customer Reviews:
So Far, So Good.......2006-11-14
I bought this book primarily to print out charts. The book is very clear on the "how-to-do-it" businesss. As my use of/experience with Logic increases, so does my use of this book. IMHO it's a good investment!
Agree with everyone else - it's great.......2006-10-22
What I particularly like about this book is it's 'real world' feel - Logic Pro has vast functionality, but the author hones in on a few fairly simple ways of doing things, as opposed to going through every feature. I would like to have seen more emphasis on mixing/production, but that's minor - this book can't be everything.
My only beef with with the book is the banal tracks you use with the tutorial. If you are into that kind of go-nowhere take-yourself-too-seriously rockpop that hasn't changed in three decades, fine - but this sort of music doesn't show off Logic's major differentiator - it's synths and the newer styles of music that use them.
Covers everthing.......2006-07-05
This is a goodf book. But the lessions were not as fun as they could have been. But if you want content and relative ease of understanding, it here.
I've read better learning books, though.
Recommended.......2006-07-03
Being a long time Logic user, i still happen to not utilize the App to it's fullest. What I like about this book, is the Structure, with the chapters and the Tasks to fulfill. So it get's me closer to a streamlined workflow.
Apple Logic Pro 7 Training Level 1 is Essential knowledge.......2006-03-15
Very good for beginners, or more experienced users who are switching to Logic from another platform. The lessons are very basic, but they provide the backbone of how Logic works, and help speed up the workflow quickly. Recommended.
Average customer rating:
- Not for Beginners
- Same Book As Audio In Media With Infotrac
- An industry primer
- Sound God
- Never is late to learn
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Audio in Media (with InfoTrac ) (Wadsworth Series in Broadcast and Production)
Stanley R. Alten
Manufacturer: Wadsworth Publishing
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ASIN: 0534630464 |
Book Description
In this market-leading text, Stanley Alten, an internationally recognized scholar and expert in the area of audio production, provides students with an introduction to the basic techniques and principles needed for audio production in media. The text has helped professors effectively teach this technically based course to the introductory audio production student through its clear and current illustrations and photos and student-friendly writing. Comprehensive, technically accurate, and up-to-date, the text covers informational, perceptual, and aesthetic aspects of sound as they apply to each stage of the production process -- from planning to post-production.
Customer Reviews:
Not for Beginners.......2007-02-25
If, as this book claims, is a beginner's guide offering a nontechnical approach, than I am the Queen of England. I have an advanced degree, am published myself and work as a college professor in another field, but for all practical purposes, this book might as well as be in another language. If this book is truly for beginners, it would avoid sentences like "There are two parallel signal strengths, channel and monitor. In the I/O section, equalization and other signal processing can be delegated to the monitor system for auditioning without effecting the signal being sent to the multitrack recorder, or the signal can be sent to multitrack recorder, or both." Sure.
The editors at Wadsworth should have caught this, but my guess is no editor ever read it. Expensive and frustrating.
Same Book As Audio In Media With Infotrac.......2003-05-16
This text is a broad-based approach to audio for radio/TV/film, and music recording. The emphasis is on audio for production students rather than for engineers, and the text covers informational, perceptual, and aesthetic aspects of sound as they apply to each stage of the production process-from planning to post-production.
An industry primer.......2002-12-31
This was my college text for Broadcasting in 1984/85 and I taught Radio Production from this book. I am a video editor (Avid) and a freelance audio engineer having mixed/recorded over 500 music performances. I STILL reference this book. It is easy to understand, direct and thorough; maybe the only textbook you might keep.
Sound God.......2000-07-27
I have had Stanley Alten for a professor and he knows what he is talking about. He is the know-all be-all of sound. His books are easy to read and to understand and great for people learning sound techniques.
Never is late to learn.......1999-08-05
The most important in this book is that you can find anything about sound. I mean 1) fundamentals in sound 2) technology from past to future and 3) aplications. This book speaks of any thing in sound for any aplication (TV, studios, acoustic ect)
Book Description
This book offers a pragmatic, reader-friendly approach that helps teachers explore, evaluate, and effectively integrate the full range of instructional technologies they are likely to find in their classrooms.
Founded in learning theory and instructional design, this book explores the current and emerging technologies available to teachers while consistently maintaining an instructional focus. Using practical applications and real-world examples, the book offers readers the opportunity to explore technologies as tools to enhance and support instruction. It culminates with an exploration of the teacher's role in technology planning and in ensuring its ethical implementation. The reader will find Web activities and a wide range of activities in each chapter including reviews, group, critical thinking and hands-on experiences.
Teachers and technology coordinators.
Customer Reviews:
Useless, outdated, and idiotic.......2007-03-04
I had to read this book for a Technology and Education class, and it was a total waste of time and money. I'm a professional computer consultant in the middle of a Masters in Education, so I feel qualified to discuss the technical aspects of this book.
While this book was Copyrighted in 2005, almost all the pictures and content are so dated I think that little has changed since the first edition. A Third edition has just been released, which may be more up to date, but I feel it will be just as useless.
The main problem with this book is that it covers everything with no regard to technical ability. For instance, the book informs the reader what a scanner is, and then says they can be usefull for converting a printed page to editable text on the computer. If you are learning what a scanner is for the firs time today, then you AREN'T ready to start using OCR to import documents. In other places, it says floppy disks (yes, the 3.5 disks) are useful for storing information (most computers don't even accept floppy disks).
Additionally, the book is entirely pro-microsoft. It briefly touches upon 'free' software as it distinguishes between shareware and freeware, but doesn't mention Free/Libre Open Source Software. Between Sakai, Open Office, Firefox, and the myriad of other programs, this is inconceivable. All the pictures are for Word, Outlook, and Internet Explorer. It also makes no mention of Apple Computers (at least I didn't find any) or GNU Linux/*BSD.
Finally, it is filled with cute buzzwords that mean nothing, at least to me, such as "The DID's formative feedback look ensures performance objective validity." which appeared on the sidebar with a lightbulb.
Basically, if you don't know anything about technology, this book will be of no use, as much of it will gloss over what you need to learn, and if you are already a competent computer user, this book will be dated and provide scattered information that might have been helpful 5 years ago.
I would recomend not buying this book. If you are a teacher and want to see how technology can be used in your classroom (without learning useless information like what a POST is) I'd try Will Richardson's Blogs, Wikis and Podcasts. That was useful and interesting, while not being too technical.
Customer Reviews:
Solid technology book that is not outdated when published.......2005-09-17
Many technology books are outdated by the time they are published. I am pleased to say that this book methodically moves through effective instruction and then how to use technology to aid it. I will be using this book as a reference for some time to come.
Technology presented with clarity.......2005-01-29
Pay no attention to one gentleman's "Apple Pie" comment about the step-by-step instructions included in this book. After all, not everyone is as technologically adept as he may be. If you have already mastered such technology, then this material is possibly too basic for you. But for the rest of us, one of the major benefits of this book is indeed the fact that the instructions have been so clearly presented!
If you are an educator, as I am, and you are looking to learn more about real-world technology as it applies to your classroom or learning center, then I HIGHLY recommend this book (8th Ed.).
Light and introductory with the scent of apple pie.......2004-07-14
I wasn't impressed with this book for two separate reasons. Firstly, the production standard struck me as almost 1960s' in style - black and white photos (nice 'grainy' look), big bulky monitors and a general aged format. It is peculiar I agree, but the book looks like it was written at least 30 if not 40 years ago. The second set of quibbles I have with the text is that it presume the reader is almost completely ignorant of any kind of presentation technology. This assumption may have been acceptable several decades ago but the universality of TV seriously undermines its value. Television is constantly exposting the public to new technologies. For instance, in the text there is a piece with graphic devoted to how to load a slide projector. How relevant is that to today's classroom? Moreover, any decent bit of kit comes with instructions. I accept that the authors wish to do a thorough hand holding with the reader, but the book assume too little exposure to technology which renders it advice mediocre in places. Possibly it should be retitled Instructional Media Technology for Complete Dummies. The bits on the web are small (literally bits) which is not a good sign. Overall, the book was lightweight - possibly I am being unfair as I am not looking for the technology it covers, but for review of current and future developments. In any event I regret buying the book as it doesn't fit my needs and I didn't like its presentation style. It is a tired book, more like jaded, that does not mesh well with the style culture of modern multimedia technology.
Nice update of a classic textbook.......1999-12-31
As a co-author, I can report that Instructional Media upholds the tradition established by this textbook in 1982. It is aimed primarily at those who are at the entry level in terms of using media for education or training. It helps instructors decide what media to use for different teaching/learning situations, and gives practical tips on HOW to achieve the best effect when using technology. The book began with a focus on audiovisual media; the sixth edition retains the most relevant audiovisual content, but shifts focus toward computer-based delivery. What remains constant is the conviction that effectiveness of mediated instruction depends very much on what the instructor does...how the technology is integrated into the overall learning program.
Amazon.com
Producing Great Sound for Digital Video educates beginning and experienced filmmakers on the intricacies of creating an outstanding soundtrack, from preproduction planning through the final mix.
The entire book is fascinating: it's absolutely packed with useful information and tips. Most of us remember learning in high school physics that sound travels about 1,100 feet per second, but besides gauging the location of a lightning bolt from how long it takes for the thunder to reach our ears, we never found it useful. Imagine, however, shooting a scene from about 90 feet away with a camera-mounted microphone. In this scenario, the audio will lag behind the image by about three frames--not much, but it's certainly noticeable. The problem gets worse as the distance increases. The workaround is to put a microphone next to the subject or slide the audio track so that it syncs with the images.
The book presents other solutions to showstopping problems that, because of lack of experience, a filmmaker wouldn't realize until getting to the editing room. Other critical issues such as preproduction planning, the art of production and recording (including environmental factors and microphone setups), and post-production editing and effects are also discussed.
The advent of low-cost, high-quality video production equipment has ushered in the birth of AV producers and AV presenters who have grand intentions but negligible experience. Digital cameras, inexpensive computers capable of capturing and playing back high-quality digital video, and full-featured editing software offer all kinds of ways to create visual eye candy, but embryonic filmmakers don't always realize that the picture is only half the story. Producing Great Sound for Digital Video explains how the other half works, what to watch out for, and how to achieve professional results. --Mike Caputo
Book Description
Producing Great Sound for Digital Video is a complete audio training guide as well as a quick problem-solving resource for the working pro. The author explains hundreds of real-world techniques to use from preproduction through the final mix. Readers get how-tos, tips, and time-savers, plus tutorials on key skills such as dialogue and music editing. This edition features deeper coverage of location techniques, including choosing the right mic, in-camera sound recording, getting sound into the camera cleanly, calibrating the camera to location sound equipment, working with mic booms, using separate recorders, and digital wireless. It also includes updates on working techniques, including new software categories for postproduction and new interchange standards.
Producing Great Sound for Digital Video is packed with hundreds of real-world techniques that range from pre-production through the final mix--including tutorials, tips, and tricks to make great tracks with any computer or software.
Customer Reviews:
Great Book.......2007-01-19
for anyone that wants to have a professional approach to digital video this is a good book.
If you only buy one book on sound.. This is it.......2006-09-09
Where do I start? In a nutshell, this book *IS* the only book to have on sound if your only buying one. No lie. My background... 20 years ago I used to be the "The Amp Dr" fixing commercial PA systems, amps, etc. I have a much better background on sound than most, I was an electrical engineer after that, designing power supplies, and other analog interfaces to digital equipment. Most of that has been dormant for the last 20 years, but I recently decided to make documentaries, and as two of my first projects deal with music, sound seemed pretty important. I got several books on sound, I figure buy six, one has to be good. You can save your money, this book was the one in six.
Knowing audio but NOT audio for video, one of the most important things I discovered is that a professional quality product (video) can only be made with good sound.. If you think you $2 -$10K pro-sumer camera is going to deliver it with the standard mic turn on "auto level", you're really wrong. Half of good sound is the absence of sound, or at least the absence of unintended sound. Insuring good sound is more work than it sounds, but the quality and impact of what I am shooting now is significantly better than before. Otherwise, its' all like home videos, maybe pretty shots and cleverly edited, but still seems like home videos. It all becomes much clearer after reading this book.
When I picked up this book, it was a mental orgasm. Not only does this guy know his stuff, even more importantly, he knows how to communicate it. The way it was written, I was easily able to skip over the stuff I didn't want to review, and go straight for the meat. It is meaty. Almost EVERYTHING I wanted to know was here. I did end up going back just to see how he explained the basics.. great! One of the things I liked about his style, is some authors will tell you something is bad or wrong, with no explanation.. Jay give you good examples.. the CD recording with the book is worth it's weight in , he give examples of proper recording and bad recording (with explanations). You can actually hear it as oppose to read an explanation and take it on faith. Borrow money if you have too.. but buy it.
My message to Jay:
If you read this Jay, I have a few requests. (1) Don't let this book go out of date. Please do you SNR and distortion measurements on some of the new HD cameras. Given the bit resolution is now even less with HDV (12 bits (HDV) vs 16 bits (DV)), I think dual systems are even more important to cover in greater detail. (2) Update with some of the new digital recorders that are replacing DATs (3) Thanks for a great book!
A rare 'how to' book that delivers actual content!.......2006-01-05
I've often been taken in by large reference books that promise to be a comprehensive guide to a subject, but turn out to be a lot of filler (screen shots of PC applications, or an excuse for the author to give lots of less-than-useful anectodal stories, etc.)
Not so with Jay Rose's 'Producing Great Sound for Digital Video' book. This informative guide covers a lot of ground, including sound theory, equipment explanations and use, and techniques for sound production including NLE tips, audio mixing, mic use etc. The great thing about this book is it is written with the expectation that your sound production values should be professional, but it's still accessible to hobbyists and those on a budget.
While I think novices to the field of sound engineering (like myself) probably benefit most from this work, I think a lot of the material here is useful to the video production community as a whole. I learned a lot from this, great work.
A Top Resource for Anyone who does Serious DV Recording.......2005-04-23
This book is a top shelf resource. It is useful to both novices and those with more experience. Starting with the very basics, and that does involve some physics, it works its way through virtually all aspects of sound production for digital video.
Do not be fooled. You are not going to learn much to improve the built in recording that comes with your camera. The author is unapologetic in his broad condemantion of the built-in stuff in terms of both quality and usablility. He goes into the reasons and gives a bit of advice on making the most of what you have but this is not what the book is about. Instead, it is about exactly what the title claims. Unfortunately, this is seldom if ever achieved with the built in stuff.
After going over some of the basics of sound and recording, different types of equipment are described in terms of suitability to task and cost. After that, the actual use of this equipment is considered in a variety of situations. The book is not just concerned with equipment and its use, however. There are chapters on editing and even on the use of prefessional talent. In short, the assumption is that you want to get good quality audio for your video production. The author then describes how to do exactly that in a variety of settings. Unfortuately, doing the job sometimes takes a bit more effort than just pushing the record button on the camera. It also take a bit more money although it does not have to take a great deal more. It depends on what type of sound is needed and how you are going to use it.
If all you want is to catch the background sound in a home video, spend your money on something else. If you want to learn how to get the best possible sound for your particular need and preserve that sound to use with video, you need this book.
You will understand sound after this book.......2005-03-02
Audio is really important, and this book will make sure you get incredible sound at every shoot. I really recommend this book!
Average customer rating:
- Making complex issues clear
|
Making Media: Foundations of Sound and Image Production
Jan Roberts-Breslin
Manufacturer: Focal Press
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ASIN: 024080502X |
Book Description
Making Media takes the media production process and deconstructs it into its most basic components. Students will learn the basic concepts of media production: frame, sound, light, time, motion, sequencing, etc., and be able to apply them to any medium they choose. They will also become well grounded in the digital work environment and the tools required to produce media in the digital age. A CD-ROM, compatible with both Macs and PCs, will provide interactive exercises for each chapter, allowing students to explore the process of media production. The text is heavily illustrated and complete with sidebar discussions of pertinent issues.
Focusing on the building blocks that transcend the boundaries between film, television, multimedia, and the Internet, this highly illustrated and interactive text stresses the commonalities of various types of media and prepares the student to succeed within a wide range of disciplines.
*Prepares students to move with ease into any number of media disciplines - film, video, photography, audio, multimedia
*Includes companion CD-ROM with interactive exercises
*Highly illustrated throughout
Customer Reviews:
Making complex issues clear.......2004-12-24
This book has been a real life saver for me on my first semester at graduate school. The other media books I had to read were overwhelming with never ending details and jargon language. Roberts- Breslin's book explains everything plainly from start to finish. She has an uncanny ability to simplify extremely complex matters. Even with no prior knowledge of the technical aspects of media making I now have a solid foundation.
The main terms are bolded, and also listed in the end so you can read the book beginning to end or just look up specific topics. The attached CD is a great addition as it visually illustrates concepts that are difficult to explain verbally, such as the different camera movement (What is the difference between the pan and truck movement?) or the phi phenomenon.
Another great thing about the book is the practical tips it gives to a beginner. Logging all my footage, for example, would have never accrued to me, but it made editing so much more manageable and must have saved me hours upon hours.
Book Description
With three straight #1 bestsellers and more than 4 million copies of his books in print, the most powerful traditional force in the American media now takes off his gloves in the ongoing struggle for America’s heart and soul.
Bill O’Reilly is the very embodiment of the idea of a Culture Warrior—and in this book he lives up to the title brilliantly, with all the brashness and forthrightness at his command. He sees that America is in the midst of a fierce culture war between those who embrace traditional values and those who want to change America into a “secular-progressive” country. This is a conflict that differs in many ways from the usual liberal/conservative divide, but it is no less heated, and the stakes are even higher.
In Culture Warrior, Bill O’Reilly defines this war and analyzes the competing philosophies of the traditionalist and secular-progressive camps. He examines why the nation’s motto “E Pluribus Unum” (“From Many, One”) might change to “What About Me?”; dissects the forces driving the secular-progressive agenda in the media and behind the scenes, including George Soros, George Lakoff, and the ACLU; and dives into matters of race, education, and the war on terror. He also shows how the culture war has played out in such high-profile instances as The Passion of the Christ, Fahrenheit 9/11, the abuse epidemic (child and otherwise), and the embattled place of religion in public life—with special emphasis on the war against Christmas. Whatever controversies are roiling the nation, he fearlessly confronts them—and no one will be in the dark about which side he’s on.
Culture Warrior showcases Bill O’Reilly at his most eloquent and impassioned. He is an unrelenting fighter for the soul of America, and in this book he fights the good fight for the traditional values that have served this country so well for so long.
Customer Reviews:
interesting read.......2007-09-27
Well written book. I'm not sure of the validity of all the things he talks about because he is often defending himself, but I think he makes some very smart points. I can see some of the effects of the sp movement that Bill mentions in his book almost everyday.
Bill's strawman.......2007-09-25
Mr O'Reilly is somewhat of an enigma to me. I find his show entertaining. He sometimes speaks very rationally about current issues and presents his point of view very reasonably. But there are times when he appears to let his emotions completely overrule his logic, and then he looks foolish and petty. So it is with "Culture Warrior."
Bill blames nearly all of America's ills on secular progressives. The S-P movement (according to O'Reilly) wants to completely dismantle all that is good and replace it with atheistic, socialist programs that would undermine America's moral fiber and promote malaise and complacency.
Pure bunk! The truth of the matter is that Bill's Republican Party has held the White House for all but 12 years since 1968. In all this time, the party of "family values" and "personal responsibility" has done little, if anything, to improve our nation's social problems. A good argument could be made that many of those problems have actually gotten worse. And yet, here's Bill trying to shift the blame to some small minority of the population with practically no political power.
Of course, he's preaching to the choir with his simplistic scapegoating. If you're a Fox news fan and an O'Reilly-phile, you'll no doubt be blind to his flaws in logic and his stretching of the facts.
I would love to have Bill as a dad .......2007-09-16
My grandma read me this book.I thought it was good and it's fun too.It never gets boring and I feel like he is the greatest guy in the world.My grandma says she will read all the books he writes to me and that will make me real happy and I'm looking forward to that.
I Enjoyed This so much.......2007-09-16
This book is great from cover to cover.Bill has so many ideas and he should be making lots of money with this wonderful book.I also would like you to know about the great book he wrote just for kids.It should be on everybody's list for a birthday comming up or A present to some special kid.So far all of his books have been a joy reading.
The Hobo Philosopher.......2007-09-02
Bill has discovered a conspiracy. Now I'm a true believer in conspiracies so I can't knock him on that one. It seems that there are a group of people, living right here within the borders of the United States who are presently involved in the overthrow of "our" government. They are not doing this by means of a revolution or violent overthrow. They are too cleaver to come right out and fight like men. They are doing it by guile and persuasion and trying to sway voters and by real sneaky, underhanded, dirty methods like using their money to twist the media and the "truth". Bill has a lot of terrible names for these people but overall he benignly refers to them as Secular Progressives or S-Ps.
These S-Ps are a very cleaver group of evil and vile people and they have a horrible anti-American agenda; wait until I tell you about it, you won't believe it. It is truly beyond your widest dreams.
First and foremost these S-Ps do not believe in God; they are very anti-Judeo/Christian. They want to take all the money from the rich people and use it to make their version of a "better world". For example they want everybody to have their own home - with no mortgage; they want all children to have an education - for free! And that includes college; they think that everybody should make a living wage - whether they deserve to be alive or not! (my God! these people are horrible); they want businesses and corporations to act and conduct themselves in the world market place with a moral conscience (what a pernicious method for undermining capitalism and the American way); they want prisons to be reformed and drug crimes to be looked upon as an addiction to be treated as a sickness and not simply incarceration; they want any and all sick and even healthy people to have access to health care - even if they don't have a penny!; they actually want the United States to be attacked before the United States attacks anybody else; and one can only conclude from all of the above that these S-Ps would probably try to outlaw war if they could get away with it.
This book is powerful on emotion but very short on thought. If your ideas are on the far right you will love this. I was told by a friend that Bill is actually not on the far right but is really only moderately right. Since I didn't find much of what he had to say "right" in any way and many things very "wrong", I can't really find all that much to recommend . But Bill seems to be doing very well without me as a backer.
Book Description
Digidesign's Official Pro Tools 101 Courseware takes a comprehensive approach to learning the fundamentals of Pro Tools/HD, Pro Tools LE, or Pro Tools M-Powered systems. Now updated for Pro Tools 7 software, this new edition from the definitive authority on Pro Tools covers everything you need to know to complete a Pro Tools project. Learn to build sessions that include multi-track recording of live instruments, MIDI sequences, software synthesizers and samplers, and audio looping with REX files through hands-on tutorials, develop essential techniques for recording, editing and mixing. The included DVD-ROM offers tutorial files and videos, plug-in installers, and Pro Tools sessions. Developed as the foundation course of the official Digidesign Training and Education program, the guide can be used to learn on your own or to pursue formal Pro Tools certification through a Digidesign-authorized school. Join the ranks of audio professionals around the world as you unleash the creative power of your Pro Tools system. For more information on Pro Tools and other training available, visit www.digidesign.com.
Customer Reviews:
Only buy if you're taking the course.......2007-06-27
Not really worth the purchase unless you're taking the Digi course. If you are, then it's required so you might as well get it here.
Best material for Pro Tools beginners.......2007-04-01
I would have to say this book is what you want when starting out in your pro tools voyage. Very easy to read and very informitive. The only problem is it is soley for beginners (as well as a great reference manual), you will not find anything to in-depth here. But if you wish to know all the essentals of basic pro tools operating this is your avenue.
Great Book.......2007-03-08
I originally got this book while preparing for the Pro Tools 101 class I was about to take. I went through most of it (chapter by chapter) in about a week, and got up to Chapter 6 (There are 10 chapters). Truthfully, the Pro Tools 101 Class is the best way to go. I think even in the book somewhere it says something that "while you can do at-home studying, hands-on experience is the best way to fully enjoy/learn this book." That statement is VERY true. The book has a great way of simplifying things down, and makes it, for the most part, fairly easy to understand anything. While this book was GREAT, I would recommend taking the Pro Tools 101 class anywhere you can.
good straight ahead manual........2007-02-17
I had to get this book for a protools class at school.This book is well writen nononsense manual.The only problem is the dvd that comes with it doesnt play in my dvd player or computer.The dvd isnt a big part of the book so get a used copy and save.
Its a Manual.......2007-02-13
Its basically a pro-tools manual, advising what specific menu functions do what and where they are located, but not really teaching any techniques or providing much real life usage explanations.
If you want a digidesign pro-tools manual, get it... If you want to learn more about actual use of functions for recording, mixing, and editing, get something else.
The included dvd was of little to no use other than the inclusion of the Xpand midi modules which is pretty cool but I believe Xpand is available as a free download from digi or elsewhere anyway.
Average customer rating:
- Lots to learn in Auditon 2
- . . . for the cautious
- EXASPERATING BUT INDISPENSIBLE
|
Adobe Audition 2.0 Classroom in a Book
Adobe Creative Team
Manufacturer: Adobe Press
ProductGroup: Book
Binding: Paperback
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ASIN: 0321385500 |
Book Description
The most comprehensive way to learn Adobe Audition 2.0!
Classroom in a Book, the best-selling series of hands-on software training workbooks, helps you learn the features of Adobe software quickly and easily. Classroom in a Book offers what no other book or training program does--an official training series from Adobe Systems Incorporated, developed with the support of Adobe product experts.
Adobe Audition 2.0 Classroom in a Book contains thirteen lessons and a bonus CD with lesson files. The book covers the basics of learning Adobe Audition, and countless tips and techniques to help you quickly become an Audition expert. You'll learn how to work and edit in a multitrack mixing environment, create audio effects and original soundtracks with loops, restore poor-quality audio, export to CD and MP3, and more. You'll also learn about Audition 2.0's new features, including low-latency mixing with unlimited tracks, ASIO support, audible scrubbing, analog-modeled Multiband Compressor, recordable parameter automation with external hardware support, and more. You can follow the book from start to finish or choose only those lessons that interest you.
Customer Reviews:
Lots to learn in Auditon 2.......2007-03-09
A great book and cd of data. Because of not the greatest help files and no tutorials that came with Audition 2.0 this program while very powerful can be quite intimidatiing. Classroom in a book is very helpful in getting started and learning how to use the program.
. . . for the cautious.......2007-02-18
Could be considered a waste of time by many who are more experienced with applications of this sort. The difficult part is sticking to the tutorials and not wandering off on your own. Everything covered here can be accessed via the help files and user guide. Adobe might want to consider putting a little more effort into features such as a midi sequencer than reiterating itself.
EXASPERATING BUT INDISPENSIBLE.......2006-09-21
Above all, make sure the version of Audition 2.0 Classroom in a Book IS FOR YOUR OPERATING SYSTEM. Also understand that you must have the program to make sense of the manual.
Classroom in a Book is a good guide, but it has two omissions.
Anyone is in their rights to expect that a guide of this sort would have at least a few passages about live recording---but there is exactly one passing sentence in the entire manual about live recording. In Multitrack View the tracks have a panel wherein (among a great many other virtual dials and buttons and such) there is an "M" button, a "S" button, and an "R" button. "M" is for mute, which is explained more than once (even more than twice over the course of the book). "S" is for "Solo", which is also explained to its death over and over again. But as for the "R" button there is only one sentence regarding it.
"R" is "Armed for Record".
Now, maybe someone with a background in audio-editing software knows full well what "Armed for Record" means. Even for a rank beginner like me it wasn't that hard to figure out, I'll admit, but still for a book to go on and on about the other two buttons and to just mention the third term without any further comment seems to me a fundamental lapse. In my case it made for the beginning of a series of exasperating stumbles.
Going at it blind, I simply clicked on "R" and got a message informing me that the best recording was achieved by switching to ASIO. I knew that ASIO meant "Audio Stream In/Out" and had something to do with the new sound card that I had installed. The old sound card that had originally come with the computer was still in there, but apparently from what the message said I would only get mediocre results if I didn't switch by going to Edit and clicking on Audio Hardware Set-Up and following instructions from there on. Needless to say, this was easily done, and in seconds I had switched the program to my new audio card, which any intermediate or advanced user would have known to do from the get-go. Why install the card and not make sure the program was set to it? Ordinarily I would not even admit to anybody that I had to be told to do this; it's embarrassing; but still Audition is a very involved program; there's a lot to learn; and I was just very new to this whole business.
Anyway, I switched, and that should have been the end of it, but sadly the minute I switched my "R" buttons went gray and became inoperable! What's that? Maybe there's no problem on a Mac; I wouldn't know. All I know is that I'm a Windows XP Home Edition guy as I write this; and I lost my "R" buttons!
To say this upset me and got me mad is an understatement. The next morning I was in a better frame of mind and logically went over the steps and saw that there was a pattern to what was happening. For some reason switching to ASIO will gray out the "R" buttons, but if you close the program and go back to it you'll have your "R" buttons back and still be in ASIO.
It's that simple, but there's no mention of it in the book.
Of course, "Armed for Record" must be followed up by clicking on the circular red button on what is called the "Transport Panel" at the bottom of the screen. You're left to guess this, but anyone who has operated a ghetto blaster or a VCR knows what that red circle is; but still it would nice for Adobe to spell this out for us intimidated newbies.
The other big omission gets back to the same lapse as the other one. The book does not bother to point out that switching to ASIO in Multitrack View will not carry over to Edit View. It may not seem like a big deal, but I freaked out when my stuff sounded so weak in Edit View. I couldn't figure it out. The louder I got it in Edit View the more obnoxiously deafening it became in Multitrack View because the two "views" were coming at me through two entirely different sound cards!
Finally I realized what the problem was. Duh . . .
On the positive side in the last analysis it's actually very nice that the two windows can have different settings to let me know how the same file will sound on different computers. My thing with this will be podcasting, and podcasting is about posting on the Net, so one should be aiming at a happy medium that accommodates ordinary cards and quality cards alike. I'm getting better and better at it. The quality will never be a sound stage level thing, but I'm fast approaching the same smoothness of an FM radio commercial.
So go with this book, yes, but keep my comments in mind as you go.
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