Book Description
Why Choose this book:
Inside Advantage: Written for photographers by a photographer! Martin shares his expert knowledge to help you combine photography and Photoshop to develop memorable images
Complete updates: 704 pages of fully updated content plus 30 pages of Photoshop Shortcuts on the free CD-ROM
Master Photoshop CS2: More than 300 pages of information show you how to make tonal corrections, sharpen images, use filters, create montages, simulate darkroom effects and automate Photoshop
Conquer color obstacles: Over 100 pages devoted to explaining the basic principles of color management, how to calibrate your equipment and how to achieve consistent color and produce perfect prints
Expanded areas: Provides more detailed examples, diagrams, simple step-by-step explanations, improving accessibility for the advanced
beginner
The latest edition to join Martin Evening's bestselling 'Adobe Photoshop for Photographers' titles, gives you completely updated and revised coverage providing a professional photographer's insight into Photoshop CS2.
Inside you'll find invaluable information on Bridge, the new file browser that is set to become a very useful image management tool for photographers. Other new developments covered include the new Digital Negative (DNG) file format, improvements in Camera Raw file processing and High Dynamic Range imaging.
Packed full of all the latest features and instructive information on key elements from color management to printing, Martin Evening passes on his famous techniques and professional experience in this commanding and authoritative resource.
* Over 450 professional, color illustrations make this book stand above the rest
* New interior design and reorganised contents make this book even easier to use
* Master the power of Photoshop CS2 under the instruction of an internationally recognised Photoshop expert
Customer Reviews:
Better than an owners manual.......2007-08-13
This book is better than an owners manual for cs2, taking you through step by step instructions, if you already know something just skip that section, if you don't then it works, and it's easy to understand. The pages are color coded, great index and it has lots of picture examples.
must-have for photographers.......2007-05-30
i would recommend this book to anyone who is a photographer or thinking about taking up photography as a hobby. it's an amazing book and has very nice tutorials. i've been using it for about a year now. the price is very nice too.
Lots Of "Eureka" Moments Here.......2007-05-29
I've taken an abbreviated Photoshop class only to leave with more questions than answers. Fortunately, our teacher appreciated this fact and recommended this book to all the photographers in her class. I have not been disappointed except for lacking the time to work my way through this massive tome. Every time I open this book I discover another wonderful timesaver or neat trick to improve my photographs.
As good as it gets.......2007-05-14
Even more than I could expect! This book is intended to teach digital photography with Photoshop to make your photos get a new level that you could never imagine before. But if you want to learn the camera or tips to make your photos better without using your computer this is not what your need. One plus is file format explanations. And if you want to get muscle, this book is perfect for you too; because it's made with the best paper I saw in a book with photo quality in all pages the weight is a ton.
Good formatting.......2007-04-10
Besides being a good book about CS2 I really like the color coded chapter edge tabs. Frequently, it is the little things that make a difference.
Book Description
Adobe Photoshop Elements 5.0 and Adobe Premiere Elements 3.0 Classroom in a Book Collection is the fastest, easiest, most comprehensive way for new users to learn all the new features in Adobe's newly released consumer-level image and video editing software. Each chapter in this step-by-step, practical training workbook contains a project that builds on the reader's growing knowledge of the programs, while end-of-chapter review questions wrap up each lesson. Readers can follow the book from start to finish or choose only the chapter that interest them. This book provides a series of lessons covering the basics of using Photoshop Elements 5.0 and Premiere Elements 3.0, along with practical tips and techniques to help readers become thoroughly grounded in the basics of organizing, retouching, and sharing their digital images. Recent upgraders will find plenty of coverage on all of Photoshop Elements' new features, including flexible layout options, animating photos using flash technology, enhanced support of working with raw files, sharing photos on mobile phones and handheld devices and more. Premiere Elements users will learn all about Premiere Elements' new bells and whistles, including the new Sceneline which enables quick assembly of your movies, fast, easy on screen text, amazing professional quality effects, native HDV support and more.
Customer Reviews:
Good for someone new to editing.......2007-06-29
As someone new to video photography and video editing I am finding Premiere Elements 3.0 easy to use with the help of the lessons in Classroom in a Book. The instructions are clear, complete and easy to follow. I highly recommend it, particularly for someone new to editing.
The book isn't bad but I've had problems with the files provided.......2007-05-15
The book provided with this has some good info and I can see that it would be useful with the files sent on DVD. The only problem I've had has been with the DVD. It doesn't want to load the lessons. I'm trying to resolve it but so far have not been too successful.
Best Classroom in a Book Evert!.......2007-03-09
I have used Adobe's Classroom in a Book for many different programs over the years and this dual program collection is perhaps the best I have ever seen. It ties together Photoshop Elements which I have been using since the Elements 2 edition with Premiere, which is for me an introduction to editing videos and CDs. I especially like the online videos that purchasers of Photoshop and Premiere Elements can access. Please keep these training sessions coming.
SJRoyce
Classroom in a book..........2007-02-17
I always wanted to learn the basics of Photoshop Elements and Premiere Elements and their use. I purchased this item with that purpose in mind and I got everything I wanted and then some. Great for beginners and serves as a good reference tool in my library for photo and video editing. Tip: follow instructions to the "T" and you will get great results. I finished all the lessons in book and in the end I wanted MORE. Adobe Creative Team did well and I thank you. Price is very good as well.
Excellent Introductory Book.......2007-02-12
This book is absolutely necessary if you are new to Photoshop Elements and Premiere Elements. Easy to follow and relatively complete.
Book Description
Use every amazing option your Nikon CLS offers
Light is the essence of photography. The Nikon Creative Lighting System lets you create the same lighting patterns with a portable, detached, wireless system that professionals achieve using cumbersome and expensive studio equipment. This practical guide is like having an expert at your elbow. It's packed with information about the CLS as well as tips, tricks, and recommendations for lighting a dozen different shooting situations. Take it on every shoot and get the most from your CLS.
* Know all about the features and functions of the SB-800 and SB-600
* Get insider tips for creating flawless portrait lighting and staging the best poses
* Set up masters and remotes, flash modes, channels, and groups
* Choose equipment for a wireless studio
* Use the ideal exposure and Speedlight system settings for shooting events, nature, sports, groups, portraits, or products
Visit our Web site at www.wiley.com/compbooks
Customer Reviews:
Good resources book.......2007-08-07
Good for beginner and amature photographer. Clean and easy to understand guide book for Nikon's creative lighting system. (Flashes) This is a book for those who wants to know how to use their Nikon flash fast, without going through your boring manual. (I think it is better to read the manual first) Many good tips. Worth the money!
Best Nikon CLS book on the market.......2007-07-05
After just finishing this book I wanted to let other photographers know how great it is. The book begins with explaining the actual flash and what all of those dials and switches do. That section also covers the settings for each mode. Then once you have an understanding of how the hardware works you move into the basics of photography which consists of studio lighting and strobes. This section was particularly valuable to me because the Nikon system meshes with this kind of setup so well.
Only halfway through the book at this point and already learning a ton of very good information. The next chapter is wireless lighting which might be a little beyond the normal photographer, but something you should look in to. A basic basement or guest room can be made in to a great photo studio. You will of course quickly learn this flash isn't only for indoor because it can also be used for some pretty interesting outdoor shots. One of which is extreme sports and events.
Overall I was very pleased with this book and highly recommend you go pick up a copy of your own.
Full of Information.......2007-05-18
I felt the book gave plenty of information on CLS. Sure you have to know a bit to grasp what you are being told here, but one can assume that anyone owning a couple of SB800 already has some knowledge of lighting.
For me it filled in serious gaps in the information Nikon gave in it's manual and we are now able to coordinate four 800 units. The Lumedynes are now in the box for backup and nothing more.
As I often say the great thing in my 40 year in the art and business of photography is that as I have gotten older, the equipment has gotten lighter and faster not to mention controlable.
Nikon D200 Creative Lighting Field Guide.......2007-05-06
This a good but not top notch introduction to Nikon flash photograhy and Nikon products.
I found it a bit thin, and probably not very useful once one had become familiar with the Nikon products.
I am not convinced that once i have gone through it I would keep returning in the future.
Padded and superficial.......2007-03-29
I wish I had noticed the earlier reviews of this book before wasting my money and time reading it. The author lays out the CLS flashgun basics more clearly than do the Nikon manuals, but then passes on into generalities, dwells at length on portraiture in a very superficial way (with pretty poor examples to boot), and further pads with unneccessary side issues. There are also factual errors.
Book Description
Can you find your digital photographs when you need them, or do you spend more time rifling through your hard drive and file cabinets than you'd like? Do you have a system for assigning and tracking content data on your photos? If you make a living as a photographer, do your images bear your copyright and contact information, or do they circulate in the marketplace unprotected?
As professional photographer and author Peter Krogh sees it, "your DAM system is fundamental to the way your images are known, both to you and to everyone else." DAM, or Digital Asset Management, in the world of digital photography refers to every part of the process that follows the taking of the picture, through final output and permanent storage. Anyone who shoots, scans or stores digital photographs, is practicing some form of digital asset management. Unfortunately, most of us don't yet know how to manage our files (and our time) very systematically, or efficiently.
In The DAM Book: Digital Asset Management for Photographers, Krogh brings clarity to the often overwhelming task of managing digital photographs, with a solid plan and practical advice for fellow photographers on how to file, find, protect and re-use photographs. Following a thorough overview of the DAM system and de-mystifications of metadata and digital archiving, Krogh focuses on best practices for digital photographers using Adobe Photoshop CS2. He explains how to use Adobe Bridge, the new CS2 navigational software that replaces the File Browser introduced in Photoshop 7, with full details on integrating Bridge, Camera Raw and Digital Asset Management software.
Compellingly presented in four-color format, The DAM Book: Digital Asset Management for Photographers brings Krogh's award-winning creative approach to a subject that could have been technically intimidating. Instead, Krogh's twenty years of experience and instructive visual storytelling make this material not only accessible, but compulsory reading for serious digital photographers.
Customer Reviews:
Organization!.......2007-08-31
This is a good book. It is very helpful in determining how to organize photographs. It also is a give a good review of Bridge. It would be nice for the book to be up dated to cover CS3.
An Excellent Overview.......2007-03-31
I found this book to be an excellent resource to help you to understand how all the pieces fit together.
Indespensable Reference for management & storage of digital photos............2007-03-18
As a novice in the area of digital asset management, I found this book to be extremely helpful.....well written and full of great suggestions on how best to manage your photos. Highly recommended.......a true five-star guide.
HIghly Recommended.......2007-03-08
Helps you learn how to deal with all the digital photography photos that amass on your hard drive. Do you save them as JPEG , RAW, both? What about DNG? How do you tag, and archive these files? Why would I do it this way? It's important to know when your files reach into the thousands!! Do you want to lose your data or save it as an inferior file? I hope this book gets updated yearly.
Once good, now seriously outdated and needlessly complex.......2007-03-02
The DAM Book was probably much needed when it was first published - its publication coincided with a realization by many professional and serious amateur photographers that handling the quickly growing digital photo collections required a sound organizing approach and dedicated software tools. The book aptly points out that dealing with digital image workflow and the resulting file archives is in many significant ways different than dealing with film-based archives. Based on this initial premise, the book offers recommendations on how to organize digital photo studio workflow and filing / archive system.
Alas, the author chose to tie VERY CLOSELY his mostly sensible conceptual framework (i.e., HOW to organize) with very specific software and hardware. Often, more general advice is difficult or impossible to separate from his step-by-step, software-specific recipes. So, unless you use exactly the same software and hardware configuration as the author, much, if not most of this information will be of little use.
Since the book was first published, new, DAM- and photographic workflow-oriented software has become available (Adobe CS3, including the new Bridge is now in public beta nearing its release; and Apple Aperture 1.5 and Adobe PS Ligtroom 1.0 are the new, more workflow-focused tools), and more up-to-date (although dispersed) discussion of problems in question can be found in numerous articles on the web. This makes large portions of the book obsolete, as new tools enable different workflows that may be better suited to many photographers' preferences.
The book has other issues.
First, the author LOVES using technical jargon. While technical vocabulary is appropriate in discussing technical issues, creating new terms and elaborate taxonomies for everything is an overkill. The author's misguided argument for using "controlled vocabularies" (a common term, which he uses in his own, very peculiar way - p. 47) is a good case in point. As Eric Abrahamson (Columbia Business School) aptly points out in his excellent book "A Perfect Mess," organizing is always good in principle, but OVER ORGANIZING by creating systems more complex than it is necessary to get the job done, comes at a very steep price in time and resources needed to maintain the system. Enough said.
Secondly, since this is a workflow book (not a coffee-table book), the full color print is totally unnecessary, and the price point is consequently too high. This should have been one of those $9.95 O'Reilly quick-guide booklets. Most photos reproduced in the book are simply decorative, or used as examples for things that are obvious (e.g. an example of a "group shot" - duh!; or a photo of wine barrels in a cellar as a metaphor for file storage system). Photos are not interesting on their own merit; screen captures and simple diagrams would be just as effective in greyscale.
In summary, you may want to flip through the pages of the book at a local library or bookstore - what's really useful and noteworthy here, can be easily grasped in less than 15 minutes; otherwise, your money may be better spent on a good book focused on the actual software tools YOU are committed to using.
Book Description
With Adobe Photoshop Elements 3 and Adobe Premiere Elements, you have everything you need to edit and store your digital pictures and create professional-looking home movies–except, maybe, the computer expertise to actually use these programs. Don't let that stop you! The
Photoshop Elements 3 and Premiere Elements Classroom in a Book Collection is the fastest, easiest way to master both programs.
This convenient collection combines two best-selling books into one to help you learn the Windows version of Photoshop Elements 3 and Premiere Elements quickly and easily. Classroom in a Book offers what no other book or training program does–an official training series from Adobe Systems Incorporated, developed with the support of Adobe product experts.
This Windows-only, lesson-based collection offers copious black and white screenshots and illustrations to guide you through 12 lessons covering Premiere Elements basics and eight lessons covering Photoshop Elements basics. You can follow the book from start to finish or choose only those lessons that interest you. The book includes a DVD with all of the lesson files used in the book, making it easy to follow along with each lesson.
In Premiere Elements you'll learn how to edit home movies using footage from your digital video camera; add titles, transitions, and special effects–and when you’re done, make a DVD! In Photoshop Elements, you'll learn how to correct photos like a darkroom pro and then share them in slide shows, calendars, and more. You’ll also find out how to organize your entire photo collection in easy-to-use catalogs so you can find any picture in a jiffy. All of this information comes packed into one great book that’s a must for any beginning Photoshop Elements or Premiere Elements user.
Customer Reviews:
unified view.......2005-08-07
Photoshop Elements lets you enhance static images, while Premiere Elements lets you compose movies. As you might expect, there is close correlation between the ideas in both packages. So Adobe offers this book that gives a unified view.
Though it should be quickly said that it is written in such a way as to allow random access. That is, if you have a specific problem or task, involving one of those packages, you can look for any relevant section. Assuming it exists, you do not have to read earlier sections to understand that one.
The other advantage of the book is that it is authoritative.
Book Description
Window Seat: The Art of Digital Photography and Creative Thinking is a complete view of a creative project from the artist's perspective. Julieanne Kost, a Photoshop and creative thinking expert, has taken her own experience shooting images out of commercial airplane windows to create a unique creative seminar.
The first section of the book, The Art of Creative Thinking: The Principles, outlines Julieanne's method for staying creative in an increasingly complicated world. In her personal stories, advice, and philosophies, you'll find inspiration if you're stuck or just can't get started. You may recognize some of your own less-than-productive thought processes as she describes her own struggle to let go of the everyday flotsam of life to find a quiet mental space in which she can think, dream, and create.
The second part of the book, Window Seat: The Portfolio, is a collection of images culled from over 3000 photographs Julieanne shot from commercial airplane windows over a period of five years. The photographs are accompanied by brief commentaries addressing various aspects of the process, from the original inspiration to issues of control, subject matter, image selection, and manipulation.
The Appendix contains technical information: a discussion of the equipment and media Julieanne used to shoot the photos; how she processed the photographs using Adobe Camera Raw; the Photoshop techniques she employed to correct, retouch, and manipulate the images; her personal file management system; and how she prepares her files for printing.
This book is essential reading for photographers and artists looking for ways to stay creatively awake, aware, and alive.
Customer Reviews:
Wrong book for me........2007-09-20
I love aviation and photography yet lack any professional training in either field. I had hoped this book would be at a level I could gain something from--I was wrong.
For cloud lovers only............2007-09-15
I was really disappointed by this book. It should have been entitled `Interesting Clouds'.
Out of the first 121 pages only 11 and a half contain text, the rest are pictures of rivers, cornfields and clouds. This limited text is mostly fluff, with the author wondering why passengers would rather watch the in flight movie than marvel at what's outside their windows. The only creative thinking involved is that if you have to travel for work a lot, you might as well take pictures out of the window. The most technical advice is to not sit over the wing, and be sure to get a window seat (duh!), and let's not forget to be careful in the post 9/11 world, using a camera may be a suspicious activity.
The appendix (about 25 pages) is devoted to how to improve your pictures of clouds using Photoshop. I'm sure everyone has to have knowledge of how to remove tints and glare from airplane windows.
Save your money, go outside on a cloudy day with your camera and have a ball! Personally, I'm going to burn this book and take photos of the clouds of smoke, so that I'll get at least some use out of it.
very helpful.......2007-09-13
I have learned a new consepts in showing what is important in the picture. Great book and learning tool.
I love this book!.......2007-08-28
I absolutely love this book!
I found every image, every page to be filled with breathtaking beauty.
Even the most simple photos of clouds, Julieanne Kost has managed to create images the likes I have never seen before.
She has managed to take something that I had always taken for granted, the view from a plane window, and created a whole new vision for me to enjoy. Maybe that is the best way to describe it, her work is the difference between simply seeing and true vision.
I flip through this book whenever I am in need of inspiration.
I have bought 5 copies now and given 4 as gifts.
Everyone whom I gave these to, genuinely loved them as much as I do.
I suggest you buy your 5 now ;-)
Lovely to Look At.......2007-06-23
Window Seat (The Art of Digital Photography & Creative Thinking) by Julieanne Kost
Reviewed by Diane Williams, member of the Eureka Photoshop Users Group, 6/20/07
Window Seat is 90% coffee table photo book and 10% self-help and imaging techniques work flow book.
This 147 page book is a beautiful visual memory of those sights you see when you gaze out the window of a plane. I know I have tried to capture what I see out the window of a plane and have been very disappointed by the images. I may be able to make something of them now with this work flow.
Kost shows us sample original images captured by her and we see the final image after she has applied image corrections in Photoshop. Her instructions are brief. This is not a step-by-step tutorial giving all the input numbers. It is a general overview of the work flow what may be necessary, how you get there by pointing to the tools, and what they can do for you.
The self-help part of the book lists Julieanne's 18 self help and creative thinking hints. Here they are:
Master your tools.
Listen to what your life is trying to tell you.
Be open to whatever comes your way.
Share what you know and learn from others.
Collaborate with other creative people, especially the quiet ones.
Be flexible. Learn to negotiate.
Fix whatever you complain about most.
View every challenge as a possible discovery.
Take 15 minutes for yourself everyday.
Figure out what you need to do to reach your zero point.
Integrate work and Art; both will benefit.
Take up an interest in something you know nothing about.
Look at new stuff- and what you already know- with fresh perspective.
Keep a journal.
Visualize first, Photoshop second.
Replace your thoughts with intuition
Play! Play! Play!
Know when you're done.
This book is worth a look even if it is just to vicariously have the window seat. It will not teach anyone much about Photoshop.
Average customer rating:
- photoshop 7 classroom in a book
- Very well written - a great resource
- Great way to get a handle on a complicated program
- Great Book/Tool
- Great book for beginners
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Adobe Photoshop 7.0 Classroom in a Book
Adobe Creative Team
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ASIN: 0321115627 |
Amazon.com
Each Classroom in a Book features consistently well-written and conceived lessons, part of Adobe's official training and certification program. They guarantee solid instruction, taking readers step-by-step through professional-level projects with topnotch artwork. Adobe Photoshop 7.0 Classroom in a Book book assumes no prior knowledge, and beginners will benefit from the slow and deliberate pacing. However, more experienced Photoshop users won't find it difficult to speed ahead through familiar material and there's a thorough index for troubleshooting specific problems. They'll find new techniques to make their workflow more efficient, and, perhaps, "unlearn" any bad habits (for example, getting a better grayscale conversion for a color photo by using the Channel Mixer rather than clicking "Mode > Grayscale").
Chapters cover the fundamentals: the work environment and help resources; making selections (with the wand, lasso, and marquee tools); using layers and masks; working with the pen tool and other vector graphics techniques; retouching and color correcting; selected effects like hand coloring; color-management issues; and creating images for print or the Web. Areas new to version 7 include working with the File Browser, using the new paint engine to create custom brushes and patterns, and working with the healing brush and cloning stamp.
All lesson project files and fonts are on the companion CD-ROM. Each lesson begins by outlining what will be learned and how long the project should take, and ends with review Q&A. The color section not only shows finished artwork for several projects, but also includes some useful reference pages: a toolbox overview (with color illustrations of what each tool does), a layer blending mode sampler, and a set of images helpful in color management.
In addition to the above topics, the book also shows how to create slices and optimize images in both Photoshop and ImageReady, make rollovers and animations in ImageReady, and use droplets for batch processing. You may not become a power user after these tutorials, but you'll certainly have a firm working knowledge of Photoshop upon which to build expert skills. --Angelynn Grant
Book Description
Adobe Photoshop 7.0 Classroom in a Book.
Using the same style of self-paced instruction employed in the best-selling previous edition, this comprehensive set of Photoshop lessons provides everything you need to dive into the world of print, Web, and graphic design with Photoshop 7. Completely revised to cover all of Photoshop 7's new features (including the new Healing Brush, color correction commands, and file management tools), the book starts with an introductory tour of the software and then progresses on through 16 lessons, covering everything from Photoshop's interface to more complex topics like color management, Web graphics, and photo retouching. You'll find step-by-step instructions for a variety of projects (from beginning to advanced) and review questions at the end of each chapter to reinforce what you've learned. Easy-to-use project files on the accompanying CD-ROM complete the package.
Books:
- Adobe Photoshop CS3 for Photographers: A Professional Image Editor's Guide to the Creative use of Photoshop for the Macintosh and PC
- Adobe Photoshop Lightroom Book for Digital Photographers,The (Voices That Matter)
- Aftermath: World Trade Center Archive
- Alchemy of Nine Dimensions: Decoding the Vertical Axis, Crop Circles, and the Mayan Calendar
- Animal, Vegetable, Miracle: A Year of Food Life
- Apple Pro Training Series: Logic Pro 7 and Logic Express 7 (Apple Pro Training)
- Art of Bird Photography: The Complete Guide to Professional Field Techniques (Practial Photography Books)
- Atget's Paris (TASCHEN Icons Series)
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