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- Behind the Scenes of Media Programming
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Programming for TV, Radio & The Internet, Second Edition: Strategy, Development & Evaluation
Lynne Gross ,
Brian Gross , and
Philippe Perebinossoff
Manufacturer: Focal Press
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Managing Media Companies: Harnessing Creative Value
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ASIN: 0240806824 |
Book Description
Where do program ideas come from? How are concepts developed into saleable productions? Who do you talk to about getting a show produced? How do you schedule shows on the lineup? What do you do if a series is in trouble? The answers to these questions, and many more, can be found in this comprehensive, in-depth look at the roles and responsibilities of the electronic media programmer. Topics include: Network relationships with affiliates, the expanded market of syndication, sources of programming for stations and networks, research and its role in programming decisions, fundamental appeals to an audience and what qualities are tied to success, outside forces that influence programming, strategies for launching new programs or saving old ones. Includes real-life examples taken from the authors' experiences, and 250+ illustrations!
* Completely updated to include: new programming forms, changes in programming style, and more!
* Updated Glossary!
* Study questions for each chapter
* Companion website for students and Instructor's Manual
Customer Reviews:
Behind the Scenes of Media Programming.......2006-01-28
This is a very solid job at describing a constantly moving target. The authors (the first and third are at California State University-Fullerton, while Brian Gross teaches out in Jakarta and has enjoyed extensive experience in all three media) help to bring ever more important Internet content into the media mainstream with their treatment. Chapters cover the history of programming in all three services (and related areas such as video games), sources of television programming, sources of radio and Internet content, development of content for each of the three, testing of audience reactions, elements of successful programming, factors influencing television programming, factors impacting radio and Internet content, scheduling strategies for each of these services, program evaluation, changing and canceling programs, and ethical issues. The book is more descriptive than critical in approach, and helps readers get behind the scenes to better understand the players and process.
Amazon.com
Thank goodness this classic book has come back into print! Though The Technique of Film Editing has not been revised since 1968, it is still the single most comprehensive and engaging volume on film editing. Karel Reisz and Gavin Millar introduce readers to every aspect of the editor's craft. They provide a concise history of editing and describe editing style as it applies to every genre of moviemaking, including the many types of narrative and documentary films. The particular demands of wide-screen filmmaking, cinema vérité, and the avant-garde are also covered. Reisz and Millar's account of the differences between smooth and abrupt editing and their remarkable sense of editing for dramatic effect rather than for realism make this book an essential for apprentice editors, as well as for those who want to know how filmmakers understand their work.
Book Description
First published in 1953, the original English version of the book was reprinted 13 times without a word being changed and in translation it has become the standard work on the subject in the Spanish Czech, Polish and Russian languages.
In 1968 the original text was reprinted as it stood, as it was felt that any attempt to revise or reinterpret it could only blur its spirit. the second edition has now also reprinted 13 times. On publication the film director Anthony Asquith said `this book is an absolute must not only for film technicians but for every intelligent filmgoer' and more recently i has been said that `it is probably the most successful film textbook in English, and has had a great influence on the technique of the cinema.' By
reisuing this book, unchanged apart from the new cover and slightly larger format, we hope that a new generation of aspiring film editors will continue to derive much pleasure from this classic text and, moreover, it will treble their enjoyment of every visit to the cinema.' Film director, Anthony Asquith `All who are creatively and written and compiled by Karl Reisz, with the help of some of the finest brains in British film production must become a standard work.' Film producer,
Michael Balcon.
Customer Reviews:
Bible of Film Editing.......2007-08-08
Bible of Film Editing
from an editor and editing professor-
editors must have it- simple as that-- would be wise for other filmmakers to read too
comprehensive fantastic.......2005-09-01
I found an old copy in a library and searched this out. I bought the hardcover one on amazon cheaply. It has been revised for so long you may as well buy the old. it's not just about editing and goes through how to sequence shots for action (a chase) etc, goes through some citizen kane shots. Has quite a few pictures of sequences and other stuff. I highly recommend it. It's a massive book.
Want to make films? Read this book!.......1997-11-24
First you have to find it. Incidentally, I am sure it is not extremely difficult to find, for I happen to have found it accidentally in a film book store in Hollywood. Needless to say this book provides any potential film maker with an exciting view of the craft, turning mechanics into art. It is written in a clear style and in an almost profound way it will change the way you understand cinema and editing. Reisz and Millar will teach you how to turn the art of film into film art.
Book Description
Digital Compositing for Film and Video is a hands-on, how-to guide that addresses the problems and difficult choices faced by the professional compositor in real-life situations. This book presents you with tips, tricks and techniques for dealing with the badly shot elements, color artifacts, and mismatched lighting that bedevil compositors. Included in this book is: in-depth, practical methods for bluescreen matte extraction, despill operations, compositing operations, and color correction - the "meat and potatoes" of all digital effects. Written in a completely software independent style, it is totally applicable to any brand of compositing software.
The second edition contains many important additions:
* printed in full color with over 400 color photos and illustrations
* companion DVD with 3.7 gigabytes of test images, including hard to get HiDef video and feature film scans
* new section on working with HiDef video
* new section on digital intermediate, the feature film finishing process of today
* more Adobe Photoshop blending modes and procedures
* new material that reveals the add-mix composite, light wrap, slot gags, and how to defeat banding problems
Customer Reviews:
An Essential Guide and not just for compositors.......2007-07-08
If you've ever been on set and heard the catchphrase "fix it in post" this book is for you.
Not only is the information detailed and thorough, but also extremely readable. Some ironic asides demonstrate Wright has the experience to back up his text. He covers all levels of compositing, from basic luminance keying to green-screen/blue-screen, to color corection and matching foreground and background elements, motion tracking, alpha-channels (to premultiply or not premultiply) and the differences between film and video.
The book is not software specific, and the enclosed exercises and demonstrations can be done on most software with compositing features -- including Photoshop!
Why four stars and not five? The extra money demanded for addional exercises seems to be an unfair gouge. But the book is definitely worth the cover price! Even if you have no immediate aspirations at all to composite something, you'll at least see just how tough it can be.
Producers, Directors and Camera departments (aspiring or experienced) can all learn something here -- and with any luck they'll learn it before they light their next green/blue screen.
Too bad the cover is so damn ugly.
Must have.......2007-06-08
I bought it based on the first Edition and I wasn't wrong.
Its even better.
Nice book.......2007-05-13
This is a very complete and engaging book.
It's generic enough so that you can learn a lot regardless of your software/manual tools;
But it focuses enough on certain programs, that it is still useful for those specific users as well.
It was a gift for a relative, but I spent a few hours reading before giving it away...
A must have for your VFX library.......2007-01-05
If you're new to the effect industry or a seasoned pro this is still the bible for understanding what is happening under the hood of a compositing software. This is not software specific, but be it 'Shake' or 'an other' this will help you truly understand the what, when and why.
This book together with - Ron Brinkman's 'The Art and Science of Digital Compositing' - also available at Amazon, will hold you in good stead throughout your career.
It truly gives you the 'wow' factor.
Excellent book.......2006-12-15
Even advanced compositors will glean juicy bits from Steve Wrights' effort. I've read all the standard texts and this one stands with the best. Clear, friendly prose makes this book a comfortable read; read it two or three times and you'll find that you get a little something out of it on each pass. Whether your work end up in print, video or film, this is a must-have book.
Book Description
"Jeff Foster has created the one indispensable and definitive production guide to two of the world's greatest symbiotic tools: After Effect and Photoshop."
—Jack H. Davis, coauthor, the Photoshop Wow! books and How to Wow: Photoshop for Photography
Nothing beats the tight synergy of After Effects and Photoshop for creating professional-level effects, and nothing beats this book for showing you how Hollywood professionals really use these programs.
In this second edition to his bestselling book, TV and movie graphics veteran Jeff Foster provides all-new information on After Effects 7 and Photoshop CS2—plus expanded coverage of blue/green screening and titling, beautiful new images, and innovative real-world solutions for today's professionals. Better than ever, this must-have reference is still the only guide that shows how to use these two superpower programs together to achieve professional results.
The DVD includes production materials, third-party plug-ins and filters, and stock video. You'll also find project files and footage to go with every one of the book's projects, which require After Effects 7 or later.
Learn what the pros know, including how to:
- Add depth to your animation by mimicking real motion
- Grab your audience's attention with creative motion titling
- Shoot a clean blue/green screen
- Apply 3D animation to 2D images
- Remove backgrounds with blue-screen garbage mattes
- Retouch frame by frame with rotoscoping
- Construct realistic composites and locales with matte painting
- Make movies from stills by simulating 3D camera motion
- Produce realistic effects such as noise, clouds, and smoke
Note: CD-ROM/DVD and other supplementary materials are not included as part of eBook file.
Customer Reviews:
a good Book for discover the tricks!!.......2007-01-09
Cuando adquiri este libro pense en que solo me ayudaria en comprender mejor al Photoshop con el After Fx pero fue mejor que eso...
En realidad entendi el como y el porque de hacer muchos procesos desde Photoshop pàra agilizar y darle mas realismo a las composiciones.
Adventencia: No es un libro facil de leer para principiantes, es mejor leer cada capitulo y repetir ejercicios al menos 2 veces. Eso incrementa el tiempo de terminarlo de leer.
Si yo fuera tu, si lo compraria.
he dado asesoria de postproduccion por 3 años y es bastante didactico.
Puede bajar cientos de tutoriales de internet, pero no podras entender el como realizar desde cero proyectos de mayor alcance sin la ayuda de libros como este.
Thank God Somone's Listening!!.......2006-03-17
Tired of the usual "Blah, Blah, Blah" in computer books? FINALLY - somone is listening to the needs of graphics professionals and students wanting to learn tips and tricks for doing these effects and animations! Foster not only shows you HOW to do these techniques, but more importantly, WHY! I have found this book indespensible in my advancement way beyond the basic tools and functional training of other After Effects books. If you want to learn animation or do any kind of special effects on your own, then get this book NOW!
extremely useful.......2006-03-06
have bought many books on after effect and photoshop.
This is so far the best ever. Easy to use, easy to understand.
Not for the complete beginner..........2005-12-21
I have to say that you MUST need a solid undertanding or at least the basics of After Effects before getting this book. Also, there are not many figures to ilustrate the projects in an easy way.
Get the book if you have good knoledge of After Effects.
Book Could have been SOOOO Good............2005-10-11
This book seemed to cover all the topics I wanted to get me in to being able to doing some of the things that I wanted to do right away with 3-D photo montages and working in 3-D space with AE and Photoshop but the book skips far too many steps and assumes you can read minds and know the "in-between" steps to get from one set of instructions to the next. I would not recommend this book to any one who does not have a very good grasp of AE. If you know AE very well then this may be the book for you. As for me I guess I'll just have to go back to my Total Training DVD's but I was hoping to get up and running a little quicker.
Book Description
Practical Art of Motion Picture Sound embraces the subject of sound for films. Based on the experience of the author and other top sound craftspeople and firmly grounded in practical techniques, this book provides numerous real-life examples and relevant technical data, as well as an appreciation of all the processes involved in creating motion picture sound.
This edition is completely revised, with all-new chapters on 5.1, the Nagra IV-S, and the Nagra V. The ProTools content is expanded, and there are new sections on how to record Foley in Pro Tools and the concept of ADR/looping. The accompanying audio CD presents demonstration material as well as a large library of sound effects, while numerous charts, illustrations, and photographs help to demonstrate techniques and common industry practices.
Learn about best practices and pitfalls from a Hollywood veteran
Audio CD with demos and sound effects
Experience-based advice on a wide range of topics
Customer Reviews:
Behind the attitude, there is a lot to learn here.......2007-09-29
As mentioned, Mr. Yewdall really knows his stuff, and the personal approach is unique and highly effective. It's rare to see a subject like this tackled in such a personal manner, and on that level it works.
However, as a "read" it has its problems. It is extremely lenghty, the writing is at times long-winded, and much of the information is unnecessary. The Pro Tools chapter should probably be removed entirely as it shows a lack of real awareness of how the system is being used by professional operators. (and it really doesn't seem to be his strength anyway.)
More troubling for me was the attitude. He has quite an ego, and his anti-intellectualism is not a positive influence, not for those practicing sound arts nor those who work with them (producers, directors, editors). In many ways, his book is geared toward all practitioners in film, and I fear that his attitude reinforces the perception many people have of the bitter sound guy.
However, while I found that aspect tiring, there's no denying that this is easily the most revealing book on audio for film I've found. If you want an in-depth look at the nuts and bolts process of film sound, you'll definitely learn a great deal in Mr. Yewdall's book.
The Practical Politics of Motion Picture Sound.......2007-08-03
This is the first book I've read on the specific topic of sound for films. I saw this listed on the Berkely School of Music website as a listed text book, so I figured if it's good enough for them....
There's a lot of great technical tips on many aspects of sound recording, from on-camera dialog, sound effects in the field, foley stage, to editing both linear and non-linear. The only thing less touched on was some techniques on the final mix of a soundtrack, even though the process of it was covered.
This book would be better for someone who's getting ready to enter the professional field, or just starting as tons of politics are discussed which at points made some chapters seems like an E! Entertainment report. Funny, but a little overkill for someone not in "the business".
Lastly, I would have liked to hear more about the mistakes the author made and how he learned from them, with solutions and the problem solving techniques used. Most references are on how everyone else made the mistake of not listening to the author, which comes across a little snooty, but I get the point. Good basic tips and setup for using ProTools as well. If you don't mind all the politics, and camera talk, then this will be a great read and learning expierence.
This book needs a new edition!.......2007-06-05
There's a lot of really good stuff in here - clear, concise, and helpful, even if the author is a little hubristic at times. Sadly, all of the information dealing with computer-based audio is at least ten years old: the author mentions applications like Sound Designer and the 'Audio Media III' hardware card, which went out with beige Macs.
Untold Secrets of Cinema Sound.......2005-02-27
Mr. Yewdall, the author, puts his long time experience into this book. Avoiding pitfalls with producers to working with budgetary constraints while producing academy award winning sound is probably the main emphasis of this book. The CD that comes with it is quite valuable, containing sample audio clips to demonstrates the author's points at various times. This book will save you atleast 2 years of experience in motion picture sound. It's worth every penny.
A good overview of sound for films.......2001-04-28
I found the book very entertaining to read, Yewdall tells many personal stories which he uses to illustrate points. In fact, I read it more like a novel. He passes his knowledge, and experience to the reader through stories of things he's done, and has seen in his many years recording, producing and creating sound for motion pictures. Some is fact, some is opinion, but his opinions are clear and are backed-up with his own unique style of logic.
There are also more technical areas of the book that cover topics like mic placement, how to record cars/explosions/dialogue, how to catalogue your own sound effects libary, etc. This book would also be useful to directors and producers who want better sound in their films. There's definately lots to learn about sound, and the author has done a good job giving the reader an idea about what motion picture sound is all about.
Book Description
With the advent of affordable equipment, there are more opportunities than ever in the field of corporate media production. This book examines all aspects of this creative field, from concept development to the final stages of postproduction. The book also clarifies the roles of the writer, producer, director and client while focusing on the dynamics among these key players. This in-depth book captures all the technical and creative elements used in the creation of media in the corporate world.
The new edition has been updated to reflect the most current media production, editing, delivery formats and processes, with an emphasis on DV. There is material on the new digital video cameras and non-linear editing systems, as well as an expanded discussion of audio sweetening. A new chapter on evaluation demystifies this critical process, and there is a new discussion of multimedia.
* Updated to cover the digital video revolution's effect on the tools of corporate media production
* Covers the creative and technical aspects of the job
* Essential knowledge for anyone planning a career in corporate video
Book Description
Documentary Storytelling is unique in offering an in-depth look at story and structure as applied not to Hollywood fiction, but to films and videos based on factual material and the drama of real life. With the growing popularity of documentaries in todays global media marketplace, demand for powerful and memorable storytelling has never been greater. This practical guide offers advice for every stage of production, from research and proposal writing to shooting and editing, and applies it to diverse subjects and film styles, from vérité and personal narrative to archival histories and more.
Filled with real-world examples drawn from the authors career and the experiences of some of todays top documentarians, Documentary Storytelling includes special interview chapters with Ric Burns, Jon Else, Nick Fraser, Susan Froemke, Sam Pollard, Onyekachi Wambu and other film professionals. This second edition has been brought up to date with a more international focus, a look at lower-budget independent filmmaking, and consideration of newer films including Super Size Me, Murderball, So Much So Fast, and When the Levees Broke.
* Storytelling techniques are one of the most powerful tools in the documentary filmmaker's arsenal--learn how to harness them with this book
* Top documentary filmmakers provide their storytelling strategies
* Covers a wide range of documentary styles
Customer Reviews:
Outstanding Resource.......2007-03-13
Whether a practitioner of the craft or someone who enjoys viewing non-fiction films, Documentary Storytelling is an invaluable resource. Sheila Curran Bernard's award-winning experience in the genre shines in this extremely practical book. From casting to treatments to editing, Bernard covers all the basics in great detail. But what distinguishes this book is her dedication to storytelling, a concept often lost with the technical wizardry available at our fingertips. Bernard's breakdown of the three-act structure and comparison of the narrative spine to a train offer wonderful lessons for novices and reminders for experienced filmmakers. Her analysis of existing documentaries illuminates the three-act structure. Bernard's main points are reinforced at the end of the book, thanks to a series of interviews she conducted with experienced documentarians. The reader is left with a practical how-to guide to make documentaries, as well as the critical skills to analyze non-fiction films.
In short, Documentary Storytelling is a must for students and anyone who wishes to engage in documentaries!
Book Description
Unique among directing books, Film Directing Fundamentals provides a clear-cut methodology for translating a script to the screen. Using the script as a blueprint, Proferes leads the reader through specific techniques to analyze and translate its components into a visual story. A sample screenplay is included that explicates the techniques. The book assumes no knowledge and thus introduces basic concepts and terminology.
* Unique, focused approach to film directing that shows how to use the screenplay as a blueprint
* Clear-cut methodology for translating a script to the screen
* Case studies featuring famous films
Download Description
Unique among directing books, Film Directing Fundamentals provides a clear-cut methodology for translating a script to the screen. Using the script as a blueprint, Proferes leads the reader through specific techniques to analyze and translate its components into a visual story. A sample screenplay is included that explicates the techniques. The book assumes no knowledge and thus introduces basic concepts and terminology.
Customer Reviews:
a rarified gem.......2007-06-07
....the first book to make sense of it all...where to put the camera...how to stage the scene...how to help actors find the performance...it teaches these things as much as any book can, and will save you the cost of one third of film school
An excellent book.......2007-03-27
This book is filled with valuable and helpful information for budding directors. I'm currently in the process of putting everything in this book to good use. The thing I like about this book is that it's not just one of those books that says you need to storyboard everything, because unless you have good drawing skills that really isn't feasible. The book gives an in depth look on how to pre-plan your film shot by shot and the use of floor plans to illustrate camera set-up's. It's so simple, but this is the type of thing that will make you prepared when you come to shoot, instead of just winging it.
practical approach to dramatic direction.......2007-02-06
For an aspiring film or video director interested in analyzing scripts for dramatic elements and then planning the staging for the camera, this book is an outstanding introduction. It gives both a general overview of the process and then analyzes several scenes from famous films. its emphasis is on the dramatic content first, then the visual. It is not strong in the area of shot planning, storyboarding, or complex shot design sometimes seen in modern films. And it does not deal with subtle editing effects. But it is a good introduction to classic film direction and presented in a classroom style. Someone with a strong interest in film drama, from a viewer's point of view, might also find this book interesting.
A closer look.......2006-11-10
This book pulls no punches on the minute technical details that go unnoticed but not unexperienced in the director's craft. It's like taking a great class in the technical structure of directing. I haven't had this much fun reading a film book in a long time.
Can't put it down!.......2002-03-08
The author intelligently and thoroughly guides you step-by-step through the directing process. I learned a lot by his scene analyses of a few popular films. Great book, very much worth it!
Average customer rating:
- One indispensable volume for a thin film maker
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Practical Design and Production of Optical Thin Films, Second Edition, (Optical Engineering, 79)
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Similar Items:
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Thin Film Optical Filters, 3rd Edition
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Optical Coating Technology (SPIE Press Monograph Vol. PM137)
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Thin-Film Deposition: Principles and Practice
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Field Guide to Optical Thin Films (SPIE Vol. FG07) (Field Guide)
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Coatings on Glass, Second Edition
ASIN: 0824708490 |
Book Description
Providing insider viewpoints and perspectives unavailable in any other text, this book presents useful guidelines and tools to produce effective coatings and films. Covering subjects ranging from materials selection and process development to successful system construction and optimization, it contains expanded discussions on design visualization, dense wavelength division multiplexing, new coating equipment, electrochromic and chemically active coatings, ion-assisted deposition, and optical monitoring sensitivity. Furnishing real-world examples and know-how, the book introduces Fourier analysis and synthesis without difficult mathematical concepts and equations.
Customer Reviews:
One indispensable volume for a thin film maker.......2002-11-02
Almost all knowledges about the manufacturing of an optical thin film are coverd.Especially bibliograpy is substantial.Although most required things have gathered, they are good.About the theoretical portion of the characteristic of a thin film, explanation is by for beginners a little.Although there is nothing, since there are some which explained it mostly, they do not become a problem.
As the 2nd book,it is indispensable to those who are going to study the optical thin film.
In a thin film maker's bookshelf,It is one volume which should be equipped with and placed.
Average customer rating:
- Author knows what he is speaking about
- 1 of 3 great books on film/video sound
- The Best Intro you will ever have
- Yawn
- Probably One of The Best Books about Sound
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Sound for Film and Television, Second Edition (Book & CD-ROM)
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Similar Items:
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Practical Art of Motion Picture Sound, Second Edition
-
Sound Design: The Expressive Power of Music, Voice and Sound Effects in Cinema
-
Audio Post Production for Television and Film, Third Edition: An introduction to technology and techniques
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Sound for Digital Video
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Pro Tools - For Video, Film and Multimedia
ASIN: 0240804538 |
Book Description
Sound for Film and Television, Second Edition provides a thorough introduction to the fascinating field of recording, editing, mixing, and exhibiting film and television sound. It strikes a fine balance between aesthetic and technical content, combining theory and practice to approach sound as both an art and a science, as no other text has before. This edition includes new information on digital techniques as they have arisen in the industry, and expanded coverage of sound editing and design.
Written by one of Hollywood's leading sound experts, Sound for Film and Television, Second Edition provides a solid grounding in all aspects of the sound process. Basic principles are presented with illustrations demonstrating how they affect the day-to-day activities on a film or television set, in the editing room, and in the mix room.
*The only text to present sound design as both an art and a science
*Accompanying audio CD contains examples demonstrating key concepts
*Bridges the gap between production books and design engineering books
Customer Reviews:
Author knows what he is speaking about.......2007-07-22
The book covers comprehensive topics about its subject: from psychoacoustics to (for example) sound editing techniques to (for example) film sound synchronization methods to (in the last chapter) dynamic range for various media for master prints. First that comes to mind when I remember the accompanying CD is the demonstrations of various microphone directivity patterns (but there is something more in it).
The topics aren't discussed in very deep levels (but are good enough), but are reinforced with author's wide experience I would like to admit (examples how the sound was worked out are taken from such films as "Jurassic Park", "Star Wars"). I found this book very interesting as I didn't know very much about film sound techniques, for specialists this book is of lower interest I think (although it contains some handy material, e.g. comparisons of various sound recording formats, etc.)
Contains some errata, but I cannot find it right now.
1 of 3 great books on film/video sound.......2005-12-28
This is an excellent book though it contains many errors in the mathematics of decibels. The other 2 greats books are: Audio in Media by Stanley R. Alten and Sound for Picture by Tom Kenny.
The Best Intro you will ever have.......2002-04-13
An easy to read, logical guide to practical production sound. If you only ever read one book on audio this should be it.
Yawn.......2001-12-16
Should bore the socks off you if you have a pulse.
Probably One of The Best Books about Sound.......2000-12-28
This is an amazing book. It contains every aspects of Film TV Sound in depth (including newest techonologies like Surround stuff) and it is easy to understand. The CD is not what you expect from this book but anyway it is useful.
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