History: Fiction or Science? (Chronology, No. 1)

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.

Imari, Satsuma and Other Japanese Export Ceramics

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Imari Satsuma book review
Outstanding Japanese Ceramics Book.
Large number of high quality color photographs

Imari, Satsuma and Other Japanese Export Ceramics
Nancy N. Schiffer
Manufacturer: Schiffer Publishing
ProductGroup: Book
Binding: Hardcover

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ASIN: 0764309900

Book Description

The popularity of Japanese ceramics in the West caused a vast and delightful variety of wares to be made in the late nineteenth century for export. Colorful Imari porcelain in deep blue, orange-red, and gold, Fukagawa porcelain in imaginative designs, as well as the softly colored Satsuma earthenwares, are the best known of the old Japanese exports, shown here in hundreds of variations created by skilled decorators. This new edition has an updated values reference and additional items shown in each chapter, especially early Imari wares from the period c. 1700. Also presented are the exotic Sumida and Banko wares, relative newcomers to the field whose popularity has grown steadily over the last ten years. Makers' and decorators' marks, unusual shapes, design variations, and hard-to-find examples are all shown in 600 color photographs with identifying captions and concise text.

Customer Reviews:

Imari Satsuma book review.......2007-06-12

The pictures are wonderful and plentiful as well as history of the styles. What's painfully lacking are examples and explanations of marks. Two and a half pages representing 27 marks with minimum information on any of them. I felt like it was a pretty book to look through, but a poor reference for those looking for information on how to buy Imari or Satsuma. I found no information at all about reproductions or modern pieces that have flooded the market and make it difficult for less than well informed buyers to get genuine pieces of antique Imari or Satsuma.

Outstanding Japanese Ceramics Book........1998-08-24

Outstanding book for amateur and serious collectors to enjoy - pieces are identified with text and superb coloured photos.

Large number of high quality color photographs.......1998-03-11

Of great interest to dealers and collectors of Japanese export ceramics, this book contains full color photographs of a large number of fine specimans of Imari, Satsuma, Banko and Sumida. Significant number of pieces from the Arts and Crafts period. Sections on markings, bibliography and valuations. I think the valuations are on the low side of current retail prices.

History: Fiction or Science? Chronology 2 (Chronology)

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Check and see
Suprise! Suprise!
Prescient St Augustine?
Something of a disappointment
Romulus courts Helen, Paris founds Rome, Moses goes to Troy..

History: Fiction or Science? Chronology 2 (Chronology)
Anatoly T Fomenko
Manufacturer: Delamere Resources LLC
ProductGroup: Book
Binding: Paperback

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ASIN: 2913621066

Product Description

`History: Fiction or Science? Chronology 2` is the second volume of the most explosive and astounding tractate on history ever written - however, every theory it contains, no matter how unorthodox, is backed by rock solid scientific data. The book is easy and pleasant to read; it is well-illustrated, contains hundreds of charts, graphs and illustrations, copies of ancient manuscripts, and countless facts attesting to the falsity of the chronology used nowadays. You will be amazed to discover: - That the chronology universally accepted today and taken for granted is simply wrong; - That ALL methods of dating of ancient sources and artefacts known today are erroneous or non-exact; - That there is not a single document that could be reliably dated earlier than the XIth century; The Author refers to the Middle Ages as the Antiquity and proves mutual superimposition of the Second and the Third Roman Empire, both of which become identified as the respective kingdoms of Israel and Judah. Furthermore, he asserts that the famous reform of the Occidental Church in the XI century by Pope Gregory Hildebrand was the reflection of the XII century reforms of Byzantine emperor Andronicus who in his turn identifies with Jesus Christ. The Trojan war counted by Homer happened only as late as of the XIII century A.D. and the great poet actually lived in XIV century A.D. No stone in history of Antiquity is left unturned. Literally. This book is the beginning of a major correction to the chronology we live with.

Customer Reviews:

Check and see.......2007-06-21

I don't care what other people say of this book. Those affirmig it's fake, they hadn't ever read it. Or have some special reasons to do so. "Living is easy with eyes closed, misunderstanding all you see..." This book won't make you feel comfortable. It'll make you feel free. It'll make you feel you're "not the only one" to feel you'd been lied to for centuries.

Suprise! Suprise!.......2007-03-22

Here is a serie of books which turns "the whole world" upside down. I learned a lot of it and I hope that a new book from A.T. Fomenko will follow very quick. A absolute must for everybody who is interested in history or even a little bit from it.

Prescient St Augustine?.......2006-02-05

We can so far divide the New Chronology into the following three parts:

a) The verifiable theory that proves consensual chronology wrong with the aid of astronomy, statistics and mathematics;

b) The new chronology hypothesis based on a new understanding of known historical facts and the most likely logical explanation of the most obvious inconsistencies inherent in the official version of history;

c) The history conjectures, that is experimental historical reconstructions based on assumptions that the authors believe to make sense in the light of their research and linguistic parallels - void of ironclad factual support to date.

Fomenko's theory complies with the most rigid scientific standards as a whole:

It gives a coherent explanation of what we already know.

- It is consistent: independent lines of inquiry all lead to the same conclusion.

- The predictions it makes are confirmed empirically.

Fomenko goes by the following axioms:

- Chronology is the basis of history;

- Human evolution has always been linear, gradual and irreversible;

- The "cyclic" nature of human civilization is a myth, likewise all the gaps, duplicates, "dark ages" and "renaissances" that we know from consensual history;

- The accumulation of geographical knowledge as reflected in cartography is a gradual and irreversible process;

- The chronological distance between a given manuscript and the events described therein is proportional to the amount of distortions it contains;

- There is no "useless" information in authentic ancient sources.

Why the mainstream historians do not shower mathematician Academician Dr.Prof Fomenko with thanks and laurels?

The Russians:

Because Fomenko asserts that there was no such thing as the Tartar and Mongol invasion followed by three centuries of slavery, providing a formidable body of documental evidence to prove his assertion. The so-called "Tartars and Mongols" were the actual ancestors of the modern Russians, living in a bilingual state with Arabic spoken as freely as Russian. The ancient Russian state was governed by a double structure of civil and military authorities. The hordes were actually professional armies with a tradition of lifelong conscription (the recruitment being the so-called "blood tax"). Their "invasions" were punitive operations against the regions that attempted tax evasion. Fomenko proves that Russian history as we know it today is a blatant forgery concocted by a host of German scientists brought to Russia by the usurper dynasty of the Romanovs, whose ascension to the throne was the result of coup d'état, charged with the mission of making their reign look legitimate. Fomenko proves Ivan the Terrible to be a collation of four rulers, no less. They represented the two rival dynasties - the legitimate rulers and the ambitious upstarts. The winner took it all! Over some 30 years of controversy, Russian historians have made a most remarkable transition - they were initially accusing the young mathematician Fomenko of anticommunist dissident activity and attempts to deface the historical legacy of Soviet Russia; nowadays the middle-aged mathematician is accused of adhering to "pro-communist Russian nationalism" and defacing the proud historical legacy of Great Russia.

The Westerners:

Because Fomenko blows consensual Russian history to smithereens, successfully removing a crucial cornerstone from underneath the otherwise impeccable edifice of World History. Fomenko adds insult to injury, wiping out one by one the Ancient Rome (the foundation of Rome in Italy is dated to the XIV century A. D.), the Ancient Greece and its numerous poleis, which he identifies as the mediaeval crusader settlements on the territory of Greece, and the Ancient Egypt (the pyramids of Giza become dated to the XI-XV century A. D. and identified as the royal cemetery of the Global "Mongolian" Empire, no less). The civilization of the Ancient Egypt is irrefutably dated to the XII-XV century A. D. with the aid of the ancient Egyptian horoscopes cut in stone. He was the first one to decipher and date all such horoscopes, coming up with mediaeval dates in every case. English historians rage at the suggestion that the history of Ancient England was de facto a Byzantine import transplanted to the English soil by the fugitive Byzantine nobility. To reward the English historians who consider themselves the true scribes of World History, the cover of the present book portrays Tintoretto's Jesus Christ crucified on the Big Ben.

The Chinese:

Because Fomenko wipes out the Ancient History of China outright. No such thing. Full point. The compilation of the so-called Ancient Chinese History is reliably datable to the XVII-XVIII century only. It is perfectly recognizable as the Ancient European history, reworked and transcribed in hieroglyphs as yet another historical transplantation, this time performed on the Chinese soil by the loving Jesuit hands. The Chinese are the next in line to go berserk. Chinese history is inevitably bound to get both more ancient and more eventful, proportionally to the growing involvement of China in the world affairs. Chinese historians will keep on finding valid proof of prehistoric Chinese spaceflights until the Politburo orders them to shut up.

The Arabs:

Too bad. Islam with all its key figures is datable to XV-XVI century A. D. Arabic historians may find consolation in the crucial historical role of the Ottoman Empire in the XVI-XVII century. The trouble is that this empire was initially a Christian state, with Hagia Sophia identifiable as Temple of Solomon, according to Fomenko! We can only guess if the acquisition of Alexander the Great (a Macedonian and a Christian) as the founder of the Muslim World Empire will make Fomenko's theories more acceptable to the Arabic mainstream. He certainly does not spare any holy cows at all, claiming The Stone of Qa'Aba in Mecca to contain the lost Arch of the Covenant.

The Divinity:

Despite of reiterated statement that his theory is all about chronology and not Religion, Fomenko stirs up a whole condominium of wasp nests. His collection of anathemas, fatwa, and other condemnations from all parties concerned is already considerable. Little wonder, considering that the history of religions à la Fomenko looks as follows: the pre-Christian period (before the XI century and JC), Bacchic Christianity (XI-XII century, before and after JC), JC Christianity (XII-XVI century) and its subsequent mutations into Orthodox Christianity, the Catholicism, Islam, Buddhism, and so on.

According to Fomenko we know strictly NOTHING about the events that predate the X century A. D.

St Augustin was prescient when he spoke unto us: "be wary of mathematicians, particularly when they speak the truth."

Something of a disappointment.......2005-09-09

After having read the first volume of this expected series of 7 volumes I was triggered by the thesis of these authors that ancient Greek and Roman history did in fact take place in the Middle Ages. So I started studying medieval history of the Middle East - also known as Islamic history - to find out if the opponents of the ancient Greeks and Romans - the Acheamenid Persians, Sassanids, Scythians, Egyptians, etc. - also have their duplicates in medieval history. My search was disappointing: none of the many medieval Islamic dynasties seemed to correspond to the ancient middle eastern rulers.

However, I did find a close correspondence between Herodotus' Persian kings and medieval events:

- the defeat and capture of an Anatolian king - the Lydian Croesus - by the Persian conqueror Cyrus is identical to the defeat and capture of another Anatolian king - sultan Bayezid - by the Asian/Mongol conqueror Tamerlane;
- the Persian conquest of Egypt by the cruel tyrant Cambyses reds almost exactly as the Ottoman conquest of Egypt by Selim the Grim (note the nickname!);
- Darius the Lawgiver of the Persian Empire looks very much alike to Sulayman the Magnificent, the Lawgiver in Islamic history;
- Xerxes, whose main claim to fame is to be defeated by the Greeks at the naval battle of Salamis, looks like Selim II (the Sot) whose main claim to fame is to be defeated by a Spanish-Italian alliance at the naval battle of Lepanto.

I should have expected Fomenko et al. to arrive at similar conclusions, however, they claim that the Persian kings are the alter egos of the Angevin kings of Sicily whose biographies do not contain the exploits of the Persian kings.

The similiarities I indicate lead to the conclusion that Herodotus must have written his Histories at the close of the 16th century. But this is extremely late, given that Herodotus is "the Father of History", so therefore all other "ancient" histories must have been fabricated even later. Yet, the founders of modern chronology - Scaliger and Petavius - laid their foundations also at the close of the 16th century and had the full corpus of ancient histories already at their disposal.

It seems to me that Fomenko has to address these inconsistencies, maybe in the forthcoming 5 volumes?

Another critique of their book is that the correspondencies between different rulers are often based on a superficial comparison of the biographies; upon a more thorough comparison many details appear that do not correspond at all.

Finally, the authors rely heavily on the works of Gregorovius (1821-1891!!) - his medieval histories of Rome and Athens - as the source of medieval history; these works are - at least in the West - hoplessly outdated and have been superceded by more up-to-date works (for instance, Julius Norwich's trilogy on Byzantine history is not even cited).

Romulus courts Helen, Paris founds Rome, Moses goes to Troy.........2005-07-30

If you agree with Fomenko that Roman chronology is basically the foundation of the entire edifice of global chronology; you would also certainly agree that despite its numerous gaps and inconsistencies, Roman history is the best-documented field of ancient history, and thus a reference scale. But how well is the actual date of the Eternal City's foundation known?

Firstly, Rome is supposed to have been founded by the Trojans who had to flee after the fall of Troy. Some claim Rome to have been founded by Aeneas and Ulysses shortly after Troy had fallen; others are of the opinion that there was an entire dynasty that ruled for 500 years between the fall of Troy and the foundation of Rome.

Well, that's just an innocent 500 years long misunderstanding compared with what heretic Fomenko says, asserts, proves in his second volume: Second Roman Empire, Third Roman Empire, Biblical Kingdom of Israel, Biblical Kingdom of Judah, Holy Roman Empire are stories about basically same events, written from different points of view at different times. The underlying events have actually taken place during xii-xv cy. These histories have been written and perfected by multitude of highly talented humanist and clerical writers of xiii-xvi cy disguised as "ancients" with glorious names like Homer, Pluto, Thucydides etc..Chronology 2.0 beta..

Historians are kindly invited to report the bugs.

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needs more variety
Great Book!!!
Useful and for the advanced
A Must for Wood-fire Enthusiasts
Great Experience

Japanese Wood-Fired Ceramics
Marc Lancet , and Masakazu Kusakabe
Manufacturer: Krause Publications
ProductGroup: Book
Binding: Paperback

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ASIN: 0873497422

Book Description

The methods, materials and aesthetic appreciation of Japanese wood firing are explained in exquisite detail in Japanese Wood-Fired Ceramics. This ancient technique is a favorite among ceramic artists and instructors around the world, and this superior resource offers artists valuable insight into this nearly 1,000-year-old tradition.

Techniques, traditionally passed on through apprenticeships that last nearly a decade, are explained in detailed instructions, including more than 700 illustrations and color photos. The complexities of loading and firing a wood kiln, unique glazes and firing techniques used to obtain surface effects, and experimental approaches are discussed in this reference. This optimum resource offers artists an additional bonus with instructions for creating two kilns, including the authors' famous Dancing Fire Wood Kiln.

-Details of ancient Japanese wood-firing methods are covered

-Features 700+ color photos to guide artists in learning methods

-Directions for building two kiln offers artists opportunities to build their own

Customer Reviews:

needs more variety.......2007-08-29

A more appropriate title for this book might be: "Wood-firing by Marc Lancet and Masakazu Kusakabe" as it is mainly about them. Although it is thorough and informative, I was disappointed to see the narrow spectrum of artists represented in it.

Great Book!!!.......2007-02-12

This book covers most everything I wanted to know about Japanese Wood-Fired Ceramics. The only area I wish it had was more pictures of finished pieces. Technique and building kilns it covered thoroughly.

Useful and for the advanced.......2007-01-12

I found this book a useful tool in thinking about the way I woodfire. If a person is not a woodfire potter or avid collector of woodfired work it may not be for you. The is definately not a casual read.

A Must for Wood-fire Enthusiasts.......2007-01-10

First saw this book at the wood-fire conference held in Flagstaff, AZ in Oct,2006. The coauthor Marc Lancet delivered an address that was drawn in large measure from the book. After Jack Troy's classic on wood-fire this book sets a new standard. The wide variety of wood-fire surface effects are connected to the japanese names for those effects and what causes them. The sections covering plans for wood-fire kilns is excellent.

Great Experience.......2006-06-24

The visuals are amazing,from the finished work to the building of a kiln. It was picticularly helpful in deciding on what pieces of art work to put into a firing. The information on the hard work and the gradifacation that inspirers woodfire, helped me perpar for being part of an astonishing process.

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History and examples of Japanese Export porcelains 1800-1950

Japanese Porcelain 1800-1950
Nancy N. Schiffer
Manufacturer: Schiffer Publishing
ProductGroup: Book
Binding: Hardcover

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ASIN: 0887400744

Book Description

Hundreds of beautiful color pictures and recently-discovered, important information give this new study of 19th and 20th century Japanese porcelain a most refreshing approach. Visual comparisons of the major styles can be made even by the beginning student because there are so many fine color pictures of the examples. Kakiemon, Nabeshima, Arita, Hirado and Fukagawa styles of Imari; Kutani; Satsuma; and known craftsmen's works are shown in profusion. The European-influenced styles of the mid-20th century such as Nippon, Noritake, and those pieces marked Occupied Japan are presented as trade items necessary for the changing Japanese economy. Fascinating historical and technical background aids in the recognition of each style. Since research continues to add evidence to changing attributions of origins and artists, the author explains both old and new theories and encourages further research. In what is seen as a quickly growing field of collecting, this book stands at the crossroads of scholarship and popularity. Both groups will find information of keen interest and delight in the gorgeous products of the Japanese artistic and commercial communities.

Customer Reviews:

History and examples of Japanese Export porcelains 1800-1950.......1998-03-13

A large format book with about 45% of the numerous illustrations in color, this work presents specimans of the full range of styles; Arita and Imari, Hirado, Kakiemon, Nabashima, Kutani, Satsuma, Kyoto-Satsuma, Seto and Nagoya. A wonderful resource for dealers and collectors.

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Best NAPCO book out there, .....so far.
Napco
Napco by Kathleen Deel

Napco (Schiffer Book for Collectors)
Kathleen Deel
Manufacturer: Schiffer Publishing
ProductGroup: Book
Binding: Paperback

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ASIN: 0764308440

Book Description

Ceramic pieces sold by Napco*r (National Potteries Corporation) are distinctive and popular again today. From its prolific output of the 1950s and 1960s to its miniature bone china imports of the 1970s, Napco has held the interest of collectors because the ceramic items are consistently well-designed. This volume brings together information on all of the Napco*T lines, including chapters on animal figures, birthday sets, decorative items and kitchenware, figurines and planters, and head vases. There is a separate section on Inarco*T (International Artware Corporation), sister company of Napco. Collectors of holiday items, angels, and nursery rhyme characters will find plenty of interest in these pages. An added bonus is the directory of major importing companies of the fifties and sixties. With over 1,000 color photos and a price guide, this is a worthwhile addition to a ceramics collector's library.

Customer Reviews:

Best NAPCO book out there, .....so far........2007-06-14

This is the best book you can find on the subject of NAPCOS. It is not 100% complete, since so many thousand NAPCOS were issued since the mid 1900's; however, this book will give the collector a very nice basis on the subject.

Excellent photos. Printed on nice paper!

Napco.......2006-01-23

This is a fantastic book for the Napco collector. It offers beautiful pictures of some of the best figurines ever made. If you're a fan of Napco, this book is a must have!

Napco by Kathleen Deel.......1999-11-23

This is by far the best book on Napco figurines and has MANY of the hard to find items fully photographed. I have been looking for a book to help me on my Storybook collectables for years and this one is a dream come true! Also has birthday angels and many, many more! So much information all photographed and in beautiful full color! Kathleen Deel knows her Napco collectables and now I will too! I highly recommend this book!

Shibata Zeshin: Masterpieces of Japanese Lacquer from the Khalili Collection (Nasser D. Khalili Collection of Japanese Art)

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Shibata Zeshin: Masterpieces of Japanese Lacquer from the Khalili Collection (Nasser D. Khalili Collection of Japanese Art)
Joe Earle
Manufacturer: The Khalili Collections
ProductGroup: Book
Binding: Paperback

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ASIN: 1874780099
Release Date: 2007-08-21

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This is a catalogue of an exhibition being held at the National Museum of Scotland.

Inro and Other Miniature Forms of Japanese Lacquer Art

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Inro and Other Miniature Forms of Japanese Lacquer Art
Melvin H. Jahss , and Betty Jahss
Manufacturer: Tuttle Publishing
ProductGroup: Book
Binding: Hardcover

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ASIN: 0804802637

Building Your Own Kiln: Three Japanese Potters Give Advice and Instructions

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The collaborative effort of Japanese master potters

Building Your Own Kiln: Three Japanese Potters Give Advice and Instructions
Hiromi Itabashi , Roppo Tamura , and Naoki Kawabuchi
Manufacturer: Kodansha International
ProductGroup: Book
Binding: Paperback

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ASIN: 477002973X

Book Description

Many potters undoubtedly dream of the day when they will build a kiln of their own. Others may wish simply to make better use of the kiln they now have, or one they have recourse to. Again, some connoisseurs may want to know more about the kilns that produce the ceramics they love. For all
these people, Building Your Own Kiln presents the knowledge and experience that three veteran Japanese potters have gained from constructing their own kilns.

Hiromi Itabashi, who is known for his abstract ceramic sculpture, provides step-by-step instructions on how to build a small gas kiln that fires some twenty pieces at a time. Because of its size and ease of use, this kiln is ideal for experimenting with different types of firing and various kinds of
glazes. It can be built in a day and operated by one potter working alone.

Roppo Tamura, who works in both artificial and natural glazes, describes the building of an anagama kiln, with its centuries-old history in Korea and Japan. He stresses the importance of the chimney and the "empty chamber" in regulating the temperature and offers many tips on construction and
firing. Altogether he has built over twenty kilns in his lifetime.

Naoki Kawabuchi, who is known particularly for his Nanban ware, describes the building of a "snake kiln," a type that has a history of over 600 years. He chose this type of kiln for its ability to produce a slow, even temperature, which suits his style of Nanban ware.

The kilns of these three potters are profusely illustrated with diagrams and photographs, providing a concrete image of the building process and a virtual introduction to the role of the kiln in the ceramic arts. For all potters thinking of making a kiln of their own, as well as for ceramic lovers
who want to know more about how pottery is made, Building Your Own Kiln offers a wealth of information and shared know-how, provided by three Japanese potters with years of experience in kiln construction.

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The collaborative effort of Japanese master potters.......2004-03-05

Illustrated with black-and-white as well as color photographs, Building Your Own Kiln: Three Japanese Potters Give Advice And Instructions is a meticulous, step-by-step guide covering everything from choosing the right materials and tools to measuring and construction, safety concerns, and properly operating the kiln once it is built. The collaborative effort of Japanese master potters Hiromi Itabashi, Roppo Tamura, and Naoki Kawabuchi, Building Your Own Kiln is an excellent and "user friendly" guide for pottery hobbyists and seasoned practitioners seeking to take their involvement in their craft to a professional level of quality.

Inside Japanese Ceramics: Primer Of Materials, Techniques, And Traditions

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An essential guide for the potter or the collector.

Inside Japanese Ceramics: Primer Of Materials, Techniques, And Traditions
Richard L. Wilson
Manufacturer: Weatherhill
ProductGroup: Book
Binding: Paperback

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ASIN: 0834804425
Release Date: 1999-10-01

Book Description

This practical and supremely useful manual is the first comprehensive, hands-on introduction to Japanese ceramics. The Japanese ceramics tradition is without compare in its technical and stylistic diversity, its expressive content, and the level of appreciation it enjoys, both in Japan and around the world. Inside Japanese Ceramics focuses on tools, materials, and procedures, and how all of these have influenced the way traditional Japanese ceramics look and feel. A true primer, it concentrates on the basics: setting up a workshop, pot-forming techniques, decoration, glazes, and kilns and firing. It introduces the major methods and styles that are taught in most Japanese workshops, including several representative and well-known wares: Bizen, Mino, Karatsu, Hagi, and Kyoto. While presenting the time-tested techniques of the tradition, author Richard L. Wilson also accommodates modern technologies and materials as appropriate. Wilson has gathered a wealth of information on two frontsâas a researcher of Japanese pottery and art history, and as a potter who has studied and worked for years with master Japanese potters. In his introduction, he provides a short history of Japanese ceramics, and in closing he looks beyond traditional methods toward ways in which Western potters can make Japanese methods their own. Richly illustrated with 24 color plates, over 100 black-and-white photographs, and over 70 instructive line-drawings, Inside Japanese Ceramics is indispensable for potters as well as connoisseurs and collectors of Japanese ceramics. Above all, it is an invitation to participateâto study, make, touch, and use the exquisite products of the Japanese ceramic tradition.

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An essential guide for the potter or the collector........1999-04-07

This volume presents not only the "how-to" of Japanese ceramics, but broader considerations of their significance within the context of world ceramics. Richard Wilson has not only trained extensively with Japanese potters, but is also thoroughly familiar with the many historical ceramic types which form the tradition which continues today. Virtually no art potters today remain unaffected by the tremendous impact of Japanese ceramics, and Wilson's book provides the contemporary ceramist with a reference that is at once useful and inspiring. The text is clear and straightforward in the explanatory sections while at the same time conveying to the reader the fascinating historical and cultural context on which the many techniques are based. The color illustrations are first class, and the technical photographs, illustrations and diagrams are clear, easy to read and appropriately placed. As in his earlier volume, The Art of Ogata Kenzan, Wilson has taken great pains to ensure that his information is both accurate and as complete as possible. Eschewing past tendencies of Western ceramists to mainly focus either on the externals of Japanese pots or on a touchy-feely, pseudo-philosophical/religous approach, Wilson sees the essence of Japanese ceramics as intrinsically linked to production process and functionality. As he summarizes, "(The Japanese ceramics legacy) suggests... renouncing artistic individualism... and rededicating oneself to personal discipline and harmony with materials, processes, and the user community. It implies thinking about the pots as part of an ongoing process, a relaxed conversation with the world, rather than as a kind of personal decree." Through this book, Richard Wilson has provided a great volume of reference not only for those who "do" ceramics, but for those who love ceramics as well.

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