Average customer rating:
- Nan Goldin's Magnum Opus
- Devil's Playground
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Devil's Playground
Nan Goldin
Manufacturer: Phaidon Press
ProductGroup: Book
Binding: Hardcover
Goldin, Nan
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Nan Goldin: The Ballad Of Sexual Dependency
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I'll Be Your Mirror
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Tulsa
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Stephen Shore: Uncommon Places
ASIN: 0714842230 |
Book Description
This is a major collection of photographs by Nan Goldin, representing over 35 years' work. This significant body of work begins in the early 1970s with her "Dazzle Bag" portraits and her series of photographs on themes of maternity, family and landscapes. The book contains Goldin's new and recent photographs in narrative and thematic sequences such as "Landscapes", "Self-portraits", "Maternity, Heartbeat" (2001), "My French Family" (1999-2001) and "57 days" (2000), many of which are previously unpublished. It also contains some of the "drag queen" photos of the mid-1990s, the "Cookie Mueller" portfolio of 1989 and the "Ballad of Sexual Dependency" images from the 1980s. Goldin's early black-and-white photographs from the Boston years in the 1970s also form part of this substantial collection. Nan Goldin's photographs are intimate and compelling - they tell personal stories of relationships, friendships and identity, but at the same time chronicle different eras and the passage of time. Their subject matter ranges from drag queens and AIDS to the family, maternity and most recently, nature and landscapes. Laid out in chronological sequences by the artist, like a diary, the material is both candid and affirmative. In addition, a number of short essays are interspersed throughout the photographic sequences. Individually, these texts discuss different aspects or themes in Nan Goldin's work such as the narrative, love and gender politics, while also referencing particular works such as the "Ballad of Sexual Dependency" (1981-96). A conversation between the artist and Catherine Lampert, freelance curator, former director of the Whitechapel and close friend of Goldin, touches on the sources of her inspiration and her life as a prominent artist.
Customer Reviews:
Nan Goldin's Magnum Opus.......2004-10-26
DEVIL'S PLAYGROUND is a lap-heavy, huge tome of the creative photographs of Nan Goldin, many of which have never before been published. Goldin is know throughout the museums of the world as a photographer who knows no barriers for her subject matter: AIDS victims, mental patients, transvestites, poor families, rural landscapes, constructed still lifes - these are but a few of the categories studied and captured by Goldin. For this full color volume Goldin selected the layout and the progression of sections, making the flow of the book even more fascinating; the book is one where she is both artist and curator and the result is a powerhouse of statement.
For devotees of Nan Goldin's work, this book is a must. And for viewers marginally approaching photography as an art form then look no further. A magnum opus of the work of one of America's more significant contemporary artists.
Devil's Playground.......2003-12-07
No other word for it except MAGNIFICENT!!!
Average customer rating:
- Fabulous
- hard to view
- Hospice : A Photographic Inquiry
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Hospice: A Photographic Inquiry
Manufacturer: Bulfinch Press
ProductGroup: Book
Binding: Paperback
Goldin, Nan
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Mann, Sally
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Hospice Care
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ASIN: 0821222600 |
Customer Reviews:
Fabulous.......2005-06-25
As a graduate of Jack Radcliffe's photography program and now one of his models, I have to say that Jack is one of the most remarkable people that I know. He is the most caring person this world possibly has and he shows this in his hospice work. He is truely so proud of this acomplishment and he should. I recently experianced hospice life with a relative and it was heart breaking. But these photographers show the heros of the hospice that give these folks a sense of peace and comfort in a time where they know things will not improve. I highly recommend this book. You wont be sorry.
hard to view.......2001-11-08
i'll admit its hard to look at but the way you get right there in it, is amazing, it's just photographed beautifully. Each photographers style was evident. I especially enjoyed Jack Radcliffes section because his more than any other, i felt was about life under harsh circumstances, but still about life more than death itself.
Hospice : A Photographic Inquiry.......2000-10-14
A book about a place where people go to die will not by definition be a easy book to pick up and glance through. The photographers, Nan Goldin et al, do a remarkable job bring these people to us in a situation none of us would want ot be in. There is compassion and dignity in situations which can all too often lend themselves to the snap and run mentality of today's press coverage. It is worth buying especailly if you have an interest in quality, non-sensational photography.
Average customer rating:
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Emotions & Relations: Nan Goldin, David Armstrong, Mark Morrisroe, Jack Pierson, Philip-Larca Dicorcia (Foto Series)
Manufacturer: Benedikt Taschen Verlag
ProductGroup: Book
Binding: Paperback
Goldin, Nan
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Tulsa
ASIN: 3822875074 |
Customer Reviews:
Urban delight.......2000-05-30
This book is the photographic equivalent to mythical eighties Dennis Cooper novel. Five American photographers, forerunners of their generation, each with a distinct style of his own yet sharing the same subject matters: urbanism, seperateness, violence, Aids, homosexuality, to name a few. These issues are dealt with through the use of portraits, mostly-urnban landscapes and youths. Though some shots are not as good as others, every artist here has at least 2 or 3 gems in his/her collection, and these gems make the book a must.
Book Description
In the previous century, photography helped shape art; in the current one, it has begun to dominate it. Not only are major international museums and galleries mounting blockbuster exhibitions, but art photographers are also being celebrated as contemporary masters and their work commands unprecedented prices. This indispensable survey presents the work of 76 of the most important and best-known art photographers in the world: Andreas Gursky, Thomas Struth, Cindy Sherman, Jeff Wall, Sophie Calle, Wolfgang Tillmans, Nan Goldin, Martin Parr, Allan Sekula, Boris Mikhailov, Inez van Lamsweerde, Stephen Meisel, Philip-Lorca diCorcia, Sam Taylor-Wood, and many more are featured in its pages. Susan Bright, former Curator of Photographs at London's National Portrait Gallery, has organized the book into seven sections--City, Portrait, Document, Object, Landscape, Fashion, and Narrative--and provides an introductory essay for each. Along with each photographer's works, presented in sequence within those divisions, Bright's commentaries provide context and depth, and quotations from the artists themselves offer valuable insights into the motivation, inspiration, and intentions behind the work. Following in the tradition of Photography Past/Forward: Aperture at 50 and the Photography Speaks series, this volume will become an essential resource for curators, collectors, scholars, practitioners, and anyone who wants comprehensive, up-to-date exposure to the state of the medium today.
Customer Reviews:
good text some good artists but..........2007-05-21
Very good Rhigting but only a few serious art photographers in this book all the others don't know anything about photography or art and the "visual" failure to pass the message of the concept they are dealing with at all!
There are a lot of much more better artists that deal with the same matters to choose from.
Is sade to see how the curators and academics that deal with art photography, follow the art dealers and PR people and they are failing on their mission and leading this wonderfull art of photography to pathetic places
one-sided view.......2006-06-21
to call this 'art photography now' is a bold move, and this collection is less a survey than an advertisement for a particular style of photography. the work doesn't vary much from artist to artist, and if you don't like color fictive constructions and digital manipulation then you probably won't like this book. as the trend of this type of large scale, color, set-up, advertising-influenced work fades, this book will seem a sad reminder of a rather lame period in photo history when the majority of galleries, critics, artists, and dealers joined forces to produce (like this title) little more than a shopping mall of trendy, elitist, high-priced commodity under the guise of art.
A trip to 80 (good) art galleries in a single book.......2006-05-08
It is difficult to find good contemporary photography overviews -- typically, you could go to galleries or museums for several years or buy a stack of art photography books and spend days going through them -- assuming you had a strong Art background. This book offers a nice alternative and it is one of the best overviews of contemporary fine art photography available.
Aperture, a respected photography publishing house, has beautifully produced this handsome book with 80 of what they consider to be the best living and working art photographers. The selection is broad, encompasses many areas and is well organized into 7 sections from Portrait to City. Several works from each artist are presented along with a short description of an artist's Work from a curator's perspective. Even more valuable are quotations from each artist describing their Work from their perspective. This alone makes the book worth owning.
Photographers you might know; Cindy Sherman, Thomas Ruff, Gregory Crewdson, Jeff Wall, Uta Barth, Joel Sternfeld, Thomas Demand and many others are alongside people you have probably never heard of but should get to know. The coverage of the cinematic, self exploration/psychological, conceptual and to some extent digital influences presented here should be thought provoking. Clearly, the "digitalness" of photography as a medium and all that implies -- interaction and collaboration, manipulation and realism, and authenticity and authority -- is growing in importance and will no doubt be better covered in the future as those artists emerge.
There are only two omissions that would have been interesting to see included; artists such as Gerhard Richter, best known for his painting and who uses photography extensively -- and some of the newest up and comers, like Idris Khan. To be fair, those areas are rich enough to support separate books and you should not let this keep you from buying this book. Overall, this is an excellent way to quickly learn about contemporary photography and you will not be disappointed.
one of the best contemporary photography books.......2006-02-13
i think this book is one of the best art books available on the market. Every section is divided by the artist and it's explained in a very complete way and very simple to understand at the same time...a real dilight to your mind and a strong pleasure to the eye!!!
rare example of contemporary photography book.......2006-02-13
it's not the first time for me to go throgh photograpy art books, and i have been into contemporary art and contemporary photography for many years. I can affirm that this book is one of the best and more interesting i have ever read... extremaly attractive and taken into great care!!!
Book Description
From early amateur snapshots to today’s advanced digital images, photography has been the perfect means to record people’s lives. This provocative book explores the complex and varied ways that five contemporary photographers––Tina Barney, Philip-Lorca diCorcia, Nan Goldin, Sally Mann, and Larry Sultan––use their own daily experiences as inspiration for their art.
Each of these artists has created highly personal, shifting, and intriguing visions of his or her life. The works range from Tina Barney’s orchestrated depictions of her friends and family in affluent New England settings to Nan Goldin’s unabashed portrayal of intimate, and often brutally honest, moments. Sally Mann turned to her children and their surroundings as her subject, and Larry Sultan has accomplished something similar in his depictions of his parents. Philip-Lorca diCorcia offers up his “storybook life” in photographs that—like others in this group—span nearly twenty years.
So the Story Goes is arranged in portfolio format and features beautiful color reproductions of about twenty photographs by each artist. With an introductory essay that examines the development of personal narrative in photography, as well as insightful entries on each artist, the book analyzes how these works tell a life’s story.
Customer Reviews:
wonderful.......2006-09-21
This exhibit was excellent and this book is a wonderful summary of the show. A great collection of some of the world's best contemporary photographers for a great price!!!
Book Description
Nan Goldin's seminal second book The Other Side is finally back in print. Ever since the early 1970's Goldin has lived with and among drag queens, documenting both their glamour and their struggles. The Other Side is her very personal declaration of love and gratitude to these drag queens, who showed her a way out of the captivity of pre-packaged, socially prescribed identity. As she put it: "The pictures in this book are not of people suffering gender dysphoria but rather expressing gender euphoria.... The people in these pictures are truly revolutionary; they are the real winners in the battle of the sexes because they have stepped out of the ring." In contrast to much of the early 90's drag queen mania, The Other Side has brilliantly passed the test of time: Goldin's photographs are as beautiful, moving, and vibrant as ever, heralding the utopian promises of a world where gender has stopped being a prison-a vision that remains as vital and acute as it was when the book was first published.
Customer Reviews:
poignant & beautiful.......2003-03-18
In the intro to The Other Side, Nan refers to the Oscar Wilde saying that "who are who you pretend to be." Through the photography of those closest to her, those excruiciatingly beautiful people whose gender just happens to be ambiguous, Nan shows how our pretending seeps into every corner of our personas. I love this book!!
Book Description
Goldin charts the loss of innocence through barrooms and parties on the social periphery of New York's East Village and through the harrowing worlds of drugs and prostitution. The Ballad of Sexual Dependency is a visual diary chronicling the struggle for intimacy and understanding between friends, and lovers--collectively described by Nan Goldin as her "tribe." Her work describes a world that is visceral, charged, and seething with life . . . . As Goldin writes: "Real memory, which these pictures trigger, is an invocation of the color, smell, sound, and physical presence, the density and flavor of life."
Customer Reviews:
amazing.......2006-02-03
Nan Goldin captures what it's like to be human in a way that no one else can. Her friends---her family----feel pain and introspection and I felt lonely looking through the book but the rare moments of connection in a world where so many people are alone with their drug addiction, disease, unhappiness, are all the more moving.
Wow.......2005-02-02
It's really sad how Nan Goldin hasn't gottten a single intelligible review for her seminial work, "The Ballad of Sexual Dependency." Her incredibly self-brutalizing protrayl of her life, friends, lovers, are just the sort of photographs we take when we want memories to cut. Most of the photographs are candid, fleshy, and almost dirtied with color. People copulate, hurt, masturbate, alienate each other with the sort of urbane nonchalance that people confused in their own lives inflict on others. In one particular self-portrait, Nan Goldin records her battered face directly after being battered by her lover, her bloodied eye matching her pasty lipstick. That one photograph can rip you to shreds if you let it. Originally, Nan Goldin showed "The Ballad of Sexual Dependency" in a slideshow format, which probably has a different feel than the book does. While some of the photos in the book were a little weak in the grain, most of the photos are beautifully reproduced.
Not of interest to me. A little distressing........1999-01-29
I'm glad I didn't buy this book, now that I've seen it. Although the reproduction quality of the photographs is very good, the photographs themselves aren't interesting to me and are even a bit distressing.
I haven't seen the film(s) or exhibitions about Nan's work though. There is some information about her work on the web - take a look at Yahoo.
family fun for all!.......1998-06-26
this is one of the best collections of color photography i have seen. nan and her friends are beautiful and scary and strong and fun and sad. i have seen the slide show and bought the book when it was reprinted. go out and buy it! END
Average customer rating:
- Great Brook
- Covers well over 150 years of photography
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Singular Images
Darsie Alexander ,
Roger Hargreaves ,
Liz Jobey ,
Mary Warner Marien ,
Sheena Wagstaff ,
Dominic Willsdon ,
Geoffrey Batchen ,
David Campany ,
Nigel Warburton ,
Val Williams , and
Martin Parr
Manufacturer: Aperture
ProductGroup: Book
Binding: Paperback
Goldin, Nan
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Vitamin Ph: New Perspectives in Photography
ASIN: 1597110175
Release Date: 2006-02-01 |
Book Description
Spanning 170 years, from William Henry Fox Talbot's first negative to Jeff Wall's latest constructed tableau, Singular Images collects thought-provoking essays on individual photographs, one image per writer. The essayists consider, sometimes in highly personal ways, the artist's intention, their own response, the work's technical complexities, its historical context or its formal properties. Each text captures a sense of how challenging it is to create a perfect single piece. Art photography has been increasingly well-surveyed in recent years, but individual works have rarely been written about at length, perhaps because of lingering doubt that a single photograph can command the kind of sustained attention often given to individual paintings or sculptures. Singular Images is a lively inquiry into the value of analyzing individual photographs, and it persuasively encourages the reader to engage at length and in depth with one remarkable piece at a time. With its broad scope and diverse range of issues, it can also be read as an informal--and thoroughly entertaining--introduction to art photography. Featuring essays by some of the most brilliant critical minds in the field, including David Campany on Man Ray and Marcel Duchamp, Darsie Alexander on Nan Goldin and Liz Jobey on Diane Arbus.
Customer Reviews:
Great Brook.......2007-04-01
Great book with interesting approches on the images.
I'm glad to have it.
Covers well over 150 years of photography.......2006-09-09
Singular Images: Essays On Remarkable Photographs covers well over 150 years of photography, from Talbot's first negative to the latest changes in photographic art. Essays collect analysis of individual photos however, not the genre as a whole, focusing on a single image's achievements and exploring artist intention, technical and historical background, and the artistic community's response. Black and white photos blend with in-depth analysis to show what makes an achievement exceptional in the photography field.
Book Description
"We all tell stories which are versions of historymemorized, encapsulated, repeatable, and safe. Stories can be rewritten, memory can't. If each picture is a story, then the accumulation of these pictures comes closer to the experience of memory, a story without end." Nan Goldin
This book accompanies an exhibition of Nan Goldin's photographs, drawn from the private collection of Gerry and David Pincus and jointly organized by the Palmer Museum of Art at The Pennsylvania State University and the Pennsylvania Academy of the Fine Arts. Over the last thirty years, Goldin has attained international fame as a photographer who, building on the tradition of Robert Frank and Diane Arbus, has documented the lives of outsiders. But in Goldin's case, the outsiders are her bohemian friends, whom she depicts with poignant and sometimes brutal honesty.
Jonathan Weinberg's essay for this catalogue considers a number of Goldin's now-classic photographs as well as her more recent, almost Baroque forays into landscape. In contrast to most earlier writers on Goldin's work, who have emphasized its documentary character, Weinberg addresses the ways in which Goldin's photographs might be said to constitute "fantastic tales." Weinberg considers the narrative construction of Goldin's work from a double perspectivepersonal as well as criticalthat complicates even as it enriches his interpretations.
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