Book Description
"Automated LightingTechnology, Applications, and Design" is a comprehensive text covering everything you will need to know as a working or aspiring lighting professional about automated lighting fixtures, systems, how they are used and design issues you will face. It is written in clear, easy-to-understand language but includes enough detailed information that the most experienced technician and engineer will appreciate and benefit from reading. Subjects covered include the history of automated lighting, DC and AC electricity, basic electronics, power supplies, digital electronics, electro-mechanical systems, optical systems (including dichroic filters, reflectors, lenses, and more), lamp technology, lighting effects (including color mixing, glass gobos, and more), data distribution systems, DMX, RDM, and ACN. State-of-the-art automated lighting fixtures in various applications including theatre, television, concert/touring, and permanent installations are discussed and special design issues are addressed.
The text is amply illustrated with drawings and pictures. The newest technology in automated lighting--"digital" lighting or pixel-based automated lighting projection--is also covered in detail. This book is the antithesis of a reference manual or user manual. It is entertaining and educational with lots of graphic illustrations and easy-to-understand concepts. Its the most fun you can have without sitting behind a console.
* Numerous examples and illustrations
* Easy to read with little "tech-talk"
* Contains information on the newest lighting technology
* Minimal amount of math reduces the drudgery!
Customer Reviews:
A Great Resource.......2007-01-11
This book is an outstanding resource for anyone involved with Automated Lighting. It covers a wide range of lighting topics, but each with detail and accuracy. A must for anyone just starting to work with autoamtion (especially repairs), but has some great information for old pros as well. While this book has more for technicians than designers, any automation designer may find most of the content useful.
Book Description
The Set Lighting Technician's Handbook is a friendly, hands-on manual covering the day-to-day practices, equipment, and tricks of the trade essential to the motion picture lighting technician. This handbook offers a wealth of practical technical information, simple techniques, as well as aesthetic discussions.
The Set Lighting Technician's Handbook focuses on what is important when working on-set: trouble-shooting, teamwork, set protocol, and safety. It describes tricks and techniques for operating a vast array of lighting equipment including xenons, camera synchronous strobes, black lights, underwater units, lighting effects units, and many others. This handy on-set reference has also been widely adopted as a training and reference manual by union training programs and top university film production programs.
New in the second edition:
Revised and updated throughout
12 new appendices of handy reference tables
Over 180 illustrations and photographs
Lots of new topics and gadgets
Harry C. Box is a Hollywood-based gaffer and director of photography.
Foremost hands-on guide to set lighting from an industry professional.
Only comprehensive source specific to the set lighting industry.
Practical, anecdotal, detailed, and comprehensive.
Customer Reviews:
A lot of Really Good Info........2007-06-03
A MUST HAVE for the inside scoop into the Industry.
Great for beginners or review for experts.......2007-05-15
If your planing a career in the motion picture or television business than this book will greatly advance your technical knowledge of the business. If your an old pro at the business the book is great for a quick reference to prepare you for a shoot.
A must have, for any D.O.P.......2007-05-15
This wonderful book, covering all the major areas in lighting, in enough detail to give a solid grounding. w
While it may appear a little too technical for the absolute beginner, it does offer a solid base in knowledge for those with a little experiance wanting to expand their knowledge, and take away plenty of ideas with which they can put to trial on future set's.
If your looking to become a cinematographer; but feel there are gaps in your knowledge, get this book. I believe it to be a must have.
Everything you wanted to know about lighting Film and TV but where afraid to ask.......2007-03-21
Harry C. Box's book on Set lighting for film and TV is the most comprehensive book on the subject. He writes with humor and an insiders knowledge, while taking the time to explain things as though you where a novice. If anyone is considering a career in Film production this is a must read on their list.
Everything I could've hoped for.......2007-03-11
This book is great in that in speaks to all levels. Going over the basics between a baby and a junior all the way up to distribution and specialty lighting, this book will inform the novice and work as a reference for the rest of us.
Most of the second half of the book is all reference charts. It's a great source for planning your next shoot all in one place (for those of us that don't have the luxury of getting half the rental shop to accommodate our needs).
Book Description
Motion Picture and Video Lighting explores the technical, aesthetic and practical aspects of lighting for film and video. Written by a professional in the field, this comprehensive book reveals inside information based on years of experience and thoroughly explores the challenges faced by cinematographers, lighting directors, gaffers and grips.
Through a hands on approach which is augmented by insightful diagrams, tables, charts and photographs, the author illustrates the power of light as one of the most important elements of filmmaking. Whether the reader is a professional, or student, a gaffer, grip or cameraman, this book will be a useful reference.
Blain Brown is a cinematographer and lighting director based in Los Angeles, California. He has lit and photographed a range of productions - from macro/table tops to boxing arenas, and from no-budget shoestring productions to large-scale features. Mr. Brown has also worked as a producer and line producer on commercials, music videos and feature films.
Provides a comprehensive look everyone involved in motion picture or video lighting.
Contains diagrams, tables, charts, and photographs to supplement the text.
A perfect reference for the professional or the student.
Customer Reviews:
A completely professional approach.......2001-07-20
The thing about this book is that it is written from a completely professional point of view. It deals with lighting as it is really practiced on professional movie sets - not like most books on cinematography which seem to be written by people who haven't actually done it all that much in the real world. I've bought about every book there is on movie lighting and most of them are a waste of money.
This book covers everything from a basic introduction to color, exposure and electricity up to the more complex technical issues you have to deal with as a gaffer or cinematographer: very thorough and comprehensive. The Set Technicians book is good if all you are trying to be is an electrician, but this is the one you want if you really want to move up as a gaffer, lighting director or Director of Photography. Except for one chapter (film exposure), everything in the book applies equally well to video, digital video or High Def. There is also a very good chapter on video which covers what you REALLY have to know to work in video lighting.
If you work (or want to work) in the motion picture industry, knowing lighting is the key to advancement and success. This is the book to get if you really want to learn motion picture and video lighting.
A good lighting manual for a beginning cameraperson........1998-10-20
Blaine Brown's book provides a decent explanation of set lighting, it's instruments and protocol. The text, though, seems to speak more to the cameraperson or AC who is curious about lighting. There is a lack of attention given to the juicers and hammers who are actually creating and shaping the light. There is a considerable amount of text granted to electrics and the distribution of power, but much more thorough and much more practically explained definitions are readily available in Harry Box's "Set Lighting Technician's Handbook."
Book Description
Skilful lighting involves a subtle blend of systematic mechanics and a sensitive visual imagination. It requires anticipation, perceptiveness, patience and know-how. But learning through practice alone can take a great deal of time. This book is a distillation of many years' experience, with advice and guidance that will bring successful results right from the start.
Whether you are a student studying lighting techniques in the television, video and film media, or a professional lighting for the camera, this book will be an invaluable aid. Other members of the production team, including camera crews, designers and directors, will also find the information here interesting and useful.
The book concentrates primarily on the fundamental principles of lighting in studios, on location and display, as well as single-camera, small unit production, improvised and economy lighting, and working with limited facilities. Emphasis is also placed on the safety aspects of working with lighting equipment.
Lighting for Television and Film reflects the author's considerable experience of lighting techniques in BBC studios, his teaching and consultancy work.
Gerald Millerson's analytical writings spring from a lifetime's personal experience in the medium, and from his teaching and engineering background. During his career with the BBC, he was primarily associated with studio operations in the Television Service. His lecturing background included courses in TV production at a number of American universities.
His other books for Focal Press are Television Production, TV Scenic Design, Video Production Handbook and, in the Media Manuals series, Effective TV Production, Lighting for Video and Video Camera Techniques.
*A classic and definitive work
*Internationally acclaimed sourcebook
*Reflects current development in lighting technology
Customer Reviews:
Highly recommended.......2006-07-08
This is a marvelous book as an advanced course in lighting. It provides a classic grounding in light effects and light theory. I would characterize it as an intermediate to advanced text book, so it is not a good choice for those just starting out. And while it is chocked full of valuable information, the writting style is very much text book as well, so many people may find the presentation a bit dry. Be aware that the focus is more on television, although most of the advice applies to film as well. If your interest is digital cinema, then this would be a plus for you. The book is also beginning to show it's age in the section on lighting instruments. There are a number of instruments in common use today that are not covered in this book. That information, however, is readily available from manufacturers. Buy this book for it's timeless information on light and its critical importance in the look of TV and film.
Wow!.......2005-05-31
I'm about one third of the way through this book, and I'm really impressed! Most of the information is on lighting, but I'd never realized how important and complicated lighting could be. This book also covers some related topics for creating good looking video -- though I haven't gotten to those yet. The author has a lot of relevant technical expertise, and does a very good job of conveying that knowledge. No previous experience is required, but I wouldn't call this a beginner's book -- the depth of technical knowledge conveyed is impressive. This is a third edition, which tells you that "Lighting for TV and Film" has sold well over many decades.
Lighting for Television and Film.......2001-01-22
This skilfully illustrated book is a practical guide to lighting for television and film. It covers the principals, techniques and equipment involved in lighting for single-camera location shoots, as well as multi-camera studio productions. It is an excellent handbook to help film students understand all aspects of lighting, but can be retained throughout your career in the motion picture industry for reference purposes. It starts off with the basics and gradually moves on to more complicated aspects of lighting. The emphasis is on the practical application of the theory behind lighting. In this respect it is full of examples of common problems and how to solve them in practice. It is clear that this book was written with the knowledge gained from years of practical lighting experience.
Average customer rating:
|
Film and Video Lighting Terms and Concepts (Focal Handbooks)
Richard K. Ferncase
Manufacturer: Focal Press
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ASIN: 0240801571 |
Book Description
Filmmakers and videographers must know and understand hundreds of terms to survive in the competitive world of motion picture and television production. This invaluable reference clearly defines and illustrates more than 1000 of the most commonly used terms and phrases.
Explained are instruments and accessories such as the C-stand, brute, silver bullet, and bazooka; techniques such as the 'right-hand rule' and the blue-screen process; technical concepts such as the inverse square law and light colour temperature;
colourful phrases such as 'beach it', 'shake 'em up', and 'martini shot'; and other popular neologisms often devised by bored grips waiting for the next shot - terms such as sputnik, quacker, branchaloris, and flying moon. Various lighting fixtures and accessories are featured in 70 photographs and illustrations. Far more accessible and readable than most technical books devoted to lighting, Lighting Terms and Concepts contains all of the terms that cinematographers, lighting directors, camera operators and assistants, gaffers, electricians, and grips may encounter during a typical day on the set.
Product Description
Stop-motion animation has long been perceived as a technical practice rather than a creative, demanding art. Though stop-motion requires considerable technical knowledge, it also involves aesthetics and artistry that go beyond the technician’s realm. Just as important as puppet mechanics are lighting, filters, lenses, camera angle and placement, and dramatic pose and movement. This manual is a complete guide to the aesthetics of stop-motion animation. Information is organized in an intuitive, easy-to-use structure, following the order an animator uses in setting up and then executing a scene. The first half concentrates on the aesthetics of lighting and cameras, a primary concern in any shot, with details of camera placement, various lenses and myriad lighting techniques. The second half deals with the process of performance art, an oft-overlooked aspect of stop-motion animation. Included is a commentary on body language, facial expression, gesture, movement and emotion—key concepts that are exemplified through the acting process. The work also offers an introduction to narrative form and a glossary of related terms.
Customer Reviews:
Stop-Motion Filming and Performance.......2007-07-03
Like its two previous manuals, Stop-Motion Armature Machining and Stop-Motion Puppet Sculpting and Fabrication, the publisher chose to print Stop-Motion Filming and Performance on substandard paper stock, with low-quality images. This hurts the overall look of the manual, belies the content of the manual, and results in a product that is overpriced for what one gets visually.
The author had requested color photographs for the lighting portion of the manual, and was initially told by the publisher that up to 8 color images would be printed. Eventually, color photos were not used, which further impeded the manual's discussion on color lighting.
The most important aspects of filmmaking (be it live-action or animation) are the story and performances. As such, the author spent a great deal of time discussing story development and animation performance. The author would especially welcome comments from consumers of the manual on those aspects of the manual as well, and to provide more objective and fair criticism.
DO NOT BUY THIS BOOK.......2007-04-06
I am a film student at the University of Miami. I was trying a first time stop/motion experiment and bought this awful book. The section on lighting techniques are all introductory and in no way specific to stop/motion animation. The very few pictures in the book are in b/w and extremely muddy. It is way too general, a complete waste of time, and a rip off for 50 bucks.
Average customer rating:
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Basic Lighting Worktext for Film and Video
Richard Ferncase
Manufacturer: Focal Press
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Similar Items:
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Set Lighting Technician's Handbook, Third Edition: Film Lighting Equipment, Practice, and Electrical Distribution
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Matters of Light & Depth
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ASIN: 0240800850 |
Book Description
Basic Lighting Worktext for Film and Video guides the film and video student through a series of readings, exercises and projects designed to provide the fundamentals of light science. In addition to up-to-date descriptions of equipment and tips on how to use it properly, the book provides numerous set-ups that illustrate the techniques and thoughts behind proper studio and location lighting.
From this book, you will learn:
* The fundamentals of light and electricity in film
* The fine distinction of lighting for video versus lighting for film
* How to identify and filter sources such as daylight, tungsten, fluorescent, arc, HNI and industrial discharge lamps
* The use of lensed and open-faced lighting fixtures
* How to modify with barndoors, scrims, snoots, nets, cookies, and other accessories
* Variations on the basic three-point lighting setup
* The duties of each member of a lighting unit
* How to light night exteriors, day interiors, and campfires
* High-key, low-key, and modulated value lighting
* How to scout locations, plan lighting, plots, and pre-rig sets
Average customer rating:
- A wonderfully concise guide to what we needed to know
- First Step on the Professional Path
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Lighting for Video, Third Edition (Media Manuals)
Gerald Millerson
Manufacturer: Focal Press
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Nonlinear Editing: Storytelling, Aesthetics, & Craft
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Lighting for Digital Video & Television, Second Edition
ASIN: 0240513037 |
Book Description
Enables readers to produce top-grade results whether they are lighting off-the-cuff with a portable compact kit or tackling a major project with an extensive heavy-duty rig. It does not assume technical knowledge or previous experience and after covering
basics it guides readers towards the most effective ways of tackling particular projects, and shows typical professional solutions to everyday situations.
Wide coverage of all aspects of lighting provides an understanding of the techniques involved
Benefit from the inside knowledge and expertise of the author
Easy to understand jargon free step by step guide to tackling everyday situations
Customer Reviews:
A wonderfully concise guide to what we needed to know.......2006-02-13
Jennie Bourne, my partner in producing Future of TV.net, is building an HDV studio in Long Island, and is finding this a highly practical book to help make equipment choices. We're getting extraordinary results with the (amazingly affordable) Sony HDV cameras, but lighting is proving crucial to getting the quality we need. This was recommended as a great book to learn how to get professional results.
What makes this volume special is the writer's success in explaining the key ideas in so few pages. It reminds me of classic computer manuals I've used, including "The C Programming Language" and the original "little Mac Book." Clearly covers the subject with obvious expertise and no excess wordiness.
New eqipment is coming fast and furiously, so we'll also be visiting the shows, checking the stores, and reading the magazines. However, this book is providing great perspective to priniciples that don't change.
First Step on the Professional Path.......2000-06-23
Lighting theory and application are thoroughly discussed in plain language. This is an excellent text for new students and for the more experienced communications professional who needs to learn basic lighting for a quality video product. Techniques such as 3-point lighting, illuminating subjects in natural light (outdoors), and special effects for mood are as relevant today as they were in 1991. The only drawback is that there are some newer lighting products on the market that build on the basics. For that type of information, I suggest you consult trade manuals. This book will educate the novice to intermediate videographer. It will inspire future lighting technicians.
Book Description
A mix of theory and practical applications, Placing Shadows: Lighting Techniques for Video Production 2E covers the physical properties of light and the selection of proper instruments and their placement for the best possible effect. For the advanced amateur and those pros looking to enhance the look of their productions, this book covers the fundamentals, as well as providing a solid reference for tips on better performance and how prepare for and avoid costly and time-consuming problems.
The new edition includes an expanded section on location lighting, including the latest equipment and techniques to make location work easier, less expensive and using considerably less power. A section on studio lighting completes the work, including Hollywood-style lighting fixtures and techniques that will give interior work a balanced, professional appearance. The book includes all the latest lighting units available today.
Covers the fundamental properties of light as well as practical advice and many tips and tricks
Updated and revised to include the latest in location and studio techniques and equipment
Shows how to select the best equipment for a particular situation
Download Description
A mix of theory and practical applications, Placing Shadows covers the physical properties of light and the selection of proper instruments for the best possible effect. For the student, advanced amateur, and pros trying to enhance the look of their productions, this book examines the fundamentals and is also a solid reference for tips on better performance.
Customer Reviews:
No Technique - thin on using shadows for anything.......2007-04-04
Reviewer Joel (CA United States) is 100% correct: This book's description and all of the other reviews are completely misleading. The book is thin on content at this price range and doesn't even truly cover the subject of "Placing Shadows", and, other then building off of a foundation of the standard 3 point lighting system, it doesn't provide any techniques to do anything with shadows at all.
What it does provide is a good easily understood explanation of color and the measurable aspect of temperature along with definitions of the various existing light bulbs, their properties and color temperatures. But if you are at the stage where you're looking to buy a book to help you with using shadows then you should already know everything this book has to offer on this subject. And if not this isn't the book to get it from.
This book is not what I thought it would be as I was expecting some advanced knowledge on creatively using lights to create shadows that would enhance my productions. What I got was a rehash of the basics of illuminating a subject, with illumination as the key word.
If you want to learn lighting for video go get one of the lesser costing setup books that have page after page of diagrams of different sets and the various positions of where the lights should go.
This is not the book to help you learn about using shadow techniques to enhance your production as it is more a book about light bulbs and their color temperatures.
Oh, yeah, the second edition's cover is completely different and looks like a cheeply produced self published paperback book.
Now I have only one question: Where do I get a refund?
Placing Shadows.......2005-12-21
Placing Shadows in an appropriate title for this book. Shadows are the 3rd dimension of lighting ignored by many video professionals. The book explains in depth, the spectrums and characteristics of different types of light. Most books don't go into these explanations except 400 level college video classes. By doing so, it gives a basis to go on to discussing the many assorted manufactures lights and their practical use. Not just hypothetical lighting situations, but actual sets, from office settings to exercise videos. Also acknowledging, every set is completely different and must be lit by what is necessary to create the look you need.
Additionally this book, described how to set up your monitor by using different color bars and using waveform monitors and vector scopes, something that many college graduates were never taught how to do, like ME! If a student learns and retains everything in this book you will be ahead of all you peers and will understand what is being done on a set when they're in the real world of video.
Good info if you want to know how a light bulb is made........2003-08-26
I have a background in photography so using tungsten lighting is not new to me. I thought this book would have more technique then I was led to believe.
It does have some great info on how a light bulb is created and the various parts but is not very fulfilling. this book is not what I thought it would be like and
the reviews from others are misleading.
It goes over various lighting setups, any photography book covers this and skims over ratios. It explains color meters in short detail but it would be great to have more "meat" to hang on to then the author's bad grammar and old sayings. He suggests that you learn by doing. enough about his experiences, show me something I don't know how to do!
If you want to learn lighting for video, this is not the book to buy. If you want to learn about light bulbs and color tempatures of tungsten lights then this book delivers.
I give it a 2 stars because it does have some merit but not in the area of lighting technique. For a really thin book, its not worth the price even if you get a discount.
Puts ligth on the life of beginers and pros.......2002-04-20
I belive this book can be very helpful for people who want to make films, either as a guide to create a nice looking product or as a general idea of how ligth works for the image, this book is a great begeaning in every cinematographer's career.
Great introduction to "Art" of lighting........2001-11-10
As a beginning Videographer I found this book a great introduction to the many different lights and techniques used in obtaining good video. The book is also very current on what is available today. I feel it could have been a little more in-depth, but for the price and length I found it well worth buying and reading. The authors write in a very "readable" style that educates you but doesn't bore you. Highly recommended.
Book Description
This thoroughly updated edition of the lighting 'bible' guides readers through technical foundations, equipment, and techniques of lighting for film and video productions.
The Professional Lighting Handbook details all major lighting topics, including: characteristics of light; fixture structures and components; light source types, operating principles, and use; unit power requirements; light controllers, modifiers, and filters, and how to select them; the aesthetics of lighting the set.
Details everything you need to know about lighting.
Perfect for anyone in film or video production.
This is the "bible" of professional lighting.
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