History: Fiction or Science? (Chronology, No. 1)

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.

Tattoos of the Floating World: Ukiyo-E Motifs in Japanese Tattoo

Average customer rating:

Japanese Art as Tattoo and Vice Versa
tops on the cultural context of the japanese tattoo
Masterful Examination of Floating World Arts

Tattoos of the Floating World: Ukiyo-E Motifs in Japanese Tattoo
Takahiro Kitamura , and Katie M. Kitamura
Manufacturer: KIT Publishers
ProductGroup: Book
Binding: Paperback

Textile & Costume | Design & Decorative Arts | Arts & Photography | Subjects | Books

General | Arts & Photography | Subjects | Books

Japan | Asia | History | Subjects | Books

All Titles | Qualifying Textbooks - Fall 2007 | Stores | Books
Similar Items:

ASIN: 9074822452

Book Description

This unique book by tattoo artist Takahiro Kitamura (Horitaka, a pupil of Horiyoshi III) discusses the art of the Japanese tattoo in the context of Ukiyo-e, concentrating on the parallel histories of the woodblock print and the tattoo. Through high quality illustrations it shows that the Japanese tattoo is highly reliant on and linked to the woodblock print and that it deserves a position among the other art forms. A range of typical ukiyo-e motifs in the Japanese tattoo are discussed and illustrated by the original Japanese prints, and sketches, drawings and tattoos by tattoo master Horiyoshi III. The book ends with a special essay by Don Ed Hardy.

Customer Reviews:

Japanese Art as Tattoo and Vice Versa.......2005-05-12

Never has a book demonstrated so well the relationship between Japanese wood block prints and tattoos. Despite the seeming deluge of complex images that appear in large Japanese tattoos and body suits, the elements and themes are actually not that many and are readily recognized with practice. Tattoo artists will pour over this volume and collectors (both book and tattoo) shouldn't be without it.

tops on the cultural context of the japanese tattoo.......2003-07-09

Takahiro Kitamura's "Tattoos of the Floating World" is far from a be-all and end-all guide to Japanese tattoos. However, it is for the moment without peer in providing a cultural context, and it thus adds depth to a reading of many other favorites, including Fellman's "The Japanese Tattoo," Addiss' "Japanese Ghosts and Demons," and Klompmakers' "Of Brigands and Bravery: Kuniyoshi's Heroes of the Suikoden."

In this slender volume, Kitamura's primary focus is the linkage of the woodblock printing tradition of the Edo period (1615-1868) to the development of the tattoo as art. With such a focus, afficionados of the print artists Kuniyoshi, Kunisada, and Kunichika will find many illustrations to delight them, and there are as well photographs of the current artistry being worked by tattoo masters. Adding to the value of the book are a preface written by Donald Richie and an afterword by Don Ed Hardy. The first essay is elegiac and lyrical in tone; the second provides personal insights by a Western connoisseur of the tattoo art form.

The shortcomings of "Tattoos of the Floating World" concern what is not included. The book would have benefitted greatly from having an index as well as a more generously-executed glossary. Moreover, I regret that Kitamura, who as a tattoo artist is uniquely qualified to do so, did not more systematically and fully catalogue and explain the symbolism of Japanese tattoos.

Masterful Examination of Floating World Arts.......2003-05-03

Most tattoo afficianados are aware that Japanese tattoos are steeped in history and culture. But Tattoos Of The Floating World: Ukiy-o Motifs In The Japanese tattoo explores this history and culture in a way never done before. Takahiro Kitamura's research and unique insight combine to present the reader with not only a history of the Japanese tattoo, but also with an understanding of how it came to be, how it continued to maintain its traditions through centuries of persecution and cultural metamorphosis, and how it both influenced and was influenced by the contemporary arts of early Japan.

The first half of this excellent work explores the early history of the Floating World (as pleasure districts were known as Japan's Edo period), focusing on the "triumvirate of arts": ukiyo-e (wood block prints), irezumi (tattoos), and kabuki theatre. Ukiyo-e and irezumi are so closely intertwined that tattoos of the day were referred to as horimono (carved object) in deference to the process of carving a wood block print. Kabuki was the theatre of the people and expressed not only the history and mythology of Japan, but the people's innermost desires as well. Kitamura's exploration of the ways in which these three arts intertwined demonstrates his love of the topic and inspires a similar affection in the reader.

The latter half of Tattoos Of The Floating World details many of the themes so strongly connected with Japanese Tattoo today. Sections devoted to such heroes as Fudo Myoo, Fujin and Raijin, Kumonryu Shishin, and Tennin give a basic understanding of their characters themselves and their endurance as tattoo motifs. Details are also provided on such traditional images as dragons, koi, shunga, falcons, the Kurikaraken, tigers and the phoenix.

Illustrated throughout with ukiyo-e, original sketches by Horiyoshi III, and photographs by Jai Tanju, this work is as beautiful as it is educational. The pairing of sketches next to their finished tattoos highlights the artistry involved in Japanese tattoo while the presentation of ukiyo-e prints alongside tattoos of the same characters and motifs demonstrates the cultural and historic similarities.

As a special bonus, Don Ed Hardy weighs in with an essay exploring his own discovery of Japanese tattoo. Ed Hardy is the foremost American authority on Japanese tattoo and was one of the first Westerners to write on the subject. This essay follows his discovery of Japanese tattoo and his adventures in crossing the borders (both physical and cultural) between Japanese and Western tattooing.

Average customer rating:
Japanese Painting (Treasures of Asia)
Akiyama Terukazu
Manufacturer: Pan Macmillan
ProductGroup: Book
Binding: Paperback
ASIN: 0333233751

Average customer rating:

Another wonderful book by Addiss!

The Art of Zen: Paintings & Calligraphy by Japanese Monks

The Art of Zen: Paintings and Calligraphy by Japanese Monks 1600-1925
Stephen Addiss
Manufacturer: Harry N. Abrams
ProductGroup: Book
Binding: Paperback

General | History & Criticism | Arts & Photography | Subjects | Books
Asian | Regional | History & Criticism | Arts & Photography | Subjects | Books
General | Instructional & How-To | Arts & Photography | Subjects | Books
Calligraphy | Instructional & How-To | Arts & Photography | Subjects | Books
Religious | Arts & Photography | Subjects | Books
General | Painting | Arts & Photography | Subjects | Books
General | Arts & Photography | Subjects | Books
Japan | Asia | History | Subjects | Books
Zen | Buddhism | Religion & Spirituality | Subjects | Books
Similar Items:

Zen Brushwork: Focusing the Mind with Calligraphy and Painting

Zen Art for Meditation

77 Dances: Japanese Calligraphy by Poets, Monks, and Scholars 1568-1868

Sacred Calligraphy of the East

Enso: Zen Circles of Enlightenment

ASIN: 0810927748

Customer Reviews:

Another wonderful book by Addiss!.......2004-04-23

This collection of zen masterpieces is one that you
will return to again and again. Addiss has managed
to cover the history of Japanese zen through ample
biographies of zen artists with numerous samples
of their painting and calligraphy. The book itself has
the wonderful ability to capture the spirit of zen and
Addiss, himself a marvelous artist and writer,
inspires readers with experiences of enlightenment
in just over 200 pages.

The Art of Zen: Paintings & Calligraphy by Japanese Monks.......2000-07-11

"The Art of Zen" is a beautiful, beautiful book and has taken its place on my read-again-and-again bookshelf. The 200+ page book is not only packed with the history of zen in Japan as exemplified by the major zen monk artists but complemented by many examples of their art. The history is divided into seven major periods that discussed the political and cultural climate of Japan as well as the philosophic perspective of Zen Buddhism.

There are extensive biographies of each of the major monk artists with examples of the work and, often times, their poetry. For example, the death poem of Ryonen, one of zen nuns, reads, "In the autumn of my 66th year, I've already lived a long time- The intense moonlight is bright upon my face. There's no need to discuss the principles of koan study; Just listen carefully to the wind outside the pines and cedars."

In addition, Addis brings an artist's eye to the paintings and his commentaries on technique, execution and innovation are enlightening (no pun intended)and help to explain how zen seeks to express the "inexpressible."

I highly recommend this book to anyone interested in Zen, in art, in the Japanese culture or with a desire to better understand the view of life seen by awakened men and women.

Average customer rating:

A top pick

Drama and Desire: Japanese Painting from the Floating World, 1690-1850
Howard Hibbett , Masato Naito , Kobayashi Tadashi , Asano Shugo , Hokusai , and Utamaro
Manufacturer: MFA Publications
ProductGroup: Book
Binding: Hardcover

Asian | Regional | History & Criticism | Arts & Photography | Subjects | Books
General | Instructional & How-To | Arts & Photography | Subjects | Books
General | Painting | Arts & Photography | Subjects | Books
General | Arts & Photography | Subjects | Books
Japan | Asia | History | Subjects | Books
Similar Items:

Ehon: The Artist And the Book in Japan

Venice and the Islamic World, 828-1797

Manga from the Floating World: Comicbook Culture and the Kibyoshi of Edo Japan (Harvard East Asian Monographs)

Traditions Unbound: Groundbreaking Painters of Eighteenth-century Kyoto

Ike Taiga and Tokuyama Gyokuran: Japanese Masters of the Brush (Philadelphia Museum of Art)

ASIN: 0878467106
Release Date: 2007-07-01

Book Description

A rare gem: Drama and Desire presents 69 masterpieces of Japanese ukiyo-e painting by such renowned masters as Hokusai, Utamaro and Harunobu, among others--all depicting aspects of the so-called "floating world," the licentious demimonde of Edo (modern-day Tokyo), where actors and courtesans, rich patrons and bohemians, cavorted. While woodblock prints of the floating world have long been a favorite of art lovers, the remarkable ink-and-dye paintings of the period are far less known and much less available. This volume collects key examples by some of Japan's most important artists, each conveying a singular and very moving freedom of expression. Here, we find wistful interiors of courtesans at rest, onstage panoramas of actors in their finery, explicitly erotic scenes of lovemaking and outrageous fantasies. Essays by renowned American and Japanese scholars, including Howard Hibbett and Masato Naito, set the context with discussions of Edo society and culture, the ways in which "high" and "low" arts mixed in ukiyo-e painting, and the prominent roles played by courtesans, geishas and male prostitutes in the subculture of the period. This is a milieu of passion and mystery, color and flamboyance, boldly rendered in these uncommonly exotic masterworks. Published to accompany the first major American exhibition of ukiyo-e paintings in recent years, hosted by the Museum of Fine Arts, Boston.

Customer Reviews:

A top pick .......2007-07-10

DRAMA AND DESIRE: JAPANESE PAINTINGS FROM THE FLOATING WORLD 1690-1850 blends a history of Japanese paintings and painters with a catalog of full-page color reproductions of paintings representing the best and most classic works of the period from 1690-1850. Thanks to a grant, nearly thirty scholars traveled to Boston to study over four thousand paintings, sculptures, textiles, masks and lacquer pieces, taking photos of each object and producing bilingual catalogs published to make the Museum of Fine Art's holdings available to the world art community. DRAMA AND DESIRE furthers this objective, and is a top pick for both art libraries and college-level holdings specializing in Japanese history and culture.

Diane C. Donovan
California Bookwatch

The Art of Gaman: Arts & Crafts from the Japanese American Internment Camps 1942-1946

Average customer rating:

Crafts behind the wire
THe Human Spirit Defined
I was moved to tears
Well done!
The Art of Gaman by Hirasuna

The Art of Gaman: Arts & Crafts from the Japanese American Internment Camps 1942-1946
Delphine Hirasuna , and Kit Hinrichs
Manufacturer: Ten Speed Press
ProductGroup: Book
Binding: Hardcover

General | History & Criticism | Arts & Photography | Subjects | Books

Themes | History & Criticism | Arts & Photography | Subjects | Books

General | Reference | Arts & Photography | Subjects | Books

General | Instructional & How-To | Arts & Photography | Subjects | Books

General | Painting | Arts & Photography | Subjects | Books

General | Arts & Photography | Subjects | Books

Japan | Asia | History | Subjects | Books

Prisoners of War | Military | History | Subjects | Books
Similar Items:

ASIN: 1580086896

Book Description

In 1942,Executive Order 9066 mandated the incarceration of 110,000 Japanese Americans, including men, women, children, the elderly, and the infirm, for the duration of the war. Allowed only what they could carry, they were given just a few days to settle their affairs and report to assembly centers. Businesses were lost, personal property was stolen or vandalized, and lives were shattered. The Japanese word gaman means "enduring what seems unbearable with dignity and grace. "Imprisoned in remote camps surrounded by barbed wire and guarded by soldiers with machine guns, the internees sought courage and solace in art. Using found materials at first and later what they could order by catalog, they whittled and carved, painted and etched, stitched and crocheted. What they created is a celebration of the nobility of the human spirit under adversity. THE ART OF GAMAN presents more than 150 examples of art created by internees, along with a history of the camps.

Customer Reviews:

Crafts behind the wire.......2007-08-30

Delphine Hirasuna is to congratulated on producing a fascinating and moving tribute to the 120,000 Japanese who were interned, firstly in makeshift Assembly Centers for a few months then in Relocation Camps until 1946. It took until 1988 before a Presidential apology was forthcoming for the blatant violation of their civil rights by the federal government.

I think the strength of the book is the background to why the art and craft was produced. Hirasuna explains the rounding up process and public perceptions towards the Japanese only a few months after Pearl Harbor, the locations of the camps (as remote as possible it seems) and daily struggle in a hostile environment.

On page seventeen there is a map of the US and some camp statistics including a reference to Crystal City in Texas which bizarrely held 2264 ethnic Japanese from Latin and South America (1811 from Peru) who, having been forcibly taken to the camp, were then accused of entering the country illegally! After the war the Peruvians were not allowed to return home until Congress sorted out this injustice in 1953.

Look at the paintings, sculpture, craftwork and furniture and be amazed that most of it was created from whatever materials were available, discarded wood, sacking, vegetation, rocks, shells and anything that could be cut, woven or molded. My favorites are twenty-two brooches made from shells, ribbon and wire and they look just stunning. On pages 104-5 you can see a Buddhist shrine, five foot tall, with the most intricate carvings and hard to believe that it was probably made from firewood.

In the back of the book there is some background information about Japanese history museums and a short bibliography which strangely misses out Manzanar: Photography by Ansel Adams, Commentary by John Hersey. A more recent look at the subject is Impounded: Dorothea Lange and the Censored Images of Japanese American Internment a portfolio of photos by Dorothea Lange. Unfortunately the reproduction and design of the book don't do the photos justice.

The Art of Gaman is beautifully printed and designed (by Kit Hinrichs of Pentagram) and a suitable tribute to creativity in hard times.

***FOR A LOOK INSIDE click 'customer images' under the cover.

THe Human Spirit Defined.......2007-04-13

This book will have you in tears with its beauty in the face of diversity so extreme you can't imagine unless you've talked with a survivor of these internment camps. The level of the art is very fine, museum quality. It is hard to believe they had to scrounge the materials from dump piles and surplus. Anyone who doesn't think art can save lives should get this book.

I was moved to tears.......2007-01-11

The heart and spirit of the japanese internees continued to shine within the walls of their confinement. They found beauty and admiration of beautiful things living in desolate and inhumane conditions of the prison camps. This is a understated book with touching stories to tell.

Well done!.......2007-01-10

This book shows artwork done with minimal supplies in the Japanese-American concentration camps of the western US during WWII. The images are high quality, in color, and very thought-provoking.

The Art of Gaman by Hirasuna.......2005-12-21

This work documents the extensive detainment of Japanese
citizens during the later period of WWII. These prisoners
were kept in whitewashed horse stalls in California, Oregon
and the State of Washington. The camps emphasized education
including arts/crafts with a shortage of teachers.

Fine works of art include:
- The Natural Form of a Snake by Obata
- Kobu by Matsuhiro
- A Bonsai Notebook by Iseyama
- Shell Broaches and Corsages by Iwa Miura and Shintaku

The volume is a solid value for the price charged. It is a must
for serious students of WWII and historians everywhere.

Masterpieces of Japanese Screen Painting: The American Collections

Average customer rating:

Masterpieces of Japanese Screen Painting: The American Collections
Miyeko Murase
Manufacturer: George Braziller
ProductGroup: Book
Binding: Hardcover

General | Museums & Collections | Arts & Photography | Subjects | Books

General | Instructional & How-To | Arts & Photography | Subjects | Books

General | Painting | Arts & Photography | Subjects | Books

General | Arts & Photography | Subjects | Books

Japan | Asia | History | Subjects | Books
Similar Items:

Art of the Japanese Folding Screen

ASIN: 0807612308

Average customer rating:

Quiet and beautiful

The Sketchbooks of Hiroshige
Hiroshige Ando
Manufacturer: George Braziller
ProductGroup: Book
Binding: Hardcover

General | Instructional & How-To | Arts & Photography | Subjects | Books

Drawing | Instructional & How-To | Arts & Photography | Subjects | Books

General | Drawing | Arts & Photography | Subjects | Books

General | Painting | Arts & Photography | Subjects | Books

General | Photography | Arts & Photography | Subjects | Books

General | Artists, A-Z | Arts & Photography | Subjects | Books

General | Arts & Photography | Subjects | Books

Japan | Asia | History | Subjects | Books
Similar Items:

ASIN: 0807611050

Book Description

An exquisite presentation of unique sketchbooks by the great Japanese master Hiroshige Ando (1797-1858). While Hiroshige's splendid woodblock prints, in particular his Fifty-Three Stations of the Tokaido Road, are among the most widely reproduced and best-loved prints in Japanese history, his sketches have rarely been circulated or seen. The sketchbooks date from around 1840 and were created as Hiroshige traveled around Japan. They contain subject matter that ranges from serene landscape and rural scenes to delightful renderings of interiors, historical figures, and animals. The colors are fresh, the renderings fluid, and the use of space astonishing, allowing a sort of fantasy not always possible in the harder lines of woodblock printing. Most importantly, these drawings are of enormous charm to the eye; even those unacquainted with Japanese art will find them an enchanting example of Japanese color, design and subject matter. This one-volume edition has been printed in Japan to ensure the highest quality in reproducing the nuances of Hiroshige's masterpieces, which are reproduced to size and in their original order. 100 pages of color illustrations, 50 black-and-white illustrations.

Customer Reviews:

Quiet and beautiful.......2007-09-13

Once you've been captivated by the beauty of Japanese prints, you will surely want to know more about the people and times that created them. This book offers a unique glimpse at the creative process, in the form of fifty watercolor and ink sketches.

The authors have chosen an unusual but comfortable format: sections of the book are printed alternately on white and buff paper. The first section, in white, introduces the collection - a donation to the U.S. Library of Congress. Next, fifty two-page spreads on buff paper present the sketches themselves. If you can't lay hands on Hiroshige's original sketchbooks, this is the next best thing. Toned paper imitates the aging of Hiroshige's sketchpad, now well past 150 years old. It also creates a correct impression of how the ink and colors actually appear, set against that background color. Since the original drawings each spanned the fold of a two-page spread, the reproductions do too - with the book's actual fold in the same place as the original's. Another section of white paper with black printing follows. Each page reproduces one of the drawings, reduced and without color, to remind the reader of what that page's discussion refers to. A second sketchbook follows, on buff paper, and its commentary, in black and white. As you may guess, these high production values carry over into the printing itself - beautiful, delicate, and detailed, so that every nuance of line and shading exposes itself to study.

Although helpful, the book's commentary does little more than state the location of a scene or the myth from which an image is drawn. I don't mind that minimalism. The picture draw my eye so forcefuly that it's hard to pay attention to the text. This has my highest recommendation to anyone who loves Japanese prints, or Japanese art in general.

-- wiredweird

The Sumi-e Dream Book: An Impressionist Approach to the Art of Japanese Brush Painting

Average customer rating:

The Semi-e Dream book
A Bit Shallow
Good paintings, but not sumi-e
A real "dream" for those interested in Sumi-e Painting
Friend and admirer

The Sumi-e Dream Book: An Impressionist Approach to the Art of Japanese Brush Painting
Yolanda Mayhall
Manufacturer: Watson-Guptill
ProductGroup: Book
Binding: Paperback

General | Instructional & How-To | Arts & Photography | Subjects | Books

Watercolor Painting | Instructional & How-To | Arts & Photography | Subjects | Books

General | Painting | Arts & Photography | Subjects | Books

General | Arts & Photography | Subjects | Books
Similar Items:

ASIN: 0823050238

Book Description

Sumi-e is the classic painting style of Japan, and its graceful simplicity is admired around the world. A natural follow-up to the best-selling The Sumi-e Book, The Sumi-e Dream Book demonstrates how to take the classic brushstrokes of sumi-e to a new level of painting, where creativity is inspired by deeply felt memories and spiritual expression. First, sumi-e artist Yolanda Mayhall provides a brief history and explains the philosophy behind this classic Japanese painting style. She highlights its many masters, one of them her ancient mentor the master brush painter, woodblock, and dream journey artist Hokosai. Next, she reviews the classic materials and the basic brushstrokes of sumi-e known as the Four Gentlemen: Bamboo, Wild Orchid, Chrysanthemum, and Plum Branch, along with their variations. Finally, Mayhall puts it all together to demonstrate the sumi-e art of dream journey painting. Readers will learn a variety of creative and exciting techniques for using color to add a delightful dimension to the sumi-e image as well as discover exciting techniques for visually capturing important life memories and spiritual reflections in a painting.

Customer Reviews:

The Semi-e Dream book.......2007-05-12

Its ok but I thought it was going to be more step by step and its not. Good book thow.

A Bit Shallow.......2006-11-11

Very nice pictures and some good description on Sumi-e dreamjourney painting. However, as an artist looking for more detailed explanations on techniques, I was quite disappointed. If I was just interested in general ideas on this type of painting the book would be great, but as an artist I was disappointed in the way the material was presented. For example, loading the brush was glossed over.

Good paintings, but not sumi-e.......2005-01-19

This book might be interesting as some artistic approach to make paintings. the paintings are not bad. But they are not sumi-e. They are rather aquarelle, that mimics eastern paintings.
IMHO the key thing, that makes Yolanda paintings look different is her technique of brushstokes, which are very typical to the western aquarelle school. The original sumi-e brushstrokes are based on brushstokes of chinese (well, and japanese as well) calligraphy, and this is one of the characteristics that variate paintings of differnt masters.

Still, the book text is a good transcription of sumi-e/brush painting concept. Just for the painting examples I'd suggest to look at the works of the "original" artists.

A real "dream" for those interested in Sumi-e Painting.......2004-04-09

Being an afficionado of Chinese Brush painting, I was intrigued when I first saw this book. I'm not easily impressed by art books, and I've reviewed hundreds over the years, but this is one of those books that actually surprised me. It really is a dream for artists intersted in the brush painting of China and Japan. Here's why...

Mayhall's style is both beautiful and spontaneous, and the imagery in this book is breathtaking. What is really refreshing about this book, however, is that it isn't just another *how to* brush technique book. While she does go into great detail on history, materials, technique, and subject matter, the artist puts you into the mindset of a Sumi-e artist. Rather than simply show her readers "how" to paint, Mayhall encourages them to begin their own journey into Sumi-e "dream" painting, and equips them with the knowledge necessary to find their own artistic voice. She states, "it is not only the subject that gives life to art, it is the spirit that is within the artist's genius." Well said!

Material covered in this text includes:
* Chapter 1 - A Brief History of Sumi-e
* Chapter 2 - Studying the Dream Journey Painters of China and Japan
* Chapter 3 - Starting on Your Own Dream Journey (tools, brush strokes)
* Chapter 4 - Practicing the Four Gentlemen (bamboo, wild orchid, chrysanthemum, plum branch)
* Chapter 5 - Beginning the Creative Process (incorporating the four gentlemen)
* Chapter 6 - Learning Advanced Brush Strokes for Birds & Flowers (Yo birds, iris, hummingbirds & its flowers)
* Chapter 7 - Internalizing the Three Essential Elements of Sumi-e (creativity, composition, color)
* Chapter 8 - Planning the Journey (sketching, structure, Exploring new techniques, beginning your dream journey)
* Chapter 9 - Dreaming (more ideas & demonstrations)
* Chapter 10 - Enhancing Your Dream Paintings (calligraphy)

If you're interested in the brush painting style of China and Japan, or would like to incorporate these techniques into your watercolor and/or ink painting, I recommend this book along with "Chinese Painting Techniques for Exquisite Watercolors" by Lian Quan Zhen... two excellent books to inspire you and bring your own artistic dreams to life.

Friend and admirer.......2003-07-17

As a long time friend and collector of Yolanda's beautiful paintings, I was overjoyed to see her latest book. I have found it to be not only well organized and illustrated but written in a style that is easily understood and followed. The inclusion of historical and contemporary works accompanied by poetic translations elevates the instructional format to a book to be cherished for its contribution to understanding the mysterious and ancient culture of Japan.

Average customer rating:

Japanese painting (Treasures of Asia)
Terukazu Akiyama
Manufacturer: Rizzoli
ProductGroup: Book
Binding: Unknown Binding

General | Painting | Arts & Photography | Subjects | Books
Similar Items:

History of Japanese Art

ASIN: 0847801314

Books:

Books Index

Books Home

Recommended Books