Book Description
Today's digital cameras provide image data files allowing large-format output at high resolution. At the same time, printing technology has moved forward at an equally fast pace bringing us new inkjet systems capable of printing in high precision at a very fine resolution, providing an amazing tonality range and longtime stability of inks.
Moreover, these systems are now affordable to the serious photographer. In the hands of knowledgeable and experienced photographers, these new inkjet printers can help create prints comparable to the highest quality darkroom prints on photographic paper.
This book provides the necessary foundation for fine art printing: The understanding of color management, profiling, paper and inks. It demonstrates how to set up the printing workflow as it guides the reader step-by-step through this process from an image file to an outstanding fine art print.
Customer Reviews:
Fine Art Printing.......2007-10-02
This was a very in depth study of principals needed to handle art printing--and the price was fantastic!!
Incredible book on printing.......2007-08-23
I've always struggled to produce prints that match what I see on the screen. This is th best book I've ever read on the subject. It covers everything in great detail, and is very readable. For the first time, I'm able to produce prints that match what I'm seeing on the screen.
A Very High Quality Publication.......2007-07-09
Producing exhibition quality photographic prints on an ink-jet printer requires a knowledge of many areas - printers, papers, inks, color management, editing software, handling and preservation. This outstanding book covers all these topics with the authority of experts. The authors' in-depth knowledge enables them to distill the essence of each topic into very concise prose, which is a pleasure on both the first reading and for subsequent reference. I have tried using other books on producing exhibition quality prints and found them wanting. With this book, I have quickly taken my prints to a new level.
As a minor issue, there are a number of places where a good editor could have tightened up the prose, added a clarifying sentence, or removed a germanic grammatical construction. Maybe for the next edition the authors could engage a more discerning editor. However, this does not affect the book's overall clarity.
One of the pleasures of this book is its design, with beautiful examples of the authors' own work, and a very extensive list of references for further information.
Outstanding digital printing resource.......2007-04-01
The final product for many photographic creative artists is the making and exhibition of high quality prints. In the past, particularly with color prints, this was usually relegated to third-party printing agencies and service bureaus, but with the evolution of today's photo-realistic inkjet printers it is now possible to achieve stunning results right in one's own small office or studio. It's hard to describe the deep satisfaction of watching a perfect inkjet print emerge that is the product of one's considerable investment of time and creative energy.
The convergence of desktop computing power with wide-gamut, archival-quality inkjet printers has returned creative control to the artist. But along with control comes the weight of personal responsibility, and learning to use this sophisticated equipment takes a lot of time and mental resources. Many authors have addressed the general issue of digital image output, but none that I've read previously have done as good a job in bringing together and covering both thoroughly and with rare clarity the myriad of factors relating to the making and finishing of exhibition-quality fine art photographic prints.
There are many issues involved. The concepts of light and color and how photographic input and output devices encode and translate color is fundamental to the process, underscoring the absolute requirement for a carefully calibrated and profiled color management system throughout one's entire workflow. Types of ink affect not only how prints appear under different lighting conditions but how long they'll last. Papers come in an almost endless variety of types and surfaces, both of which impact final appearance and longevity. How one prepares a file in the selected image editor also has a large impact on final output and extensive methods are detailed for achieving optimum results. Specific printer operations are covered with screen shots of dialog boxes that make some otherwise obscure choices very clear. Several specialized printing programs are also discussed, including Qimage and two RIPs (raster image processors). Last but not least is an extensive resource listing providing internet contact information for many of the products discussed throughout the book. This has special merit today due to the speed with which technology advances, often quickly dating what is set to print in a bound book.
If you are serious about making the highest quality photographic inkjet prints for display, there is no better reference piece than this book to increase your knowledge of the subject. Very highly recommended.
If What You See Isn't What You Get, You Need This Book.......2007-02-20
This handy, easy-to-use book by Uwe Steinmueller and Juergen Gulbins leads the reader gently into the expensive and complex world of Fine Art Printing.
Your first question for Fine Art Printing might well be: Why bother? Why not have your large format prints done professionally?
For instance, Epson, one of the brands discussed in the book has come out with a new, UltraChrome K3 line of inks and 13- 44-inch-wide printers. From my experience, these printers do indeed produce studio quality prints and prepress proofs. With prices ranging from $850 to $5000, they are affordable within the context of commercial production. Nevertheless, it might be a risky investment if you don't have a good grasp of the process and mechanics of printing.
This book bridges that gap. From a very basic level of color, lines per inch to materials and inks to more complex CMS management and software manipulation, this books covers the subject in enough depth to give you a real understanding, but it doesn't drown you're your interest in a flood of super-technical details.
One of the most common problems in printing is the disparity between what you see on your monitor and what comes out of your printer. Color management and monitor calibration are huge in printing and these subjects are covered well in this volume. (If you need more, specific information he publisher, Rocky Nook has another excellent offering: Color Management in Digital Photography.)
The whole process is fascinating - seeing the scene, taking the photo, moving the photo to the computer for processing, outputting the photo to hard copy. The question is: Does your print convey the story/feeling you wanted to share when you initially took the photograph?
One thing about the book amused me. It is replete with color illustrations and many of them purport to show before-and-after and/or the application of various effects. It's probably just my tired old eyes, but in many cases I was hard-pressed to see any difference. Nevertheless, when I tried the suggested techniques on my own work, I saw the results and was very pleased with them.
The fact remains that the more you learn about the printing process, even at a very basic level, the happier you'll be with the hard copy version of your photos.
Book Description
Digital Collage and Painting proudly showcases the work of twenty-one talented digital artists. Each artist walks you through the creation of a piece of their art and lets you in on their secrets about equipment, software, favorite papers, and how their creative process begins. The artists included are:
Audrey Bernstein
Paul Biddle
Leslye Bloom
Stephen Burns
Luzette Donohue
Katrin Eismann
Paul Elson
Steven Friedman
Ileana Frómeta Grillo
Bill Hall
Julieanne Kost
Rick Lieder
Bobbi Doyle-Maher
Ciro Marchetti
Lou Oates
Cher Threinen-Pendarvis
James G. Respess
Fay Sirkis
Jeremy Sutton
Maggie Taylor
Pep Ventosa
* Discover how the computer can be used to paint on photographs, incorporating other visual materials into images
*Learn from step-by-step examples for painting, collage, and panoramics
* The associated website contains the art samples used in the book so that you can practice the different techiques
Customer Reviews:
Most chapters are good..........2006-12-27
Most chapters are very good. My interest is painting--I found that several chapters were just excellent instruction and tips-others were OK. Worth the purchase price to me...
Digital Collage and Painting: Using Photoshop and Painter to Create Fine Art.......2006-11-25
This book was like reading a great novel, I couldn't put it down! The inspiration was excellent. The incorrect assumption of some that "digital" means "computer generated" is debunked in this excellent work which has lots of beautiful examples of many kinds of digital art (not just collage). There are lots of step by step tutorials that are helpful and tips for using the tools of PS and Painter to their best advantage.
It is not a beginners book however as Bloom assumes that the reader is familiar with PS and Painter. Still this might be the work that makes one REALLY want to do the work needed to become proficient in these programs.
Loved it more than any other work on this subject and I already have a shelf full!!!
Suni R
Buyer Beware.......2006-11-11
Ok, firstly if you want a hands-on plenty of action book stay away from this one. Sure you get to see how other artist have created their work but if you read carefully there are gaps between getting from one stage to the next in some cases. Also a MAJOR dissapointment is you get no images to play with so you can attempt to emulate what the artist is doing as you read. Using the same techniques on different images can obviously give you totally different results.
There is a small hands-on section (26 pages) at the back where you have to download the images to work with. Come on guys how about a CD..? You also have to download a total of 49 files off the web if you want all of them AND they are all largish TIFFS instead of jpgs so be prepared for a long download session.
Basically if you want to be a digital vouyer and have a perve at how others do it without having fun yourself buy this book. If you want to get down and dirty and have heaps of fun then look elswhere. I have read many good PS and Painter books but for me this is not one of them. I might add I am a very experienced PS user and more than a fair Painter user and while the author certainly knows her stuff the book for me is a major letdown and certainly not for a new user looking for a good start to take them to an intermediate level.
Bridging the Digital Disciplines.......2006-10-07
Artists create by combining and extracting elements, often employing diverse techniques, to express ideas. Sue Bloom's new book brings her background as a teacher and digital artist and painter to the reader by showing how different artistic methods can be combined to create a work richer than any single medium alone could provide. She does this, not just by describing her own work, but by inviting 21 other major digital artists to share their eyes and techniques. Of course, she provides some excellent chapters on the "basics" of digital creation in Photoshop and Painter, but her book's unique strength, I think, lies in going beyond all of the usual "How to" books. It is a book which bridges these different digital disciplines. It covers collage and panorama creation, along with artistic tools in Photoshop and Painter while at the same time has a large section on "Artistic Considerations" (which includes "Experimentation" ideas). Bloom's first sentence begins with the question: "Where does that kernel of inspiration come from?" She brings us many tools to use. Along the way, she offers inspiring and thoughtful quotations from artists throughout history. I took great comfort from her quote from Emerson that "Every artist was first an amateur." An inspiring and truly unique book. BRAVO.
A great book for learning new techniques and skills.......2006-08-26
This is a great book for the curious and creative artist who wants to use Photoshop and Painter as their tools for expression. The author provides plenty of information, step-by-step instructions and illustrations to help the reader go through the process and create his/her images. The book is not an introduction to basic Photoshop or Painter. The book is for the artist who wants to improve his techniques and learn new skills using these programs. You can practice, and apply the new skills and I'm sure that you will notice immediately the improvement on your technical skills.
The chapters on Collage are excellent and the author provides a step-by-step guide in the creative process of a diversity of images. She inspires you to use the newly learned techniques to create stunning collages. The chapter devoted to creating panoramic images is superb. You will enjoy this chapter because you can use any digital camera to create great panoramas and you don't need to invest in expensive equipment.
You will love the chapter on filters; you can practice and create new versions of some of your favorite old images. The chapter on Essential Photoshop and Painter techniques is a must for everyone who wants to be proficient with the tools of both programs. This chapter has a step-by-step approach to the method and you'll have plenty of illustrations and instructions to learn how to master the tools. The book provides five projects for you to practice some of your newly acquired skills. I'm sure that this book will help you find inspiration and will motivate you to go out and create great images with this wonderful programs. This book is a must in the library of every photographer and artists who uses digital technology.
Book Description
Traveling the world for eight decades, mountaineer, explorer, cartographer, and aerial photographer Bradford Washburn has documented the landscape from the Grand Canyon to the Alps, from Mount McKinley to Mount Everest. Genius has inspired him to pioneer photographic techniques that capture the most remote and inaccessible points on earth under conditions worthy of a stunt man. Genius has also transformed his photos-conceived for a purely functional purpose-into works of expressive art. Now the career of America's most celebrated mountain photographer is presented for the first time in book form.
In Bradford Washburn: Mountain Photography, one hundred large-format mountain photographs, selected from more than 10,000 images, take the reader through Washburn's lifetime of accomplishments. Aerial images of high mountains, looking more like bold relief maps, are captured in extreme raking light. There are picture essays of early Alaskan expeditions-striking modern still lifes of supply caches and camp conditions-plus portraits of team members and colorful characters and situations encountered along the way. Additional aerial photographs reveal, in breathtaking clarity, the workings of the earth, continuously transformed by upheavals and erosions, and the slow march and retreat of glaciers.
Customer Reviews:
Bradford Washburn: Mountain Photography.......2007-04-03
I was looking for something different. The photographs are beautiful but they are mostly not of the mountain in which I was interested.
Bradford Washburn: Mountain Photography.......2005-10-17
TERRIBLE COPY - FALLING APART - PAID VERY HIGH PRICE AND WAS VERY DISAPPOINTED WITH THE QUALITY OF THE BOOK. WHEN PURCHASED IT SAID IT WAS IN EXCELLENT CONDITION.
Picture the mountains in all their glory..........2003-01-15
This book is a marvelous record of mountain exploration and photography with photos that span a period of almost 70 years. This small collection representing much less than 1% of Washburn's photographs is a remarkable record of photography rivaling Ansel Adams or Vittorio Sella. Although the photos were originally taken to support his geological or surveying research or to provide guide shots for climbers, Washburn soon realized that he had a knack for taking photographs as art that were as good as any being produced by other photographers.
This book may be a disappointment for those who want expedition photographs as few of the photographs include people. Indeed, having a few more pictures of people would have warranted five stars. Yet, many of the pictures are aerial photographs so the lack of people in many is not surprising. What makes it ultimately worthwhile is the crispness of the pictures, the attention to details on the ridges and valleys of the mountains, the patterns revealed in the flow of glaciers, and so on.
One other point of interest is that this book was the Grand Prize Winner of the 2000 Banff Mountain Book Festival -- the only pure photography book to win that award.
A slight disappointment.......2001-07-29
After the exhiliration generated by Washburn's classic book on Denali, this one left me slightly disappointed. There are many exquisite photographs and a few truly great ones, such as the famous picture of climbers on the Doldenhorn (in the Bernese Alps). But on the whole there are just a little bit too many pictures of abstract geological features. These reveal a more scholarly side of Washburn's art: interesting to round out our view on this great artist, but less captivating than the epic mountain pictures. Also, there is an appendix with a detailed account of Washburn's career, with many little inset pictures of people he worked with (Barbara Washburn being the most prominent amongst them). I would have liked to see many more of these pictures and at a size more amenable to detailed study. A final point of criticism on this book concerns the interview with Washburn by the editor: it is very revealing but way too short! I would have guessed that Decaneas would have been able to extract much more material from all the conversations he has had with Washburn in the final years of his life. So, it's a nice book to have in the library, but Decaneas missed an opportunity to put together an absolute classic. Pity.
Museum quality visual images.......2001-03-16
Bradford Washburn roamed the globe for eighty years as a mountaineer, explorer, cartographer, and aerial photographer. In Bradford Washington: Mountain Photography, Tony Decaneas as assembled one hundred full-size landscape mountain photographs from the more than ten thousand images that Bradford made during his lifetime of photographic accomplishments. From the Grand Canyon to the Alps, from Mount McKinley to Mount Everest, these black and white landscape photos of mountain peaks and picture portraits of team members and colorful characters that are each of them museum quality visual images showcasing Bradford's photography as having risen to the level of fine art.
Book Description
135 fantastic and grotesque scenes depict the passion and grandeur of one of Dante's most highly regarded works — from the depths of hell onto the mountain of purgatory and up to the empyrean realms of paradise. Includes plates produced for The Inferno, Purgatory and Paradise. Illustrations accompanied by appropriate lines from the Longfellow translation.
Customer Reviews:
Dore Illustrations.......2007-04-11
Book arrived in promised condition, and in a timely fashion. I would buy from this seller again.
Skip this comic book.......2007-01-21
This guy is pretty much in the same league as Jack Kirby. Whereas Kirby's all soft lines and images pancaked on the page, Dore looks like he's carving his cartoons into a tree. And all these scary demons and things look tired, like they've been running marathons all day. The victims kind of look like they're enjoying it, so I guess if you're into S&M, I could recommend it. Me, I prefer "Spawn" by Todd McFarlane. The Violator? Now that's a monster you can sink your eyeballs into. And I know it's like super-uber hip, but I don't know why these illustrators feel they are so special when they work exclusively in shades of black. Like my momma used to say, "A little rouge really accents the cheekbones."
An Excellent book for the Doré or Dante lover.......2006-08-01
The quality of this book - along with an amazingly affordable price tag - quickly persuaded me to pick up a copy. Its really everything you could ask for in an art book;
The pictures are all very big, but not overwhelming; Its easy to see minute detail, and the overall scope of the image. I actually blew up some of the prints in photoshop and printed them on huge poster paper for my room, while not sacrificing a drop of detail.
Also, I had to put quite a good deal of pressure onto the spine of the book in order to get a good scan from them, and im happy to say that doing so didn't even leave an annoying "bookmark" crease in the book, and the spine didn't even crease. Dover books really did produce a fine quality book, and the note on the back really is true: This book IS permanent.
If you have read or are reading the divine comedy this book is a great reference to glance at every now and again to truly suck you into Dante's epic poem, and bring you to the Heights of Heaven, The Depths of Hell, or the pain of purgatory in a way you could never have imagened.
The woodcuts done here by dore are so elaborate and vivid you could spend a good portion of a day just gazing into the faces of cursed souls writhing in hell, or the beauty of millions of angels soaring in the highest heaven. Dore illustrates every picture so full of movement and depth its the next best thing to a movie.
Absolutely Wonderful (Really 4 and a half stars).......2006-06-07
I have looked at a variety of Dante artists. Some well known and some are not. Suloni Robertson, John Flaxman, Willam Blake, Sandro Botticelli, Sandow Birk, Herb Roe. Do a google search to look at the works of some of these like Sandow Birk. There are some that are more obscure which in a way documents the Comedy, more specifically the Inferno. I'm not going to say who I don't like but Dore is the best. I am rather specific about artists. Dore makes the grade. He is good, really good and when you look at this book, you feel like you are in the terrible depths of hell. I like purgatorio too. I feel the religious prayer songs in my head as I see Beatrice's entrance. There is so much symbolism in these pictures, especially in Paradiso. Though I do disagree with the depiction of Muhammad in hell, the rest is fantastic. I mean that he looks more like he's British then Middle Eastern. I imagine him with blonde hair in the plate. The tortured look on Dante's face in the plate with Betrand de Born, (The cover pic) is extraordinary. I felt how he felt. That is why Dore is so good. I had also hoped for more detail with Ugolino because his story is fantastically horrifying.
The book is a must for any Dante fan. I look at it a lot, even if I have seen the pictures hundreds of times. I really don't think that you can get bored with this. There is always something new to look at. Some detail you looked over. Buy this book because the scans online don't give the justice that this book has. Buy it, look it over, get inspired by it. Maybe we will see your work on Amazon in the near future.
The Dore's Illustrations for Dante's Commedia are great........2006-03-15
The Illustrations from the 1st canto in the Inferno to the last of Paradiso are great because they help as a visual aid when reading the Divina Commedia. One can really see how and in which ways Dore, when he design the illustrations, followed the text very closely.
Book Description
Acclaimed nature photographer Tony Sweet helps us to see a familiar subject through new eyes in this astonishing collection of flower photography. Ranging from the elegiac to the experimental, these pictures offer a kaleidoscopic survey of innovative photographic techniques--including multiple exposures and "slide sandwiching"--along with instructions for creating similar effects in your own photography. Perfectly balancing grace and spontaneity, Fine Art Flower Photography ensures that none of us will look at (or photograph) flowers the same way again.
Customer Reviews:
Too stylized.......2007-08-28
The pictures in this book are very beautiful, but I was hoping for more discussion of the basics of outdoor nature/flower photography, like lighting and composition. This book spends a great deal of time with mutliple images and zooming and "special effects" which are interesting but not really helpful if you are trying to take better pictures of flowers. Also, it seemed sort of repetetive at times.
WOW....LOVE IT.......2007-06-08
Cool...abstract photography. Clear pictures, great as a table book or as a useful 'textbook.' Pleasure to look at; pleasure to read. Well worth it!
Dont learn to photograph flowers here........2007-03-25
Don't think that you will learn to photograph flowers with this book.
If you want to learn this, it is not for you.
If you want a beautifull book to look at, with good photos, it is for you.
Tony Sweet delivers .......2007-03-16
Excellant. Has helped me to better understanding of technique, and I am already producing better results with my photograghy
An Impressive Portfolio.......2007-03-10
Tony Sweet is an accomplished nature photographer.
This is a colorful and inspiring collection of close up photographs.
Sweet uses medium to long lenses with warming filters to produce delicately focused images with silky smooth bokeh.
You'll never look at your garden in the same way - a real gem of a book.
Book Description
How would you like to create your own impressionist landscape, a van Gogh still life, or a surrealist Salvador Dali dream world? Or perhaps a classic Ansel Adams photograph of Yosemite or an authentic-looking 19th century Daguerrotype? You can do all of that and more with Photoshop Fine Art Effects Cookbook.
The book tells you all you need to know to turn your original digital photographs into images that mimic the styles of great photographers and painters. From advice on how to develop an eye for appropriate subject matter to 62 detailed recipes that demonstrate exactly how to create an "original" van Gogh, Vermeer, Edward Weston, or Andy Warhol (among others), this book is an authentic guide to understanding and simulating the work of great artists-and a whole lot of fun.
- Analyzing the styles of great artists: format, composition, angles of view, color palettes, and image textures
- Shooting for digital manipulation, working non-destructively, making your own brushes and patterns
- Creating Daguerrotypes, cyanotypes, stop-motion photographs, cross-processed images, Polaroid transfers, and infrared effects
- Mimicking photographic styles from the pre-Raphaelites and the Naturalists to Jerry Uelsmann and David Hockney
- Exploring painting and printmaking techniques from Rembrandt to Warhol: Dutch portraits, 18th century landscape painting, Japanese woodblocks, Impressionism, Pointillism, Fauvism, Art Nouveau, Cubism, Futurism, Surrealism, and Pop Art
Packed with step-by-step instructions, an inspirational selection of full-color digital imagery, and authoritative information and advice, Photoshop Fine Art Effects Cookbook is the ultimate guide to creating convincing digital masterpieces in the styles of many of the world's greatest artists.
Customer Reviews:
Rhondda Boy.......2007-06-11
I would like to thank John Beardsworth for writing this book as it has given me much pleasure in replicating his creations and following his recipes are so easy. The quality of the printing of the book is superb.I look forward to hours of enjoyment making my own paintings.
Lots of errors.......2007-04-15
The concept is interesting & it is fun to try the different recipes, but many many errors mar the book. Also, some the instructions are less than clear.
Waste of money.......2007-04-04
There are many web sites with better information. Take a look on them.
Great recipes, easy steps, wonderful results........2006-07-09
This book puts you on the fast track to grafting the styles of famous artists into your own work through more than five dozen easy-to-follow recipes. Not surprisingly, you'll find yourself learning more than you originally expected to about Photoshop.
not-so-fast ..........2006-05-04
Earlier this year I reviewed what many will see as the companion volume to this book ("Photoshop Blending Modes Cookbook for Digital Photographers"), written by the same author. Unfortunately, the newer publication is less useful. It seems to have been written on a pretext that it's clever to be able to duplicate what traditional artists can do. This seems - from my own personal viewpoint - to be greatly undervaluing the power of Photoshop (and similar software). Practitioners of digital fine art should (really, constructively) be looking to explore what the principles of prior and traditional art can mean within a new domain.
Plus, the book gets off to a definitely poor start. The second and longer of two introductory sections is titled "The Tricks of the Trade". Well it would be better if just some of the "tricks" had been explained in full and more accurately. Say, how to make a selection in Photoshop from the best available precursor (a black-and-white alpha channel). Or say again, how to make tonal corrections to the original photograph using a luminance mask. Then again, the first (and shorter) of the introductory chapters, titled "The Artist's Eye", is just a teaser. This topic - pre-visualizing what can be achieved as an output image when composing the original photographic input - could have benefited from a much more detailed explanation/argument. Indeed, it could even merit an expansive concluding chapter (but the book doesn't have one of those at all ....). This is, after all, at the very core of what the user could harness to any given artistic objective.
Additionally, I think that it's strange that a book such as this simply makes no reference at all to what could be printed from the recipes it contains. Some of the finished (output) images might look quite intriguing as 3 by 5 inch reproductions in the book - but does the methodology hold up if you're targeting a 20 by 36 inch output (say) on a large format printer? And what to do if that's not the case? Finally, and in common with the earlier companion volume, this book suffers from strange and inconsistent layouts of screenshots and text, plus all sorts of technical and editing omissions/errors (which include, for example, having the wrong screenshot in the wrong recipe - see p.108).
Book Description
Collection of portraits, selected from public and private holdings by art historian Trevor J. Fairbrother, reveal the technical skill and intuitive eye for which American portrait painter John Singer Sargent is renowned. Drawings in pencil, pastels and charcoal — a lesser-known aspect of Sargent's oeuvre — are shown. List of Plates. Introduction. Captions.
Customer Reviews:
Outstanding pencil art.......2007-09-11
I'm a big fan of Sargent, but haven't had the privilege of seeing much of his pencil work in the grand collections of his paintings. This changes that. What a great book with so many beautiful pencil and charcoal portraits to enjoy. And the price? Who sells art books for this price anymore? Dover does an amazing job.
Sargent Captures the Personality and for any Life Drawing Student this will be a Wonderful Guide.......2007-06-25
As a student of Life Drawing and Portraiture (Carolyn's by Design) going back to her art, I had to have more of Sargent. I had just read the book, "Strapless" about the nortorious Madame X who was captured over and over again in Sargent's renderings. This compilation of renderings displays how attuned Sargent is with his representations of the personalities, how good his eye is at capturing the likeness.....how easily he appears to use minimal usage of his medium to obtain maximum expression in his subject.....This small Dover Art Library reference to Sargent gives you the medium and size as well as the name of the subject and the Intro gives you a great synopsis on Sargent's bio.....For any serious student of Sargent....you will refer back to this over and over again for technical knowledge as well as the inspirational beauty obtained from his work...I love him! Formerly millersequine....sign me Carolyn's by Design and "Enjoy"!!!
Wonderful.......2007-03-18
As an art student, I'm in love with Sargents drawings, so much to learn from such a master.
Drawings or Sketches?.......2006-08-04
I was a little disappointed in this book. I expected detailed, color drawings. This book contains nice sketches of portraits that Sargent perhaps later painted. The reproductions are a little blurry, also. It is still a nice, inexpensive reference book to own.
Must have for Sargent lovers.......2006-03-20
Excellent plates - This book is a must have for any John Singer Sargent admirer!
Book Description
Here's four years of art school in book form minus the loans. Taking the top lessons, methods, and instruction from the best-selling Artist's Manual and Art Class, plus all-new material, The New Artist's Manual is a veritable bible for beginners as well as an invaluable reference for accomplished artists. This is the definitive hands-on art volume, covering the ins and outs of equipment and hundreds of techniques for painting and drawing. Comprehensive and easily referenced, The New Artist's Manual clearly explains all the artist's essential tools and materials how to choose them, how to use them, and how to care for them and includes detailed instructions on working with media ranging from watercolor to acrylic and from pencil to pastels. Packed with information on myriad techniques, from color use and composition to subject choice, numerous tips from professional working artists, plus a whopping 1300 color photos and illustrations, The New Artist's Manual is everything painters and illustrators need to begin, develop, and perfect their craft making it the definitive studio companion.
Customer Reviews:
Better than his other books..........2007-09-16
This book is excellent if you want to learn everything about painitng. It does not really cover drawing technique, be forewarned. This is his best book, do not buy "art class" or the "artist's color manual" if you chose to buy this book. Basically, he's complied both books into one.
This book really does cover all materials:
-paper and it's practical uses in concerns to specific mediums
-brushes and their practical uses in concerns to mediums
-Mediums: oil, gouche, egg tempra, watercolor, acrylic, chroma, pastels, charcol, conte crayon, ink (both traditional and modern), etc...
-Mixing media [not to be confused w/color mediums]: linseed oil, turpentine, acrylic mediums (matte, gel, etc.), watercolor mediums, etc...
It does have the same sections in "Art Class" like "where do I start?" etc. It takes you through starting from still life up to portraiture and beyond in this book. It has an additional area of subject matter which is about imagined subject matter.
Overall, it's an excellent reference book, contains good advice on how to go about starting a new medium, and allows for creativity in using mediums by explaining how they work, advantages & disadvantages, starter pallet colors, and permanance.
I would have given it 5 stars if it hadn't claimed to be a drawing technique book...you need a foundation in drawing before attempting this book.
Aptly named Complete ...........2007-04-11
This book covers just about everything, but is more informative on mediums other than oil painting. But it does give helpful tips that I had used previously, without realizing it was a standard technique used by fellow artists, but now I see why I've used them! For somebody that wants to do everything from the ground up, including making their own oil paint, then this is the book to own! Provides more instructional guidance than most other books I've seen/bought. Better artist's examples and more professional results with more advanced instructions than most other publications.
A guide to the many new art materials on the market.......2006-04-27
If you're an artist seeking the basics of how to set up a studio and use professional methods in a range of media, THE NEW ARTIST'S MANUAL: THE COMPLETE GUIDE TO PAINTING AND DRAWING MATERIALS AND TECHNIQUES is for you. There are so many new materials on the market today that there's an ever-present need for a comprehensive coverage of them: THE NEW ARTIST'S MANUAL provides such depth in surveying paper and paint choices, pros and cons of controlling output under different conditions, experimenting with materials and textures, and much more. An outstanding guide aspiring artists will want to look it - and it's packed with color examples on every page.
Great Book, Lousy Binding.......2006-01-13
This is truly a useful and helpful book in explaining not just techniques, but materials: their pros, cons, and inherent challenges in use. But the binding should be much better. Chronicle Books has a history of putting out decent books with cheap and/or non-durable binding, which does not hold up well with repeated use. The spine cracks easily and then you have to be careful from then on to make certain that sections don't become loose. This is not good for a book designed for repeated reference and study. I would have given the book five stars, but for this serious flaw that Chronicle Books has.
Book Description
Bestselling photography author Lee Frost turns his attention to black and white photography, and demonstrates how it is possible to make beautiful black and white images and fine prints with the minimum of fuss.
Black and white photography has a reputation for being something of an esoteric art requiring lots of expensive equipment and an encyclopaedic knowledge of complex techniques. But here Lee Frost dispels this myth, and proves that it can be the most simple, expressive and rewarding medium. The book covers all the essential techniques of black and white photography from what equipment to use through to the finer points of printing and toning, thereby demonstrating how Lee Frost creates his own breathtaking photographs, and how you can too.
Customer Reviews:
One of the best B&W photo books I've read........2007-08-29
I've been into b&w photography for a little while now, and lately I've been doing a lot of reading on the subject. This is without a doubt one of best books I've read so far. I'm already familiar with all of the technical aspects of photography, and those are all explained in the book (except for the zone system, which Frost clearly states at the beginning he doesn't use). Along with all of the technical stuff, Frost also explains his creative techniques. I can't say I learned much of that technical stuff (I already knew it all. I'm sure a beginner could learn a ton), but it did open my eyes to take a much more creative approach on photography than I had previously taken. Also in the book that's great is a chapter on lith printing and using liquid emulsion. Along with all of the information are pictures taken by Frost with captions that explain anything relevant to the chapter. This book is a great read for anyone who wants to improve their photography skills.
The perfect book for beginners and pros alike.......2004-05-26
This is by far the best black and white photo technique book I have read. I am a pro photographer and always keep a huge collection of how to books and monographs for looking up styles and new ideas.
Lee Frost is a very down to earth photographer that really takes what he loves to heart. He preaches that it is not all the little technical things that people and teachers say you need to know that make good photographs, its your own imagination and creativity.
This is the perfect thing to say for a true artist. Lee Frost gives us his own examples of basic photo techniques and then shows us how easy it is to make a beautiful fine art photograph with simple household products and a NON pro camera set up. Of course, he does state that having good equipment will always help, but it is not always needed as so many say.
Just think of the world famous photographer David Hamilton, who only used one 35mm camera, one lense, only natural light, and no filters. It doesnt get much more basic than that, and he is bowed down to by thousands.
Lee Frost has the same idea, and it is very asuring knowing that you dont need to go out and spend thousands to be a pro.
Again, I believe that this is the best how to and reference guide on the market today. Get it.
Good but not brilliant!!.......2004-05-25
Ive always enjoyed Lee Frost's past endeavours in the written field but this one didnt quite get up there in my expectations. This is still a very good book for intermediate photographers but perhaps not quite as gritty as I had hoped for. Enjoyable nonetheless.
Average customer rating:
- Factory
- A fine choice not just for contemporary music libraries but for art library holdings strong in graphic arts representations.
- There's Only This...
- Beautiful
|
Factory Records: The Complete Graphic Album
Matthew Robertson
Manufacturer: Chronicle Books
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ASIN: 0811856763 |
Book Description
A creative juggernaut of the post-punk era, Factory Records was the catalyst behind the U.K. music explosion of the late '70s through the '90s with groups like Joy Division (soon to be the subject of an Anton Corbijn movie), New Order, and Happy Mondays leading the New Wave. At Factory, musicians and designers commingled creatively, with innovators such as Peter Saville, Den Kelly, Mark Farrow, 8VO, and Barbara Kruger elevating album covers to a new art form. The label broke further ground when it opened its own disco, the legendary Hacienda. Factory Records is the ultimate and only collection of Factory's complete graphic output, including every single piece it produced: extremely rare record sleeves, club flyers, and posters all gathered together for the first time. A must for collectors and enthusiasts, Matthew Robertson's meticulous compilation of underground ephemera is poised to introduce a new generation of music and design fans to the creative genius of Factory.
Customer Reviews:
Factory.......2007-06-14
This is an excellent book for fans of Factory Records. Factory was label that always had beautiful graphic design work. The album covers and poster art were a showcase for the design work of Peter Saville. I highly recommend this thorough book to fans of the label.
A fine choice not just for contemporary music libraries but for art library holdings strong in graphic arts representations........2007-03-06
FACTORY RECORDS: THE COMPLETE GRAPHIC ALBUM could have been featured in our Music Shelf area but is profiled here for its artistic visual inspection of one British music label's eye-catching covers and productions. Notes for each production outline the varying graphic design choices which made the albums notable and different, making this a fine choice not just for contemporary music libraries but for art library holdings strong in graphic arts representations.
There's Only This..........2007-01-16
This is a magnificent time machine. There are a lot of labels people loved - Stiff, sst, etc. My favorite was Factory. With only a few exceptions, the music coming out on this label defined English music in the Eighties. "Love Will Tear Us Apart" was unquestionably the song of the year in 1980 for instance. But what made the music even more evocative was the artwork along with it. The famous Joy Division covers, and the mighty "Power, Corruption, and Lies" are just a few examples. Thanks to New Order I learned who Fantin-Latour was, they skipped over him in my art history classes. I collected all the albums and 12 inch 45s. I especially liked A Certain Ratio, after I saw them at Danceteria in 1982 (I think that was the year). Where is the vinyl of yesteryear? The music is all on cd, but those tiny covers just dont do justice to the art. Here is all the glory in one beautiful package. If only I had made it to the Hacienda back in the day...
Beautiful .......2006-12-26
I just received this book for Christmas and I can't put it down. Even if you have a passing knowledge of the label and its artists you will enjoy this work. The mythology of the company and its catalog system is represented by stunning images and impeccable design. One strange thing stands out however, in my copy some of the captions are in French. This is a little annoying because I can't read French. Oh well, c'est la vie.
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