Book Description
For millennia, the culture and philosophy of the ancient Egyptians have fascinated artists, historians, and spiritual seekers throughout the world. Now, with this deluxe edition, the legendary 3,500-year-old Papyrus of Ani—the most beautiful of the ornately illustrated Egyptian funerary scrolls ever discovered—has been restored in its original sequences of text and artwork, using the latest advances in computer-imaging technology. Four exquisitely illustrated gatefold spreads and an acclaimed translation by two noted Egyptologists showcase the Papyrus's elaborately bordered images and convey its intended sense of motion and meaning in a way that other books on the subject cannot begin to match. For both lay readers and scholars interested in a wide range of topics—from mysticism and philosophy to anthropology and astronomy—this sumptuous and accessible new volume will be an essential acquisition.??
Also check out www.bookofdead.com and www.studio31.com/botd.html for more information about this book.
Customer Reviews:
Awesome!!.......2007-09-16
I ordered this book as a birthday present for my partner, he has always wanted a copy of the book of the dead, he was absolutly thrilled with it. He loves the fold outs of the scrolls and having the english translation as well, and i was very thrilled at how quickly it was delivered and the quaility of the book, this was the first time i have ordered anything online and i will definatly be doing it again. ( we live in New Zealand and the book was delivered in 3 days!!!!!! thats fast)
Modern Translation With Some Lacking Overstanding and Obscure Structuring.......2007-09-13
Revised review: This book is even more difficult to rate than The Tibetan Book of the Dead: First Complete Translation (Penguin Classics Deluxe Edition) and The Ethiopian Book of Life (aka An Ethiopian Book of the Dead). As it isn't only the ancient book and the modern revised translation to be considered. Because the so-called Ani Papyrus is ancient, yes, yet a faulty, abridged and erratically composed pre-manufactured work. For example, it had been forgotten twice to include the name of the customer, this papyrus had been purchased for, into the blank space provided for this purpose. Even in the unabridged and correctly structured version of the "(The Chapters of) Going Forth by Day and Night... to the Place he Might Desire to Be", as the complete real title translates as, the author of the edition, James Wasserman, writes about: "Much of the book is frankly incromprehensible, even for experts. No amount of exegesis can explain many passages. Images and allusians follow one another with bewildering force and frequency, lacking thematic and logical connection." In this "Ani Papyrus" (Ani being the Western version of the name of the deceased this papyrus had been purchased for) the vignettes and/or chapter titles do not necessarily match the text beneath them.
This "Book of the Dead" isn't really the/a full theology of ancient Egypt, but PRESUPPOSING full knowledge about it. Which is simply not obtainable to the modern reader by merely enjoying this text as a supposedly funerary object. In reality it isn't, but an INITIATION ritual of the new/renewed pharao. For a mystical approaches read Shamanic Wisdom in the Pyramid Texts: The Mystical Tradition of Ancient Egypt and Egyptian Yoga Vol. 1:: The Philosophy of Enlightenment.
As for the modern publication: The facsimile of the vignettes had been published originally in 1890 under the supervision of E. A. Wallis Budge and quality enhanced for this new edition. The translation is based on the 1972 version of Raymond Faulkner, and additional corrections have been included by other translators after that. The book was published first in 1994 and was then revised in 1998. The presentation of the papyrus is well done. However, the structure of the entire modern book leaves much to be desired. As I read from cover to cover as usual, afterwards, I wished I hadn't. I would have gotten more out of the book in a different approach: Glossary (at the very end of book), foreword-preface-introduction, commentary p.137-154, then in combination the individual Ani Papyrus plates + English translation with the explanations of those individual plates in the commentary p. 154-170, with the abridged chapters of the "Theben recension" p. 99-135 in between. It should be noted that the translation directly beneath the "Ani Papyrus" isn't a 100% match to the papyrus presented above, as some sections have been included or changed according to the "Theben recension". Sounds complicated? Exactly. And the book isn't really that easy to handle, for oversize also means overweight. What is missing is vignettes and most certainly comments of the "Theben recension". Be upwised that the "Ani Papyrus" is a mere fraction of the entire "Theben recension". In other words, to read the entire so-called (Egyptian) Book of the Dead, the "Ani Papyrus" qualifies as a trailer and this edition of the modern book makes for a major obstacle reading - which you find out only, after having read this book unsuspectingly for the first time.
Also considered has to be the content of the commentaries and introductions. Honestly, I wouldn't do without, no question. However, James Wasserman and his colleagues are orthodox egyptologists. For one thing, they are still working with the traditional Imes (time) frame for ancient Egypt, which is explainable in having worked on this book in the early 1990s. Sin-ce then, the Imes fakings of an early Berlin egyptologist have been exposed, who attempted to make the ancient Egyptian civilization appear to be much younger in order for less embarrassment for Europe in relation to that. The further you go back, the more additional Imes get accumulated. By the Imes of this specific Ani Papyrus, this is a bit more than a century of difference only, earlier it is about millennia. (Read more in When We Ruled: The Ancient and Medieval History of Black Civilisations.)
Next, the Western rendered names of ancient Egyptian names are used. Though currently, it isn't EXACTLY possible to produce the real pronouncation/Western transcription of names, much better approximations are possible and indeed used in more African centered books. (The Black African nature of the ancient Egyptian culture is attempted to get veiled by orthodox [= Euro centered] egyptologist. For example, there is no mention in the otherwise meticulous commentary of the various - and changing! - skin colors of the characters depicted in the vignettes. As is still the case in religious paintings of today's West Africans, some of the ancestors of the ancient Egyptians, these colors do not always represent the real skin color, but religious meaning according to the respective function of the situation depicted.)
Last not least the book isn't only averring a purely polytheistic religion, but directly denying any mysticism and monotheism of the ancient Egyptians. Thereby, the direct ancestry of the Judo-Christian-Islamic culture is attempted to get severed from (Black) Africa. On first sight, ancient Egypt APPEARS to be polytheistic. Yet, in reality, all the gods were considered to be facets of a single one. Even more: Everything is One, not only the god(s). At the Imes, this book had been written, it may have been quite easy to sweep away any claims of monotheism (or actually pantheism) for ancient Egypt, without even taking the time to go into those claims and attempting to disprove them. Today that approach simply cannot be done anymore. Too many mystics and progressive and African-centered egyptologists have come forward. Read for example Egyptian Divinities: The All Who Are THE ONE or the books by Muata Ashby, such as The Mystical Journey from Jesus to Christ. The difficulty the author of this book experiences is that he doesn't know the mystic level of the Western religion, Christianity. By overstanding e.g. Master Eckhart of the 14th century, he would be capable of not blinding the monotheism of ancient Egypt better. Instead, James Wasserman says that it would sound hubris to us today that after death one becomes (a) god. Yet, mysticism all over the world - ancient or modern alike - knows that we already are, but have forgotten that until we "die". Accordingly, Wasserman blinds "denial of death" and vocabulary such as "passing on" instead of "dying" as euphemisms of supposedly avoided dealings with the inevitable perishing quality of the death concept. That is, because he is caught in the myth and rites level of his branch of religion. Which makes it difficult to REALLY translate and comment ancient Egyptian religious texts, especially this one. The literal words may come closer and closer, but the meaning will remain sphinxed. For example he gives the translations of the "prime" god Atum as "He Who Is Entirety" or "The Undifferentiated One", but can't see that this means that EVERYTHING is meant with that, as God is undifferentiated from anything and within. Which includes ourselves, returning to the state of this knowledge after "death", i.e. "becoming" God/Jah/the universe/etc., (Asar/Osiris in this case).
Besides all of that I find it interesting that this papyrus contains the odd gender bending in the text as well as the vignettes, but does NOT contain any amorist (homophobe) notions. Simply, because I have come across some books averring that. Referred to are the up to 42 "negative confessions" or rather "declarations of innocence" which are often compared to the Christain Ten Commandments. This may have been a result of the previous, faulty and prejudiced translation of E. A. Wallis Budge. I always wondered about that supposed Egyptian amorism, as it didn't really seem to fit either the "androgynous"/non-dualist religion and the Imes, as amorist interpretations of earlier holy texts occurred much later historically for the Egyptians really to have been able to be amorist in the first place. Instead I could find declarations of innocence of not making slaves, not making hungry, not building a dam on flowing water and not hunting animals. But also of not fornicating and at first sight strange appearing ones such as not copulating and not extinguishing fires.
New computer enhanced version of the Book of the Dead.......2007-03-24
The ancient Egyptian bible, everyone who could afford one was buried with one. This is a new version, and has English translations on each page with color images. It is a guidebook for the deceased person to follow to find his way to the afterlife to live on forever. The Egyptians were not obsessed with death but with obtaining the perfect afterlife. Sound familiar?
By the way I do agree with the excellent reviews already here. But, to make it accessable to Western eyes, I think NOT to refer to it as a sort of "Bible" is a bit confusing I think. The ancient Egyptians studied it, tried to memorize it, and took it with them in their sarcophagus if they could afford to, in order to have access to it when they awoke and needed to start their journey to the West (afterlife). It held all they needed to know to get there safely.
This version, I understand, is the best new one ever and most accurate translation. Fascinating just to go through, the art is wonderful.
Egyptian Book of the Dead.......2007-01-17
This was a gift to an Egyptologist.
Very much appreciated.
The Book of Going Forth by Day.......2007-01-11
A great reference of the original writings of the Egyptian Book of the Dead. A valuable read for anyone studying Ancient Egyptian History.
Average customer rating:
- Calculations are only as good as your numbers
- Pants on fire?
- Accepted History & Chronology Must Be Changed.
- Very Interesting
- History as Science Fiction
|
History: Fiction or Science? (Chronology, No. 1)
Anatoly Fomenko
Manufacturer: Mithec
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ASIN: 2913621058 |
Book Description
Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.
Customer Reviews:
Calculations are only as good as your numbers.......2007-08-03
Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.
Pants on fire?.......2007-07-19
Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.
Accepted History & Chronology Must Be Changed. .......2007-04-09
There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.
For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.
Very Interesting.......2007-03-07
It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.
History as Science Fiction.......2007-01-10
Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.
I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.
Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.
Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.
I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.
This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.
Book Description
This is an introduction to the writing system of ancient Egypt and the language of hieroglyphic texts. It contains twenty-six lessons, exercises (with answers), a list of hieroglyphic signs, and a dictionary, as well as twenty-five essays on the most important aspects of ancient Egyptian history, society, religion and literature. It also offers scholars of linguistics a complete grammatical description of the classical language of ancient Egypt.
Customer Reviews:
Essential Reading for Scholars and Enthusiasts........2007-08-28
Dr. Allen has really done a good job laying it all out in this book. Obviously, this is something of an esoteric subject, but for many budding scholars and amateur enthusiasts who are genuinely interested in learning this language, this book is essential reading. The grammer is clearly explained, and compared to contemporary languages, and the hierglyphs are easy to discern after a few lessons.
What is also commendable is the use of essays throughout the book that lay out the broader context of Middle Egyptian. Without that, the book would be noticeably drier. I think the only addition I would make to this book would be use of example dialogue to help reinforce the concepts. Otherwise, this is a good book to own.
Enough of the grammar already!!!.......2006-11-04
This is an excellent book, no doubt. Allen is quite obviously an academic when it comes to Egyptian and linguistics. Let me repeat, this is an excellent book: for people with a linguistic background. That said, Joe Blow (read people with the average educational background in grammar) will most likely, as I did, find this approach to Egyptian with its constant, non-stop emphasis on adverbial complement this and noun phrase that approach, overwhelming to say the least. The meanings of the exercise sentences are rather vague and not easy to translate. In 3000 plus years, some Egyptian somewhere must have written a sentence or two more suitable for use in a beginning language learning text. Add to this the fact that each chapter does not have a vocabulary list to prepare the student for the exercises, and doing the chapter-end exercises becomes a futile exercise in page flipping to look up answers in the key in the back of the book. Vocabulary items used in the sample sentences in the texts in the chapters are frequently not included in the dictionary in the back. It doesn't matter how much grammar you know if you don't know what the words mean. As a college text with an instructor, this book is probably excellent, however for the do-it-yourselfer who wants to learn at home, forget it! Like the old saying goes: I just want to know what time it is, I don't need to how to build a watch. Can anybody suggest a book to learn Egyptian, written for educated, interested adults, but who don't have degree in linguistics?
We want more of the kind..........2005-09-23
Probably the most pleasant book you will use, not just to learn about hieroglyphs, but also, to learn about ancient egyptian culture.
Excellent Book...but Gardiner still worth it!!.......2004-08-01
I am writing this review simply to clarify and answer a few of the questions and comments that the previous reviewer had about the textbook.
1) This is a textbook intended for college students and self-study and assumes no previous encounter with English or Middle Egyptian grammar; therefore, as one might expect, the book presents descriptions of nouns, as well as more complicated aspects of grammar such as prospective, subjunctive and relative forms. However, if one is privy to the definitions, than one can simply skip over the descriptions of these grammatical aspects and continue learning Middle Egyptian.
2) Rare usages or unusual translations are covered in the book and although they do not appear in an appendix, they do contain astericks or other diacritics or concise descriptions.
3) Enough examples are provided so that an intelligent person can build upon previous examples and construct the answer to the exercise, similar to a math book that provides some examples and then offers more complicated, but solvable exercises.
4) Although the book does lack grammatical paradigms (mostly since no one really knows what inflections Middle Egyptian contained) and vocabulary lists, it does provide references, a sign list, a dictionary, the answers to the exercises, and an index.
5) The paperback binding is actually quite good. I have used it for a while and, although borrowed from the local library (most of those books are usually mistreated or handled periodically), it has shown little signs of deterioration. More importantly, there is at least a half inch spacial blank gap between any word or hieroglyph at the inner edge any page, making the inner edges easy to read.
6) Although the chapter four essay argues that the "Western notion of religion [...] has seperated religion from spheres of [...] government, social behavior, intellectual pursuits, and science" p.43, it never states that this is how the western notion of religion always viewed and continues to view these concepts. The Egyptian religion embraced most things as the Gods themselves. For example, two people falling in love in Greek and Roman religion was an act of Eros, and love making a gift from Aphrodite; however, an ancient Egypian might argue that two people falling in love and making love is the personification of the love between Osiris and Isis.
That said, this is a wonderful textbook that will leave any serious student or amateur the craving for more since, unfortunately, it does not cover all there is to know about Middle Egyptian. A second step would be to purchase Sir Alan Gardiner's "Egyptian Grammar" a little outdated but unmatched in depth and coverage of Middle Egyptian. His book remains the "BIBLE" of Middle Egyptian of and for most egyptologists.
An good text book!.......2004-01-05
If you want to learn the basics of hieroglyphs. Dont buy this book first. Buy "How to Read Egyptian Hieroglyphs: A Step-By-Step Guide to Teach Yourself". Then buy the text book by Allen.
Allens book is more a book for those that seriously wants to learn the language, not good as an introduction. But as a tool to learn hieroglyphs it is excellent and very detailed.
Book Description
A lavishly illustrated survey of the remarkable wall paintings in Egypt's Valley of the Kings, all specially photographed and accompanied by a detailed analysis of ancient Egyptian society and beliefs.
The Valley of the Kings is famous throughout the world as the burial place of the great New Kingdom pharaohs. It was here, in 1922, that Howard Carter stumbled upon the virtually intact tomb of the boy-king, Tutankhamun. And here, in recent months, that archaeologists discovered a new tomb with its wooden sarcophagi, painted funeral masks, and alabaster jars.
The royal tombs, tunneled into the Theban cliffs, represented both gates to the Netherworld and the womb of the Great Goddess. Many of them contain wall paintings of the king with various gods and goddesses, as well as papyri, mummies, decorated coffins, and other artifacts.
This is the first book to reproduce the wall paintings and murals in full. It explores in great detail the most deeply-held beliefs of the ancient kings and queens who are buried here, beliefs that provided the impetus for the building, decoration, and equipping of these magnificent tombs. Beautifully illustrated in full color, with thirty foldouts, it allows the reader to join the pharaohs of the New Kingdom on their journeys to immortality. 300+ color illustrations, including 30 foldouts.
Customer Reviews:
Breathtaking.......2007-10-03
As a lover of all things Egyptian and a trained Egyptologist I had high expectations for this book.... and it delivered in every way. The fold-out pages give a fantastic view of the insides of the tombs that the average tourist isn't permitted to take photos of. And instead of viewing a small section at a time you have entire vistas laid out for you. The high quality photography shows the smallest details so clearly that you can see the individual bushstrokes and even places where the painter accidentally dripped some paint and forgot to clean it up. Every time I turned a page memories of my time in Egypt came flooding back.
If I have to make one complaint it would be that there are not enough images of the tomb of Nefertari, and perhaps also the tomb of Seti I. The images that there are are quite selective and do not give an overall impression of their beauty. Admittedly, the focus is on the Valley of The Kings, but Nefertari was a queen and henceforth royal, too.
All in all, this is a MUST have book for anyone who loves Egypt.
Excellent book.......2007-09-10
This is an excellent book. There are dozens, if not hundreds of books filled with pictures of Egyptian art these days -- but this back far surpasses all the others I've seen.
Don't judge this book by the cover on the Amazon page. The cover is rather bland, colorwise, in contrast to the spectacular color illustrations.
The description says there are 30 foldouts -- but it doesn't say that these are huge foldouts--several pages long.
The thoughts that ran through my mind as I looked at the book were, "this is a cultural achievement -- the greatest tribute to the Royal Tombs of Egypt yet paid in modern history" and "surely this is a labor of love by Zahi Hawass, Director of Egyptian Antiquities."
For $65 (the original US price), this book is a bargain -- and even more so with the discounted price (as of this writing) of only $41.
An outstanding book.......2007-05-14
Another exceptionally fine book from the publishing house of Thames and Hudson. Exquisitely photographed by Sandro Vannini and sterling text by Zahi Hawass, the highly respected expert in the field of ancient Egypt. For those who will never have the opportunity of visiting Egypt, this "virtual" tour of its royal tombs is an essential addition to any library of those interested in this extraordinay civilization.
Greg Slater
Australia
Royal Tombs is a Trip in Time........2007-04-12
Nothing short of exceptional!!! I had heard that the book was a bit tricky to read - what with many foldout pages - but I didn't find that to be the case at all. This might be the situation for someone who is leafing through the book quickly - but this a book that needs to be savored. The photography is fantastic - you get a REALY good idea of what the insides of the Royal Tombs look like. I have no complaints, gripes, nit picks, etc. - This is a book to own and re-read and puruse for years to come.
The Royal Tombs of Egypt: The Art of Thebes Revealed.......2007-03-11
Got the book for my husband. It is wonderful.
Amazon.com
You need no previous experience reading hieroglyphs to benefit from this book. This is a hieroglyphs guide for the layperson, tourist, or museum enthusiast who'd like to have more of a clue when it comes to understanding Egyptian hieroglyphs. Focusing on the funerary symbols one would be likely to see in Egypt or at a museum, and illustrated with hieroglyphs that are on display in the British Museum (drawn by Richard Parkinson, curator in the Department of Egyptian Antiquities at the British Museum), How to Read Egyptian Hieroglyphs makes possible a deeper appreciation not just of museum displays but of the Egyptian culture that used this writing system.
Both experts in Egyptology (Collier teaches Egyptology at the University of Liverpool, and Manley teaches the subject at the University of Glasgow), they explain how most hieroglyphs are used to convey the sound of the ancient Egyptian language, then go on to teach, in easily digestible segments, the basic phonograms (sound-signs) used in inscriptions a traveler or museum-goer would be most likely to encounter. Each chapter teaches a new portion of hieroglyphic script and a new aspect of the Middle Egyptian grammar, with a section to practice the new reading skills and exercises to solidify the lessons taught. It provides a wonderful opportunity to sit at home and learn about the pharaonic administration, ancient Egyptian family life, and the Egyptian way of death, while building a firm understanding of the most common features of hieroglyphs. --Stephanie Gold
Book Description
Hieroglyphs are pictures used as signs in writing. When standing before an ancient tablet in a museum or visiting an Egyptian monument, we marvel at this unique writing and puzzle over its meaning. Now, with the help of Egyptologists Mark Collier and Bill Manley, museum-goers, tourists, and armchair travelers alike can gain a basic knowledge of the language and culture of ancient Egypt.
Collier and Manley's novel approach is informed by years of experience teaching Egyptian hieroglyphs to non-specialists. Using attractive drawings of actual inscriptions displayed in the British Museum, they concentrate on the kind of hieroglyphs readers might encounter in other collections, especially funerary writings and tomb scenes. Each chapter introduces a new aspect of hieroglyphic script or Middle Egyptian grammar and encourages acquisition of reading skills with practical exercises.
The texts offer insights into the daily experiences of their ancient authors and touch on topics ranging from pharaonic administration to family life to the Egyptian way of death. With this book as a guide, one can enjoy a whole new experience in understanding Egyptian art and artifacts around the world.
Customer Reviews:
Incredibly well thought out and put together.......2007-09-03
I love this book! It absolutely is for the "true beginner" and has plenty of exercises, well thought out chapters and a ton of information in the many appendixes (including a small dictionary, hieroglyphic sign lists and small descriptions). I'd recommend this book to ANYONE who is looking to improve on their Hieroglyphic knowledge or who would like to learn even a little bit about them!
Exactly what I wanted........2007-08-15
I do not know a lot about hieroglyphics beyond touring Egypt 3 times, which is why I purchased this book. But I can tell you that it is very detailed and easy to read. I'm very happy with this purchase.
Perfect Introduction for a Beginner Like Moi!.......2007-06-23
This book is more than I had expected. It holds an important place in my Reading Corner, and I have spent bits of time [almost] daily, working at my own pace... and find I am in complete understanding of the entire text... ready to move on to more advanced material.
That I have absorbed this material on my own, without an instructor, is -- to me! -- significant. I recommend this book to those who may be casually interested in learning to decipher Middle Egyptian funerary texts, which in retrospect appears to be a logical way to introduce the language.
== m htp ==
An Excellent Introductory book.......2007-03-09
A top line, well structured book that reads easily with clear explanations. Serious study, guided by this book will provide a good foundation for further study of this fascinating language.
Unclear.......2007-02-17
Though I found this book somewhat useful. I also found there to be many inaccurate translations. In ancient Egypt, they read from either left to right, top to bottom or bottom to top, however, never did they read from right to left. When I seek to add to my knowledge in any ancient language, I seek to learn it as they would have read it and in this book, it was confusing as the authors guide you through as if reading the english language.
I recommened E.A. Wallis Budge's Easy Lessons in Egyptian Hieroglyphics a much more accurate source as he breaks it down, and yet guides you easier and with less confusion in how the ancients would have read the script.
Product Description
`History: Fiction or Science? Chronology 2` is the second volume of the most explosive and astounding tractate on history ever written - however, every theory it contains, no matter how unorthodox, is backed by rock solid scientific data. The book is easy and pleasant to read; it is well-illustrated, contains hundreds of charts, graphs and illustrations, copies of ancient manuscripts, and countless facts attesting to the falsity of the chronology used nowadays. You will be amazed to discover: - That the chronology universally accepted today and taken for granted is simply wrong; - That ALL methods of dating of ancient sources and artefacts known today are erroneous or non-exact; - That there is not a single document that could be reliably dated earlier than the XIth century; The Author refers to the Middle Ages as the Antiquity and proves mutual superimposition of the Second and the Third Roman Empire, both of which become identified as the respective kingdoms of Israel and Judah. Furthermore, he asserts that the famous reform of the Occidental Church in the XI century by Pope Gregory Hildebrand was the reflection of the XII century reforms of Byzantine emperor Andronicus who in his turn identifies with Jesus Christ. The Trojan war counted by Homer happened only as late as of the XIII century A.D. and the great poet actually lived in XIV century A.D. No stone in history of Antiquity is left unturned. Literally. This book is the beginning of a major correction to the chronology we live with.
Customer Reviews:
Check and see.......2007-06-21
I don't care what other people say of this book. Those affirmig it's fake, they hadn't ever read it. Or have some special reasons to do so. "Living is easy with eyes closed, misunderstanding all you see..." This book won't make you feel comfortable. It'll make you feel free. It'll make you feel you're "not the only one" to feel you'd been lied to for centuries.
Suprise! Suprise!.......2007-03-22
Here is a serie of books which turns "the whole world" upside down. I learned a lot of it and I hope that a new book from A.T. Fomenko will follow very quick. A absolute must for everybody who is interested in history or even a little bit from it.
Prescient St Augustine?.......2006-02-05
We can so far divide the New Chronology into the following three parts:
a) The verifiable theory that proves consensual chronology wrong with the aid of astronomy, statistics and mathematics;
b) The new chronology hypothesis based on a new understanding of known historical facts and the most likely logical explanation of the most obvious inconsistencies inherent in the official version of history;
c) The history conjectures, that is experimental historical reconstructions based on assumptions that the authors believe to make sense in the light of their research and linguistic parallels - void of ironclad factual support to date.
Fomenko's theory complies with the most rigid scientific standards as a whole:
It gives a coherent explanation of what we already know.
- It is consistent: independent lines of inquiry all lead to the same conclusion.
- The predictions it makes are confirmed empirically.
Fomenko goes by the following axioms:
- Chronology is the basis of history;
- Human evolution has always been linear, gradual and irreversible;
- The "cyclic" nature of human civilization is a myth, likewise all the gaps, duplicates, "dark ages" and "renaissances" that we know from consensual history;
- The accumulation of geographical knowledge as reflected in cartography is a gradual and irreversible process;
- The chronological distance between a given manuscript and the events described therein is proportional to the amount of distortions it contains;
- There is no "useless" information in authentic ancient sources.
Why the mainstream historians do not shower mathematician Academician Dr.Prof Fomenko with thanks and laurels?
The Russians:
Because Fomenko asserts that there was no such thing as the Tartar and Mongol invasion followed by three centuries of slavery, providing a formidable body of documental evidence to prove his assertion. The so-called "Tartars and Mongols" were the actual ancestors of the modern Russians, living in a bilingual state with Arabic spoken as freely as Russian. The ancient Russian state was governed by a double structure of civil and military authorities. The hordes were actually professional armies with a tradition of lifelong conscription (the recruitment being the so-called "blood tax"). Their "invasions" were punitive operations against the regions that attempted tax evasion. Fomenko proves that Russian history as we know it today is a blatant forgery concocted by a host of German scientists brought to Russia by the usurper dynasty of the Romanovs, whose ascension to the throne was the result of coup d'état, charged with the mission of making their reign look legitimate. Fomenko proves Ivan the Terrible to be a collation of four rulers, no less. They represented the two rival dynasties - the legitimate rulers and the ambitious upstarts. The winner took it all! Over some 30 years of controversy, Russian historians have made a most remarkable transition - they were initially accusing the young mathematician Fomenko of anticommunist dissident activity and attempts to deface the historical legacy of Soviet Russia; nowadays the middle-aged mathematician is accused of adhering to "pro-communist Russian nationalism" and defacing the proud historical legacy of Great Russia.
The Westerners:
Because Fomenko blows consensual Russian history to smithereens, successfully removing a crucial cornerstone from underneath the otherwise impeccable edifice of World History. Fomenko adds insult to injury, wiping out one by one the Ancient Rome (the foundation of Rome in Italy is dated to the XIV century A. D.), the Ancient Greece and its numerous poleis, which he identifies as the mediaeval crusader settlements on the territory of Greece, and the Ancient Egypt (the pyramids of Giza become dated to the XI-XV century A. D. and identified as the royal cemetery of the Global "Mongolian" Empire, no less). The civilization of the Ancient Egypt is irrefutably dated to the XII-XV century A. D. with the aid of the ancient Egyptian horoscopes cut in stone. He was the first one to decipher and date all such horoscopes, coming up with mediaeval dates in every case. English historians rage at the suggestion that the history of Ancient England was de facto a Byzantine import transplanted to the English soil by the fugitive Byzantine nobility. To reward the English historians who consider themselves the true scribes of World History, the cover of the present book portrays Tintoretto's Jesus Christ crucified on the Big Ben.
The Chinese:
Because Fomenko wipes out the Ancient History of China outright. No such thing. Full point. The compilation of the so-called Ancient Chinese History is reliably datable to the XVII-XVIII century only. It is perfectly recognizable as the Ancient European history, reworked and transcribed in hieroglyphs as yet another historical transplantation, this time performed on the Chinese soil by the loving Jesuit hands. The Chinese are the next in line to go berserk. Chinese history is inevitably bound to get both more ancient and more eventful, proportionally to the growing involvement of China in the world affairs. Chinese historians will keep on finding valid proof of prehistoric Chinese spaceflights until the Politburo orders them to shut up.
The Arabs:
Too bad. Islam with all its key figures is datable to XV-XVI century A. D. Arabic historians may find consolation in the crucial historical role of the Ottoman Empire in the XVI-XVII century. The trouble is that this empire was initially a Christian state, with Hagia Sophia identifiable as Temple of Solomon, according to Fomenko! We can only guess if the acquisition of Alexander the Great (a Macedonian and a Christian) as the founder of the Muslim World Empire will make Fomenko's theories more acceptable to the Arabic mainstream. He certainly does not spare any holy cows at all, claiming The Stone of Qa'Aba in Mecca to contain the lost Arch of the Covenant.
The Divinity:
Despite of reiterated statement that his theory is all about chronology and not Religion, Fomenko stirs up a whole condominium of wasp nests. His collection of anathemas, fatwa, and other condemnations from all parties concerned is already considerable. Little wonder, considering that the history of religions à la Fomenko looks as follows: the pre-Christian period (before the XI century and JC), Bacchic Christianity (XI-XII century, before and after JC), JC Christianity (XII-XVI century) and its subsequent mutations into Orthodox Christianity, the Catholicism, Islam, Buddhism, and so on.
According to Fomenko we know strictly NOTHING about the events that predate the X century A. D.
St Augustin was prescient when he spoke unto us: "be wary of mathematicians, particularly when they speak the truth."
Something of a disappointment.......2005-09-09
After having read the first volume of this expected series of 7 volumes I was triggered by the thesis of these authors that ancient Greek and Roman history did in fact take place in the Middle Ages. So I started studying medieval history of the Middle East - also known as Islamic history - to find out if the opponents of the ancient Greeks and Romans - the Acheamenid Persians, Sassanids, Scythians, Egyptians, etc. - also have their duplicates in medieval history. My search was disappointing: none of the many medieval Islamic dynasties seemed to correspond to the ancient middle eastern rulers.
However, I did find a close correspondence between Herodotus' Persian kings and medieval events:
- the defeat and capture of an Anatolian king - the Lydian Croesus - by the Persian conqueror Cyrus is identical to the defeat and capture of another Anatolian king - sultan Bayezid - by the Asian/Mongol conqueror Tamerlane;
- the Persian conquest of Egypt by the cruel tyrant Cambyses reds almost exactly as the Ottoman conquest of Egypt by Selim the Grim (note the nickname!);
- Darius the Lawgiver of the Persian Empire looks very much alike to Sulayman the Magnificent, the Lawgiver in Islamic history;
- Xerxes, whose main claim to fame is to be defeated by the Greeks at the naval battle of Salamis, looks like Selim II (the Sot) whose main claim to fame is to be defeated by a Spanish-Italian alliance at the naval battle of Lepanto.
I should have expected Fomenko et al. to arrive at similar conclusions, however, they claim that the Persian kings are the alter egos of the Angevin kings of Sicily whose biographies do not contain the exploits of the Persian kings.
The similiarities I indicate lead to the conclusion that Herodotus must have written his Histories at the close of the 16th century. But this is extremely late, given that Herodotus is "the Father of History", so therefore all other "ancient" histories must have been fabricated even later. Yet, the founders of modern chronology - Scaliger and Petavius - laid their foundations also at the close of the 16th century and had the full corpus of ancient histories already at their disposal.
It seems to me that Fomenko has to address these inconsistencies, maybe in the forthcoming 5 volumes?
Another critique of their book is that the correspondencies between different rulers are often based on a superficial comparison of the biographies; upon a more thorough comparison many details appear that do not correspond at all.
Finally, the authors rely heavily on the works of Gregorovius (1821-1891!!) - his medieval histories of Rome and Athens - as the source of medieval history; these works are - at least in the West - hoplessly outdated and have been superceded by more up-to-date works (for instance, Julius Norwich's trilogy on Byzantine history is not even cited).
Romulus courts Helen, Paris founds Rome, Moses goes to Troy.........2005-07-30
If you agree with Fomenko that Roman chronology is basically the foundation of the entire edifice of global chronology; you would also certainly agree that despite its numerous gaps and inconsistencies, Roman history is the best-documented field of ancient history, and thus a reference scale. But how well is the actual date of the Eternal City's foundation known?
Firstly, Rome is supposed to have been founded by the Trojans who had to flee after the fall of Troy. Some claim Rome to have been founded by Aeneas and Ulysses shortly after Troy had fallen; others are of the opinion that there was an entire dynasty that ruled for 500 years between the fall of Troy and the foundation of Rome.
Well, that's just an innocent 500 years long misunderstanding compared with what heretic Fomenko says, asserts, proves in his second volume: Second Roman Empire, Third Roman Empire, Biblical Kingdom of Israel, Biblical Kingdom of Judah, Holy Roman Empire are stories about basically same events, written from different points of view at different times. The underlying events have actually taken place during xii-xv cy. These histories have been written and perfected by multitude of highly talented humanist and clerical writers of xiii-xvi cy disguised as "ancients" with glorious names like Homer, Pluto, Thucydides etc..Chronology 2.0 beta..
Historians are kindly invited to report the bugs.
Book Description
With the full panorama of her life forever lost, Cleopatra touches us in a series of sensational images: floating through a perfumed mist down the Nile; dressed as Venus for a tryst at Tarsus; unfurled from a roll of linens before Caesar; couchant, the deadly asp clasped to her breast. Through such images, each immortalizing the Egyptian queen's encounters with legendary Romans--Julius Caesar, Mark Antony, and Octavian Augustus--we might also chart her rendezvous with the destiny of Rome. So Diana Kleiner shows us in this provocative book, which opens an entirely new perspective on one of the most intriguing women who ever lived. Cleopatra and Rome reveals how these iconic episodes, absorbed into a larger historical and political narrative, document a momentous cultural shift from the Hellenistic world to the Roman Empire. In this story, Cleopatra's death was not an end but a beginning--a starting point for a wide variety of appropriations by Augustus and his contemporaries that established a paradigm for cultural conversion.
In this beautifully illustrated book, we experience the synthesis of Cleopatra's and Rome's defining moments through surviving works of art and other remnants of what was once an opulent material culture: religious and official architecture, cult statuary, honorary portraiture, villa paintings, tombstones, and coinage, but also the theatrical display of clothing, perfume, and hair styled to perfection for such ephemeral occasions as triumphal processions or barge cruises. It is this visual culture that best chronicles Cleopatra's legend and suggests her subtle but indelible mark on the art of imperial Rome at the critical moment of its inception.
Customer Reviews:
The Life, and the After-Life Influence.......2006-03-13
If you can name one famous woman of the ancient world, it is likely the name will be Cleopatra. "That Cleopatra was the most powerful woman in the ancient world's first century B.C. cannot be contested," writes Diana E. E. Kleiner in _Cleopatra and Rome_ (The Belknap Press of Harvard University Press). Her power was not only political, but as everyone knows, sexual. She also had an enormous intellectual grasp, and she had a flair for style and self-promotion in art, architecture, and fashion that was to be influential to the Rome that had ostensibly conquered Egypt. The influence continued long after her dramatic death and even into our own times. Kleiner is qualified to tackle the Cleopatra story, since she is a professor of art history and classics at Yale. The first half of this erudite but amusing volume is a biography of the queen; the second half chronicles her surprisingly strong postmortem power.
Cleopatra has a reputation as a vamp, but Kleiner says there is no evidence she had affairs with anyone except Caesar, and after his death, Antony. In both cases, the men were smitten by her knowledge, and in Caesar's case, he was inspired by her building projects to make some of his own. Also in both cases, Cleopatra was performing a balancing act to protect the independence of her own nation while supporting the superpower of Rome. Antony's affair with her infuriated Rome, or at least Augustus in Rome was able to manufacture public infuriation, and went to war with Antony and Cleopatra. During the invasion Cleopatra killed herself by means of the famous asp. She probably did so to avoid being a captive in Augustus's Rome. Antony also killed himself, one story saying that he did so upon hearing of Cleopatra's suicide. "Cleopatra's death by asp, reenacted in Augustus's triumph in Rome, was instrumental in elevating her to superstar status," writes Kleiner. Augustus was never Cleopatra's lover, but he was smitten by her. Like Caesar before him, he took up urban renewal, changing the city from one of brick to one of marble. It became fashionable for the moneyed set to commission buildings and paintings in the Egyptian style. One of the most surprising battles which Cleopatra posthumously fought was that of hairstyles. She herself had a style known as the "melon", with waved sections looking more-or-less like the outside of a melon. She often wore over her forehead the _uraeus_, the rearing cobra. From this developed the classical Roman style for women, the _nodus_, a roll of hair over the forehead in pompadour-style. The hairstyle, seen repeatedly in sculptures and paintings of the time, was championed by Octavia, the older sister of Augustus and the wife Antony had abandoned for Cleopatra. Kleiner tells the story of the women and their joint efforts with their hairdressers in a chapter wittily titled "Princesses and Power Hair."
Augustus included Cleopatra in monuments, and allowed himself in depictions in such monuments to be robed in the outfits of the Pharaohs. He was merely taking up Cleopatra's image because of its inherent power. Kleiner calls upon statues, friezes, coins, temples, embossed tableware and more to show how the power game was played in the arts of the time. As befits an art historian's book on such a subject, _Cleopatra and Rome_ is beautifully illustrated with ancient art from the times, as well as interpretations of the events in Cleopatra's life by later artists, and even an obligatory still starring Elizabeth Taylor.
A very different book on Cleo.........2005-12-25
If your looking for a book that examines the precarious relationship between Cleopatra VII and her eternal enemies in Rome; well then, this is the book for you.
Kleiner breaks down Cleo's influnce over Roman art and archiecture after her defeat and ultimate suicide in 30BC. She also presents facinating evidence of Augustus use of Cleopatra's cultural image for the images of himself and his wife, daughter, and sister. This is the first book I know of that finds an implicit connection between Octavian, Cleopatra, Antony, Octavia, and Livia.
It is well researched and well written, and perfect for a student of the Classics or Art history.
Book Description
Egypt's Sunken Treasures Franck Goddio
Photographs and images from a landmark underwater excavation that changed the maps of history.
In the shallow waters of Aboukir Bay off the coast of Egypt, the ruins of three ancient cities—-Alexandria, Heraklion, and Canopus lie along with valuable clues to the way their citizens lived and worshiped. Underwater archaeologist Franck Goddio discovered these relics, which include statuary, jewelry, pediments, stone tablets and fragments of buildings, all lost for nearly two thousand years. In addition to remarkable photographs of the excavation process, this illuminating volume connects the artifacts to the lives of Helen of Troy, Cleopatra and Mark Anthony. It discusses the interactions among the three cities, between Egyptians and ancient Greeks, and the influences each civilization had on the other. An exciting volume for anyone interested in ancient history, this richly illustrated book is the most comprehensive examination to date on the excavation of the lost cities below Aboukir Bay.
Franck Goddio is founder and president of the European Institute for Underwater Archaeology in Paris. He is the author of numerous books and scientific articles, and has been the subject of numerous television documentaries.
Exhibitions:
Customer Reviews:
Sternstunde.......2007-01-15
Eine Sternstunde der Unterewasserarchaeologie wird in Wort und Bild auf hoechstem Niveau spannend und auch unterhaltsam dokumentiert.
Extensive color photos and historical background is accessible to all.......2006-10-14
The price tag's a bargain for an oversized presentation of nearly five hundred pages perfect for both general interest public library holdings and those specializing in Egyptian history or archaeological discoveries. The ruins of not one but three ancient cities off the coast of Egypt have contributed important clues to the culture, life and sentiments of early Egyptian civilization, and author Franck Goddio as key discoverer of these relics is in a prime position to present images of the excavation process in EGYPT'S SUNKEN TREASURES. His survey not only documents the process of excavation and research, but Goddio's role as founder and president of the European Institute for Underwater Archaeology in Paris lends an authority and background to the discoveries which is unique and well detailed. One would think this would result in a survey too weighty for general audience interest, but the extensive color photos and historical background is accessible to all.
Diane C. Donovan
California Bookwatch
Average customer rating:
- Amazing reference for ancient Egyptian jewelry!
- Excellent resource and the best book in its field
- excellent and well documented study
- Beautiful and informative look at Egyptian jewelry designs.
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Ancient Egyptian Jewelry
Carol Andrews
Manufacturer: Harry N. Abrams
ProductGroup: Book
Binding: Paperback
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Amulets of Ancient Egypt
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Bedazzled: 5000 Years of Jewelry--The Walters Art Museum
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ASIN: 0810926776 |
Customer Reviews:
Amazing reference for ancient Egyptian jewelry!.......2004-09-07
I would encourage anyone to seek out a copy of this book, it is well worth a few extra dollars considering it's out of print. The photos are exceptionally rich in color and detail, all fully labeled with dates and names. As someone looking to recreate jewelry in the style of ancient Egypt, this book has been my top resource on so many levels. It lists the multitude of stones and minerals used by ancient Egyptian craftsmen, along with the tools and techniques they practiced. The contents and sections are very well organized and easy to follow, and it includes a complete index for quick reference. This book is a treasure all its own!
Excellent resource and the best book in its field.......2000-06-13
I happened upon this book while visiting the Rosicrucian Egyptian Museum, and it is well worth every penny. Copious full color photographs illustrate the many types of jewelry worn by the Ancient Egyptians, both in life and as funerary pieces. Manufacturing techniques are also discussed somewhat, and the Egyptian names for items are also provided. This superb reference is not only a great replacement for the out-of-print "Jewels of the Pharaohs" by Cyril Aldred, it surpasses this earlier work by providing much more detail and information.
excellent and well documented study.......1998-12-17
I have met the author personally when taking a class through a Stanford Univ. graduate program and was impressed with her background and extensive knowledge of Egyptology and jewelery. As a gemologist and lifelong student of Egyptology, I could recommend this book on its contents alone, but the author, herself, is extraordinary.
Beautiful and informative look at Egyptian jewelry designs........1998-09-16
This is a beautiful book. The pictures and stories of the jewelry are fascinating. It is a great resource for the craftsperson interested in Egyptian styles or for anyone interested in Ancient Egypt or creative jewelry design.
Book Description
This sumptuously illustrated book is a wonderful introduction to the enormous and varied legacy of ancient Egypt. Created to accompany one of the greatest loan exhibitions ever to have been mounted from the collections of the British Museum, Eternal Egypt illustrates the development and achievements of ancient Egyptian art over a period of more than 3,000 years. Almost all of the artifacts have been drawn from the Museum's permanent exhibitions; many are among the finest examples of their kind to have survived from antiquity. Handsomely produced, this book reveals these objects--including sculpture, relief, papyri, hieroglyphic writing, jewelry, painting, cosmetic objects, and items of funerary equipment--as a means of extraordinary artistic expression rather than simply as historical documents. The book and the exhibit, which will travel to eight U.S. cities over the course of three years, provide a remarkable opportunity to explore the creative genius of one of the world's most extraordinary civilizations.
Eternal Egypt features the unique and innovative aspects of art from each period, as well as characteristic styles, forms, and genres. Edna Russmann, one of the world's leading authorities on ancient Egyptian art and curator of the exhibition, offers a wide-ranging and authoritative introductory essay that covers archaism, portraiture, and stylistic innovation in Egyptian art. The text also relates the history of the British Museum collection of Egyptian antiquities, showing how these exquisite art works came together. Each piece in the exhibition is given a separate explanatory entry in the book. With its superb color photographs and accessible yet informative text, Eternal Egypt marks a substantial step forward in scholarly understanding of its subject, embodying the results of the very latest research and containing many new and original insights and observations. It will be a must read for anyone with a passion for ancient Egypt.
Published in association with the American Federation of Arts by arrangement with the British Museum Press
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