Amazon.com
Digital compositing, defined here as "the digitally manipulated combination of at least two source images to produce an integrated result," is a huge field incorporating 2-D and 3-D still and animated artwork. The Art and Science of Digital Compositing homes in on a specific area--visual effects in film, multimedia, and commercials--and expands on it in a highly precise and technical fashion. The author, Ron Brinkmann, has applied his expertise to many projects, including such feature films as James and the Giant Peach and Die Hard.
Here he teaches aspiring film, video, and multimedia artists how to create mattes; manipulate time; track, view, and analyze images; work with various film and video formats; and understand the issues of quality versus efficiency. Brinkmann concentrates on improving what you've put together by manipulating color, brightness, perspective, lighting, cameras, and more. You can apply much of the introductory information--resolution, bit depth, compression, color, and geometric manipulations--to simple image-compositing projects. But then you're off into Hollywood territory, though the tone is one of serious insight, not whimsical observation. This is essentially a textbook for people who are looking for an in-depth discussion of technology for advanced animation production. As such, it does an excellent job. --Kathleen Caster
Book Description
Computer-generated visual effects are now used extensively in feature films, commercials, music videos, and multimedia. The backbone of this process, the final and most important step, is known as digital compositing. The Art and Science of Digital Compositing is a comprehensive reference that provides a complete overview of the technical and the artistic nature of this process. This book covers a wide range of topics from basic image creation, representation, and manipulation, to a look at the visual cues that are necessary to create a believable composite. Designed as both an introduction to the field as well as a valuable technical reference, this book should be of interest to both novices and professionals alike.
Written by a working professional in the visual effects industry, the book provides over 250 different images and illustrations (including a 40-page color insert) as well as a complete glossary of compositing and visual-effects terminology. Also included are in-depth case studies from well-known films such as Speed, Independence Day, and Titanic.
Balances fundamental "hard science" topics with the more qualitative/artistic challenges which face anyone involved in a digital composition project
Provides examples and illustrations from motion picture work
CD-ROM contains additional composition examples, illustrations, and development software
Includes 32 pages of colour
Customer Reviews:
A must.......2007-06-13
Even if I'm not working in vfx, so I haven't a great experience, I think this book should be in every comps shelf: very simple, well written, it deals with the math under every (even the simplest) operation you can do in your compositing package (it's quite software-indipendent). It explains several wonderful tricks too.
Globally, very useful in my opinion.
An essentrial for all CG artist.......2007-02-24
Ron goes over the very concepts of compositing that are essential to know in the computer graphics feild. I have bought several copies of this book as the disappear from my desk (no longer kept in public view)
Great Book but Where's the CD?.......2007-01-23
This book is exceptional and a must for anyone pursuing this area of interest. The only disappointment I had in purchasing this item is that it is supposed to come with a CD, and the CD was never shipped to me. What's up, Amazon?
A math mad must for Comps.......2007-01-05
That can I say about Mr Brinkman. Well he's one of the God's of compositing and VFX. Mad about the math behind Node based compositing software, which incidentally is a good thing. This is not meant to be a 'Shake' bible as it is supposed to be non software specific. However it uses 'Shake' language and node naming. This is not a criticism as 'Shake' is the meccano kit of compositing. Understand the mode and the math behind it and you can do anything. I would also assume that this will still be relevant when shake is 'reborn'.
This is also essential for other composing software where the math is hidden. If you've ever considered what happens inside that 'magic button' after you've clicked.
I also think that Steve Wright's 'Digital Compositing for Film and Video, Second Edition' is a must too. Another great book from a great man of VFX.
Having not been personally taught by Mr. Brinkman and Mr Wright these books prove to be the next best thing.
Must Have for compositors and digital artists.......2006-07-02
This book is a in depth study of the techniques and technologies involved in the art of compositing. Not sooo technical that no one will understand it, but technical enough that it even explains in detail the algorithms and math used for antialiasing, blurs, the transfer operators like multiply, screen overlay., etc... I am a professional cg artist and highly recommend this book.
Average customer rating:
- Photoshop follow directions and try it.
- The why of Photoshop
- Brilliantly useful
- Value for money
- Sub-Par for SLR Photographers
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Adobe Photoshop CS2 One-on-One (One-On-One)
Deke McClelland
Manufacturer: O'Reilly Media, Inc.
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ASIN: 0596100965 |
Book Description
If you work with Adobe Photoshop, you've already tasted how powerful a graphics tool it can be. Universally recognized as the standard for image editing and production, Photoshop is used by close to 20 million people worldwide. But how many can say they've fully tapped its vast functionality?
Whether you're a first-timer looking to learn Photoshop, or a seasoned Photoshopper interested in the cool new features of CS2, Deke McClelland's Adobe Photoshop CS2 One on One will have you completing rewarding projects in no time at all. A Photoshop expert, sought-after computer graphics and design lecturer and author of over 70 books, Deke brings his passion and easy, conversational style to the new edition of his bestselling Photoshop tutorial, updated for CS2.
A straightforward, step-by-step guide to the features and functions of Photoshop-with plenty of real-world projects and insider tips applied along the way-Adobe Photoshop CS2 One on One also covers the new features of CS2 in depth, including Adobe Bridge, the new file browser that makes it possible to process multiple images at once. Learn how to use new workflow and file handling features, how to batch process digital camera raw files, search metadata, quickly review images in Slideshow mode, and much more.
If that sounds like Greek to you, don't worry. Deke uses highly effective One-on-One teaching methods and creates a classroom environment that combines written instruction with more than two hours of video training (provided on DVD). As host of the "Best of Photoshop" disk that ships with every Photoshop order, he's uniquely qualified to present the material in this dynamic, interactive format. Whatever your skill level, Adobe Photoshop CS2 One on One will soon have you speaking fluent Photoshop CS2.
Customer Reviews:
Photoshop follow directions and try it........2007-09-14
This book I am using with a class I am taking. The instructions take a few chapters to get used to the writers style. The author covers a lot of good things that are very useful in photography as well as graphics. The only thing is the guy just can't take very good photos, but you can fix that, learn the basics from this book and take your'e own photo's! There is a lot to learn in this book to adapt to your own style! Go for it!!!
The why of Photoshop.......2007-05-04
As a web designer whose strength is in coding and scripting, Photoshop has always seemed to be a cauldron of black magic to me. The knowledgible knew how to coax results from the tempermental pot, but we newbies were most likely to get burned. While Photoshop's unfriendly, counter-intuitive environment is partly to blame, a host of "follow this list of steps to make a button/background/fancy text/whatever without learning why these steps are necessary" tutorials - both on the web and in books - also share some of the responsibility.
Thankfully, McClelland's book more than makes up for the lax presentations of scores of wannabe Photoshop authors.
To get right to the point, One-on-One is an exercise in describing the why of Photoshop. While the book is filled with tutorials (a few per chapter), they all fit into a shared context. McClelland doesn't just tell the reader to slavishly follow his steps, but WHY they're necessary and WHY they work. He teaches the reader how to read a color historgram, why relying on Photoshop's auto image adjustment tools are only the first step in editing an image, even rudimentary color theory. I honestly learned more by reading the first chapter in this book then by struggling through a host of inane tutorials.
In short, One-on-One does it right. It's a must-have for any potential Photoshop user.
Brilliantly useful.......2007-03-31
After a few unsatisfactory experiences, I was quite ready to admit the art of photography mending is beyond my capacities, and Deke McClelland's "Adobe Photoshop CS2" was in a way some "ultimate try" at the subject. After reading this book, I am aware of the fact I still have a lot to learn, but I am now confident I can reach some satisfactory level in using the powerful software Photoshop is.
In its step-by-step manner, this book is a masterpiece of pedagogy. The teaching, precise as well as relevant, is lavishly accompanied by superior illustrations. Without ever being overwhelmingly patronizing, it goes when necessary into precious details, all the time making sure the reader is able not only of acting the right way, but also of understanding why it is the right way.
If you are in need of learning how to use Photoshop CS2, this is the book for you.
Value for money.......2007-03-13
I found the book a good source of step by step learning. It takes you through beginner to full user. You can move at your own pace. I found the book easy to follow, as it is written in conversational style. It most certainly is good value for money. I recommend it.
Guity
Sub-Par for SLR Photographers.......2007-03-11
If you're looking for a book with painfully drawn out explinations and unispiring pictures, this book is for you; otherwise, head elsewhere. If you need to learn the basics of photoshop for non-photography needs, or want to learn how to add layout and text to your projects, this book would suffice. For photographers who want to learn how to use photoshop to manage, edit and manipulate their SLR captured pictures, this ISN'T the book for you. The projects are drawn out, cumbersome and uninspiring. Topics such as layers and masks aren't covered until 2/3 through the book! I would recommend the How to Wow series over this book - How to Wow is conscience, informative and conveys information quickly vs. the verbose manner which Deke seems to favor.....
Book Description
The most influential web design book ever written, completely updated to cover motion graphics, broadband interactive design, and more. Since it was first published in 1995, designing web graphics has been the seminal resource for web designers to learn the basics and then the nuances of solid design for the web. Lynda Weinman has been updating the book to reflect changes in the technologies affecting web design, but dwg.4 has been largely rewritten from the ground up. Included is coverage of motion graphics made possible by the Flash phenomenon, broadband-enabled graphics issues, usability, and more. Lynda is rewriting the book so that all coverage of specific tools is focused on the essential functionality of these programs (Photoshop, Dreamweaver, Flash, etc.) and not on version-specific attributes of the software, making the book relevant longer for more users.
Customer Reviews:
Great book, as usual for Lynda ..........2007-10-01
I own a total of (4) of Lynda Weinman's books.
Very detailed, very informative, and an excellent reference to have on your book shelf.
I definitely recommend this author, and this particular book.
In the beginning and the future you need................2007-01-12
I have this book for a long time now. It's a very thorow guide for building a website from the very beginning. And I mean from the moment you are trying to get a customer intrested in your websites. telling you how to reach you customers, builiding a concept, video on your website, etc etc. Lynda is the best. I hope there is going to be a upgrade of this book telling you al the new gadgets.
Designing Web Graphics, 4th Edition.......2006-03-07
This is a good reference book for Web Designers. It covers the basic concepts of color usage on the Web. It also gives many hints and examples of good Web design.
Complete Reference.......2005-12-29
Group 1.
- Do you want to know everything about web graphic design to decide where to dig deeper?
- Are you looking for a colorful reference that contains huge number of websites to help you learn web graphic design?
If so, then this book is for you!
Group 2.
- Are you looking for a book that guides you through steps to perform different tasks in web graphic design?
If yes, then forget about this title!
I will give it 5 stars, because I'm from Group 1
An excellent book for the new web designer.......2005-12-11
I had heard of Lynda before and seen her website, but I had not read any of her books before this one. I was very impressed with the low level detail and lack of too much jargon in this book. It was short and to the point. The book was an easy and quick read due to her design. The book is good for basic reference information on web design. It touches on almost everything you encounter when designing websites. I was able to touch on the important topics and was given the right amount of theory / background necessary to understand the concepts. I found that chapters on information design architecture, colors, frames and cascading style sheets were very helpful. Although I already have a book on colors, I though the color charts were a nice touch. I agree that this book was not created to be the "bible" of web design. It gives you the basics and points you in the right direction for more fact-finding on your own. The links to other resources were also very helpful in that respect.
Overall, I think this is an excellent book for the new web designer, no matter which tool you are using to create the web pages. The broad approach to the design and notes regarding specific browser quirks was invaluable.
Loren Elks
Group Manager, D-MAG.org
Book Description
The only Apple-authorized guide to Final Cut Express HD 3.5, this book delivers the techniques you need to make movie magic with DV or HDV footage. Each chapter presents a complete lesson in an aspect of video editing and finishing, with hands-on projects to complete as you go. All the files you need are on the included DVD-ROM. You’ll learn how to make effective edits and adjust them precisely; create polished transitions and sophisticated composites; add audio tracks, titles, and speed and motion effects; then color-correct and finish your video for export to DVD or the Web. Whether you’re a student, a devoted amateur who’s serious about digital video, or a professional who needs a comprehensive editing program for your home computer, you’ll find everything you need to learn Final Cut Express HD 3.5 within the pages of this book. DVD-ROM includes lesson and media files for over 20 hours of training.
Customer Reviews:
So far so good.......2007-08-01
Just at chapter 6 and have found that the program is simple and easy to follow. Did not start with iMovie so I have no experience, which is why I feel the step by step guidance and building a previous learning is great. Good stuff for beginners.
Hands on experience.......2007-06-12
This book is exactly what I needed to figure Final Cut Express out. It has plenty of hands-on tutorials along with a DVD that has the examples to use with the tutorials.
Good Stuff!
Great Learning Product.......2007-06-05
This book is a great tool to get started with more advanced video editing, something that iMovie just can't handle. So if you've outgrown iMovie and have moved into Final Cut Express then this book will certainly give you a step by step learning process that will introduce Final Cut Express HD. The DVD that comes with it is very helpful as well because it contains enough content to be able to actually edit videos and add sounds, etc. Highly recommended.
Excellent book!.......2007-04-24
This book is an awesome tutorial for Final Cut Express! It starts with the easiest concepts and gets one step more complicated in each chapter. The included DVD contains all the project files so you can work along with the examples in the book. I highly recommend it!
Easy to understand.......2007-04-04
I am new to FCE and a new user of an iMac. I am only on chapter 5 but I find this book very easy to follow and understand. Up to this point, I am being given an overview of each area of FCE and how to use them as well as keyboard shortcuts. The books starts with an introduction to the iMac OS X which was very helpful to me as a new user. At this point, I would highly recommend this book to a new FCE user as well as a new iMac user.
Amazon.com
It isn't easy finding a job these days and for those working in the creative fields like graphic design, illustration, photography, filmmaking, and music, a digital portfolio is just the shiny object you need to catch the attention of a prospective employer. But you can't just slap a few files on a CD and call it a night. As Cynthia Baron points out in Designing a Digital Portfolio--a thorough guide to digital portfolios--your first impression is critical and good preparation will pay off.
The books begins with soul-searching: what work are you hoping to get, who's your audience, what style of presentation should you choose, and what technology--Zip, CD, DVD? Effective portfolios from various fields are analyzed, for example, one for an industrial designer or a flash animation artist. If you happen to do both or are otherwise a jack-of-all-trades, Baron outlines your strategy for targeting your audience and deciding how to focus your presentation.
There're several great chapters on prepping your work, collecting it (do you have your process materials, like pencil sketches?), digitizing the non-digital and cleaning it up (like stitching together scans or effective cropping), nitty-gritty items like optimizing and encoding (crucial if you don't want your future boss frustrated by large files), and dealing with that neglected cousin of the visually creative: good written content.
Next, the book considers delivery (for example, Web versus a portable portfolio on CD or DVD), a presentation metaphor (for example, gallery or diary), and the navigational master plan. The chapter on copyrights and attribution are worth the cover price alone. (For example, do you know who owns the artwork you just created for that latest brochure? Do you know how to present a large project on which you worked as part of a team?)
Throughout the book, Baron profiles some stellar examples of digital portfolios, most of which are viewable online, for example, illustrator Michael Bartalos's Web site at bartalos.com. And the appendices offer even more resources to help and inspire you. --Angelynn Grant
Book Description
The world has gone digital--which means that a paper portfolio is no longer good enough. These days, as a creative professional, you're expected to be able to show your work on demand--whether that means emailing it to a client, displaying it on a Web site, or delivering it on CD or DVD. This book shows you how. Using a combination of step-by-step instructions and inspiring examples, veteran author
Cynthia Baron takes you through the entire process of designing a digital portfolio--from developing a concept and choosing a medium, to scanning work created with traditional materials; optimizing digitized art; repurposing digital material; creating a portfolio Web site, CD, or DVD; producing a portable portfolio; and avoiding technical pitfalls when digitizing, organizing, and delivering the final product. You'll also find loads of insights from the professionals who evaluate artist portfolios everyday--agency heads, art directors, and designers--plus handy checklists, a run-down of dos and don'ts, case studies, and tips.
Customer Reviews:
comprehensive material........2006-03-01
Most artists can't do everything - usually they are somewhere in the middle of a chain of production responsiblities that don't include the skillsets involved with presenting a portfolio, digital or otherwise. Many points of insider knowledge are invaluable - I was on the cusp of using PowerPoint for my CD portfolio (my wife has strong skills with this) before being warned that this bussiness presentation software's would be viewed with derision by art directors, and that a high resolution version of a website format is the way to go here - this one parcel of knowledge was worth the price of the book alone, but it is far from the only lesson imparted. Highly recommended - it doesn't stray into realms of esoterica for the sake of pagecount.
Great beginners guide.......2005-08-12
This handbook is targeted at beginners in designing portfolios to submit their artwork or photos when job hunting. It is filled with information, however most is very basic and will only be a review for most readers.
Superb resource for a wide variety of portfolio formats.......2004-11-14
If you set can aside the near 100% focus on digital media (though it is excellent for that kind of format) and not hyperventilate in feeling like you need to come up with Flash or DVDs after reading this, it offers solid points on portfolio content, whatever format you choose.
It covers what should go in, what should not go in, how much should go in, how/if to deal with process pieces, storyboarding,
thematic ties to pull a disparate portfolio together, and sage advice on basics like the kinds of written copy you want to include, such as design briefs, problem statements, and tag lines. It's my favorite book for this effort right now. My husband's, too. I have to pry it off his desk.
It's also savvy when it comes to marketing, so I think it will have a long shelf life in my library for the days when I need to market myself on other things besides landing a job, like marketing my firm.
It has some printed web site design examples which offer visual eye inspiration for printed page layout. It even has great image workflow tips, towards preserving the best image quality with the least needed resolution, that are comprehensible to the lay person as well as meaningful to someone with a high degree of digital photographic processing background.
One of the Best Books on the Topic.......2004-05-07
This is one of the best books on its topic that I have ever seen. From the title, I expected to find advice on preparing images for the screen, how to put them on a CD or DVD, etc. Those things are there, but the book begins in a logical place that I wouldn't have considered. Brown's approach is truly holistic.
Check out page 23 for the first page of a three-page self assessment check list. It has you evaluate your professional strengths and weaknesses, goals and personality.
Chapter 3 asks you a bunch of questions to help you identify who your audience really is and focus on them.
The rest of the book covers various digital formats, how to organize your work, how to get images of 3D and oversized work into your portfolio, including choosing a camera and setting up for shooting.
Ms. Brown covers editing your images to remove the most common problems, such as moire, sharpening needs, bad crops, etc. And ... she devotes a section to creating written content to accompany your stunning images, telling you how to write to that audience you defined earlier.
She explains the differences between a monitor screen and a printed page. You need to know that to design the correct interface for your portfolio. She also has a full chapter devoted to marketing and copyright issues.
The entire book is scattered with quotes (in friendly green type) from experts and those who have gone before you. The quotes tell you what agencies are looking for in a portfolio, how others have found success at this, what things you can do to streamline the process, etc.
The definitive resource.......2004-02-21
For several months I searched for an appropriate textbook for a course that I was developing. Several days prior to the deadline for the course outline, "Designing a Digital Portfolio " was published. After reading the book, I realized this was the authoritative text for anyone in a creative field. The book asks and answers all the essential questions. It is perfect for the technological savvy multimedia programmer or for any artist with limited technology expertise. I urge anyone who is even considering developing a digital portfolio to buy this book. Without qualification, this is the most valuable book on the market
Multimedia Portfolio Instructor/Art Institute/Art Institute Online
Subject Matter Expert / Curriculum Development Multimedia Portfolio
Book Description
Macromedia Flash is fast becoming the Web's most widely used platform for creating rich media with animation and motion graphics, but mastering Flash isn't easy. Most entry-level books teach through simple examples that concentrate on either animation or scripting, but rarely both together. To get the most from Flash 8, you not only need to be proficient in programming/interface design, you need the creativity for story telling and the artistic insights to design fluid animation.
Flash 8: Projects for Learning Animation and Interactivity teaches Flash design rather than simply Flash itself. With a standalone series of walkthroughs and tutorials for Flash beginners coming from a graphics field, this book teaches Flash in the context of real-world projects. Rather than learn a Flash tool for the sake of it, you learn which areas of Flash are important, and which are less used, simply by seeing how typical content is actually created. And rather than a text-heavy approach, this graphically rich book leads you through hands-on examples by illustration.
Each project in the book starts with goals and broad sketches before moving to design and scripting. This helps you understand design intent-the why of the process-rather than just learning the interfaces and the how of it all. Along the way, you'll create Flash content that includes traditional animation techniques (as seen in full-length animated features), and ActionScript-based interactive animation, such as custom web site interface designs. You also learn how to combine both traditional animation techniques and ActionScript to create feature-rich Flash assets from the ground up.
Co-authored by educational developers with years of experience creating compelling content, interfaces, and applications, Flash 8: Projects for Learning Animation and Interactivity offers a content-driven approach that is also inspiration-driven. You learn because you're accomplishing something tangible, not because you think you need to know how a tool works.
If you want to understand how various features of Flash come together to create a final end design, this book provides you with both the insight and the know-how.
Customer Reviews:
Look Ma! I can Animate! And Interact!.......2007-04-19
I like this book. It's easy. It's clear. It reminds me of the wise words: "Keep it Simple Stupid!"
I used this book to teach a class of teenagers about Flash and it was great. I gave it to a marketing guy who professed an interest in making some stuff in Flash and it was great. And I've used it myself. Again, great. The authors have filled the book with practical mini-projects that explain various concepts in Flash.
This is a book about the basics for beginners. It covers the basics of a whole range of methods and techniques. And it touches upon more advanced concepts briefly and helpfully. All the way from the drawing tools in Flash to using some action script and bit map effects. It has a very clear explanation of what a conditional statement is, for example. And also exaplins variables and scope succintly and accurately. It also tells you how to make a roll-over button in Flash. Awesome! (Hey... remember the first one you made? I still get excited about swapping images on the fly with code, so I can dig it.)
If you know somebody who has NO CLUE - and I include myself in that category at times, obviously - how to: center something on the stage (Align), undo to ten steps ago (History), make a photo move around (Importing, Tweening), have a cartoon character walk believably (Walk Cycles), display only part of a photo (Masking), make a volume knob for your own web radio station (Sound Control), let people email them from their Flash website (Form Data)... Well, then! This is the book for them.
This is great for the beginner.......2007-04-18
Flash 8 Projects for learning Animation and Interactivity
By Rich Shupe & Robert Hoekman, Jr.
Publisher: O'Reilly
Copyright 2006
IBSN: 0-596-10223-2
Review by: Linda Weller
The books learning style is organic. They pair topics with goals. You learn by doing. Shortcuts are highlighted. Self teaching is encouraged by allowing you to expand on the projects using what you have learned. Sample files are available online or on the CD Rom.
They try to spoon feed you a little ActionScript in the sidebars of the book. Then you get to the chapter on creating a form and wow your using somewhat complex ActionScript and a PHP form. I hope you have a server installed that allows PHP for this one.
This book is filled with lots of special little tips. For example they tell you the difference between object level undo's and document level undo's. I bet you thought it was just ctrl +z.
Some of the Flash 8 features that are covered are Object drawing and Merge draw and when to you each one, metadata fields to make your Flash files search engine friendly, copy to grid assistant and, the distributed duplicate assistant.
Productivity tips are covered using the align panel, timeline effect assistants and the history panel. Have you ever needed to change a symbol's registration point after it is made? Go to the Info window.
Usability is covered. The author's show you how to add an active content bar to your menu buttons so the user knows where they are in the menu. Also, using the anchor from the label type drop down menu which is like an HTML anchor enables the back and forward buttons to work when navigating browsers.
There is information on all the basics: making an invisible button, tweening, shape tweening and, masks. How to work with assets is discussed. They show why we use PNG format in Flash with a rather graphic example. You can access round trip editing with a program of your choice.
Chapter 7 is loaded with lots of animation techniques such as using shape tweening to have a house draw itself, gradient masks, enabling bitmap caching with ActionScript on the mask and masked movie clips. There is a whole exercise to help you learn to decide when you would use scripted and when you would use timeline animation.
The chapter on sound give you some great tips on trimming unused portions of your sound and using short loops to optimize your files. They even tell you of a free sound editor. You create an MP3 player and a video player with ActionScript as well as creating players using the components.
All the new Bitmap caching and filter effects are discussed. You make bevel filters using ActionScript 2.0 classes.
They close off the last chapter with lots of web resources and tips. For example for file optimization purposes you can go to "file--save-- compact new" this totally removes deleted files from the system and reduces file size.
VERY VERY HIGHLY RECOMMENDED!!.......2006-10-10
Are you a beginning Flash user who wants to bring their project ideas to life? If you are, then this book is for you. Authors Richard Shupe and Robert Hoekman, have done an outstanding job of writing a book that includes everything you need to get started in Flash.
Shupe and Robert Hoekman, begin by showing you how to use Flash's vector drawing tools. Then, the authors describe how you can set up your work environment the way you feel most comfortable. The authors then show you how to use a few essential techniques to create your first animated Flash movie. Next, they show you how to give your audience some control through the use of buttons and ActionScript. The authors also show you how Flash can work with other applications to help you meet your project needs. They continue by showing you how movie clips allow you to create animations that play independently of one another. Then, the authors show you how to create an animated advertisement for the sale of a home; as well as, other experience with some of these techniques. Next, they show you how to work with sound. They continue by showing you how to add video to your projects, with and without Action Script. Then, the authors describe how you can composite bitmap and vector assets on the fly and learn how to inject a heightened sense of expression into your files with real-time filter effects. The authors then show you how to use text. Next, they focus on solving one problem: Keeping initial download times to a minimum without compromising too much quality or creativity. The authors also show you how to use a template and components to construct a three-question quiz about what you've learned so far. They continue by exploring two slightly less conventional distribution methods for Flash content. Finally, they show you a few projects that demonstrate some of Flash's less common uses.
Several techniques are used in this most excellent book to help you better understand and retain the information you are given. More importantly, the preceding approach is what makes this book more effective learning tool than other books on the shelf.
Learning Flash animation for beginner.......2006-08-13
The Flash 8 projects for learning Animation and Interactivity book is a good resource for beginner to learn animation. It takes you step by step using practice examples to teach you basic animation techniques. The title of the book show two issues the first one is learning animation and I think the writer covered this part very well for beginners. The second issue is Learning Interactivity, which is covered along with the animation. The chapter that causes confusion for me is the 13th chapter. As it talks about e-learning in Flash, which is a very big issue that can not covered in one chapter, even for beginners. I think this part needs another book to cover deeply and give the beginner a strong beginning step in the field of e-learning.
Regardless the 13th chapter I see the book focused well and this helps the beginners to grasp the idea of the animation in Flash.
A Good Channel through which to learn Flash interface and action script.......2006-05-17
As the title states, this project-based approach to learning Flash 8 covers everything from becoming familiar with the interface to using both vector graphics versus pixilated images to the power of writing action script.
For the beginning Flash 8 user, this book starts from scratch on how to draw objects. It begins by having the reader draw a simple box; by then end of the third chapter, what started as one object has become a movie, complete with alpha effects, motion effects, and even a first stab at action script. The remainder of the book builds off these core aspects of Flash. As a beginner, the book made it easy to follow through the step-by-step processes required to make Flash 8 work as desired.
Not only does the book walk Flash users through the step-by-step processes, it also includes very useful sidebar notes and separate comment boxes (not to mention the wide sidebar space that just happen to be perfect for note-taking). These features are helpful in understanding how Flash `thinks' about the commands given in the projects. Also, the side notes will oftentimes refer the reader to the chapter in which a process is discussed in more detail to aid those more experienced users who have skipped around rather than reading the book cover-to-cover. Another handy feature of Flash 8: Projects for Learning Animation and Interactivity is the appendix titled "Tips and Resources," which lists some optional websites to extend Flash 8s possibilities; there is also a list of sites to practice with more tutorials.
One potential downside of working through these projects comes with any book that uses the project-based approach: time. It takes time to work through the examples, even the ones that start out with some of the background work already done for you. However, this approach also gives a more thorough understanding of Flash 8 and should be beneficial to anyone who prefers a hands-on approach to learning the software. As such, it may be best suited for beginning users, but definitely has some information throughout that all semi-experienced Flash users should know.
Book Description
If you’re a photography hobbyist, would you like to brighten up that gloomy island vacation photo? Slim down without going on a diet? See whether white or green shutters look best on the house? Expunge the ex-boyfriend from family photos?
If you’re a pro or semi-pro photographer, would you like to make it snow in that ski resort photo? Replace the old logo in the glamour shot of the corporate headquarters with the new one? Grow hair in the CEO’s glaring bald spot? Freshen up the lettuce in that food shot?
You’ve come to the right place. With Photoshop CS2, you have the tools. With Photoshop CS2 For Dummies, you’ll have the know-how. In full color, with all kinds of examples, screen shots, step-by-step explanations, tips, and techniques, this guide takes you from the fundamentals to special power-user tricks! Cross-platform Mac-PC coverage includes:
- The basics of getting around in Photoshop, getting images into and out of Photoshop, choosing the right file formats, and setting your preferences
- Working with Adobe Bridge to organize and manage your images
- Working with tonality, including making easy Auto Repairs, making adjustments with Levels and Curves (and the eyedroppers), and using Shadow/Highlight and the toning tools, Burn and Dodge
- Making color look natural using the color adjustment commands
- Taking advantage of the RAW format for maximum flexibility, including using the Adjust, Detail, Lens, Curve, and Calibrate tabs and the Camera Raw buttons
- Fine-tuning your fixes, including making your selections with tools (four marquee tools, three lasso tools, and the Magic Wand tool)
- Masking for both layer visibility and for protecting parts of your images
- The most common problems in digital photos—red-eye, wrinkles, unwanted objects and people, and noise—and what to do about them
With Photoshop CS2, you can go beyond enhancing your images to create “art.” You have a very powerful painting engine, an extremely complex Brushes palette, and all kinds of painting tools. Photoshop CS2 For Dummies walks you though:
- Compositing (combining images into a piece of artwork) and working with layers, including choosing from the almost two dozen blending modes
- Selecting with Extract which is great for making tough selections, such as flyaway hair and various types of fringe
- Using Vanishing Point to “map” a pattern to angled surfaces
- Creating panoramas with Photomerge
- Creating precision edges with vector paths, including using shape layers and the Custom Shape tool, choosing from more than 300 ready-to-use shapes with the Custom Shape Picker, and using the Pen tool to create paths
- Where to find dozens, or even hundreds, of custom shapes already on your computer – absolutely free
- Dressing up images with layer styles, including using the Styles palette and creating custom layer styles
- Adding text messages and tweaking your text
- Using the extensive painting tools and the Brushes palette
- Using filters, including sharpening to focus the eye using blur filters or the Unsharp Mask and the new Smart Sharpen filter that give incredible control
- Getting fun effects with the Liquify filter
In a special Power Photoshop section, you’ll learn about streamlining your work, including creating a PDF for both onscreen presentation and for printing. You’ll discover how to spiff up your online images by working with Image Ready to slice, optimize, and otherwise juice up your images for the Web and how to create fancy rollover buttons and fun animations,
From basic cropping to complex techniques that can turn good photos into great ones, Photoshop CS2 For Dummies is your guide to exploring all the possibilities that await you in Photoshop CS2.
Download Description
"* An all-new full-color edition, updated for the latest software release and bargain-priced at under $30
* New author Peter Bauer-a highly regarded Photoshop pro-has rewritten the book from scratch in its entirety
* Cross-platform Mac-PC coverage includes program basics, working with camera RAW tools, organizing and managing image files, enhancing images, using channels and masks, painting and drawing, adding masks and special effects, creating Web photo galleries, and streamlining workflow"
Customer Reviews:
Not for Dummies.......2007-09-08
I'm sure this is an excellent resource for those who have used Photoshop already. It hits the ground running and assumes a much more significant base of pre-existing knowledge than the other "Dummies" books I've read.
My expectations for these Wiley books is that they write for neophytes, taking a step by step approach to understanding a topic without assuming any knowledge. That's what has made them so effective and so popular.
That is not the case with this book. I consider myself to be of adequate intelligence but I have never used Photoshop and I was counting on this book to introduce the admittedly very complex application in digestible bites. It really doesn't. It appears to assume the reader already has some knowledge of the program and, moreover, has already used it.
One example I'll cite is the book's treatment of the concept of layers, a central concept for how Photoshop works. It is assumed by the writer that the reader already knows what layers are and how the application uses them. It never presents a simple definition of layers. In fact, the author doesn't even mention them until far along in the text. And, at that stage, the concept just jumps at the reader without any introduction or explanation. I think I know what layers are and how they are used, but it really was a work of interpolation on my part rather than helpful explanation by the author.
Again, it's a fine work, but it's not "Photoshop for Dummies," it's really "Intermediate Photoshop."
Photoshop CS2 for Dummies.......2007-01-20
I purchased this book after using my local libraries` copy. It is full of information on the basic operational details and procedures of photoshop CS2. It is written in as plain an English as one could expect.
All the "secret" procedures to do various things are explained, things that would take decades of use if you were to try to figure them out without help.
It does not go into the aesthetics of photo editing at all. It only explains the basic procedures of how the various functions work, but it does this well.
It does nothing with the other graphic arts programs that come with CS2 such as In Design, Illustrator, and others. Photo editing is only a small part of the CS2 program.
If you want instruction on how to improve photos, this is not the book. If you want to learn the functions of how photo editing works within CS2, this book does a superb job in easily understood language.
Good product overview BUT.......2007-01-06
I purchased the subject book in order to edit photos only. The subject CS2 book provides a good overview of CS2 BUT it DOES NOT provide a step-by-step tutorial on how to use all the CS2 tools. I purchased "Photoshop CS2 In Easy Steps" manual ($10) to provide the "how to" part. Between the two publications, a good understanding of CS2 for photo processing was provided. It became clear that CS2 is so robust, and therefore complicated, that a CS2 course would be the next logical step.
A reference book, thats all.......2006-10-21
Luckily, I checked this book out of the library rather than buying it. I say "luckily" because this book isn't worth the money. Here's why...
On the front of the book it says:
Now in FULL COLOR! Loaded with the latest Photoshop tips and techniques"
On the back of the book it says this:
"Wait till you see what you can do with Photoshop CS2"
Photoshop CS2 for Dummies is not about HOW to do it, but about WHAT you can do with it. The cover of this book should have stated that it is a reference book out of fairness, rather than burying that fact in the prelude. Besides, aren't reference books suitable for people who already know what they are doing and have experience using the program?
This book didn't come with a CD or a website to go to for graphics and lessons. Words alone do nothing when you have to get your hands dirty. Would a pilots school be useful to you if you just sat in the classroom all day listening to the teacher on theory but not actually applying it by flying?
The first part (chapters 1-3) was way too basic, if not annoying. If you don't know how to use the mouse or what a menu is, what is color, what is cropping, etc. then you need to go back to Computer 101. 84 pages of material more appropriate for a Windows dummies book, not a Photoshop book.
Part II (chapters 5-9) was not much better. Written in the same "manual-like" style, it lacked techniques and how-to. Its sad when you are reading a computer software book and don't even lift the mouse or use the program while reading.
Part V consists of Chapters 18 to 20. Three chapters of tips and tricks. Total number of pages? Fourteen. Yep, you read that right. Fourteen out of 400 pages. Here's the first paragraph of Chapter 18:
"I have literally thousands of Photoshop tips and tricks to share with you but space here allows for only ten."
What a cop out. Wasn't that what the subtitle of this book was all about? Latest tips and techniques? Further, the tips are very poorly represented and outdated. There are websites that offer more detail and blow by blow description as you apply each step of the tip. Instead, this book shows only the end effect - worthless when there are many steps in between to enforce that the user is doing things right and getting the right results.
Noticed that I didnt discuss Parts III to IV? It was a waste of time.
Reference manuals are suitable for experienced users, not for beginners or people looking to learn from scratch. The best way to learn a creative tool like Photoshop is to experiment and try as everything is a transformation from one rendering to another.
C jones .......2006-09-02
If your new to photoshop or a Dummie stay from this book !!!
Book Description
Do you want to rearm Venus de Milo, shave Uncle Harry’s beard, or turn gray skies to blue? Have at it with PhotoshopElements 3 For Dummies, your guide to enhancing the effect, fixing the flaws, or adding artistic effects to your photos. You’ll discover how to:
- Import and organize your photos
- Create, rearrange, blend and manipulate layers to create a composite image
- Save photos using the correct file format— TIFF (Tagged Image File Format, PDF (Portable Document Format), or BMP (for PC users)
- Save for the Web with JPEG and GIF
- Take advantage of the terrific Help Great Help system, including a How To palette with step-by-step tutorials for image editing and features
- Create a slide show, a picture package, or a Web photo gallery
PhotoshopElements 3 For Dummies was written by Dele McClelland, award-winning author of more than 75 titles, including Photoshop for Dummies and Photoshop CS Bible, and Galen Fott, writer and reviewer for Macworld and PC Magazine. It includes 16 pages of full-color examples that demonstrate capabilities and show you “before” and “after” photos. You’ll get step-by-step specifics on techniques that can transform your photos, including:
- Selecting the area you want to work with using the lasso, marquee, or magic wand tools or the selection brush
- Using the healing brush to remove imperfections such as blemishes and the new red eye removal tool to remove that demonic glow
- Adjusting color with a variety of tools and techniques
- Applying filters such as Blur, Gaussian Blur, Colored Pencil, Diffuse Glow, Glass, Glowing Edges and many more
- Color correcting quickly with fast color-corrections
- Using the layer styles in the Styles and Effects palette to let your imagination go wild with painting, drawing, applying drop shadows and bevels, adding text, and more
- Using the brush, pencil, eraser, shape and cookie cutter tools
- Working with the type tools, including formatting options, warping type into unusual shapes, and creating outline type
- Making the most of the effects, including frame, image effects, text effects, and textures
- Using Photomerge to create panoramic pictures
PhotoshopElements 3 For Dummies doesn’t just give you instructions—it gives you ideas. You’ll be inspired to capitalize on the capabilities and explore different techniques to enhance and share your photos.
Customer Reviews:
A Dummy on Photoshop for Dummies.......2007-05-12
I have six books for Photoshop Elements 3. This one is the best of the lot. Written so I can understand it. Unlike the others, this one does not assume that I am already an expert on the program. If I knew what the others assume I know, I wouldn't need their books.
Let's hear it for the Dummies.
Buy the book to learn more........2007-05-08
I've had Photoshop Elements for some time but was only scratching the surface on what it could do. This easy to read book has shown many, many functions to me that has made the money spent on the software much more of a value to me. I've jumped around chapters to focus on what was most important to me. Don't feel you need to sit and read cover to cover - start with what you want to learn. At times a boring subject the authors fit in humor.
This book is for me, I am a Dummy :-).......2006-03-19
Okay... Altho i am getting better, I still am not very savvy on the computer. Because of this book my friends think I am a photo guru!!! This book is soooo easy to understand and the example pictures are a big help. I am having so much fun!!! I highly recommend this book for beginners.
Photoshop Elements 3 For Dummies.......2005-10-17
I do a lot of scrapbooking and was quite disappointed when I purchased Photoshop Elements because I could not seem to get around in the program. Now that I have the Dummies book I'm navigating the program with the greatest of ease. The book has talked me through step by step in easy to understand language. My pictures are looking much better and I'm able to print the sizes I want and recently I've started creating accessories for my pages. So I highly recommend this book.
Photoshop Elements 3 for Dummies like me.......2005-09-28
I never know how much of a "Dummy" I am until I try to fiddle with a computer program. The Dummies series have always come to my rescue. I enjoy the lively banter-style format which makes me feel like I am getting personalized assistance. With no arguments! Even if I never figure out my software, at least I will have enjoyed the experience! The book covers the subject, but with no consideration to related programs (ie., XP, wherein I believe my problems lie...) XP for Dummies, coming right up!
Book Description
Digital Character Design and Painting is really two books in one: it teaches the fundamentals of character design, and the skills, tools, and techniques needed to master digital painting. Character design is all about ideas and how to put those ideas together to create a look and feel for a character. It's about creating a character that elicits a specific emotion from viewers—fear, joy, anger, sadness, etc. Character design does not have a standard creation process, but there are basic principles that can be followed. Digital Character Design and Painting explores these principles and teaches conventional artists how to enhance their skills to bridge the gap between traditional and digital art. All of the fundamentals of character design, from artistic design issues and character development to physical details of the character are explored.
Unlike character design, digital painting is not so much about ideas as it is about the combination of method, technique, and artistic theory. It is about making something that will be viewed in two dimensions imitate three dimensions. Using a variety of practical Painter 7 tutorials, artists learn how to apply traditional painting techniques with digital tools. Details on sketching, color theory, lighting, and texturing are also covered, along with specific techniques for painting trees and foliage, eyes, faces, hair, clothing, and fur.
Using these practical techniques and procedures, artists can learn how to create and beautifully illustrate their own life-like or fantasy characters for games, movies, or other commercial productions.
On the CD!
* Sketches, paper textures, brushes, and texture files to use with the tutorials presented in the book and to customize for your own projects
* QuickTime movies illustrating some of the painting techniques and other clips that support general painting ideas
* Shareware versions of programs available from Mediachance Software and Ransen Software
* Demo version of Painter 7 from Procreate (All of the material in the book Painter 8 compatible.)
SYSTEM REQUIREMENTS:
Windows 98, Windows 2000, Windows NT 4.0, Windows ME, or Windows XP. IBM Compatible PC, Pentium 200 or higher, 64 MB RAM, 24-bit 800 x 600 Display, 2X CD-ROM Drive, Mouse or Tablet. Mac OS 8.6 or higher, Power Macintosh ® G3 or higher, 64MB RAM, 128MB RAM for Mac OS X, 24-bit (800 x 600) color display (1024 x 768 for Mac OS X), Mouse or tablet. Users also need QuickTime 6 to view the movie clips included, and Painter 7 or equivalent program to perform the steps in the tutorials.
Customer Reviews:
left hanging.......2007-02-28
This book is not bad but, The lessons seem to have a lot of steps left out of almost every lesson. I found it hard to follow a long. One minute the page has a sort of ugly sketch to follow a long with. Tun the page and that sketch has been turned into a very realistic painting with no real explanation as to how it got that way. I think this book is better if you already know what your doing when it comes to painting realistic characters and designing them, but then one could argue whats the point in getting this book also seeing as it cost a bit munch.
AWESOME BOOK ABOUT CHARACTER DESIGN.......2005-01-19
This book is totally out of this world on the topic of character design. Very detailed and well thought out. I will definatly recommend it to designers and artists.
Inspirational, instructional, just dynamite.......2004-03-04
Not only is this book excellent because of what you will learn from a master, but the physical book itself is of the highest quality, which of course is very important because you will no doubt turn to it repeatedly for guidance and inspiration. A beautifuly crafted book. The cd is most helpful. Enjoy!
Open Letter of Appreciation.......2003-09-16
Dear Mr. Seegmiller:
I've long been an admirer of your fantastic creations. You kinda became who I wanted to grow up to be ;-), so when I found you had published a book, I ran to get a copy.
Just wanted to let you know that this is the first of hundreds of art books in my library that is everything I'd hoped, and much more. I've had some
art training (mostly with folks who were better artists than teachers) and have learned a lot from books, as well as lots of drawing and painting on my own. I've participated in numerous exhibitions and group shows. Never have I had the pleasure of "sitting" in the company of such a fine, generous, exacting and specific educator, who is also one of my most admired artists.
The quicktime movies, so unselfishly revealing of your methods and creative processes, would have been worth twice the cost of the book. I'm studying them on a frame-by-frame basis, and gaining so much insight into what was heretofore theory alone. A weekend seminar could easily be developed from any one of these.
So thanks mightily from a very enthusiastic student at a distance.
Regards,
Bob Goldberg
www.bobbogoldberg.com
Art Appreciation for Wannabe Professionals.......2003-08-03
This one reads like a crash course in digital character painting as interpreted by a fine artist of obvious expertise. It uses Corel Painter 7 as the base tool and is aimed at intermediate users (says so on the back). The best things about this book are (a) an effective balance between fantasy and reality, image- and tutorial-wise, (b) all-color (four-color) pages, so you know 'exactly' what color you're supposed to pick and what shade you're required to get, and (c) QuickTime movies on the accompanying CD that show the author deftly turn a b&w sketch into a finished piece. (Neat). This book is more about ideas than trickery, techniques rather than formulae - so don't expect too much hand-holding or quick fix tips. It lays a good foundation early on and builds upon it - though I'd recommend being comfortable at least with some basic sketching as most tutorials begin with a pre-made pencil drawing and proceed thenceforth into painting. In the end, this book stands head-and-shoulders above the rest primarily due to its inspiration and reusability value for artists (both digital and fine). It's natural to feel a little overawed by the author's seemingly effortless mastery of the subject, but if you're in the market for a solid, articulate tome with real-world skills and advice, trust this one to deliver (and deliver quite well), for it does just that.
Book Description
Color Confidence is a practical, results-oriented book that gives photographers the knowledge they need to manage color effectively from capture to output. Digital imaging expert Tim Grey designed this book for busy photographers who want to get results without wading through tons of information about color science—-distilling the most important concepts into real-world use. He teaches only the theory that photographers must know to understand how color management works, and focuses on the practical information they need to make decisions when working with their images: the actual processes that achieve the best results possible.
In this new edition of the very first practical guide to color management, readers will find out how to quickly get predictable color results across all devices--from cameras, monitors, and printers, to scanners and raster image processors (RIPs). Updated with new information on Photoshop, RIP technology, and calibration, this results-oriented book is a must for all serious photographers.
Customer Reviews:
Excellent book.......2007-08-08
This is the best book that I have used on this subject. Clear explanations, illustrations, etc.
Excellent.......2007-06-16
A really very useful book that explains a complex subject about as clearly as you could hope for. Covers a great range of topics beyond color management. I highly recommend this book.
Good book if you are searching for a step by step guide........2007-01-25
I was really disapointed by the book. I wanted something that would have been closer to the theories and technicals aspects of color profiles. This is mainly a step by step book to follow with specific software (or even hardware) to reach some goal. It is very software and hardware specific - not generic. I learned more about "how color profiles works together" on websites than in the book.
Much Needed Book.......2006-06-19
Digital photographers don't pay enough attention to color management. This book is exactly what is needed to remedy that lack. You'll find all the basics here, and enough in-depth information to start you on the road to calibrating and fine-tuning your digital equipment to accurately reproduce the colors you see.
Just What You need.......2006-01-06
This is exactly what I was looking for; it gives a quick in-and-out overview of colour management, with detailed information about calibration and profiles. Other books on this topic are twice the size, which I don't think is necessary for most people.
It goes into very good detail, with task-by-task instructions, and is well-organised and clear (One reviewer claims that it was "poorly edited and conceived"; I didn't have any of the problems they did).
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