Book Description
Austen scholar Deirdre Le Faye first gives a met- iculously researched overview of the period, from foreign affairs to social ranks, from fashion to sanitation. She goes on to consider each novel individually, explaining in detail its action, its setting, the reaction of public and critics and Jane's own feeling about it.
Customer Reviews:
My favorite Austen introduction.......2007-05-29
As a longtime student of Jane, this book absolutely riveted me. you learn so much about her life, her times, her works, and her influences, and the style of this beautiful book is enchanting. LeFaye skillfully weaves together pieces of biography, history, and plot to create a fascinating Austen portrait. It is also lavishly illustrated and printed on lovely paper, which helps make it one of my favorite books, period. A must have for any Jane lover.
The Fascinating World of Jane Austen.......2007-05-07
Jane Austen's novels are endlessly layered and this book does a fascinating job of peeling the onion so we have full understanding of her world.
More plot than we need!.......2007-03-22
On the one hand, this book is very useful because the writer is a top expert on Austen. But while she gives a lot of information on Austen's culture, she spends too many pages givng long plot summaries. I recommend JANE AUSTEN FOR DUMMIES as a great alternative: the author of that gives a great sense of the culture, characters, and Austen, herself, in a witty, clear style.
A bit on the disappointing side.......2005-02-20
Being a bit of a Jane Austen magpie and already owning other books by Le Faye, I looked forward to gaining more background to the time period with this book. While there was much of interest, I'd have to say that overall I wouldn't recommend it. There were some inaccuracies in the plot summaries (minor, but there all the same), but the biggest problem for readers who may be new to Jane Austen was the lack of delineation between the real people (family members, friends) mentioned and characters from the books. I could see this becoming fairly confusing for someone who hasn't already read other biographical material. Still, it's a decent read and the information presented may stimulate a person's interest enough to want to find out more.
Delightful glimpse into Jane Austen's world.......2003-08-22
Such a nice book! This is a cozy volume, filled with background information on Jane's life, her novels, and the Regency era. Excellent pictures, interesting and well-written text. A perfect book to peruse while you drink a cup of tea on a winter's night. Would make a great gift for any Jane Austen lover.
Average customer rating:
- Art historian must have!
- The Other Half of the Renaissance
- The Northern Renaissance
- The Northern Renaissance
- A Truly Superb Book
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Northern Renaissance Art (Trade Version)
James Snyder
Manufacturer: Prentice Hall
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Binding: Hardcover
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ASIN: 0810910810 |
Customer Reviews:
Art historian must have!.......2007-09-28
Just buy it. You won't be sorry. Great images and lots of informative discussion of imagery.
The Other Half of the Renaissance.......2007-08-25
Books on the Renaissance can be quite confusing to non-specialists. For example, Shakespeare classes in English schools discuss him as a Renaissance writer. Yet art teachers describe his near contemporary, Rubens, as the quintessential Baroque artist!
So exactly what does Northern Renaissance Art cover? Is it an age that can be separated, marked out and surveyed by political or religious activities? And by northern what is meant? Is Switzerland the home of northern art? Can it be made in Italy? And what makes it significant and different from the universally recognized world of Italian Renaissance Art, where the term 'art' is always capitalized?
Well, the truth lies pretty much with all of the above. As Snyder shows, several distinct cultures fall into this very large historical category. If you're buying this book as a student for a class, I can only hope you have more than one semester to give to the material. Northern Renaissance Art covers an enormous time period and many countries. It approaches in diversity the far better known works and ideas of the Italian Renaissance. No one seriously discusses the Italian Renaissance in a single semester - the material is taught in a series of classes. The same limitations and requirements should apply to teaching the Northern Renaissance. Art history today no longer focuses on aesthetic questions of style; as a result a student faces a lifetime's study of a period's culture and history.
However, there are some basics. If one word could define what separates the two worlds of the Italian and Northern Renaissance - that word would have to be naturalism. Northern European artists revel in achievements of realism that far surpass the Italians, who, while perfectly capable of such stylistic work, prefer a more intellectually formalized approach. Indeed, Michelangelo dismissed northern artist's attention to nature and care for photographic details as incidental, and excessively ephemeral, when contrasted to his Italian art which used images for projecting deeper spiritual values. The public, however, was delighted with the landscapes, and their non-abstract openness. Many artists from the north specialized in landscape, and it became a manner so associated with them that it was not uncommon for Italian painters to hire Northern artists to fill in the 'less important' landscape backgrounds of their larger canvases.
The Italian Renaissance differed also in that it was singularly connected to the revival and reappreciation of ancient 'pagan' works of art. These antiquities provided a challenge, as well as a reawakening, for the artists and thinkers of Italy. In the north artists did not have at hand magnificent works of ancient architecture or sculpture: as a result intellectual challenges were quite different; though initially tied to the Italian thinking, the northern artists more and more shifted focus onto their own immediate world. As the fifteenth century closed they became attuned to newer discoveries from the exploration of new (not ancient)worlds by sea, and the individuals emancipation brought about through the beginnings of Protestant thought. For moderns this means that the Northern Renaissance often appears closer to us and our own post photographic record of the world. The artist's sense of intimacy with nature seems little different than what most of us know as landscape art. Their religious works also convey a striking ease with space less contrived than our eyes find the representation of space in most Italian painting of the same era. All made the more attractive for being so accessible. Some of this difference marks profound religious and philosophical differences - northern art has about it some of the fervor of emancipation - there is here a reflection of the Armana naturalism revolting against the old art of a more dogmatic less individualistic Egypt. Eventually Italian artists would adapt to this new naturalism, especially in the north of Italy in Venice, in the works of Bellini, Giorgione, and Titian.
This book introduces the reader to the early Flemish master painters, such as Van Eyck and Rogier van der Weyden, the later great German artists, such as Durer and Holbein and Grunewald, and the strange inner universe of Bosch. Topping off the age are the works of one of the grandest of all humanists, Pieter Bruegel the elder. And these are just some of the great painters! There remains a wealth of sculpture and architecture, drawing and craft work. Moreover, the Northern Renaissance is also an artistic universe filled with fresh new theories and a milieu profoundly effected by the great religious upheaval of the Reformation.
Snyder gives as good an overview of so much material as one could hope for - his work replete with an enormous number of images, many of which have for nearly half a millenium been accepted as iconic. The text treats the material with a practised consideration, born of many years study. However; the impetus of the book is to direct the reader further afield, and this is indisputably the author's greatest achievement and the point of such a survey work. The real jewels for readers will be enlarging these discoveries by travel and on site awareness, these efforts made more satisfying through study of specific texts directed at the new artists whose work transforms your view of what the Renaissance was.
The Northern Renaissance.......2006-02-26
I am using this book as a text in school and I am quite impressed. I bought this book (hardcover) for half the price of the paper back version sold at my school. The text in interesting, not dry. The images are good reproductions. The only thing that I don't admire about the book is that some of the images are printed in black and white.
The Northern Renaissance.......2006-02-26
I am using this book as a text in school and I am quite impressed. I bought this book (hardcover) for half the price of the paper back version sold at my school. The text in interesting, not dry. The images are good reproductions. The only thing that I don't admire about the book is that some of the images are printed in black and white.
A Truly Superb Book.......2006-02-01
The book truly is superb in both commentary and the reproductions of the paintings accompanying the text. It is stunningly beautiful and truly captures the feeling and depth of the Renaissance in northern Europe.
Average customer rating:
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Image Before My Eyes
Lucjan Dobroszycki
Manufacturer: Schocken
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Binding: Hardcover
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ASIN: 0805236074
Release Date: 1987-08-25 |
Customer Reviews:
Simply a stunning book!!.......2002-01-26
I found Tom Mangelsen's gallery in Jackson a few months ago, and while I was there, I had a chance to see many of his just downright stunning images.
As an aspiring wildlife photographer, I truly appreciate the superb work of Tom Mangelsen. Also, while in his gallery, I had the chance to talk to as well as meet Mr. Mangelsen himself.
This book is just simply stunning. I cannot think of any other description. The many different images of the polar bear in its natural environment has to be seen to be appreciated.
What I like the most about this book over so many other "nature" books is that we get to see the many facets of the polar bears life, from the tender side with a mother and her babies, to the savage nature of these beautiful animals...not just some glossy expose that says nothing.
I would encourage anyone who loves nature photography, whether you are a "couch" photographer/explorer or are planning on a career in wildlife photography.
Heartily recommended!!!!
The best book of the best nature photographer.......2001-02-14
I discovered the work of Thomas Mangelson about ten years ago in Jackson, Wyoming, when I stumbled across a gallery devoted to his work. The most famous image there, the one of two grown polar bears "dancing," is on the cover of this book.
The book encapsulates all the artistry of this outstanding photographer. As difficult as it is to capture wildlife images, it's doubly so when you are photographing white animals against snow! Mangelson spends some four months a year in the Arctic, enlarging his huge repertoire of images. I can't begin to imagine the patience and meticulous attention to detail that is required to gather these pictures, but I'm glad Mangelson can!
I love the fact that this book shows the chronological sequence in the life of a bear family, and also that it doesn't have captions on each page. That allows you to follow the sequence of images undisturbed by human intrusion - you become a part of the life cycle, so to speak. Mangelson's work enables the viewer to see the bears as a complex family unit in addition to their usual portrayal as hardy predators. It cannot fail to move the viewer; this is a book to savor again and again.
I'm a huge fan of just about every image this photographer has ever published, and this book is, to me, the culmination of his work. I recommend it to everyone, bear fan or not!
Essential, wonderful personal story, captivating photos.......2000-05-02
This is an essential book for polar bear and nature photography lovers alike. There are over 250 photos of polar bears, and arctic wildlife captured in the beautiful frozen world they live in.
I found the photography truly captivating. The adorable bears are shown splashing in the water, dancing, taking afternoon naps & wandering through the snow. There is even one of the mother making friends with a sled dog.
I was deeply touched by the many images of the cubs snuggling close to their mother. I found the other wildlife photos featuring many foxes and birds equally impressive. The captions for all the images are in the back of the book.
Along with the pictures, there is a wonderful story of a year in the life of a mother polar bear & her 2 cubs. The author switches pleasingly between factual accounts of the arctic world, folklore, & the personal story of the bear family.
breathtaking, impressive photography of the arctic.......1998-12-30
Mangelsen has created an outstanding work of art that can be appreciated by polar bear lovers and nature lovers alike. The intentional ommission of captions until the end of the book allows the reader to view each photo as a work of art, absorbing the beauty and magic of each piece. It is an essential coffee table book for those intrigued and mystified by the polar bear, and strongly recommended for anyone who enjoys nature photography. A definite bargin in the world of nature photography books.
An absolutely stunning wildlife book.......1998-04-25
Polar Dance is in my opinion the most mind-blowing book on bears I have ever seen. I am an artist who works with faux fur, specializing in the creation of all species of bears. Polar Dance is the most treasured of all my wildlife books. The photographs of the ice bear taken so sensitively evokes my deepest emotions each time I turn the pages. I can almost feel the cold and snow out there on the Arctic. I reach for this book often for inspiration and even comfort. I never cease to be amazed at how beautifully Thomas Mangelsen has portrayed the "Tiger of the North". Certainly he has done justice to perhaps the most magnificent of God's creatures. Polar Dance is more than a book. It is a work of art.
Book Description
Accurate record of actual dress of the Roaring Twenties in over 150 pages of mail-order catalogs, selected and with text by Stella Blum. Over 750 illustrations, captions.
Customer Reviews:
Fashion and Fun.......2006-11-05
This is a great book if you're looking for an overview of fashions from 1909 to 1930, concentrating on clothes available from Sears catalogs of the period. The book includes women's, men's, children's, and infant's clothing. The text is entertaining to read. I was a little disappointed that there were not more examples of fashion in the 20's. Nevertheless, it is an informative and fun book to refer to if you have an interest in period fashion
Roaring twenties revealed........2006-10-11
A great source of information on the cloths worn by ordinary people of this time period.
Pity people don't dress like this anymore.
I use this one.......2006-09-13
This is a very useful source book for every day clothing, particularly things like men's clothes,kid's outfits, maid uniforms, and other things that aren't the high fashion clothing that many books feature. I design theater costumes, and have found this very helpful.
Everyday Fashions of the 20's.......2006-03-15
Great book. I used it to come up with a 20's custume for a party. Loved the book. Great graphics.
The" Bees-Knees"!.......2003-08-27
If you love fashion from the 1920's or just saw "Chicago" and would like more background on it,this is a worthwhile book to flip through. Some the pics are not the best quality and childrens clothes are only on one page. However, You really do,get an idea of what the average person wore back then,which may surprise some readers.All in all, A decent book for fashion history buffs.
Average customer rating:
- Laconic, unsettling, brilliantly stylized.
- If I Lived in Tulsa, I'd sue...
- Heartbreaking and pathetic,
- Tulsa by Larry Clark
- the Larry Clark Coloring Book....
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Tulsa
Larry Clark
Manufacturer: Grove Press
ProductGroup: Book
Binding: Paperback
Clark, Larry
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ASIN: 0802137482 |
Book Description
When it first appeared in 1971, Larry Clark's groundbreaking book Tulsa sparked immediate controversy across the nation. Its graphic depictions of sex, violence, and drug abuse in the youth culture of Oklahoma were acclaimed by critics for stripping bare the myth that Middle America had been immune to the social convulsions that rocked America in the 1960s. The raw, haunting images taken in 1963, 1968, and 1971 document a youth culture progressively overwhelmed by self-destruction -- and are as moving and disturbing today as when they first appeared. Originally published in a limited paperback version and republished in 1983 as a limited hardcover edition commissioned by the author, rare-book dealers sell copies of this book for more than a thousand dollars. Now in both hardcover and paperback editions from Grove Press, this seminal work of photographic art and social history is once again available to the general public.
Customer Reviews:
Laconic, unsettling, brilliantly stylized........2007-08-13
"Tulsa" was Larry Clark's first book of photography. It made him famous instantly. The stark black-and-white visual style proved to be highly influential, and has been cited as an inspiration by such directors as Martin Scorcese, Francis Ford Coppola, and Gus Van Sant. But perhaps more importantly, "Tulsa" was perceived as an uncommonly honest work, because Clark actually lived the life that he depicted. He was accepted by the world of marginals and drug addicts, he knew all of the characters in the book personally. And furthermore, "Tulsa" clearly shows the consequences of the marginal lifestyle, such as accidental gunshot wounds and dead babies. All this gave Clark a lot of credibility.
The book is honest, in the sense that all the photographs truthfully depict what occurred, and Clark probably didn't need to set any of them up. But nonetheless, it is very highly and deliberately stylized. In fact, most of the dramatic effect comes from the stylization, and not the immediate content of the photographs.
Let's examine how Clark does this. Consider the opening paragraph:
"i was born in tulsa oklahoma in 1943. when i was sixteen i started shooting amphetamine. i shot with my friends everyday for three years and then left town but i've gone back through the years. once the needle goes in it never comes out. L.C."
The paragraph is brilliant in its dramatic conciseness. It provides all of the context one needs to understand the photographs. At the same time, it reveals almost nothing about Clark. But this very lack of information already creates a certain sense of mystery and tension. The last sentence evokes an air of inevitable tragedy, and Clark's self-effacing use of initials seems to downplay his personal role and suggest that the tragedy may be universal, not limited to specific names.
The only other text in the book consists of a handful of captions. Almost all of the photographs are untitled, so Clark's choice of words for the captions is painstakingly deliberate. One of the few titled photographs is the one on the cover of the book. The caption reads, "dead 1970". The opposite page is blank except for the one line, "death is more perfect than life".
If there is a more perfect evocation of gloomy youthful romanticism, I'd like to see it. Probably Billy Mann assumed that pose by himself, and Clark was merely there to photograph it. But in this book and with this caption, Mann becomes a kind of tragic hero. There is nothing natural about his pose. It obviously glamorizes him, along with the self-destructive quote on the opposite page. But the caption's merciless conciseness makes Mann's death seem inevitable, and it also suggests vulnerability and naivete on his part, as if he didn't know that his guns and posturing wouldn't be able to save him.
In fact, the best way to read "Tulsa" is not as a Naturalistic document, a social commentary, or an indictment of society, but as a classical tragedy. The opening makes it obvious that something terrible will happen, but the photographs purposefully start early, with the tragedy a long way away. The first two photographs show the two principal characters, David Roper and Billy Mann, whose names are given in the captions. Clark makes them look touchingly young. Roper is squatting down with his chin on his arm and looking directly at the camera. He looks serious and lost in thought. Mann has a worried look on his face. In different ways, they look earnest and vulnerable.
Another picture shows Roper hunting in the woods, looking up into a tree with what looks like boyish delight. The first scenes of drug use take place in a well-lit dining room with a white tablecloth and a picture of Jesus. The point is obvious -- Clark is trying to create a sense of innocence that will be lost by the end of the book. He doesn't show how the characters were introduced to drugs or how they obtain them. In some sense, drugs aren't really the cause of the characters' downfall. Like in classical tragedy, it's more like fate.
The rest of the book achieves its power through contrast with these early scenes. Towards the end, Roper is portrayed as a big, shaggy junkie with a cynical grin. If this part is shocking, it's because one can't help but compare this image with the thoughtful boy on the first page. The settings also get progressively seedier, with much heavier use of darkness and shadow, underscoring the book's sense of inexorability.
Then, of course, there's a picture showing a pregnant woman shooting speed, shortly followed by a picture of a dead baby in a coffin. These events are like a sign that redemption has become impossible. But the characters don't seem to really want it, anyway.
And, in the very end, there's a photograph of three naked teenagers preparing to shoot speed. They're much younger than the other characters in this part of the book, so there's a hint of that innocence shown in the very beginning. But the implication is that the same conclusion is equally inevitable, and in fact will arrive much faster this time around. And yet the photograph is undeniably sensual, creating a feeling of subtle regret.
Clark's later work doesn't read in the same way. His second book "Teenage Lust," for example, reprises many of the scenes from "Tulsa," but contains much more text and information, and ends with a very long stream-of-consciousness autobiographical narrative. In some sense this decreases the power of the images. "Teenage Lust" is still worth seeking out (as of this writing, it has not yet been reprinted in an affordable edition), but "Tulsa" has a fatalistic mystique that stands apart from anything else Clark has ever made.
If I Lived in Tulsa, I'd sue..........2007-03-20
If being on the cutting edge of the art world means imortalizing crack-house addicts and other voidoids from the baseboards of society then Larry Clark should be hailed as "King of the Scum". I can hardly wait to see how the next generation will imortalize him.
Heartbreaking and pathetic,.......2005-08-27
Wasted lives and forgotten deaths. And a sense of voyeur's shame.
Tulsa by Larry Clark.......2005-08-04
After seeing the recent Larry Clark collection at the International Center of Photography in New York, I decided I needed this collection.
I had never experienced this side of Tulsa (the city) before. I make frequent trips there for daily outings (it's only 2 hours away), but I've never experienced the harsh reality of the meth addict lifestyle that was portrayed in this book. Of course, that was 40 years ago, times change, and the drug is more commonplace in this area now.
What I've always liked about Larry Clark's work is that it doesn't set out to glorify situations such as those portrayed in "Tulsa". It's more about cause and effect. The reality that your actions bring about some other action. Playing with guns can lead to accidental gunshot wounds. Pregnant? Shooting up may kill the baby.
The photographs here are grim, disturbing, yet beautiful. Something which isn't the subject of much glamourized photography.
I just wish his other books were re-released.
the Larry Clark Coloring Book...........2005-08-02
The collection of photographs in Larry Clark's Tulsa are undisputably one of the most important and compelling photo essays executed. The book itself, the soft cover version, was a disappointment when received. It felt more like a coloring book. Pay the extra money and buy this in hard cover.
Average customer rating:
- Very well done...
- We know these places
- Playing all the angles
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Paris Then and Now (Then & Now)
Peter Caine , and
Oriel Caine
Manufacturer: Thunder Bay Press
ProductGroup: Book
Binding: Hardcover
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ASIN: 1592231365 |
Book Description
Celebrating beloved cities from around the world, this book on the City of Lights offers a unique combination of historic interest and contemporary beauty. Then and Now Paris features over 100 fascinating archival photographs contrasted with specially commissioned, full-color images of the same scene today. Each work is a visual lesson in the historic changes of this amazingly beautiful and wonderful urban landscape.
Customer Reviews:
Very well done..........2007-05-18
Beautifully explained and portrayal of one of the world's finest city.
I really enjoyed learning more about places I had visited while in Paris.
We know these places.......2006-04-18
Anyone who has come to know and love central Paris--the 'theme park' areas that capture its historical essence--will find this book charmingly evocative. In the sense of being able to revisit those places, many of them typical tourist attractions, the book is satisfying. The problem of not duplicating the precise angle and POV of the original 'then' photographs, raised by another reviewer, is relatively trivial and technical. The 'now' shots capture their subjects well. No photographer will 'see' a scene, place or person the same way and from an aesthetic standpoint the 'now' photos are satisfying and professionally executed, and book production is first rate.
If one had to carp, and that's what a review is for in part, one might wonder why the authors did not take the opportunity to broaden their canvases slightly to include 'then' paintings--such as the paintings executed from the balloon's-eye view conceived during the 1871 siege of the city (able to be seen today at the brilliant Le Bourget Musee de L'Air et de L'Espace) vs. 'now' photographs, for example to illustrate the notable Peripherique, and to compare previously fallow pieces of the city 'then' vs. their current situations, such as, for example, the stunning La Defense structures.
All in all, however, for what it is, the book is pleasing and will bring back many happy memories to Francophiles. Of course there are innumerable books of photos covering Paris, and naturally there are favorite places not covered in this book or not handled the way the individual reader might like, but on the whole this is a workmanlike job that captures its subject competently.
(Apologies to readers who will note, correctly, the absence of appropriate French accents in this review--not offered by Amazon's word processing system.)
Playing all the angles.......2006-03-06
Paris is, I think, the second most beautiful city in the world (full disclosure: I live in Rome, which is tops in my book) and so I was eager to take a look at this book when I saw it at a friends' house.
I was already familiar with the Then and Now series after receiving the Rome edition of the book for Christmas, and after seeing this book I can only conclude that what I had chalked up as weaknesses in the Rome book may just be faults in the series.
The central idea for the book is charmingly simple: the left-hand pages feature old photos of some of Paris' best-known spots, and the right-hand side of each page is made up of modern shots of the same sites.
The biggest problem is hard not to notice: the angles of the photos on the right are very often not taken from the same angle as the older images. I found this to be so puzzling as to be irritating. I think it shows a lack of planning on the part of the book's editors, and it also robs the reader of being able to make a complete comparison between the way things were and the way they are -- a process that is the book's very raison d'être.
I admit my patience for such sloppiness had already been tried with the Rome book, but the sins seem even greater here.
I also rue the absence of a table of contents listing the photographs in order, another weakness that now appears to be a characteristic of the series.
I'm not sure how likely these issues are to be solved in future editions, since by my count nearly 30 photos would have to be re-shot in order to solve the largest problems. But if the editors would like to release a book that reaches this volume's potential, they'd better get snapping.
Amazon.com
Although readers may quibble over how "legendary" a few of these subjects are or the greatness of some of their literary portrayers, this glossy tome deserves readers' attention. Brief, punchy text is paired with arresting black-and-white photos of a melange of remarkable women, such as Frida Kahlo, Aung San Suu Kyi, Rachel Carson, Margaret Thatcher, Golda Meir, Marilyn Monroe, and Josephine Baker. The result is an unholy, but thoroughly enjoyable, jostling throng where sex symbols rub elbows with world leaders and artists spill drinks on reformers.
Alma Guillermoprieto emblazons the later years of mercurial modern dance pioneer Martha Graham's life. Once a dance student at Graham's vaunted studio, she remembers that "as Martha wove through our ranks she would snarl, and pinch and slap us, evidently enraged by our sloppy posture, our dishevelment, our general lack of presence." Camille Paglia talks of what Amelia Earhart meant to her as an American teenager in the early 1960s, railing against restrictive sex roles while "marooned in a desert of perky blondes." Cynthia Ozick takes aim at Gertrude Stein, Joan Didion at Georgia O'Keefe, and Diane Ackerman at Beryl Markham. Margeretta Mitchell recalls photographer Imogen Cunningham striding San Francisco in her beaded cap and white bangs, proclaiming by her acts "that it was possible to grow old working; to maintain interest in life; to be wholly oneself." Far from being fluff, many of these excerpts from longer writings are as provocative and engaging as the legends they embellish. --Francesca Coltrera
Book Description
Rendered by women artists and writers, these portraits illuminate the most influential women of our time. Liv Ullman marvels at Anne Frank’s faith in the face of atrocity. Claudia Roth Pierpont explores how Virginia Woolf’s atypical persona informed literature for the next hundred years. Camille Paglia champions Amelia Earhart as a pioneer who invaded the male world. The book also celebrates the fire of Angela Davis, the courage of Aung San Suu Kyi, the brains of Eleanor Roosevelt, and the brio of Ella Fitzgerald. The essays are accompanied by striking duotone photographs by such photographers as Alfred Stieglitz, Man Ray, and Cecil Beaton. Pairings include Joan Didion on Georgia O’Keeffe, Terry Tempest Williams on Rachel Carson, and Gloria Steinem on Marilyn Monroe.
Customer Reviews:
A Work of Art.......2007-02-19
I initially borrowed this from the library, I picked it up because I loved the photo of Audrey. Every page is a little feast of information and every photo a work of 'Art'. I need say no more.
www.valderbeebeshow.com.......2006-03-05
After reading Legends 2 : Women Who Changed the World through the Eyes of Great Women Writers by John Miller, Kirsten Miller (September 2004) my curiosity to know more about `the women who are considered legendary' in our times, lead me to the original Legends by John Miller.
As my life is always inspired by those who `live their purpose' I was not disappointed by John Miller's daring assemblage of writers to optimize in words, their thoughts of contemporary iconic women from Golda Meir, Bette Davis, Josephine Baker, Zora Neale Hurston, Helen Keller, to the power of Georgia O'Keeffe, the bravery of Amelia Earhart, the beauty and wit of Lucille Ball, to the omni-presence of Oprah Winfrey.
As I tackle my days of mountains and mountains of to do's, during my mandated 3:00 mediation time, I read a page for renewal and inspiration to tackle the next contract, the next segment of my radio show or write the next review. Each well written snapshot of each of these heroic women is pure energetic inspiration. Reading the shards of Ella Fitzgerald life, reminds me of how far our world has come and how GOD has kept watch over "women" who are the perpetual of the world (not the destroyers as our gender counter part seem). The passions of Martha Stewart no matter what is said, you can not tarnished her business greatness for turning the mundane into an empire, (no matter what you think today).
As I continue to read, I want my daughter to now know these books, Legends. I want her to know and revere the women who faced odds and simply saw obstacles as `what you face in life.' Babe Didrikson Zaharias, an Olympic Athlete, faced it all; controversy, cancer and unbelievable discrimination to live her purpose. Anne Frank, has shown us that our greatness will rise, no matter what the circumstances. Marion Anderson exhibited that greatness will fulfill its purpose, no matter where; before a segregated audience or from the Lincoln Memorial.
Women. We make the world revolve, we create new life, and we are the reason for the term `a glass ceiling' being incorporating into modern language. John Miller reminds us `women-you have to live with us because you can not advance without us.'
Worth a look for the pictures alone........2002-10-24
Rather ironic, really, that the editor of this fine book is a man ~ unless "John Miller" is the nom de guerre of some radical female. Still, editing the book can't have been very hard; Miller had some excellent writers to work with. The selection of the legends is somewhat more questionable. Of the fifty, less then twenty are neither from nor intimately associated with the United States; in the effort to remind people of the ability of the other gender to produce legends, the publishers have largely neglected the largest portion of that gender. And as if that restriction is not enough, the editor has not included anyone for whom a photograph is not available, thus denying any woman from the first 95% of history the opportunity to be a legend. Funnily enough, these censures aside, i really enjoyed this book. Quite unlike the usual "feminist book" (i hate the quotes, but you have to admit they belong there), this is neither strident not shrill, nor even obnoxious. It is beautifully written, nicely put together, with superb selection of wonderful photographs of handsome people. Can't ask for much more than that, eh?
Reveals these women's many contributions to modern society.......2002-01-09
Legends aptly pairs essays with black and white photos to examine the lives of women who have changed the world - as presented by great women writers such as Meg Cohen, Anne Hollander, Patricia McLaughlan and others. Enjoy an inviting collection of contemporary biographical sketches which reveals these women's many contributions to modern society.
Great Book with great portraits!.......2001-08-25
I got this for my mum once and it is so good.A different author writes about each of the different famous women in the book in only praising tones and it is really great to look through.Each page is a seperate female,author,article and photograph. Some of the sheilas written about are:Marilyn,Audrey Hepburn(as the cover shows you),Twiggy,Anne Frank and lets not forget Mother Theresa.Or Princess Diana.Madonna does not make it into this book,thank the lord,and thankfully neither do big modern-day stars such as Britney Spaniels..I mean Spears.All-in-all as they say!,a very good book!
Average customer rating:
- An excellent book from an excellent series
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Berlin Then and Now (Then & Now Thunder Bay)
Nick Gay
Manufacturer: Thunder Bay Press
ProductGroup: Book
Binding: Hardcover
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Similar Items:
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The Ghosts of Berlin: Confronting German History in the Urban Landscape
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London Then and Now (Then & Now)
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Berlin: Portrait of a City
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Berlin: Masterpieces of Architecture
ASIN: 1592234089 |
Book Description
Hitler’s ascendancy and defeat transformed a stable, confident Berlin into a ruined city, fractured by post-WWII political divisions. Only with the 1989 destruction of the Wall and the subsequent Unification Treaty did Berlin begin to regain its cosmopolitan standing as one of the world’s great cities. With highlights that include then and now images of the Reichstag, the Brandenburg Gate, the Berlin Wall, and Checkpoint Charlie, one can experience the tumultuous events of the city’s modern history through archival and contemporary photography. This historical look at Berlin's ever-changing fortunes is a must-have for WWII history buffs, and offers a rare glimpse into the city's fascinating metamorphosis.
Customer Reviews:
An excellent book from an excellent series.......2007-08-31
This book is a good size, and photos are given full priority on each page. It's kept nice and simple with old on the left, new on the right, and with just as much informed commentary as you'd need running along beneath.
Only a few of the 'then' pics are from the 50s and 60s; the majority show the Berlin streets as they were before the devastation of the Second World War, and as such are as fascinating as looking at pictures of ancient Rome.
An excellent book from an excellent series.
Average customer rating:
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The Photomontages of Hannah Höch
Peter Boswell ,
Maria Makela ,
Carolyn Lanchner , and
Hannah Hoch
Manufacturer: Walker Art Center
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Binding: Hardcover
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Hannah Höch: Album
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Women in Dada: Essays on Sex, Gender, and Identity
ASIN: 0935640525 |
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