Average customer rating:
- iMovie 6 & iDVD: The missing Manual
- Great Step by Step Guide
- This book saved my life... in a roundabout way
- One of the best "how to" manuals I've bought
- Quite simply-THE BEST
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iMovie 6 & iDVD: The Missing Manual
David Pogue
Manufacturer: O'Reilly Media, Inc.
ProductGroup: Book
Binding: Paperback
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ASIN: 0596527268 |
Book Description
While the last version of iMovie gave moviemakers the ability to capture and edit widescreen High Definition Video (HDV) from the new generation of camcorders, iMovie 6 is all about the ease of moviemaking itself. iMovie 6 includes five professionally designed themes with backgrounds, motion graphics, titles, and effects that act as building blocks for your projects. You can preview transitions and stunning new video effects--such as time-lapse video--in real time using the full screen. Or edit audio and add sound effects with a new built-in sound studio. For presenting your movie, Magic iDVD offers easy-to-use themes, including new widescreen options.
Whether you're a professional or an amateur moviemaker, this is amazing stuff. But if you want to learn the full capabilities of these applications, Apple documentation won't make the cut. Instead, iMovie 6 & iDVD: The Missing Manual is the ideal third-party authority that covers all of these changes through an objective lens. This witty and entertaining guide from celebrated author David Pogue details every step of iMovie 6 and iDVD production. The book shows you how to:
- Work on multiple iMovie projects at once and drag & drop clips among them
- Output your creation to a blog, its own web page, or as a video podcast with iWeb
- Use "Magic iMovie" to import your video and make a movie for you
- Integrate with other iLife programs to use songs, photos, and an original soundtrack
- And a whole lot more
From choosing and using a digital camcorder to burning the finished work onto DVDs, posting it online, or downloading it to an iPod, iMovie 6 & iDVD: The Missing Manual zooms right in on the details in a clear, concise, and understandable manner. The book also provides a firm grounding in basic film technique so that the quality of your video won't rely entirely on magic.
Customer Reviews:
iMovie 6 & iDVD: The missing Manual.......2007-10-03
Having Missing Manuals 3 to 5 It is again most difficult to find what's new in Apples Version 6 amongst all the older information contained in the previously published "Manuals". If one was purchasing it for the first time it does a reasonable job.
Great Step by Step Guide.......2007-06-27
This book is a thoroughly attentive-to-detail manual that is true to it's name/concept: The manual that *should* have come in the box! It clearly walks you through every step, big and small as well as including sections on how to improve your filming, editing, and a concise Quicktime how-to.
I recommend reading the entire book before starting an iMovie/iDVD project but if you just can't wait (I couldn't-- I read as I went), I recommend reading Appendix B (pg. 461) which is "Troubleshooting" early on . It includes *many* crucial tips from being sure to format your external HD to Mac OS Extended (if saving on an ext. HD) to switching the factory-setting 12-bit audio on your digital video camera to 16-bit to common 'glitches' while importing, working with or exporting footage.
The other great benefit of this book is it explains the various little 'tricks' for more complicated tasks or for things that are hinky and need a little fiddling to work. One ex.: You use the new iMovie 6 themes w/in iMovie (Pass Through, especially, is slick/professional-looking!) and are trying to use a *trimmed* clip w/in the theme. iMovie doesn't understand starting it where you trimmed because it keeps the trimmed portion of the clip hidden but still there so the undesirable portion of your clip is shown in the intro theme instead. This book explains in detail how to save it to Quicktime and re-import the new *permanently* trimmed clip to use w/ no problems in your themed intro!
This book also spells out the key differences in iMovie 6 vs. previous versions. I HIGHLY recommend this book if you are looking to edit home movie footage (or other) using iMovie (& iDVD) and don't have your own personal Mac Genius in your household. :-)
This book saved my life... in a roundabout way.......2007-05-14
I recently purchased a Mac and edited my first film - a short documentary - on iMovie.
I had never used iMovie before and a good friend recommended this book and I couldn't have been more pleased. I haven't encountered a problem yet that this book hasn't addressed.
Well-written, simple and practical.
A great resource. Worth your time and money.
One of the best "how to" manuals I've bought.......2007-04-19
I have to admit that I was skeptical when I saw that this was a textbook for an introductory filmmaking class but it's an awesome book. It strikes just the right tone and is basically a short course in filming, editing and distributing (dvd, web, email) movies. Well done.
Quite simply-THE BEST.......2007-04-03
Simple and darn articulate. Im not a tech person in any sense of the way, Mr Pogue has outdone himself. He indeed has made understanding imovie very simple. Highly recommended if you are just starting out or if you wish to brush up on the latest version of Imovie
Book Description
From the producers of the acclaimed Dressing a Galaxy: The Costumes of Star Wars comes an inside look at the secrets behind the saga’s artful models and sculptures. Lorne Peterson, model and sculpture designer for the entire Star Wars saga, takes us on a journey through the intricate process of crafting and sculpting the models from sketch to screen and the artistry behind the dazzling results.
Sculpting a Galaxy: Inside the Star Wars Model Shop features more than 300 full-color photographs and illustrations from the Lucasfilm archives, models from all six films, interviews, images and text with concept sculptors, an overview of the ILM model shop from 1976 through today and numerous gatefolds of the most loved models.
ILM virtually redefined visual effects and blazed a trail into the digital realm, follow behind the camera and into the rarely seen workshops and an amazing look at the creation of movie magic. Sculpting a Galaxy: Inside the Star Wars Modelshop takes readers behind-the-scenes for the first in-depth look at these amazing models and the process behind their creation, punctuated by Lorne Peterson’s exuberance and dedication to craft.
This unique visual treat is a must-have for any Star Wars fan.
Customer Reviews:
Giant coffee table book...mostly a retread.......2007-08-02
For those who have purchased the series of "Art of Star Wars" books, as well as "Star Wars: Sketchbooks" et cetera, this tome is impressive but not novel. Many photos from those earlier books are reused here. The problem is that they have been blown up for this larger format. Consequently, the blown-up recycled photos are slightly blurry. There are some wonderful photos of star destroyer details that have not been seen before...but is that enough to merit this huge new book? That decision is up to you, but I expected heretofore unseen, crisply focused photographs.
Great Content, Defective Copy.......2007-08-01
The actual content of the book is top notch, with many great shots model shots. I also enjoy the accompanying stories, from behind the scenes. The problem is, the binding was already coming apart when I received it. A beautiful book, marred by a crappy binding.
I received a copy of this book as a present, that was purchased on Amazon.
Un livre indispensable à tout fan de Star Wars.......2007-07-19
Le département Maquettes d'ILM est devenu Kerner-Optical, mais le savoir faire n'a pas été dispersé grace à Lorne Peterson.
Ce livre montre en détail toute cette expérience acquise depuis plus de 30 ans, ce livre donne des astuces pour tout maquettiste en herbe.
Un très bon ouvrage.
Bonne lecture
star wars fan.......2007-07-05
If you are a either a fan of star wars or a model builder this is the book for you. It is full for close up pictures not only of the ships but also creatures and settings.
Another great Star Wars book for the 30th anniversary.......2007-05-30
Lorne Peterson's book is another great Star Wars book being released to coincide with the movie's 30th anniversary. I've always been interested in the making of all six movies, and this book doesn't disappoint in letting us know how the model shop he headed at ILM accomplished the movie magic they have been doing for three decades. My only critique is that there could have been more photographs and the binding leaves something to be desired with some photos being severely "split". I was wondering if the book would start falling apart after a while... But overall, a book any Star Wars fan should have. I'm looking to forward to Steve Sansweet's new book due out in October.
Book Description
This book describes the major aesthetic image elementslight and color, space, time-motion, and soundand how they are used in television and film. Zettls comprehensive coverage of aesthetic theory and his inclusion of effective visuals and examples place this text in a class by itself.
Customer Reviews:
5 stars.......2005-10-10
The book is totally new and under very good condition, and the dilievery time is much earlier than i expected.
Best in field.......2004-12-28
This text thoroughly explains the intricacies of applied media asthetics in a concise and completely accessible way. It is a well organizied text that ehances its presentation through the use of many illustrations. I believe that this is the best text on the subject and that it has been since its first edtion.
motion graphics professor.......2002-06-04
"Sight, Sound, Motion: Applied Media Aesthetics explains the WHY of film and video production. If you're looking for HOW then turn to another book."
I would disagree with the above review. Only by learning WHY first, can we learn HOW later. This book is more than a cookie cutter approach to film and video. If you want to "click and drag" your way through an editing program, then true, this book is not for you. Add this to your collection if you want a book that teaches how to see and create film. Sight, Sound, Motion: Applied Media Aesthetics has staying power.
Fundamental book on the theory of the moving image.......2001-05-20
This was the assigned textbook for my digital video 2 class, and it is simply wonderful. Zettl is a very knowledgable man on the subject of creating images for film, video, and even new media. (Zettl's text Video Basics 3 was used in my digital video 1 class as well) This book lays a solid foundation for the theory behind how and why the viewer perceives the moving image, and how the filmmaker and video producer can create more pleasing and coherent productions.
While the biggest complaint I've heard about this book is it's over-reliance on theory, it still does a good job of contextualizing theory into practical application. Thus the title of the book: APPLIED Media Aesthetics. Although I haven't read any of Eisentien's theories behind filmmaking, I suspect that Zettl's treatment would compete rather well, and is probably more accessible for a modern reader.
This book covers all the bases from color and light, time and space and structuring audio to image. Zettl succintcly deconstructs the intelligent mind behind the images and sound of our cultures film and television productions.
Sight, Sound, Motion: Applied Media Aesthetics explains the WHY of film and video production. If you're looking for HOW then turn to another book.
The Filmmaker's Bible of Aesthetics or What Works and Why.......2000-11-04
This is probably the most important textbook a film production student can have on his/her shelf. NOT for how to work with actors or how to light a scene, but for understanding the underlying reasons of why things work due to our learned aesthetics and Western sensibilities.
Professor Herbert Zettl has written the most concise manual on why we has film viewers percieve things the way we do. He explains in detail (and layman's terms) how our aesthetics have been formed to interpret the dynamic medium of film and television.
How editing of action from shot to shot creates the illusion of continuous motion. How stagelines work so not to give the effect that your actor is jumping around from one side of the scene to the other. How to crop your shot BETWEEN the bodies natural cut-off points (i.e. neck, elbow, waist) to prevent the actor from looking like a disembodied head or torso.
This book is cover-to-cover insights into what we as viewers take for granted when we watch a good filmmaker's work, but may not consider when faced with the daunting task of mounting a film production and the on-set "reality" problems that dominate the filmmaker's mind when shooting a film.
I first read this book when I was in film school twenty years ago. Since then I have directed many professional film productions and I still review it before starting a new one to refresh myself.
Just as Syd Field's book "Screenplay" is the bible for screenwriting, "Sight Sound Motion" is the bible on understanding what works in film/video and why.
Book Description
A fascinating memoir featuring never-before-told stories from Beatles recording engineer Geoff Emerick—the industry legend who made music history by crafting the groundbreaking sound of the group's most famous records, including Revolver, Sgt. Pepper, and Abbey Road
Geoff Emerick was only fifteen years old when he began working with the Beatles as assistant engineer for their early classics “I Want to Hold Your Hand” and “She Loves You.” Incredibly, at the age of nineteen, he was promoted to full engineer, taking the helm for the group's groundbreaking album Revolver. Ten months later, he joined forces with the Beatles for the recording of Sgt. Pepper's Lonely Hearts Club Band, hailed by Rolling Stone as the greatest album ever made. In their constant quest for experimentation and new sounds—and despite the technical limitations of the pre-digital age—Emerick developed a slew of innovative recording techniques, many of which are still in use today.
In Here, There and Everywhere, Emerick tells his story for the first time, taking the reader through the hallowed (though somewhat dingy) corridors of Abbey Road Studios to give rare insights into the Beatles' unique creative processes and personalities and provide a behind-the- scenes look at how the greatest band of all time made their greatest records. As Emerick describes the Beatles' transformation from wide-eyed Liverpool teenagers into tour-savvy professionals, he provides a startling picture of the Fab Four. Fascinating and moving, Here, There and Everywhere illuminates the creative tensions within the band that fueled their early success, but would ultimately lead them to record in separate studios while the partnership was disintegrating.
“We all owe some debt to Geoff Emerick's self-effacing work as an engineer and producer . . . there is very little that any group of scruffy musicians can throw at him that he cannot put into some kind of good sonic order. I feel fortunate to have worked with him.”
—Elvis Costello
Customer Reviews:
He should know; he was there.......2007-09-28
Few accounts of history are more accurate than the first-hand kind, and that is what we have with Mr. Emerick's outstanding book. To his credit, this thoroughly British gentleman focuses on what he actually saw versus what is commonly known about the Beatles. His tone is respectful, but he does not shy away from saying what he thinks based on what he saw and how he was treated. Mr. Emerick went on to engineer and produce some great acts, which I hope are the subjects of a future book. And consider this: When I was 19, I was just learning to tie my shoes. He was engineering the "Revolver" album!
Class Act.......2007-09-17
I couldn't put this book down....what a fascinating first hand account of one of the most infuential musical experiences in modern history. I think you will find it particularly interesting if you write and record music, as Geoff's recollections are incredibly detailed and specific. It's truly unbelievable that he could remember so much of what happened in such picture perfect detail, and it is a lasting testament to critical and often unsung heroics of the worlds best audio engineers. Howard Massey did an excellent job helping Geoff make this material completely accessible to the lay person and fan as well. When I proposed to my wife in 2002 I wrote a symphonic piece and surprised her at Capitol Records in Studio A, where we recorded it live (I proposed afterwards). While they were mixing the music we took a tour of Capitol Records, and when we returned there was a gentleman in the studio playing the most beautiful music on the grand piano. We listened for awhile, then entered to studio and spoke with him for almost half an hour. What a lovely man, and what great music. That was Geoff Emerick. Perhaps someday we will hear you on the other side of the glass young man:)
Thanks so much for sharing your amazing life with us Geoff. As I sit at my grand piano in Maui I can't thank you enough for the inspiration. Warmest aloha from Maui, Tim & Michele Heile
Here, There and Everywhere.......2007-09-03
Geoff Emerick was there for the creation of the Beatle sound. It is well written with enjoyable person information.
Interesting book.......2007-09-01
I picked up this book to find out why the Beatles are so good, and I found all the answers I was looking for. This book gave terrific insight to all four beatles and the camp that surrounded them, though my patience did wear thin towards the end- Emerick favors Paul, tends to repeat himself a little bit, and shows a little disdain towards Lennon and George Martin. That being said, I really thoroughly loved the book as a music student and an audio engineering student, but any fan of music should read this to get a glimpse of the thrilling world that creates the music we all love. I love understanding the context to the music I listen to, and if you do too you'll really enjoy this book.
I'll read this one again, soon!.......2007-08-29
My favorite Beatles related book to date. Geoff Emerick and Howard Massey captured a straight forward account of The Beatles in the studio from beginning to end. Added bonus includes Paul's sojourn in Lagos recording Band on the Run. The interesting happenings their, were not in the studio.
Amazon.com
Producing Great Sound for Digital Video educates beginning and experienced filmmakers on the intricacies of creating an outstanding soundtrack, from preproduction planning through the final mix.
The entire book is fascinating: it's absolutely packed with useful information and tips. Most of us remember learning in high school physics that sound travels about 1,100 feet per second, but besides gauging the location of a lightning bolt from how long it takes for the thunder to reach our ears, we never found it useful. Imagine, however, shooting a scene from about 90 feet away with a camera-mounted microphone. In this scenario, the audio will lag behind the image by about three frames--not much, but it's certainly noticeable. The problem gets worse as the distance increases. The workaround is to put a microphone next to the subject or slide the audio track so that it syncs with the images.
The book presents other solutions to showstopping problems that, because of lack of experience, a filmmaker wouldn't realize until getting to the editing room. Other critical issues such as preproduction planning, the art of production and recording (including environmental factors and microphone setups), and post-production editing and effects are also discussed.
The advent of low-cost, high-quality video production equipment has ushered in the birth of AV producers and AV presenters who have grand intentions but negligible experience. Digital cameras, inexpensive computers capable of capturing and playing back high-quality digital video, and full-featured editing software offer all kinds of ways to create visual eye candy, but embryonic filmmakers don't always realize that the picture is only half the story. Producing Great Sound for Digital Video explains how the other half works, what to watch out for, and how to achieve professional results. --Mike Caputo
Book Description
Producing Great Sound for Digital Video is a complete audio training guide as well as a quick problem-solving resource for the working pro. The author explains hundreds of real-world techniques to use from preproduction through the final mix. Readers get how-tos, tips, and time-savers, plus tutorials on key skills such as dialogue and music editing. This edition features deeper coverage of location techniques, including choosing the right mic, in-camera sound recording, getting sound into the camera cleanly, calibrating the camera to location sound equipment, working with mic booms, using separate recorders, and digital wireless. It also includes updates on working techniques, including new software categories for postproduction and new interchange standards.
Producing Great Sound for Digital Video is packed with hundreds of real-world techniques that range from pre-production through the final mix--including tutorials, tips, and tricks to make great tracks with any computer or software.
Customer Reviews:
Great Book.......2007-01-19
for anyone that wants to have a professional approach to digital video this is a good book.
If you only buy one book on sound.. This is it.......2006-09-09
Where do I start? In a nutshell, this book *IS* the only book to have on sound if your only buying one. No lie. My background... 20 years ago I used to be the "The Amp Dr" fixing commercial PA systems, amps, etc. I have a much better background on sound than most, I was an electrical engineer after that, designing power supplies, and other analog interfaces to digital equipment. Most of that has been dormant for the last 20 years, but I recently decided to make documentaries, and as two of my first projects deal with music, sound seemed pretty important. I got several books on sound, I figure buy six, one has to be good. You can save your money, this book was the one in six.
Knowing audio but NOT audio for video, one of the most important things I discovered is that a professional quality product (video) can only be made with good sound.. If you think you $2 -$10K pro-sumer camera is going to deliver it with the standard mic turn on "auto level", you're really wrong. Half of good sound is the absence of sound, or at least the absence of unintended sound. Insuring good sound is more work than it sounds, but the quality and impact of what I am shooting now is significantly better than before. Otherwise, its' all like home videos, maybe pretty shots and cleverly edited, but still seems like home videos. It all becomes much clearer after reading this book.
When I picked up this book, it was a mental orgasm. Not only does this guy know his stuff, even more importantly, he knows how to communicate it. The way it was written, I was easily able to skip over the stuff I didn't want to review, and go straight for the meat. It is meaty. Almost EVERYTHING I wanted to know was here. I did end up going back just to see how he explained the basics.. great! One of the things I liked about his style, is some authors will tell you something is bad or wrong, with no explanation.. Jay give you good examples.. the CD recording with the book is worth it's weight in , he give examples of proper recording and bad recording (with explanations). You can actually hear it as oppose to read an explanation and take it on faith. Borrow money if you have too.. but buy it.
My message to Jay:
If you read this Jay, I have a few requests. (1) Don't let this book go out of date. Please do you SNR and distortion measurements on some of the new HD cameras. Given the bit resolution is now even less with HDV (12 bits (HDV) vs 16 bits (DV)), I think dual systems are even more important to cover in greater detail. (2) Update with some of the new digital recorders that are replacing DATs (3) Thanks for a great book!
A rare 'how to' book that delivers actual content!.......2006-01-05
I've often been taken in by large reference books that promise to be a comprehensive guide to a subject, but turn out to be a lot of filler (screen shots of PC applications, or an excuse for the author to give lots of less-than-useful anectodal stories, etc.)
Not so with Jay Rose's 'Producing Great Sound for Digital Video' book. This informative guide covers a lot of ground, including sound theory, equipment explanations and use, and techniques for sound production including NLE tips, audio mixing, mic use etc. The great thing about this book is it is written with the expectation that your sound production values should be professional, but it's still accessible to hobbyists and those on a budget.
While I think novices to the field of sound engineering (like myself) probably benefit most from this work, I think a lot of the material here is useful to the video production community as a whole. I learned a lot from this, great work.
A Top Resource for Anyone who does Serious DV Recording.......2005-04-23
This book is a top shelf resource. It is useful to both novices and those with more experience. Starting with the very basics, and that does involve some physics, it works its way through virtually all aspects of sound production for digital video.
Do not be fooled. You are not going to learn much to improve the built in recording that comes with your camera. The author is unapologetic in his broad condemantion of the built-in stuff in terms of both quality and usablility. He goes into the reasons and gives a bit of advice on making the most of what you have but this is not what the book is about. Instead, it is about exactly what the title claims. Unfortunately, this is seldom if ever achieved with the built in stuff.
After going over some of the basics of sound and recording, different types of equipment are described in terms of suitability to task and cost. After that, the actual use of this equipment is considered in a variety of situations. The book is not just concerned with equipment and its use, however. There are chapters on editing and even on the use of prefessional talent. In short, the assumption is that you want to get good quality audio for your video production. The author then describes how to do exactly that in a variety of settings. Unfortuately, doing the job sometimes takes a bit more effort than just pushing the record button on the camera. It also take a bit more money although it does not have to take a great deal more. It depends on what type of sound is needed and how you are going to use it.
If all you want is to catch the background sound in a home video, spend your money on something else. If you want to learn how to get the best possible sound for your particular need and preserve that sound to use with video, you need this book.
You will understand sound after this book.......2005-03-02
Audio is really important, and this book will make sure you get incredible sound at every shoot. I really recommend this book!
Book Description
Offers user-friendly knowledge and stimulating exercises to help compose story, develop characters and create emotion through skillful creation of the sound track.
Customer Reviews:
One of my all time favorite books........2007-06-19
"Sound Design" by David Sonnenschein is a very rewarding and fascinating read. Full of knowledge and practical examples as well as exercises to develop the reader's own awareness for sound. It's became one of my all time favorite books.
I highly recommend it to anyone interested in sound... be it for film or radio.... or music...
Great Service.......2007-03-10
It was shipped the same day and delivered a few days later. For those college students that get ripped off at their school bookstore this is a must.
A most excellent read and perfect for classes in sound design.......2007-02-12
David Sonnenschein's book is my "go-to" book for not only the quality of information that he presents but the interesting way that it is told. This book is an excellent read besides being extremely informative. I find that these are the best to assign to my students as many texts are just that: texts - dry and dull. David Sonnenschein presents the information herein in a delightful way and has many excellent tips on the overall shape of sound.
A great book, full of examples and creativity.......2007-01-30
I have to thanks deeply Mr D. Sonnenschein for this incredible book. I enjoyed it so much. This book helped me so much understanding the 'how' of sound effects and ambiences in movies. For sure a good choice and a good book.
I just can give an advice: buy it!!! I am a sound designer in Spainn and I consider this book a must.
Thanks David!
Great book to teach with!.......2006-01-26
I use this book in my Sound Design class at the University of Saint Francis. It is a great foundation upon which you can build confidence in your inexperienced students just by having them read the book! Also it helps make sense out of the confusion of directors dealing with sound and audio crew. This book has made my teaching job a lot easier and the students of my class a lot more saavy in sound design.
This book also would be excellent for anyone interested in the sound of movies and TV. AND it is essential reading for any Director (any GOOD Director, that is) Thanks David Sonnenschein for writing it!
Average customer rating:
- Making complex issues clear
|
Making Media: Foundations of Sound and Image Production
Jan Roberts-Breslin
Manufacturer: Focal Press
ProductGroup: Book
Binding: Paperback
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ASIN: 024080502X |
Book Description
Making Media takes the media production process and deconstructs it into its most basic components. Students will learn the basic concepts of media production: frame, sound, light, time, motion, sequencing, etc., and be able to apply them to any medium they choose. They will also become well grounded in the digital work environment and the tools required to produce media in the digital age. A CD-ROM, compatible with both Macs and PCs, will provide interactive exercises for each chapter, allowing students to explore the process of media production. The text is heavily illustrated and complete with sidebar discussions of pertinent issues.
Focusing on the building blocks that transcend the boundaries between film, television, multimedia, and the Internet, this highly illustrated and interactive text stresses the commonalities of various types of media and prepares the student to succeed within a wide range of disciplines.
*Prepares students to move with ease into any number of media disciplines - film, video, photography, audio, multimedia
*Includes companion CD-ROM with interactive exercises
*Highly illustrated throughout
Customer Reviews:
Making complex issues clear.......2004-12-24
This book has been a real life saver for me on my first semester at graduate school. The other media books I had to read were overwhelming with never ending details and jargon language. Roberts- Breslin's book explains everything plainly from start to finish. She has an uncanny ability to simplify extremely complex matters. Even with no prior knowledge of the technical aspects of media making I now have a solid foundation.
The main terms are bolded, and also listed in the end so you can read the book beginning to end or just look up specific topics. The attached CD is a great addition as it visually illustrates concepts that are difficult to explain verbally, such as the different camera movement (What is the difference between the pan and truck movement?) or the phi phenomenon.
Another great thing about the book is the practical tips it gives to a beginner. Logging all my footage, for example, would have never accrued to me, but it made editing so much more manageable and must have saved me hours upon hours.
Customer Reviews:
One of the better books on the subject.........2007-02-03
I'm a working digitial media pro; a 15 vet, and I like this book. It is substantially clearer and better organized than others I have purchased. Comprehensive, decent glossary.
It ain't the be-all-end-all, but it sits proudly on my desk as a late-night on-hand reference whilst I struggle to hit another ambitious deadline.
Excellent Guide.......2007-01-11
Really enjoyed this book. It was a simple read of complex terms. I have so many computer type books but none like this one where I could read from start to finish and really learn the technologies.
An excellent technical overview of online video.......2006-08-21
This book goes into the high level technical details of creating an online video service. As an absolute newcomer to the field, I found it an invaluable tool for dealing with the knowledgeable professionals that I rely on to do such things as analog to digital conversion and the set-up and maintenance of media servers. This book will not give you the expertise to do any of these jobs - for that you have to get your hands dirty and actually perform some of the tasks yourself. But it will give you a grasp of the concepts and terminology you'll need to manage the issues that come up.
The book is solid all the way through, but some topics are treated with more detail than others. The sections at the start about video capture, compression, and file formats are in depth and somewhat technical. Later section, including one on transport protocols and DRM, are considerably more vague, probably because they are such complex topics that even an overview takes up the alloted space. Still, when I was able to dive into the details of capturing video from analog sources, compressing it, and setting up the software to serve it, but I could not have even begun to attack the problems of setting up a transport standard or a DRM scheme.
It should also be noted that one chapter out of the 8 provided is on a topic (enterprise multicast) that is not relevant to most consumer focused video services.
If you're going to be involved with online video at all, this book is an excellent technical overview. Highly recommended.
For the beginner..........2006-08-01
...This is the best book I've come across on the subject. There are a lot of articles and other books that just throw these terms at you without them really being understood. This book shows you how other media (TV, film, dvd) are put together and how they can be converted to become internet content.
maybe all your questions will not be answered, but at least now you can ask intelligent questions.
Truly understand streaming technology in plain language.......2005-02-19
The author does a great job of explaining streaming in great detail for the layman or more advanced user in plain easy to understand language. This book is good for web master, video engineer, student, or just about anyone who has an interest in a detailed guide about Internet video.
I found this book easy to read and understand. It is very complete in regard to today's technology. I have recommended it to several of my co-workers. A feel this book is required reading for anyone looking to deploy streaming into their organization. Damien Stolarz seems to be a person that is not just a tech writer but a seasoned engineer that has spend much time in the trenches of Internet video. This book is well worth the money.
Book Description
"George," he said, "I don't know if you'd be interested, but there's a chap who's come in with a tape of a group he runs. They haven't got a recording contract, and I wonder if you'd like to see him and listen to what he's got?""Certainly," I said, "I'm willing to listen to anything. Ask him to come and see me." "O.K., I will. His name's Brian Epstein...."All You Need Is Ears is the story of George Martin, the man who spotted the Beatles' talent, who recorded and produced them from the start, and who brought their musical ideas to life. In this witty and charming autobiography, he describes exactly what it was like to work in the studio with the Beatles--from the first audition (and his decision to scrap Pete Best on drums) to the wild experimentation of Sgt. Pepper (complete with sound effects, animal noises and full orchestras in evening dress at the direct request of Paul McCartney).This is a singular look at the most important musical group of all time, and how they made the music that changed the world: No other book can provide George Martin's inside look at their creative process, at the play of genius and practical improvisation that gave them their sound; it is an indispensable read for Beatle lovers and anyone interested in the music world.
Customer Reviews:
Posted Bio.......2007-04-04
Just to point out --
The biography posted is for George Martin, the sci-fi writer,
who isn't the same person (as far as I know!) as the Beatles'
producer. FYI.
A good book that should have been great.......2007-03-05
George Martin was the 5th Beatle. He gave them their first break after they had been turned down by all the labels. Without the break he gave them, Martin muses that the Beatles may have just given it up and gone their separate ways. Apparently George Martin was the only one around that was willing to take a chance on these scruffs from Liverpool that would chane the world.
It seems that Paul was the one Beatle that could have made it on his own, but if not as on of The Beatles, then as what? Could he have been a backup for Tony Sheridan, or a bass player for Little Richard? Thankfully, we will never know. Would the other Beatles have likely gotten working class jobs, and/or just self-destructed? As always, the whole was greater than the sum of its parts.
It is hard to imagine a world without the Beatles, but that just underscores the importance of George Martin in giving them their lucky break. George Martin played all positions with the Beatles, except for vocalist. He produced, directed, arranged, and even played piano and harpsichord on many records. He brought that classical influence of strings and horns into the Beatles music, starting with Yesterday. Any die-hard fan will want to read this book, however, beware: it is diluted a bit with stories about other recording artists that have little relation to the reason why I bought the book in the first place, i.e., The Beatles. Nevertheless, it does have a few anecdotes that have not been seen elsewhere, so yes, it is worth buying and reading. You can always skip the parts that you don't care about.
George Martin is very informative on the evolution of multitrack recording technology, so that should be of interest to anybody that wonders how they got all those "layer cakes" out of the primitive equipment of the day.
I enjoyed the book immensely, but I think George Martin could have done better given his intimate knowledge of one of the greatest cultural phenomena of all time. Sometimes he seems a little aloof in the book, as if he hardly cares, but it is probably just old-school English understatement at its best, or maybe a futile attempt to downplay that he is probably their biggest fan, if not one of their oldest.
On a side note, it is too bad that George Martin was never rewarded financially (at least up to 1979 when this book was published) on a level that would have been commensurate with the important role he played in not only discovering, but also developing the greatest band of all time. As always, the Beatles come off as cheap, uncharitable and self-indulgent on this score. As the book explains, Martin was offered some royalties under the table, (as a kickback from an unscrupulous publisher) but he never compromised his ethics. Eventually I'm sure he made a nice living through his long association with the Fab 4, but not what one might expect, according to the book, at least up to 1979. A lot has happened in the financial world of The Beatles since this book was written, including the huge Vegas production of Love, in which Martin played an integral role along with his son, Giles. It's nice to see a music producer that is more driven by quality and innovation than the lowest common demoniators. I wish we had more like him.
My rating says 3 stars, but that was a mistake. I really gave it a 4.
Beatles.......2007-01-18
A must read for anyone involved in the making of music as it pertains to production and recording. It however exhibits George Martins conservative nature and is someone bias from his perspective. A much superior book is Here,There, and Everywhere by Geoff Emerick. It is the same subject matter but much more detailed and objective.
Okay but not all that I wanted.......2007-01-05
I wish there were more technical specifics in the descriptions of various sessions. Sir George gets you into Abbey Road studio #2 and lets you know about his experiences with various artists.
George Martin REVEALED!.......2006-09-03
This is a truly amazing book. I had just finished reading "Here, There and Everywhere" by Geoff Emerick (the Beatles recording engineer) and decided I wanted to know more about George Martin, their producer. It was a great decision because the introspect gained from reading both of these books together tells a big picture that I before could only guess at.
George's personality really comes out in this book and it makes it far easier to understand what went on during the Beatles many many recording sessions. It has been said that the producer is a major contributer to the outcome of any project and this book definately confirms and educates about that process.
It is an easy read and the edition that I purchased has fairly decent sized type and makes it easy on the eyes. It is a paperback and tucks easily into your daybag or briefcase for those times when you can read a few minutes - but if you are like I am - you may devour the whole thing in one seating!
The early life of George Martin is also detailed in this book with it's different perspective of growing up in Britain. I had no idea that George Martin was in pop music groups as he was growing up and that came as a terrific surprise. I might have known, though.
The classical side of George Martin comes out strong also. This came into very significant play as he produced the Beatles.
Great book. Don't hesitate to buy this!
Book Description
Successfully design and implement lighting setups with LIGHTING FOR FILM AND DIGITAL CINEMATOGRAPHY with InfoTrac®! Coverage includes lighting, color control, texture, exposure technique, and elements that create image, 'look,' and mood. With a balance of the aesthetic and technical aspects of lighting, this communication text helps you apply what you have learned with over 150 photographs, diagrams, and images from real films.
Customer Reviews:
THE BEST BOOK FOR CINEMATOGRAPHERS.......2007-09-10
This book is a definitely must have for anyone interested in cinematography. This book goes thru all the different aspects and things that a cinematographer must know to create beautiful images. It does go into detail about video as well. But the thing is, and it does state this in the book, if you use film techniques for video, you'll come out with much better images than those that you see on those bland tv sitcoms and such. If you know the film techniques you can't do anything but improve the quality of your video. And the lighting exercises in the back are good ways to practice what the books teaches...all books on lighting should come with exercises. The only true way to learn lighting is to engage in it. This is a great book but the price is a bit outlandish.
Excellent but pricey.......2005-11-21
I'm very new to lighting for any film stock. My goal is to become more aware of how to light for film, mainly digitial stock. This books does provide extremely detailed information on lighting, such as footcandles, gamma, lighting terms and much more, but mainly in one chapter. It did provide detail about digital film lighting and standard photography lighting. I wish it gave more insight about "moods" but I learned a great deal. Downside, it's expensive for the material you get.
Not for Novices.......2004-11-06
This book dishes out a lot of information in the small space between it's paperback covers. I read it looking for film lighting basics, and had a tough time grasping some of the more technical language involving exposure, T-stops, etc, even though I have a decent background in photography. The book does a poor job of addressing and explaining these key concepts. I gleaned a decent amount of information from the pictures and diagrams, but they were poorly aligned with the text, requiring lots of flipping back and forth. All in all, I would reccommend this book only to people with a fair amount of knowledge of the physics behind photography and/or film.
Must Have.......2000-03-29
Anyone interested in Ciinematography sholud have this book. It is full of practical examples, and the apendix is a very useful reference. Lots of information you will not find elsewhere
no better introduction to the craft.......1999-01-28
I have had this wonderful book since its first imprint. It demystifies the art of cinematography and lays a good foundation for the reader to understand both the craft and practice of cinematography. Those who have struggled to read American Cinematographer will have no problems after reading this excellent book. Highly recommended. But why the price increase? I paid only $30 in 1992.
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