Book Description
UNDERSTANDING DIGITAL CINEMA: A PROFESSIONAL HANDBOOK is a comprehensive resource on all aspects of finishing, distributing and displaying film digitally. For technical professionals as well as non-technical decision-makers, the book is a detailed exploration of every component of the process, from mastering to theater management.
* An overview of digital cinema system requirements
* Post production work flow
* Color in digital cinema
* The digital cinema mastering process
* Fundamentals of compression
* Security
* Basics of audio
* Digital distribution
* Digital projection technology
* Theater systems
* The international perspective: Views from Europe, Asia and Latin America
* A realistic assessment of the future of digital cinema
With contributions by:
Richard Crudo, President, American Society of Cinematographers
Leon Silverman, Executive Vice President, Laser Pacific Media Corporation
Charles Poynton, Color Scientist
Chris Carey, Senior Vice President, Studio New Technology, The Walt Disney Studios
Bob Lambert, Corporate Senior Vice President New Technology & New Media,
The Walt Disney Company
Bill Kinder, Pixar Animation Studios
Glenn Kennel, DLP Cinema
Peter Symes, Manager, Advanced Technology, Thomson Broadcast & Media Solutions
Robert Schumann, President, Cinea, Inc., A Subsidiary of Dolby Labs
David Gray, Vice President, Production Services, Dolby Laboratories, Inc.
Darcy Antonellis, Executive Vice President, Distribution and Technology Operations
Warner Bros. Technical Operations Inc. and Senior Vice President, Worldwide Anti-Piracy Operations Warner Bros. Entertainment Inc.
Matt Cowan, Principal and Founder, Entertainment Technology Consultants
Loren Nielsen, Principal and Founder, Entertainment Technology Consultants
Michael Karagosian, Partner, Karagosian MacCalla Partners (KMP)
Peter Wilson, Vice President, Display Technologies, Snell and Wilcox Ltd.
Patrick Von Sychowski, Senior Analyst, Screen Digest
Wendy Aylsworth, Vice President of Technology, Warner Bros. Technical Operations Inc.
* Learn how to manage the change and control costs, from a "who's who" list of the leaders in this ground-breaking field
*Walk away from reading this book with an essential understanding of digital cinema today
* Understand the benefits of the transition to digital cinema
Amazon.com
If film has a language, The Filmmaker's Handbook is your translation guide, dictionary, and phrase book. In over 600 pages, 18 chapters, and nine appendices, the authors detail virtually everything you need to know about filmmaking.
There is probably more information here than anyone needs to know, from which lens to choose all the way through final editing and sound mixing. But too much information is not a bad thing. This is the kind of book that a blossoming filmmaker will surely grow into.
Much of the book focuses on gear and hardware, and rightly so since making a film or video is both dependent on and influenced by the gear that is used. This handbook describes the differences between the tools--film stock, lenses, lighting setups--and the impact of each on the look of the finished product.
This new edition has been updated to include information on digital cameras, the digital video format, nonlinear editing systems, and other contemporary tools. It's odd to see a picture of the Canon XL-1--a very popular and state-of-the-art digital video camera--in a book whose first edition came out in 1983.
The Filmmaker's Handbook is an indispensable guide for any filmmaker, or for anyone who wants a better understanding of the language of film. --Mike Caputo
Book Description
For the first time since its publication in 1984, The Filmmaker's Handbook--the classic volume highlighting the techniques and technologies needed for the creation and production of movies--has been completely revised and updated. Written by filmmakers for filmmakers, this essential text now includes the latest information on digital age filmmaking, where the shifting boundaries between film, video, and computer systems have introduced a wide range of methods and equipment every filmmaker must master to be competitive. This comprehensive reference guide addresses the techniques necessary to make feature, documentary, industrial, and experimental films while detailing the possibilities and limitations of various formats. New chapters spotlight video camera and video editing, essential information for modern film students and makers who focus on video production exclusively. The Filmmaker's Handbook is the perfect primer to guide novices and professionals alike into the twenty-first century of motion picture production.
Amazon.com
The title of The Digital Filmmaking Handbook is something of an oxymoron, because this thorough book covers everything you need to know about filmmaking production, from concept to screening. The only missing element is film itself.
Film and video production are in transition. Film and analog videotape rapidly are approaching the end of their technological lives, being replaced by digital videotape and digital cameras. You can buy computers that connect to DV cameras and edit DV tape almost anywhere, and they cost only slightly more than an entry-level computer. The Digital Filmmaking Handbook, then, is for anyone buying into the DV revolution who wants to do more than shoot home movies of the kids. It's for filmmakers young and old, professional and hobbyist, who want to learn to shoot, edit, and make great movies.
Unlike traditional filmmaking books, in which only the camera and some audio and editing equipment are addressed, part of this book approaches the medium from a computer hardware and software perspective. Numerous hardware issues like choosing the components for an editing workstation (chapter 5), the kind of digital video camera to use (chapter 6), selecting editing and audio software (chapter 7), and various output formats (chapter 18) are discussed. Also, there are chapters on effects, making video look like film (chapter 17), and digital titling (chapter 16).
The book never strays from speaking to moviemakers instead of moviemaking-gear buyers. Everything from preproduction tasks (such as scripting, storyboarding, and budgeting) to production tasks (like set preparation, lighting, filming (sans film), and sound recording) through final editing, color correction, titles, and output is explained. Filmmaking is heavily dependent on technology, and each of these subjects is well covered. Chapters on audio, for example, include selection of microphone types; differences between mic types; how to connect mics to a DV camera or synchronize audio in postproduction; how to control sound levels; and so on.
The chapter on editing reflects the experience of the authors. Films are understood through their own language, and how scenes are edited determines the dialect of that language. Such techniques as matching screen position, matching emotion and tone, matching action, when to use pauses and overlapping edits, and the effect of pauses and pull-ups (shortening a scene) are defined and justified.
If you can't get into NYU's film school--or even if you can--The Digital Filmmaking Handbook is a worthy reference to keep at your fingertips. --Mike Caputo
Book Description
New video technology makes it possible to produce Hollywood-quality features, documentaries, training films, and a variety of other productions at a fraction of the cost of traditional film production. To master these digital tools for production, producers need to understand how to integrate these technologies with the traditional filmmakers resources. If you are interested in, or are currently producing digital features, documentaries, training material, etc., everything you need to know about digital hardware, software, scripting, production, postproduction, and editing is included in this comprehensive resource. Unlike other books on this subject THE DIGITAL FILMMAKING HANDBOOK guides novice filmmakers through the entire production process, (covers both Windows and Macintosh platform issues), while helping experienced filmmakers discover how DV differs from what they already know. Its not just about video on your desktop, its about using your desktop to create productions that can be distributed on the web, home video, broadcast television, projection or video including NTSC, PAL or DTV.
Customer Reviews:
This is the book you'll need..........2007-04-19
If you're like me, just getting started as a hobbyist filmmaker, this is the book. I only received it yesterday and glancing through the contents, it covers most, if not all of the questions I've had about certain aspects of filmmaking. It is well written in everyday english, easy to understand.
Since yesterday when I first opened the cover, I haven't been able to set it down for very long. It's that good. I highly recommend this book to any and all levels of individuals who want to learn about filmmaking from the ground up. It covers it all.
From writing to production: everything you'll need..........2006-03-16
Ben Long and Sonja Schenk's DIGITAL FILMMAKING HANDBOOK THIRD EDITION pairs a fine DVD packed with project files, film clips and tutorials with an updated, revised edition of a best-selling guide to new digital video technologies. Chapters have all been revised to cover the latest hardware and software configurations and new exercises provide help with everything from writing to production. Black and white screen shots and examples throughout make DIGITAL FILMMAKING HANDBOOK a one-step resource.
Good Description of How to Get Started.......2006-03-13
An excellent one stop guide to getting started in digital filmmaking, realizing of course, that there is no film involved.
This book starts with selecting the things like the type of camera you need to make digital video. And for good work, a good camera is necessary, and expensive. IThe book is intended for the person who is just getting started. It explains the terms, the basic equipment you will need, and so on.
The concept of making a film, no, a video starts with a story. From here you need a script. Then you do a story board to plan your shoot. If this sounds a bit professional, it is. This book presumes that you are serious about making a video. This is a rough cut at what the pros do to make a film. ==From this book alone you probably won't get to the Academy Awards show, but reading and putting into practice what the book says might get you into a commercial or a local indistrial film production.
All in all a good summary of getting started in the digital AV business.
Great for begginners--NOT for advanced or anyone who has any brains.......2005-10-31
This book was written for people that have no clue what a computer, a video camera, or a movie is. It is written for the very inexperienced or novice--the people that should not be making movies to begin with.
But it is packed with information a 7 year old or 88 year old can understand, and it is 95% close to being accurate. I guess if one needs to start somewhere, here it is, but after reading it, please do not make your first movie to send to festivals, make as many as you can, practice, practice, practice, then get a real book. Digital Filmmaking 101, Digital Moviemaking, Independent Filmmakers Manual, and so forth before getting into the movie making world--please.
Great starting guide and more!!.......2003-05-20
This book covers all aspects of digital film making and as such doesn't really have the space needed to go into in depth detail on every subject. Regardless, it is a great place to start. It's a very easy read, unlike a lot of film making books that assume you've already got a Masters degree in film. I wont talk much about content descriptions as other reviewers have done a good job of that already - infact, it was on the strength of such user reviews that I bought the book in the first place. I will say this though, if you haven't already bought a camera, buy this book before you do. Lack of funds may make your choices limited anyway, but you wont regret having read this book first.
I have given the book 4 stars instead of five simply because I found the tutorial sections to be a little out of place. The tutorials seem to make the assumption that you have equipment at your desposal - such as expensive lighting kits - and as I imagine that many readers wont, the significance of these tutorials will be slightly lost by the time you do actually have these items in front of you. Unfortunately I couldn't rate the book at 4.5 stars, but that is what I'd like to give it.
In closing, this shouldn't be, and if you're anything like me it wont be, the only book on digital film making that you buy, but it is definately the perfect place to start.
Book Description
This international bestseller and essential reference is the "bible" for digital video engineers and programmers worldwide. This is by far the most informative analog and digital video reference available, includes the hottest new trends and cutting-edge developments in the field.
Video Demystified, Fourth Edition is a "one stop" reference guide for the various digital video technologies. The fourth edition is completely updated with all new chapters on MPEG-4, H.264, SDTV/HDTV, ATSC/DVB, and Streaming Video (Video over DSL, Ethernet, etc.), as well as discussions of the latest standards throughout. The accompanying CD-ROM is updated to include a unique set of video test files in the newest formats.
*This essential reference is the "bible" for digital video engineers and programmers worldwide
*Contains all new chapters on MPEG-4, H.264, SDTV/HDTV, ATSC/DVB, and Streaming Video
*Completely revised with all the latest and most up-to-date industry standards
Download Description
This is by far the most definitive, informative video reference available, made more compelling by the author's inclusion of the hottest new trends and cutting-edge developments in the field. Finding another single-volume source for the huge amount of information in this book is impossible. Professionals in this rapidly changing field will need the new edition of this book to keep up with the latest technology developments and industry standards. With the major worldwide push to switch to digital broadcasting, adoption of new technology standards and protocols take place at a rapid pace and no-one can afford to be left behind. This means that over the next few years, utilization of digital video in broadcast, internet and other medai will skyrocket. This book will serve as an invaluable guide to the designers and engineers who will design, create, and deliver these products and services.
Customer Reviews:
4th edition better.......2007-05-18
I quickly scanned the text. The difference between the fifth edition and the fourth edition is that the 5th is missing the CD with the electronic version of the book.
My Video Bible.......2007-02-03
As a EE specializing in hardware development often related to video processing, I consider this my "Video Bible".
A good reference.......2006-06-30
This book serves as a very good reference for video engineers. However, for a person new to the field of video encoding/decoding, I would not recommend this book.
Video Remystified.......2006-06-28
This is supposed to be the Bible on all things video, but
the book falls short in many areas:
- Each successive edition has compressed old material and
added new material to the point where the coverage in
many areas is extremely superficial. Introductory material
has been hacked out.
- Terms are introduced and either not explained at all, or
explained pages later. A good editor should have read this
thing. It reads like it was pasted together.
- If the author broke the book into multiple volumes, the
book would benefit. I'd suggest one for digital standards,
and one for everything else (interface standards, video
basics, etc.). Then increase the total page count to restore
material trimmed out from previous additions.
- There are way too many useless, redundant pictures. Could have
used one picture along with a table to each resolution.
A good book for video electronics engineers.......2006-06-03
To begin with, the 4th edition of this book was released in autumn 2004, so all reviews earlier than that are referring to previous editions. I think that too many people buy this book and are expecting either "Video Algorithms Demystified" or "Video Processing Demystified". That is entirely understandable since "Video Demystified" could be talking about one or several areas of video and until you purchase the book you don't really know which one. This book should probably be relabeled as "Video Systems Demystified" to cause a minimum of confusion.
This book is most suitable for electrical engineers that are interested in video signals and their diagrams, video interfaces, connectors and their pin-outs, voltage levels, and digital data and video formats. There are many diagrams showing, for example, typical scrambler and descrambler circuits. The chapters on the video standards (MPEG-1,2,4) do a pretty good job of detailing the format of the video data as it is encoded, including all of the possible header fields, but there is virtually no discussion on any of the compression and motion estimation algorithms that do the actual encoding. There is one chapter on video signal processing, and it is very superficial.
The CD-ROM contains a large variety of color test images useful to video engineers trying to determine if their video system has any problems, and if so, produce a diagnosis. The one item in this book of particular interest to people with more of a computer science/algorithm interest in video would be the source code for MPEG-1, MPEG-2, H.261, and H.263 video encoders and decoders present on the CD. However, I have not tried out these decoders myself, so I cannot speak to their functionality.
In summary, if you are an electrical/electronics engineer involved in video electronics I highly recommend this book. If you are a programmer or someone interested in the algorithms of video processing, this book will probably be only moderately (3 stars) helpful. Thus, I split the difference for a 4 star rating. I notice that Amazon only shows the content for the 3rd edition, so I show the table of contents for the 4th edition next:
Introduction 1
Introduction to Video 6
Color Spaces 15
Video Signals Overview 35
Analog Video Interfaces 66
Digital Video Interfaces 100
Digital Video Processing 202
NTSC/PAL/SECAM Overview 265
NTSC and PAL Digital Encoding and Decoding 394
H.261 and H.263 472
Consumer DV 519
MPEG-1 Video Compression 543
MPEG-2 Video Compression 581
MPEG-4 and H.264 736
ATSC Digital Television 760
OpenCable Digital Television 778
DVB Digital Television 796
ISDB Digital Television 816
IPTV 831
Glossary 841
Amazon.com
Digital cameras for still pictures have become pretty commonplace, but digital video remains less widely adopted. This must be purely because of equipment cost, because everyone with a recent-model personal computer has access to excellent editing software, and has all the required data ports. PC Magazine Guide to Digital Video shows how to capture, edit, and publish digital movies with the tools available for the Microsoft Windows operating system. This is a fairly comprehensive guide meant for someone who's never had training in videography, doesn't really know about the multimedia file formats Windows uses, and doesn't want to invest a lot of money in professional-grade software for editing and publishing. It's all you need to take some digital home movies, edit them so they're not too boring, and burn them to DVD for distribution to the remote parts of the family.
Jan Olzer explains how to shoot video properly in the first place, offering advice on lighting, composition, and action. Then, focusing on Windows Movie Maker and (to a lesser degree) Pinnacle Studio, he walks the reader through techniques for chopping up the raw footage, disposing of the dull parts, and reassembling the rest into a coherent storyline. Titling and other production techniques get attention, too. His style is highly example driven, and easy to follow. --David Wall
Topics covered: How to capture, edit, and publish (to DVD) home videos and amateur movies. There's coverage of composition, lighting, and sound for when you're filming, and explanations of how to use popular editing suites when you're back home assembling a final product.
Book Description
What does it take to make great digital video? The right equipment, the right skills, and Jan Ozer's advice.
PC Magazine's digital video authority delivers the details that will help you make videos you can be proud of. Here's the lowdown on which camera to choose (and why), how to shoot the best footage, how to capture the best sound, how to get your video from the camera to your computer, what to do when you get it there, and how to produce a showstopper from start to finish.
Author Jan Ozer offers expert advice on:
- Deciding what you do and don't need in a digital camcorder
- Selecting a DV or analog capture solution
- Picking the perfect video editor
- Getting the right DVD-authoring package and recorder
- Shooting terrific footage and capturing sound that's just right
- Outputting your project in various formats
- And producing professional-quality DVDs
The book's CD-ROM includes audio and video files comparing consumer and prosumer camcorders and demonstrating techniques like noise removal; MyDV D, Pinnacle Studio, Ulead Video Studio, RealONE Player, muvee auto Producer trial versions, and more.
Customer Reviews:
A Practical Guide.......2007-03-31
If you are wanting to learn about digital video, get this book. The book is written lightly and personably--as if you are sitting there talking to the author. The most valuable part of the book is the section on creating DVDs. The author takes you through every aspect of creating a professional DVD with a menu, background music, and advanced authoring.
The author also has provided information on video editing and shooting techniques. I love his approach and the layout of the book. The book is appropriately written for the audience it addresses (beginner to intermediate videographer).
The only reason I didn't give it 5 stars is that the CD that is included only has trial versions of commercial software on it. I would have liked for him to discuss and provide some free software for video capture and editing. No disappointments though. This is a good book and has been quite valuable to me.
Gosh, what a great book .......2007-02-11
Having already struggled with a little bit of filming and editing, I found many of my prior frustrations described and clarified in this wonderful book.
Jan Ozer, the author, is blessed with an ability to explain technical concepts clearly. (Where was he when I was studying physics in high school?)
The chief virtues of this book are:
1) superb graphics -- of equipment, of software screenshots, and of Mr Ozer's beautiful models (his small daughters)
2) explanations written clearly and concisely, and with a fine dry wit, as if Mr Ozer were at your home talking us through the process.
At this writing (early 2007), this book may appear a bit dated. However, the concepts Mr Ozer explains so well will be with us for years to come. I can't imagine there's a better introduction to amateur video than this book.
Nice introduction, for a general audience.......2004-08-23
This is a field that spans both hardware and software. Unlike, for example, Photoshop, which is a pure software construct. If you're going into digital video, the hardware issues alone can be daunting. Important things like choosing an internal analog capture card. Who are the main vendors? What are the salient features to compare? Ozer gives you these data.
In software, you have to pick some video editor. These run the gamut from the entry level Microsoft Movie Maker 2 to more powerful and expensive alternatives like Pinnacle Edition, Sonic Foundry Vegas or Adobe Premiere Pro.
Many other issues are shown in the book. Along with simple editing techniques. Enough to get you started. Ozer's writing style should be clear enough to many. And he gives you a lot of material to digest. Including various utility programs on the accompanying CD.
Worth the money even if not perfect.......2004-08-13
My impressions of the book:
(1) It was better than I expected. A lot of beginner material but he does cover some key concepts. I agree that his tone is not too novice-targetted, nor is it too technical. He uses Microsoft Movie Maker 2, Pinnacle Studio 8 and Ulead VideoStudio 7 for most of his illustrations. Unfortunately, although the book came out this year, as is common with software, Pinnacle is up to Version 9 and Ulead up to version 8. He does cover other prosumer editors like Vegas, Liquid Edition, and Premier, but the book is primarily focused on users of consumer editors and equipment, not the professionals. That was Ok with me.
His advise on equipment and technique was interesting to read although, in my opinion, he did not spend enough time on accessories. This is not the best book for advice on accessories. Most of his time is spent on video editing software. As is also unfortunately common, he did not talk about set-top stand-alone DVD recorders, which some people use for archiving. I found his advise on "The Basics of Shooting" to be quite helpful.
(2) The book can be a bit wordy and he overuses the adjective "lovely" to describe software features, effects, pictures, etc. It sounds a little odd sometimes.
(3) For equipment and software, his focus on Sony camcorders sound unnecessarily. Similarly, he sometimes sound like a salesman for Pinnacle Studio. Now, I happen to like Sony camcorders (I am on my third) and Pinnacle Studio (warts and all) but I would have preferred more balanced descriptions. So, if you do not have Pinnacle or Ulead VideoStudio (both of which I have) you may feel a little put out.
Overall, a useful book. It could be better, but for $20.39 on Amazon, I think anyone relatively new to digital video would find the book helpful and worth the money.
Excellent Book!.......2004-08-13
This book is a must-read for anyone trying to create DVDs from analog videotape! His chapters on cameras, capturing video, working with audio, choosing software, and creating DVDs are indispensable!
Book Description
It has been more than twenty years since desktop publishing reinvented design, and it's clear that there is a growing need for designers and artists to learn programming skills to fill the widening gap between their ideas and the capability of their purchased software. This book is an introduction to the concepts of computer programming within the context of the visual arts. It offers a comprehensive reference and text for Processing (www.processing.org), an open-source programming language that can be used by students, artists, designers, architects, researchers, and anyone who wants to program images, animation, and interactivity.
The ideas in Processing have been tested in classrooms, workshops, and arts institutions, including UCLA, Carnegie Mellon, New York University, and Harvard University. Tutorial units make up the bulk of the book and introduce the syntax and concepts of software (including variables, functions, and object-oriented programming), cover such topics as photography and drawing in relation to software, and feature many short, prototypical example programs with related images and explanations. More advanced professional projects from such domains as animation, performance, and typography are discussed in interviews with their creators. "Extensions" present concise introductions to further areas of investigation, including computer vision, sound, and electronics. Appendixes, references to other material, and a glossary contain additional technical details. Processing can be used by reading each unit in order, or by following each category from the beginning of the book to the end. The Processing software and all of the code presented can be downloaded and run for future exploration.
With essays by:
Alexander R. Galloway, Golan Levin, R. Luke DuBois, Simon Greenwold, Francis Li, and Hernando Barragán and interviews with Jared Tarbell, Martin Wattenberg, James Paterson, Erik van Blockland, Ed Burton, Josh On, Jürg Lehni, Auriea Harvey and Michaël Samyn, Mathew Cullen and Grady Hall, Bob Sabiston, Jennifer Steinkamp, Ruth Jarman and Joseph Gerhardt, Sue Costabile, Chris Csikszentmihályi, Golan Levin and Zachary Lieberman, and Mark Hansen.
Book Description
Color and Mastering for Digital Cinema explores the implications for motion picture post production processes and changes required to the supporting equipment and software. While a new concept to the motion picture community, the selection of the wide gamut, output-referred XYZ color space for digital cinema distribution is based on decades of color science and experience in other industries. The rationale for choosing XYZ and the other color encoding parameters is explained and the book also provides a full case study of the development of DLP Cinema® projectors by Texas Instruments. Finally, this book explores how the XYZ color encoding concept can be extended to support enhanced display technologies in the future.
This book contains:
* Brilliant 4-color illustrations that compliment the color science explanations
* Never before published industry information from author Glenn Kennel, a world leader in digital cinema color technology
* Descriptions of key issues and background on decisions that were made in the standardization process
By Glenn Kennel, Glenn Kennel is VP/GM of Feature Film Services at Laser Pacific Media Corporation, a leading provider of a full range of post production services for television and feature film. Recently, he worked for the DLP Cinema group of Texas Instruments in a role that included technology and business development. Previously, in a twenty year career with Kodak, he led the development of the Cineon digital film scanners and laser recorders and the prototype HDTV telecine that became the Spirit Datacine. As a consultant, he helped DCI draft the technical specifications for digital cinema. Kennel also chairs the SMPTE DC28 Color ad hoc group and the DC28.20 Distribution working group. He is a SMPTE Fellow and has received the SMPTE Journal Award. He is also a member of the Academy of Motion Picture Arts and Sciences.
* Brilliant 4-color illustrations compliment the color science explanations
* Never before published industry information from author Glenn Kennel, a world leader in digital cinema color technology
* This book describes the key issues and provides background on decisions that were made in the standardization process
Customer Reviews:
Good read in the most part.......2007-05-11
This book is an interesting mix of quite technically (and mathematically) detailed chapters and lighter, more readable text. Certainly not a good choice for anyone totally new to color theory or digital cinema but a very concise account of the current state of the industry with some very interesting historical perspective.
Concise is a very good word to describe this text. By textbook standards it is short - I was able to read it cover to cover on a five hour flight. In places it is too concise - I found the color theory difficult to follow in places and a slightly more long winded, descriptive style might not have gone wrong in those sections. I'm planning to go back and re-read those chapters and they will hopefully beging to be a little more clear second time around!
Overall this is a good choice for anyone with a professional interest in digital cinema and digital intermediate workflow. Those outside the industry or who are looking for a more introductory text should probably look elsewhere.
Book Description
55% new material in the latest edition of this must-have for students and practitioners of image & video processing!
This Handbook is intended to serve as the basic reference point on image and video processing, in the field, in the research laboratory, and in the classroom. Each chapter has been written by carefully selected, distinguished experts specializing in that topic and carefully reviewed by the Editor, Al Bovik, ensuring that the greatest depth of understanding be communicated to the reader. Coverage includes introductory, intermediate and advanced topics and as such, this book serves equally well as classroom textbook as reference resource.
Provides practicing engineers and students with a highly accessible resource for learning and using image/video processing theory and algorithms
Includes a new chapter on image processing education, which should prove invaluable for those developing or modifying their curricula
Covers the various image and video processing standards that exist and are emerging, driving todays explosive industry
Offers an understanding of what images are, how they are modeled, and gives an introduction to how they are perceived
Introduces the necessary, practical background to allow engineering students to acquire and process their own digital image or video data
Culminates with a diverse set of applications chapters, covered in sufficient depth to serve as extensible models to the readers own potential applications
About the Editor
Al Bovik is the Cullen Trust for Higher Education Endowed Professor at The University of Texas at Austin, where he is the Director of the Laboratory for Image and Video Engineering (LIVE). He has published over 400 technical articles in the general area of image and video processing and holds two U.S. patents. Dr. Bovik was Distinguished Lecturer of the IEEE Signal Processing Society (2000), received the IEEE Signal Processing Society Meritorious Service Award (1998), the IEEE Third Millennium Medal (2000), and twice was a two-time Honorable Mention winner of the international Pattern Recognition Society Award. He is a Fellow of the IEEE, was Editor-in-Chief, of the IEEE Transactions on Image Processing (1996-2002), has served on and continues to serve on many other professional boards and panels, and was the Founding General Chairman of the IEEE International Conference on Image Processing which was held in Austin, Texas in 1994.
* No other resource for image and video processing contains the same breadth of up-to-date coverage
* Each chapter written by one or several of the top experts working in that area
* Includes all essential mathematics, techniques, and algorithms for every type of image and video processing used by electrical engineers, computer scientists, internet developers, bioengineers, and scientists in various,
image-intensive disciplines
Customer Reviews:
Spectacular Book on Image processing.......2006-10-03
This is the book to have on the subject! It covers almost any aspect that you can think of in image/video processing. This is a MATH intensive book and it will not tell you how to directly implement any of its concepts in code. The author assumes that the reader will be able to do this on there own. Topics are very well explained, but sometimes I needed to reread a topic 3 or 4 times and go over the math a couple times to fully understand. Great book to have as an encyclopedia like resource on the shelf.
Great reference for methods of image and video processing.......2006-02-02
There is a 2nd edition of this book that was published in July 2005, so all reviews earlier than that are referring to the first edition. Regardless, the second edition of this book is just as good as the first. There are many texts that do a good job of covering image processing, but few do such a good job of covering all of the aspects of video processing - motion detection and estimation, video enhancement and restoration, and video segmentation. There is an entire section on video compression which discusses the H.261 standard, wavelets and video compression, object-based video coding, and the various MPEG standards. There are also articles on video indexing and retrieval and a unified framework for video browsing and retrieval.
In the area of image processing, there is much good information here, but the basics are better explained in "Digital Image Processing" by Gonzales and Woods. Once you master that book, this makes a good secondary reference on image processing. Although this book does go over some image processing basics, it is better at explaining more advanced concepts such as multiframe image restoration, wavelet denoising, 3D shape reconstruction from multiple views, and statistical methods for image segmentation. There are many bad books out there that are collections of articles, but don't let that scare you off. This really is a collection of very good articles published together in a coherent fashion.
There are plenty of equations, example images, and instructive figures in the articles to help explain each concept. Highly recommended.
Outstanding Book !.......2002-10-15
This book is just GREAT.
It covers almost every single ascpect of image and video processing. Everything is in deep and very good explained. A lot of before-and-after example pictures (important ones in color) are provided too. But beware. You need a fairly good understanding of math to read the book. It is not intended to explain how to use Photoshop, but rather how to write your own ;-)
This book is not a read-along book. Sometimes you have to read a section 2 or 3 times to understand it.
I think sometimes a good Snippet of C-Code would help to understand, but this is acceptable.
Again: A outstanding book, which fully covers all my needs.
The price of 100 us$ is ok, because it's a lot of a book...
Image Processing for the mathematically inclined.......2001-05-12
This is an encyclopedia of image processing topics. It contains some introductory material to help people understand what images are and how to process them. The majority of the text, however, is for experienced people wanting to look up topics.
This book is big. It is about 8"x11" by 900 pages. It contains material from 100 different professionals on 50 different topics.
The style is academic. The editor is the editor of the IEEE Transactions on Image Processing. The page style is similar to what you would see in an IEEE Transaction.
There is plenty of math. The text explains the mathematics, but not to the depth I would like to see.
The authors illustrate the techniques with many images. If there are no "before and after" images in an image processing book, reject it. Well, this book has plenty of images. That is a strong point.
A week point is there is no source code illustrating the techniques and algorithms. I find this a major weakness, but one that is not unique to this book.
The authors leave much to the reader. This is not a read from cover to cover book. The reader must go slow, take notes, study, and read again to understand the material.
All in all, this is a good source of knowledge on image processing. If you work with images and write software to process images, you should have this book on your desk.
Excellent journal-quality round-up.......2000-09-23
This is a very nice reference work for image processing professionals. It is a collection of articles by various experts in aspects of image processing, reporting on the state-of-the-art in their particular domains. The coverage is broad and deep. However, it is not for everyone. The writing style is that of a refereed journal. If you are not comfortable with that style of exposition, or if you are simply trying to find a snippet of code to implement a particular algorithm, this is not the book for you. At the other extreme, do not expect to find new and startling insights into the field that you did your dissertation on. However, if you want to understand the current state of the art of a colleague's field, or if you need to expand your expertise into a new area of image processing, this is a very good place to start.
Average customer rating:
- Possibly the best Avid Educational Book for beginning editor
- Incredibly Detailed - Great Place To Start
- REDUNDANT INFORMATION
|
Avid Xpress DV 3.5 Editing
Avid Technology Inc.
Manufacturer: Peachpit Press
ProductGroup: Book
Binding: Paperback
 Web Graphics
| Web Design
| Web Development
| Computers & Internet
| Subjects
| Books
General
| Web Design
| Web Development
| Computers & Internet
| Subjects
| Books
Digital Photography
| Digital Photography & Video
| Computers & Internet
| Subjects
| Books
Avid
| Digital Photography & Video
| Computers & Internet
| Subjects
| Books
General
| Programming
| Computers & Internet
| Subjects
| Books
General
| Graphic Design
| Computers & Internet
| Subjects
| Books
Audio & Video Editing
| Digital Music
| Computers & Internet
| Subjects
| Books
General
| Software
| Computers & Internet
| Subjects
| Books
Cinematography
| Movies
| Entertainment
| Subjects
| Books
Television & Video
| Telecommunications
| Engineering
| Professional & Technical
| Subjects
| Books
Look Inside Computer Books
| Trip
| Specialty Stores
| Books
Look Inside Entertainment Books
| Trip
| Specialty Stores
| Books
All Titles
| Qualifying Textbooks - Fall 2007
| Stores
| Books
Computers & Internet
| Qualifying Textbooks - Fall 2007
| Stores
| Books
Entertainment
| Qualifying Textbooks - Fall 2007
| Stores
| Books
Professional
| Qualifying Textbooks - Fall 2007
| Stores
| Books
Similar Items:
-
Introduction to Avid Xpress DV 3.5 Effects
-
Color Correction for Avid Xpress DV 3.5
-
Creating Graphics for Avid Xpress DV 3.5 with Adobe Photoshop
-
Sight, Sound, Motion: Applied Media Aesthetics
-
Editing with Avid Xpress Pro
ASIN: 0321162218 |
Book Description
Avid Xpress DV 3.5 Editing shows you how to use it. The training experts at Avid have crammed an entire beginner's course into one complete book/CD-ROM combo that lets you get hands-on fast. This book covers all stages of the editing process including how to input and organize source footage, edit sync and non-sync material, trim sequences, edit audio, create titles, and output a finished program. Even if you've never used an Avid system before, step-by-step instructions, illustrated with screenshots and reinforced with review questions and practice exercises, promise to turn you into a proficient Avid user by the time you're through with this comprehensive course.
Books:
- Understanding Variation: The Key to Managing Chaos (2nd Edition)
- Video Shooter: Storytelling with DV, HD, and HDV Cameras (DV Expert Series) (DV Expert Series)
- W. Eugene Smith Photographs 1934-1975
- Western Shirts
- What Got You Here Won't Get You There: How Successful People Become Even More Successful
- When Pigasso Met Mootisse
- White Bicycles: Making Music in the 1960s
- Yosemite and the High Sierra
- Yosemite and the Range of Light
- A Book of Books
Books Index
Books Home
Recommended Books
- The Interesting Narrative in the Life of Olaudah Equiano
- Red Mafiya: How the Russian Mob Has Invaded America
- Modern Art: Nineteenth and Twentieth Centuries
- Of Mice and Aliens: An Asperger Adventure
- Murder, She Wrote: Three Strikes and You're Dead
- Plastic Part Design for Injection Molding : An Introduction
- Patton Papers 1885 1940
- The Learned Collector: Mythological Statuettes and Classical Taste in Late Antique Gaul
- Gonzo Judaism: A Bold Path for Renewing an Ancient Faith
- What the Hell, We Won the War Anyway, Didn't We: A Forty-Two Month Autobiography
Digital Cinema : The Revolution in Cinematography, Post-Production, and Distribution
Digital Intermediates for Film and Video
Color and Mastering for Digital Cinema (Digital Cinema Industry Handbook Series)
Film Technology in Post Production, Second Edition (Media Manuals)
Guide to Postproduction for TV and Film: Managing the Process, Second Edition
