Amazon.com
At the beginning of The Writer's Journey, Christopher Vogler asserts that "all stories consist of a few common structural elements found universally in myths, fairy tales, dreams, and movies." Some may be hard-pressed to accept this idea (and will wonder how storytellers from Homer to Shakespeare to Robert Altman might respond to the proposition). Others may imagine that since Vogler uses movies like the Star Wars trilogy and The Lion King to defend his mythological philosophy, he is, unwittingly, listing the reasons why Hollywood films of the last 20 years have been so unimaginative. But there's no doubt that Vogler's notion, based on psychological writings by Carl Jung and the mythmaking philosophy of Joseph Campbell, has been profoundly influential. Many screenwriters have used Vogler's volume to understand why certain scenarios sell, and to discover a blueprint for creating mythic stories of their own.
Now in its second edition, The Writer's Journey sets forth archetypes common in what Vogler calls "the hero's journey," the mythic structure that he claims all stories follow. In the book's first section, he lists the different kinds of typological characters who appear in stories. In the second, he discusses the stages of the journey through which the hero generally passes. The final, supplementary portion of the book explains in detail how films like Titanic and The Full Monty follow the patterns he has outlined. --Raphael Shargel
Book Description
Provides new insights and observations from Vogler's pioneering work in mythic structure for writers.
Customer Reviews:
There is a lot of valuable material there . . . .......2007-10-03
. . . . . . but what is more noticeable is what has been left out.
It is obvious that the author is very knowledgeable in his field, namely, literary and psychological understandings of mythology over the last 50 years or so. Much of the advice he gives to new writers about the concept of "story" and "journey" is of value, as are some (not all) of the examples he gives. "The Heroic Quest" has been in the past, and remains an extremely significant literary motif. I also appreciated some of the stories he told about his own experience, especially his recounting of some of the "behind the scenes" in the Disney movie "The Lion King". I was pleased to see that some of my perceptions about this film were correct.
Why then only two stars?
Imagine someone writing the history of 16th and 17th century English theater -- and forgetting to mention William Shakespeare. Imagine someone writing an anthology of classical music -- and omitting Bach or Beethoven.
In my view, this is what the author has done. While the author has given Joseph Campbell, and his seminal work on mythology proper due; and while he has given Carl Jung his proper due (and arguably more than his due), he has completely ignored the writing, both fiction and non-fiction of JRR Tolkien, who besides being the best-selling author of "The Hobbit" and "The Lord of the Rings" was a professor of English at Oxford University for more than 30 years -- and was the foremost expert on the literary genre of myth and fairy-story in probably the past two hundred years. Tolkien's work on Beowulf? Ignored. "Sir Gawaine and the Green Knight"? Ignored. His essay "On Fairy Stories" (which is THE definitive word on the subject)? Ignored. And that's just the non-fiction. Tolkien's fiction, especially "The Lord of the Rings" re-defined the genre of the Heroic Quest. Yet both the book and the movies are excluded from his discussion.
Honestly, I don't know why this is. Perhaps the author is not familiar with Tolkien's non-fiction work on the subject -- but I find this difficult to believe. Perhaps he just didn't care for the books of for the films. Still not a good excuse. Perhaps the author is uncomfortable with Tolkien's philosophical and religious pre-suppositions. I just don't know.
All I can say is that a book of this sort which excludes a widely recognized expert in the field is a very incomplete book, and one that I can only recommend with serious caveat.
Average customer rating:
- iMovie 6 & iDVD: The missing Manual
- Great Step by Step Guide
- This book saved my life... in a roundabout way
- One of the best "how to" manuals I've bought
- Quite simply-THE BEST
|
iMovie 6 & iDVD: The Missing Manual
David Pogue
Manufacturer: O'Reilly Media, Inc.
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ASIN: 0596527268 |
Book Description
While the last version of iMovie gave moviemakers the ability to capture and edit widescreen High Definition Video (HDV) from the new generation of camcorders, iMovie 6 is all about the ease of moviemaking itself. iMovie 6 includes five professionally designed themes with backgrounds, motion graphics, titles, and effects that act as building blocks for your projects. You can preview transitions and stunning new video effects--such as time-lapse video--in real time using the full screen. Or edit audio and add sound effects with a new built-in sound studio. For presenting your movie, Magic iDVD offers easy-to-use themes, including new widescreen options.
Whether you're a professional or an amateur moviemaker, this is amazing stuff. But if you want to learn the full capabilities of these applications, Apple documentation won't make the cut. Instead, iMovie 6 & iDVD: The Missing Manual is the ideal third-party authority that covers all of these changes through an objective lens. This witty and entertaining guide from celebrated author David Pogue details every step of iMovie 6 and iDVD production. The book shows you how to:
- Work on multiple iMovie projects at once and drag & drop clips among them
- Output your creation to a blog, its own web page, or as a video podcast with iWeb
- Use "Magic iMovie" to import your video and make a movie for you
- Integrate with other iLife programs to use songs, photos, and an original soundtrack
- And a whole lot more
From choosing and using a digital camcorder to burning the finished work onto DVDs, posting it online, or downloading it to an iPod, iMovie 6 & iDVD: The Missing Manual zooms right in on the details in a clear, concise, and understandable manner. The book also provides a firm grounding in basic film technique so that the quality of your video won't rely entirely on magic.
Customer Reviews:
iMovie 6 & iDVD: The missing Manual.......2007-10-03
Having Missing Manuals 3 to 5 It is again most difficult to find what's new in Apples Version 6 amongst all the older information contained in the previously published "Manuals". If one was purchasing it for the first time it does a reasonable job.
Great Step by Step Guide.......2007-06-27
This book is a thoroughly attentive-to-detail manual that is true to it's name/concept: The manual that *should* have come in the box! It clearly walks you through every step, big and small as well as including sections on how to improve your filming, editing, and a concise Quicktime how-to.
I recommend reading the entire book before starting an iMovie/iDVD project but if you just can't wait (I couldn't-- I read as I went), I recommend reading Appendix B (pg. 461) which is "Troubleshooting" early on . It includes *many* crucial tips from being sure to format your external HD to Mac OS Extended (if saving on an ext. HD) to switching the factory-setting 12-bit audio on your digital video camera to 16-bit to common 'glitches' while importing, working with or exporting footage.
The other great benefit of this book is it explains the various little 'tricks' for more complicated tasks or for things that are hinky and need a little fiddling to work. One ex.: You use the new iMovie 6 themes w/in iMovie (Pass Through, especially, is slick/professional-looking!) and are trying to use a *trimmed* clip w/in the theme. iMovie doesn't understand starting it where you trimmed because it keeps the trimmed portion of the clip hidden but still there so the undesirable portion of your clip is shown in the intro theme instead. This book explains in detail how to save it to Quicktime and re-import the new *permanently* trimmed clip to use w/ no problems in your themed intro!
This book also spells out the key differences in iMovie 6 vs. previous versions. I HIGHLY recommend this book if you are looking to edit home movie footage (or other) using iMovie (& iDVD) and don't have your own personal Mac Genius in your household. :-)
This book saved my life... in a roundabout way.......2007-05-14
I recently purchased a Mac and edited my first film - a short documentary - on iMovie.
I had never used iMovie before and a good friend recommended this book and I couldn't have been more pleased. I haven't encountered a problem yet that this book hasn't addressed.
Well-written, simple and practical.
A great resource. Worth your time and money.
One of the best "how to" manuals I've bought.......2007-04-19
I have to admit that I was skeptical when I saw that this was a textbook for an introductory filmmaking class but it's an awesome book. It strikes just the right tone and is basically a short course in filming, editing and distributing (dvd, web, email) movies. Well done.
Quite simply-THE BEST.......2007-04-03
Simple and darn articulate. Im not a tech person in any sense of the way, Mr Pogue has outdone himself. He indeed has made understanding imovie very simple. Highly recommended if you are just starting out or if you wish to brush up on the latest version of Imovie
Amazon.com
"Editing is the creative force of filmic reality." So Dmytryk, director of the American classic "The Caine Mutiny" begins this little book, which he hopes will aid film directors and editors in perfecting their art. It is informative for general audiences as well, demonstrating how deeply the experience of any film relies on the creativity and versatility of its editor.
Book Description
On Film Editing explains, in simple terms, the principles of film editing, using examples and anecdotes. Written in an informal "how-to-do-it" style, renowned director Edward Dmytyrk shares his expertise and experience in film editing in an anecdotal and philosophical way.
In On Film Editing, Dmytryk contends that many technicians and professionals on the film crew-- from the cameraman and his assistants to the producer and director-- must understand film editing to produce a truly polished work. In this book he explains in layman's terms the principles of film editing, using examples and anecdotes from almost five decades in the film industry.
A perfect introduction to film editing.
Written in easy to understand language
Supported by examples from famous films and the author's vast experience.
Customer Reviews:
This book made me a film maker........2007-06-11
One of the most important books in my life. I read and re-read this book in preparation for editing my FIRST film ever. Reviewers say my film possesses a "master level" edit. This book is why. Buy it. Read it. Re-read it.
My message to all young grasshopper: Read. And now read some more. Read and you become master phlegm-en-zepher.
editing is tricky buisiness.......2006-11-10
this is an excellent book on this very delicate craft. I also liked "the eye is quicker" but this was very informative and a better read. there is no substitute for actually editing and what works is hard to descibe in words but this book demonstrates some very subtles points and Mr. Dmytyk is a film maker. If your just starting read the eye is quicker but if you have some experience and want to go to the next level, this is a good one.
Informative, interesting and Nice Bed Time Reading.......2006-07-17
This is not only a really awesome book to help improve
your editing skill, but also one of the nicest overall books I've
ever read. Worth while buying.
Classic. Essential. Practical........2006-03-07
There are a lot of great books on the more artistic and unquantifiable aspects of motion picture editing (for example, Michael Ondaatje's Conversations with Walter Murch), but this is one of the few books to lay out the basics. Everyone who wants to edit motion pictures, whether it's home videos using iMovie or feature films using Avid or even (especially) actually cutting film should know what this book has to teach. It's really the only book for the novice editor worth reading. Just buy it.
Timeless value.......2005-12-24
Some principles are timeless. This is so with the techniques of editing. This book is as relevant and inspiring today as it was when it was first published.
Book Description
Avid Editing is a comprehensive guide covering Avid Xpress Pro, XPress Pro HD, and Xpress DV. Due to the similarity of Avid's interface across product lines, it is also relevant for Media Composer and other systems. Suitable for beginning editors or experienced editors new to the Avid, the book provides step-by-step instructions for hundreds of editing tasks in jargon-free terms. The chapters guide you through an editing project, while the accompanying DVD provides narrative footage to download for immediate, hands-on practice. The book can be read and studied at home, or while sitting in front of an Avid, following the book's step-by-step instructions.
More than a software manual, this book delves into general editing techniques, principles, and pitfalls. The author is an experienced teacher who will help you master the Avid as well as improve your overall editing skills.
This edition covers working with HD, the 16:9 widescreen, and the powerful Script Integration tool. In addition, there's new coverage of the issues facing indie filmmaker who is trying to decide how to go from the DV stage (shooting on mini-DV or DVCAM formats) to theatrical distribution. As well, there is new material on using Avid in PAL regions.
* Focuses on Avid Xpress Pro, Xpress Pro HD, Xpress DV, and Media Composer but relevant to all Avid systems
* Companion DVD includes footage to edit to provide the hands-on experience you need
* Teaches HD, HDV, and 24P workflows
* Over 500 images and screen captures clearly illustrate principles
Customer Reviews:
Excellent Way to Get Started in Avid.......2007-07-28
When I purchased my Avid Express DV software I had zero video editing experience. I knew the software was fairly complex, had a lot of capabilities, and the learning curve would be steep, so I also purchased the Avid turorial DVDs. However, with no editing background, after viewing these DVDs I just wasn't "getting it."
Kauffmann's book was perfect for me. It starts with the fundamentals (video formats, hooking up the hardware and turning the system on, etc.) and goes on from there to cover everything though fine tuning audio and doing color correction.
By reading the book (mostly) though once then using it as a "cookbook" while editing, in just a few days I was up and running and capturing, editing, and fine tuning my videos. Admittedly, Kauffmann does not go into great depth in some areas (which he acknowledges) but for someone who's just getting started this is an excellent book and will get you well on the road. I would highly recommend it to anyone just getting started and trying to learn Avid.
More than just Avid guide.......2006-09-25
While this book is an excellent guide to what you can do with Avid, it also takes the time to explain in an understandable way editing techniques. The new chapters on HD and 24p filmaking are excellent! It gives a good base to understand these new additions to the independent movie making world. The only knock I would give it is it's lack of explanation on effects editing and the marquee title tool is completely ignored.
Avid Editing a wonderful and necessary tool.......2006-09-15
Avid Editing has been a useful tool for me both as a student and as a professional. As a film student, I first picked up Sam Kauffmann's second edition in a production class. Most of us had never touched an Avid before, and yet by the end of the semester, using Kauffmann's text as a go-to guide, my classmates and I were producing dynamic and adeptly edited pieces. Not only does the book provide simple exercises for the reader to try, it also includes a DVD with actual footage to work with. Avid Editing is carefully organized for the beginning editor, but I also use it as a reference now that I am out of college, working as an assistant editor. This new third edition not only expounds upon all the steps, shortcuts and settings covered in the previous editions, but also dedicates entire chapters to editing with 24p and HD footage, making this book invaluable to editors entering the professional world. I strongly recommend this guide for anyone who seeks to teach, learn, or refresh his or her memory.
Great Book!.......2006-08-12
This is a great book. I am doing an educational video and had never used the Avid system before. I have Avid Xpress Studio HD and this book taught me everything I needed to know to get the job done.
Highly recommended.
Great Reference.......2006-06-15
I have used Kauffmann's second edition book as a text book and greatly underappreciated its usefulness. Now that I am outside of the classroom and working as an assistant editor, I have found this third edition to be of great help. On several occasions I have had to refer to the book for problems that were plaguing both myself and the editors, and found the answers I need effortlessly. Kauffmann's step by step approach, with examples, makes navigating your way through a sometimes complicated and confusing Avid simple. A wonderful aspect of this book is its conversational, and less technical, style of writing, making it an easy to follow instructional book.
As a side, I used this book heavily when I had difficulties authoring a 24p DVD project.
Amazon.com
No book can find your ideas for you, but this one provides a great service in helping you discover and develop a story, and to come up with the completed script. King helps you learn to think cinematically, in the language of the movies, and to keep asking the essential questions as they work: What's the story? Who is the story about? Do you care about the characters? Does anyone? King also tries to help you survive not just the structural pitfalls that can derail a script, but also the mental or emotional whirlpools that can prevent any artist from finishing a project.
Book Description
The ultimate survival guide, How to Write a Movie in 21 Days takes the aspiring screenwriter the shortest distance from blank page to complete script.
Viki King's Inner Movie Method is a specific step-by-step process designed to get the story in the writer's onto the page. This method guides the would-be screenwriter through the writing of a movie. It answers such questions as:
- How to clarify the idea you don't quite have yet
- How to tell if your idea is really a movie
- How to move from what you want to say saying it
- How to stop getting ready and start
Once you know what to write, the Inner Movie Method will show you how to write it. It also addresses such issues as:
- How to pay the rent while paying your dues
- What to say to your spouse when you can't come to bed
- How to keep going when you think you can't
For accomplished screenwriters honing their craft, as well as those who never before brought their ideas to paper, How to Write a Movie in 21 Days is an indispensable guide. And Viki King's upbeat, friendly style is like having a first-rate writing partner every step of the way.
Customer Reviews:
The only screenwriting course you need.......2007-09-15
HOW TO WRITE A MOVIE IN 21 DAYS take the complete novice to a level of competency I never thought possible from a single book. It is clear, concise and very readable. It is must reading for anyone who wants to learn how screenplays get done. Master the contents of this book before reading any other book on screenwriting. After reading this book and applying its contents, I did not read the Screenwriting for Dummies book I bought because I already had all the skills and information I needed on the subject.
The perfect guide.......2007-06-28
This book is the perfect guide to not just screen writing, but also writing in general. In contains exercises of finding and getting to know your characters. The 21 days are well planned and will keep you busy. It's helped me create a realistic plot with realistic characters.
If you can't get past page 60..........2007-06-15
I am a working screenwriter, and this is the only screenwriting book I recommend. Why? Most of the screenwriting books out there are very useful - for rewriting. This book actually gets you to complete the first draft - a huge hurdle for beginning writers. You probably won't finish in 21 days, and the draft you write probably won't be very good. But that doesn't matter, because you will finish a draft, and then you can rewrite it and make it good.
I still use this book to clarify my thinking, or if I'm on a tight deadline.
Great advice.......2007-05-21
Although a person can't effectively write a movie in 2l days this book gives great advice in how to start your screenplay.
Useful Tool for the Impossible.......2007-05-13
Written in a conversational tone, 21 days, is filled with exercises to get the creative juices flowing. If anything, you'll come out with a great beginning or "random" draft if you adhere to the exercises. I started reading the book for my screenwriting class and I expected to hate it. But, I must say, that I totally recommend the book to anyone who's got at least a desire to write a screenplay.
Book Description
Thanks to the digital revolution, film artists now have a spectacular array of powerful, new, inexpensive tools for creative expression through digital film. The once powerful studios can no longer stifle an artist's creativity. With the power of the Internet, film artists are finding once unimaginable ways to distribute their creations worldwide.
DV Filmmaking: From Start to Finish covers all aspects of the new digital video frontier, for amateurs and professionals alike--from the nuts and bolts of timecode and aspect ratio; to framing, lighting, and sound recording; as well as editing, special effects creation, and distribution.
The book is written for filmmakers at varying experience levels--taking an integrated approach to media production, and emphasizing the ways different aspects of the process work together to create a vital work of digital art:
- Hands-on detailed examination of the artistic aspects of film and video production
- Extensive examples use comprehensive step-by-step exercises for advanced editing techniques
- Scenes from successful films illustrate techniques used by professionals
- Includes a collection of professionally shot video clips, so the user can read and follow along with sets of structured exercises
- Develops a highly refined repertoire of advanced skills in editing, effects creation, title design, and more
- Inspires advanced readers to work with the included clips on their own and experiment with new ideas
- Written for both Mac and PC users and covers advanced uses of both Final Cut Pro and Adobe After Effects
Written in an engaging, accessible style, DV Filmmaking provides a solid foundation of tremendous value to a beginner, while addressing the fine points of filmmaking with a level of sophistication, detail, and insight that even the most worldly director or educator can appreciate. The author draws upon his years of experience teaching at the college and graduate level, his extensive professional background as a media producer, and his unmistakable love of cinema to create a text that's not only easy to learn from, but also fun to read.
Customer Reviews:
conceptos interesantes.......2007-09-02
este es un libro que explica de manera didáctica ,todos los procesos que tiene una producción audiovisual.
Muy bien ilustrado, con ejemplos que ayudan al nuevo realizador audiovisual a enfrentar sus primeras producciones de una forma segura, buscando que éste no cometa errores que luego pueden demeritar su trabajo.
La única crítica que tengo para hacer de esta obra, es que los ejemplos de montaje los realizan en programa específicos , como Final Cut, algo que de alguna manera deja sin posibilidades a aquellos que manejamos plataformas de edición diferentes.
A basic primer on differences between digital and print mediums.......2006-09-08
DV Filmmaking From Start To Finish by Ian David Aronson's will reach both amateur and professional digital video users with a basic primer on differences between digital and print mediums. Familiarity with Final Cut Pro or Adobe After Effects, the two programs used here, will aid in understanding DV applications in either PC or Mac formats, while the author's background as a teacher of digital media lends a logical progression to his tips and practical applied examples.
A strong reference for digital film making process.......2006-08-13
DV Filmmaking for Ian David Aronson gives you in 18 chapter a coverage for the production, post-production and distribution process of the digital film making.
The book starts with basic digital Cinematography principles. It covers he process stages such as composing shoots, lighting, shooting, working with cameras, audio, still images and titles.
This book doesn't give you a specific software tutorial, but if you are working learning with video production and video editing program, you should get a background about the whole film making process. However, this book gives you a strong background in this industry. I find this book useful for animators, multimedia designers and creative directors.
The two appendixes in the end of the book gives you a tips about getting your work in various media and selling your products.
Great Resource, Great Job!.......2006-07-04
DV Filmmaking- Start To Finish has been a great resource for my own first feature film Hot Rod Girls Save The World.
I had checked DV Filmmaking out from the Seattle Public Library last week, now I must buy one for my personal library. I find myself refering to it again and again.
Great Job!
D.A. Sebasstian
Go-Kustom Rekords & Films
A great book that gave me the answer !.......2006-06-22
A great book!
"DV Filmmaking" is an excellent book for anyone who wants to go beyond the basics of digital video.
I recently completed a video-based project for my M.A. thesis, and used this book as my guide. Each time I encountered problems, this book gave me the answer. For example, after I shot, I noticed some severe lighting trouble in a few very important interviews and I started to panic because I didn't have enough time to shoot them again. I had more than three hours of interview footage that looked pale, shady, and just plain depressing. Frustrated, I opened this book. The solution was there, in the section on color correction!!! I could fix my footage so that it was not only usable but looked really good.
I also relied on the section on compression and encoding to make
professional quality video for the Internet (something I would not have been able to do otherwise).
This book covers all aspects of the video production process, from planning, to production, and distribution. I'd like to
recommend it to anyone who is new to the world of digital video, as well as people who want to take their work beyond the level of
point-and-shoot to make something really creative.
Book Description
Go beyond the mechanics of Final Cut Express HD 3.5--learn how to edit with it! More than a button-pushing manual--this workshop give you firsthand experience with the art and technique of editing. You develop a working knowledge of this powerful editing application with eleven tutorials that cover each and every essential, including:
* setting up your system and understanding the interface
* getting your material into FCE and organizing it
* slicing, dicing, and organizing clips
* editing to build and trim a sequence of shots
* adding transitions
* using sound to refine your edit
* titling with FCE and Photoshop
* animating images to create engaging scenes
* adding special effects filters
* compositing to enhance your projects
* outputting your material
The companion DVD contains a video introduction to FCE that is especially designed for iMovie users. It compares and contrasts the two applications to ease the transition. The DVD-ROM portion contains project media, demo software, and free plug-ins for your use.
* Cover all of the essential editing processes from system set-up to outputting your material
* Eleven tutorial lessons give you firsthand experience with the art and technique of editing
* The companion DVD contains project files and a training video especially for iMovie users
Customer Reviews:
Excellent book.......2007-06-08
The book is VERY helpful and easy to read. Tom is also very active on the Apple boards so it's actual very easy to find the author of the book should you have a question not covered in the book.
The One To Get You Started.......2007-05-07
After collecting five or more books, manuals, and videos, this is the one that got me into seriously using FCE!
Tom Wolsky Nails It!!!.......2007-03-14
I have been using FCE 3.5 since it came out and thought I knew something about the software. After reading not even 100 pages I learned that more to learn was very possible. His presentation is straight forward and easy to understand. I wondered what took so long for a book on FCE 3.5 would come out and am glad this one did. FCE3.5 is a powerful software and this book helps you get the most out of that power.
Amazon.com
Thank goodness this classic book has come back into print! Though The Technique of Film Editing has not been revised since 1968, it is still the single most comprehensive and engaging volume on film editing. Karel Reisz and Gavin Millar introduce readers to every aspect of the editor's craft. They provide a concise history of editing and describe editing style as it applies to every genre of moviemaking, including the many types of narrative and documentary films. The particular demands of wide-screen filmmaking, cinema vérité, and the avant-garde are also covered. Reisz and Millar's account of the differences between smooth and abrupt editing and their remarkable sense of editing for dramatic effect rather than for realism make this book an essential for apprentice editors, as well as for those who want to know how filmmakers understand their work.
Book Description
First published in 1953, the original English version of the book was reprinted 13 times without a word being changed and in translation it has become the standard work on the subject in the Spanish Czech, Polish and Russian languages.
In 1968 the original text was reprinted as it stood, as it was felt that any attempt to revise or reinterpret it could only blur its spirit. the second edition has now also reprinted 13 times. On publication the film director Anthony Asquith said `this book is an absolute must not only for film technicians but for every intelligent filmgoer' and more recently i has been said that `it is probably the most successful film textbook in English, and has had a great influence on the technique of the cinema.' By
reisuing this book, unchanged apart from the new cover and slightly larger format, we hope that a new generation of aspiring film editors will continue to derive much pleasure from this classic text and, moreover, it will treble their enjoyment of every visit to the cinema.' Film director, Anthony Asquith `All who are creatively and written and compiled by Karl Reisz, with the help of some of the finest brains in British film production must become a standard work.' Film producer,
Michael Balcon.
Customer Reviews:
Bible of Film Editing.......2007-08-08
Bible of Film Editing
from an editor and editing professor-
editors must have it- simple as that-- would be wise for other filmmakers to read too
comprehensive fantastic.......2005-09-01
I found an old copy in a library and searched this out. I bought the hardcover one on amazon cheaply. It has been revised for so long you may as well buy the old. it's not just about editing and goes through how to sequence shots for action (a chase) etc, goes through some citizen kane shots. Has quite a few pictures of sequences and other stuff. I highly recommend it. It's a massive book.
Want to make films? Read this book!.......1997-11-24
First you have to find it. Incidentally, I am sure it is not extremely difficult to find, for I happen to have found it accidentally in a film book store in Hollywood. Needless to say this book provides any potential film maker with an exciting view of the craft, turning mechanics into art. It is written in a clear style and in an almost profound way it will change the way you understand cinema and editing. Reisz and Millar will teach you how to turn the art of film into film art.
Customer Reviews:
Do you really want to write screenplays?.......2007-10-02
If so, you will love this book. As someone who reads all the books I can on screenwriting over and over as I write, I find this book invaluable. What separates it from the others? The chapters on subplots and scenes really help. I also have found Rob Tobin's book, John Truby's course, Kate Wright's book, Blake Snyder's book, Michael Hauge and Chris Vogler's DVD/books instruction to be helpful. These books don't just tell you to reveal character and move the story forward; they show you how.
Kind of boring, but good information.......2007-06-27
Linda Seger teaches or taught script writing at some school somewhere. She loves to tell you this in her book. I don't think she actually ever wrote any movies in her life that I can tell. According to the Internet Movie Database she was listed under Miscellaneous Crew in the "Never Ending Story II: The Next Chapter". Not exactly a block buster. So I think she should work a little harder on her craft. My guess is that she has made more money teaching and writing about movies than actually writing a movie. She is listed as script consultant in some random movies I've never heard of. Probably worth the $3 I paid used but not much more. Here's a tip for the author. Go write a movie we've heard of and then write a book.
Polish Your Hollywood Star.......2006-09-22
Reading a screenwriting book by Dr. Linda Seger is like taking a hundred meetings with Hollywood's best writers and directors, and listening in as Seger helps them mold their stories and scripts into a hit. Seger's experiences are vast, and she's generous with her advice, which is smart, visual, commercial, and practical. If you do what she says, your chances at selling and getting your screenplay made are tremendously magnified. Making a Good Script Great, for instance, is one of those books that every screenwriter should read (again-and-again) before starting the next project. A good screenplay is complex and sophisticated, but must read simply, easily, and enjoyably. The task is a multifaceted, intense, and long-suffering. Seger, however, provides the chisels and rouges to take your diamond in the rough, sharpen its edges, and polish its faces, until your script gleams and sparkles like a Hollywood star.
Linda's writing was helpful in the writing of my own book on screenwriting published by Michael Wiese Productions -- THE MORAL PREMISE: Harnessing Virtue and Vice for Box Office Success.
Helpful.......2006-02-21
This book offers some good insight. This 'is' about "Making a Good Script Great" as the title says, so it's not for someone looking for a starting guide. For those people, I would reccomend "Lew Hunters Screenwriting 101."
I must warn, that the book references 'Witness' allot. So if you haven't seen it, see it. And see Ghostbusters too!
Overall though, this guide is one of the few that actually delivers, and is a quick and easy read.
-Matt
the publisher doesn't want to deal with you.......2005-08-18
The book is good, but the publisher is a horror for educators to deal with. (ex: requests for desk copies are met with a reply that amounts to 'buzz off')
Amazon.com
Christopher Vogler has served as a studio folklore specialist, and here comes up with a book that is, in one regard, much like the screenplays it seeks to strengthen: it's derived from other sources! An acknowledged distillation of, and meditation on, the work of Joseph Campbell, The Writer's Journey approaches the storyteller's craft as one of recounting the hero's mythic journey, replete with roadblocks and life lessons. But why the unspoken assent that movies hew to this structure, when we don't demand the same of plays or books? Could it be that the collective viewing of films is one of our last tribal rituals?
Customer Reviews:
Great Book!.......2004-02-15
This book's a bit controversial among established writers, and I know wonderful and successful writers on both sides of this fence. It seems you either "get" this book and can use it, or you don't. Personally, I love it. But then, I love movies and plotting and dissecting stories to figure out why they work or don't work. You have to decide for yourself.
A Journey Worth Taking.......2002-11-03
Christopher Vogler's "The Writer's Journey" is an open corridor to superb characterization. In preparing to write either your novel or screenplay, Vogler's vivid descriptions of the most common archetypes are truly indispensable and useful. Every fiction writer owes it to him or herself to be mindful of the qualities that each archetype possesses. My mind has been opened by studying the different characteristics of the Hero, the Shadow, the Mentor, the Threshold Guardian, the Herald, the Shapeshifter and the Trickster. Vogler describes each one's dramatic function as well as their psychological function. After teaching us the merits and peculiarity of the character, Vogler exhibits his own unique dramatization of Joseph Campbell's work. The Writer's Journey gives the writer a chance to develop a story to its fullest potential. I thoroughly enjoyed this book and have started to employ its direction in my own fiction writing. It will not only change the way we view our characters' and their prospective journeys but it will also help us to see some of their characteristics in our own lives. This is a great book. Every novelist and screenwriter must have The Writer's Journey. Kudos!!
Bases on the work of Joseph Campbell.......2001-12-26
This is Christopher Vogler's interpretation of Mystic Structures for Storytellers & Screenwriters.
I have not yet applied this book yet it was a real eye opener. This book is not only for the aspiring writer but is a good insight to existing stories and movies. The content goes way beyond Campbell with contemporary movies as subjects.
He covers heroes and journeys down to a science. I think I'll put the story together first then come back to this book for the polish. If nothing else this is a good companion to "The Lord of the Rings"
Using the Model of the Hero Myth in Books.......2001-06-01
I have just finished Vogler's fascinating book. The Hero model he describes is a novel writer's dream. It is so flexible and dynamic that the nature of the Hero and his ordeals can find expression in almost all story forms. The writer and the Hero together share the Villan, Trickster, Ordeal, the In Most Cave, the Reward, the Elixir and so much more. It is the writer's life journey incorporated into the Hero model of their story. I am using it to write an historical trilogy for young adults. Vogler will take you to Joseph Campbell the master mythologist.
Mythology gives insight into Movie story-telling.......1998-08-11
This book will tell you how the most successful stories in history are written. How did George Lucas decide on the plot for "Star Wars"? Why do certain movies work so well? This book is a must for any screenwriter. It outlines the story structure which is inherant to humanity, and engrained in our culture.
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