Book Description
From the producers of the acclaimed Dressing a Galaxy: The Costumes of Star Wars comes an inside look at the secrets behind the saga’s artful models and sculptures. Lorne Peterson, model and sculpture designer for the entire Star Wars saga, takes us on a journey through the intricate process of crafting and sculpting the models from sketch to screen and the artistry behind the dazzling results.
Sculpting a Galaxy: Inside the Star Wars Model Shop features more than 300 full-color photographs and illustrations from the Lucasfilm archives, models from all six films, interviews, images and text with concept sculptors, an overview of the ILM model shop from 1976 through today and numerous gatefolds of the most loved models.
ILM virtually redefined visual effects and blazed a trail into the digital realm, follow behind the camera and into the rarely seen workshops and an amazing look at the creation of movie magic. Sculpting a Galaxy: Inside the Star Wars Modelshop takes readers behind-the-scenes for the first in-depth look at these amazing models and the process behind their creation, punctuated by Lorne Peterson’s exuberance and dedication to craft.
This unique visual treat is a must-have for any Star Wars fan.
Customer Reviews:
Giant coffee table book...mostly a retread.......2007-08-02
For those who have purchased the series of "Art of Star Wars" books, as well as "Star Wars: Sketchbooks" et cetera, this tome is impressive but not novel. Many photos from those earlier books are reused here. The problem is that they have been blown up for this larger format. Consequently, the blown-up recycled photos are slightly blurry. There are some wonderful photos of star destroyer details that have not been seen before...but is that enough to merit this huge new book? That decision is up to you, but I expected heretofore unseen, crisply focused photographs.
Great Content, Defective Copy.......2007-08-01
The actual content of the book is top notch, with many great shots model shots. I also enjoy the accompanying stories, from behind the scenes. The problem is, the binding was already coming apart when I received it. A beautiful book, marred by a crappy binding.
I received a copy of this book as a present, that was purchased on Amazon.
Un livre indispensable à tout fan de Star Wars.......2007-07-19
Le département Maquettes d'ILM est devenu Kerner-Optical, mais le savoir faire n'a pas été dispersé grace à Lorne Peterson.
Ce livre montre en détail toute cette expérience acquise depuis plus de 30 ans, ce livre donne des astuces pour tout maquettiste en herbe.
Un très bon ouvrage.
Bonne lecture
star wars fan.......2007-07-05
If you are a either a fan of star wars or a model builder this is the book for you. It is full for close up pictures not only of the ships but also creatures and settings.
Another great Star Wars book for the 30th anniversary.......2007-05-30
Lorne Peterson's book is another great Star Wars book being released to coincide with the movie's 30th anniversary. I've always been interested in the making of all six movies, and this book doesn't disappoint in letting us know how the model shop he headed at ILM accomplished the movie magic they have been doing for three decades. My only critique is that there could have been more photographs and the binding leaves something to be desired with some photos being severely "split". I was wondering if the book would start falling apart after a while... But overall, a book any Star Wars fan should have. I'm looking to forward to Steve Sansweet's new book due out in October.
Book Description
Offers user-friendly knowledge and stimulating exercises to help compose story, develop characters and create emotion through skillful creation of the sound track.
Customer Reviews:
One of my all time favorite books........2007-06-19
"Sound Design" by David Sonnenschein is a very rewarding and fascinating read. Full of knowledge and practical examples as well as exercises to develop the reader's own awareness for sound. It's became one of my all time favorite books.
I highly recommend it to anyone interested in sound... be it for film or radio.... or music...
Great Service.......2007-03-10
It was shipped the same day and delivered a few days later. For those college students that get ripped off at their school bookstore this is a must.
A most excellent read and perfect for classes in sound design.......2007-02-12
David Sonnenschein's book is my "go-to" book for not only the quality of information that he presents but the interesting way that it is told. This book is an excellent read besides being extremely informative. I find that these are the best to assign to my students as many texts are just that: texts - dry and dull. David Sonnenschein presents the information herein in a delightful way and has many excellent tips on the overall shape of sound.
A great book, full of examples and creativity.......2007-01-30
I have to thanks deeply Mr D. Sonnenschein for this incredible book. I enjoyed it so much. This book helped me so much understanding the 'how' of sound effects and ambiences in movies. For sure a good choice and a good book.
I just can give an advice: buy it!!! I am a sound designer in Spainn and I consider this book a must.
Thanks David!
Great book to teach with!.......2006-01-26
I use this book in my Sound Design class at the University of Saint Francis. It is a great foundation upon which you can build confidence in your inexperienced students just by having them read the book! Also it helps make sense out of the confusion of directors dealing with sound and audio crew. This book has made my teaching job a lot easier and the students of my class a lot more saavy in sound design.
This book also would be excellent for anyone interested in the sound of movies and TV. AND it is essential reading for any Director (any GOOD Director, that is) Thanks David Sonnenschein for writing it!
Book Description
Successfully design and implement lighting setups with LIGHTING FOR FILM AND DIGITAL CINEMATOGRAPHY with InfoTrac®! Coverage includes lighting, color control, texture, exposure technique, and elements that create image, 'look,' and mood. With a balance of the aesthetic and technical aspects of lighting, this communication text helps you apply what you have learned with over 150 photographs, diagrams, and images from real films.
Customer Reviews:
THE BEST BOOK FOR CINEMATOGRAPHERS.......2007-09-10
This book is a definitely must have for anyone interested in cinematography. This book goes thru all the different aspects and things that a cinematographer must know to create beautiful images. It does go into detail about video as well. But the thing is, and it does state this in the book, if you use film techniques for video, you'll come out with much better images than those that you see on those bland tv sitcoms and such. If you know the film techniques you can't do anything but improve the quality of your video. And the lighting exercises in the back are good ways to practice what the books teaches...all books on lighting should come with exercises. The only true way to learn lighting is to engage in it. This is a great book but the price is a bit outlandish.
Excellent but pricey.......2005-11-21
I'm very new to lighting for any film stock. My goal is to become more aware of how to light for film, mainly digitial stock. This books does provide extremely detailed information on lighting, such as footcandles, gamma, lighting terms and much more, but mainly in one chapter. It did provide detail about digital film lighting and standard photography lighting. I wish it gave more insight about "moods" but I learned a great deal. Downside, it's expensive for the material you get.
Not for Novices.......2004-11-06
This book dishes out a lot of information in the small space between it's paperback covers. I read it looking for film lighting basics, and had a tough time grasping some of the more technical language involving exposure, T-stops, etc, even though I have a decent background in photography. The book does a poor job of addressing and explaining these key concepts. I gleaned a decent amount of information from the pictures and diagrams, but they were poorly aligned with the text, requiring lots of flipping back and forth. All in all, I would reccommend this book only to people with a fair amount of knowledge of the physics behind photography and/or film.
Must Have.......2000-03-29
Anyone interested in Ciinematography sholud have this book. It is full of practical examples, and the apendix is a very useful reference. Lots of information you will not find elsewhere
no better introduction to the craft.......1999-01-28
I have had this wonderful book since its first imprint. It demystifies the art of cinematography and lays a good foundation for the reader to understand both the craft and practice of cinematography. Those who have struggled to read American Cinematographer will have no problems after reading this excellent book. Highly recommended. But why the price increase? I paid only $30 in 1992.
Book Description
"Automated LightingTechnology, Applications, and Design" is a comprehensive text covering everything you will need to know as a working or aspiring lighting professional about automated lighting fixtures, systems, how they are used and design issues you will face. It is written in clear, easy-to-understand language but includes enough detailed information that the most experienced technician and engineer will appreciate and benefit from reading. Subjects covered include the history of automated lighting, DC and AC electricity, basic electronics, power supplies, digital electronics, electro-mechanical systems, optical systems (including dichroic filters, reflectors, lenses, and more), lamp technology, lighting effects (including color mixing, glass gobos, and more), data distribution systems, DMX, RDM, and ACN. State-of-the-art automated lighting fixtures in various applications including theatre, television, concert/touring, and permanent installations are discussed and special design issues are addressed.
The text is amply illustrated with drawings and pictures. The newest technology in automated lighting--"digital" lighting or pixel-based automated lighting projection--is also covered in detail. This book is the antithesis of a reference manual or user manual. It is entertaining and educational with lots of graphic illustrations and easy-to-understand concepts. Its the most fun you can have without sitting behind a console.
* Numerous examples and illustrations
* Easy to read with little "tech-talk"
* Contains information on the newest lighting technology
* Minimal amount of math reduces the drudgery!
Customer Reviews:
A Great Resource.......2007-01-11
This book is an outstanding resource for anyone involved with Automated Lighting. It covers a wide range of lighting topics, but each with detail and accuracy. A must for anyone just starting to work with autoamtion (especially repairs), but has some great information for old pros as well. While this book has more for technicians than designers, any automation designer may find most of the content useful.
Book Description
The Set Lighting Technician's Handbook is a friendly, hands-on manual covering the day-to-day practices, equipment, and tricks of the trade essential to the motion picture lighting technician. This handbook offers a wealth of practical technical information, simple techniques, as well as aesthetic discussions.
The Set Lighting Technician's Handbook focuses on what is important when working on-set: trouble-shooting, teamwork, set protocol, and safety. It describes tricks and techniques for operating a vast array of lighting equipment including xenons, camera synchronous strobes, black lights, underwater units, lighting effects units, and many others. This handy on-set reference has also been widely adopted as a training and reference manual by union training programs and top university film production programs.
New in the second edition:
Revised and updated throughout
12 new appendices of handy reference tables
Over 180 illustrations and photographs
Lots of new topics and gadgets
Harry C. Box is a Hollywood-based gaffer and director of photography.
Foremost hands-on guide to set lighting from an industry professional.
Only comprehensive source specific to the set lighting industry.
Practical, anecdotal, detailed, and comprehensive.
Customer Reviews:
A lot of Really Good Info........2007-06-03
A MUST HAVE for the inside scoop into the Industry.
Great for beginners or review for experts.......2007-05-15
If your planing a career in the motion picture or television business than this book will greatly advance your technical knowledge of the business. If your an old pro at the business the book is great for a quick reference to prepare you for a shoot.
A must have, for any D.O.P.......2007-05-15
This wonderful book, covering all the major areas in lighting, in enough detail to give a solid grounding. w
While it may appear a little too technical for the absolute beginner, it does offer a solid base in knowledge for those with a little experiance wanting to expand their knowledge, and take away plenty of ideas with which they can put to trial on future set's.
If your looking to become a cinematographer; but feel there are gaps in your knowledge, get this book. I believe it to be a must have.
Everything you wanted to know about lighting Film and TV but where afraid to ask.......2007-03-21
Harry C. Box's book on Set lighting for film and TV is the most comprehensive book on the subject. He writes with humor and an insiders knowledge, while taking the time to explain things as though you where a novice. If anyone is considering a career in Film production this is a must read on their list.
Everything I could've hoped for.......2007-03-11
This book is great in that in speaks to all levels. Going over the basics between a baby and a junior all the way up to distribution and specialty lighting, this book will inform the novice and work as a reference for the rest of us.
Most of the second half of the book is all reference charts. It's a great source for planning your next shoot all in one place (for those of us that don't have the luxury of getting half the rental shop to accommodate our needs).
Book Description
Practical Art of Motion Picture Sound embraces the subject of sound for films. Based on the experience of the author and other top sound craftspeople and firmly grounded in practical techniques, this book provides numerous real-life examples and relevant technical data, as well as an appreciation of all the processes involved in creating motion picture sound.
This edition is completely revised, with all-new chapters on 5.1, the Nagra IV-S, and the Nagra V. The ProTools content is expanded, and there are new sections on how to record Foley in Pro Tools and the concept of ADR/looping. The accompanying audio CD presents demonstration material as well as a large library of sound effects, while numerous charts, illustrations, and photographs help to demonstrate techniques and common industry practices.
Learn about best practices and pitfalls from a Hollywood veteran
Audio CD with demos and sound effects
Experience-based advice on a wide range of topics
Customer Reviews:
Behind the attitude, there is a lot to learn here.......2007-09-29
As mentioned, Mr. Yewdall really knows his stuff, and the personal approach is unique and highly effective. It's rare to see a subject like this tackled in such a personal manner, and on that level it works.
However, as a "read" it has its problems. It is extremely lenghty, the writing is at times long-winded, and much of the information is unnecessary. The Pro Tools chapter should probably be removed entirely as it shows a lack of real awareness of how the system is being used by professional operators. (and it really doesn't seem to be his strength anyway.)
More troubling for me was the attitude. He has quite an ego, and his anti-intellectualism is not a positive influence, not for those practicing sound arts nor those who work with them (producers, directors, editors). In many ways, his book is geared toward all practitioners in film, and I fear that his attitude reinforces the perception many people have of the bitter sound guy.
However, while I found that aspect tiring, there's no denying that this is easily the most revealing book on audio for film I've found. If you want an in-depth look at the nuts and bolts process of film sound, you'll definitely learn a great deal in Mr. Yewdall's book.
The Practical Politics of Motion Picture Sound.......2007-08-03
This is the first book I've read on the specific topic of sound for films. I saw this listed on the Berkely School of Music website as a listed text book, so I figured if it's good enough for them....
There's a lot of great technical tips on many aspects of sound recording, from on-camera dialog, sound effects in the field, foley stage, to editing both linear and non-linear. The only thing less touched on was some techniques on the final mix of a soundtrack, even though the process of it was covered.
This book would be better for someone who's getting ready to enter the professional field, or just starting as tons of politics are discussed which at points made some chapters seems like an E! Entertainment report. Funny, but a little overkill for someone not in "the business".
Lastly, I would have liked to hear more about the mistakes the author made and how he learned from them, with solutions and the problem solving techniques used. Most references are on how everyone else made the mistake of not listening to the author, which comes across a little snooty, but I get the point. Good basic tips and setup for using ProTools as well. If you don't mind all the politics, and camera talk, then this will be a great read and learning expierence.
This book needs a new edition!.......2007-06-05
There's a lot of really good stuff in here - clear, concise, and helpful, even if the author is a little hubristic at times. Sadly, all of the information dealing with computer-based audio is at least ten years old: the author mentions applications like Sound Designer and the 'Audio Media III' hardware card, which went out with beige Macs.
Untold Secrets of Cinema Sound.......2005-02-27
Mr. Yewdall, the author, puts his long time experience into this book. Avoiding pitfalls with producers to working with budgetary constraints while producing academy award winning sound is probably the main emphasis of this book. The CD that comes with it is quite valuable, containing sample audio clips to demonstrates the author's points at various times. This book will save you atleast 2 years of experience in motion picture sound. It's worth every penny.
A good overview of sound for films.......2001-04-28
I found the book very entertaining to read, Yewdall tells many personal stories which he uses to illustrate points. In fact, I read it more like a novel. He passes his knowledge, and experience to the reader through stories of things he's done, and has seen in his many years recording, producing and creating sound for motion pictures. Some is fact, some is opinion, but his opinions are clear and are backed-up with his own unique style of logic.
There are also more technical areas of the book that cover topics like mic placement, how to record cars/explosions/dialogue, how to catalogue your own sound effects libary, etc. This book would also be useful to directors and producers who want better sound in their films. There's definately lots to learn about sound, and the author has done a good job giving the reader an idea about what motion picture sound is all about.
Amazon.com
Painting With Light was the first book on cinematography written by a major Hollywood cameraman. Published in 1949 and now put back into print, it is one of the best and most unusual books in the field. Written with good humor and full of helpful diagrams and photographs, it is certainly the most entertaining. Its technological discussions are dated, but Painting With Light remains relevant because its primary focus is on light itself and the many complex ways the camera crew can manipulate it. This new edition contains a biographical introduction by Todd McCarthy, who describes how the man who shot the strikingly colorful ballet sequence in An American in Paris also helped define the stark, haunting style of the film noir.
Book Description
Few cinematographers have had as decisive an impact on the cinematic medium as John Alton. Best known for his highly stylized film noir classics T-Men, He Walked by Night, and The Big Combo, Alton earned a reputation during the 1940s and 1950s as one of Hollywood's consummate craftsmen through his visual signature of crisp shadows and sculpted beams of light. No less renowned for his virtuoso color cinematography and deft appropriation of widescreen and Technicolor, he earned an Academy Award in 1951 for his work on the musical An American in Paris. First published in 1949, and long out of print since then, Painting With Light remains one of the few truly canonical statements on the art of motion picture photography, an unrivalled historical document on the workings of the postwar, American cinema. In simple, non-technical language, Alton explains the job of the cinematographer and explores how lighting, camera techniques, and choice of locations determine the visual mood of film. Todd McCarthy's introduction, written especially for this edition, provides an overview of Alton's biography and career and explores the influence of his work on contemporary cinematography.
Customer Reviews:
The Best Basics about lighting effects.......2007-07-09
Even though the subject of the book deals with B&W lighting effects for film and TV, as an artist, it helped me in creating paintings with better "moods" and making them more dynamic.
Very good.......2007-06-08
I think this book is an evergreen among books. "Romantic" way of writing covered by practical knowledge and techniques. I would recommend reading it.
Especially for people doing CG this could open some new ways, ideas looks.
Great book!.......2007-01-09
Was the perfect gift on Chritsmas ! My son is very happy!
Shipppin in time! Good service.........
Thank You AMAZON!
The Film Noir Lighting Bible.......2007-01-04
[Note: I'd give this 3 and a half stars if the system would let me] Alton's book is indeed pioneering and along with The 5 C's of Cinematography make up the seminal volumes on cinematography that film makers used for almost 3 decades. Alton's writing style is very formal and at times can be almost condescending; at times he seems to imply that his way is the only "right" way to light something. However, for the genre and period he was lighting for I think it is appropriate. He pretty much invented film noir lighting and in this book he reveals just about every technique to do so yourself. I liked the many photos and stills from real movies, and he does have a chapter on the grip and lighting fixtures available in those days. Ironically many of those fixtures are still staples in any hollywood soundstage, so things aren't outdated in that sense.
Another interesting section is his analysis of natural light and the qualities of the various times of day and how to emulate them on a set.
Amazing!.......2006-03-05
Okay, lets put this review in perspective. This book will teach you hardly anything about anything technical because it is so outdated. It is also mainly about studio lighting on big productions, so it doesnt have much practical information for extremely low budget film makers. But having said that, this book is the best book there is on basic cinematography and lighting. Although the book is outdated technically, Alton's technique can never be outdated, the basic fundamentals of incredible artistic lighting. This book is especially helpful to black and white cinematographers and still photographers. I recommend reading this book after you watch some of his films so you can see his technique in action. Amazing book that you will keep forever in your collection.
Book Description
Motion Picture and Video Lighting explores the technical, aesthetic and practical aspects of lighting for film and video. Written by a professional in the field, this comprehensive book reveals inside information based on years of experience and thoroughly explores the challenges faced by cinematographers, lighting directors, gaffers and grips.
Through a hands on approach which is augmented by insightful diagrams, tables, charts and photographs, the author illustrates the power of light as one of the most important elements of filmmaking. Whether the reader is a professional, or student, a gaffer, grip or cameraman, this book will be a useful reference.
Blain Brown is a cinematographer and lighting director based in Los Angeles, California. He has lit and photographed a range of productions - from macro/table tops to boxing arenas, and from no-budget shoestring productions to large-scale features. Mr. Brown has also worked as a producer and line producer on commercials, music videos and feature films.
Provides a comprehensive look everyone involved in motion picture or video lighting.
Contains diagrams, tables, charts, and photographs to supplement the text.
A perfect reference for the professional or the student.
Customer Reviews:
A completely professional approach.......2001-07-20
The thing about this book is that it is written from a completely professional point of view. It deals with lighting as it is really practiced on professional movie sets - not like most books on cinematography which seem to be written by people who haven't actually done it all that much in the real world. I've bought about every book there is on movie lighting and most of them are a waste of money.
This book covers everything from a basic introduction to color, exposure and electricity up to the more complex technical issues you have to deal with as a gaffer or cinematographer: very thorough and comprehensive. The Set Technicians book is good if all you are trying to be is an electrician, but this is the one you want if you really want to move up as a gaffer, lighting director or Director of Photography. Except for one chapter (film exposure), everything in the book applies equally well to video, digital video or High Def. There is also a very good chapter on video which covers what you REALLY have to know to work in video lighting.
If you work (or want to work) in the motion picture industry, knowing lighting is the key to advancement and success. This is the book to get if you really want to learn motion picture and video lighting.
A good lighting manual for a beginning cameraperson........1998-10-20
Blaine Brown's book provides a decent explanation of set lighting, it's instruments and protocol. The text, though, seems to speak more to the cameraperson or AC who is curious about lighting. There is a lack of attention given to the juicers and hammers who are actually creating and shaping the light. There is a considerable amount of text granted to electrics and the distribution of power, but much more thorough and much more practically explained definitions are readily available in Harry Box's "Set Lighting Technician's Handbook."
Amazon.com
The title of The Digital Filmmaking Handbook is something of an oxymoron, because this thorough book covers everything you need to know about filmmaking production, from concept to screening. The only missing element is film itself.
Film and video production are in transition. Film and analog videotape rapidly are approaching the end of their technological lives, being replaced by digital videotape and digital cameras. You can buy computers that connect to DV cameras and edit DV tape almost anywhere, and they cost only slightly more than an entry-level computer. The Digital Filmmaking Handbook, then, is for anyone buying into the DV revolution who wants to do more than shoot home movies of the kids. It's for filmmakers young and old, professional and hobbyist, who want to learn to shoot, edit, and make great movies.
Unlike traditional filmmaking books, in which only the camera and some audio and editing equipment are addressed, part of this book approaches the medium from a computer hardware and software perspective. Numerous hardware issues like choosing the components for an editing workstation (chapter 5), the kind of digital video camera to use (chapter 6), selecting editing and audio software (chapter 7), and various output formats (chapter 18) are discussed. Also, there are chapters on effects, making video look like film (chapter 17), and digital titling (chapter 16).
The book never strays from speaking to moviemakers instead of moviemaking-gear buyers. Everything from preproduction tasks (such as scripting, storyboarding, and budgeting) to production tasks (like set preparation, lighting, filming (sans film), and sound recording) through final editing, color correction, titles, and output is explained. Filmmaking is heavily dependent on technology, and each of these subjects is well covered. Chapters on audio, for example, include selection of microphone types; differences between mic types; how to connect mics to a DV camera or synchronize audio in postproduction; how to control sound levels; and so on.
The chapter on editing reflects the experience of the authors. Films are understood through their own language, and how scenes are edited determines the dialect of that language. Such techniques as matching screen position, matching emotion and tone, matching action, when to use pauses and overlapping edits, and the effect of pauses and pull-ups (shortening a scene) are defined and justified.
If you can't get into NYU's film school--or even if you can--The Digital Filmmaking Handbook is a worthy reference to keep at your fingertips. --Mike Caputo
Book Description
Since the advent of digital video and desktop editing software, scores of independent producers have become equipped to make their own movies. But because filmmaking involves much more than just buying a camera and a computer, there's The Digital Filmmaking Handbook. This one-stop digital filmmaking resource will guide you from your initial idea to getting your finished project "in the can." It will show you how to create shots and effects that are rarely associated with low-budget productions. And it covers everything from writing and pre-production planning to shooting and post-production editing and effects. Now in its third edition, this best-selling book has been completely updated and revised to include detailed information on a number of important new digital video technologies, including both high-end HD video and the new HDV format, and affordable new digital video standard that lets even low-budget producers work in high-definition video. All of the chapters have been revised to cover the latest hardware, software, and production workflows,, and new exercises offer help with everything from writing to special effects. Whether your goal is an industrial project, a short subject for your Web site, or a feature-length movie for a film festival, this book will help you understand the questions you need to ask, so that you will be prepared to solve the myriad problems that will arise.
Customer Reviews:
This is the book you'll need..........2007-04-19
If you're like me, just getting started as a hobbyist filmmaker, this is the book. I only received it yesterday and glancing through the contents, it covers most, if not all of the questions I've had about certain aspects of filmmaking. It is well written in everyday english, easy to understand.
Since yesterday when I first opened the cover, I haven't been able to set it down for very long. It's that good. I highly recommend this book to any and all levels of individuals who want to learn about filmmaking from the ground up. It covers it all.
From writing to production: everything you'll need..........2006-03-16
Ben Long and Sonja Schenk's DIGITAL FILMMAKING HANDBOOK THIRD EDITION pairs a fine DVD packed with project files, film clips and tutorials with an updated, revised edition of a best-selling guide to new digital video technologies. Chapters have all been revised to cover the latest hardware and software configurations and new exercises provide help with everything from writing to production. Black and white screen shots and examples throughout make DIGITAL FILMMAKING HANDBOOK a one-step resource.
Good Description of How to Get Started.......2006-03-13
An excellent one stop guide to getting started in digital filmmaking, realizing of course, that there is no film involved.
This book starts with selecting the things like the type of camera you need to make digital video. And for good work, a good camera is necessary, and expensive. IThe book is intended for the person who is just getting started. It explains the terms, the basic equipment you will need, and so on.
The concept of making a film, no, a video starts with a story. From here you need a script. Then you do a story board to plan your shoot. If this sounds a bit professional, it is. This book presumes that you are serious about making a video. This is a rough cut at what the pros do to make a film. ==From this book alone you probably won't get to the Academy Awards show, but reading and putting into practice what the book says might get you into a commercial or a local indistrial film production.
All in all a good summary of getting started in the digital AV business.
Great for begginners--NOT for advanced or anyone who has any brains.......2005-10-31
This book was written for people that have no clue what a computer, a video camera, or a movie is. It is written for the very inexperienced or novice--the people that should not be making movies to begin with.
But it is packed with information a 7 year old or 88 year old can understand, and it is 95% close to being accurate. I guess if one needs to start somewhere, here it is, but after reading it, please do not make your first movie to send to festivals, make as many as you can, practice, practice, practice, then get a real book. Digital Filmmaking 101, Digital Moviemaking, Independent Filmmakers Manual, and so forth before getting into the movie making world--please.
Great starting guide and more!!.......2003-05-20
This book covers all aspects of digital film making and as such doesn't really have the space needed to go into in depth detail on every subject. Regardless, it is a great place to start. It's a very easy read, unlike a lot of film making books that assume you've already got a Masters degree in film. I wont talk much about content descriptions as other reviewers have done a good job of that already - infact, it was on the strength of such user reviews that I bought the book in the first place. I will say this though, if you haven't already bought a camera, buy this book before you do. Lack of funds may make your choices limited anyway, but you wont regret having read this book first.
I have given the book 4 stars instead of five simply because I found the tutorial sections to be a little out of place. The tutorials seem to make the assumption that you have equipment at your desposal - such as expensive lighting kits - and as I imagine that many readers wont, the significance of these tutorials will be slightly lost by the time you do actually have these items in front of you. Unfortunately I couldn't rate the book at 4.5 stars, but that is what I'd like to give it.
In closing, this shouldn't be, and if you're anything like me it wont be, the only book on digital film making that you buy, but it is definately the perfect place to start.
Average customer rating:
- No Technique - thin on using shadows for anything
- Placing Shadows
- Good info if you want to know how a light bulb is made.
- Puts ligth on the life of beginers and pros
- Great introduction to "Art" of lighting.
|
Placing Shadows, Third Edition: Lighting Techniques for Video Production
Chuck Gloman , and
Tom LeTourneau
Manufacturer: Focal Press
ProductGroup: Book
Binding: Paperback
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ASIN: 0240806611 |
Book Description
A mix of theory and practical applications, Placing Shadows covers the physical properties of light and the selection of proper instruments for the best possible effect. For the student, advanced amateur, and pros trying to enhance the look of their productions, this book examines the fundamentals and is also a solid reference for tips on better performance.
* Heavily illustrated in full color!
* Covers the fundamental properties of light as well as many tips and tricks
* Includes up-to-date equipment and techniques such as lighting for High Def, HMI lighting, etc.
Download Description
A mix of theory and practical applications, Placing Shadows covers the physical properties of light and the selection of proper instruments for the best possible effect. For the student, advanced amateur, and pros trying to enhance the look of their productions, this book examines the fundamentals and is also a solid reference for tips on better performance.
Customer Reviews:
No Technique - thin on using shadows for anything.......2007-04-04
Reviewer Joel (CA United States) is 100% correct: This book's description and all of the other reviews are completely misleading. The book is thin on content at this price range and doesn't even truly cover the subject of "Placing Shadows", and, other then building off of a foundation of the standard 3 point lighting system, it doesn't provide any techniques to do anything with shadows at all.
What it does provide is a good easily understood explanation of color and the measurable aspect of temperature along with definitions of the various existing light bulbs, their properties and color temperatures. But if you are at the stage where you're looking to buy a book to help you with using shadows then you should already know everything this book has to offer on this subject. And if not this isn't the book to get it from.
This book is not what I thought it would be as I was expecting some advanced knowledge on creatively using lights to create shadows that would enhance my productions. What I got was a rehash of the basics of illuminating a subject, with illumination as the key word.
If you want to learn lighting for video go get one of the lesser costing setup books that have page after page of diagrams of different sets and the various positions of where the lights should go.
This is not the book to help you learn about using shadow techniques to enhance your production as it is more a book about light bulbs and their color temperatures.
Oh, yeah, the second edition's cover is completely different and looks like a cheeply produced self published paperback book.
Now I have only one question: Where do I get a refund?
Placing Shadows.......2005-12-21
Placing Shadows in an appropriate title for this book. Shadows are the 3rd dimension of lighting ignored by many video professionals. The book explains in depth, the spectrums and characteristics of different types of light. Most books don't go into these explanations except 400 level college video classes. By doing so, it gives a basis to go on to discussing the many assorted manufactures lights and their practical use. Not just hypothetical lighting situations, but actual sets, from office settings to exercise videos. Also acknowledging, every set is completely different and must be lit by what is necessary to create the look you need.
Additionally this book, described how to set up your monitor by using different color bars and using waveform monitors and vector scopes, something that many college graduates were never taught how to do, like ME! If a student learns and retains everything in this book you will be ahead of all you peers and will understand what is being done on a set when they're in the real world of video.
Good info if you want to know how a light bulb is made........2003-08-26
I have a background in photography so using tungsten lighting is not new to me. I thought this book would have more technique then I was led to believe.
It does have some great info on how a light bulb is created and the various parts but is not very fulfilling. this book is not what I thought it would be like and
the reviews from others are misleading.
It goes over various lighting setups, any photography book covers this and skims over ratios. It explains color meters in short detail but it would be great to have more "meat" to hang on to then the author's bad grammar and old sayings. He suggests that you learn by doing. enough about his experiences, show me something I don't know how to do!
If you want to learn lighting for video, this is not the book to buy. If you want to learn about light bulbs and color tempatures of tungsten lights then this book delivers.
I give it a 2 stars because it does have some merit but not in the area of lighting technique. For a really thin book, its not worth the price even if you get a discount.
Puts ligth on the life of beginers and pros.......2002-04-20
I belive this book can be very helpful for people who want to make films, either as a guide to create a nice looking product or as a general idea of how ligth works for the image, this book is a great begeaning in every cinematographer's career.
Great introduction to "Art" of lighting........2001-11-10
As a beginning Videographer I found this book a great introduction to the many different lights and techniques used in obtaining good video. The book is also very current on what is available today. I feel it could have been a little more in-depth, but for the price and length I found it well worth buying and reading. The authors write in a very "readable" style that educates you but doesn't bore you. Highly recommended.
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