Amazon.com
Award-winning artist Charles Reid wants his students to concentrate on three basic themes in his book Painting Flowers in Watercolor: "Keep it small. Keep it simple. Avoid overwashes." Economy is stressed throughout, as when Reid writes, "The fewer the strokes and the smaller the amount of color mixing, the fresher the painting." He explains how to get started with brushes, mixing paint, and the basics of composition and contour drawing, and provides exercises in these fundamentals. Reid then guides the watercolorist in painting fruit, vegetables, leaves, and flowers. He offers mini-demonstrations here, such as how to paint a bunch of carrots, an avocado, or slender leaf forms, and finishes with advanced, step-by-step demonstrations in composing still lifes with flowers. Experienced and beginning watercolorists will appreciate the wisdom in Reid's philosophy of "less is better." Somehow he manages to invest a bowl of yellow tulips and mixed flowers with a splashy, vibrant expressionism while expertly exploiting the blurry and translucent delicacy of the medium itself. --Mary Ribesky
Customer Reviews:
Patricia O.......2006-07-02
Looks great, haven't had time to read, but is similar to one he wrote (currently out of print) loaned to me by my art teacher.
Watercolour at its Best.......2005-07-20
I first met Charles Reid and his wife Judy in 1988 and it was the beginning of an endless learning process ever since. I have learnt so much about watercolour from his books over the years since then. Charles' books are amazing in that he holds nothing back and just discloses all his knowledge in a wonderful style that is easy to learn from. Invariably there are step by step demonstrations to illustrate his methods. Even if the reader doesn't particularly like his style but would rather paint in a more classic sense with lots of glazes and so forth you will still learn so much about how the colours interact with water and on the paper. Charles' workshops are a great delight and if you are fortunate to attend one you will find that he is a friendly man of great warmth and charm which is reflected in his books.
Fun and Skill-Improvement Are Possible!.......2001-12-25
I discovered Charles Reid at my local library and was smitten with his loose, colorful, gorgeous pictures. This book is a clear, helpful guide to making juicy watercolors of still lifes that sing with color. He has practical tips on brushwork, contour drawing and composition that are easy to follow and clearly explained. He also has step-by-step instructions for several of his pictures that show you how he goes about making his own pictures (often from everyday objects and flowers on his kitchen counter). I'm fairly new to watercolors and I found this book invaluable to improving my pictures and getting me to loosen up and feel creative and find beauty in simple objects.
Indispensable to the serious watercolorist.......2001-06-27
I wish I had had this book years ago. It contains exercises to enable the reader/student to experience and learn direct painting techniques that bring freshness, spontaneity, bright vivid color and realism to one's paintings--inspite of an "untidy" style. If you're serious about watercolor, Reid can take you where you really should go. Reid embodies the principles of the best of watercolor and painting teaching of the past (particularly Hawthorne, Henri, Manet). He puts it all together into what I call a meditative painting style (stroke on color and pause to consider, then soften, add other color wet-in-wet, and so on. Doing the exercises in this book can revolutionize your painting and will, at the very least, bring immediate and important improvements to your technique and approach to watercolor. If you like Reid's paintings--flower, figures, portraits, etc., do yourself a favor--get the book and the two corresponding videos.
Great book to help you "loosen up" in your painting style!.......2001-06-07
I have just purchased this book, as well as 2 instructional videos by Charles Reid. I would highly recommend the set to anyone who needs to "loosen up" his or her painting style. He shows you how to get the color right with a minimal amount of strokes, and how to keep from overworking a painting. He is an excellent instructor and author. You won't be disappointed!
Book Description
There's nothing more inspiring than a glimpse into the artistic lives of the country's best contemporary watercolor painters. With page after page of gorgeous artwork covering every conceivable subject matter, Splash 8: Watercolor Discoveries:
* Showcases nearly 140 paintings by about 100 top artists from around the country
* Gives readers takeaway advice with every piece of artwork--these "discoveries" cover both practical and creative breakthroughs made by the featured artists
* Includes popular mixed-media work, as well as translucent watercolor
Whether they're art lovers or full-fledged painters, readers won't want to miss the latest installment in this popular series!
Customer Reviews:
Very American.......2007-01-04
So many almost photographic pictures of shiny objects,fruits, flowers and too few real "Discoveries" I look forward to each new "Splash",but this one seemed just more of the same.The pictures using fluid inks and a looser style are fun, but please thinks of us non-Americans when you use brand names of materials like "Yupo"plastic paper
Les meilleurs livres sur les aquarelles (review from France).......2006-01-13
La série des livres SPLASH (actuellement le 8e volume est paru) est une pure merveille. J'ai la chance de disposer de l'intégralité de ces ouvrages achetés sur le site Amazon.com
Chaque livre présente plus de 100 oeuvres. Chacune de ces aquarelles est une découverte formidable: de la couleur, de la poésie, de l'art, du très grand art.
Je vous recommande ces ouvrages très vivement. Vous ne serez pas décus. Félicitations très chaleureuses à tous ces artistes.
Makes a splash...yet again.......2005-01-23
The story continues with this latest edition of 140 works. Since the first book in 1991 the Splash series has featured some glorious watercolor paintings. The reason I love these books is the enormous variation in style, in this book it can vary from the almost photographic painting of trees and a house by Steven Kozar (page eighty-nine) to the very loose but still very controlled work of Dan Burt and his flamboyant painting of a street scene in Guanajuato, Mexico (page eighteen).
I have the eight books and they are such a treat to browse through but I think it worth mentioning that they are not how-to-do books. Each artist though, does contribute some thoughts on how they created their work and in a way this can be more valuable than a learn-to-paint book because with so many styles on display every artist has a different point to make about their creativity.
The presentation follows the style set in the first book, each spread has two paintings, and frequently one is whole page with the artist's comments and another painting on the opposite page. The screen is 175dpi so the reproduction is good on a gloss paper, though I prefered the matt stock used in book four, it made the images sparkle a bit more.
Amazon has over twelve hundred books listed under 'watercolor painting' so there is plenty of choice but I think the Splash series has a special place for presenting the best contemporary American watercolor work.
***FOR AN INSIDE LOOK click 'customer images' under the cover.
Book Description
Professional artists, photographers, gardeners, chefs, and even hosts trying to set a pretty table will welcome this handsome exploration of design principles. Through hundreds of photographs and accessible text, even the most abstract design concepts—such as rhythm and balance—become easy to visualize and understand. Find out how to manipulate visual elements, work within the design space, create attractive symmetrical arrangements, establish a focal point, and more. Examples of good design range from ceramics, jewelry, architecture, and painting to clothing, hair styling, gardening, sushi, and vintage movie posters. Plus, guided exercises help users grasp each principle.
Customer Reviews:
A clear (and gorgeous) presentation.......2007-10-02
As a beginning student of design, I've been looking at a number of texts. This is the best I've come across so far. The concepts are presented concisely and in a well-organized format. The illustrations are superb, drawing from a number of crafts, media, and styles. The tone is friendly and encouraging. Recommended highly!
Easy Reading Design Education.......2007-08-07
This book is a very good choice if you are looking to broaden your horizons in design. There are lots of pictures for examples, and the text is easy reading.
Well-written guide with a wide range of aesthetically pleasing examples........2007-01-09
The book is well-written and the examples include some stunning and unusual pieces of art and craft (including painting, photography, pottery, needlework, quilting and more). It is an excellent introduction to design for beginners (artists, craftsmen and art-lovers) but even intermediate readers will find it useful.
A Great Resource.......2006-08-17
This book is a great resource. It is packed with exciting, richly varied visuals and clear, informative exercises that will enrich daily appreciation and application of principles of good design all around us. As a professional artist and teacher, I enjoy this book for myself as well as share it with my students. Design! is a great resource for the student or professional.
A pleasant reading.......2004-10-15
True! Design is everywhere you look but if you don't understand what you are staring at then design is useless. Fortunately, Steven Aimone's Design! will open up your mind and guide you to see the purpose of design. What are descriptive, narrative, emotive, utilitarian, and decorative of designs? What are the elements of design (lines, shapes, textures, colors, etc.)? Why are a certain elements arranged they way they are? Why is design space important? If you're unclear about the answers to these questions, this book will help you straightened out.
As someone who gets involved with web design as a passion, I had no prior training on design. While my classes at La Salle were too busy shoving down Photoshop, Illustrator, Flash, and other software programs, the fundamentals of design were not part of the curriculum. One of our art professors realized the important of the missing part and tried to cover it but the class was not as successful as it should be. The hands on assignments she gave us (the black squares exercises) were definitely on the right track but most of my classmates thought they were kindergarten because the theories were missing. If she had this book to accommodate her assignments, the class would have been a huge success; therefore, Design! should be a required textbook for any Art 101 or Introduction to Visual Design classes at colleges and universities.
Design! is not only an invaluable design inspiration but an enjoyable reading as well because of its easy to read approach and clear visual examples. I recommend this book enthusiastically to anyone who designs for a living or pleasure and to anyone who simply enjoys and appreciates the aesthetic qualities from the work of art.
Book Description
Until now, the techniques used to create great abstract paintings were surrounded by a veil of mystery. Abstract Painting: Concepts and Techniques lifts that veil to reveal the exact methods behind the masterworks. Now students and professional artists can stop guessing and start building on the techniques of the great abstract artists to create their own innovative new work. Two clear, comprehensible sections let artists focus quickly on their specific areas of interest. The first section, on Traditional Painterly Abstraction, using brush and easel, looks at pictorial space, brushwork, paint quality, and collage. The second section, on Post-Painterly Modern Abstraction, considers options ranging from the pour-and-spatter techniques of Jackson Pollock to the staining, scraping, and abrading of modern acrylic artists. Step-by-step recipes for key approaches show artists how to get the best aesthetic results, freeing them to move forward philosophically.
Customer Reviews:
a grounding read.......2007-08-26
I have really enjoyed this book. It is informative on technique as well as rich in concepts, as the title suggests. It has many high quality photos, and is filled with wonderful examples. Thought provoking and well written. A welcome addition to my art library.
Abstract Painting: Concepts and Techniques.......2007-03-31
Good book. Really clues you in on the whys and what fors of abstract painting. After reading this book (more than once) I was not intimidated by trying my hand at abstract painting. The photos in the book are awesome. The author knows her art as does those artists who contributed to the book.
First class, but not for the beginner.......2007-03-15
It's a pity to dismiss Vicky Perry's book if you have done absolutely no abstract painting, because you may well find it invaluable further down the track. The text provides advanced theories that will be well beyond someone who is a complete beginner, but will be a mine of information for the experienced amateur as well as the art student.
I purchased this book before I found Brian Ryder's "Beyond Realism" (see my review of this book) and was initially as challenged by Vicky Perry's text as other reviewers. However, having now worked my way through Ryder's book (and two other's I mention at the end of this review) I found that the concepts and techniques in "Abstract Painting" began to click, and even found them refreshing and exciting. What is more, the examples of abstract art in Perry's book are from professionals, which are hardly open to criticism from amateurs. Okay, so I don't like them all either, but that can only be a plus: you can ask yourself - how would I express the artist's idea myself? (You can't do that with the one's you like - they've already made the definitive statement!)
This is no paint-by numbers book for two reasons: firstly, by its very nature, abstract art cannot be taught literally, in formal steps - as is technical drawing, for example. Secondly, the author quite reasonably assumes that the reader has some experience, not only in the fundamentals of art making, but also in basic forms of abstract expression. If you are short on either of these skills, you need to start elsewhere.
Contrary to what other reviewers claim, there are plenty of books available that can get a beginner started on abstract painting. It is just that such books are not necessarily titled "abstract." They tend to come under the cateories of design, or creativity. Even collage books like those of Gerald Brommer are a good introduction to abstract principles - with instruction included.
For the absolute beginner, I would recommend beginning with Mary Todd Beam's "Celebrate your Creative Self." All the exercises in this book are abstract, and clear instructions are given as to materials and techniques. You even get to copy to some extent! Next, I recommend Maxine Masterfield's "Painting the Spirit of Nature." That also gives techniques, but assumes more experience. Try Vicky Perry's Book after you have cut your teeth on these two - or something similar. I am sure you won't be disappointed.
Very informative on abstracts.......2007-02-13
I haven't finished the entire book yet. I have read 3/4 of it and it is full of information in art itself. It makes you understand why abstract can be harder to paint than realistic. I think it helps with your realistic painting as you can plan it using abstract masses to balance and use of values. Abstract painting books are hard to find that actually makes you appreciate all kinds of art.
An Artists comments.......2007-01-11
I very much enjoyed this book with lots of ideas to develop abstract work. Books like this will encourage artists to experiment and produce different work.
Average customer rating:
|
Cellini and the Principles of Sculpture
Michael W. Cole
Manufacturer: Cambridge University Press
ProductGroup: Book
Binding: Hardcover
 Renaissance
| Schools, Periods & Styles
| Arts & Photography
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Cellini, Benvenuto
| ( A-C )
| Artists, A-Z
| Arts & Photography
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General
| Sculpture
| Arts & Photography
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General
| Arts & Photography
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Renaissance
| Italy
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| History
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| Qualifying Textbooks - Fall 2007
| Stores
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ASIN: 0521813212 |
Book Description
Benvenuto Cellini is an incomparable source on the nature of artmaking in sixteenth century Italy. A practicing artist who worked in gold, bronze, marble, as well as on paper, he was also the author of treatises, discourses, poems and letters about his own work and the works of contemporaries. By examining how Cellini and those around him viewed the act of sculpture in the late Renaissance, Michael Cole demonstrates his continuing relevance to the broader study of artistic theory and practice in his time.
Book Description
An elementary work on color, dealing with traditional principles of harmony as well as advanced principles derived from modern studies of the psychology of human color perception. Mr. Birren tells a well-organized story of how to achieve harmony with color, beginning with a chapter on color circles and proceeding to a straightforward discussion of traditional principles of color harmony and how they were accepted in the past.
Customer Reviews:
A fascinating history and theory of the use of color in art.......2001-08-28
Birren has thoroughly researched the use of color in art and the theories of how color and its combinations work. Here you can find how color is used in diverse applications from old masterpieces to optical art, and learn how to combine colors to achieve luster, luminosity, etc. Interesting theory with practical applications.
Amazon.com
In our overstimulated, color-saturated society it is easy to forget the impact of color in the dull world before cheap dyes and plastics. Colors is a delightful little book, highly illustrated and packed with intriguing information. It traces the history of dyes and pigments from cave paintings to modern textiles. The book's four sections cover the uses of color in ancient times; its development and refinement in the Middle Ages; the explosion of supply and demand after the Renaissance; and the triumph of industrial chemistry in synthesizing and inventing colors. Production processes often paralleled those of alchemy, giving an almost magical quality to colors. Dyes were expensive in medieval Europe and could increase the price of a cloth tenfold; thus color was used to indicate social status, with aristocrats in bright robes standing out against the drab mob. Since antiquity, writers have compiled technical manuals on dyeing and pigment manufacture, often using more ancient texts, so that a great many antique recipes and techniques have been preserved. We learn, for example, how Indian yellow was made from a concentrated extract of the urine of cows fed exclusively on mango leaves (which was not healthy for the cows). Every page of the book has interesting tidbits of information, such as the derivation of blue jeans (from bleu de Genes, Genoa blue, a form of indigo). Clearly written and well-designed, Colors reminds us of the powerful ways color permeates our lives. --John Stevenson
Book Description
From the painted caves at Lascaux, 40,000 years old, to the medieval cloth industry to today's computerized chemistry, this engaging book surveys the history of dyes and pigments-in a work as rich, varied, and colorful as a box of crayons.
160 illustrations, 135 in full color,
Customer Reviews:
A LOT of information packed into a deceptively small package........2006-03-21
_Colors: The Story of Dyes and Pigments_, is an excellent little book to read if you are interested in colors. It covers pre-history up through the modern era, and it discusses some of the chemistry, much of the mineralogy, and a lot of the economics & politics that went into the use of different dyes & pigments through the eons.
It is also lavishly illustrated, with many many photos, including photos of famous works of art, close-up photos showing artistic techniques, photos of artists' materials, and photos of historical treatises relating to cloth dyeing and other skills. There is a lot of good technical content, including explanations of the differences between dyes, pigments and lakes, and details of attempts in antiquity to create artificial colors, going as far back as the Egyptians.
The chapters are Painting & Dyeing, which covers paints and dyes from antiquity to the Middle Ages; Colors in the Middle Ages, which covers new technological & economic developments in the Middle Ages; The Explosion of Supply and Demand, which covers how the increased trade of the Renaissance, Enlightenment Era, and the Industrial Age drove the search for new colors; and The Triumph of Industrial Chemistry, which describes how colors are made today.
There is also a chapter titled Documents, which has excerpts from a number of historical works about dyes & pigments, and that chapter alone is worth the price of the book. The bibliography is also excellent.
It was a bit slow in places, and since it was originally written in French, there is a certain flow to the text that is subtly different from many contemporary books written by native English speakes. But, the differences are not unpleasant, and for the most part the text is very engaging.
I did notice that it repeats the statement that India Yellow was made from the concentrated urine of cows who at only mangoes, and according to Victoria Finlay in _Color: A Natural History of the Palette_, that provenance is mythical. But that was the only jarring note I found in the entire work.
A treasure chest of interesting trivia.......2001-10-16
I am a Color Manager for one of the worlds largest paint companies and even though I have been working with pigments for 15 years I have found this book to be a treasure chest of interesting trivia that I didn't know or had long forgotten.
But this book is not just for chemists. If you are like me interested in art, especially paintings, you will find that this book gives you a wealth of information and facts that one can use to better understand the development of art through the centuries.
I can highly recommend this beautifully illustrated booklet which is fun to read to everybody (not just color nerds like me).
Book Description
Masako Takahashi, coauthor of the best-selling Mexicolor, now turns her attention to the vibrant tiles that are such a key element in Mexican style and design. Bring a festive new look to any home or garden with the ideas in Mexican Tiles. Masako Takahashi leads a colorful architectural tour through Mexico, revealing the many ways tiles are used for function and decoration, adding color and interest to everyday surroundings. Over 175 beautiful color photographs present inspirational examples of classic and contemporary tile work, from colonial-era church facades ornately covered with talavera tiles to vividly detailed modern treatments of bathrooms and kitchens. Including a delightful introduction by Tony Cohen about the history of tile-making in Mexico, plus installation tips and a resource guide, Mexican Tiles is both a fascinating initiation and a practical guide to this key element of Mexican style and design.
Customer Reviews:
A Great Tile Summary.......2006-02-28
I'm in the process of building on the Maya Riviera so this isn't a book read for fun. This is real research looking for real ideas. Building in Spanish Colonial style can't be done without some incorporation of Mexican Tiles. This book is basically 90% pictures and 10% background and history of Mexican Tiles. The background write-up is excellent and gives good history of Talavera and Talavera-Style Tiles. Then it's on to different uses, floors, kitchens, bathrooms, walls and stairs, and patios and gardens.
I'm very simple in the colors I like in homes so these tiles can be "over the top". This book has a lot of these type pictures. It has more tile usage than I've ever seen on exteriors. The kitchen section has huge tile usage but I've seen more attractive usage in other books.
Overall, I did not get any ideas I will definitely use but I did get a different perspective on tile usage. There are definitely pictures I will take back to discuss with my architect and designer which may be incorporated. This book can be consumed in an hour. But it may take many hours of review going over the pictures again and again.
A bit of a let down........2006-01-18
I love Mexican tiles but I felt the book was a bit of a let down. The pictures were a bit small and there wasn't enough information about tilemaking in the book. I think the book would have been much more effective in a larger format where the tiles would have been more impressive. There are some wonderful talavera tile websites on the net for anyone who wants a better overview.
Great content.......2005-08-02
Book has great ideas. Wish it had been hardback. Book binding, does not want to hold together, considering the wear and tear it shall receive. This is also a great book.
AWESOME!!! Fulfilled ALL my expectations!.......2003-04-12
After I bought Masako Takahasi and her husband Tony Cohen's book "Mexicolor", I thought no other book I purchased would EVER compare to that experience. When I discovered "Mexican Tiles", I opened it with fear and trepidation, hoping against all hope, yet hardly daring to believe that it could be even half as good as their first.
But this book is AWESOME!! I think I finally figured out why, after reading Tony Cohen's book "On Mexican Time": these people simply ADORE Mexico, and it comes through in everything they do. All of the wonder and breathless anticipation and teary-eyed beauty that I feel and am so hopelessly unqualified to express when I am either in Mexico or adding to my collection of artesania, Tony vividly portrays in his prose and Masako captures with her camera.
As for subject matter, I LOVE Talavera tiles, Talavera pottery, Talavera ANYTHING, because they are so INCREDIBLY Mexican, and this book is simply PAGE after GORGEOUS PAGE of Talavera-lined kitchens, bathrooms, stairs, floors...you name it, it's tiled. If you at all appreciate ethnic interior design or Mexican handicrafts, this is an AWESOME book!!!
Customer Reviews:
good starter.......2007-05-31
The book could use a bit more detail in the instructions. If you've seen his show(s), or had some art instruction, you'll have a better understanding of the technique and what he's talking about & be fine. Someone starting from scratch may have a few questions, but will be able to figure it out or contact Jerry on his web site. Photos are clear. The paintings he's demonstrating in the book are chosen from TV or DVD's/videos he has available. I'd suggest buying the books & DVD's together as they are a great compliment to each other. Jerry is an accomplished artist and a wonderful teacher. There's always something to learn from him and he's always willing to share the tricks of the trade to help make his students better artists.
Great Beginners Book.......2007-05-19
This is a great beginners book that gradually exposes you to painting techniques. Its amazing what you can do with this book. I recommend it highly!
Painting Basics.......2007-01-08
After watching Jerry Yarnell's TV show a few times on PBS, they stopped showing it. I wanted more from Mr. Yarnell and found he has written several books. The books are clear and informative and the pictorials are great.
This Book is NOT Basic.......2007-01-08
Way too difficult for beginners due to a lack of specific instructions.
Outstanding!.......2006-04-19
I am a big Jerry Yarnell fan. He is an excellent teacher and it really shows in his instructional books. I had the good fortune to attend one of his workshops, and really learned a lot. I expect to be able to continue to learn from these books.
From what I can tell, the books do not have to be followed in a specific order. I have the first four volumes in the series. What I plan to do is to work on the techniques presented in this first volume and at that point, I'll just pick paintings from his other books that I like.
The paintings are selected to help you develop specific techniques that will be of good general use and he gives step by step instructions and includes color photographs of the paintings at each stage to give you an idea of what each step should look like.
He gives instructions for mixing the colors required at each step too. He doesn't give an exact formula for the colors since brands and grades of paints vary so much. What he does do is to give you the colors and a relative idea of how much to use of each. You then can develop your eye by mixing until the color looks right. It doesn't take long to figure it out and it is much better for developing your color mixing skills than a rote formula.
Jerry also uses a limited number of colors in his palette. This really help with developing you color mixing skills too. He tell you what brushes you need and how to use them as well.
If there is another set of instructional books that is better than these, I haven't found them.
If you go to his web site [...] and click on Books, you can see slide shows of the paintings that are taught in each book. This will give you a better feel for which ones you want to try.
Book Description
Comprehensive, clear, well-illustrated, and concise! This outstanding volume provides a systematic overview of the process of costume design for the stage, presenting beginning designers with the fundamentals upon which to build their costume skills. From styles of visual presentation and the use of fabric and materials, to developing skills in research, conceptualization, interpretation, and organization of budgeting, shopping and scheduling, The Magic Garment enables readers to develop an understanding of and appreciation for the process of costuming a production. Readers are exposed to a broad range of theatrical literature through illustrations, references in the text, and pertinent quotes from plays. They are also taught how to analyze plays from the costume designer's perspective. In addition, readers learn how to draw and render costume sketches and how to apply different design principles to specific types of costumes. The costume designer's art lies in effective interpretation, collaboration, and execution. The Magic Garment makes this process accessible and, with lively detail and a wealth of illustrations, brings the exciting world of costume design to life.
Customer Reviews:
It's a great beginning.......2001-03-17
Having taught costume design for a number of years, the one thing I can say with certainty is that no book can do everything. I've used the text for a number of years and find it helpful...especially her approach to analyzing the text (I still use her checklists myself). However, a lot of my students are intimidated by some of the illustrations/examples of work. They don't know how to approach sketching for themselves and there are a couple of other texts that are more helpful in aiding in that particular process. Possibly there could be more graphic illustrations of getting from A to D (show us B & C) instead of just the beginning and the end result. The historical research sources and the historical costume outline are good - again some of my students think that she provides a finite list of resources and as with any historical survey the attention is to avoid variations and or anything beyond high fashion. Generally, a strong introductory text but needs supplementary materials (as does any book). No one has complained about the text; that's a good sign.
Key to the World of Costume Design.......2000-08-17
As a college student I was first introduced to the book The Magic Garment: Principles of Costume Design by Rebecca Cunningham. The book is simple and consise while providing a wealth of valuable information for the novice or professional. I enjoyed this book so much that I have choosen to use it as the text book for my costume design class. This will be my first teaching experience; however, I feel confident that this book will enable me to help my class understand the art of costume design.
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The Natural Way to Paint: Rendering the Figure in Watercolor Simply and Beautifully
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The Figure in Watercolor: Simple, Fast, and Focused (Simple Fast & Focused)
Creating Textures in Watercolor: A Guide to Painting 83 Textures from Grass to Glass to Tree Bark to Fur
