Book Description
Once you have mastered the fundamentals, this easy-to-follow, advanced guide takes you to new levels of expertise. Advance your skills and artistry far beyond the basics with expert guidance from the top industry insider to achieve professional-level results. Find innovative ways to exploit the new features of Elements 5.0 to achieve outstanding digital images. You learn how to stretch your digital photos and Elements to their limits and master all the insider tricks, tips, and techniques that guarantee outstanding results.
Learn everything you need to know about raw files, workflow, storage, toning, speed tweaks for no cost, how to fix scanning problems, make the most of dodging and burning-in techniques, adjust images for changes in color balance, set up a color managed workflow; and more from this completely updated edition for Elements 5.0. Learn how to use new features like the Adjust Color Curves and Sharpness options, the Convert to Black and White feature, 5 click web photo galleries and the Correct Camera Distortion filter. New chapters walk you through professional retouching, a complete raw workflow for Elements users, and the new free-form layout feature - Photo Layouts, including the Artworks and Effects palette.
Superbly illustrated with hundreds of color photographs, written in Philip's trademark no-nonsense style, this must-have guide will help ensure that your digital photography stands out from the crowd as you learn how to:
* Take control of advanced image changes and apply amazing graphics capabilities
* Use scanner and camera capture techniques like the pros
* Extend your web capabilities
* Produce professional results quickly from your raw files with a complete workflow solution based around Elements.
* Explore the creative potential of the new Photo Layout feature
* Produce darkroom effects digitally
* Integrate all the power of Elements 5.0 to fit together for prize-winning results
* Transform your photographs with step-by-step, illustrated color tutorials into results that will amaze you (and your friends, family, colleagues, and customers)
* Increase your productivity with timesaving tips, workarounds, and advice to create an efficient, smooth workflow
* Master professional retouching techniques
* Create awesome panoramas
* Much, much more
Learn how to get the most from Philip Andrews, best-selling author, renowned photographer, Adobe Photoshop Elements Ambassador, professional photographer, accomplished teacher, best-selling international author, and alpha tester for Adobe.
FREE Bonus! Companion website ( www.adv-elements.com ) provides even more tools to hone your skills with
* Images for you to manipulate as you follow step-by-step book projects
* Video tutorials and printable lesson plans
* Links for examples, updates, and further learning
* Raw and 16-bits/Channel files to examine and put to the test
* And more!
Praise for previous editions of this title:
"Philip's friendly style makes learning Photoshop Elements a breeze. This book gives you everything you need to feel like a digital pro in no time at all."Richard Coencas, Photoshop Elements Quality Engineer Lead, Adobe Systems
With Philip as your guide, youll be using Elements like a pro and making great images in no time.
Nigel Atherton, Chief Editor, What Digital Camera and Better Digital Photography
* Go beyond the basics of Elements with this guide for serious Elements users
* Achieve professional results by following step-by-step colorfully illustrated tutorials
* Loads of new information in this version, from Macintosh users to raw workflow
* Contains hot new information that you want on raw workflow, storage, toning, protecting your assets, and loads more
* Brand new chapters on retouching and the Creations and Content Browser
* The only book out there written FOR serious Elements users BY a serious elements user
Customer Reviews:
No Download available.......2007-09-30
I purchased the book because it states that you could get many of the test documents as a download. The truth is they are not available and if you go to the link provided, the page is empty.
Other than that I found the book had good information but some of the procedures could not be followed because of the lack of access to the files.
Advanced Photoshop Elements 5.0 for Digital Photographers.......2007-07-07
This is the companion book to Philip Andrews' "Photoshop Elements 5 - A Visual Introduction to Digital Photography", also from Focal Press. This title is aimed at those who have mastered the basics covered in the first book and wish to get to grips with some of the more advanced digital imaging techniques that are possible with the software. Containing 11 chapters, the book covers various topics including: camera and scanner techniques, working with RAW files, advanced image changes, darkroom techniques on the computer, making better panoramas, extending your web abilities and producing great prints, to name a few. The companion website is again a great addition to the book, where there are further resources, including videos and all the photos used in the book for you to download and practice on. As a digital photographer myself, I have found all of Philip Andrews' books extremely clear and helpful and this one is no exception. Again, he has written one of the best books available on the subject, in his usual clear and engaging style. The informative step-by-step instructions, full colour screen shots, and the attractive presentation throughout, only serve to reinforce the reasons to buy it.
What every serious photographer needs.......2007-06-27
I absolutely LOVE this book! If there is ANY question that you may have when editing in Elements 5.0, this book has the answer!! Someone recommended this book to me, and I have not looked back since. I HIGHLY recommend this book to ANYONE who has Elements 5.0. Get it....., you will NOT be sorry!
Excellent Guide for the non-newbie.......2007-06-17
As an owner of a number of decent Photoshop and Photoshop Elements books, this one is pretty close to the top of the list. It's very well organized, from the table of contents through the presentation of the specific topic of interest. Well illustrated also.
What I also found valuable is that each topic/task has which version of Photoshop Elements it works with. So, even if you're not a Photoshop 5 user, or will be upgrading soon, this would be a good investment.
Two other highlights: 1) His treatment of RAW processing...very sane and easy to follow, and 2) presentation of the workflow for digital photography.
Wait...one more! The guide on printing is quite good too. If you're like me, you may be very happy with the picture, less than happy with the inkjet print. Good ideas on how to help here.
Very impressed with this book. Highly recommend!
Excellent value, worth the money.......2007-01-31
This book will suit anybody that has had some experience with Photoshop Elements 5 previously. I highly recommend the book to anybody that wishes to further expand their knowledge of the product
Book Description
Digital photography has come of age. Not only have sales of digital cameras overtaken film cameras, but now even amateur photographers can capture images that, five years ago, were difficult for the pros. And new computers--even bottom-of-the-line cheapies--can handle huge image files. Advanced Digital Photography, Revised Edition, shows how these sweeping changes in technology can help take photographers way beyond the basics--if they learn how to harness the technological power at their fingertips. Respected and best-selling photography book author Tom Ang explains the capture of photographs, processing of data, printing, and much more, complete with full-color illustrations. Detailed step-by-step instructions let photographers at every level obtain professional results, without special equipment.
Customer Reviews:
A top pick and 'must'.......2007-06-17
The revised edition of ADVANCED DIGITAL PHOTOGRAPHY: TECHNIQUES & TIPS FOR CREATING PROFESSIONAL QUALITY IMAGES provides plenty of easy tips to enable novices with the basics to move to the next level of photography technology management. Here are tips on correcting distortion, scanning techniques, dodging and other advanced photo manipulation techniques - all with plenty of color photo examples, all with boxed tips making for quick, at-a-glance instruction. A top pick and 'must' for any general interest or specialty library strong in digital photo guides.
Diane C. Donovan
California Bookwatch
Average customer rating:
- Certainly helped, but don't really have any use for 80% of the material
- The answer to every question, "it's in there!"
- Problematic...
- Excellent book!
- Great book!
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Apple Pro Training Series: Advanced Editing and Finishing Techniques in Final Cut Pro 4
DigitalFilm Tree
Manufacturer: Peachpit Press
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Similar Items:
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Apple Pro Training Series: Final Cut Pro 4
-
Final Cut Pro 4 and the Art of Filmmaking
-
Final Cut Pro 4 on the Spot: Time-Saving Tips & Shortcuts from the Pros (Dv Expert Series)
-
Final Cut Pro 4 Bible
-
Final Cut Pro 4 for Dummies
ASIN: 0321197267 |
Book Description
Final Cut Pro is a serious tool for serious (usually professional) editors--which means that if you're like most users, you already know the software's interface, are well-versed in editing basics, and are interested in just one thing: going as deep as possible with the software's tools and features. This is the book for you. In
Apple Pro Training Series: Advanced Editing and Finishing Techniques in Final Cut Pro 4, the post-production and training company,
DigtalFilm Tree, provides step-by-step instruction in all of the tasks real filmmakers are most interested in: using Mattes and filter effects, creating different "film looks," achieving complex transitions, working with video scopes, adjusting contrast, balancing color and luminance, and more.
Each chapter in this self-paced, Apple-authorized guide represents a self-contained lesson--with a project to complete, a review section, and bonus exercises to reinforce what you've learned. The accompanying DVD includes lesson files and all the materials you'll need to complete the book's projects for a comprehensive course in Final Cut Pro.
DigitalFilm Tree is a West Hollywood-based post-production and design house and authorized training center for both Apple and the Motion Picture Editors Guild. The group, which includes members of the original Final Cut Pro design team, began a revolution in the post-production industry by proving that innovative and affordable systems can produce professional results.
For this book,
DigitalFilm Tree assembled an unparalleled team of experts, each contributing his or her area of expertise. Join film director and editor Michael Wohl, effects and color correction specialist Andrew Balis, audio pros Martin Sitter and Mary Plummer, type effects wizard Steve Martin, veteran DVD producer Yan Shvalb, and award-winning film editor Daniel Fort as they bring together their decades of experience in this consummate guide to Final Cut Pro's powerful advanced features.
Customer Reviews:
Certainly helped, but don't really have any use for 80% of the material.......2005-07-28
I would reccommend this book to anyone who wants to learn more about using special fx, filters, motion, compositing, titles, or "sound track" in final cut pro, but to those who'd rather do all of this in after effects and would like to know more about codecs, HD, workflow, audio mastering, encoding, compressing, formats, and delivery in Final Cut Pro, I'd have to guess that there's probably something better out there. It would be unfair to say that this book ignores these subjects, but it certainly does not concentrate on them. I'm not dissappointed in my purchase for I certainly learned a lot, but I did expect a bit more. Good for what it's worth, but not great.
The answer to every question, "it's in there!".......2004-11-07
I'm sold on the Apple's Pro Training series for Final Cut Pro. Final Cut Pro 4 and Final Cut Pro Advanced, offer training very economically. If you work independently and learn well from text books, these two offer clear instructions that can be trusted and followed with confidence. By following them carefully, I accomplish complicated tasks, such as animating titles, easily. Although, there are a few misplaced characters there aren't any missing words. By following Apple's lesson plan, I learned how to use tools in FCP. Some of them are so clever they're difficult to comprehend. The slip edit tool, for instance, lets you change which portion of the source file will be shown in a clip without lengthening the sequence. It took awhile before I could understood what was going on. It wasn't like anting I'd encountered before. How to operate the levers, buttons, and bells is important but these two books also teach how to make movies. For example, Final Cut Pro 4 describes how to slip the video into synch with the audio tracks rhythm pattern: how to finesse the leopard to move his head at a specific time in the music. After completing many tutorials in these books, I appreciate documentaries more. I've heard it referred to as a mid-range video editor but I can't foresee needing more power to edit my DV. At first I wondered why LiveType came bundled with Final Cut and why it took up so much room on my hd. After building the example projects, in chapters 19 and 20 of Final Cut Pro Advanced, however, I don't care how much room it needs. My motion titles impressed everyone saw them. Even experienced FinalCut Pro users may learn something about LiveType by reading this book. These books cover color correction, working with film, project management, nesting sequences, multi-track trims -- I'm reminded of the jingle about a good spaghetti sauce, the answer to every question, 'it's in there! I'll be using these two books, Final Cut Pro 4 and Final Cut Pro Advanced, for a long time. Tip: The lessons will go smoother if you read ahead.
Also recommended: Final Cut Pro 4 and Color management in OS X
Problematic..........2004-06-27
I found several mistakes in the book. In one chapter it is recommends that you apply the 3 way color correction filter, when in fact you needed to use the normal color correction filter. I was able to figure out what was actually intended, but it baffles me why Apple as well as Peachpit Press would put out a book like this without a quality assurance check. This was not the only issue with the lessons. In my copy, on lesson 21 it asks you to modify the auxillary 24fps timecode of a clip, but I was unable to do so with the file that was included in the DVD.
If Final Cut Pro was as buggy as this book was, I would have switched over to Premier a long time ago. I am concurrently teaching myself Shake with Apple's Pro Training series for that program and haven't noticed anywhere near the mistakes that I have with this one.
I do have to admit I learned a hell of a lot from this book, WHEN THE LESSONS WORKED, but next time they should have someone do a QA check on the files as well as fact check on the lessons.
BTW, Peachpit has not addressed any of my emails regarding these problems. Not Good!
Excellent book!.......2004-04-19
A very clear definition of how to do nearly everything in FCP4. Having only the knowledge of how to do a simple cut, I was able to follow the book and understand it. I'm still in high school, so you know if I can do this, you can as well. The book contains with it a DVD that offers 8.3 gigabytes of lessons that you give you all the shots you need, and then you open the book and the book explains what to do with the shots given to you. Depending on your current skill level, you can skip any lessons that you already know. The book does require some knowledge of the interface, like the canvas, viewer, browser, and timeline, and how they all function. I recommend the book to anyone that wants to learn FCP4 very well.
Great book!.......2004-03-21
I only wish I had more time to spend with this book. I am fortunatly busy editing! Everytime I sit down with this thing it changes the way I edit. It is clearly written and takes you through good editing techniques as well as how to use FCP to accomplish them. Best $35 I ever spent.
Dan S.
iPeace.tv
Product Description
If you re interested in mastering alternative photo-imaging techniques, this book provides step-by-step directions and stunning examples of a variety of photo-processing and digital negative techniques. 160 pages 8 1/2 x 10 1/2 Softbound
Customer Reviews:
An Introductory Guide.......2003-08-31
Enfield's book has a very impressive sounding title but compared to The Book of Alternative Photographic Processes (Christopher James), or Coming Into Focus (John Barnier), it falls far short of being "A Complete Guide." This book is a nice introduction to some of the techniques a beginning student, interested in the subject, might investigate.
Buy this book.......2003-03-11
Photo-Imaging is beautifully written and illustrated--an essential volume for anyone interested in alternative photographic processes. The writing is clear and simple. Jill Enfield makes it easy to experiment with new photographic techniques. There are lots of helpful tips and hints based on Enfield's extensive experience with alternative processes. I particulary like the detailed supplier information she lists.
While I sometimes wished she had included additional historical and chemical details, it's a minor quibble because this book has carefully distilled the essential information needed to get up and running with each process. This book is a great value considering the low cost and the extensive information included. No fluff or filler--just concise information.
Winner of 2002 Golden Light Book Awards Best Technical Book.......2002-12-19
Photo-Imaging by Jill Enfield has received the 2002 Golden Light Book Awards Best Technical Book Award. The award is sponsored by The Maine Photographic Workshops, The International Film Workshops
and Rockport College. A panel of distinguished jurors reviews books and selects those that make a significant contribution to the art and literature of the medium. Submissions are judged on qualities such as writing, editing, photo reproduction, design and printing, and the contents' overall importance to their perspective mediums. The Jury, which reviews all entries, is comprised of several renowned photographers, filmmakers, publishers, writers and editors.
It's about time..........2002-11-21
I've seen Jill Enfield's work frequently in magazines and books, and was thrilled when I found out she was writing her own text. I teach experimental photography at a university, so any book of this nature that comes on the market, I buy. When this came in the mail from Amazon.com (promptly, I might add) I was impressed. Watson Guptill knows how to lay out a textbook so that it appeals to the reader, and is well supported by images, not only with examples of the processes but with "how to" pictures, also. It is user friendly, especially for those who are somewhat newer to the photographic medium and experimental in nature. That said, I learned new things (e.g. the chapter on tintypes) that I will use in my experimental photography class!
These topics are included: black and white infrared, liquid emulsion, enlarging negatives for alternative processes, ink jet transfers, polaroid processes, cyanotypes, kallitypes, platinum printing, palladium printing, tintypes, hand coloring, and other stuff. It is a good combination of what are traditionally termed "alt process" (platinum, cyanotypes, etc.) and what are more experimental things to try.
For this type of book the price at Amazon.com is excellent--most books of this caliber range from [$$$].
Book Description
THE ADVANCED DIGITAL PHOTOGRAPHERS WORKBOOK is packed full of real-world yet incredibly practical and effective solutions to move digital photographers to a new level of performance. Contributors include twelve world-class professional digital photographers who share their tips and tricks. The authors provide details to move you beyond the basics of capture, processing and output to more sophisticated workflow functions and techniques that will help you create world-class images. They cover rigorous yet easy-to-understand approaches to: capture a great image in black-and-white and color, correct color, calibrate and set up systems properly, creatively manipulate and enhance the image, and produce an excellent print or output of the image.
Contributors: Steve Anchell, Stephen Burns, Yvonne Butler, Eric Cheng, Joe Farace, Lou Jones, Rick Sammon, George Schaub, Jeremy Sutton, Tony Sweet, Taz Tally, Eddie Tapp
* "Big name recognition" and collective knowledge of experts in digital photography and imaging.
* Wide breadth of special digital subjects in one text.
* Depth of coverage and practical application of each subject for amateurs to professionals across all areas of photography and graphic arts.
Customer Reviews:
Full of information!.......2005-07-11
Excellent work! Especially the 'fine art workflow' by Stephens Burns!
Debbi
Good if you're into color management and 3rd party software (other than PSCS).......2005-06-22
The book is full of examples using numerous (and sometimes pricey) 3rd party software and plugins for photoshop. Color management for monitors, printing, and B&W and infrared were focuses of this book, with SEVERAL chapters on B&W alone. Ther was also a lot on printing with your own inkjet printer (most of us use 3rd party professional printing services). The last parts of the book go over making "digital art" or complete collages and pics with photoshop (not photography at all), and the last section deals with turning your photos into paintings using filters.
The description of most everything is pretty broad in nature, and when discussing sharpening (always a hot topic), the suggestion is to "Use USM and keep the pixel radius and threshold pretty low, while changing the % to get the desired effect". That's about the 1 sentence on sharpening without using some 3rd party PS plugin.
Overall, not recommended. I am still looking for a good all-in-one photography book.
Wow!.......2005-05-28
First off, I'm an extremely amateur photographer, so I want to own up to that right away, since I realize that most of the people who buy this book are likely to be professional photographers. I'm not going to do a normal review to discuss the relevant chapter info either. The publisher's official write-up is better for that sort of thing, in my opinion. What I will say is this: I was slow to enter into the world of digital photography. I had the regular middle-range inexpensive digital camera, but whenever I went anywhere that I knew the pictures were going to really matter, I still lugged my SLR with all the great lens choices and accessories.
Last month, after reading through this book as mostly a curiosity, I took the plunge and bought a digital SLR. This book makes you truly appreciate the benefits of digital photography and the flexibility you can achieve through digital that you just can't get with your film negatives. I want to stress in advance that I am not an "advanced" digital photographer, but I still found this book to be beneficial and instrumental in bringing me around to this format. I wouldn't have wanted a basic book for this, since I would have outgrown that with the first round of pictures I took with my new camera.
Now, I'm in the process of working back through this book as I play with my new camera, and I couldn't be happier with the results. I definitely recommend this book for anyone who is the type of person who craves a little extra know-how when it comes to getting the most out of your work or hobby. If you are an amateur like me, don't be intimidated by the fact that this title was written for professionals who have advanced skills. When it comes to photographs, learning from the professional level is exactly what you want to do. Your pictures can't help but benefit.
Book Description
Portraiture tends to rely on standardized, established lighting techniques, but most photographers know that subscribing to traditional methods does not always flatter every subject. The techniques collected in this guide will heighten the senses of mystery and drama in a digital photographer's work by enhancing shape and contrast, keeping images fashionable and appealing with less reliance on natural light, and illuminating a subject's eyes without producing catchlights. In this manner, textbook lighting setups can act as a springboard to creating personal and artistic high-quality portraits featuring new, radically-altered lighting effects. Multiple series of before-and-after photos comprehensively illustrate how to utilize these new methods to create emotion-evoking works of art that do more than simply capture the likeness of a subject.
Customer Reviews:
You've got to be kidding!.......2006-07-11
I have created portraits for over 30 years. I read every book I can to observe the creative techniques that others use. I was stuned to start this book and look at the techniques. I thought that they were reflected the photography of an amateur, rather than a professional, especially one who is writing a book.
There were some statements that were made that were of interest.
However, the bulk of the photographs were poorly exposed and that was enough to be distracting.
I also found that the models used, no matter how much preframing the author did, did not reflect the mood that he had suggested that he accomplished.
All in all this is one of the few books in photography, that I am sorry I had purchased.
Customer Reviews:
Great Knowledge and Writing.......2006-05-28
Tom Ang's books often seem to get low ratings. However, I really enjoy them. Tom writes with an information density that is really impressive. Its definately not a "breezy" style. So whether you will like his books, and this one as well, depends upon what you like to read. If you like deep intricate detail, than his books are I think the best in digital photography. This book has particularly impressive sections on scanning and printing.
Save your money.......2005-12-28
I was fairly disappointed with this book, I was hoping for it to concentrate more on the photography aspect rather than photo-editing techniques. It feels more like a Photoshop book with a 32 page introduction to digital cameras written for a graphic designer, not a photographer.
Book Description
Photographers who want to master the art of digital manipulation will find this information-packed resource essential! It’s chock-full of illustrations, insider tips, and practical examples for making the most of Photoshop’s popular software—including the new CS3. Pros and advanced amateurs who want to correct, enhance, or simply play with their images will be able to make sure they’ve got the ideal equipment setup for their needs, and get the lowdown on Photoshop basics. They’ll eagerly explore more advanced tools, including layers, blending, masks, and paths. And best of all, photographers not only learn how to master such techniques as resizing, cropping, and working with lighting effects and filters, but they’ll understand why they’re so important for getting the best quality prints possible.
Book Description
Digital SLR (Single Lens Reflex) cameras give serious photographers more control over the quality of their images by allowing them to take advantage of through-the-lens technology. The results are better looking flash pictures, versatility, creativity and control. With prices dropping dramatically for these high-end cameras, serious photographers are making the transition to this new technology quicker than ever. The transition from film to digital photography, however, creates new challenges and new opportunities fro photographers. This guide provides photographers with tips on overcoming challenges of operation and technique, and how them how they have creative freedom to transform what was first captured into a true depiction of what they intended when the shutter was first snapped. Other topics covered include making pictures, scanning film, storing and archiving images, image processing on desktop and printing.
Customer Reviews:
Good Intro for those new to the field.......2005-03-19
This title of this book is a little misleading. It isn't really a guide to "Creative" digital photography, and it doesn't really describe techniques for "Mastering" a digital SLR camera. Nevertheless, it is a comprehensive overview of digital photography and the various processes that distinguish it from film photography. A more accurate title might be "Amphoto's Introductory Guide to Digital Photography." In other words, the book is a good primer for those new to the field or those considering the possibility of switching from film to digital. It is not a book about creative techniques; it does not go into depth on any specific technique; and the information it discusses is not limited to SLR cameras. The book touches on many of the features that one might wish to consider when choosing a digital camera, although not in any organized way. It also touches on many of the techniques that can be used to manipulate digital images using photo editing software, but again, not in great detail. In short, the book is a good introduction to the subject, but not something you are going to keep on your bookshelf for future reference.
Big let down.......2005-01-17
I'm not surprised that no-one else has reviewed this book, as it was a great disappointment to me, even though I'm part of the intended audience - a professional photographer changing from film to digital. Unfortunately I found little new information here, and what I did find was not clearly enough explained for me to be able to apply. Perhaps the greatest disappointment, though, are the images. I never fail to be inspired by images in other Amphoto publications, but those in this book are too ordinary to warrant publication or emulation. Guess I'll go back to learning the hard way - by trial and error.
Book Description
Digital photographers can now attain the enduring beauty of black-and-white photography in their own work! There’s more to monochrome than just discarding the color in Photoshop, but many books simply treat it as an afterthought. Not this one! John Beardsworth teaches every major method of making a color picture black and white, and explains what kind of images are best, and why. Both ambitious newcomers and advanced enthusiasts will learn how to achieve the richest tonal depth and balance, use black and white to interpret your subject for the viewer, reproduce historic and darkroom processes, add creative and special effects, and produce exhibition-quality prints.
Books:
- American Movie Critics: From the Silents Until Now
- Associated Press Sports Writing Handbook
- Associated Press Sports Writing Handbook
- Back RX: A 15-Minute-a-Day Yoga- and Pilates-Based Program to End Low Back Pain
- Belly Laughs: The Naked Truth about Pregnancy and Childbirth
- Between Earth & Sky: Legends of Native American Sacred Places
- Blink: The Power of Thinking Without Thinking
- Blood and Thunder: An Epic of the American West
- Born Free and Equal: The Story of Loyal Japanese Americans
- Botanica's Orchids: Over 1200 Species (Botanica's Gardening Series) (Botanica's Gardening)
Books Index
Books Home
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The Photoshop Elements 5 Book for Digital Photographers (VOICES)
Photoshop Elements 5: The Missing Manual
Adobe Photoshop Elements 5.0 A-Z: Tools and features illustrated ready reference
Adobe Photoshop Elements 5.0 Maximum Performance: Unleash the Hidden Performance of Elements
Adobe Photoshop Elements 5.0: A visual introduction to digital photography
