Book Description
A hundred years after William James delivered the celebrated lectures that became The Varieties of Religious Experience, one of the foremost thinkers in the English-speaking world returns to the questions posed in James's masterpiece to clarify the circumstances and conditions of religion in our day. An elegant mix of the philosophy and sociology of religion, Charles Taylor's powerful book maintains a clear perspective on James's work in its historical and cultural contexts, while casting a new and revealing light upon the present.
Lucid, readable, and dense with ideas that promise to transform current debates about religion and secularism, Varieties of Religion Today is much more than a revisiting of James's classic. Rather, it places James's analysis of religious experience and the dilemmas of doubt and belief in an unfamiliar but illuminating context, namely the social horizon in which questions of religion come to be presented to individuals in the first place.
Taylor begins with questions about the way in which James conceives his subject, and shows how these questions arise out of different ways of understanding religion that confronted one another in James's time and continue to do so today. Evaluating James's treatment of the ethics of belief, he goes on to develop an innovative and provocative reading of the public and cultural conditions in which questions of belief or unbelief are perceived to be individual questions. What emerges is a remarkable and penetrating view of the relation between religion and social order and, ultimately, of what "religion" means.
Customer Reviews:
Varieties of Reading Experience.......2004-05-05
This book is a fascinating, thought-provoking meditation on religious issues related to William James' classic work. Taylor's take on religious developments in Western Europe/North America is fascinating and enlightening in several senses of the word. And while truly respectful of William James and his insights, Taylor is no cheerleader and convincingly discusses a number of James' key blind spots along with their probable sources. The book's brevity and readability belies the punch it packs.
The one glaring imperfection is the pedantic and pretentious refusal to translate French quotations, some of which seem like they're probably quite important. Too bad, I'll never know for sure.
What the heck?.......2002-09-20
Seeking enlightenment? Seek somewhere else? This "update" to the classic is a classic waste of time. Unlike the original, you will give it to your library to write it off on your taxes.
A reflection on religious belief and the state.......2002-06-29
This book is a collection of a series of lectures Charles Taylor gave reflecting on the legacy of William James. In thinking about James' work, Taylor reflects on the tensions between private religous experience and public religious expression; the problem of belief and unbelief; and the implications our religious beliefs have for our political organization. It is almost impossible to do justice to the richness of Taylor's thought in a short review.
Taylor's first task is to situate James within his own religious context. James inherited the strand of religious belief that was quintessentially Protestant -- with an emphasis on private feeling as against public expression. For James, the ultimate religious experience is private and fundamentally individual. This precludes James from fully grasping the types of religious expression that are more communally-based.
Taylor's second task is to reflect on James personal struggle with the question of belief and unbelief. In James' day a strong argument was being made that religious belief is intellectually dishonest. Taylor offers a good summary of James' defense of belief as a viable choice.
Finally, Taylor integrates James' thought with the question of how our religious belief interacts with our political structures. Taylor offers an invaluable historical narrative of the variety of relationships between religion and state that we have seen in the past. In doing so, he makes our current dilemmas much clearer. We are moving from a country that has a broad consensus in some sort of belief, but which allows individuals to join whatever church best gives expression to that experience, to a country in which there is no such broad consensus. If there is no shared understanding of the sacred, we are forced to ground our political structures in the purely human. It is not yet clear whether the new project will succeed, but in his reflections on the tensions between belief and unbelief and their relationship to our political organization, Taylor can only enhance our discussions as we move forward into this virgin territory.
Taylor's book does presume that the reader has a fairly sophisticated historical sense. And he often makes reference to the situation in France, which can be a bit opaque to those who lack a basic familiarity with French culture. Indeed, he often quotes from French writers without offering a translation. Still, the book offers valuable insights, even to those without the background to fully grasp everything he writes.
Book Description
This book chronicles the story of a group of individuals caught at a crossroads and targeted in the cross fires of history. In 1933 events in their native Germanic lands presented them with a "Hobson's choice"-leave if you can or die! Their lives were saved because Turkey was discarding the society and culture inherited from the Ottomans' derelict and shattered empire while recognizing and addressing the need to modernize its society, culture, way of living, and system of higher education. Using a collection of third-party archival documents, cotemporaneous family and collegial correspondence, memoirs, oral histories, photos, and other surviving evidence Arnold Reisman documents the fears, the courage, the heartaches, and the determination of these brilliant people as well as their contributions to shifting established paradigms in several fields of knowledge. He also speculates about Turkey's inabilities to fully capitalize on these emigres' legacy. The book is intended for lay readers interested in history of the 20th Century, history of science, history of Turkey, the Holocaust, and in a case study of post-Islamic national development. "This book adds to our knowledge of an important aspect of the Holocaust, and of the behavior of Nation States in the modern world of woe and grief." - Sir Martin Gilbert, Winston Churchill's official biographer and a leading historian of the modern world. He is the author of The Holocaust: A History of the Jews of Europe During the Second World War. "This book should be on the 'must-read' list of books about World War II and the years preceding it." - Dr. Israel Hanukoglu, Former Science Adviser to the Prime Minister of Israel. Currently Professor and Chairman of the Department of Molecular Biology, College of Judea and Samaria, Ariel, Israel. "This book involves five major topics: science, history, politics, economics, and the arts. It is the earliest comprehensive essay in the English language, on the German émigrés who, while taking refuge in Turkey after 1933, contributed to the modernization of its higher education, and to the implementation of research activities and social reforms." - Prof. Dr. Feza Günergun, Chair for History of Science, Faculty of Letters, Istanbul University, Beyazit-Istanbul, Turkey.
Customer Reviews:
In depth information about a little known topic.......2007-02-02
This book is about the story of the German-Jewish professors that were displaced by the [..]and were invited to come to Turkey by Ataturk's government. About 150 of them came in the 1933-1938 time frame. Some stayed for a few years, many stayed for 10 years or more. Some have stayed until retirement.The book, about 470 pages long and illustrated with many photographs and other material, is a really well-researched investigation into * the world circumstances that made this episode possible* the individuals who arranged the mechanics of this immigration* the personal life stories of these very capable scholars* how they adapted to life in Turkey* how they impacted Turkey's university education and modernization* the nature of the support and non-support they received from the government and the people This was a subject I had fleeting knowledge about. I thoroughly enjoyed reading this book, which greatly enhanced my knowledge and understanding of the subject. It also provided yet another illustration of the vision and genius of Ataturk in making deft use of every opportunity to improve his nation. It triggered in my mind the thought that Turkey probably had a second similar opportunity at the time of the disintegration of the Soviet Union, when top tier scientists in select fields could have easily been induced to come to Turkey. Unfortunately, political cadres in charge at the time had nowhere near Ataturk's vision. I would highly recommend this book to everyone. It is very readable and has many details that our generation can relate to. An interesting trivia is that Einstein was one month away himself from coming to Turkey within these group of scholars, when he received an offer from Princeton.
WOWW.......2007-01-01
A fascinating read.
I am very involved with genealogy, so I really enjoyed the memoirs.
The structure of the book was different and refreshing.
Highly recommended especially for college library, international studies and Turkish history shelves........2006-12-10
Written by Arnold Reisman Ph.D., who has served as Visiting Scholar in Turkey at both Sabanci University and the Istanbul Technical University, Turkey's Modernization: Refugees from Nazism and Ataturk's Vision is enlightening true story of how the Turkish Government of Mustafa Kernal Atatuk and Ismet Inonu accepted German and Austrian Jews, and took advantage of these victims of racial prejudice and persecution to aid the Turkish Republic's progress in academic, scientific, and medical undertakings. Tracing the lasting impacts of builders, preservers, creators, social reformers, healers, and scientists, as well as the problems they encountered, the turbulence caused by World War II and their attempts to emigrate to the U.S., Turkey's Modernization is a fascinating parable of how Turkey capitalized upon the best and the brightest - as well as of its stumbling blocks, such as its cultural predispositions for encouraging talented scientists to be content as hired hands rather than strike out and forge new businesses. Highly recommended especially for college library, international studies and Turkish history shelves.
Compelling!.......2006-09-26
Arnold Reisman's book, Turkey's Modernization, was a history lesson of the best kind. I have read a number of books on the Nazi takeover of various countries. Yet, I had never experienced the joy of learning how Turkey welcomed those expelled from Germany.
In 1933, when Hitler came to power, he decided to dismiss all Jewish professors from German colleges and universities. Geniuses of technology, physics and the arts fled into Turkey's waiting arms and began its well-deserved modernization.
The "emigres" (renowned scientists, architects and artists) are responsible for some of the most magnificent structures in Turkey still standing today. These brave professors taught Turkish students and were revered by most in the country. Of course, they had to deal with jealousy from Turkish professors for a number of reasons. Some of the emigres were paid a higher salary and enjoyed various perks, yet this was all deserved. It certainly couldn't heal a people
who were devastated at having to leave their homes and families to chart an unknown territory. Yet, thank God they did! Hitler's lost was absolutely Turkey's gain!
These professors were too many to be named in this review. You must read this book in order to understand and celebrate the contributions of these refugees from Nazism. They were saviors to Turkey and the students they benefited.
Turkey's Modernization was a book I couldn't put down. It should be required reading for all who are history majors and any who can enjoy a story of lemons turned into lemonade.
Armchair Interviews says: Another unique view of history most do not know.
Refuge and its reward .......2006-09-25
The convergence of two historical developments are at the center of this book. First , is the rise of the Nazis to power in Germany. Second, is the creation of modern Turkey, and its effort to develop a first- rate set of academic institutions. This convergence meant that a number of leading German and Austrian academics were invited in the years 1933-1939 to teach and help establish their disciplines in Turkey. Among these are some figures of world - reputation including Erich Auerbach, the author of one of the greatest of all works of Literary Criticism, 'Mimesis' the leading figures of the 'Berlin Group' the philosopher Hans Reichenbach, the mathemitician aerodynamist and positivist philosopher Richard von Mises, the positivist philosopher Carl Hempl, the composer Paul Hindemith, the theatrical producer Carl Ebert,and the astrophysicist Findlay Freundlich. One of the first scientists and a major figure in expediting the whole process was the pathologist Philip Schwarz. All in all close to three - hundred distinguished academics and their family members made their way to Turkey during this time. The effect of their efforts amounted to nothing less than a total transformation of the higher education system in Turkey, in the sciences, humanities, and arts, but also in public health, library, legal, engineering and administrative practices.
Reisman provides a thorough documentation and often moving narrative of this process, including his telling of many of the individual stories of the academicians involved. In the background he provides an overall history of modern Turkey and brings this up - to- date even providing an explanation of the current situation of the academic world in Turkey and why the original reforms carried out by these academicians have not always had the results desired.
This is a large book impressively researched and very clearly and movingly written.
I could not recommend it more highly.
Average customer rating:
- Exceptional Book
- Klimt, Schiele, Moser, Kokoschka: Vienna 1900
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Klimt, Schiele, Moser, Kokoschka: Vienna 1900
Manufacturer: Lund Humphries Publishers
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Art in Vienna
ASIN: 0853319340 |
Customer Reviews:
Exceptional Book.......2007-08-10
This book is a real winner. The color plates are fantastic! They are large and well made. Really a good book if you're into collecting art books!
Klimt, Schiele, Moser, Kokoschka: Vienna 1900.......2006-07-28
The pictures & the grahics are very good. The writers do an incredible job of analyzing the Vienna Successionsists. This book was produced for an exhition at the Grand Palais in Paris that was jointly sponsored by the Presidents of the Republics of France (Jacques Chirac) and Austria (Heinz Fischer)and reflects the high levels sponsorship. Although it was published in late 2005, it does not reflect that the Austrian Galleries were required by the Courts to retun some of the paintings that were looted by the Nazis. I was fortunate enough to see Klimt's Portrait of Adele Block-Bauer in Los Angeles and the other returned paintings. The Block-Bauer portrait is now in NYC. After seeing it, I can understand why it received the highest price of any painting that has been sold. I urge you to see it in person.
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- Fun to read
- One of the better books on Napoleonic battles
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Napoleon Conquers Austria: The 1809 Campaign for Vienna
James R. Arnold
Manufacturer: Praeger Publishers
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In 1809 the world's undisputed military genius--Napoleon Bonaparte--confronted his implacable continental foe, the Hapsburg Empire. During the Vienna campaign of that year, Napoleon suffered his first defeat since becoming Emperor, but rebounded to win Wagram, a battle of unprecedented lethality. Referring to the strategic importance of the battles he fought, Napoleon reflected: "My power is dependent on my glory, and my glory on my victories. My power would fall if I did not base it on still more glory and still more victories. Conquest made me what I am; conquest alone can keep me there." Even in the midst of a life and death campaign struggle against Austria, Napoleon continued to make nearly every decision of state on a daily basis. During his bath, while being shaved, when eating his meals, aides presented petitions and requests for his tireless attention: a second lieutenant asks to retain his French citizenship while serving in the Dutch army? Granted. Emperor Alexander I of Russia asks that an English prisoner of war who is a relative of his personal surgeon be released? Granted. If genius lies in the attention to detail, here was genius at work. The sun rose on April 24, 1809, to illuminate a continent at war. From Poland to Spain, some 600,000 soldiers awakened to duty. Nowhere was the concentration of forces greater than in the Danube Valley where Napoleon had determined to launch his blow against the Austrian Generalissimus, Erzherzog (Archduke) Karl. If Karl triumphed, most of Europe stood poised to pounce. Napoleon and the French Empire would be attacked from all quarters. If Karl failed, all Europe--except England and perhaps Portugal and Spain--would make whatever accommodations were necessary to survive under Napoleonic hegemony. The ensuing campaign led to Napoleon's first defeat at Aspern-Essling. So, at the end of May, Napoleon sat with his battered army at the end of a long and imperiled line of communications while Europe erupted around him. Yet, at the moment of supreme crisis, Napoleon displayed his formidable talents and prepared a masterful counterstroke. French and Austrian alike suffered horrific losses at Wagram, but at battle's end, Napoleon's commanding presence produced a French triumph. It was a victory so complete that the Emperor forced Austria into unwilling alliance and even took the daughter of the Austrian Kaiser to be his new wife. For one last time, the French conqueror redrew Europe's map.
Customer Reviews:
Fun to read.......2000-11-04
How it is I do not know but the majority, vast majority, of books on this exciting period put me to sleep. Not Mr. Arnold. He has a fluid style which manages to entertain as well as inform. Why not 5 stars? The maps are crude and the Order of Battle does not include number of effectives present per regiment.
One of the better books on Napoleonic battles.......1998-06-03
I found 'Napoleon Conquers Austria' to be a well researched and written book covering the 1809 campaign for Vienna. The author presented the campaign in such a fluid style that I lost track of time whilst reading the book. His account of the Battle of Wagram was excellent and there was 13 maps to assist the reader to follow the action. I think that the maps could have been better presented but they were sufficient, the illustrations (19) were interesting with some recent photos of the battlefields. Overall this was an easy to read account of this famous campaign and it was an enjoyable journey to take. I would recommend it to anyone who enjoys Napoleonic history.
Customer Reviews:
A Splendid Memory.......2007-02-09
A marvellous, exciting and extremely well written summary of a major and influential time in Western history.
Hypnotic Portrayal.......2004-09-16
Vienna poised at the end of the 19th century. A striking mix of political ferment, intellectual creativity, gaiety and despair. Resident are an astonishing collection of people whose work would later touch not only Vienna, but resound world-wide: Freud in psychiatry, Mahler in music, Hertzl with the Zionist movement and Klimt in art. And at the center of political and social life of the city is its bright hope for the coming new century - Crown Prince Rudolf. Through 1888 the pace in the city builds to a fever pitch as Vienna begins its season of Carnival.
The other side of Vienna - hopeless poverty. A repressive regime. Catholic Vienna is rich in suicides - more per capita than other European cities. And not just simple suicides, but bizarre suicides staged with flair... The tightrope walker who leapt from a window with a rope attached to his neck, his note explaining "The rope was my life and the rope is my death." Morton tells us "he left a diary which consisted of paper scraps artfully tied together by a miniature rope."
On January 30th, Vienna's bright hope faded when the Crown Prince Rudolf capped the suicide season by killing his mistress, Mary Vetsera, and then himself at his hunting lodge, Mayerling. The hopes for the new century were gone. And then, just four months later, on April 20th, 1889 the harbinger of the new century, Adolf Hitler, was born. And none of us were the same again
Time travel does exist..........2003-12-31
...and it takes the form of Frederic Morton's "A Nervous Splendor." Morton takes the reader on a trip through a long-vanished Vienna -- the Carnival season and the drudgery of day-to-day life in the city's slums; the glory of sun-splashed and colorful parades and the spiritual desperation manifested in a municipal epidemic of suicides; the stullifying atmosphere of the Habsburg court and the creativity of the intellectual/artistic community.
The book is a snapshot of a year in the life of an imperial city as lived by disparate Viennese (including Freud, Klimt, Bruckner, Brahms, as well as Mary Vestera, "The Bird King," and the disturbed Crown Prince Rudolph).
Morton focuses heavily on Rudolph's frustrated life and its bizarre end in the murder/suicide pact with the beautiful socialite, Mary Vestera. Rudolph is a frustrated liberal confined to carrying out increasingly meaningless imperial functions -- making the rounds at receptions, smiling for official portraits, and otherwise participating in the empty pageantry that is life in the Habsburg Court and aristocratic Vienna. His democratic leanings are thwarted by his father, the omnipresent Emperor Franz Joseph, and his father's retinue. To make matters worse, Rudolph is trapped in a loveless marriage. Enter Mary Vestera, the beautiful Baronness who has set her sights on Rudolph. Her slavish devotion to the Crown Prince, and his desperate frustration with life, culminated in a gruesome(and scandalous) end at Rudolph's hunting lodge, Mayerling. The author portrays this sad story as a reflection of the malaise that infected the imperial city as the Austro-Hungarian Empire moved unknowingly toward its own demise.
"A Nervous Splendor" is one of those histories that reads like a novel. Frederic Morton utilizes firsthand accounts, anecdotal stories and wonderfully descriptive writing to bring to life a society long gone.
An engrossing, enticing snapshot.......2003-10-29
The history of Austria from 1848 to about 1945 is an almost endlessly fascinating topic. As Frederic Morton makes clear, many of the strains that wove together to create the modern world -- in science, medicine, politics, and art -- have their roots in this time and place. In choosing just a few months in the period 1888-1889, Morton isolates a time when the cracks in the Habsburg edifice are beginning to show. It's a fascinating portrait that, in the clichéd reviewer's phrase, reads like a novel.
Morton's narrative does require the reader to have a bit of context about Austrian, and broader European, history. But even for the reader without this grounding, there's much here to appreciate. While he does seem to take author's liberties sometimes -- how can we really know all Crown Prince Rudolf was thinking in his final days? -- the image he paints of a crumbling society held together by gilt and glitter is remarkable. So too are the individual portraits: Rudolf, his father the Emperor, Freud, Klimt, Mahler, Brahms, and many more. There were many strains of genius at work in Vienna in 1889, building a new world under the looming threat of the old world's collapse, and Frederic Morton captures them.
The late Austrian author Erik von Kuehnelt-Leddihn once noted that World Wars I and II could properly be termed the second War of Austrian Succession, and that the most important long-term consequence of the First World War was the destruction of the Austro-Hungarian Empire. Churchill, too, argued that it was the collapse of the Central European thrones that allowed the "Hitlerite monster" -- an Austrian monster Morton foreshadows in this book -- to crawl to power in the 1930s. In more ways than most of us appreciate, we still live in a world with deep roots in Old Vienna. Frederic Morton's interesting and insightful portrait of a key moment in that city's history illuminates both that era and ours in a fascinating new way. It's a book that will reward more than one reading.
A limited time period, a fascinating history.......2003-03-23
Bob Gore loaned this book to us in response to our plea for information about Austria and Switzerland. I was unsure of its interest for me at first, fearing that it might be little more than a condensed version of the scholarly work that kept popping up on all my book searches called The History of the Hapsburgs from way too long ago until 1918 (I paraphrase from memory). On the other hand, I had to admire an historian who limited himself not only to one city, but to a nine month time period. That's like having a jazz musician limit herself to a ten-second solo.
The limitations paid off, however, mainly because Morton's selection of those few months enable him to cover a highly significant moment of Austrian history, but also to bring in a cast of characters that would normally have been only peripheral to the usual story of history. The reader, thus, gets a sense of not only the political tenor of the times, but also an insight into the medical (through the description of a young Sigmund Freud), the literary (Theodor Herzl and Arthur Schnitzler), the musical (Johannes Brahams and Anton Bruckner), the artistry (Gustav Klimt), and the everyday (a street-player known as the King of Birds). History is not a novel, so these lives do not intertwine as they would in a fiction, but each does bring an expanded understanding of what Vienna was like.
The central "story" to the book is Crown Prince Rudolf and his frustration with being heir to the Austrian empire with nothing to do except ceremonial duties. Morton depicts Rudolf as a freethinker who might have changed the course of history had it not been for Emperor Franz Joseph's wonderful health. Instead, Rudolf, in the course of nine months, goes from being a revolutionary who must have his writing published under someone else's name to a drug-addled conspirator, who, with his nubile, fashion-setting mistress, decides to commit double-suicide. The tragedy is heir-apparent (pause for groans to subside), as Rudolf would have likely been much more palatable to the subjects of Sarajevo than Franz Ferdinand.
I must admit to being fairly ignorant of European history (okay, I was schooled in America--I'm pretty ignorant of history, per se), so when Morton drops the fact halfway through A Nervous Splendor that Rudolf commits suicide, I was surprised. But such is the difference between history and fiction. Morton expects the reader to already be aware of the high points in his narrative, and seeks to illustrate the base of those icebergs (this is also why I don't feel guilty for discussing the suicide myself). He succeeds, and I now am quite interested in his follow-up to this book, a volume called Thunder at Twilight which depicts Austria right before World War I.
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Masterworks at the Leopold Museum, Vienna
Romana Schuler
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ASIN: 0300092288 |
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With the opening of the Leopold Museum in Vienna in 2001, a major assemblage of Austrian modernist masterpieces, including the world's largest collection of works by Egon Schiele, becomes available to public view for the first time. This beautifully produced book is the catalogue of the Leopold Museum's holdings, originally the private collection of Rudolf and Elisabeth Leopold. Over 220 full-page illustrations present two centuries of Austrian paintings, drawings, and graphics as well as major objects of Austrian arts and crafts.
The book opens with a brief history of the collection by Rudolf Leopold. Then, moving chapter by chapter through the collection, the catalogue traces the history of Austrian art beginning with the nineteenth-century paintings and drawings of Ferdinand Georg Waldmüller, August von Pettenkofen, Anton Romako, Carl Schuch, and others; continuing with turn-of-the-century works by such artists as Otto Wagner, Adolf Loos, Josef Hoffmann and Kolo Moser; and proceeding through Austrian expressionism, represented by Schiele, Gustav Klimt, Oskar Kokoschka, and Richard Gerstl. The book also offers separate discussions of the Austrian arts and crafts movement, collectors and collecting, and Expressionism. An appendix provides concise biographies of the artists.
Book Description
In the first part of the book, Alberto Coffa traces the roots of logical positivism in a semantic tradition that arose in opposition to Kant's theory that a priori knowledge is based on pure intuition and the constitutive powers of the mind. In Part II, Coffa chronicles the development of this tradition by members and associates of the Vienna Circle. Much of Coffa's analysis draws on the unpublished notes and correspondence of many philosophers. The book, however, is not merely a history of the semantic tradition from Kant "to the Vienna Station." Coffa also critically reassesses the role of semantic notions in understanding the ground of a priori knowledge and its relation to empirical knowledge and questions the turn the tradition has taken since Vienna.
Customer Reviews:
Magisterial, Eclectic, Warm and Human.......2001-01-16
Coffa's book (completed by his partner Linda Wessels, from a very nearly completed manuscript he left at his death in 1984) is the best source I know for insight into how interest in Kantian philosophical problems of the intuition transmuted to interest in language. This book tracks post-Kantian thought across its development into very different territory: Bolzano and Frege on logic; Russell's early logical atomism; Wittgenstein's Tractatus, and his transition to his later very different philosophy of meaning; Tarski on truth; Schlick, Popper and Reichenbach on the significiance of 20th Century developments in science; and Carnap, on the true significance of philosophical claims.
This book is a teriffic antidote to dry presentations of logical positivism which focus on the "verification principle" and thereby seek to dispatch it in one lecture in an introductory philosophy class. Instead, Coffa shows how logical positivism arose out of a living tradition and forms an important part of the history of contemporary philosophy. The questions we consider today are formed in part by the conceptual shifts of a century ago. It's good that we have a guide like Coffa to show us some more of our own history.
That, and the jokes (read the footnotes for some of the best ones, especially his love/hate relationship with Wittgenstein!) make this a delight to read.
Book Description
Gustav Mahler was one of the supremely gifted musicians of his generation. His contemporaries came to know him as a composer of startling originality whose greatest successes with the public never failed to provoke controversy among the critics. As a conductor, his relentless pursuit of perfection was sometimes viewed as tyrannical by the singers and musicians who came under his baton. Professor Henry-Louis de La Grange has devoted over thirty years of painstaking resarch to this study of Mahler's life and works. His biography, ultimately to be completed in four volumes, is drawn from a vast archive of documents, autographs, and pictures, assembled by La Grange at the Bibliotheque Musicale Gustav Mahler, Paris. This second volume covers the years 1897-1904, when the focus shifts to Vienna. It opens with Mahler's triumphant debut as director of the Vienna Court Opera, and follows with the revolution he wrought there in standards of performance and, with the Secession painter Alfred Roller, in scenic representation. An account is also given of Mahler's story and brief engagement as conductor of the Vienna Philharmonic Concerts, following Richter's resignation in 1989. La Grange depicts the brilliant society of pre-war Vienna, then the centre of the intellectual and artistic world; the extraordinary range of artists among whom Mahler lived and worked included the composers Dvorak, Gustave Charpentier, Richard Strauss, Zemlinsky, and Schoenberg and his two disciples, Berg and Webern; the painters architects and decorators of the Secession with Klmit at their head; the writers Hauptmann, Dehmel, Hofmannsthal, and Schnitzler. There he also met Alma Schindler, 'the most beautiful woman in Vienna', and La Grange tells the story of their engagement and marriage in 1902 and the early years of their tempestuous relationship. As his fame spread throughout Europe, Mahler travelled with his music to Germany, Russia, Holland, Poland, and Belguim, meeting many other leading musicians of his day, including Pfitzner, Mengelberg, Diepenbrock, Oskar Fried, and many others. During this period Mahler wrote some of his best-loved works, including the fourth and Fifth Symphonies, and the three orchestral song-cyles and collections - the Wunderhorn -, Ruckert-, and Kindertotenlieder. For each of these works La Grange provides full notes and analytical descriptions. Scrupulously researched, richly documented, this is a study worthy of the extraordinary artistic achievement of Gustav Mahler's Vienna years.
Customer Reviews:
More for reference than reading or understanding........2001-10-11
.
This is not biography in its best form.
De La Grange has done us a service by compiling a very detailed but largely chronological history of the events of Mahler's life. You'll find a largely blow-by-blow description of his life: compositional struggles; arguments with cast members, managers, and officials; correspondence with friends and colleagues; listings of cast members in the opera performances he conducted; reviews of his performances by the various publications; health problems, etc. The detail is extremely valuable.
However, De La Grange falls short because he rarely steps back from the detail in order to find the larger themes in Mahler's life, and he leaves that effort to the reader. This is asking too much: this is a projected four volume biography, and it will probably be well over 3,500 pages before it's done.
I imagine it will take a later biographer to come along and sift through all that De La Grange has delivered in order to write a more informative biography.
I have an additional issue with an editorial decision that's been made here. The first volume was published in the 1970's, by another publisher. Oxford has not re-published it, but will publish a second edition of the first volume when the fourth volume is published. They have styarted with the 2nd volume rather than the 1st, out of deference to those who might still have the 1st volume. Fair enough. But the footnotes that refer to content in the 1st volume only refer to chapters, not specific pages, and are thus incomplete. Perhaps the reasoning behind this is because the original 1st volume will be superceded by the 2nd edition 1st volume, and they don't want to be specific to something they imagine will be obsolete. However, at the current rate it could well be 5-10 years before that 2nd edition 1st volume is out. Will Oxford then ask readers to buy a 2nd edition 2nd volume that has page numbers in the footnotes? (The whole idea sounds like very little deference to those who might have the original 1st volume.)
As close as you canget to getting to know the REAL Mahler.......1997-09-08
This is the Classic Mahler biography by the major Mahler scholar, Henry ouis de La Grange. Though this only covers the middle years, de La Grange's excellent use of primary sources let us learn first hand what Mahler was like as a musician, conductor, and human being. No other Mahler biography is so erudite and completely non-judgemental
Book Description
At the turn of the 20th century, Vienna was one of the most exciting cities on earth—the central gathering spot of the European avant-garde in art, architecture, literature, music, journalism, philosophy, psychiatry, and theater. The dynamic cross-pollination among the revolutionary figures involved—Klimt, Kokoschka, the Wiener Werkstätte, Mahler, Freud, Wittgenstein, and many more—turned the Austrian capital into an extraordinary laboratory for new ideas and concepts. It is where modern was born.
With more than 500 illustrations, Vienna 1900 is a unique, concise portrait of a vibrant world and its most important protagonists.
Customer Reviews:
Haven't I Seen This Before?.......2007-01-13
There is much to admire in Vienna 1900, but the author should have given credit to Carl Schorske's Fin de Siecle Vienna as the inspiration for this book. This seems to be a trend in publishing. A writer finds a subject that has already been covered in another book published some time ago,and then, writes his own book, giving it a very similar but not identical title, and then proceeds to cover the same material without mentioning the original. Then, to field any criticism that he failed to mention the original, he puts the author's name in either the middle of his bibliography, where no one will notice it, or mentions him in a footnote. I find this practice to be reprehensible. Publishers should take more responsibility than they do in this regard. A failure to do so will undermine their credibility entirely. Christian Brandstatter should have known better, even if he is from Vienna and Schorske is not. That doesn't give him license to ignore a superior work.
Average customer rating:
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Vienna 1900
Franco Borsi
Manufacturer: Rizzoli
ProductGroup: Book
Binding: Hardcover
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ASIN: 0847806162
Release Date: 1986-06-15 |
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