Book Description
For over 50 years, Richard Avedon (b. 1923) has captured the creative genius of our time with dazzling insight and incomparable style. Spanning the artist's entire career, from the late 1940s through his most recent work, Richard Avedon Portraits offers a superb selection of his photographic portraits.
With uncompromising directness, Avedon portrayed his subjects against a white background, with no extraneous details to distract from the essential specificity of face, gaze, dress, and gesture. This challenging innovation, coupled with the artist's intense interest in his subjects and mastery of his craft, resulted in mesmerizing portraits-among them Truman Capote, Willem de Kooning, Samuel Beckett, Francis Bacon, and Marilyn Monroe, as well as the uncelebrated Americans of his project, "In the American West"-that rival the greatest works in the portrait tradition.
Richard Avedon Portraits is published to accompany a major exhibition at The Metropolitan Museum of Art, New York. With its innovative accordion-style design and superb reproductions, the book is a virtual stand-alone mini-exhibition in its own right.
Customer Reviews:
A Caution for some ... nude photographs.......2007-08-23
This book is absolutely exquisite. The photographs are stunning and insightful If you are not familiar with Avedon's male nudes--I wasn't--you should be aware that many of them are full frontal and not in any way prettified, pornographic, or erotic. I include this because none of the other reviews mentioned it. Had I been more familiar with the book's contents, perhaps I would not have left the book out on the kitchen counter for the wrong (adult) friend to unfold it before I did!! Yeah, I know, I should have known better . . . . Duh.
A work of art keepsake........2007-03-23
I bought this book for my photography friend for Christmas. She was blown away. From the moment you open the package, it is clear this book is worlds apart from your standard photography book. Every photo is frame-ready. I highly recommend for the picky photography enthusiast.
A New Direction For Coffee Table Books.......2006-12-27
The format allows for a stand-up display down the entire length of a coffee table! Pretty cool if you ask me;
Got this as a christmas gift for my art-school-grad photographer/niece. It caused something of a stir when the holiday guests started to look at everyone elses presents.. Along the lines of "Don't let the kids look at that book" and "Let me see it' and "Ewwww".
Beyond art book, beyond photography.......2006-01-01
It is not really a book, but an art object: accordion folded and neatly ensconced in a box, its heavy cardboard structure makes it a durable thing, one that transcends the notion of a mere "book." It is an object of intrinsic beauty and the mere holding of it in one's hands conveys the good taste, fine quality, and the superb craftmanship that were blended to create PORTRAITS.
One side of the fold contains text -with some pictures- and the other the portfolio of portraits. Maria Hambourg and Mia Fineman collaborate in the essay "Avedon's Endgame," which presents, analyzes and brings into focus the extraordinary talent behind the portraits; and Richard Avedon gives us a touching essay called "Borrowed Dogs," in which he addresses some of his unquiet talents. The other side is one's private gallery of 27 pictures (including the covers) to be savored at home, each image a meticulous print. In all it is an extraordinary performance by those involved, and a jewel to possess.
Avedon has pushed the borders of his art far beyond picture taking: a master psychologist, his portraits are potent statements about the soul and the fears and the anger and the dilapidation and the triumph and the humanity of his subjects. His pictures are so intense and revealing that the viewer cannot remain neutral. The diptych of Clarence Lippard, a drifter, makes one see more than we have any right to ask for: because if we must view the horror of a wasted life on one panel we must also accept the defiant triumphalism and humor that the second panel conveys. Waste no pity on Mr. Lippard, he asks no such thing from you.
I shall often return to this jewel for solace; and for a jolt about the meaning of being alive and a human being.
Many great portraits ..........2005-10-14
... but it's not a book. I personally did not care for the strange format, which has a sleeve, a back and a front cover, and a sort of concertina arrangement of the intervening text and pictures.
Book Description
Among the significant projects of the last year of his life, Richard Avedon (1923-2004) completed a book of his photographs of women. Always transcending categorization-he was both a fashion photographer and known as a "poet of portraiture"-Avedon was interested in seeing how elemental facts of modern life and human existence were reflected in his work. And what could be more elemental than women, who have mesmerized artists across the centuries?
Looking at his work in this way, Avedon was able to create an unparalleled view of women in his time, a tumultuous half century of rapidly changing social facts, cultural ideals, popular styles, and high fashion. As an artist, Avedon was deeply responsive to nuances of expression, gesture, and comportment, and his photographs unfailingly opened a window to the interior lives of his subjects. These ranged from celebrities (Marilyn Monroe), artists (Marguerite Duras, June Leaf), and high-fashion models (Suzy Parker, Dovima) to anonymous people that simply drew his attention. Like the best of art and literature, they evoke rich lives and complex experiences.
An incisive essay by art historian Anne Hollander offers an overview of a half century of Avedon's images of women.
Customer Reviews:
Breathtaking.......2007-07-31
The quality of this publication is very impressive indeed and the fashion photography is excellent.
However, as one reviewer said, some images are cut instead of being represented on a full page. At the same time, despite this flaw, this is a collection worth having in your library.
Also, if this pleases you, I would take a look at Steve McCurry's "Portraits." You know an image is powerful when you start pouring tears because it represents humanaity in the most profound way. I have provided the link below.
Steve McCurry: Looking East: Portraits by Steve McCurry
Richard Avedon Woman In The Mirror.......2006-02-24
This latest by our recently departed R.A. ( I cried like a little girl when he died) is one of his best. With images in his beloved black and white but also rare color that I've never seen before the book is a classic portryal of Avedon's images of women. Dovima with elephants, Suzy Parker, Rose Kennedy, the most erotic image of Stephanie Seymour ever. The color images of Nadja with a skeleton in fashion images that will stay with you for ages, this book is a fantastic portfolio of Americas greatest photographer,( ok Irving Penn & Avedon share that title). If you were not in on Made In France,(which is now a $1500.00 book )get this one it has more substance aside from the beautiful design of MIF. I miss Avedon and this book brought some memory of his brilliant approach to photography once again.
Avedon's Last Gasp.......2006-02-12
Avedon's last book. He died in October 2004. This is a beautiful collection, all are full-page and a few double-page spreads. Many are fashion pieces, but a number are of the famous, including a wonderful Janis Joplin!
The essay by Ms. Hollander starts a bit slow, but once up to speed
provides some interesting insights. A fyne, hefty tome worth the bucks.
Female in the lens.......2005-11-17
Richard Avedon selected a portfolio of women he has photographed over the last 60 years for "Woman in the Mirror.". Here are 125 images ranging from 1946 (Zazi, a street performer in Rome) to 2004, the year Avedon died. Some of the images have been published but many have not. The majority of photos are from Avedon's career as a fashion photographer - familiar faces like Dorian Leigh, Dovina, Jean Shrimpton, Penelope Tree and Suzy Parker (who is featured on the cover). Women from other walks of life are featured as well - actresses (Katharine Hepburn, Brigitte Bardot, Tilda Swinton, Marilyn Monroe), writers (Isak Dinesen, Marguerite Duras, Renata Adler), singers (Tina, Turner, Patti Smith, Janis Joplin, Maria Callas) and many more. And there's also Elton John in drag! Fifteen pages are reproductions from a "photographic fable" titled "In Memory of the Late Mr. and Mrs. Comfort" (1995) which features models in bizarre poses with skeletons. An essay by Anne Hollander covers the career of this fascinating photographer.
Good photographs, poor design.......2005-10-23
This is a book of excellent photographs from one of the great masters. The design of the book is so bad that almost all of the square or horizontal pictures are"cut". What a shame that the designer didn't understand what a book of photographs is.
Book Description
Richard Avedon's In the American West is widely regarded as a landmark project in photographic history and a definitive expression of the power of photographic art. First published by Abrams in 1985 in conjunction with an exhibition at the Amon Carter Museum in Fort Worth, Texas, the book is being reissued to accompany a 20th-anniversary re-showing of the exhibition at the same museum.
Avedon, who died in 2004, was the greatest American photographer of his generation. For In the American West, he traveled throughout five years, meeting and photographing the plain people of the West: ranch workers, roustabouts, bar girls, drifters, and gamblers. The resulting book includes 120 exquisitely printed black-and-white photographs, an essay by Avedon on his working methods and portrait philosophy, a journal of the project by Laura Wilson, and a new foreword by John Rohrbach. The reissuing of this legendary book, out of print for more than a decade, is a major event in the photography world.
Customer Reviews:
great portrait book.......2007-10-03
If you like portraits this book is for you. The images are all the same: white background and a person looking in the camera. Take your time to look at it. Focus on the faces and eyes and you will understand the power behind these images. That is what Avedon was looking for. A book with no wording, but who needs words when an image can say 1000 words?
Excellent Photographs!.......2007-05-13
I recently attended a gallery showing of some of these spectacular photographs at Stanford University. It was a real treat to be able to purchase a book to remind me of the experience. Very moving show.
Incredible and thought-provoking.......2007-03-24
I, like another reviewer, saw this exhibit in the 80's in San Francisco and was awed by it. The images have never left me. Now, as a teacher, I use the images as part of an exercise and educational tool (I have a poster of the exhibit I show to students.) It really helps put other's lives in perspective for my students and opens their eyes to a world of people they might never meet (or will overlook)thereby doing exactly what Avedon set out to do with this work.
An unmissable classic.......2006-06-17
In 1978 glamour photographer Richard Avedon shot some portraits in the MidWest. The Amon Carter Museum in Forth Worth, Texas, asked him to follow up on those, and Avedon set out for the American West to portray what amounts to the reverse side of the American dream. The project ran until 1984. By then, Avedon had photographed 752 people in 17 states; a selection of 123 portraits constituted the eventual exhibition and the collection in this book. The illusion of equality and great opportunities for all, and the Hollywood-slash-John wayne dream of the good old pioneering West - a dream shared by a surprising lot of westerners themselves - are effectively shattered by these haunting portraits of barmaids, drifters, ranch-hands, prisoners, mental patients, Hutterites, coal miners, slaughter house workers, 12 year old girls looking twice their age, (sub) teenage boys handling guns and snakes, oil-rig workers, and many others alongside them. There is hardly a face here that is not marked by toil and hardship, the stark black-and-white detailing every crevice, freckle, rimple, mole and scar. As one commentator noted, the West is often represented by its landscape; here the faces are the landscape of the West, and, one might well suspect, its true landscape. Of course, similar portraits of ordinary people living under harsh conditions could be taken in many places in the world; the portraits in this volume take a significant part of their impact from the fact that they come from that "greatest nation on earth", a land associated with glamour, enterprise, success and outward appearances, that we are used to seeing represented rather differently than we find it here.
Here, the great heroic cowboy dream is reduced to a shiny, oversized rodeo buckle worn by a skinny boy. Yet there is nothing condescending or patronizing about these images, on the contrary. The facial expressions mostly speak of deep earnestness and dogged determination, rarely of sadness, and most of the people we meet in this book exude an extraordinary power and pride despite their often dishevelled looks and sweat- and dirtstained clothes (others, however, have donned their best finery). But there is anger, threat, and undisguised, at times overwhelming machismo too, as well as an occasional subject who seems on the verge of tears, like oil field worker Bubba Morrison. The portraits are painfuly candid, often moving, and always artistically well-considered and visually beautiful. They engender instant curiosity about the stories behind these faces - only a very little of that is satisfied in the Background section at the end of the book; we are given a little more in Laura Wilson's delightful volume "Avedon at work in the American west", which is worthwhile considering in addition to the work itself. The subjects are all portrayed against an anonymous white background; nothing is romanticized, nothing is allowed to divert our attention from the sitter him- or herself. At times, the brutality of life in the spare, rough country where these people live is heart-wrenchingly palpable. Richard Wheatcroft, a handsome young Montana rancher was photographed twice two years apart, and it is harrowing to see the hardening of his features over such a short timespan (his portrait of 17 years later that's in Laura Wilson's book, comes as a downright shock, the 41 year-old looking at least in his mid-fifites, a sad, worn out look in his eyes, his face notched by the many blows life has dealt him). More dark portent comes with the highly arresting shots of skinned steer-heads and slaughtered sheep that appear later in the book. Here, the black and white takes away any sense of shock or revulsion, and lends a melancholy beauty even to these stark subjects.
The book itself is beautifully produced: large size, with a cloth cover protected by a thick, transparant plastic dustwrapper. The matte paper is thick and opaque, preventing show-through. It includes a large fold-out group portrait. (My copy unfortunately has a few pages where surplus ink has splattered onto the photograph, but I assume that is the exception, not the rule). In all, a possession to cherish, and highly recommended.
Amazing.......2006-03-10
One of the most important books in photography history. I strongly recommend this book.
Amazon.com
The Sixties is the product of a 30-year collaboration between photographer Richard Avedon and writer Doon Arbus, whose images and words combine in this volume to create a compelling portrait of one of the 20th century's most tumultuous decades. Avedon, the celebrated photographer whose portraits of some of the best-known personalities of our age have graced the pages of Harper's Bazaar, Vogue, and The New Yorker magazines since the early 1950s, was prolific during the '60s. Looked at together, his images from those years create a visual time capsule. This large book is filled with a cacophony of Yippies, Black Panthers, Weathermen, Hare Krishnas, Andy Warhol Factory Superstars, pop artists, rock musicians, astronauts, pacifists, politicians, electroshock therapists, media correspondents, civil rights lawyers, antiwar activists, and more--all shot against his signature white background. Arbus, a novelist and writer for magazines including Rolling Stone and The Nation (and the daughter of photographer Diane Arbus), conducted interviews with many of the subjects. Snippets of those conversations provide an intimate and unforgettable document of the tension, vulnerability, anger, recklessness, hope, and empowerment many people experienced during that era. Brief biographies of the portrait sitters, as well as a chronology that spans the first signs of the war in Vietnam in 1960 to its final conclusion in 1973, provide excellent context for the images. The Sixties is riveting. --A.C. Smith
Book Description
The photographer Richard Avedon and the writer Doon Arbus began collaborating on this book thirty years ago. The photographs and interviews they did then remain faithful to what was, like the contents of a time capsule.
Meeting somebody and balling them means something, but it doesn't mean near as much as it used to. --Janis Joplin, September 1969
In a society where there is institutionalized oppression, the thing is to catch government and business in the grass--actually humping. --Florynce Kennedy, August 1969
I was so afraid of being bad and being caught at it. --Dr. Benjamin Spock, September 1969
The connection between all the rhetoric and all the poetry, between the words of a Black Panther and those of a rock star or a pacifist, between the scars of a pop artist and those of a napalm victim, have haunted and informed the structuring of this book, with its own peculiar version of a beginning, a middle, and an end.
Customer Reviews:
Amazing potrayal of the sixties by Avedon.......2004-08-17
What I liked about this book is how Avedon capturing glimpse of sixties atmosphere into his photographs. In this book he includes many famous celebrities from musicians to actress. Although this book has full frontal nudity, horrifying image of impact of war, sex and drugs scenes, it's really portraying "the truth" about sixties.
The writings by Doon Arbus also related into Avedon's image, which is really helpful for the audience to understand what happened at those time period. If you really interested to know about rock and roll, politics and celebrities on the sixties, this book might be suited for you.
What a time, what a time...before we all melted..........2002-08-22
Okay, forgive my purple prose. But this book seems to evoke that kind of emotion, filled as it is with images of people at their most open, their most shocking and their most vulnerable...and yes, their most naked. If you are offended by nudity or just plain horrorific images, pass this one by. But if you want a glimpse of the 60s in all its countercultural glory (and naivete), buy this one. Read it. Look at the images and hear the voices of some of the people who were considered icons of the time. It was truly the best and worst of times (stealing from Dickens). But also a courageous moment in our collective history. I'm thankful that Avedon took photos throughout these years.
What Were They Thinking?.......2000-11-15
Before going into the merits of this book, let me caution readers that the book (and back cover) contain many images and written material that will shock and appall many including four-letter words and obscene gestures, undressed people portrayed for their shock value, and people involved in activities not often seen in public. If those things offend you, definitely avoid this book.
In reviewing this book, I found it hard to separate my views of the sixties from my views about the book. I hope I have succeeded.
The book is comprised of photographic images done by Richard Avedon and snippets of interviews with many of the subjects done by Doon Arbus, daughter of photographer Diane Arbus. The people portrayed in the book include the more bizarre public figures of that age. Their photographs speak eloquently about their lives and mental states. Their words have a hard time being as eloquent, because many of the people had few thoughts.
In evaluating the book, I saw two significant weaknesses. First, I looked for who was missing. The book nods much more heavily to the counterculture than to the main culture. As a result, the story of the Sixties is biased by its focus, and misses the opportunity for making more interesting comparisons. If I were to show this to my children (which I would not do because of the material in it), they would get a highly inaccurate view of the sixties. Second, I looked for the quality of the photography. Clearly, there were some great photographs, but there were lots of pretty ordinary ones. Combining these perspectives caused me to grade the book down one star.
The best part of the book was some "before" and "after" photography and interviewing with Bob Dylan. The before and after photographs of Frank Zappa were also interesting. Had the volume developed this theme more, it would have been much more valuable. Those who were the counterculture icons of the age could tell us a lot about the sixties by describing how they have changed.
Midst the images of race, war, protest, sex, drugs, and rock, I would be remiss if I did not point out which Avedon photographs moved me. These included images of Louise Nevelson, Dao Dua, Paul McCartney, Dorothy Day, George Wallace with Jimmy Davis (his valet), Cesar Chavez, James Baldwin, a Napalm victim, and Truman Capote. Avedon drew from their souls into mine very powerfully. These photographs were very impressive. In fact, they were so impressive that they made the others seem more bare and uninspiring, which was undoubtedly part of the editorial purpose.
If you were alive during the sixties, I suggest that you create your own annotated scrapbook of that period to share with your children and grandchildren. They will be enriched by your sharing of the images that were important to you, and what you thought about those images then . . . and what you think about them now. In this way, you may be able to successful transmit what was good about the sixties while discouraging what was not so good.
Peace now!
Not as good as "Evidence" or "An Autobiography".......2000-04-17
I'm glad I was able to check this book out at my local library, because I would have been majorly dispared if I had to pay for this book. Once you go through the book you will notice that it is not as grabbing as either "Evidence" or "An Autoboigraphy. In fact much of the book can be found in the other Avedon book "An Autiobography." Overall I found the book to be boring and not up to the par that Richard Avedon is know for. The descriptions in the back of the various people and organizations are interesting but do not warrent the () price tag.
An honest view of a decade out of control.......2000-03-10
Anyone who was there knows that all of their conventions and beliefs were challenged or totally discarded. The 1960's was a cultural roller coaster ride that bounced and threw us back and forth like being caught in the teeth of an angry dog. It was an explosion of artistic beauty and also an explosion of unparalleled madness. Richard Avedon's portrait photos convey a brutal honesty that captures the mind set of the decade perfectly. He has an undescribable ability to capture the natural human nature of a subject. When you see a black and white portrait by Avedon, you feel just like you've known the subject for years. He's the "Matthew Brady" of the 60's battleground. One note of caution: several photos contain nudity perhaps not appropriate for younger viewers.
Average customer rating:
- Beautiful, spare layout with great portraits
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Portraits
Richard Avedon , and
Harold Rosenberg
Manufacturer: Farrar Straus & Giroux (T)
ProductGroup: Book
Binding: Hardcover
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ASIN: 0374236380 |
Customer Reviews:
Beautiful, spare layout with great portraits.......2001-04-02
Whenever I want to get inspired to take some portraits, I usually reach for this book. I like the layout of Portraits and I like the photos themselves. He shoots a wide variety of people and brings great style to each photo. Buy this book. This is Richard working in his element and at the height of his career. It is a must for any portrait photographer.
Book Description
"Laura Wilson shadowed the Shadower, and showed us as much as can be shown of how his work wasdone."
—Larry McMurtry, from the Foreword
Internationally acclaimed for his portraits of powerful and accomplished people and women of great beauty, Richard Avedon was one of the twentieth century's greatest photographers—but perhaps not the most obvious choice to create a portrait of ordinary people of the American West. Yet in 1979, the Amon Carter Museum of Fort Worth, Texas, daringly commissioned him to do just that.
The resulting 1985 exhibition and book,
In the American West, was a milestone in American photography and Avedon's most important body of work. His unflinching portraits of oilfield and slaughterhouse workers, miners, waitresses, drifters, mental patients, teenagers, and others captured the unknown and often-ignored people who work at hard, uncelebrated jobs. Making no apologies for shattering stereotypes of the West and Westerners, Avedon said, "I'm looking for a new definition of a photographic portrait. I'm looking for people who are surprising—heartbreaking—or beautiful in a terrifying way. Beauty that might scare you to death until you acknowledge it as part of yourself."
Photographer Laura Wilson worked with Avedon during the six years he was making
In the American West. In
Avedon at Work, she presents a unique photographic record of his creation of this masterwork—the first time a major photographer has been documented in great depth over an extended period of time. She combines images she made during the photographic sessions with entries from her journal to show Avedon's working methods, his choice of subjects, his creative process, and even his experiments and failures. Also included are a number of Avedon's finished portraits, as well as his own comments and letters from some of the subjects.
Avedon at Work adds a new dimension to our understanding of one of the twentieth century's most significant series of portraits. For everyone interested in the creative process it confirms that, in Laura Wilson's words, "much as all these photographs may appear to be moments that just occurred, they are finally, in varying degrees, works of the imagination."
Customer Reviews:
very interesting.......2007-10-03
we have all seen the finished products of any artist but knowing what goes through their mind is fascinating at times. It shows us the human side of the artist which makes him more complete as a person - very nicely done
Avedon in the West.......2007-09-19
This is a useful book for anyone who is intersested in Richard Avedon's work "In The American West" and should be considered as a companion volume to Avedon's book. It gives a lot of background, both to individual images and to the "In the West" project as a whole: how subjects were found, how the images were photographed, a sense of the time and effort involved, Avedon's method of work, some comments on particular subjects that particularly struck the crew. My only real complaint about the book is that could have contained more information and would have been more interesting as a result. For example, almost no precise technical information is given. Even so, it does help one to understand Avedon's "In the West project", which I consider a significant piece of work.
Avedon book.......2006-03-16
After seeing the show at the Amon Carter in Ft. Worth, and listening to an incredible talk given by a most knowlegable man there, I ordered three copies of the book. What appears at first to be simple shots of working people, becomes an insightful slice of peoples lives in the American west.
The shadowed of the Shadower.......2005-08-02
I think this book is amazing. The stories really gives you a deeper understanding of why Richard Avendon picked his subjects. Laura Wilson does a great job documenting the step by step shoots of Richard subjects "In the American West". I really felt after reading the stories and looking at the pictures again, it meant so much more. These pictures showed the truth and some of the people in the photos agreed that "It's how I feel".
I recommended this book to anyone, who is looking to find a sence of meaning to their craft as a artist. This book makes to think about yourself, and what you can do to give depth to your work.
I wish other art book would explain the process of their work. Then more people would enjoy what they see instead of brush it to the side.
Get it.......2004-03-01
The book is a gem. Not only sheds a bit of light into Avedon's technique and working methods, but also brings to life the often sad stories behind the powerful images. Highly recommended. Now, if they would only re-issue the original monograph..
Average customer rating:
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One of a Kind: Portraits from the LaSalle Bank Photography Collection
Carol Ehlers , and
Thomas Heagy
Manufacturer: LaSalle Bank, N.A., Chicago, Illinois
ProductGroup: Book
Binding: Hardcover
History & Criticism
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| Women in Art
Evans, Walker
| ( D-F )
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Similar Items:
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So the Story Goes: Photographs by Tina Barney, Philip-Lorca diCorcia, Nan Goldin, Sally Mann, and Larry Sultan (Art Institute of Chicago)
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Philip-Lorca diCorcia
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Alec Soth: Dog Days Bogota
ASIN: 0970245246
Release Date: 2007-03-01 |
Book Description
Brought to you by the publishers of Rineke Dijkstra: Beach Portraits and Chicago Photographs, One of a Kind features 48 magnificently reproduced portraits from some of the greatest image-makers in the history of modern photography. Culled from the renowned archives of Chicago's LaSalle Bank, One of a Kind begins inside the studio, with work by such greats as Edward Weston, Richard Avedon and Julia Margaret Cameron. Outside of the studio, there are energetic and sometimes lonely street scenes by William Klein, Rineke Dijkstra and Gordon Parks. Next, there are intimate family photographs by Roy DeCarava, Larry Sultan, Tina Barney and Thomas Struth. Other artists include: August Sander, Walker Evans, Mike Disfarmer, Cindy Sherman, Meridel Rubenstein, David Hilliard, Carrie Mae Weems, Diane Arbus, Stephen Shore, David Hockney, Dawoud Bey, Philip-Lorca diCorcia, Henri Cartier-Bresson, Manuel Alvarez Bravo, Edward Steichen, Man Ray and Seydou Keita.
Customer Reviews:
Lasalle.......2007-03-25
very happy to discover some photos I have not seen in other books or exhibitions in France or England.
Average customer rating:
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In the American West 1979-1984: Photographs
Richard Avedon
Manufacturer: HNA Books
ProductGroup: Book
Binding: Paperback
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ASIN: 0810923017 |
Book Description
In the early 1960s, Richard Avedon was commissioned by Harper's Bazaar to create Observations, a column that consisted of a series of nine photographic essays. The subject of the first essay was John F. Kennedy and his young family, who sat for formal black-and-white portraits just three weeks prior to Kennedy's presidential inauguration. Six images appeared in the magazine's February 1961 issue.
That same day, Avedon created more informal color portraits of Kennedy and his family at the Kennedy compound in Palm Beach. One of these images ran as the cover of LOOK magazine's February 28 issue, with photographs by Avedon inside. Just before the magazine hit the newsstands and was delivered to over 6.5 million people, a set of photographs, comprised mostly of the LOOK images, was released by the White House and appeared in newspapers across the country.
During his lifetime, Richard Avedon donated more than two hundred images to the Smithsonian Institution, including all of the photographs of the Kennedy family sitting for Harper's Bazaar. Smithsonian curator Shannon Thomas Perich has culled more than seventy-five images from that donation for The Kennedys: Portrait of a Family, making these stunning photographs available for view for the first time. Perich's introductory essay--accompanied by a wealth of archival photographs of both Avedon and the Kennedy family--provides historical background on the two sittings within a political and cultural context and critically examines the work of one of the finest photographers of the twentieth century. A foreword by Robert Dallek, distinguished historian and author of the bet-selling An Unfinished Life: John F. Kennedy, 1917-1963, provides authoritative and compelling insight to one of the most fascinating presidents in American history.
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Pirelli Calendar
Annie Leibowitz ,
Bruce Weber , and
Richard Avedon
Manufacturer: Scriptum Editions
ProductGroup: Book
Binding: Hardcover
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| Women's Interest
ASIN: 1902686209 |
Books:
- Rick Sammon's Complete Guide to Digital Photography 2.0: Taking, Making, Editing, Storing, Printing, and Sharing Better Digital Images Featuring Adobe Photoshop Elements
- Skin Care and Cosmetic Ingredients Dictionary (Milady's Skin Care and Cosmetics Ingredients Dictionary)
- Spectacle
- Stink and the World's Worst Super-Stinky Sneakers (Stink)
- Subway Art
- Survey Of Historic Costume: A History Of Western Dress
- Tales of the Mountain Men: Seventeen Stories of Survival, Exploration, and Outdoor Craft
- Teach Yourself VISUALLY (TM) Photoshop(R) 7
- Tennis Shoes and the Seven Churches: Book One (Tennis Shoes Series, 5)
- Textiles (9th Edition)
Books Index
Books Home
Recommended Books
- My Awakening: A Path to Racial Understanding
- High Rise Low Down
- CivilWarLand in Bad Decline
- Crystal Dragon
- Eclipse
- Forensic Pathology: Principles and Practice
- History: Fiction or Science
- Louise Bourgeois: Drawings and Observations
- Cave Passages: Roaming the Underground Wilderness
- Simon Bolivar Buckner: Borderland Knight
A Photographer's Life: 1990-2005
Woman in the Mirror: 1945-2004
In The American West
Mario Testino: Portraits
Diane Arbus: Monograph (Aperture Monograph)
