Customer Reviews:
SURPRISED WITH NUMBER OF PAGES.......2005-10-26
My brother-in-law has the exact same title book,his book has over 600 pages! I ordered the book thinking that I would get a similar copy at a great price. I did not realize that I was purchasing an condensed version. The information in the book, although somewhat sparse is good. Thank you.
North American Indian Jewelry and Adornment.......2005-10-04
A few years back I signed up for a class in silversmithing which soon became addictive. In addition to that interest, I have always been interested in primitive art such as that of the American Indians, the cave drawings, Australian Aboriginal art or spiritual drawings. These forms of spirituality and art or of art are very powerful. I have chosen to concentrate my silversmithing designs toward the designs I see from these primitive peoples. The book, North American Indian Jewelry and Adornment has proven to be very helpful toward that aim. In addition to that, it's just plain good reading.
One quibble/caution.......2004-05-24
This gorgeous book is indeed indispensable, especially if "read" visually. Unfortunately, quite a few of the tribal attributions for historic objects (information given to the author by museums) are wrong. Given the scope of this project, Dubin had little choice but to take often out-dated info at face value rather than do her own research. However, readers should keep this caveat in mind when using this work as a reference.
A must-have!.......2004-05-16
This book is a must-have for anyone serious about studying Native American cultures. It is a fun read, while still being absolutely crammed with information. It's clear the author put in a lot of time and work to master her subject. Not to mention, the artwork featured in the book is beautiful. I love to breeze through it when I've had a hard day, just to feel my spirits lift looking at such amazing works of art. You will learn so much and enjoy the journey enormously.
superb, magnificent.......2003-07-02
this book could easily inspire a life of crime--how else to afford the gorgeous contemporary jewelry? or acquire the museum quality antique and archeological collections?
as a knitter, embroiderer and beader, i am always looking for inspiration for my pieces. i may stoop to outright plagarism when it comes to the works in this incredible book. though i will say that i can only dream of having the level of skill the pieces display. the craftmanship, the artistry, are humbling when one considers the tools the artists had--and the reservation conditions under which too much of the art was created.
the text is wonderfully informative, if you can force yourself to read it, instead of allowing yourself to be mesmerized by the photos.
follow the advice of the professional review--buy this book immediately.
Average customer rating:
- Sensitive beautiful work of the of the hands of Rabari women
- EXCELENT BOOK
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Threads of Identity: Embroidery and Adornment
Judy Frater
Manufacturer: Mapin Publishing Gp Pty Ltd
ProductGroup: Book
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Mud, Mirror and Thread: Folk Traditions of Rural India
ASIN: 0944142478 |
Book Description
This study of the embroideries and dress of the Rabaris of Western India synthesises folk art and culture history and anthropology.
Customer Reviews:
Sensitive beautiful work of the of the hands of Rabari women.......1999-01-30
Engaging book, sensitive to the art and traditions of the Rabari women, intelligently and intimately written. Of a very large library on textile art forms, this is one book I return to over and over. I hesitated at the price, but now feel it is worth it.
EXCELENT BOOK.......1998-12-20
AN OUTSTANDING BOOK THAT COVERS NOT ONLY THE EMBROIDERIES AND TEXTILES OF THESE PEOPLE, BUT JEWLERY CUSTOMS AND TRADITIONS AND A TEN CENTUARY HISTORORICAL ACCOUNT
Book Description
"I can think of no recent book about traditional crafts which has delighted me more than Joel Monture's
Complete Guide to Traditional Native American Beadwork. All too often, books of this nature are either as boring as a repair manual, or obscure and inaccurate. Monture's triumph is that his book is not only the best and most complete book about virtually every aspect of Native American beadwork tools, materials, styles and methods, it is also clear, interesting reading. Written from the point of view of a Native master craftsman who is also a gifted teacher, and accompanied by striking full-color photos, it can serve as either a beginning point or a lifelong reference tool. I am confident that Monture's book will bring him wide praise, not only from beadworkers, but also from any person who delights in knowing more about the meaning and the history of an indigenous artform which is finally attracting the sort of critical attention and informed appreciation it deserves."
—Joseph Bruchac, author of Keepers of the Earth
- Includes all the basic stitches and designs
- Contains a special section on natural tanning methods
- Extensive glossary
- Full-color photos of authentic Native American beadwork
Customer Reviews:
Native American Beadwork & more!.......2006-03-16
This is a great book for those looking for authentic beadwork styles. The author covers a broad range of styles. He also discusses different backgrounds and even provides instruction for hide tanning.
Preserving tribal styles and techniques.......2004-09-18
The author, Joel Monture, is a professor of traditional arts at the Institute of American Indian Arts in Santa Fe. His thorough textbook documents not only native American beadwork techniques, but the tedious methods of leather preparation that are necessary prior to beading.
A San Antonio local artisan, Ken Yanez, is familiar with this process of scraping, lacing and brain-tanning leather. Ken befriended a native American while in the Marines and accompanied him home to the reservation during military leaves. There, an elder showed Ken some magnificent, old beadwork. Ken was surprised to learn that the tribal youth showed little interest, including his friend. Although Ken doesn't have sufficient native American ancestry to qualify for tribal membership, he made a personal commitment to learn these techniques. Ken's projects are authentically produced but cannot be labeled as "Indian made."
Why don't tribal youth show more interest in native American craft? Preparation for beading in the native American tradition, such as brain-tanning of hides, is labor intensive, although the results are buttery-soft, making the leather pliable for decorative beading and quilling. Because of the work and time involved, few of today's tribal youth want to perpetuate the craft. "Time" has become "money," so if there is interest in doing crafts in the classical tradition, it's to make some money. Ken will attest to the amount of time it took to make a cradle board for his son. He certainly couldn't sell it for a price to equal the months that he put into the project.
To offset the lack of interest in fine craft, author Joel Monture has captured the steps needed to recreate the obvious beauty inherent in native American beadwork. The book features 43 color plates of beadwork, including the styles of many North American tribes.
In one respect, Joel is preserving an anthropological record of the personal ornamentation used by various tribes by showing us the differences and similarities of style. To lose these tribal identifiers results in cultural homogeny and a disconnect with our human history. Joel's sense of history has led him to capture these artistic techniques before they are lost.
It's worth looking at........2004-07-15
I just got this book along with two others the other night. Haven't had the chance yet to read it completely yet. Having scanned it a bit though, I would say the section with color photos is good, particularly if you're a crafter looking for patterns. The text I've read up to this point is good and worth reading. I've had a little bit of a hard time with some of the diagarms though, particularly some of the ones dealing with hides and hide tanning. Not that I'm looking to tan hides right now, but I thought it would still be interesting to understand the process. Several of the stitch diagrams are easier to follow though. There are black and white photos as well in this book. Most came out fine, but I think a there are a few that must have had poor lighting.
beautiful book.......2003-03-31
i love indian art, traditional and contemporary. i have a small collection of northwest and inuit art. i have studied the histories of several nations. but i am not an indian. no matter how much study i may devote to indian arts and history, i will never be an indian, i will never have the intimate knowledge that comes from growing up in a culture. i would never presume to tell any member of any indian nation that his or her work was not 'traditional.'
and what, exactly, is tradtional? louise keyser, a washoe who died in 1925, created a new form of basket in the 1890s that was based on her tradition and her knowledge of other nations' traditions. this is what artists do--take what they know, build on it, and create new forms. after all, indians happily absorbed european beads into their 'traditions.'
i design my own knits, embroideries and beadwork. this book offers stunning photos and a good section on traditional color use which together give me a good starting point for my own creations and which is why i rate this book at five stars.
note on nomenclature: the indians i have known were not concerned about indian/native american. i object to native american since the indians migrated (IMmigrated) here just as everyone else has, albeit a few thousand years earlier. if i have offended any indian/native american by this use, i apologize. if a european doesn't like it, well....
Native Beadwork from a Native perspective.......2003-02-05
How interesting that the beadwork book chosen as more "authentic" by some here was written by a European from Germany! Mr. Monture is Six Nations (Mohawk, I believe) from New York State, & has taught Native Arts at the American Indian Arts Institute (a college *for* Native artists) for some years.
Again, its more about where you're from. Some could say it is 'romantized', as it doesn't go into how much work it actually is to produce hides, that its smelly, you need a lot of guidance & practice, etc.
Different tribes use different techniques, & this book is definitely written from a more northeastern tradition, perhaps difficult to appreciate as it is less known outside these communities. (Plains beadwork is usually what the mainstream usually recognizes as 'authentic'.)
That said, one probably needs a little background to get the most from this book. I do wish there was more discussion on color use and Great Lakes pattern development, but these are also skills which are best honed by doing. I enjoyed this book, which does pack a lot of information into relatively little space. The construction techniques are excellent!
Book Description
A photographic exploration of the modern revival of piercing, tattooing, scarification, and body painting that reveals its origins in tribal culture and practices.
Since earliest times, tribal cultures around the world have used body marks and modifications to indicate membership and rank within the group, identify with spiritual totems, express sacrifice and loss, and enhance physical attraction and sexual enjoyment. Today we are witnessing a renaissance of interest in body adornment that many interpret as a return to our tribal beginnings--a way to identify who we are in an urban world that has lost its sense of community. Return of the Tribal takes a non-judgmental look at a great variety of practices of body adornment and modification--from prehistoric and aboriginal to those of modern urban tribals in cities such as London, New York, Tokyo, and Amsterdam. From the beautiful to the bizarre, the author shows the many beautiful and bizarre ways people choose to alter their appearance.
Customer Reviews:
Basic.......2007-09-07
While this book contains some great photos (which is what i was really after)the content is fairly basic and perhaps aimed at people who have not yet entered the world of body mod.
It would be a great book to present to young high school kids when attempting to teach them that people are different but that it's all good :)
Like i said, some of the pictures were great but i am otherwise disappointed with this purchase
Not the best, but definitely worth owning!.......2004-05-07
"Return Of The Tribal" is a book that delves into body adornment cross-culturally and throughout history. The book is relatively short, but is packed with great photos and content.
If you don't already own Modern Primitives, you might want to start there first. This book doesn't have as good of written content, though I personally found it to have better and more varied photography.
Overall, the book is a must-have for the library of anyone interested in body modification (either on a tribal level or in Western culture). "Return Of the Tribal" could work as a (small) coffee table book or a reference text. Short, but very sweet.
a wonderful book.......2001-10-24
if you want to research body modification I would suggest this and Modern Primitives. This book is rich with color photographs and indepth discriptions. A must buy for fans of the modification of flesh
Great photography and very informative.......2001-07-23
I've got many books on tattooing and body piercing and I consider this one of my favourite. It looks at the possible reasons why people in the west get body decorations and compares them to the ritualistic purposes there are in tribal cultures. I like it a lot because it focuses on the ancient and traditional aspect of body piercing, tattooing and scarification. It contains excepional photographs(all colour) and goes into great depth and detail. It doesn't talk about body art in a superficial stand point but considers it as an art with a very ancient history. I feels its a very worthwhile read which i constantly reread and refer to and it never is boring.
Content not as good as pictures.......2000-02-26
This book offers little more to the reader than a collection of full color photos of various forms of body art. It is nice to look at, but the content is very biased and non-scholarly. The author oftens voices his opinion about what is 'acceptable' or 'attractive', and questions people who use body modification to "take things too far". There IS a wide variety of body modification discussed and shown in the book, however, the author often repeats things he had previously stated in the book, making for very little content of value. Overall, not one of the better books on the subject. Check out Bodies of Subversion by Margot Mifflin, or The Art of the Tattoo by Ferguson & Procter for better histories of tattooing, as well as any Modern Primatives issues.
Book Description
From purely functional yet ingenious work clothes to the most elaborate and intricately detailed ceremonial robes, this full-color book showcases the grandeur and aesthetic appeal of Chinese clothing from prehistory to the present day.
Customer Reviews:
Chinese Clothing, Costumes, Adornment and Culture.......2006-06-14
Badly written with no real knowledge or understanding of the subject. Illustrations taken without permission from other books on Chinese dress.
Average customer rating:
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CCEL Classics CD: works by Saint Augustine, John Calvin, John Donne, Julian of Norwich, Brother Lawrence, Martin Luther, Saint Teresa of Avila, Thomas Aquinas, Thomas a Kempis, John Wesley, and more!
Dr. W. Harry Plantinga
Manufacturer: Christian Classics Ethereal Library
ProductGroup: Book
Binding: CD-ROM
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ASIN: 1931848076
Release Date: 2006-12-15 |
Product Description
The most important spiritual writings of Christian history are available on this Classics CD by the Christian Classics Ethereal Library (CCEL) at Calvin College. It contains 118 Christian classics, including three versions of the Bible, several commentaries, Bible dictionaries, readings, spiritual guides, sermons, poems and journals -- all in a convenient, searchable form. Books are available in HTML and PDF formats. The easy-to-use CCEL Desktop software powering the CD enables users to browse and print books and install additional books from the Web. The top-of-class search engine can search for words or phrases in books, in authors works or in the whole library. In addition, it can search for dictionary definitions of words and commentary or references to scripture passages. The interface is a Web browser. The CD is compatible with Windows 2000+, Macintosh 10.3+, and most Linux versions.
Customer Reviews:
Beware of Paper Cuts.......2006-05-26
This book is dedicated to the intimate art of the little paper costume. This is not origami and is closer to paper dolls. The book is nicely laid out and the introduction maintains the illusion of this being a true ancient artform. What is the artform? Well, it is to cut out and assemble little costumes or disguises to be placed over the erect male member.
The costumes span quite a rangr from a pig to a space shuttle. Most of the book is taken up with the heavy printed pages that comprise the parts of the costumes. If you were to actually go ahead with one of these constructions, the dicrections are quite simple and clear. Just watch out for paper cuts.
All in all there are 14 models. The are The Dragon, The Cock (rooster), The Squid, The Moth, The Pig, The Fish, The Horse, The Dog, The Rose, The Car, The Steam Engine, The Space Shuttle, The Fire Engine and The Private Investigator.
Too funny............2005-06-26
This is a laugh-out-loud satire of eastern mysticism sex guides that take their subject way too seriously. Repeat: satire. There is no ancient Japanese erotic art of penis puppetry although the authors cleverly include an academic-sounding history and so forth, a la "Why Cats Paint" and other books by these tongue-in-cheek art critic / historians. (Must get ahold of their "Kama Sutra for Cats" some time). Anyway, this book is a scream, really. And there are little models complete with haiku dialogue you can try at home! Brilliant. Especially recommended as a gag gift to those of Asian descent sick and tired of having people around them ask about their "ancient Chinese secrets" and so forth.
Ummm ... can we say certain words here?.......2003-09-09
Costumes. For your phallic appendage. These are puppets specifically designed for the male's eleventh digit. The colors in this book are quite vibrant. I think the authors are serious (though the pictures on their web site show them grinning quite deviously). A search of the web for the term "kokigami" indeed turns up over 700 hits (many duplicates). The whole idea of kokigami is just weird. It underscores that cultures can have radical differences.
I once read a book: Kokigami,
full of puppets to dress a salami,
of interest, sure,
if you have thoughts impure,
to lasciviously cavort on tatami.
Paper craft at its most erotic.......2002-05-30
Almost everyone is familiar with origami, the art of paper folding, but kokigami is a [bird]... of an entirely different feather. The first definitive instructional guide to this ancient Japanese art, KOKIGAMI brings to life-quite literally-this most mysterious practice from the Orient. Written specifically for Westerners, KOKIGAMI contains 14 beautiful little paper costumes that are a delight to make and a rare pleasure to use. The authors' writings on the history and lore of the art will intrigue anyone interested in Japanese paper arts, and the costumes themselves will fascinate and inspire those eager to add new and exciting dimensions to their intimate relationships.
64 pages - Full-color illustrations.
Average customer rating:
- A Gorgeous, but not scholarly book
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A World of Head Adornment: Africa, Asia, Oceania, America
Anne Van Cutsem
Manufacturer: Skira
ProductGroup: Book
Binding: Hardcover
General
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Jewelry
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Similar Items:
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The Art of Silver Jewellery: From the Minorities of China, The Golden Triangle, Mongolia and Tibet
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World of Belts: Africa, Asia, Oceania, America
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A World of Necklaces: Africa, Asia, Oceania, America
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A World of Rings
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A World of Earrings: Africa, Asia, America (Ghysels Collection)
ASIN: 8876242813
Release Date: 2005-12-27 |
Book Description
A passionate interest and a lifetime spent seeking out the world's finest ethnic jewelry has contributed to making the Ghysels collection one of the premier collections of its kind in the world. Jean-Pierre and Colette Ghysels have indulged their passion indiscriminately, according as much attention to ethnographic objects as to extraordinary pieces of ethnic jewelry. They are guided by a single criterion: the quality that gives rise to beauty, a strict standard indeed, but one made possible by their longstanding familiarity with ethnic objects. A vast array of hair combs, pins, jewelry made to be woven into braids, nose rings, lip plugs, forehead ornaments and other related objects made out of the most diverse materials, many never before seen, are presented in beautifully composed photographs. The book is divided into geographical sections and includes 200 annotated photographs, a glossary, an index, maps, and a general bibliography. The author's essay describes the uses and meaning of the objects in different cultures and emphasizes the originality of the pieces.
Customer Reviews:
A Gorgeous, but not scholarly book.......2006-11-18
The book is visually stunning: some readers may be disappointed, depending on what they are seeking. The book consists of superb shots of pieces from Asia, Africa, Oceana, and (South)America. The pieces consist of a variety of head ornaments: combs, bands, nose ornaments, etc., but do not include earrings (which are covered in A World of Earrings) or hats. The representation is uneven, with the collections for Asia and Africa being much stronger than for Oceana (perhaps 24 pieces) or South America (perhaps a dozen pieces). Since this is a catalog of a personal collection, one obviously cannot have pictures of what is not there, and this is not a criticism. However, the person researching international jewelry should recognize the limitation.
The pictures themselves are stupendous: large with extremely clear detail. Depending on the item, there may be several on a pages (as with small hairpins) or one piece may have a double spread. The pictures are solely of the pieces; there is no attempt to display them as they would be used. They are arranged in geographical sections, with a brief introduction to the jewelry of that area. All of the caption information is collected at the end of the book, which I suppose avoids detracting from the pictures, but which some may find annoying. At least every page seems to have a discreet page number, so it is easy to match them to the captions. Anyone with a scholarly interest may find this disappointing: there is minimal information about the size of the pieces, generally the largest dimension only, and only one, even if multiple pieces are shown in the same picture. Only a very broad provenance is given, and little about the age. One comb for example, notes that this style was derived from the Spanish mantilla beginning in the 17th century, but it does not indicate if it is also contemporary. I a a little confused by the notation in the caption about a piece from Nigeria referring to Pharaonic Egypt. Does this reflect cultural sharing? Does this mean that the piece is from the time in history? The precise comment is that the ancient Egyptians often copied natural forms, but looking through the pictures, isn't that true of most cultures?
The index is very detailed in that one may, for example, look up pieces from Ming Dynasty China under either Ming or China. It would be helpful if a time period was specified for the dynasties. Also, the page numbers refer only to text, either in the section introductions or the captions. Thus, one is directed to the captions for the jewelry, and goes from there to the pictures. There are also maps and an extensive bibliography.
Well worth oohing and ahhing over, but will be only a supplement for a person with scholarly interests.
Average customer rating:
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Mexican Indian Costumes (Pan America)
Donald Bush Cordry
Manufacturer: Univ of Texas Pr
ProductGroup: Book
Binding: Hardcover
History & Criticism
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ASIN: 0292734263 |
Book Description
Naga traditional adornment exhibits a variety, profusion and complexity of beads and natural elements-rarely found in tribal Asian, or even African societies-that combine to create a vibrant, distinctive aesthetic. For time immemorial, among the many distinct Naga Tribes, ornaments were not merely accessories, but powerful symbols that defined both the self individually and within the tribe, connoted status and signified martial exploits. Social change brought to this remote, rugged, northeast corner of India by British and then Indian rule, Christian missionaries, and Western education, gradually eroded their perceived relevance. As modern Nagas seek a renewed sense of who they are, they are embracing the past to shape the future. Naga Tribal Adornment complements a temporary exhibition of the same name at The Bead Museum of Washington D.C., the first public showing of material drawn from the Harry L. and Tiala Marsosang Neufeld Collection, perhaps the largest private holding of traditional Naga art and artifacts.
Customer Reviews:
Disapointingly generic and short on detail.......2005-08-23
This flimsy publication lacks anything beyond the bare miniumum of detailed information on the featured pieces in this exhiition and the accompanying text was dissapointingly generic. There are a couple of really good books on Naga art, such as "The Nagas, Hill People of North East India", but this is not one of them. The word that describes it best is superficial. I am sorry I bought it.
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