In Vogue: The Illustrated History of the World's Most Famous Fashion Magazine

Book Description

In Vogue is a fascinating look at the history of the world's most influential magazine. The complete compendium is illustrated with hundreds of covers and archival interiors of past Vogue editions, featuring the work of some of the twentieth century's most respected artists, cover illustrators, and photographersâfrom Edward Steichen, Toni Frissell, and Erwin Blumenfeld to Irving Penn, Richard Avedon, David Bailey, Helmut Newton, Annie Leibovitz, Mario Testino, Steven Klein, Bruce Webber, and Herb Ritts. In 1909, an entrepreneurial New Yorker named CondÃ© Nast took charge of a struggling society journal and transformed it into the most glamorous fashion magazine of the twentieth century. In Vogue traces the history, development and influence of this media colossusâfrom its beginning as a social gazette in the late nineteenth century, to the exploration of modern fashion photography and new visuals in the mid-twentieth century, to its status as the top style magazine today. The book explains the makings of the magazineâfrom runways, to editorial meetings, to the pages of Vogue.The thoroughly researched story incorporates first-person accounts, interviews with editors and photographers, and excerpts from stories written in the magazine by many world-renowned writers, including Truman Capote, Aldous Huxley, Richard Burton, Federico Fellini, and Marcello Mastroianni. Unparalleled in its scope and exceptionally illustrated, In Vogue is sure to be among the most important publications on the subjects of culture, art, fashion, photography, and media.

Customer Reviews:

A Taste of Owners' Plans, Editorial Direction, Style, Fashion, Great Photography, and Memorable Models.......2007-07-16

What attracts you to Vogue? Chances are that element is represented someplace within the pages of In Vogue.

To me, the photographs are the main appeal of Vogue. Since its founding on December 17, 1892, Vogue has attempted to capture current and future fashion through its images. The magazine has been blessed by talented work done by most of the world's best fashion photographers since then who brought us the most interesting society women, celebrities, cultural icons, and, of course, fashion models. I was pleasantly surprised to see that the book contained at least a few works by each of the greatest photographers to appear in Vogue. Most of the images were known to me, but a number were new. My main disappointment was that the photographers I like the most didn't have more photographs in the book. But the book is very bulky and heavy as it is.

To my interest in the photographs came many essays about why the photographers were selected and what the editors asked them to accomplish. The interaction of the art directors and the photographers was particularly noteworthy in regard to covers.

I have also spent many years as a management consultant in the magazine industry. I was pleasantly surprised to find that there's a pretty complete overview of the management thinking and decisions that led to Vogue becoming so successful.

But the most interesting surprise came in the extended views into the editorial philosophies and working styles of the magazine's editors. Creating a fashion magazine is very demanding, and Vogue has been fortunate in its editors both for their energy and their vision for the reader.

If neither business nor editing interest you, you'll still find lots of marvelous images to help you trace the development of fashion and style in the United States over the last 100 plus years.

Here are a few of my favorite photographs in the book:

Helen Lee Worthing by Baron Adolphe de Meyer, September 1, 1920 (p. 61)

White by Edward Steichen, January 1, 1936 (p. 67)

Mademoiselle Koopman by George Hoyningen-Huene, September 15, 1933 (p. 69)

Mary Taylor by Cecil Beaton, May 15, 1935 (p. 73)

Lisa Fonssagrives by Horst P. Horst, August 1, 1938 (p. 76)

Decor by Horst P. Horst, March 15, 1938 (p. 77)

Corset by Horst P. Horst, September 15, 1939 (p. 78)

Coco Chanel by Horst P. Horst, February 15, 1954 (p. 79)

Cover by Horst P. Horst, September 15, 1940 (p. 89)

Loretta Young by John Rawlings (p. 111)

Twelve Beauties by Irving Penn, 1947 (pp. 116-117)

Cover by Horst P. Horst, May 15, 1941 (p. 131)

Cafe Society by Cecil Beaton, 1948 (pp. 136-137)

Concentration Camp by Lee Miller, June 1945 (p. 143)

Jean Pachett by Irving Penn, February 15, 1949 (p. 144)

Atelier of Pablo Picasso, November 1, 1956 (pp. 156-157)

Twiggy by Richard Avedon, July 1967 cover (p. 172)

Marisa Berenson by Berry Berenson, 1969 (p. 179)

Marisa Berenson by Irving Penn, April 1970 (pp. 186-187)

Lauren Hutton by Richard Avedon, January 1, 1969 (pp. 198-199)

Celebrity covers, 1965-1971 (p. 202)

Cheryl Tiegs and Rene Russo by Helmut Newton, 1974 (p. 215)

Cybill Shepherd by Helmut Newton, 1973 cover, (p. 216)

Kim Basinger by Irving Penn, September 1978 (p. 217)

Beverly Johnson by Albert Watson, October 1977 (pp. 218-219)

Charlotte Rampling by Helmut Newton, 1974 (p. 221)

Eveningwear by Arthur Elgort, 1978 (p. 222-223)

Lisa Taylor by Arthur Elgort, October 1976 (pp. 228-229)

The Right Moment by Arthur Elgort (p. 230)

Lisa Taylor by Helmut Newton, May 1975 (p. 233)

Winnie by Helmut Newton, 1976 (p. 234)

Daryl Hannah by Helmut Newton, 1984 (p. 235)

Bathhouse by Deborah Turbeville, May 1975 (pp. 236-237)

Satin and Leather by Peter Lindbergh, September 1991 (pp. 252-253)

Color and Opulence by Peter Lindbergh, October 1997 (pp. 254-255)

Tribute by Annie Leibovitz, November 1999 Cover (pp. 272-273)

Linda Evangelista by Steven Meisel, September 2001 (p. 274)

Shape by Annie Leibovitz and Patrick Demarchelier, April 2002 (p. 278)

Lisa Cant by Irving Penn, September 2005 (p. 283)

Cindy Crawford by Helmut Newton, December 1991 (p. 287)

Haute Couture by Irving Penn, December 1995 (p. 292-293)

Epic Proportions by Irving Penn, April 2004 (p. 297)

Swimsuits by Mario Testino, May 2000 (pp. 298-299)

Portrait of a Lady by Steven Meisel, March 1995 (p. 307)

Mad About You by Steven Meisel, October 2003 (p. 313)

Naomi Campbell by Herb Ritts, May 1996 (pp. 314-315)

Barbarian Chic by Arthur Elgort (p. 325)

Near Bora Bora by Patrick Demarchelier, December 2004 (p. 330)

Golden Girl by Annie Leibovitz, April 2006 (pp. 345-346)

Condoleeza Rice by Annie Leibovitz, December 2001 (pp. 358-359)

Kate Moss by Irving Penn, September 1996 (pp. 368-369)

Hillary Clinton by Annie Leibovitz, December 1998 (p. 372)

Nicole Kidman by various photographers, September 2003 (pp. 378-379)

Models and Supermodels by Steven Meisel, September 2004 (pp. 380-381)

Ben Stiller and Stella Tennant by Annie Leibovitz, October 2001 (pp. 388-389)

Mario Testino, April 2006 (pp. 392-393)

Take a close look!

Just OK........2007-06-28

I liked the information and photos about the early Vogue, and wish there was more of it. I was not so interested in the later stuff, as it seemed overly self-important. Instead of presenting fashion, the current Vogue seems to commision special clothes for its photo shoots. What's the point if you can't buy that? Plus the photos don't even show what the clothes look like. I have better books on fashion, but this really was about the history of the magazine, and as such it succeeds. I just don't happen to like the magazine as it never shows anything I'd want to wear.

Magnificient overview of an iconic magazine.......2007-06-22

Ten gets you one that when you ask someone to name a fashion magazine, the first answer you get will be, "Vogue". That's how much of an institution the magazine has become. While "Elle" and "Women's Wear Daily" might dispute the contention, "Vogue" seems to have become the periodical of record for worldwide haute couture. As such, as the authors note in their introduction, a basic history is past due. With a great deal of help from the Vogue staff itself - Anna Wintour, the magazine's longtime editor (and so prominent a figure in her own right that Meryl Streep's spoof of her in last year's movie "The Devil Wears Prada" was instantly recognizable), is prominent in the list of contributors - Angeletti and Oliva, magazine historians both, have assembled an informative text and a gorgeous array of imagery which effectively covers the century-plus history of Vogue, from the cover of the very first magazine to the latest photos of Nicole Kidman. The book is certainly a highly display-worthy item, as another reviewer has suggested, but more than that, it's meant to be leafed through and read. You can find it brand-new at a wide variety of prices, but even if all the Amazon Marketplace sellers were somehow sold out of their copies, it'd still be worth the list price!

A travel through time by book.......2007-05-14

The authors of In Vogue composed a diversified chronicle of the appearance and the development of Vogue from 1892 until today. The photographs chosen portray the history of fashion photography wonderfully, each of them either a ravishing new sight or a spectacular recognition. The structuring by Decade, introduction of publishers, contributing editors, photographers, etc interposed by special contributions and excerpts of resumes offers the reader a diverting journey trough publishing history in general and the publishing of fashion in particular.

InVogue: The Illustrated History of the World's most famous fashion magazine.......2007-03-28

great extensive fashion history on Vogue magazine: superb pictures, designers, models....

Blood Sweat And Tears: Or How I Stopped Worrying And Learned to Love Fashion

Average customer rating:

excellent work
Master of his art
A Coffee table book of mammoth magnitude...
positively excellent
BEYOND WACK

Blood Sweat And Tears: Or How I Stopped Worrying And Learned to Love Fashion

Manufacturer: Te Neues Publishing Company
ProductGroup: Book
Binding: Hardcover

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ASIN: 3832790985

Customer Reviews:

excellent work.......2007-08-23

Bruce Webber is the best photographer there is. Each picture makes you want to take the time to apriciate his work.

Master of his art.......2006-12-23

Bruce is the master of two dimensional space. As always, interesting and provocative.

A Coffee table book of mammoth magnitude..........2006-11-10

An amazing Bruce Weber portfolio and everything a good coffee table book should be. It's size is amazing pound for pound and filled to the brim with Bruce's ad campaigns for Versace, Abercrombie & Fitch, endless fashionista mags as well as a plethora of portraits. Quite a treat for the eyes for no one takes a picture like Bruce Weber. Never have I seen a photographer who can capture the ultimate essence of beautiful youth like this man. Indulge yourself with this one...

positively excellent.......2006-11-10

Probably the best photo book I have ever seen. Excellent quality and one to keep for life. In the Netherlands it would cost be 150. Bij Amazon just a little over 80.

BEYOND WACK.......2006-01-03

You have got to be kidding me. This stuff was tacky when it ran in magazines... so now a book of it? Whatev... not to mention the horribly CHEAPO paper and way crummy binding. What was the guy thinking? Filthy lucre, I suppose. Three to six months until it hits the remainder table. A better subtitle might have been, "How I Stopped Worrying About What a Decent Book Should Be". Save yourself the bread.

Average customer rating:

Full-page color images blend with essays and writings about the photographer's approach and the fashion and art worlds.
Strikingly Different Photographs

Face of Fashion
Vince Aletti
Manufacturer: Aperture
ProductGroup: Book
Binding: Hardcover

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ASIN: 1597110396
Release Date: 2007-03-01

Book Description

Any fashion photographer can make a flattering portrait, but the contemporary masters featured in Face of Fashion don't even try. This striking, gold-embossed, faux-leather-bound volume presents the intensely unconventional, often unnervingly intimate portraiture being made by some of today's most creative and original fashion photographers--including Corinne Day, Steven Klein, Paolo Roversi, Mario Sorrenti and the team of Mert Alas and Marcus Piggott. Each photographer is represented by a range of portraits, including several commissioned especially for this book. Some of the portraits were produced for ads; others were commissioned for editorial features. Many of the subjects are celebrities, including Kate Moss, Madonna, Matthew Barney, Brad Pitt, Angelina Jolie and Sting. Others are completely anonymous. Essays by Susan Bright and Vince Aletti illuminate the collaborative nature of this radically new approach to portraiture, as well as how it diverges from earlier work by masters like Cecil Beaton, Irving Penn, Richard Avedon and others. In addition, candid descriptions of the process by the photographers and subjects themselves provide rare insight into the potent mix of fame, fashion and photography on view here. Copublished with the National Portrait Gallery, London, to accompany the exhibition there.

Customer Reviews:

Full-page color images blend with essays and writings about the photographer's approach and the fashion and art worlds........2007-09-04

The contemporary fashion portrait is the focus in FACE OF FASHION, which brings together paintings made for the fine arts yet embodying fashion styles, standards, and art. The array of photographers whose works appear here all have a distinct, unique style within fashion photography, making FACE OF FASHION an excellent juxtaposition of varying approaches and styles and a top pick for any college-level art or fashion library. Full-page color images blend with essays and writings about the photographer's approach and the fashion and art worlds.

Strikingly Different Photographs.......2007-04-04

If you think of fashion photography as being the pictures of clothes draped across beautiful bodies to be shown in advertisements, you will find only a small percentage of the pictures in this book to meet that expectation. Instead here you will find photographs that are striking, that don't really fit with the idea of selling a dress. Indeed if 'fashion' implies clothes, some of the pictures here don't show any clothes at all, just the form of the model.

The result is a collection of photographs that show what the best of the best of photographers are doing today. Striking, yes. Disturbing, sometimes. Beautiful, often. Sexy, usually. Each page brings something to the eye that's usually a surprise.

Average customer rating:

We might be Fruits too.
Nice!
This is a great photo book.
A Birthday Gift
Colorful World

Fruits
Shoichi Aoki
Manufacturer: Phaidon Press
ProductGroup: Book
Binding: Paperback

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ASIN: 0714840831

Amazon.com's Best of 2001

If you ever wondered where the catwalk got its claws, then the portraits gathered in photographer Shoichi Aoki's book Fruits, from the streets of Harajuku in Tokyo, point the way to an extraordinarily imaginative and invariably stunning glut of mongrel fashion heists. A best-of collection from the fanzine of the same name, and published for the first time outside Japan, Fruits keeps its style clean: front-on, razor-sharp images, ranging from the deadpan to the manic, of the sharpest collages of sartorial influence that, usually, little money can buy. From off the peg to off the wall, kitsch to bitch, each person bears a combination and philosophy as distinctive as DNA. All shades of aesthetic are raided, with exquisite, scrupulous attention to detail. Punk is a favorite, as is, appropriately, Vivienne Westwood, alongside Milk and Jean-Paul Gaultier, and the occasional Comme des Garçons. Many of the outfits, though, are second-hand or self-assembly, such as a skirt drooping petals of men's silk ties, Wa-mono, when tradition Japanese clothes are topped with, say, an authentic bowler hat, EGL (elegant gothic Lolita), and a swathe of tartans, pinks, and turquoises. The most malleable feature, unsurprisingly, is hair, with dreadlocks, mohicans, back-combing, and crops dyed an irradiated spectrum. While the eye is drawn, obediently, to the mannequins, the background is often worth a look, either for the vending machines against which a number are shot, or the ubiquitous Gap store and bags, a constant reminder of the global mass market.

One enterprising man wears a genuine British paperboy's delivery bag, and, to pick but one profile, Princess, 18, is trying to be a doll and is currently preoccupied with body organs. Mmm. All the subjects are asked the source of their clothes, as well as their "point of fashion" and "current obsession." The scope for sociopsychological discussion is vast, particularly with the preponderance of infantilization, through dolls, bonnets, pop socks, and Barbie, but this is a joyous documentation of the innovative, celebrating the inspirational polytheism of street fashion, captured with provocative, political zeal. Best let the street cats prowl. --David Vincent

Book Description

If you ever wondered where the catwalk got its claws, then the portraits gathered in photographer Shoichi Aoki's book Fruits, from the streets of Harajuku in Tokyo, point the way to an extraordinarily imaginative and invariably stunning glut of mongrel fashion heists. A best-of collection from the fanzine of the same name, and published for the first time outside Japan, Fruits keeps its style clean: front-on, razor-sharp images, ranging from the deadpan to the manic, of the sharpest collages of sartorial influence that, usually, little money can buy. From off the peg to off the wall, kitsch to bitch, each person bears a combination and philosophy as distinctive as DNA. All shades of aesthetic are raided, with exquisite, scrupulous attention to detail. Punk is a favorite, as is, appropriately, Vivienne Westwood, alongside Milk and Jean-Paul Gaultier, and the occasional Comme des Gar+ons. Many of the outfits, though, are second-hand or self-assembly, such as a skirt drooping petals of men's silk ties, Wa-mono, when tradition Japanese clothes are topped with, say, an authentic bowler hat, EGL (elegant gothic Lolita), and a swathe of tartans, pinks, and turquoises. The most malleable feature, unsurprisingly, is hair, with dreadlocks, mohicans, back-combing, and crops dyed an irradiated spectrum. While the eye is drawn, obediently, to the mannequins, the background is often worth a look, either for the vending machines against which a number are shot, or the ubiquitous Gap store and bags, a constant reminder of the global mass market.One enterprising man wears a genuine British paperboy's delivery bag, and, to pick but one profile, Princess, 18, is trying to be a doll and is currently preoccupied with body organs. Mmm. All the subjects are asked the source of their clothes, as well as their "point of fashion" and "current obsession." The scope for sociopsychological discussion is vast, particularly with the preponderance of infantilization, through dolls, bonnets, pop socks, and Barbie, but this is a joyous documentation of the innovative, celebrating the inspirational polytheism of street fashion, captured with provocative, political zeal. Best let the street cats prowl. --David Vincent

Customer Reviews:

We might be Fruits too........2007-09-26

My high school art class, Costume Design, LOVE this book. It's fun to see teenagers in another culture taking western fashion and personalizing it. Every time I pick up the book I see something new. We've only had the book a couple of weeks and it is already dog-eared.

Nice!.......2007-03-27

Great book, made my girlfriend quite happy. She is very into Japanese street fashion and this book just captivated her, she looked through it about 20 times the day i gave it to her.

This is a great photo book........2007-02-04

Even if you aren't particularly interested in Japanese youth culture, this book is just a great example of fashion or humanity and the expansion of western culture into the eastern. The photographs are all high quality and just about every page also has a little questionaire filled out by each subject so you get to know a little more about them then their outrageous fashion sense.

A Birthday Gift.......2007-01-10

I got this for my 14 year old son who is into Asian pop culture.
He enjoyed the book but thought it had too much FASION aspect.

Colorful World.......2006-09-30

I had the good fortune to run into this book on vacation. As soon as I got home I ordered both Fruits and it's companion. As a self motivated student of fashion and all of it's off-shoots, I immensely enjoy this book. It is a plethora of individuals, and not a duplicate picture in the book. It features mostly youth (teenagers) but that is to be expected. But it doesn't limit itself to just the very young. There are a few family photos and "older" individuals. It is a monument to anyone who creatively clothed themselves. It gives brief details: name, age, point of fashion, fashion brands and makers. A lot of the "point of fashion" remarks seem like nonsense at first. After reflection, I think they are just 'smart allec come-backs', much like what you'd get from someone in the American Gothic culture if you asked one of them why they wear black all the time. Even with brief details you can start to see patterns in clothing styles seperating themselves out from one another. By age particularly, and by preference to designers within a group of friends. The only problem I had was reading some of the bubble gum colored print that it was done in.

Average customer rating:

Breathtaking
Richard Avedon Woman In The Mirror
Avedon's Last Gasp
Female in the lens
Good photographs, poor design

Woman in the Mirror: 1945-2004

Manufacturer: "Harry N. Abrams, Inc."
ProductGroup: Book
Binding: Hardcover

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ASIN: 0810959623

Book Description

Among the significant projects of the last year of his life, Richard Avedon (1923-2004) completed a book of his photographs of women. Always transcending categorization-he was both a fashion photographer and known as a "poet of portraiture"-Avedon was interested in seeing how elemental facts of modern life and human existence were reflected in his work. And what could be more elemental than women, who have mesmerized artists across the centuries?

Looking at his work in this way, Avedon was able to create an unparalleled view of women in his time, a tumultuous half century of rapidly changing social facts, cultural ideals, popular styles, and high fashion. As an artist, Avedon was deeply responsive to nuances of expression, gesture, and comportment, and his photographs unfailingly opened a window to the interior lives of his subjects. These ranged from celebrities (Marilyn Monroe), artists (Marguerite Duras, June Leaf), and high-fashion models (Suzy Parker, Dovima) to anonymous people that simply drew his attention. Like the best of art and literature, they evoke rich lives and complex experiences.

An incisive essay by art historian Anne Hollander offers an overview of a half century of Avedon's images of women.

Customer Reviews:

Breathtaking.......2007-07-31

The quality of this publication is very impressive indeed and the fashion photography is excellent.

However, as one reviewer said, some images are cut instead of being represented on a full page. At the same time, despite this flaw, this is a collection worth having in your library.

Also, if this pleases you, I would take a look at Steve McCurry's "Portraits." You know an image is powerful when you start pouring tears because it represents humanaity in the most profound way. I have provided the link below.

Steve McCurry: Looking East: Portraits by Steve McCurry

Richard Avedon Woman In The Mirror.......2006-02-24

This latest by our recently departed R.A. ( I cried like a little girl when he died) is one of his best. With images in his beloved black and white but also rare color that I've never seen before the book is a classic portryal of Avedon's images of women. Dovima with elephants, Suzy Parker, Rose Kennedy, the most erotic image of Stephanie Seymour ever. The color images of Nadja with a skeleton in fashion images that will stay with you for ages, this book is a fantastic portfolio of Americas greatest photographer,( ok Irving Penn & Avedon share that title). If you were not in on Made In France,(which is now a $1500.00 book )get this one it has more substance aside from the beautiful design of MIF. I miss Avedon and this book brought some memory of his brilliant approach to photography once again.

Avedon's Last Gasp.......2006-02-12

Avedon's last book. He died in October 2004. This is a beautiful collection, all are full-page and a few double-page spreads. Many are fashion pieces, but a number are of the famous, including a wonderful Janis Joplin!

The essay by Ms. Hollander starts a bit slow, but once up to speed
provides some interesting insights. A fyne, hefty tome worth the bucks.

Female in the lens.......2005-11-17

Richard Avedon selected a portfolio of women he has photographed over the last 60 years for "Woman in the Mirror.". Here are 125 images ranging from 1946 (Zazi, a street performer in Rome) to 2004, the year Avedon died. Some of the images have been published but many have not. The majority of photos are from Avedon's career as a fashion photographer - familiar faces like Dorian Leigh, Dovina, Jean Shrimpton, Penelope Tree and Suzy Parker (who is featured on the cover). Women from other walks of life are featured as well - actresses (Katharine Hepburn, Brigitte Bardot, Tilda Swinton, Marilyn Monroe), writers (Isak Dinesen, Marguerite Duras, Renata Adler), singers (Tina, Turner, Patti Smith, Janis Joplin, Maria Callas) and many more. And there's also Elton John in drag! Fifteen pages are reproductions from a "photographic fable" titled "In Memory of the Late Mr. and Mrs. Comfort" (1995) which features models in bizarre poses with skeletons. An essay by Anne Hollander covers the career of this fascinating photographer.

Good photographs, poor design.......2005-10-23

This is a book of excellent photographs from one of the great masters. The design of the book is so bad that almost all of the square or horizontal pictures are"cut". What a shame that the designer didn't understand what a book of photographs is.

Professional Model Portfolios: A Step-by-Step Guide for Photographers

Average customer rating:

Great for beginners
Professional model porfolios
Helpful hints to helping models
Good for beginners
Fantastic "Glimpse" into the world of shooting for models

Professional Model Portfolios: A Step-by-Step Guide for Photographers
Billy Pegram
Manufacturer: Amherst Media
ProductGroup: Book
Binding: Paperback

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ASIN: 1584281375

Book Description

This photographer's guide to creating successful model portfolios encourages a dynamic, diversified artistic approach and shares essential knowledge about the modeling industry, portfolio basics, and agency requirements. Photographers learn how to work with models for the best possible results, create and refine a standout portfolio, and sell that product to agents in the United States, England, and Asia. Three actual portfolios are included to help photographers conceptualize, sculpt, and refine their own portfolios to maximize their client's reach in the industry. Photographers learn why particular images were chosen for opening and closing shots, how to arrange the interior images, and what constitutes an appealing design. Featuring information on working with women, men, and children, this book will help new and experienced models and photographers alike in getting the results they desire.

Customer Reviews:

Great for beginners.......2007-09-03

Most of the things covered in this book are already known to photographers that have worked in the field, but for photographers starting in shooting models, this guide gives them a good start in the field.

Even though the book is titled 'A Step-by-Step Guide for Photographers', the information in here is even more valuable for models. Info on height classifications, measurements, posing, etc. I'd say all new models, and those that want to be models, this is a 'must have' book.

Professional model porfolios.......2007-08-10

This was a fantastic book. So much information. Every model and photographer should read this.

Helpful hints to helping models.......2007-06-13

This really helps with up and coming models who need a bit of direction.
I share this book with every new model I use.
Brings ideas to both of us.
It helps the models understand thier side of the business also.

Good for beginners.......2007-03-12

It's very pro, a little out of fashion, it's a 2004 book, so that's normal I guess. If you don't work in the USA market, it is a good guide about how to work.

Fantastic "Glimpse" into the world of shooting for models.......2007-02-15

This is a fantastic book. It provides great information about doing photography with a model's portfolio in mind It provides good examples with lighting guides, and dips the reader's toe into the fashion/modeling industry with just enough information to excite some readers - and scare others away. this is a good thing.

I just longed for more information; it lacked information about the modeling industry as a whole, particularly modeling agencies and how the work. this is good information for a photographer who wants to help models break into or maintain effective work with such agencies. Sadly, this information was lacking in the book, which is why I only gave it 4 stars. This information could help photographers work better with agency models on their portfolios.

That said, this book has a plethora of information on portfolios, the dos and do not, and plenty of other supplemental information that can be applied to any situation involving model photography.

Average customer rating:

Utmost synergism of fantasy, photography and art!
Imagination in action...
Pretty Good
A bit different from his more recent work

Lachapelle Land

Manufacturer: Channel Photographics
ProductGroup: Book
Binding: Hardcover

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ASIN: 0976670801

Book Description

Deluxe, larger-format reissue of this collectible, long out-of-print book. The marriage of David LaChapelle's vivid, high-octane images with graphic artist, Tadanori Yokoo's super-saturated designs, is an astonishing showcase for the lollipop giddiness of the original. LaChapelle exaggerates the artificiality of fame and Hollywood culture in a head-on collision of color, plastic, and whimsy. His photographs challenge ideas of taste and celebrity, while taking us on a roller coaster ride through a hyper-sensationalized galaxy. L'il Kim becomes the ultimate status symbol, tattooed in the Louis Vuitton pattern. Madonna rises from pink waters as a mystical dragon princess. Pamela Anderson hatches out of an egg. The acclaimed Book of 101 Books: Seminal Photographic Books of the Twentieth Century recognizes David LaChapelle's 1996 LaChapelle Land as its 101st book. LaChapelle Land is packaged and produced by Callaway Editions.

Customer Reviews:

Utmost synergism of fantasy, photography and art!.......2007-01-16

After having bought David Lachapelle's "Heaven to Hell" in the Taschen bookshop in Berlin last november, I was flabbergasted by its content. Coming home I immediately surf to Amazon.com to order the other two books of this trilogy: "Lachapelle Land" and "Hotel Lachapelle". To me his work is the utmost synergism of fantasy, photography and art! For me, without doubt the most impressive and striking artbooks I bought in 2006!!

Wubbe Koning, Heiligerlee, The Netherlands

Imagination in action..........2006-03-13

How about photographing what your mind sees? That's the journey Lachapelle takes us in every picture. Lachapelle, along with a couple of other great photographers, is what I would call an acquired taste and a bi-polar one it is. Either you love it or you hate it...

Anyone interested in serious photography should have, at least as a reference, any of Lachapelle's books.

As for this one, all I have to say is that I enjoyed the journey. And what a journey it was...

Pretty Good.......2006-02-24

I bought this book after being a fan of Lachapelle for a few years- and i've already got Hotel LaChapelle.This book doesn't really compare that well to Hotel Lachapelle, but its a good book to have if u want to document his work pre 1996, and although it has some stunning photographs, i was more impressed by the (presumably bigger budget) photos in Hotel Lachapelle, so. in a nutshell; if you trying to decide between this and His second book, get the second one, but this isnt a bad book to have.

A bit different from his more recent work.......2006-01-23

I purchased this book after viewing David Lachapelle's website, and while it is certainly a decent collection of photographs, the photos lack some of the style that Lachapelle's more recent work has. If you are a fan of the work found on his website, then I would suggest Hotel Lachapelle instead of this book.

Blahnik by Boman: Shoes, Photographs, Conversation

Average customer rating:

Blahnik by Boman
ABSOLUTELY BEAUTIFUL!!!!!
Good creation to show you Manolo Blahnik shoe art.
shoes...no odor
Wacky, Wonderful, Weird World!

Blahnik by Boman: Shoes, Photographs, Conversation
Eric Boman
Manufacturer: Chronicle Books
ProductGroup: Book
Binding: Hardcover

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ASIN: 0811851168

Book Description

Long before their supporting role in Sex and the City, Manolo Blahnik's shoes were legendary—exquisitely detailed, unabashedly luxurious, and impossibly sexy. The epitome of sophistication and taste, they have graced the feet of royalty, supermodels, and movie stars. In these breathtaking pictures by Blahnik's longtime friend, photographer Eric Boman, the shoes take center stage in a dazzling array of intriguing and often lighthearted scenes and settings. A white leather stiletto plays an incriminating role in a suggested crime worthy of Hitchcock. A pale green mule nestles among ferns in homage to Blahnik's recurring botanical themes. The straps of a sandal echo the strands of spaghetti in which it lays entwined. Boman's unerring eye and oddly keen understanding of Blahnik's creations make for spellbinding pictures, full of wit, playfulness, and sole. Elegant allusions to Blahnik's eclectic influences abound—from the cinema to history, from the natural world to art and literature. As covetable as a pair of Manolos, this is a book of consummate creativity, addictive power, and unrivaled individuality: a cult object on a cult designer.

Customer Reviews:

Blahnik by Boman.......2006-07-18

I just happened to be in Selfridges/London last year, coinciding with Eric Boman and Manolo Blahnik's book launch. There were queues and queues of eager fans lining up to get their newly purchased books autographed by the fashionable duo. It was all very civilised, even though security guards were holding back the frenzied mob, while Boman and Blahnik relentlessly signed with tireless good humour and charm.

Blahnik has been the ultimate cobbler to the stars since the Seventies, and Boman is a veteran, top photographer who's been photographing beautiful women for years (his most recent book, "Dames" show-cases his portrait-photogaphy). It's fortunate for Manolo that Eric came up with the novel idea of photographing his old friend's shoes. It was also conducive for the book that he supplied the witty 'photographic conversation,' for although Manolo's shoes are the most exquisite in the world, a book would have been pretty one dimensional with pedestrian sole snap-shots of his pumps without Eric's creative input.

Boman has not only managed to produce imaginative photographs of the beautiful shoes, but has elevated Manolo's footwear to museum status. Thanks to his original and highly imaginative photographic compositions, the elegant pumps have been transformed into classical portraits.

Boman and Blahnik's old friend Paloma Picasso has supplied the foreword, helping make this beautifully produced book a must have gift, especially for people with tasteful shoe fetishes and aficionados of superior glossy art books, the kind which are too exquisite to grace coffee tables.

ABSOLUTELY BEAUTIFUL!!!!!.......2006-02-24

The genius design combined with amazing photography and styling make for a journey of beauty.A must have for the collector of fashion and photgraphy books.

Good creation to show you Manolo Blahnik shoe art........2006-01-17

I am a photographer and also a high heels collector. There is a project in my mind since one year ago, I want to creat a book to present the art of high heel design, just like this book. I have many ideals. However when I saw this book, I think I need new ideals, or my friend will think that my work is just a copy.
I will rate 4 to 4.5 stars to this book.

shoes...no odor.......2005-12-24

like shoes? photos of shoes? buy this book!

Wacky, Wonderful, Weird World!.......2005-12-23

I have a huge collection of fashion books - both artistic and historical. A friend just gave this to me for our holiday gift-exchange at work, and I am absolutely overwhelmed!
The images are completely striking - strange, beautiful, odd, a little disturbing, and usually quite witty. Some have made me laugh out loud, while others send a chill down my spine.
Of course, Blahnik's shoes speak from themselves as works of art, however the way that Boman has juxtaposed them will the different set-ups or mise-en-scene is truly wonderful. If only we could have such still lifes in the odd spaces of our homes! This book will be a great addition for any fashionista/art lover, and will be the most talked-about *objet* at your next gathering...ENJOY!!!

Average customer rating:

Another "make-a-buck" issue...
Classy-But Not What I Expected!
Visionaire has lost its magic

Visionaire 35: Man
Mario Testino , and Alfred Dunhill
Manufacturer: Visionaire Publishing, LLC
ProductGroup: Book
Binding: Paperback

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ASIN: 1888645229
Release Date: 2001-05-02

Book Description

With a new theme and format for each issue, "Visionaire" stretches the imagination and boundaries of what an art and fashion publication can be. For "Visionaire #35: Man," "Visionaire" joins forces with world-renowned fashion photographer Mario Testino. Testino-who has been responsible for numerous advertising campaigns including Gucci, Ralph Lauren, and Calvin Klein-will focus his camera on men and cull talent from around the world to contribute to an issue of "Visionaire" devoted exclusively to the masculine world.

Customer Reviews:

Another "make-a-buck" issue..........2004-01-26

I too was disappointed in this issue of Visionaire like many others. It seems Visionaire has had an "up and down" quality issue as of late. Some issues are as elaborate as can be, others are like this issue, a cheaply bound paperback magazine in a cheap plastic sleeve.

Given, the technical printing quality of the pictures and the pages with typography are very well done, but somehow there seems to be something lacking. I think this issue is somewhat better than #29 the "woman" issue, but not by much. Similar thing here, lots of pics of sexy guys, with some old guys thrown in and an obligatory section on the penis. The "pop-up" diagram of the male anatomy was pretty cool though, one of the redeaming features of this issue. The old ads for men's products were a nice touch, wish there was more of that kind of content.

I would think Mario Testino would have a bigger vision of this subject I'm sure he must be very interested in, but this doesn't have the breadth and scope of the "Chic" issue.

This isn't the worst issue to date, but it's not a must have either.

Classy-But Not What I Expected!.......2001-07-19

I was really excited about getting this new book by Mario Testino, one of my favorite photographers, but was truly disappointed when it arrived. Yes, it's a very classy publication, and comes in a unique & different pink slipcover, but not being familiar with Visionaire's previous publications, I expected a paperback book of high quality, however, what I got was a magazine. Yes, it is numbered in a limited edition of 6000 but it's not even signed by the photographer.

Mario Testino is one of my favorite photographers who has previous published many wonderful books. Mario's advertising campaigns are world-renowned. There are a lot of great images in this magazine, but I would have been so much more satisfied if Mario had published a hardcover book of his "Man" images instead, and included an extensive selection of his work. If you're a fan of Mario Testino's photography, have collected Visionaire issues before, and have a high-income budget, then you should add this to your collection. I know I'd rather stick to "Mondo Uomo" or "L'uomo Hommes Vogue" myself!

Visionaire has lost its magic.......2001-06-07

I have been a fan of Visionaire since issue 23 directed by Karl Lagerfeld and at that time the issues were fabulous and worth the price. Well that time has gone and now it is really not worth it anymore. This issue comes in a plastic sleeve and is a simple paper book. There's really nothing special about this item. When i heard that Mario Testino was the force behind this issue i thought it would be like his first issue, no. 22 chic. Well it is quite the opposite! Don't buy this item at bookstores but try to get it for less at auction sites.

Average customer rating:

Worth every penny
This is great stuff and freshly presented

Richard Avedon: Made in France

Manufacturer: Fraenkel Gallery
ProductGroup: Book
Binding: Hardcover

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ASIN: 188133712X

Book Description

This major new monograph stands as an important rediscovery of a small but central body of work in the career of one of the world's best known and beloved photographers. The Richard Avedon images presented here, many for the first time, were made in Paris for "Harper's Bazaar" during the 1950s. What is particularly special about this presentation is that the images are being reproduced to the exact scale of the engraver's prints made for Avedon by the master printer Andre Gremola, and are uncropped, on their original mounts, with all of the artist's notations on both front and back. Thus, they provide a remarkable portrait of the working methods of one of the most influential fashion photographers in history. This oversized book, measuring 12 x15 inches, is being printed without compromise with tritone plates throughout, and will be a stunning object in its own right. With this body of work, which includes the photographer's iconographic "Dovima with Elephants, Cirque d'Hiver, 1955", Avedon broke radical new ground in the history of photography. He documented the moment in which postwar France was striving through fashion to reclaim its cultural eminence. Judith Thurman, fashion writer for "The New Yorker" contributes the book's introduction. Edition of 100.

"And if a day goes by without my doing something related to photography, it's as though I've neglected something essential to my existence, as though I had forgotten to wake up. I know that the accident of my being a photographer has made my life possible."-Richard Avedon

"(Avedon) is a passionate artist, always trying to climb inside his image. He gets there, too. It's a self-portrait in the eye of the beholder who is also, and so strenuously, beheld." -Thomas Hess

"Here, for instance, is all that I read in an Avedon photograph, the seven gifts it gives me: first of all, truth, the sensation of truth, the exclamation of truth; then character (pensivity, melancholy, severity, satisfaction, gaiety, etc.); then type (the politician, the writer, the executive); then Eros, a commitment, whether seductive or repulsive, to affect; then death, the corpse's vocation; then too the past, what has been caught, taken, can never come back again, can no longer be touched; lastly. . .lastly the seventh meaning, which is just the one which resists all the rest, the inexpressible supplement, the evidence that, within the image, there is always something else: the inexhaustible, the intractable element of Photography (desire?)." -Roland Barthes

Essay by Judith Thurman.

40 quadratone.

12 x 14.75 in.

Customer Reviews:

Worth every penny.......2007-07-31

I received this book as a gift shortly after it came out. The photos are absolutely stunning, and I love the "rough" presentation. It really shows Avedon's talent- these photos are all amazing in their raw state. I never get tired of looking at this book, and as tempting as it was as a starving college student to sell it, I never could. I always joked that I'd rather take it with me to my cardboard box under the bridge than ever sell it.

It's just that good a book.

This is great stuff and freshly presented.......2001-11-29

Who gives a ding-dong if Avedon is mining his archives for book material. This stuff is great and I like the way it has been put together. It's a fun, loose design balanced by elegantly composed and seen photographs. Most of his books have been very clean from start to finish. That wouldn't be good for this project.
This work is wet and playful without losing all the good stuff. It's a fresh jelly donut with the perfect ratio of jelly to donut. At no point during the experience does it fall apart and there is goodness in every page. (...)

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