History: Fiction or Science? (Chronology, No. 1)

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.

Nightclub Nights: Art, Legend, and Style 1920-1960

Average customer rating:

Handsome Book, Good Source For Appreciators Of Cocktail...
Vintage Classics!

Nightclub Nights: Art, Legend, and Style 1920-1960
Susan Waggoner
Manufacturer: Rizzoli
ProductGroup: Book
Binding: Hardcover

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ASIN: 0847823318
Release Date: 2001-05-11

Book Description

From the era of Pan Am clippers, bias cut gowns, and free Cuba comes the nightclub—swank, sophisticated, and, sadly, no more. In their heyday, few destinations were as alluring as the Stork Club, El Morocco, the French Casino, Cotton Club, Latin Quarter, Cocoanut Grove and other clubs that lit up the velvety evening hours. Where else could one dine while Frank Sinatra sang, or sip a martini while Jimmy Durante and a troupe of Carmen Miranda-clad chorus girls danced across the stage?

For the first time ever, Nightclub Nights opens the door to that glamorous, colorful, and vanished world. Using gorgeous, riotously colored authentic programs, menus, and period photography, author Susan Waggoner brings the nightclub back to sizzling life—from celebrity sanctuaries like Sherman Billingsley's Stork Club, where the rope line was invented, to the Latin beat of the Tropicana and the Chinese flair of Khubla Khan's. Impeccably designed and printed on heavy stock that replicates the original quality of the authentic artwork, this volume is filled with period history and anecdotes about the clubs as well as the stars and other noteworthies who frequented and performed at them. Today, with the resurgence of the cocktail hour, ballroom dancing, and supper clubs, Nightclub Nights is sure to appeal to audiences young and old as well as to those interested in popular culture and graphic design.

Rich with color, style, and atmosphere, Nightclub Nights is the next best thing to a table for two at the Copa.

Customer Reviews:

Handsome Book, Good Source For Appreciators Of Cocktail..........2003-04-11

A handsomely bound book with lots of colour and a real feeling of nostalgia throughout. I thought the book was well set up for easy reading and the enclosed anecdotes were usually charming and interesting. Some very sharp looking sepia-toned photos throughout the book along with colorful graphics and photos. Nice reproduced images of the various clubs' promotional material as well. I would have myself liked to see more photos of the people who worked in these establishments in "action" so to speak. Meaning, photos of flashy bartenders mixing up a martini, or beautiful cigarette girls, or a waiter with a tray full of fancy drinks, etc. I would have also liked to know what ever happened to the clubs themselves after they closed. Were they bulldozed? Do some still exist albeit in another form? However, the book is one of the few tributes in printed form to the period of the luxurious dinner clubs and night clubs of the first half of the 20th century. That alone makes it a must have for enthusiasts of the long gone cocktail "set". I was in the club industry for most of my working years, so I do know a little of the lifestlye! Wish I could have been around the "French Casino" or the "Cocoanut Grove" back in the heyday. It looked like a marvelous time to be alive in America and enjoy the true meaning of "a night on the town".

Vintage Classics!.......2001-05-07

I am here to actually review the author, Susan. I know how hard she works and her committment to presenting the best is phenomenal. Susan is an amazing author and I am honored to call her my cousin!!

The American Night: The Writings of Jim Morrison

Average customer rating:

Revolutionary
Volume II (2 of 2) of Jim Morrison's Poetry
This book is great
Lizard King's poetry
an american prayer in poetry

The American Night: The Writings of Jim Morrison
Jim Morrison
Manufacturer: Vintage
ProductGroup: Book
Binding: Paperback

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ASIN: 0679734627
Release Date: 1991-07-30

Book Description

THE AMERICAN NIGHT presents Morrison's previously unpublished work in its truest form. WIth their nightmarish images, bold associative leaps, and volcanic power of emotion, these works are the unmistakable artifacts of a great, wild voice and heart.

Customer Reviews:

Revolutionary.......2005-06-22

These poems have been underated since they're release. If one considers the fact that Jim Morrison was protesting the Vietnam War while his father was an Admiral in the United States Navy; I think the reader will come to understand the value of Morrison's work. He's always been a poet first.

Volume II (2 of 2) of Jim Morrison's Poetry.......2005-05-17

A "Must Have" for any serious fan of Jim Morrison\The Doors. The original poems of Jim Morrison from which many of The Doors songs' lyrics were taken\based on. Provides additional insight into the works of Jim Morrison and The Doors.

This book is great.......2005-02-25

"The American Night: The Writings of Jim Morrison Volume 2" is a collection of short stories and poetry written by Jim Morrison. This book has interestingly diverse content. It includes lyrical verse of many musical styles, uncorrected journals, and pages of unconventional poetry. The stories and poems are very distinct and separate considering it is a compilation of work that spans many years. You may read autobiographies or descriptions of Jim Morrison and learn facts about the events of his life, but if you prefer to form your own opinions and make your own judgments, this book gives you insight into Jim Morrison through his writings.

The wild and charismatic Jim Morrison is revealed in his documents. Some of the writings may not be grammatically correct or traditionally written, since most of the work in this book was never revised. On the other hand, revisions may have tainted the overall impact of the work. The writing is so gripping and unique that it holds your interest from cover to cover. There is just enough reality in his writing to keep you engrossed and enables you to relate to the text. Jim Morrison was a great poet, songwriter, and author. Go ahead and pick up a copy of this intriguing book, it won't let you down.

Lizard King's poetry.......2004-07-14

This collection by Jim Morrison is deep and beautiful. I have found that alot of these poems on here are also on the American Prayer CD, so that is cool. If you like this, get any other book from Jim, you won't be disappionted. If you want to hear him read his work, get the American Prayer CD.

an american prayer in poetry.......2004-07-08

I must admit, I find Jim's poems very symbolic and understanding his meanings is sometimes like trying to crack open a hard nutshell. But his poems are highly intelligent, showing much knowledge and a strong command of language, an ability to use language creatively. Apart from poems culled from his notebooks after his death, this book also includes an intriguing and disturbing unfinished screenplay about a hitchhiker who commits murder, and includes the text to his more poetic song lyrics.

Book Description

From the first time a record was played over the airwaves in 1906, to a modern club economy that totals $3 billion annually in New York City alone, the DJ has been at the center of popular music. Starting as little more than a talking jukebox, the DJ is now a premier entertainer, producer, businessman, and musician in his own right. Superstar DJs, from Junior Vasquez to Sasha and Digweed, command worship and adoration from millions, flying around the globe to earn tens of thousands of dollars for one night's work. Increasingly, they are replacing live musicians as the central figures of the music industry. In Last Night a DJ Saved My Life, music journalists Bill Brewster and Frank Broughton have written the first comprehensive history of the mysterious and charismatic figure behind the turntables -- part obsessive record collector, part mad scientist, part intuitive psychologist of the party groove. From England's rabid Northern Soul scene to the birth of disco in New York, from the sound systems of Jamaica to the scratch wars of early hip-hop in the Bronx, from Chicago house to Detroit techno to London rave, DJs are responsible for most of the significant changes in music over the past forty years. Drawing on in-depth interviews with DJs, critics, musicians, record executives, and the revelers at some of the century's most legendary parties, Last Night a DJ Saved My Life is nothing less than the life story of dance music.

Customer Reviews:

Great History, Writing Talent Lacking.......2007-08-18

The only thing that kept me reading this book was that it contained information I didn't know. I found that skimming helped reduce the groaning and eye-rolling caused by poor organization of the material. Much of it was just fine, but parts of the book are difficult to read because the authors couldn't devise a smooth transition from one chapter to another. Other than that minor complaint, this is a great book!

Thoroughly researched, well-written history of the dance/club DJ.......2007-07-17

Written by two former editors of Mixmag (the magazine bible of club culture and dance music), this 400-page book provides a deep, well-researched history of the club DJ. It follows the evolution of the live performance DJ from a human record changer, to a macro mixer of individual platters, to a micro mixer of record segments and sounds, to a full-fledged music producer. In doing so the authors document the impact that DJs had on the music itself, first in selecting what they played, later in demanding what they needed, and lastly in creating what they wanted.

Although the book opens with a short chapter on radio DJs (all of twenty-one pages), this story is about the club DJ's rise to musicianship. The book charts the live DJ's beginnings as a record spinner in large halls, follows the DJ-fueled Northern Soul scene in the UK, threads in the revolutionary work of Jamaican DJ sound systems, and returns to the US for a lengthy exposition on disco, hip-hop, house and beyond.

The disco chapters, though at times devolving into discussion that's more of the music than the DJs, are among the book's most interesting. They explore the movement's organic New York roots, contrasting them sharply to the genre's publicly refuted commercial apogee. One might argue with their contention that the "disco sucks" backlash was a homophobic reaction (particularly when they do such a good job of describing the commercial overexposure that led to disco's mainstream repudiation), but their descriptions of the era's seminal underground clubs and DJs bring context to disco that was completely lost in its mainstream incarnation.

Two chapters on hip hop show both its evolutionary and revolutionary forward steps, with the DJ becoming a producer and musician. Fresh interviews with the major players are skillfully woven into a compelling narrative of the genre's birth and growth. Club music's transitions between house, techno, garage and other variants are layered with reporting on the stage-setting cultural environments and geographic movements of key players. These latter chapters read more as anthropological catalogs than the you-are-there accounts of disco, so while they're informative, they're a bit dry.

A good deal of the text devolves into a history of the music, leaving the DJs temporarily on the sideline. But given the intimate intertwining of DJs and music, and the reciprocal impact they had on each other, this is probably unavoidable. Unless you're an avid dance music fan, some of the authors' points, hinged upon references to specific songs, will fail to resonate.

The authors make a compelling argument for the DJ at the center of the vortex that created disco and morphed it into house, techno, acid house and more. Unlike music that was a product of artists, record companies and radio, dance music is a product of dancers, clubs, DJs and producers, with the latter two categories merging more and more over time. The added element of geographical isolation is shown to have had a major impact on numerous scenes (northern UK, New York, Chicago, Detroit, Europe) and the development of their respective musics, and the commercial needs for starless music created a vacuum into which DJs could step.

Though this is very well written, though there are nits to pick. Their anti-academic disclaimer is unnecessarily reactionary, and not even particularly true given the amount of original research they conducted. Their text on drug influences ignores numerous earlier drug/music interactions, such as in jazz and rock. Their lack of detail on radio DJs is a reasonable choice, but one not explained by the book's title or subhead. Their geography is UK/US-centric, and limited in the US mostly to New York, Chicago and Detroit. Whether or not those three cities were host to the only innovations worth reporting upon is questionable.

Structurally the book follows a linear timelines through the disco era, but later chapters have timelines that overlap. For the unschooled, it's difficult to really see how innovations in different places were influencing each other. The book's appendices include priceless club charts that provide useful guidance in assembling a soundtrack but it's unclear where these charts came from.

Quibbles aside, this is a great read for anyone who wants to learn about the DJ's critical role in the development of dance music. For disco, in particular, the DJ booth point provides an excellent view into the scene's true history. Brewster and Broughton write lively, engaging copy and have based it on thorough original research. Highly recommended! [©2007 redtunictroll at hotmail dot com]

Written With Passion.......2007-05-16

Covering a subject as broad as this is difficult and most readers will take exception somewhere since the author deals with such a subjective subject. However, I enjoyed both the exhaustive research and obvious passion that went into this work. It's a must, not only for DJs, but for any fan of music made for the dancefloor.

Read The Real History Of Disco.......2006-10-25

This book is pure magic and brought back some happy memories.

Wannabe Club DJs please read this and understand how it all really started.

Mobile DJs? Give up and let iPod reign...

Must Read for DJ's, Dancers, Music Heads.......2006-04-05

It is pretty well know that this book is a must read for DJ's, Makers, and Fans of all forms of electronic and dance music.

Excelent histories of Dub, Hip Hop, Disco, House etc. While many of the adherents of these sub-cultures don't necessarily appreciate the others, the histories outlined in this book show how they are all inherently connected.

My only issue with this book is that the West Coast is totally ignored up until the turntablist revolution of the late 90's which the authors regard as mostly mastabatory as the writers' bias is toward DJs as providers of a dance environment.

No matter ...
There are vital histories here.

READ THIS BOOK!

Let's Spend the Night Together: Backstage Secrets of Rock Muses and Supergroupies

Average customer rating:

Didnt even finish reading the book
I am a fan of Pam's and this book is pretty good
rock music muses, pam des barres
"I need you more then ever"
Hooray for Miss P.

Let's Spend the Night Together: Backstage Secrets of Rock Muses and Supergroupies
Pamela Des Barres
Manufacturer: Chicago Review Press
ProductGroup: Book
Binding: Hardcover

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ASIN: 1556526687

Book Description

This intimate account of 24 legendary groupies reveals what went on behind the closed doors of rock stars from Elvis to Marilyn Manson. Consisting of Pamela Des Barres's revealing interviews with and profiles of other supergroupies, this book offers firsthand glimpses into the backstage world of rock stars and the women who loved them. The groupies—such as Miss Japan Beautiful, who taught Elvis how to dance; Cassandra Peterson (Mistress of the Dark), who tangled with Tom Jones in Sin City; Cynthia Plaster Caster, who redefined the art of Jimi Hendrix; and Miss B., who revealed Kurt Cobain’s penchant for lip gloss—tell tales that go well beyond an account of a one-night stand to become a part of music history.

Customer Reviews:

Didnt even finish reading the book.......2007-09-16

I read Pamelas first book and enjoyed it. This one is a different story. Alot of these so called women are nothing but pure trash and they call themselves muses? A few and I mean a few seemed to have some class about them and an intriguing story. The absolute worst was Connie, there are no words to describe this person, just a downright pig and very proud of it. I expected something a little different, a little more classy. Dont waste your money. There are real muses like Pattie Boyd (who's book was great), Marianne Faithfull, Anita Pallenberg, Linda McCartney, etc. This book was a joke.

I am a fan of Pam's and this book is pretty good.......2007-09-13

I prefer Pam's autobiographical stuff and her own sweet experiences but I enjoy her writing period so I'll give this a thumbs up. Some of the characters profiled were of interest but I found clearly there was a standard- and the book is set up so the older ( original groupies) are towards the front of the book. As we take the trip downward the reader starts to see the decline of the groupie, there simply is no naiivete or sweetness or joy that was part of Pamela's world,just grotesque hi -jinx and girls acting as prostitutes for free.kind of sad.Makes me nostalgic for "the good old days" of groupie-dom

rock music muses, pam des barres.......2007-07-30

This is the third book I've read by Ms Des Barres. Funny and bittersweet as the other two I've read. I would highly recommend this book if you are a fan of this genre. Heck, even if you're not it's highly entertaining and a good read. These gals have some interesting tales to tell!!

"I need you more then ever".......2007-07-23

Angelique XStacy wrote:

A fun read, as are all of her books which inspired me not not atually "be with the band" but to be the band. I only wish I drew the awesome and dedicated groupies this book expounds upon. These are the folks that make playing the music great . Not just the sexual aspects, but the energy they give back to the artist, regardless of how it is chosen between the artist and groupie: an inpirating relationship between artist and the muses that inpire them. Pamala De Barres is one such person for me. having read her first book at a tender age, I longed to experience a time before the Aids crisis, before the 80's music culture of rehash. When things were new and exciting.
Miss Pamala has an easy going style, very approachable. Who cares about the name dropping , we are reading to hear the stories that make musicians a little more human,a little more like us. What someone who was there see's and not what was fabricated about the stars. I especially appreciated the addition of a male groupie, someone so rare!
I have always enjoyed her work , as history and as a not so guilty pleasure, her optimism is catching, thank goodness as we all wait for the next band or muse that inpires us to FEEL.

Hooray for Miss P........2007-07-20

While reading Miss P.'s "I'm with the Band," I fell in love with the GTOs. I loved their brazen nutty bravado and performance art style. I silently wept as the tale unfolded and Miss Christine and Miss Mercy became mired in drug addiction. The GTOs seemed to epitomize a kind of proto-girl power in a far less commercial rock and roll world. I longed for their resurrection. I loved the humor and humanity of Miss P.'s recollections. So I was overjoyed when a good friend of mine sent me copy of "Let's spend the Night Together," autographed by none other than Miss P. herself. .

In terms of editorial decisions, I laud Miss Pam's inclusiveness. She has compiled tales of some very disparate characters. Some are tales of Girl meets Boy who happens to be rock star and the two fall in love. Others like Pleasant Gehman are wild scenesters. Others like Cassandra Peterson and Cynthia Plaster Caster are a clash of performance art meets rock meets more art. GTO fans will be pleased to note that Miss Mercy has been resurrected. Meanwhile, Bebe Buell strikes a note of dissonance with her dour, pious embrace of the word "muse." (Here the reader is forced to stick a finger down his or her throat.)

Of course, encounters with rock stars are the recurring "thread" that pulls this "groupie" narrative together. We get continuing snap shots of Jimmy Page, Robert Plant, Iggy Pop and David Bowie, most prominently among others. Jimmy Page professing faithfulness to the pitifully dwarfed Lori Mattix. Jimmy Page stone-faced. Jimmy Page tearing at Cassandra Peterson. Robert Plant professes love to all and many & etc. These men have many incarnations in this book.

One issue that I sometimes have with these narratives is the lack of context. In terms of social consciousness, you'd barely know whether it was the sixties, the seventies or the eighties, which is why I laud Miss P.'s decision to include figures other than Bebe Buell and rock wives. Only through Miss Mercy, do we understand that the civil rights movement was going on at that time (although she admits to being less than conscious of it, except when having to duck down while driving through Southern streets with her paramours.) Through Sweet, pathological Connie, we get a taste of the wingnuts' pitiful, sleazy crusade against Clinton.

But I could waxforever on Miss P. So here I must end my review and say, "all in all, beautiful work, Miss P.!"

Average customer rating:

Very dissappointing
Enhanced with more than a hundred photographs
Page-Turner

Saturday Nights with Daddy at the Opry
Libby Leverett-Crew
Manufacturer: Thomas Nelson
ProductGroup: Book
Binding: Hardcover

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A Good-Natured Riot: The Birth of the Grand Ole Opry

Accessories:

ASIN: 1401601146

Book Description

Saturday Nights With Daddy at the Opry is both the story of growing up with a backstage pass to the entertainment world in Nashville as well as a heartwarming tale of a beautiful father-daughter relationship.

From the time she was a baby, Les Leverett, who was the official photographer for the Grand Ole Opry took his daughter, Libby, with him each Saturday evening to witness country music's greatest entertainers. Sometimes Libby carried his equipment, sometimes she played with the other children of Opry performers, but she was always observing.

Now some 40 years later, Libby Leverett-Crew touchingly remembers those Saturday nights with Minnie Pearl, Tex Ritter, Grandpa Jones, Roy Acuff, Dolly Parton, Porter Waggoner, Bill Monroe, Flatt and Scruggs, along with a few astronauts, muppets, ballet dancers, actors and actresses, and with Andy Warhol and kd lang thrown in.

Saturday Nights with Daddy at the Opry is a celebration of music and family-incredibly well written from one lucky daughter's perspective. Includes more than 100 photographs by Les Leverett.

Customer Reviews:

Very dissappointing .......2005-04-01

This promises to be something of a backstage look at the Grand Ole Opry, instead it's a more of a personal memoir with comments about country stars the author has known. While she writes quite a bit about Minnie Pearl, Grandpa Jones, Tex Ritter (hence the foreward is written by Tom & John Ritter, shortly before John's death), Dolly Parton, Porter Wagoner, Bill Monroe, Loretta Lynn, and John Hartford, and a few others are pictured and briefly commented on (Marty Stuart, Stringbean, Ricky Skaggs, The Whites, etc.) there are scores of Opry stars that don't even merit a mention. And over 35 of the "over 100 photographs" in the book are exclusively of Leverett-Crew's family without a star in the picture! And that's not counting the hefty amount of pictures that are with stars that also picture family members. Too bad the author did not just make this a book a history of her father's career (Les Leverett, a famed country music photographer) instead of this effort.

Enhanced with more than a hundred photographs.......2004-07-06

Saturday Nights With Daddy at The Opry by artist, writer, and photographer Libby Leverett-Crew is the biographical story of country music photographer Les Leverett as told by his daughter. As a little girl, Libby's father would take her along with him on his job as the official photographer for the Grand Ole Opry -- a position he held for over 30 years. This is not only a tribute to her father but also to the people (ranging from Dolly Parton and Minnie Pearl to Roy Acuff and Bill Monroe) who touched the lives of her family and the powerful impact a loving father has on the formative life of his daughter. Enhanced with more than a hundred photographs from her father, Saturday Nights With Daddy At The Opry is enthusiastically recommended reading -- especially for dedicated fans of the Grand Ole Opry.

Page-Turner.......2003-11-16

I picked it up to thumb through and couldn't put it down. It's beautifully written, full of photos, and absolutely fascinating. You don't have to be a country music buff to enjoy this book. It has great stories of many others from Andy Warhol to John Ritter. I felt like the proverbial fly on the wall. It's a must have, if only for the history lesson, but it's so much more.

Average customer rating:

"I am in love with a man who is gone now..."
I love it!
I'm the exception to the rule.
poetry?
what the hell

A Night Without Armor : Poems
Jewel
Manufacturer: Harper Paperbacks
ProductGroup: Book
Binding: Paperback

General | Poetry | Literature & Fiction | Subjects | Books

ASIN: 0061073628
Release Date: 1999-08-03

Amazon.com

Jewel Kilcher was the first to admit that this book of 100 or so of her poems would not have been published if her dazzling debut album, Pieces of You, hadn't sold 10 million copies. And granted, Jewel is not going to replace Deborah Garrison's A Working Girl Can't Win on anybody's hit parade of serious poets who write for regular people.

But--shockingly!--Jewel's book of poetry is solid by celeb-poet standards, and a fair bit of it is actually sort of readable in its own right. Maybe it's not a bad idea to raise your kids on an 80-acre Alaskan farm with plenty of chores and no TV, as Mr. Kilcher did. Unlike most young people, let alone overnight stars, Jewel has led a life of some intrinsic interest. While they're often prosaically straightforward, her poems about rescuing a newborn calf in the midnight snow, listening to wolves howl in a canyon storm, and racing naked out of a sauna of a winter evening bring us more useful experience than kid poets usually have to share. Some of Jewel's homesteading verse is no worse than some of Gary Snyder's late nature poems; though she'll never write nature poems remotely as good as his early work Riprap, neither will he, probably. Preachiness is the enemy of both poets' deep religious impulses.

Jewel's poems about dumping a lover or thrilling to parking-lot sex "between the moon and a Chevrolet" are perceptive, at points even evocative. Her ode to her own breasts as a nest for her beloved is no good, but it's an honest failure. Her dress at the Oscars was more embarrassing.

The music critics contend that Jewel's music is influenced by Joni Mitchell, though Jewel claims she didn't listen to her until lately. In comparing Joni Mitchell: The Complete Poems and Lyrics with Jewel's book, we find that both use the image of the cactus for a heart that resists a restricting embrace, but that Mitchell is cleverer with language. When Joni's lover is away, "Me and them lonesome blues collide / The bed's too big, / The frying pan's too wide." Meanwhile, Jewel baldly observes, "I miss you miserably, dear / and I can't quite manage / to face this unbearably / large bed / alone."

On the other hand, Jewel does conclude with a nice image for toughing it out with a sentimental gesture--she shaves her armpits with his razor and cheap hotel soap. Ow! We feel her pain. Also, Jewel's "Underage" holds its own against Mitchell's "Raised on Robbery," while demonstrating the influence that probably outweighed Mitchell in Jewel's artistic development: her dad, with whom she played gigs as a child in Alaska.

I hung out once in the bathroom of Trade Winds Harley bar in Anchorage
With several biker chicks for company until the cops had left.
They had pale skin and thick black eye makeup
And they asked me to sing at their weddings.
I said I'd ask my dad.
We all sat on the counter and waited for the pigs to leave.
Some guy OD'd and was outside foaming at the mouth.
I remember looking in the mirror
And seeing this white face,
My shirt all buttoned up.
The women were nice to me
And looked like dark angels
Beside me. I liked them,
And together we waited
Patiently for the cops to leave
So I could go back out
And join my dad up
On stage.

The great peril for Jewel, as for most poets when very young, is artless sincerity. Her poem about her dad's Vietnam War trauma is dead sentiment, but she does far better in "Grimshaw," about a Vietvet who came to watch the Kilchers play, perpetually requesting "Ain't Goin' to Study War No More" and drinking four quarts of beer a night until the day he shot his face off. Which made little Jewel vow to deal with her own emotions sooner rather than too late.

Careless editing permitted Jewel to misspell the names of Tom Waits and Charles Bukowski and the word "peek." Most young fans won't notice, and the very poems about love troubles that older readers will find gratingly obvious will strike them as headline news to be taken to heart. --Tim Appelo

Amazon.com Audiobook Review

Singer/songwriter Jewel Kilcher has been writing since she was a child. In this 87-poem collection, she reveals herself as an accomplished free-verse poet, alternately witty and serious, writing about true love, second thoughts, and broken relationships. Some of her poems are postcards from her travels, describing scenes and the people she meets in Las Vegas; Seattle; Taipei, Taiwan; and Hawaii. She also writes about Alaska, and it's evident in her voice that she misses the place where she was raised. The most poignant pieces are the ones about personal loneliness in the midst of popular acclaim, as in "Taipei 2": "I am told I am adored by millions--but no one calls." A must for every Jewel fan, this collection is especially rich in what Jewel calls "songs for love lost and love yet to come." Listen to Jewel read "As a Child I Walked." Visit our audio help page for more information. (Running time: 70 minutes, 1 CD) --C.B. Delaney

Book Description

One of the most respected artists in popular music today, Jewel is much more than a music industry success with her debut album selling more than 10 million copies.

Before her gifted songwriting comes an even more individual art: Poetry.

Now available in paperback, A Night without Armor highlights the poetry of Jewel taken from her journals which are both intimate and inspiring, to be embraced and enjoyed.

Writing poems and keeping journals since childhood, Jewel has been searching for truth and meaning, turning to her words to record, to discover, and to reflect.

In A Night Without Armor, her first collection of poetry, Jewel explores the fire of first love, the lessons of betrayal, and the healing of intimacy. She delves into matters of the home, the comfort of family, the beauty of Alaska, and the dislocation of divorce.

Frank and honest, serious and suddenly playful, A Night Without Armor is a talented artist's intimate portrait of what makes us uniquely human.

Customer Reviews:

"I am in love with a man who is gone now...".......2007-08-19

A Night without Armor by Jewel is an excellent and under-rated book of poems. Ok so she's not Shakespeare but most writers aren't. These poems have been highly-criticized in the past, and it's a shame that Jewel was unfairly mocked by critics and so-called fans. I got this collection of poems the first week it was released and I fell in love with the book instantly, the poems are sensual, seductive, sensitive, and incredibly funny as well. Some of my favorites are: The Bony Ribs of Adam, Sara Said, The Strip Parts 1 and 2, New Moon, Someone To Know Me, Christmas in Hawaii, Red Roof Inn, Boston, and You Are Not. So with that being said, get this great collection of poems by Jewel today.

I love it!.......2007-07-23

Very well done! The expression drawn from deep within is very identifiable. I love it!

I'm the exception to the rule........2007-04-30

I found THAT book brilliant? Eye-opening? Of course I did, once upon a time. I am usually the exception to the rule. I like people who are usually reviled and I am drawn to other things that can be otherwise shunned or whatever else...maybe because I feel like I too am shunned or reviled.

Poetry can take on so many forms, so many incarnations. What one person finds incoherant, another might find powerful. There really are no limits to the styles of verse or subject matter, and not everybody has to understand or approve of it. While I might not get the same momentum that I found when I first began reading this book...the poems here are rather simple and sparse, with not much rhythm at all in the lines if any, I am still proud to have it in my library because it is a very personal body of work which is unique only to Jewel Kilcher's life experiences. She may not be up to par with the writing abilities of Emily Dickinson, Dylan Thomas or Sylvia Plath, but not many writers are.

Poetry, above any other form of writing, is an individual experience. Different people will have different reactions to it. I suggest you read it for yourself first before you decide to form an opinion of it.

poetry?.......2007-04-19

This is poetry? I know she calls it free verse or some nonsense but I don't agree that she can call this poetry. She should just call it a book of song lyrics that never made it into any songs. She could've called it a diary and it would have been fine. Poetry? I'm not so sure. Some of the poems don't make any sense. Some of them are boring. And none of them have any rhythm. I'd call this a collection of witty anecdotes or something, but not poetry. It just isn't poetry. I can't stress that enough. How does reading Bukowski give her a license to suck?

what the hell.......2007-04-10

JEWEL IS ON CRACK. WHAT THE HELL IS THIS?!?
"Women who suck
their cigarettes
as though they were
giving their
hatred head"

WHAT....?!

Cooking in the Lowcountry from The Old Post Office Restaurant: Spanish Moss, Warm Carolina Nights, and Fabulous Southern Food (Roadfood Cookbook)

Average customer rating:

FIVE STAR DINING IN YOUR OWN HOME

Cooking in the Lowcountry from The Old Post Office Restaurant: Spanish Moss, Warm Carolina Nights, and Fabulous Southern Food (Roadfood Cookbook)
Jane Stern , and Michael Stern
Manufacturer: Thomas Nelson
ProductGroup: Book
Binding: Hardcover

General | Cooking, Food & Wine | Subjects | Books

ASIN: 1401601464
Release Date: 2004-06-16

Book Description

The exquisite menu at The Old Post Office Restaurant on Edisto Island, SC, has garnered this one-of-a-kind establishment legions of fans from around the country. It has been written up in the New York Times, Travel and Leisure, USA Today, Wine Spectator and Gourmet.

This exciting new cookbook is part of the Roadfood Cookbook Series by Jane and Michael Stern, two of the most popular and successful food writers in America. Like a visit to this historic Southern island (less than an hour from Charleston), Lowcountry Cooking from The Old Post Office Restaurant contains more than 150 favorite recipes for Southern dishes with a classical twist, such as Fussed-Over Pork Chop, P.B.'s Ultimate Filet Mignon, Coca Cola Cake, and Key Lime Mousse. It includes an 8-page color insert.

Chef Philip Bardin says, "Breads and desserts are prepared daily and all of the produce and seafood are local and the freshest available in the area. Our stone-ground grits - milled to our specifications - have been a specialty since 1988."

Previous Roadfood cookbooks include: Blue Willow Inn Cookbook (1-55853-991-3), El Charo Cookbook (1-55853-992-1), Durgin-Park Cookbook (1-4016-0028-X), Harry Carey's Cookbook (1-4016-0095-6), Louie's Backyard Cookbook (1-4016-0038-7), Carbone's Cookbook (1-4016-0122-7), and The Famous Dutch Kitchen Restaurant Cookbook (1-4016-0138-3).

Customer Reviews:

FIVE STAR DINING IN YOUR OWN HOME.......2004-06-16

Having dined at The Old Post Office Restaurant on many occassions, I was thrilled to discover that Chef Philip Bardin has put some of his culinary creations to pen and paper for all of us to try at home. I'm blessed to live in the Lowcountry of South Carolina, near The Old Post Office Restaurant, and therefore I have access to some of the same sources of fresh produce, fresh seafood, and quality meats and poultry that the restaurant does. Chef Bardin emphasizes that you have to start with quality ingredients like they use in the restaurant to achieve the best results. With my already having access to quality ingredients, this book provides the final piece of the puzzle and allows me, and my friends, to create some of the same dishes we crave at The Old Post Office Restaurant. This book also provides a wonderful glimpse of our local culture on and around Edisto Island, South Carolina. Living near Edisto Island, I can say that the book gets it right when talking about the local culture, and if you're not from this area the book does an excellent job of introducing you to our wonderful, unique, paradise. If you don't think you'd enjoy the taste of "The Lowcountry" then you haven't tried our food or you haven't been able to try it done right. This book from Chef Bardin of The Old Post Office Restaurant will help you do do southern food right.

A Night at the Opera: An Irreverent Guide to The Plots, The Singers, The Composers, The Recordings (Modern Library Paperbacks)

Average customer rating:

Sound bites about opera
Indispensible and entertaining opera guide
Entertaining
A Perfect Gift!
This is amusing and fun!!

A Night at the Opera: An Irreverent Guide to The Plots, The Singers, The Composers, The Recordings (Modern Library Paperbacks)
Denis Sir Forman
Manufacturer: Modern Library
ProductGroup: Book
Binding: Paperback

General | Music | Entertainment | Subjects | Books

General | Performing Arts | Arts & Photography | Subjects | Books
Similar Items:

ASIN: 0375751769
Release Date: 1998-09-01

Amazon.com

As a nuts-and-bolts operagoer's guide, Denis Forman's book is richly incisive. It's equally satisfying as a tart, effervescent take on the solemn world of opera.

The author--a British television executive and former deputy chairman of the Royal Opera House--covers most of the likely offerings of your local repertory company, with a few questionable omissions (Peter Grimes) and inclusions (The Threepenny Opera). For each he provides a synopsis, musical highlights, critical remarks, and historical information (the premiere of Il Trovatore: "stupendous"; that of Norma: "a flop"). Another section offers comments on everything from the craze for authenticity to the practice of booing.

Forman's opinions sometimes run athwart of convention. Falstaff "has no sex appeal and no heart, and opera demands both these qualities"; Tristan und Isolde is the creation of "the Wagner that liked to spend time stroking velvet." His tone, especially in the synopses, is often evocative of Anna Russell's opera parodies: "It really is too bad of you Tristan to die on me like this. She passes out."

The prose can be cute, but that fits Forman's approach of puncturing the inflated atmosphere of opera while glorying in it. Though he is most entertaining when he's daring to shout in church, his enthusiasms are as illuminating as his barbs. "Traviata is the first grown-up opera about contemporary life," he says, adroitly locating that work in operatic history. In Don Giovanni, "Mozart brought terror to the opera stage for the first time." It's the book's greatest pleasure that Forman's passion is matched by his knowledge. --David Olivenbaum

Book Description

With an encyclopedic knowledge of opera and a delightful dash of irreverence, Sir Denis Forman throws open the world of opera--its structure, composers, conductors, and artists--in this hugely informative guide. A Night at the Opera dissects the eighty-three most popular operas recorded on compact disc, from Cilea's Adriana Lecouvreur to Mozart's Die Zauberflöte. For each opera, Sir Denis details the plot and cast of characters, awarding stars to parts that are "worth looking out for," "really good," or, occasionally, "stunning." He goes on to tell the history of each opera and its early reception. Finally, each work is graded from alpha to gamma (although the Ring cycle gets an "X"), and Sir Denis has no qualms about voicing his opinion: the first act of Fidelio is "a bit of a mess," while the last scene of Don Giovanni "towers above the comic finales of Figaro and Così and whether or not [it] is Mozart's greatest opera, it is certainly his most powerful finale."
The guide also presents brief biographies of the great composers, conductors, and singers. A glossary of musical terms is included, as well as Operatica, or the essential elements of opera, from the proper place and style of the audience's applause (and boos) to the use of surtitles.
A Night at the Opera is for connoisseurs and neophytes alike. It will entertain and inform, delight and (perhaps) infuriate, providing a subject for lively debate and ready reference for years to come.

Customer Reviews:

Sound bites about opera.......2007-02-06

The author seemed to want to be cute and quotable rather than offer a reasoned perspective on opera. At times I felt he even became condescending in his attitude. This could have been a misguided attempt to counter the widely held opinion that opera is only for snobs, but people with that opinion wouldn't read his book anyway.

Indispensible and entertaining opera guide.......2007-01-09

An excellent source for budding opera buffs. Enjoyable, pithy, informative.

Entertaining.......2006-12-12

I see no reason to bore you with a longish disquisition on the merits of this entertaining book. (The reviewer 'Starmoth' has selected some nice bon mots from Forman's work, and he's reviewed it in a long review that outlines its strengths and weaknesses, such as they are, without inducing boredom.) Forman is both witty and insightful. He gives the reader useful information, as well as less useful information (e.g., when he tells us what to listen for, according to his tastes). But most of what he says is conveyed with humour and commonsense. Keep in mind that it is far too huge to serve as a guide; it requires a briefcase or backpack and not a pocket.

Are there problems? Well, sometimes he's pretty flippant. And there are a considerable number of great operas -- not just ones I like but ones in the repetoire of all major opera houses -- that don't get treated. Perhaps these are not fair complaints. For one thing, Forman's flippant remarks are often entertaining and interesting. And for another, it IS his book, so who am I to complain about omissions, or about an author who states in his subtitle that it is an irreverent work?

A Perfect Gift!.......2006-11-10

This book is the perfect gift for a new opera fan. It does a great job of describing each opera, including history and reviews, but in a language anyone can understand. Seasoned opera buffs will enjoy the light-hearted overviews and insights. Fabulous.

This is amusing and fun!!.......2005-11-19

This is still one of my favorite opera books in a comprehensive collection of huge, serious, books on opera. What fun I had reading it from cover to cover as I love the humor Forman sticks in everywhere. Maybe you need to have more than a beginning knowledge of the sport to get the most out of this book. It's just extremely amusing and well worth adding to your collection along with the Kobbe, etc., etc. Opera is my favorite sport and this is one of my favorite authors. I'd love to sit in a group, glass of wine in hand, and listen to him give his opinions on all things operatic - come to think of it, reading his book is like listening to a great conversationalist on the subject. If you know opera, you'll chuckle throughout the book.

Last Night's Fun: A Book About Irish Traditional Music

Average customer rating:

Best insight into the soul of the music available
The night before the morning after
Delvings of the deep diddly diddly
An experience not to be missed

Last Night's Fun: A Book About Irish Traditional Music
Ciaran Carson
Manufacturer: North Point Press
ProductGroup: Book
Binding: Paperback

General | Music | Entertainment | Subjects | Books

History & Criticism | Music | Entertainment | Subjects | Books

ASIN: 0865475318

Amazon.com

Reading these essays by an Irish folk musician, you are drawn in and transported, and it begins to seem that you can hear the fiddles and bodhrans, and you can almost smell the Guinness. Ciaran Carson, who has published several books of poetry, spent many years playing traditional Irish music in pubs with sawdust on the floor, and he evokes both scene and sound brilliantly in prose. We're lucky that the talented Mr. Carson takes time to put down his flute and pick up the pen. Anyone who appreciates folk music, or anyone who just likes fine writing, will enjoy this wondrously quirky little book.

Book Description

Last Night's Fun's is a sparking celebration of music and life that is itself a literary performance of the highest order. Carson's inspired jumble of recording history, poetry, tall tales, and polemic captures the sound and vigor of a ruthlessly unsentimental music. Last Night's Fun is remarkable for its liveliness, honesty, scholarship, and spontaneous joy; certainly there has never been a book about Irish music like this one, and few books ever written anywhere about the experience of music can compare with it.

Customer Reviews:

Best insight into the soul of the music available.......2004-09-14

A skilled and formidable poet and chronicler of his native Belfast, Carson here blends his power over words into an evocation of how Irish music makes the impact it does. Seemingly an impossible task to attain on the page, but his decades as a musician allow him to capture the spirit behind the music. As they say, it's not how you read the notes, but how you hear them.

His chapter headings refer to various titles of Irish songs, and I enjoyed his rendering of differing reasons (or lack of) for how various tunes get attached to specific names. A much better book than "Round Ireland with a Tin Whistle" by David Wilson for its ability to convey the feel of how music changes with every playing, and how fluid the communication between players can be in a seisuin.

Any book Carson writes deserves a read, whether his version of Dante's Inferno, his prose-poem-fiction of late, his explorations of his city's past, or his crafted if learned verse.
He opens up a bit more here than in some of his earlier works, and the glimpses into the world he lives in between nights playing makes for intriguing scenes.

The night before the morning after.......2000-01-31

Carson takes the reader on a journey deep into the very heart of Irish Music - the musician at his most timelessness. Don't pick this up expecting a scholarly approach to Irish music. This is an amazing insight into the music and the soul of the music as performed by an Irish musician. Carson even shows the little quirks of daily living that help to give birth to such a personable music. I love Irish music, but am a jazz pianist by musical trade. I highly recommend this to any and all musicians who are searching for their soul in music, especially those in jazz. It is a very moving and thought provoking work.

Delvings of the deep diddly diddly.......1998-09-12

Belfast writer, fluter, raconteur and unreliable witness takes us into the subterranean world of craic agus chaos as he attempts to surf the web of the perfect session experience. Part nostalgic interrogtation of his own relationship with traditional music, part exploration of the Ulster breakfast: this book is a close as it gets to the cameraderie and catharsis of an all night music bash. A work of astute fiction that might never be true but is always believable.

At the end we are left wondering was this one large joke or simply a witty Northern oxymoron? A book to be revisited when the frost keeps us away from session, pub or our inner fiddler.

Excellent is too narrow a word to describe the sweep of the narrative.

Sean Laffey Irish Music Magazine Dublin

An experience not to be missed.......1998-05-01

I've been a Celtic music fan for many years, long before it began to turn up on the New Age charts. While I don't mean to knock that genre (which has given some splendid traditional musicians -- e.g., the O'Domhnaills of Nightnoise and Alasdair Fraser of Skyedance -- the wider listenership they deserve), traditional Celtic music is an altogether grittier, funkier breed.
Ciaran Carson brings a poet's sensibility to the performer's-eye perspective of Irish music, from last night's fun to the next morning's rude awakening. Irish music isn't simply the tunes themselves; it's the old-timers who performed them, the instruments they played, the pints of Guinness, the choking smoke in the bar and the pouring rain outside, and Carson conveys the whole experience admirably. It's almost as good as being there.

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