History: Fiction or Science? (Chronology, No. 1)

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.

Average customer rating:

Top-Hats, Half-Moons, and the Painful Glint of Changes
Let's See by Clare M.
A Filial Memoir
Irritating narrative, badly written book
A good book, because it is a true story.

Bound Feet & Western Dress: A Memoir
Pang-Mei Chang
Manufacturer: Anchor
ProductGroup: Book
Binding: Paperback

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ASIN: 0385479646
Release Date: 1997-09-15

Amazon.com

When Chang Yu-I was three her mother tried to bind her feet. But the child's cries so tormented her brother that he convinced their mother to stop. This break with convention foreshadowed the extraordinary life Yu-i was to lead. After following her husband, poet Hsu Chi-Mo, a noted philanderer, to Oxford, she made history by becoming the first Chinese woman to have a western-style divorce at age 22. Determined to make her own way, she moved to America and served in a series of prestigious positions, including president of a bank. Written by Yu-i's great niece, Pang-Mei Natasha Chang, Bound Feet and Western Dress chronicles the life of this exceptional woman.

Book Description

"In China, a woman is nothing."

Thus begins the saga of a woman born at the turn of the century to a well-to-do, highly respected Chinese family, a woman who continually defied the expectations of her family and the traditions of her culture. Growing up in the perilous years between the fall of the last emperor and the Communist Revolution, Chang Yu-i's life is marked by a series of rebellions: her refusal as a child to let her mother bind her feet, her scandalous divorce, and her rise to Vice President of China's first women's bank in her later years.

In the alternating voices of two generations, this dual memoir brings together a deeply textured portrait of a woman's life in China with the very American story of Yu-i's brilliant and assimilated grandniece, struggling with her own search for identity and belonging. Written in pitch-perfect prose and alive with detail, Bound Feet and Western Dress is the story of independent women struggling to emerge from centuries of customs and duty.

Customer Reviews:

Top-Hats, Half-Moons, and the Painful Glint of Changes.......2007-07-17

Change can be a frightening affair, and looking back at change can be something that seems almost alien when beheld in the light of certain convictions. That seems to encapsulate the whole of the experience that Chang Yu-I talks about as she tries to explain something of who she is to her granddaughter, Pang-Mei, and it is one of the things that seemed to haunt me as a reader as I listened to Yu-I's tale. The chapters switch from Yu-I to Pang-Mei to give you and idea of how things have changed and to try to identify one person with the other, and I have to say that I found myself glued to the pages and not able to stop reading this book. At first I simply thought it was a story about a granddaughter wanting to explore her grandmother's life because she was the first person to have a Western-style divorce in China, and maybe that was her reason beginning the book. Still, the book goes well beyond that and touches on the dynamics of change and strength and how strong a person can be even when they think they are at their weakest.

Honestly, I thought I could vicariously feel my heart cracking under the weight of some of Yu-I's confessions, amazed by some of the things she was able to tell her granddaughter.

One of the best things about this tale is the detail that Yu-I goes into about China, and about the way things were seen in the past versus the way things became seen as war loomed on the horizon. Yu-I gives a great amount of detail about what it was like to be a child in a country like China, and she vividly recollects what its like to have one's feet bound and the reasons why this practice took place. All that breaking and rebreaking, the tying of the big toe over and over again; when I read this I cringed because it seemed so debilitating just to have a crescent-shape added to the foot. Furthering this are pictures in the book, showing what the feet actually look like when this happens - you can see the shriveled remains of feet that look almost mummified, and you can tell some of the extremes that went into making a foot look like that. Yu-I talks about the pain that's she, herself, experienced because of this practice, too; she tells her granddaughter about being three and having her mother try to bind her feet, and then talks about the torment of those moments and how it was her brother that made her stop this because he couldn't deal with her suffering. Yu-I goes on to tell of the pain that this caused her, too, with her always feeling as if she were ugly because she had "big feet" and "big feet" made a person almost untouchable when it comes to marriage. Still, she does marry the poet Hsu Chi-Mo and, for a time, she thinks this is perfect and learns the rites of being a wife. She cares for the mother-in-law, she takes care of the husband's family; basically she becomes a slave and thinks that this dedication is seem by her husband as love. It is only when she moves to a foreign country with her husband that she finds out what he is like and how she is alone, and when she understands that she is utterly abandoned she explains how it feels to want to die.

There are other painful things in the book, too, things I can't disclose without messing up part of the tale, but I can say that when she is in Germany and loses something more dear to her than anything that this was devastating to read, making the book almost too heavy to pick up because its honesty was like a barb in the soul. I appreciated that, to be honest, and can say that I have read a lot of pieces of literature but that I have rarely encountered a person like Yu-I that both loves the world she lives in, understands the things that she has experienced, and even knows what forgiveness is like.
While this normally would not be something I would recommend, it has my highest recommendation and the most humble form of respect I can give, thinking it an enduring read that really has something to say.
I cannot give the book or the voice behind it enough praise.

Let's See by Clare M........2006-12-13

Bound Feet and Western Dress by Pang-Mei Natasha Chang is about a young girl who has a unique relationship with her great aunt, Chang Yu-i. She first meets her great aunt in 1874, at a family dinner. Chang Yu-i had just come to New York after having lived in China, and then Hong Kong. Several family members had come to these dinners in the past, but this was the first time Pang-Mei had met her great aunt. Pang-Mei explains how the family refers to Chang Yu-i as "half man" because of her strength and persistence. Pang-Mei grew closer to her great aunt as time passed, but she still knew very little about her. She first discovered some of Chang Yu-i's secrets while studying Chinese History at Harvard University. She learned that her great aunt had been married to a well-known romantic poet in China, as well as issued the first "real divorce" in Chinese History. After Pang-Mei learned of this, she asked Chang Yu-i about it at once. Her great aunt told her hundreds of stories about her life in China eventually unraveling over a long period of time. Pang-Mei and Chang Yu-i build a strong relationship together and learn about each other, as well as themselves. Pang-Mei comes to love and grasp the heritage she once tried to hide and Chang Yu-i understands herself better after having told her own stories. They are finally brought together even closer by a major phenomenon that takes place in the end.
I found Bound Feet and Western Dress to be rather tedious. Personally, I find books that dives right into the plot to be the most enjoyable. Bound Feet and Western Dress eased slowly into the excitement. However, I found this book be written with great enthusiasm and detail. Pang-Mei Natasha Chang used delightful details that gave me a perfect picture of the context. On Page 9, Chang Yu-i tells her grand niece about the strict rules she grew up with, "Chinese paintings required admiration form above, Baba said, explaining that the perspective of Chinese paintings differed from Western ones. The best paintings were only hung when your grandfather, Eighth Brother, and I cleaned them, passing tiny feather dusters over the surface of the rice paper. Of all the children, you grandfather and I were the two that Baba allowed near his paintings, and her would hover behind us as we worked, explaining the genius behind a musty mountain landscape or historical portrait." This excerpt shows the details the author used to represent her great aunt's stories.
The stories of Chang Yu-i told were also extremely touching. Not only did they paint a precise image in my mind of her life but were also genuine. For instance, when she was telling of her childhood and growing up with her large family her descriptions were beautifully written and conveyed. I loved hearing of her two favorite brothers personalities and what each of them gave her. I fully understood her thoughts and joy while talking about her brothers.
Generally, I think Bound Feet and Western Dress is a thoughtful and well-written book. It is historical and educating as well as a good read. I would suggest it be read.

A Filial Memoir.......2005-06-20

From what I've read about Chinese culture, the ties that bind a family together are one of its strongest and most enforced traditions. "Bound Feet and Western Dress" is an interesting memoir for the fact that it does not read like a memoir at all. It is the story of a great-aunt told to her great-niece, who mixes in her own observations about her aunt's life and her experience as a Chinese-American among her narrative.

"Bound Feet and Western Dress" tells the story of the author's great-aunt, Chang Yu-i. Born in 1900, Yu-i was the first woman in her family to refuse to have her feet bound. Despite being modern in this aspect, she is stunted and traditional in her upbringing, her education, and the way she acts in her first marriage. She is famous for having perhaps the first "modern" divorce in China and is determined to make it on her own from that point on. No one in her family truly knows her story until her great-niece asks her to tell it.

What passes between the two of them may not be a ground-breaking, fascinating story but is rather a quiet reflection on growing up in a changing time. Yu-i struggles through a great majority of her life to be both modern and traditional, to do what is 'right and expected' and to do what she wanted to do. She is an inspiration to her great-niece, a first generation Chinese-American who feels at home with neither nationality. The intersections of the author's remembrances of past encumbrances fit nicely with Yu-i's struggle to bridge the past with the new. "Bound Feet and Western Dress" offers a poignant look at the role that women have played in China and how they are defining themselves today.

Irritating narrative, badly written book.......2005-04-04

The idea was good but Natasha simply didn't have the talent to put it in written and understandable text. She switches all the time the "I", got me confused about who she was talking about, her or her aunt.She mixed both stories, suddenly she wants to explains her "great destiny" (narcissism) at the same time as she tells the strory about her great aunt. Those second, third, fourth, xth brother's wife, sister, uncles, all irritating narrative. I really tried to like the story, to pick and read and just gave me headaches trying to figure it out whose story she is talking. Go back to school. I don't know how the editor accepts this kind of book to be published, need a lot of editing. Maybe someone in the publishing house is her relative.

A good book, because it is a true story........2004-04-05

I enjoyed the auuthor's simple writing style. The story is about a woman who decides whether or not to make her own life, or allow it to be decided for her. The best thing about this book, is that it is a true story. The book was fast reading, and very inspirational. I would reccommend it.

Everyday Fashions of the Fifties As Pictured in Sears Catalogs (Dover Books on Fashion)

Average customer rating:

Gorgeous, authentic, thorough--GREAT book!
Really good fashion overview.
A fun trip down memory lane
One of the best 50's books ever made
Very informative

Everyday Fashions of the Fifties As Pictured in Sears Catalogs (Dover Books on Fashion)

Manufacturer: Dover Publications
ProductGroup: Book
Binding: Paperback

General | Fashion | Arts & Photography | Subjects | Books

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ASIN: 0486422194

Book Description

One hundred twenty pages of illustrations, accompanied by descriptive captions, depict one-piece strapless bathing suits and dresses with plunging necklines for women; business suits with wide lapels for men; bluejeans, plaid shirts, and full, knee-length swing skirts for girls; fringed cowboy suits for youngsters of both genders; more. Over 300 black-and-white illustrations.

Customer Reviews:

Gorgeous, authentic, thorough--GREAT book!.......2007-05-16

Whenever I take this book out, people fight over a peek into its glossy pages. It covers everything in fashion from the fifties, though mostly focusing on women. The pictures depict fashions, from dresses to shoes, hats and gloves to maternity wear; the women's hairstyles, makeup, and overall looks give the reader the most authentic possible view of fashion and the aesthetic ideals of the time. The catalogue also shows the prices and features descriptions that include fabric, color, and price. There are some pictures of teenage, male, and children's fashions. This book is thorough and unbelievably beautiful.

Really good fashion overview........2006-11-09

I was born in early 1953 so many of the fashions still mean something to me. I have to admit that I'm still drawn to the femininity of the period but I have my dreams and you have yours and we'll leave it at that. This is a good book for the money. Not too detailed, the reproductions can get a little bit fuzzy and there is no color; but this what you get for $15 these days. If you like what you see here, there are other resources to persue. It's a pretty good starting point.

A fun trip down memory lane.......2005-04-19

I truly enjoyed reading the old advertising copy while looking at the old ads. Some of the fashions I remember my grandmother and mother wearing. Lots of fun reading.

One of the best 50's books ever made.......2004-04-15

This is a primary source book that tells the prices and materials, which are very helpful to a costume designer. I also enjoy the book Fifties Forever, which is similar except it's color photos of actual vintage stuff (the color does help, but the Sears catalogue is still great without it).

Very informative.......2004-02-03

I thouroughly enjoyed reading this book. It was packed from start to finish with pictures. The book gives an excellent overview of what the average woman was wearing in the 1950's, unlike many similar books which focus on important designers.
While it is very light on text I still feel that it is a must for anyone interested in this period.

Twentieth-Century American Fashion (Dress, Body Culture)

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Twentieth-Century American Fashion (Dress, Body Culture)

Manufacturer: Berg Publishers
ProductGroup: Book
Binding: Paperback

Textile & Costume | Design & Decorative Arts | Arts & Photography | Subjects | Books

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ASIN: 184520073X
Release Date: 2005-04-28

Book Description

Americans began the twentieth century standing in Europe's sartorial shadow, yet ended by outfitting the world in blue jeans, T-shirts and sneakers. How did this come about? What changes in American culture were reflected in fashion? What role did popular culture play? This important overview of American fashion in the twentieth century considers how Americans went from imitating British and French fashion to developing their own sense of style. It examines such influences on dress as class, jazz and hip hop, war, the space race, movies, television and sports. Further, the book shows how gender, psychology, advertising, public policy, shifting family values, the American design movement and expertise in mass production profoundly influenced an American style that has been exported across the globe.

Dress Codes: Meanings and Messages in American Culture

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A great book for research about the "why" of fashion trends

Dress Codes: Meanings and Messages in American Culture
Ruth P. Rubinstein
Manufacturer: Westview Press
ProductGroup: Book
Binding: Hardcover

Textile & Costume | Design & Decorative Arts | Arts & Photography | Subjects | Books

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ASIN: 0813322820

Book Description

Rich with illustrations, this revised and updated second edition of Dress Codes systematically analyzes the meaning and relevance of clothing in American culture. Presented here in one book for the first time are theories of clothing and an up-to-date analysis of images of power and authority, gender, seduction (the sexy look, the alluring look, the glamorous look, the vulnerable look), wealth and beauty, youth and health, and leisure and political hierarchy. Taken together, the chapters offer to the student and the general reader a complete"semiotics of clothing" in a form that is highly readable, very entertaining, and thoroughly informative. The illustrations provide fascinating glimpses into the history of American fashion and clothing-along with their antecedents in Europe-as well as a fine collection of images from the more familiar world of contemporary America.

Rubinstein has identified six distinct categories of dress in American society, upon which Dress Codes is based."Clothing signs" have only one meaning and are instituted by those in authority as required attire (police uniform, nun's attire);"clothing symbols," which have several meanings and involve individual choice (designer clothing, jewelry);"clothing tie-signs," which are specific types of clothing that indicate membership in a community outside mainstream culture (Hasidic, Amish, or Hare Krishna attire);"clothing tie-symbols," which act as a means of broader social affiliation emanating especially from fears, hopes, and dreams (Save the Earth clothing, Pro-Choice T-shirts, Madonna's crosses);"personal dress," which refers to the"I" component we bring in when dressing the public self (bowtie, dramatic, or artistic attire); and"contemporary fashion," which is the interaction between political and economic events and consumer sentiments, involving public memory.

Written in a lively and entertaining style,Dress Codes will fascinate both general readers and students interested in the history of fashion and costume, fashion design, human development, and gender studies.

Customer Reviews:

A great book for research about the "why" of fashion trends.......2000-04-21

For a class project, I decided to make a website discussing how various fashions throughout time have reflected the social status of women. This book was a great resource. It makes one realize that people don't always wear clothes just because they like them. Looking at fashion gives wonderful insite into a culture.

The Fowler Family Celebrates Statehood and a Wedding: An Illustrated History With Paper Dolls

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The Fowler Family Celebrates Statehood and a Wedding: An Illustrated History With Paper Dolls
Mary K. Inman , and Louise F. Pence
Manufacturer: Texas Tech University Press
ProductGroup: Book
Binding: Paperback

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ASIN: 0896725022

Average customer rating:

Still the best
Getting into the Culture of the Mayans of Guatemala
Mayan Dress

The Maya of Guatemala : Life and Dress
Carmen L. Pettersen
Manufacturer: University of Washington Press
ProductGroup: Book
Binding: Hardcover

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Customer Reviews:

Still the best.......2003-05-17

As the curator of artemaya has pointed out this is the book to have. I concurr with everything he has said and find this book indespensible when studying the ancient or modern Maya. Without a doubt this is my favorite book on the subject and even after twenty three years in my possession I still open it up and gaze upon the magnificent pictures. Carmen Pettersen's paintings were done in the early 1970's and are of the highest and utmost quality. Her personal observations on the culture reflect her sensitivity to the subject which in turn is refleted in her art. For example, when describing the toursist hot spot Chichicastenango, with its beautiful marketplace and church where pagan and Christian religion is practised, she comments on the "disintegration of this tribe" and "the complete degeneration of the people who wrote the Popol Vuh" as "the older people and leaders stand fast and steady, suffering silently with sullen hatred in their eyes." The models used in the book are of such exceptional quality and life like that it is as though they will begin moving . She depicts her subject matter as strong and proud, in spite of a humbling history of European influence. Pettersen obviously was in tune with her subjects in art as the expressions on their faces come to life. The details of the clothing are superb and exquisite artistry. The pullouts pages have even more detail as she shows an entire village scene like a marketplace or the people gathered in Chichicastenango. If you are familiar with Maya clothing and the various tribes that continue the ancient traditions, including embroidery sewn with a bone needle, you are probably aware of of colorful and intricate patterns achieved on these textiles. These are not the products sold to tourists but the authentic attire that the people themselves wear. Nothing is lost or compromised in the paintings and are exact reproductions of authentic dress. If you are planing a trip to Guatemala it is highly recommended that you get this book before you go or if nothing else before you leave country to return home. It is preferable to have the book before so you can understand what you will see as you step back in time and enter the remote jungles and ancient customs of the Maya. This is THE BOOK on the contemporary life and dress in Guatemala. If you have anything more than a passing interest in the people of Guatemala than this is the book to have, get it NOW, you will not be dissappointed.

Getting into the Culture of the Mayans of Guatemala.......2003-04-25

This is my favorite book! We were living in Mexico and had the opportunity to travel to Guatemala and and visit the Museo Ixchel in Guatemala City, where we found Carmen Pettersen's beautiful book. We also had the wonderful opportunity to see some of Carmen Pettersen's original water color paintings of the Mayans in their "traje," or indigenous apparel, in a friend's home in Antigua!

The water color depictions of the "traje" are incredibly detailed, and the text so intimately describes the culture of the Mayans. It is amazing how much the indigenous dress tells about the ancient and "modern" life of the Mayans.

Every traveler to Guatemala would benefit immensely by reading this book--easy to read and with sixty water color pages (some are fold-out pages) and thirteen photographs to guide the reader through the daily life, religion, and cultural practices of the Mayan families in their villages.

Mayan Dress.......2000-09-10

The Maya of Guatemala is THE classic book on the "traje tipico" (native dress) of the Mayan Indians of Guatemala. The exquisitely beautiful paintings produced by Carmen Pettersen over many years constitute the best illustrations ever done of the Mayan "traje". The sixty colorful full page paintings face parallel texts in English and Spanish telling about the particular "traje" and the customs of the Mayan people. Pettersen writes the informative text rather like a diary of her travels to the various towns so while concentrating on the traje and traditions we see something of the individuals and the writer. The paintings, the real point of the book, succeed better than photographs because the detail of the "traje" is not obscured by light and shadow. While accurately detailing the "traje," the paintings at the same time are intensely personal portraits of the individuals. Although there is no book yet which shows the traje of all the different Mayan towns in Guatemala (and Mexico), this book illustrates more than any other. It is my book of first reference to find out about the "traje" of a particular town. If among the many books I have on the Mayan culture I could keep just one book this book would probably be it.

Carmen Pettersen, born in Guatemala of an English father and Mexican mother, learned to paint in England. As a young woman her family moved back to Guatemala where she lived among the Mayan Indians for the rest of her life. The paintings and the text reveal the high regard she had for the Mayans. The original gouache paintings now reside in the Ixchel Museum of Traje in Guatemala City.

Joseph Johnston, Curator, Arte Maya Tz'utuhil

Book Description

A striking and inventive social history of the role of clothing in the making of modern Americans.While fashions of the rich and famous have been lessly chronicled, little attention has been paid to the meaning of clothes for everyone else. Yet between 1890 and the outbreak of World War II, as ready-to-wear came into its own, the clothes of ordinary Americans claimed the nation's attention. Allied with civic virtue, fashion now played an increasingly important role in shaping the national character.Drawing on a wealth of sources -- from advertisements, trade journals, and health manuals to sermons, science, and songs -- acclaimed historian Jenna Weissman Joselit shows how the length of a woman's skirt, the shape of a man's hat, and the height of a pair of heels enabled Americans of every faith, color, and class to feel part of the modern nation. As moral arbiters warned that extravagant attire might undermine equality, and gentlemen worried that wearing colored shirts rered them less manly, the newly arrived and newly emancipated -- immigrants and African-Americans -- wondered just how much jewelry was appropriate to their new status as citizens. Engaging, imaginative, and original, A Perfect Fit uncovers a time in American history when getting dressed was more about fitting in than standing out and vividly shows how clothes expressed the spirit of democracy and the promise of America.

Customer Reviews:

She's an awesome prof..........2001-11-06

I'm sure the book's great too. The other review is inane. JWJ can write well and she's cool.

Clothes as a Social Statement in the United States.......2001-09-18

When immigrants first came to the United States, they were free of the tyranny of the place they were born into in their native country. But American society often pegged them by the clothes they wore, just as harshly as their birth did in the native land.
The good news was that clothes can be changed, and millions of people did just that . . . changed their appearance to look like the native-born Americans. People wanted to fit in, as part of their desire to live the free life. Is it so different now? Even the most extreme teenage styles conform to a sense of fashion that indicates that you fit in.

A Perfect Fit focuses on the period of peak immigration, from around 1890 through the 1920s. Women's and men's wear get equal emphasis, although the women's wear is vastly more interesting. You will follow hemlines up (for style and hygiene reasons), the subtleties of the right hat (not too showy), shoes into sizes (but women insisted on appearance anyway), furs (in as a sign of arriving and out as a sign of cruelty to animals), and jewelry (moderation in all things is a virtue, but a diamond does last longer than flowers). Along the way you will enjoy many fine illustrations that display the styles, advertisements, and the way these were worn by people.

A strength of the book is that it covers how people from different backgrounds responded to fashion. There is extensive coverage of what immigrant Jews favored, and a focus on African American preferences. There's even a section on the advent of the Zoot suit. The author also does a nice job of considering the tension between restrained good taste and flamboyance.

It was fascinating to think about the shock that the flapper style with bobbed hair must have been. The miniskirt and the no-bra look of the 1960s was a minor shift by comparison from what went before.

Over time, clothes have gone from formal and being a badge of status, to informal, healthy, and comfortable. Let's hope that trend continues. I like my sneakers!

A Perfect Fit also has some interesting facts in it that I did not know before. For example, the Audubon Society was formed to help stop the slaughter of herons whose feathers were prized for very showy hats. Ostrich feathers can be harvested without killing the bird, which is why you will see so many more ostrich feathers in display uses today.

As far as the book goes, it is very fine. I was disappointed that the investigation of social character did not include selections from important social thinkers of the times. It would also have been interesting to know about more types of social groups. What did Hispanic people do during this time? How were Irish-American styles different from Italian-American ones? I was also curious about what the most famous people of the time wore. And Edward Bernays is famous for his work in creating fashion during this time through color. Little is said on that subject. So think of this book as an appetizer on the subject, rather than as the whole meal. I graded the book down accordingly.

After you read this book, think about how healthful your choice of clothes is. How could you improve your selections and still feel good about yourself? How about a new hat for the holidays?

Always improve the person wearing the clothes at least as much as you improve the clothes that are worn!

Book Description

From the tango-inspired dress of Argentina and guerilla chic in downtown Buenos Aires to swimwear on Copacabana Beach and the rainbow that adorns Mayan women, Latin America has long been a source of inspiration for designers throughout the world. This book is a long overdue assessment of Latin America's influence on fashion. The authors examine the significance of textiles and dress to Latin American culture and the reasons behind it--from fashion history to popular culture and the (re)making of traditional garments, such as the poncho, the guayabera and maguey cactus fiber sandals. It also considers its global impact, visible in chains and mass-produced fashions, and the international worship of fashion icons such as Frida Kahlo and Eva Peroacute;n.

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