History: Fiction or Science? (Chronology, No. 1)

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.

Average customer rating:

We might be Fruits too.
Nice!
This is a great photo book.
A Birthday Gift
Colorful World

Fruits
Shoichi Aoki
Manufacturer: Phaidon Press
ProductGroup: Book
Binding: Paperback

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ASIN: 0714840831

Amazon.com's Best of 2001

If you ever wondered where the catwalk got its claws, then the portraits gathered in photographer Shoichi Aoki's book Fruits, from the streets of Harajuku in Tokyo, point the way to an extraordinarily imaginative and invariably stunning glut of mongrel fashion heists. A best-of collection from the fanzine of the same name, and published for the first time outside Japan, Fruits keeps its style clean: front-on, razor-sharp images, ranging from the deadpan to the manic, of the sharpest collages of sartorial influence that, usually, little money can buy. From off the peg to off the wall, kitsch to bitch, each person bears a combination and philosophy as distinctive as DNA. All shades of aesthetic are raided, with exquisite, scrupulous attention to detail. Punk is a favorite, as is, appropriately, Vivienne Westwood, alongside Milk and Jean-Paul Gaultier, and the occasional Comme des Garçons. Many of the outfits, though, are second-hand or self-assembly, such as a skirt drooping petals of men's silk ties, Wa-mono, when tradition Japanese clothes are topped with, say, an authentic bowler hat, EGL (elegant gothic Lolita), and a swathe of tartans, pinks, and turquoises. The most malleable feature, unsurprisingly, is hair, with dreadlocks, mohicans, back-combing, and crops dyed an irradiated spectrum. While the eye is drawn, obediently, to the mannequins, the background is often worth a look, either for the vending machines against which a number are shot, or the ubiquitous Gap store and bags, a constant reminder of the global mass market.

One enterprising man wears a genuine British paperboy's delivery bag, and, to pick but one profile, Princess, 18, is trying to be a doll and is currently preoccupied with body organs. Mmm. All the subjects are asked the source of their clothes, as well as their "point of fashion" and "current obsession." The scope for sociopsychological discussion is vast, particularly with the preponderance of infantilization, through dolls, bonnets, pop socks, and Barbie, but this is a joyous documentation of the innovative, celebrating the inspirational polytheism of street fashion, captured with provocative, political zeal. Best let the street cats prowl. --David Vincent

Book Description

If you ever wondered where the catwalk got its claws, then the portraits gathered in photographer Shoichi Aoki's book Fruits, from the streets of Harajuku in Tokyo, point the way to an extraordinarily imaginative and invariably stunning glut of mongrel fashion heists. A best-of collection from the fanzine of the same name, and published for the first time outside Japan, Fruits keeps its style clean: front-on, razor-sharp images, ranging from the deadpan to the manic, of the sharpest collages of sartorial influence that, usually, little money can buy. From off the peg to off the wall, kitsch to bitch, each person bears a combination and philosophy as distinctive as DNA. All shades of aesthetic are raided, with exquisite, scrupulous attention to detail. Punk is a favorite, as is, appropriately, Vivienne Westwood, alongside Milk and Jean-Paul Gaultier, and the occasional Comme des Gar+ons. Many of the outfits, though, are second-hand or self-assembly, such as a skirt drooping petals of men's silk ties, Wa-mono, when tradition Japanese clothes are topped with, say, an authentic bowler hat, EGL (elegant gothic Lolita), and a swathe of tartans, pinks, and turquoises. The most malleable feature, unsurprisingly, is hair, with dreadlocks, mohicans, back-combing, and crops dyed an irradiated spectrum. While the eye is drawn, obediently, to the mannequins, the background is often worth a look, either for the vending machines against which a number are shot, or the ubiquitous Gap store and bags, a constant reminder of the global mass market.One enterprising man wears a genuine British paperboy's delivery bag, and, to pick but one profile, Princess, 18, is trying to be a doll and is currently preoccupied with body organs. Mmm. All the subjects are asked the source of their clothes, as well as their "point of fashion" and "current obsession." The scope for sociopsychological discussion is vast, particularly with the preponderance of infantilization, through dolls, bonnets, pop socks, and Barbie, but this is a joyous documentation of the innovative, celebrating the inspirational polytheism of street fashion, captured with provocative, political zeal. Best let the street cats prowl. --David Vincent

Customer Reviews:

We might be Fruits too........2007-09-26

My high school art class, Costume Design, LOVE this book. It's fun to see teenagers in another culture taking western fashion and personalizing it. Every time I pick up the book I see something new. We've only had the book a couple of weeks and it is already dog-eared.

Nice!.......2007-03-27

Great book, made my girlfriend quite happy. She is very into Japanese street fashion and this book just captivated her, she looked through it about 20 times the day i gave it to her.

This is a great photo book........2007-02-04

Even if you aren't particularly interested in Japanese youth culture, this book is just a great example of fashion or humanity and the expansion of western culture into the eastern. The photographs are all high quality and just about every page also has a little questionaire filled out by each subject so you get to know a little more about them then their outrageous fashion sense.

A Birthday Gift.......2007-01-10

I got this for my 14 year old son who is into Asian pop culture.
He enjoyed the book but thought it had too much FASION aspect.

Colorful World.......2006-09-30

I had the good fortune to run into this book on vacation. As soon as I got home I ordered both Fruits and it's companion. As a self motivated student of fashion and all of it's off-shoots, I immensely enjoy this book. It is a plethora of individuals, and not a duplicate picture in the book. It features mostly youth (teenagers) but that is to be expected. But it doesn't limit itself to just the very young. There are a few family photos and "older" individuals. It is a monument to anyone who creatively clothed themselves. It gives brief details: name, age, point of fashion, fashion brands and makers. A lot of the "point of fashion" remarks seem like nonsense at first. After reflection, I think they are just 'smart allec come-backs', much like what you'd get from someone in the American Gothic culture if you asked one of them why they wear black all the time. Even with brief details you can start to see patterns in clothing styles seperating themselves out from one another. By age particularly, and by preference to designers within a group of friends. The only problem I had was reading some of the bubble gum colored print that it was done in.

Byzantine Dress: Representations of Secular Dress in Eighth- to Twelfth-century Painting (The New Middle Ages)

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Byzantine Dress: Representations of Secular Dress in Eighth- to Twelfth-century Painting (The New Middle Ages)
Jennifer L. Ball
Manufacturer: Palgrave Macmillan
ProductGroup: Book
Binding: Hardcover

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ASIN: 1403967008
Release Date: 2006-01-19

Book Description

In Byzantium two overlapping systems of dress existed: a semiotic one whereby dress was a code for rank and wealth; and a fashion system where dress was based on the desire to look a certain way. Courtiers participated in a semiotic system of dress, but fashion crept into their prescribed outfits; the nobility chose their clothing based primarily on individual taste, but status was encoded within their fashions. This book elucidates secular dress from the eighth to the twelfth centuries through an examination of painted representations, helping the reader to envision an entire society of dressed citizens.

Average customer rating:

What's Missing
Interesting and well laid out
Beautiful photos, excellent text
Inspirational for sewers and designers of Wearable Art!
Great Book!

Dress in Detail From Around the World
Rosemary Crill , Jennifer Wearden , and Verity Wilson
Manufacturer: Victoria & Albert Museum
ProductGroup: Book
Binding: Paperback

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ASIN: 1851773789

Book Description

"Meticulously detailed as well as gorgeous....The color photographs-which cover page after page and capture these intricate designs in close-up-are the main source of delight."-Time Out (London)

Now available in paperback, this lavishly illustrated book celebrates the Victoria and Albert Museum's magnificent collection of dress from around the world. A source of inspiration to many of today's top designers, these colorful items of clothing, seen here in glorious close-up, will delight all lovers of fashion. The detailed line drawings are of special interest to professionals in any aspect of the fashion field. AUTHOR BIO: Rosemary Crill is a curator in the department of Asian art at the V&A. Jennifer Wearden is a curator in the department of furniture, textiles, and dress at the V&A. Verity Wilson is a curator in the department of Asian art at the V&A.

Customer Reviews:

What's Missing.......2007-05-12

This is indeed a beautiful book, but it is also maddening! A full length color photo of each garment should have been included to demonstrate how the detail relates to the whole and the black and white line drawings don't do it.

Interesting and well laid out.......2006-10-11

This book features pictures of details from extant ethnic costumes from more than fifty countries. Next to each picture is a flat (line drawing) of the whole garment, which allows you to see construction and some stitching details, as well as the overall shape. Descriptions alongside each flat include mention of the gender, class, time period, and ethnicity of a person who might wear the garment, as well as a context in which they might do so.

The organization is a little odd, since it relates to the particular detail featured (e.g. "Necklines", or "Pleats and Gathers") but the index allows a search by place, which is very helpful. It also includes a map, glossary, and suggestions for further readings. Students interested in cultural dress will enjoy this brief introduction, though for more in-depth studies of a region, they should look into other resources.

Beautiful photos, excellent text.......2005-12-29

This is one of the most gorgeous and inspirational dress/costume books I've ever seen. The photos are clear, detailed, and focus on all the right things. If you're looking for design ideas or just eye candy, this fits the bill. It's a pity amazon.com doesn't remove the one-star review. His complaint has nothing to do with the book itself--just poor HTML linking on amazon's part. This book deserves to have a solid five-star rating. (6/9/06--I'm happy to see the one-star review was removed)

Inspirational for sewers and designers of Wearable Art!.......2005-09-29

Dress in Detail from around the world is one of the most inspirational books I have purchased. It expands your paradigm for designing your own patterns using the line drawings of these costumes. The embellishments, closures and use of multiple fabric combos is endless. The designs are simple and yet elegant depending on your choice in fabric. I feel they are adaptable to many figure types. I loved the focus of detail on necklines and cuffs as well as closures!

Great Book!.......2005-09-15

This is a wonderful resource for costuming. The detail photos are excellent. The only thing that could make it better would be more photos.

Governance of the Consuming Passions: A History of Sumptuary Law

Average customer rating:

The information is fascinating and well analyzed.

Governance of the Consuming Passions: A History of Sumptuary Law
Alan Hunt
Manufacturer: Palgrave Macmillan
ProductGroup: Book
Binding: Hardcover

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ASIN: 031212922X

Customer Reviews:

The information is fascinating and well analyzed........1999-03-18

Did you know that: -in 1429 Scottish law required that all men with an income over 20 pounds a year wear a fur hat? -an act passed in England, in 1533, stipulated that only members of the Royal Family were allowed to wear purple silk, and that crimson, scarlet or blue velvet could legally be worn only by members of the upper nobility? -in Massachussetts Bay US, in 1651, anyone making less than 200 pounds a year was forbidden to wear gold or silver lace or gold or silver buttons?

Alan Hunt takes us through the fascinating history of dress restrictions. Even today, in our modern capitalistic state, we can see how sumptuary laws still exert influence by observing the vestments worn by the clergy and their assistants.

The book's cover is stunning in all its sumptious beauty. Note the green velvet wedding gown trimmed in ermine and overflowing into a train. The crimson cloth in the bed chamber is elegant. So is the beaver hat worn by the groom in his sable trimmed robe.

The scene is a pastiche of the "Arnolfini Marriage" painted by Jan van Eyck in 1434.

Book Description

Toward the end of nearly 2,000 years of imperial rule in China, the last dynasty, designated Qing, was led by the ethnically and culturally distinct Manchu people. The Manchu established a political organization using clothing fashioned after their nomadic roots to signify status and identity. Author John E. Vollmer details the characteristics of Manchu dynasty costume and its political, social, and cultural significance and influence in Chinese history. Included are descriptions of the various designs and symbology on the cloth, as well as diagrams illustrating garment-making technology and construction features, comprehensive notes, a bibliography, map, and chronology. A fascinating look at clothing and its strategic role in the politics of conquest, this book is an invaluable resource for scholars and collectors alike.

Identity by Design: Tradition, Change, and Celebration in Native Women's Dresses

Average customer rating:

Absolutely Fantastic!

Identity by Design: Tradition, Change, and Celebration in Native Women's Dresses
National Museum Of The American Indian
Manufacturer: Collins
ProductGroup: Book
Binding: Hardcover

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ASIN: 0061153699
Release Date: 2007-02-06

Book Description

This beautiful book presents a fascinating array of complete women's and girls' outfits dating from the 1830s to the present, including dresses, shawls, shoes, belts, bags, fans, and hair accessories. Also included is historical and contemporary background information on Native life and Native women and their dress. To accompany a major exhibit of the same name at the NMAI in March 2007.

Customer Reviews:

Absolutely Fantastic! .......2007-03-18

I am a traditional dance dress artist, although not as prolific (or even as expert) as some of those featured in this book. If I could have given more than 5 stars it would receive them. The photos were beautifully clear, although there only one or two photos of some of the featured dresses, they showed the splendor and detail of artistry from the past. I hope this doesn't spawn more artifakes, especially those coming to the US from overseas. This book is a long-awaited dream come true.

Costume and Fashion: A Concise History (World of Art)

Average customer rating:

Pretty basic, very trustworthy--a good start
A basic intro to fashion and costumes
Great introductory read.
An excellent place to start
Fab Pictures....

Costume and Fashion: A Concise History (World of Art)
James Laver , Amy De LA Haye , and Andrew Tucker
Manufacturer: Thames & Hudson
ProductGroup: Book
Binding: Paperback

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ASIN: 0500203482

Book Description

From the momentous invention of the needle some 40,000 years ago to the development of blue denim; from Neolithic weavers to the biggest names in the fashion industry today—this classic guide covers the landmarks of costume history, the forms and materials used through the ages, as well as the underlying motives of fashion and the ways in which clothes have been used to protect, to express identity, and to attract or to influence others. The concluding chapter by Amy de la Haye, covering the second half of the twentieth century, has now been updated by Andrew Tucker. He discusses the reinvention in the 1990s of the luxury label Gucci, the rise of houses such as Prada and Tommy Hilfiger, and the appointments of relatively avant-garde British, American, and European designers to head classic French houses. All the late-twentieth-century and turn-of-the-century style innovations are included, such as the appropriation of utility clothing by designers like Helmut Lang—who spearheaded the predominantly unisex urban sportswear look—and the impact of workplace dressing down on masculine fashion. The phenomenon of the must-have accessory—the pashmina shawl and the Fendi baguette, for example—is also considered. 345 illustrations, 80 in color.

Customer Reviews:

Pretty basic, very trustworthy--a good start.......2007-05-18

Using only primary resources (paintings, statues, etc. from the periods being shown), this book is both concise and trustworthy. Unlike other books that try to cover an expansive period of time in Western costume, this one never uses original or after the fact illustrations, which can be misleading and/or inaccurate. The only downside is that there are only a few samples from each period, so the reader doesn't get as broad a sense of the time as one might hope. Still, if the idea is to get a broad understanding, the text with the pictures combine to make a decent starting point for Western fashion from Ancient times to the 1990's.

A basic intro to fashion and costumes.......2003-11-10

This book is aptly titled. It gives just a little bit about everything from ancient Egyptian styles to fashion in the 1990s. Those of you looking for photos and descriptions with great attention to detail should look elsewhere, but those of you looking for just an overview of fashion, this would be a good introduction.

The author discusses the rise and fall of fashion trends through the ages, and how society, industry, and particular people influenced them. The text in this book seems as informative, as it is concise. However, other reviewers seem to think that the author's information about pre-20th century costumes is inconsistent with other sources, but the post-20th century information is consistent with what I have learned from other sources.

Therefore, I recommend this book with some hesitation. If you want a good overview of fashion history, especially a pictoral history, I would recommend this book. On the other hand, if you are looking to learn more about a particular era, especially ancient costumes, I would recommend choosing a book specifically written about that era.

Great introductory read........2001-03-14

An easy read. Covers from 2900 B.C. to the 1990's with a particular emphasis on the 1800's. James Laver's writing style is wonderful, describing not only the clothing but the historical and social context for each style of dress. The fashions of each period are illustrated by a variety of historical evidence, including statutes, famous works of art, fashion drawings, diaries, cartoons and photographs. The book is not an in-depth study of each period but rather a very brief overview. The last chapter covering from 1940 to the 1990's was writen by Amy de la Haye and is markedly different in writing style. She does not discuss the social and historical context to the extent that Laver does but rather gives an overview of the major designers of each decade and their respective styles. As there is a lot to discuss in the last 50 years of fashion, I wish that this book had dedicated more than 31 pages to modern fashion.

An excellent place to start.......2001-01-23

This classic by James Laver is a very good introduction to the subject. This is not an exhaustive history of clothing that one should consult for lengthy descriptions, or pinpoint accuracy tied to the latest scholarship. But what this book is (and is wonderfully) is an overview of a very vast subject distilled into one portable volume. The illustrations are excellent and worth the price of the book in themselves. Great amounts of detail are lacking, but the student of costume history can look elsewhere for in depth information in the works of Boucher, Davenport, Ribeiro, and others. This book can provide the basic knowledge one needs to approach the more advanced publications.

There are discrepencies of terminology in comparison to other texts. This is especially true in his descriptions of Byzantine court costume; Laver uses some Greek terms as opposed to the Latin terms used by most other historians. Laver also has an ethnocentric bias and gives much information from an English point of view. As with Contini's "Fashion: A Social History" and Batterberry's "Fashion: The Mirror of History" (both sadly out of print), Laver's prose and scholarship are a little dated, and he predates political correctness. But the history of clothing is heavily tied to religion and superstitions, public morals and sexuality, gender and social hierarchy. To tell a politcally correct history of clothing is to apply a bias as skewed as the biases it would seek to rectify.

This is a highly readable and succinct account of its subject and is strongly recommended. Given that the wonderful Contini and Batterberry books are not available, Laver's very accesible text is an excellent introduction for the beginning costume historian.

Fab Pictures...........2000-08-08

This is a nice *SMALL* (which is important when you are carrying it back and forth to class) book that is FULL of pictures. Don't by this book if you are looking for detailed explanations of the costumes...go to Boucher if you are looking for that... But if you want a good colour pictoral quick reference, this is the one to buy.

Book Description

An engaging and witty cultural history that traces the evolution of the mirror from antiquity to the present day, illustrating its journey from wondrous object to ordinary trinket. With its earliest invention, the mirror allowed us to gaze upon ourselves, bestowing a power both fascinating and terrifying. The classical myth of Narcissus warned of the dangers of self-reflection, while during the Middle Ages the mirror became associated with the soul and the seductions of the devil. Only in the 18th century did the mirror achieve true renown, reflecting brilliant light into the court of the Sun King and the parlor of Madame Pompadour. As science triumphed over art, the mirror lost some of its magical appeal, later restored with its role as metaphor for altered states of consciousness in Lewis Carroll's looking glass and Lacan's "mirror stage."
Drawing on rich sources of history, literature, art and philosophy, Melchior-Bonnet recounts the story of the mirror as one of discovery and invention, commerce and intrigue. Through the works of such writers as Dante, St. Augustine, Flaubert, and Henry James, and its representations in the works of artists like Durer, Van Eyck, Leonardo, and Magritte, the author reveals our enduring fascination with reflection, the image that is at once the same, and not the same, as ourselves.

Customer Reviews:

A history of the mirror in France.......2002-01-26

Even though mirrors are a commonplace of everyday life and an essential part of modern technology, suprisingly little has been written about them, making this charming little book a welcome addition. It might more accurately have been subtitled "A history of the mirror in France" since it concentrates almost exclusively on that country. Subjects include the manufacture of mirrors, their use in decoration, art, literature, theology, and most especially their psychological effect on self-image - and of course their erotic implications. The author says virtually nothing about optics or technology, and the illustrations are few and poorly done. This is not a must-have book, but if you are interested in mirrors, French culture, or cultural history, it is worth reading, and would be an appropriate gift for the mirror-obsessed individual in your family.

Encyclopedia of Clothing and Fashion Edition 1. 3-Volume Set (Scribner Library of Daily Life)

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Encyclopedia of Clothing and Fashion Edition 1. 3-Volume Set (Scribner Library of Daily Life)

Manufacturer: Charles Scribner's Sons
ProductGroup: Book
Binding: Hardcover

Textile & Costume | Design & Decorative Arts | Arts & Photography | Subjects | Books

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General | Beauty & Fashion | Health, Mind & Body | Subjects | Books

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ASIN: 0684313944

Book Description

From diapers to Dior, saris to serapes, the world of clothing is nearly as vast and as ancient as the human race. Tracing the stylistic and functional threads that unite clothing across time and cul-tures -- as well as delving into the divergent styles and significance of apparel -- this A to Z encyclopedia is the essential resource for exploring the relationship between culture and couture.

This broad-based set surveys clothing, body adornment, and examines the origins of clothing, the development of fabrics and technologies, and the social meanings of dress. It also presents information on representative costumes from a wide variety of historical eras, which are frequently the topic of student research. Topics range from the bustle, sari, and toga to Polyester and body piercing. The short entries explain the history of garments (necktie, codpiece, cocktail dress, bathing suit, burqua, Nehru jacket), techniques and manufactures (batik, dry cleaning, zipper, stone washing), body adornment (makeup, mask, tattoo, wig), and important persons and institutions (Coco Chanel, Edith Head, Yves Saint-Laurent, Fashion Institute of Technology). The longer essays provide cultural context: class, gender, sumptuary laws, costume design for stage and screen, advertising; fashion careers; ecclesiastical dress; military uniforms; etc.

The set includes a comprehensive general index in the last volume, a timeline, and a topical outline. From the secondary school student writing a paper on dress among Native Americans to the university student interested in the underpinnings of clothing design, this set represents a unique and valuable source.

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