Amazon.com
Composition teachers throughout the English-speaking world have been pushing this book on their students since it was first published in 1957. Co-author White later revised it, and it remains the most compact and lucid handbook we have for matters of basic principles of composition, grammar, word usage and misusage, and writing style.
Book Description
This is the braille version of the timeless reference book. According to the St. Louis Dispatch, this "excellent book, which should go off to college with every freshman, is recognized as the best book of its kind we have." It should be the ". . . daily companion of anyone who writes for a living and, for that matter, anyone who writes at all" (Greensboro Daily New). "No book in shorter space, with fewer words, will help any writer more than this persistent little volume" (The Boston Globe). Two volumes in braille.
Customer Reviews:
The Elements of Style.......2007-09-25
The book was in wonderful condition. It arrived in a timely manner. I would buy from you again.
Great guide for writers of all ages.......2007-09-25
My son's teacher recommended this book when he was in middle school. He still refers to it in college as he pursues his writing career. My daughter needed her own copy for school because her brother wouldn't give his up! You really can't go wrong with this book.
Good book........2007-09-07
It is good book, but you might find some styles are repeating with other books. It is good to learn from this author, but I also suggest learn more from other authors, too.
Read it, Then Read It Again.......2007-09-06
This itsy bitsy tome is an ageless classic. I read it for the first time 20 years ago. Despite having never found grammar interesting before, I became hooked on the sharp little lessons. I read it again, to both delight and edification. And I'll read it once more, to remind myself of the rules that make English what it is and to smile at Prof. Strunk, long gone but very much alive in these pugnacious 80 pages. He's somehow managed to boil down the bones of the language and give you the absolute essentials. If you haven't read it, you're in for a treat and a pleasant surprise, especially if you don't care for grammar. This is truly short and sweet.
Elements of Style review.......2007-09-05
This is an excellent book. All authors (or soon to be authors) should consider adding it to their core readings.
Rick.
Book Description
Every English-language writer knows Strunk and White's famous little writing manual, The Elements of Style. Many people between the ages of seventeen and seventy can recite the book's mantra--make every word tell--and still refer to their tattered grade school copy when in need of a hint on how to make a turn of phrase clearer, or a reminder on how to enliven prose with the active voice. Considering that millions of copies have been sold to millions of devotees, you might not think to ask what could enhance this (almost) perfect classic. In fact, the addition of illustrations allows readers to experience the book's contents in a completely new way, making the whole learning experience more colorful and clear, as well as adding a whimsical element that compliments the subtly humorous tone of the prose. The Elements of Style Illustrated will come to be known as the definitive, must-have edition.
Maira Kalman is the offbeat and wildly talented illustrator of twelve children's books, numerous covers for The New Yorker magazine, fabrics for the fashion designers Isaac Mizrahi and Kate Spade, watches and accessories for the Museum of Modern Art, and a mural at the elegant Wavehill estate in Riverdale, among other projects. Her sophisticated and witty images that are yet bright and fanciful have won her a devoted following, especially among young urbanites. Maira Kalman is acknowledged by the E. B. White estate as the single artist trusted to illustrate the revered The Elements of Style.
The Elements of Style Illustrated brings a fresh immediacy to the well-loved, much-valued, and still on-point work that has become an institution. While giving the classic work a jolt of new energy to appeal to contemporary readers, Kalman's illustrations are hemselves timeless, designed to sit alongside the ever-enduring manual for another fifty years and more.
William Strunk and E. B. White's classic writing manual, The Elements of Style, has been enriched to include the vibrant, witty, and instantly recognizable images of Maira Kalman in a beautiful illustrated edition
In her own words: "born. bucolic childhood. culture-stuffed adolescence. played piano. stopped. danced. stopped. wrote. discarded writing. drew. reinstated writing. married Tibor Kalman and collaborated at iconoclastic yet successful design studio. wrote and painted children's books. worried. took up Ping-Pong. relaxed. wrote and painted for many magazines. cofounded the Rubber Band Society. amused. children: two. dog: one."
Customer Reviews:
Of Invaluable Importance to Any Anglophone.......2007-10-01
Simply one of the best guides available on how to write the English language. Forty years ago, acclaimed author E.B. White edited and refurbished his 1918 English book written by Professor William Shrunk. Still in print today, a once dull, outdated textbook has been revamped and updated for the modern era in a colorful, modishly illustrated edition. The techniques and rules for writing are just as fundamental and undying since first comprised in the original addition and just as useful to us today. "Elements of Style" shouldn't be considered a textbook in any sense, that word tends to deter readers; moreover, a simple compilation of basic rules of grammar and composition guidelines that aids everyone from the lifelong journalist to the occasional letter writer. This little, red book contains a cache of rules, definitions, punctuations, and proper expressions condensed into five, clear, user-friendly, concise chapters.
Get to the point. Omit needless words. Don't overwrite. Compose an accurate, concise discourse.
White demonstrates that the beauty of our language, as demonstrated by himself and other classical authors, is that we can all follow the same formalities of one another yet be so individualistic and uncommon in style without sacrificing clarity. While the first half covers simple grammatical rules, the latter half of the five chapters is devoted to rules that will foster each writer's own unique ingenuity. In a rare assurance, this is one of the books that promises to change how you see your own words on paper.
This book should be required of all Amazon reviewers since actually reading the book isn't these days.
great presentation.......2007-09-28
Very clear instruction and easy to accept; it does not insult the reader. This edition's layout is beautiful (especially the covers). The llustrations are of an unexpected style. They may not add to every reader's experience.
Lovely!.......2007-09-28
I'm very pleased that I got the illustrated version of The Elements of Style. The colorful pages make reading the book so much more enjoyable.
Wonderful gift for writers!.......2007-09-10
The illustrated hard cover edition comes has a brilliant red woven hard cover. The illustrations by Maira Kalman complement the text very well. Highly recommended for all the writers in your life.
Concise, relevant, and useful.......2007-06-29
This is a great reference for avoiding the most common errors people make while writing.
Amazon.com
This lovely, well-written book is concerned foremost with creating beautiful typography and is essential for professionals who regularly work with typographic designs. Author Robert Bringhurst writes about designing with the correct typeface; striving for rhythm, proportion, and harmony; choosing and combining type; designing pages; using section heads, subheads, footnotes, and tables; applying kerning and other type adjustments to improve legibility; and adding special characters, including punctuation and diacritical marks. The Elements of Typographic Style teaches the history of and the artistic and practical perspectives on a variety of type families that are available in Europe and America today.
The last section of the book classifies and displays many type families, offers a glossary of typography terms, and lists type designers and type foundries. The book briefly mentions digital typography, but otherwise ignores it, focusing instead on general typography and page- and type-design issues. Its examples include text in a variety of languages--including English, Russian, German, and Greek--which is particularly helpful if your work has a multinational focus.
Book Description
Renowned typographer and poet Robert Bringhurst brings clarity to the art of typography with this masterful style guide. Combining the practical, theoretical, and historical, this edition is completely updated, with a thorough exploration of the newest innovations in intelligent font technology, and is a must-have for graphic artists, editors, or anyone working with the printed page using digital or traditional methods.
Customer Reviews:
Excellent product.......2007-09-09
This Bringhurst book cam vacuum wrapped in perfect condition in a timely manner. I would buy from here again without hesitation. Highly recommended.
Type History not Examples.......2007-08-10
This book makes it sound like it's going to tell you how to make unique typography. However, it just tells you the history of type and typographical styles. In my opinion unless you are taking a class on the history of type this book is not useful for any other purpose.
A great resource.......2007-05-21
As a designer, you can't argue the value of having this book as a resource. Reading through it can be heavy at times but the amount of great information far outweighs anything negative you could say. It's become an important part of my collection and has given me a great perspective when approaching any projects that need a typographic punch. Well worth a purchase and will be for some time.
Hard Read.......2007-05-12
This boks is considered a must buy book for any one in typography or graphic design. I do not enjoy it one bit. It is a hard read, and it loses my interest. It is not good for reference at all and because the paragraphs are so long winded that you could not find what you were looking for. This may be a book more for the advanced typographer or designer, definatly not for a beginner.
Great Typography book -A Must for serious designers!.......2007-04-03
From A to Z, this book covers all aspects of typography. If you thought you knew a lot about fonts, their history, usage, manipulation and every aspect -this book will show you how much you really don't know. A definite must read for the serious type nut.
Book Description
The Elements of Style is the most comprehensive visual survey, period by period, feature by feature, of the styles that have had the greatest impact on interiors of American and British domestic architecture. Unsurpassed in its range of illustrations, this magnificent volume covers more than 500 years of architectural styles from Tudor to Post-Modern and includes a wealth of American and British vernacular styles. Everyone from owners of period houses, restorers, and architects to interior designers, do it-yourself homeowners, and all those interested in our building heritage will find this reference indispensable.
More than 3,000 analytical drawings and historic engravings are included in this updated edition as well as 400 photographs in color and over 1,000 in black and white. These extraordinary images provide a systematic guide to the features appropriate for every part of a building, from the major components such as doors, windows, walls, floors, ceilings, and staircases to the small but important embellishments such as moldings and door hardware.
At the heart of the book is a chronological treatment of the primary styles and periods of architectural design during the past 500 years. Each chapter begins with an illustrated essay, then looks in turn at individual features, from doors and windows to ironwork and woodwork. The usefulness of this book is further enriched by the inclusion of permanent or semipermanent fixtures such as lighting, kitchen stoves, and floor and wall coverings, as well as strictly architectural details.
A useful system of quick reference, employing color-coded tabs keyed to each feature, enables the reader to trace how particular features evolved over time. And at the back of the book, separate chapters dealing with vernacular architecture are followed by a glossary and a fully updated directory of suppliers of authentic materials as well as period and reproduction features. For this new edition, a biographical directory of architects and architectural practices has been added.
Compiled by a team of experts headed by Stephen Calloway and Elizabeth Cromley, The Elements of Style is the first book on architectural styles that is comprehensive, incredibly thorough, and accessible in its presentation of individual details. Equally invaluable for authentic period restoration or simply for saying to your contractor, "I want one like that" -- this definitive resource presents literally thousands of details.
Customer Reviews:
this book is like ordering not quite enough tapas. .......2006-08-10
It tastes delicious, but leaves you hungry.
the book is stunning. the pictures are inspiring. the information is rich. it covers a lot of time
now i want a book just as thick for each of the particular styles that are covered so i can actually learn and delve.
still, its a great start.
What a shock!.......2006-02-08
When this turned up on my doorstep, I got a real shock! I bought it as a reference book, something to "look things up in" from time to time, as needed. But, I found myself going through it, page after page after page. I couldn't put it down. It is jam packed with information, excellent drawings, photographs, text. I have nothing bad to say about it. The book is well bound, the paper excellent quality. Worth every cent.
Wonderful.......2002-12-11
As an Architectural Illustrator in black and white media, this book has been an invaluable reference tool. As a Librarian, no Library should be without this book. The only thing that one could wish for is that it was a multi-volume set with many more pages to peruse, like a novel you don't want to end.
RESEARCH MADE EASY-GOOD QUALITY PICTURES+DRAWINGS.......2002-01-19
EVERY STYLE IS FIRST DESCRIBED IN TEXT + PICTURES, FOLLOWED BY DETAILED DRAWINGS + PICTURES FOR WALLS, CEILINGS, DOORS, WINDOWS, FLOORS, FIREPLACES, STAIRCASES, BUILT-IN FURNITURE, LICHTING, WOODWORK, METALWORK AND SERVICES (STOVES, BATHTUBS ETC.) A MUST HAVE FOR EVERY INTERIOR DESIGN STUDENT - CUTS YOUR RESEARCH TIME IN HALF - A GREAT DESIGN TOOL TO USE FOREVER - A COMPREHENSIVE GUIDE - INCL. AN EXTENSIVE DIRECTORY OF SUPPLIERS AND USEFUL ADDRESSES, TERMS - EVEN SHORT BIOGRAPHIES OF ARCHITECTS/DESIGNERS THRU THE AGES. GREAT BUY FOR THE MONEY!
should be required for the scenic designer.......2001-02-16
This book will save the theatrical designer a lot of time. It provides just the right amount of detail to get you going on the right track. This book is the first thing you should open when designing a period piece. My research time has been cut drastically. This is perfect for the junior high or high school teacher who doesn't have the time to spend hours and hours at the library. The drawings are wonderful. This book is worth its weight in gold.
Average customer rating:
- Calculations are only as good as your numbers
- Pants on fire?
- Accepted History & Chronology Must Be Changed.
- Very Interesting
- History as Science Fiction
|
History: Fiction or Science? (Chronology, No. 1)
Anatoly Fomenko
Manufacturer: Mithec
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Similar Items:
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History: Fiction or Science? Chronology 2 (Chronology)
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History: Fiction or Science? Astronomical methods as applied to chronology. Ptolemy's Almagest. Chronology III
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Discovering the Mysteries of Ancient America: Lost History And Legends, Unearthed And Explored
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They Cast No Shadows: A Collection of Essays on the Illuminati, Revisionist History, and Suppressed Technologies
ASIN: 2913621058 |
Book Description
Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.
Customer Reviews:
Calculations are only as good as your numbers.......2007-08-03
Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.
Pants on fire?.......2007-07-19
Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.
Accepted History & Chronology Must Be Changed. .......2007-04-09
There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.
For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.
Very Interesting.......2007-03-07
It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.
History as Science Fiction.......2007-01-10
Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.
I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.
Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.
Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.
I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.
This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.
Average customer rating:
- Errata: musical example
- Classic work on counterpoint
- Still the best basic counterpoint text
- recommended
|
Counterpoint (4th Edition)
Kent Kennan
Manufacturer: Prentice Hall
ProductGroup: Book
Binding: Hardcover
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Counterpoint Workbook
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Harmony: Fifth Edition
ASIN: 013080746X |
Book Description
Designed for courses in Music, this established text introduces the contrapuntal style of 17th and 18th century music through analysis and writing. While a limited understanding of contrapuntal elements may be gained through analysis alone, these elements are grasped in a more intimate way through the actual writing of contrapuntal examples. Also, by linking the study of counterpoint to music of a specific period, the text provides a clear model for students to emulate and a definite basis for the criticism of student work.
Customer Reviews:
Errata: musical example.......2007-06-27
The first musical example for Chapter 3 should be an excerpt from Bach's Two-Part Invention, No.11. It is not, as the reader will quickly discover when the text talks about a "lower voice" that simply doesn't exist! This is not a huge problem, since the correct measures are shown soon after (in Example 5). But it could be confusing at first.
Classic work on counterpoint.......2005-10-28
George Oldroyd's book The Technique and Spirit of Fugue is the best book on fugue composition but it's out of print and VERY expensive. So, by default, Kent Kennan's book is the best reference book a composer can buy for a basic overview of counterpoint. If you already have a year or two of music theory (you know about modulations, sonata forms, and basic part-writing) you can,literally, just start working from this book with Bach as a companion text and start teaching yourself how to write fugues.
Kennan's book is helpful because while mostly covering Baroque counterpoint he covers the topic in a way that lets a student expand on the contrapuntal principles into other styles. If you're going to get just one book on counterpoint make this the book.
Still the best basic counterpoint text.......2005-03-08
Having taught counterpoint for about twenty years, I can honestly say this is still the best textbook available on the subject. Along the way I tried a number of "newer" texts, but my classes always met with more success using Kennan. The workbook that accompanies this book is a must for anyone who wants to master the art of eighteenth-century counterpoint. To be honest, you also need a teacher to evaluate your progress.
recommended.......1999-03-28
This is the most practical and efficient counterpoint textbook for class room use, the textbook I would use if I were to teach counterpoint in the class room. It is clear and concise and to the point. To gain a broader understanding of counterpoint, I recommend this work be supplemented with Walter Piston's COUNTERPOINT. I also recommend PENTATONIC SCALES FOR THE JAZZ-ROCK KEYBOARDIST by Jeff Burns.
Book Description
Acclaimed designer Michael Smith has earned a reputation as the thinking celebrity's decorator, with a client list that includes Cindy Crawford, Kate Capshaw, Steven Spielberg, Dustin Hoffman, and Michelle Pfeiffer. Pairing lush interiors with dynamic insider advice, Michael Smith's Elements of Style beautifully captures the essential building blocks of good interior design. Smith covers in depth the most common decorating decisions everyone faces: working with color, selecting the right paint, choosing window treatments and floor coverings, creating a luxurious bed, and building a furniture collection over time. Illustrated with stunning color photography, including a dozen homes presented in depth to demonstrate how rooms work alone and together, the book also includes practical sidebars on learning how to buy antiques and attend auctions, how to ready your home for sale, and how to create a house that can evolve over time. This invaluable, idea-filled resource is about polished, fresh design that is both aspirational and attainable.
Customer Reviews:
ONE OF THE BEST AMERICAN DESIGNERS.......2007-03-19
MICHAEL SMITH IS ONE OF THE BEST AMERICAN DESIGNERS PRACTICING TODAY AND IT SHOWS IN THIS BEAUTIFULLY PHOTOGRAPHED BOOK...EVERYTHING ABOUT THE TEXT, THE WAY IT IS WRITTEN AND HOW IT LEADS YOU THROUGH THE BOOK, IS FIRST RATE.....I WOULD HIGHLY RECOMMEND THIS BOOK FOR WHAT WILL EVENTUALLY BE HISTORICAL INTERIORS; AND ITS DESIGNER, WHO WILL BE IN THE YEARS AHEAD THOUGHT OF AS A GREAT, GREAT DECORATOR... MR SMITH KNOWS HOW TO PUT ATMOSPHERE INTO A ROOM......
Michael S. Smith, artist.......2007-02-10
This book is instructional and very well done. The "instructions" are in the photographs. Read them like paintings, which is how I think Michael S. Smith's rooms each look. There are 2 illustrations in the Amazon listing. Look first at the pictures of the room with the green sofa, then at the cover illustration. Then, please, read below & see whether you agree with me.
1. Pairs help to create a formal look: See the 2 leaf green lamps w/blue grey shades, 2 crystal sconces on end wall, 2 ornate crystal candelabra, 2 brass candlesticks on mantle, and 2 photos framed alike.
2. Echoes: Black fireplace box w/white surround & mantle echoes... the black & white photographs/sketches w/white mats & black frames and...the black piano next to all-white floor lamp; Painting of black curving figures on light tan background in brass/gilt frame echo the very solid black coffee table on the cream rug w/tan curving figures.
3. Use of Color in this Room: A subtle example -- There are 3 pieces of furniture with painted wood (excluding the piano): A chair with a cream/white frame, a table/stool in oxblood, and a settee with a blue grey frame. These are shades of the three primary colors. The colors of these 3 painted pieces together comprise the complete spectrum. The "color scheme" of the room as a whole also comprises the complete spectrum. The painted wood is a microcosm of this characteristic of the room. (And the complete spectrum gives us? ...Light.)
4. Gradations of Tints: The use of light-to-dark shades of each color gives a painterly quality to the room, softening the contrasts of colors and emphasizing the volume of the architecture, of the space. RED: cherry rug border, oxblood table, deep coral chair, pink & red flowers (5 shades of red, 3 not counting flowers). GREEN: deep & light green in settee fabric, brighter green in sofa & curtains, slightly brighter green in lamp bases, spring green in leafy bouquet (5 shades of green, 4 not counting bouquet). GOLD: Cream walls & rug background, gilt of picture frame & candlesticks on mantle & gold of print on settee, light tan of painting background and sisal rug, light camel of rug pattern and side chair, deep bronze of oblong sofa pillow and mantle figure, muted yellow of Chinese vase, sunny yellow of blossoming plant on coffee table. (7 shades of yellow, 6 not counting flowering plant). BLUE: Light & darker blue in settee print, soft deeper blue of Chinese vase (3 shades of blue).
5. Use of Black: Always important, but especially obvious here. It's needed to balance the massive black piano.
6. Rooms Need an Element of Surprise. Here it's the settee. The architecture of this room, its paneled walls, high ceilings, wide windows and volume, as well as that 7-foot Steinway (I think.) suggest the use of traditional furnishings. The settee is a subtle and beautiful contrast to the overall English look here. The "surprise" of a steel & glass table, for example, would have been a boring cliché and no surprise at all, don't you think?
7. Now for the Cover Photo. Its design follows that of the previous room, even though the style is completely different. The branches and leaves of the paper, bouquet and table echo one another. Here too the colors yellow, blue/green and red all range from light to dark, pale to bright, and there is a restrained presence of black. The bright blue Chinese vase, the gilt table and the cherry red (of the cherries) in the paper dramatically form a full spectrum, emphasize the full-spectrum of the color scheme and create light right across the center of the photograph. The surprise here is the hand. I think the main role of the pagodas is as verticals against the movement in different directions of all the curvy diagonals in the paper, the table and the vase of branches.
8. True, in the end, it's in the eye of the beholder. And yes, some, even many, of the rooms in this book may not be what you want for yourself. Nevertheless, study this book -- carefully. Then follow Michael S. Smith's lead. Simple as that! (Sorry this is a bit long.)
"A lot of money for a book cover".......2007-01-04
I bought this book only because of the very rich Tony Douquette-like intior on the cover, fully expecting to see more of the same or similar inside. After all isn't the cover supposed to represent the main "idea". It spoke to me in my language, and looked like a room ripped from my own home. A friend of mine saw it and even said it looked like I had designed the room myself. Big mistake. There is nothing in the book that comes close to the richness, depth and beauty of the picture on the cover. It was a big disipointment!
Sophisticated style.......2006-10-04
This book is perfect for the advanced home owner or individuals who have developed a mature and sophisticated style. I find myself returning again and again to the advice of Michael Smith. The more I know about design the more I appreciate his unstructured yet very elegant and extremely discerning method of putting a home together. A terrific resource from a very talented designer!!!
Don't be fooled by the reviews.... like I was!!.......2006-08-15
This book leaves me cold. I ordered it as an 'add-on' because I was getting a couple of others and I guess it's what I deserve, for buying it sight unseen. This is the first time I have been compelled to write a review... and it is really just as a warning to others to look through this book first, before purchasing. I don't even like the pictures!
Book Description
The Tuscan house, whether a simple homestead or expansive villa, has become one of the most sought-after living environments. Its design is virtually unchanged since the Middle Ages, when landowners in the golden hills of Tuscany built country retreats with gardens, porticoes, and loggias. The landowners often drew upon the natural resources of the region-and it is these materials that give the Tuscan house its unique character. Tuscan Elements brings to life the colors, textures, and aesthetics of the Tuscan house-the magnificent stone and marble work; the hardwoods like chestnut, oak, and elm; earthy terra-cotta and brick; and the all-important water feature, used in ponds, fountains, and pools. This unique, visual sourcebook deconstructs the typical Tuscan home and examines its basic components in dazzling detail, from the tiled roof and floor, thick stone exterior walls, and vine-covered loggia to the exposed wooden beams, luminous frescoes, and the sunny courtyard garden with an ancient well or exquisite swimming pool. Filled with extraordinary photos by world-famous interiors photographer Simon McBride, Tuscan Elements emphasizes living life well with a home that nurtures and comforts, accentuates the importance of family and friends, and entertains with good food and drink. For anyone interested in infusing their present home and garden with a little bit of Tuscany, here is a delightful source of never- ending inspiration.
Customer Reviews:
Great Book.......2007-05-06
This book is filled to the top with great quality pictures. Wonderful inspiration for me and our new home which we are doing a Tuscan Theme. Will make a good coffee table book as well :)
Too Primitive!.......2006-07-11
The disigns elements were too rustic for my taste. I was looking for more of a casual elegence.
Ótimo livro sobre casa toscanas.......2006-03-17
Recomendo esse livro para quem, como eu, pretende construir no estilo toscano. Claro está que não se encontra mais tijolos de 300 anos, porém, pode-se ter completa idéia de como é o ar de uma propriedade toscana. Ótimas fotos e boas dicas.
Tuscan Elements.......2005-08-19
This is the best book of its kind that I have seen on basic Tuscan home design elements. Concise descriptions, beautiful photgraphy. I would heartily recommend this book.
Tuscan Style.......2004-12-24
I normally don't buy tabletop table books because I don't feel that they represent a value or add much to my understanding of a subject. Tabletop books full of incredible pictures just do not fully capture my imagination or attention. Consequently, most tabletop books get a cursory flipping through before I put them down.
However, `Tuscan Elements' is more than a book of pretty pictures and it is worth more than just a cursory flipping through. The author, Alexandra Black, has organized her effort to capture the elements of Tuscany. The four elements are stone, wood, earth, and water. These four elements are expressed in the homes, furniture, terracotta, and ponds, respectively, of Tuscany. To stand alongside the pictures of these four elements, Ms. Black takes the time to build a supporting story from a historical and literary point of view. Quoting D.H. Lawrence and Pliny the Younger, the story of how these elements have been woven into the ebb and flow of Tuscan life since before the Roman Empire emerges with an impressive clarity and vividness.
As a lover of Tuscany I am drawn to images of Tuscany and its way of life. The seductive beauty of the Tuscan landscape and the romance of the Tuscan lifestyle as expressed in the prose and images of this tabletop book is the stuff of dreams. This tabletop book provided me the fodder for those dreams and never once disappointed me.
Book Description
Learn how basic design elements and principles work together to achieve effective communication design by artfully blending academic principles and theories with real-world, practical design solutions. This concise new book begins with the primary design principles of unity, variety, hierarchy, and proportion. Subsequent chapters explore the support principles of scale, balance, repetition, and proximity, and later the elements of shape, line, size, color, texture, imagery, and typography. Profiles of successful designers with samples from their portfolios round out the extensive coverage and offer personal glimpses into the careers of working professionals.
Customer Reviews:
Great book for beginners!.......2007-04-21
Great book! It's great for beginners and spells everything out in an easy to learn way. I enjoyed the examples and all the little extras they added here and there to make everything sink in well.
An excellent text book.......2006-02-20
This book was a text book for my college course Intro to Graphic Design. I loved the book. It's easy to understand and provides a lot of great references, instruction and detail. I learned alot about design from this text. This book provides a good, solid introduction to graphic design.
Great book about design........2005-07-26
This book give you a solid base to be a good designer, inside it you can read about theories and principles of design with a lot of real-world pratical solutions.
The book covers the principles of scale, balance, repetition and proximity; the elements of shape, line, size, color, texture, imagery and typography. At the end of each chapter you have a real-world project to do and a list of questions about the chapter.
At all I can say that this book is a must have and much better than the "Design for non-Designers" book.
Book Description
"An impressive reference work."
- Library Journal (on the 1997 edition)
A richly detailed and easy-to-use reference to 500 years of architectural details and styles.
Owners and potential buyers of period houses, restorers, architects, interior designers and historical preservationists will find this reference invaluable.
The Elements of Style is the most comprehensive visual survey, period-by-period, feature-by-feature, of the styles that have had the greatest impact on interiors of American and British domestic architecture. Compiled by a team of experts, this is the first book on architectural styles that is comprehensive, incredibly thorough, and accessible in its presentation of individual details.
This magnificent volume covers more than 500 years of architectural styles from Tudor to Post-Modern and includes American and British vernacular styles. First published in 1991 (with 150,000 copies sold), this new edition is expanded to include the most contemporary styles.
Detailed illustrations include 3,000 analytical drawings and historic engravings, 400 photographs in color and 1,000 in black and white.
The heart of
The Elements of Style is a chronological survey of the primary styles and periods of architectural design. Each chapter begins with an illustrated essay, then covers in detail features such as:
- Doors
- Windows
- Walls, floors and ceilings
- Staircases
- Ironwork and hardware
- Woodwork and built-in furniture
- Kitchen stoves and fireplaces
- Essential period architectural details, and more.
The book also includes:
- A useful system of quick reference, employing color-coded tabs showing how particular features evolved over time, and
- A fully updated resource list with contact information for locating suppliers of those design elements illustrated throughout the book.
The Elements of Style is the essential reference for preservationists, architects, interior designers, owners of period homes, and historians.
Customer Reviews:
Excellent resource.......2007-06-30
This book is an invaluable resource for restoration work and new construction, where clients want something that 'authentic' to a particular era.
Beautiful.......2007-03-22
This book contains many beautiful pictures, which are key to defining period style furniture adn architecture. The chapters are clearly defined and arranged in a logical, easy to use manner. It is a must for anyone seeking a career in Historical Preservation.
never recieved it.......2007-01-05
i am taking this oppurtunity to let you know that i never recieved this book. i have emailed amazon several times but have heard nothing back, maybe you can help me
thank you
john robinson
Excellent Reference Book Detailing Period Styles.......2006-11-17
Great historical reference book detailing period styles of everything from windows to fireplace mantels. Lots of photos - many of them in color. Also includes useful drawings. I found this book to be EXTREMELY helpful, and I reference it often; worth every penny!
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